{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":9,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":9,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"1114a66c99a9","filters":{"venue":"Arion"}},"results":[{"id":"W4290374764","doi":"10.1353/arn.2022.0015","title":"The Rage and the Kill-Ease","year":2022,"lang":"en","type":"article","venue":"Arion","topic":"Classical Antiquity Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Rage (emotion); Poetry; Character (mathematics); Classics; Art; History; Performance art; Pandemic; Art history; Coronavirus disease 2019 (COVID-19); Literature; Psychology; Medicine","authors":[{"name":"Kevin Solez","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01446489245980021,"gpt":0.2823722073196124,"spread":0.2679073148598122,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.000748932,0.00002108973,0.00003517615,0.000003512302,0.003362373,0.00004276304,0.0001072072,0.000005906422,0.00004281568],"category_scores_gemma":[0.0003189075,0.00001043418,0.00002019296,0.00007522145,0.000383385,0.00002105843,0.0001424559,0.00007919043,0.00000555541],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002193403,"about_ca_system_score_gemma":0.00001274149,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002302569,"about_ca_topic_score_gemma":0.006965292,"domain_scores_codex":[0.999432,0.0002165133,0.00003836274,0.00005451512,0.0001671777,0.00009141256],"domain_scores_gemma":[0.9993227,0.0005784214,0.0000179545,0.00005778257,0.000007428376,0.00001570533],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004438561,0.00001696237,0.002124667,9.353536e-7,0.00001305493,0.000002253763,0.0246688,0.000001909203,0.000008781001,0.9006597,0.02611508,0.04634346],"study_design_scores_gemma":[0.0001571431,0.000009000913,0.006902535,5.248689e-7,0.000005154428,2.511716e-7,0.01008352,0.00003204478,0.000001364093,0.01834942,0.9644353,0.00002374737],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4992538,0.001211067,0.000007588857,0.4324256,0.0005458454,0.0003075206,0.000002962898,0.00005130474,0.0661943],"genre_scores_gemma":[0.988795,0.0002134165,0.000002084962,0.000679834,0.00006767256,0.00001961436,2.559922e-7,0.000001273316,0.01022085],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9383202,"threshold_uncertainty_score":0.9979351,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4312258823","doi":"10.1353/arn.2022.0035","title":"Lesbia’s Sparrow (Catullus 2)","year":2022,"lang":"en","type":"article","venue":"Arion","topic":"Discourse Analysis and Cultural Communication","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Sparrow; Art; EPIC; Passer; Trilogy; Poetry; Humanities; Girl; Art history; Literature; Psychology; Zoology","authors":[{"name":"Jack Mitchell","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0350874589667439,"gpt":0.332256099244475,"spread":0.297168640277731,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003944598,0.00002725457,0.00004344215,0.00001869822,0.001040388,0.0000392464,0.0002357842,0.00001191098,0.002031747],"category_scores_gemma":[0.00002060083,0.00002597088,0.00004354747,0.0001878114,0.00003769193,0.00009900446,0.00007525546,0.00008484744,0.00006908148],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007495883,"about_ca_system_score_gemma":0.0000430496,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005013085,"about_ca_topic_score_gemma":0.006538785,"domain_scores_codex":[0.9993544,0.000181324,0.00006225629,0.00007314287,0.0002330157,0.0000958166],"domain_scores_gemma":[0.9997512,0.00001274136,0.00004012862,0.0001466039,0.00002085379,0.0000284748],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001327,0.0001786569,0.003496966,0.000001500794,0.00003557602,0.000003050754,0.03273446,0.0003467608,0.001296882,0.8233697,0.05732044,0.0812027],"study_design_scores_gemma":[0.00004669108,0.00001399399,0.00157786,9.283556e-7,0.00001219002,2.590228e-7,0.01580786,0.00007243938,0.00001951102,0.003334581,0.9790577,0.00005595298],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3337445,0.0005939803,0.00002516117,0.01779584,0.0002288302,0.0001023583,0.000002253764,0.00007111273,0.647436],"genre_scores_gemma":[0.9844029,0.00008290254,0.00003457855,0.0002814837,0.00005064074,0.00001495038,0.00002214442,0.000002213118,0.01510819],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9217373,"threshold_uncertainty_score":0.9988805,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4205802570","doi":"10.1353/arn.2016.0043","title":"A Problem in Egypto-Canadian Cultural Relations","year":2016,"lang":"en","type":"article","venue":"Arion","topic":"Classical Antiquity Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Poetry; Context (archaeology); Classics; History; Literature; Art; Archaeology","authors":[{"name":"Douglas Young","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03244547071369049,"gpt":0.3089978789281483,"spread":0.2765524082144579,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000197967,0.00002990075,0.00004448965,0.00004416703,0.0003632189,0.00002340329,0.00006480205,0.00004674416,0.0001726635],"category_scores_gemma":[0.0003814432,0.00002033149,0.00001840827,0.0001553529,0.0001545147,0.0001754862,0.00001503038,0.00004258973,0.0002863631],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002952097,"about_ca_system_score_gemma":0.0001606703,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.216097,"about_ca_topic_score_gemma":0.9772668,"domain_scores_codex":[0.9994844,0.00005853432,0.00006733835,0.00008311693,0.0001015345,0.0002050398],"domain_scores_gemma":[0.9997443,0.00007935385,0.00001478818,0.00004074593,0.00003540934,0.00008542541],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000003036252,0.00002648626,0.1547067,0.00000154842,0.000005950452,0.000005521299,0.03430085,6.526475e-7,0.0001883184,0.7029785,0.03119791,0.07658453],"study_design_scores_gemma":[0.0001015894,0.000006498075,0.0719807,0.00002862458,0.000001671099,6.731788e-8,0.001335238,0.000001248241,0.00000538256,0.01387633,0.9126104,0.00005231975],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2070904,0.00005667096,0.00003408996,0.3243449,0.000148789,0.0002381324,0.000004028637,0.00005396452,0.468029],"genre_scores_gemma":[0.9705298,0.00007269447,0.0001959017,0.0001262639,0.00007271896,0.000008869391,5.549521e-7,0.000001845258,0.02899138],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8814124,"threshold_uncertainty_score":0.7891231,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4205236278","doi":"10.1353/arn.2010.0026","title":"A Tragic Romp?","year":2010,"lang":"en","type":"article","venue":"Arion","topic":"Theater, Performance, and Music History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Drama; Comics; Art; Extant taxon; Literature; Barbarian; History; Ancient Greek; Classics; Art history; Ancient history","authors":[{"name":"MARY-KAY GAMEL","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.00989754522976576,"gpt":0.1688177807258314,"spread":0.1589202354960657,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00005850801,0.00005070958,0.00005363031,0.00003387991,0.0001762712,0.00003277724,0.00006045051,0.00002266937,0.004388812],"category_scores_gemma":[0.00000218129,0.00004070089,0.0000296761,0.000006249719,0.00008912451,0.0001118958,0.000007389578,0.0001157136,0.0006950593],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000007580494,"about_ca_system_score_gemma":0.00001302173,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000251236,"about_ca_topic_score_gemma":0.003669137,"domain_scores_codex":[0.9996939,0.000004083892,0.00007382262,0.00007533267,0.0000529338,0.00009989957],"domain_scores_gemma":[0.9998165,0.000005027334,0.00001983141,0.0001143228,0.00001553703,0.00002878862],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002549211,0.0001202223,0.0002475431,0.00002675377,0.00001501452,0.000007339746,0.1261746,8.647852e-7,0.01168606,0.723556,0.06843586,0.06970423],"study_design_scores_gemma":[0.000123818,0.00002624322,0.0004238707,0.000003583046,0.000004915511,0.000002438204,0.0002239454,0.00002441426,0.0001567392,0.0006463297,0.9982998,0.00006385011],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6745769,0.00002326781,0.000002791121,0.00007784759,0.001895336,0.00003777473,0.000001962841,0.00005341032,0.3233307],"genre_scores_gemma":[0.9700817,0.000004061358,0.00002191612,0.0002869087,0.0008727274,0.000008051951,0.000005818438,0.000006921229,0.02871192],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.929864,"threshold_uncertainty_score":0.9965213,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4290374855","doi":"10.1353/arn.2022.0025","title":"Cupid's Laugh (Amores 1.1)","year":2022,"lang":"en","type":"article","venue":"Arion","topic":"Classical Antiquity Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Apollo; Nothing; Literature; Poetry; Art history; Philosophy","authors":[{"name":"Ovid","is_ca":false},{"name":"Kyle Gervais","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03358208361349851,"gpt":0.3226765455459205,"spread":0.2890944619324219,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002763195,0.00003278633,0.00005645165,0.00001885392,0.001178797,0.0000200473,0.00013097,0.00001245296,0.0009250707],"category_scores_gemma":[0.0001341851,0.0000319658,0.00003420699,0.0001628592,0.0001192054,0.00005387998,0.0001847233,0.00009263444,0.00007055681],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007527821,"about_ca_system_score_gemma":0.00003570639,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002137669,"about_ca_topic_score_gemma":0.005494592,"domain_scores_codex":[0.9993067,0.0001045614,0.00005677507,0.00009990395,0.00028136,0.0001506936],"domain_scores_gemma":[0.9997852,0.00008238319,0.00002254341,0.00006362689,0.00001529991,0.00003094788],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002131052,0.0001685251,0.01977749,0.00000428253,0.00002328421,0.00001800955,0.03528942,0.00002601274,0.0003090964,0.5487598,0.3437686,0.05183414],"study_design_scores_gemma":[0.00005319248,0.00002317038,0.006652273,9.112651e-7,0.00000334407,2.083518e-7,0.004391862,0.000008775763,0.00002198366,0.00693131,0.9818645,0.00004845332],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5599765,0.0003520413,0.00003497194,0.1071446,0.001118195,0.000216902,0.000009254201,0.000244074,0.3309035],"genre_scores_gemma":[0.9777265,0.00003834612,0.0000439852,0.0005736506,0.0001553529,0.00001799936,0.000001825412,0.000003141104,0.02143916],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6380959,"threshold_uncertainty_score":0.9999882,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4205709406","doi":"10.1353/arn.2010.0029","title":"Achilles As Earthwork","year":2010,"lang":"en","type":"article","venue":"Arion","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"HERO; Art history; Art; Shot (pellet); Quarter (Canadian coin); Law; Ancient history; History; Archaeology; Literature; Political science","authors":[{"name":"Mark Rudman","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008882493389592934,"gpt":0.2131004700907895,"spread":0.2042179767011965,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007013934,0.00005084132,0.00006389431,0.00002822538,0.0002300396,0.0001070215,0.00006772895,0.00002442376,0.0102135],"category_scores_gemma":[0.00002043739,0.00004013285,0.00005511735,0.00001309667,0.00007682126,0.00009808358,0.00001485392,0.0001293035,0.001236659],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000001583757,"about_ca_system_score_gemma":0.000007193605,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002575844,"about_ca_topic_score_gemma":0.002914279,"domain_scores_codex":[0.9996516,0.000009061493,0.00007524308,0.0000863407,0.00007665539,0.000101079],"domain_scores_gemma":[0.9997741,0.00001914584,0.00001728212,0.000127927,0.00002680016,0.00003476538],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00000240098,0.00002624517,0.0001791856,0.000001494627,0.00001048903,0.000002711153,0.002943533,4.240923e-7,0.0007121235,0.9876449,0.002863511,0.005612995],"study_design_scores_gemma":[0.00006381579,0.00002184916,0.0008260395,0.00000414947,0.00001697569,0.000002212169,0.0006276031,0.00003067834,0.0004288926,0.01981488,0.9780867,0.00007622647],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6208931,0.00003692595,0.000004841792,0.0007564312,0.0004380665,0.00001871105,0.000001915066,0.00003496365,0.377815],"genre_scores_gemma":[0.9805827,0.000005932744,0.00002405975,0.0004782352,0.0006709787,0.000002433576,0.000007631033,0.000005189841,0.01822289],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9752232,"threshold_uncertainty_score":0.999541,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4290374784","doi":"10.1353/arn.2022.0024","title":"From the Canzoniere","year":2022,"lang":"en","type":"article","venue":"Arion","topic":"Classical Antiquity Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Courage; Art; HERO; Face (sociological concept); Art history; Literature; Philosophy; Theology","authors":[{"name":"Petrarch","is_ca":false},{"name":"A. M. Juster","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03526544902153622,"gpt":0.3080301911693454,"spread":0.2727647421478092,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0001858165,0.00002000493,0.00003087048,0.000003263213,0.001420202,0.00001848677,0.0001473715,0.000007593263,0.000785862],"category_scores_gemma":[0.00009380384,0.0000141654,0.00002095437,0.00009398301,0.00009363894,0.00002188368,0.0001513879,0.00008405827,0.00003596901],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006056539,"about_ca_system_score_gemma":0.00003768266,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.04182105,"about_ca_topic_score_gemma":0.05571893,"domain_scores_codex":[0.9995047,0.0001118557,0.00003352067,0.00006462885,0.0001976155,0.00008765704],"domain_scores_gemma":[0.9997214,0.0001788445,0.00001471282,0.00006233675,0.000008100021,0.00001458992],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001066053,0.00005598228,0.02202754,5.115655e-7,0.00002708102,0.000006092726,0.1361618,0.00001077346,0.0001030175,0.1429988,0.6174295,0.08116828],"study_design_scores_gemma":[0.00002823842,0.000006778377,0.01477961,5.316413e-7,0.000003282369,3.702252e-8,0.01688273,0.000005021078,0.000003999966,0.009058296,0.9592082,0.00002326762],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6687959,0.0002764627,0.00001239924,0.2598818,0.0007305906,0.0001126769,0.00002057757,0.00006141121,0.07010824],"genre_scores_gemma":[0.9898265,0.00001835141,0.00001092283,0.00102909,0.0002776256,0.00001136433,0.000002268921,0.000001585103,0.008822273],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3417787,"threshold_uncertainty_score":0.9998798,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4386335675","doi":"10.1353/arn.2023.a905660","title":"Four Epigrams","year":2023,"lang":"en","type":"article","venue":"Arion","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Wife; Art; Art history; Bachelor; Theology; Philosophy; History; Archaeology","authors":[{"name":"John Owen","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0958696799099228,"gpt":0.2349524950290229,"spread":0.1390828151191001,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009234808,0.00002660704,0.00003065883,0.00005346118,0.0001905669,0.00003962069,0.00004368517,0.0000107362,0.001748291],"category_scores_gemma":[0.00002094994,0.00002553411,0.0000259571,0.00003021439,0.0000345716,0.0001288176,0.00001187737,0.00003201031,0.004329571],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001224467,"about_ca_system_score_gemma":0.000006787914,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002460483,"about_ca_topic_score_gemma":0.001844517,"domain_scores_codex":[0.9997322,0.000009310413,0.00004955937,0.00005976087,0.0000867,0.00006249799],"domain_scores_gemma":[0.9998695,0.00002278678,0.00001463002,0.00005040975,0.00002779985,0.00001493624],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000003529653,0.00001230749,0.0004395442,0.000004967192,0.00000689406,0.00001032286,0.003667311,0.000004374178,0.00005408753,0.7842399,0.206965,0.004591786],"study_design_scores_gemma":[0.00005657348,0.000009753413,0.004875143,0.0000033826,0.000003005206,5.620287e-7,0.0001309085,0.00004776079,0.00002366292,0.01752695,0.9772812,0.00004112934],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6710139,0.00006910261,0.00001222298,0.0007948145,0.00214294,0.00006230368,0.000007371112,0.0003137342,0.3255836],"genre_scores_gemma":[0.901172,0.000009027554,0.000006055038,0.0001516889,0.0003579048,0.000004376967,0.00002145136,0.000003717562,0.09827371],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7703162,"threshold_uncertainty_score":0.9991642,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4300984356","doi":"10.1353/arn.2014.0038","title":"Towards a Poetics of Suffering: Reading Inside and Outside Virgil's Garden","year":2014,"lang":"en","type":"article","venue":"Arion","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Poetics; Girl; Art; Memoir; Fell; Art history; History; Literature; Psychology; Cartography; Poetry; Geography","authors":[{"name":"Karen Simons","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02184898684418638,"gpt":0.2271333215129815,"spread":0.2052843346687951,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001683944,0.00007391394,0.0001643914,0.00005807933,0.00009875504,0.00006382668,0.0000574148,0.00002708254,0.0002106443],"category_scores_gemma":[0.00005721334,0.00006328135,0.00004739418,0.00001561285,0.00009972761,0.00008357261,0.00004030082,0.00006151865,0.00001239026],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000007739607,"about_ca_system_score_gemma":0.000007081446,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002768216,"about_ca_topic_score_gemma":0.0003057888,"domain_scores_codex":[0.9994771,0.00002973371,0.0001649826,0.0001115385,0.0001032982,0.0001132828],"domain_scores_gemma":[0.999696,0.00003938978,0.00004944807,0.0001269699,0.00004757992,0.00004066129],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000160872,0.00005143783,0.001059035,0.0001002033,0.00006054416,0.000003664602,0.02405894,0.00001173784,0.001701422,0.9561793,0.0009004069,0.01585724],"study_design_scores_gemma":[0.000768943,0.0004205186,0.009713391,0.0002168071,0.0003014712,0.00001101174,0.008022964,0.003826225,0.007076137,0.04664709,0.9224785,0.0005169641],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6726536,0.0001651464,0.0003469176,0.00056708,0.0001579799,0.0000463136,0.000004866354,0.00003594439,0.3260222],"genre_scores_gemma":[0.9975041,0.00004267498,0.00008385169,0.0001721085,0.0001719885,0.000001653024,0.000004005639,0.000008359512,0.002011332],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.921578,"threshold_uncertainty_score":0.2580539,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}