{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":15,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":15,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"109046b22710","filters":{"venue":"ArtsPraxis"}},"results":[{"id":"W4415820525","doi":"10.33682/w8sr-fenz","title":"Participatory aesthetics: Youth performance as encounter","year":2017,"lang":"en","type":"article","venue":"ArtsPraxis","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Brock University","funders":"","keywords":"Citizen journalism; Power (physics); Relation (database); Participatory action research; Rendering (computer graphics); Work (physics); Process (computing)","authors":[{"name":"Pamela Baer","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07376165737653985,"gpt":0.2740057357465488,"spread":0.200244078370009,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001607485,0.0001502609,0.0001585033,0.00003650935,0.001885243,0.0003242382,0.0002985071,0.00002747424,0.002168441],"category_scores_gemma":[0.00001730788,0.0001172383,0.00007187914,0.000005447102,0.0005444708,0.0005977146,0.00009670651,0.0001085185,0.002594754],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001540707,"about_ca_system_score_gemma":0.00002239535,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003486537,"about_ca_topic_score_gemma":0.001231106,"domain_scores_codex":[0.9991692,0.00001333808,0.0001660898,0.000179198,0.0001588448,0.0003132832],"domain_scores_gemma":[0.9991652,0.0000131015,0.0001011359,0.0005902451,0.00006945263,0.00006088196],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001978543,0.0002739122,0.1382161,0.0001309005,0.000188319,0.00002963068,0.658506,0.000008173581,0.00006413763,0.09753639,0.04027985,0.06456877],"study_design_scores_gemma":[0.000365972,0.0003131193,0.01313459,0.00006576355,0.00005244606,0.000004378466,0.009952502,0.0000358845,0.0004880495,0.0007142516,0.9745498,0.0003232654],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6183586,0.0001307879,3.164295e-7,0.0004208128,0.0006505366,0.00005599329,0.00001242591,0.00004766096,0.3803229],"genre_scores_gemma":[0.9865457,0.000139683,0.000006044348,0.0005063811,0.0007871065,0.00002180749,0.000004075119,0.0000173406,0.01197189],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9342699,"threshold_uncertainty_score":0.9994141,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4415820699","doi":"10.33682/rtbx-q6d0","title":"Editorial: Into the Traumaverse","year":2021,"lang":"en","type":"article","venue":"ArtsPraxis","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Drama; Politics; Narrative; Identity (music); Embodied cognition; Inclusion (mineral); Storytelling; Process (computing)","authors":[{"name":"Jonathan Jones","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01948053015906888,"gpt":0.2310397260534454,"spread":0.2115591958943766,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000105744,0.00007618178,0.00008424145,0.00001354264,0.000620479,0.0001056403,0.00008710991,0.00001794219,0.003019602],"category_scores_gemma":[0.000020984,0.00004681199,0.00006547553,0.00002554915,0.0001689581,0.0001409319,0.00004503973,0.00009412343,0.0006783704],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001083268,"about_ca_system_score_gemma":0.00002662283,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003061616,"about_ca_topic_score_gemma":0.010725,"domain_scores_codex":[0.999495,0.00002673239,0.00009788928,0.0001083904,0.0001340611,0.0001379838],"domain_scores_gemma":[0.9995893,0.00006612339,0.00002064754,0.0002040246,0.00009758681,0.00002226987],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000006968196,0.00001842726,0.00007366743,0.000005442301,0.00002513126,0.000002567386,0.09905358,7.41317e-7,0.00003791733,0.05307304,0.8401381,0.007564462],"study_design_scores_gemma":[0.0001079874,0.00002490978,0.000143086,0.000005514208,0.00001416277,9.256186e-7,0.01485489,0.000001481499,0.0001267605,0.002331482,0.982317,0.00007180442],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.06236593,0.00106772,0.000002825656,0.00726113,0.1363324,0.00009278298,0.00001144898,0.0001184318,0.7927474],"genre_scores_gemma":[0.8580206,0.0001679025,0.00002062224,0.0008550569,0.1215865,0.00001720509,0.000007903322,0.00001127796,0.01931297],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7956547,"threshold_uncertainty_score":0.9978918,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4415820720","doi":"10.33682/9tvh-7vwg","title":"A Plenary Conversation","year":2019,"lang":"en","type":"article","venue":"ArtsPraxis","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"York University","keywords":"Conversation; Plenary session; Scholarship; Session (web analytics)","authors":[{"name":"Patricia Leavy","is_ca":false},{"name":"Joe Salvatore","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01491472819751592,"gpt":0.198316173712871,"spread":0.1834014455153551,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00004767973,0.00005732748,0.00007236924,0.00003052624,0.0001036105,0.00003249431,0.0000448935,0.00001110611,0.01155917],"category_scores_gemma":[0.000001634278,0.00004561506,0.00003396192,0.00001101705,0.00005265512,0.0002086758,0.00001825787,0.00003985866,0.005338679],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000089994,"about_ca_system_score_gemma":0.000007355137,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001449409,"about_ca_topic_score_gemma":0.000442342,"domain_scores_codex":[0.9996579,0.000007652146,0.00007323993,0.00008593484,0.00006776724,0.0001075264],"domain_scores_gemma":[0.9998002,0.00002421832,0.0000214911,0.0001115593,0.00002685999,0.00001567194],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008841111,0.00008819443,0.03807075,0.0000945398,0.0001061046,0.000004415515,0.3598525,0.000009076678,0.0004689179,0.3930037,0.1898543,0.0183591],"study_design_scores_gemma":[0.0001885314,0.00009355801,0.001882906,0.0000089471,0.000006295047,0.000001023627,0.008339364,0.00002914886,0.00008461044,0.0008246879,0.988452,0.00008898332],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4964295,0.0001204249,9.552205e-7,0.0006381074,0.0006158933,0.00007729502,0.000006199745,0.00005422042,0.5020574],"genre_scores_gemma":[0.9755505,0.00001909061,0.000009730609,0.0004486628,0.0003199663,0.000006226021,0.000008279246,0.000005946909,0.02363161],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7985976,"threshold_uncertainty_score":0.9954358,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4415820389","doi":"10.33682/g47y-4kbh","title":"Inday Dolls: Body Monologues and Lullabies for Freedom in Prison: Scripting Possible Futures in Justice Art in Iloilo's Correctional System","year":2019,"lang":"en","type":"article","venue":"ArtsPraxis","topic":"Criminal Justice and Corrections Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"Prison; Performative utterance; Narrative; Storytelling; Politics; Economic Justice; Compassion; Liminality","authors":[{"name":"Ma Rosalie Abeto Zerrudo","is_ca":false},{"name":"Dennis Gupa","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01609110259032457,"gpt":0.2901375773524076,"spread":0.274046474762083,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009600539,0.0001285859,0.0002802688,0.000450477,0.0002741824,0.000125096,0.0001365421,0.0001326332,0.00005367993],"category_scores_gemma":[0.0003782168,0.0001310016,0.00005765144,0.0007295994,0.00009752566,0.0003462675,0.00004528538,0.0001736019,0.00003293658],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00024788,"about_ca_system_score_gemma":0.0001132943,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.02998652,"about_ca_topic_score_gemma":0.3997743,"domain_scores_codex":[0.9985671,0.0001671651,0.0003498744,0.000352608,0.0002059819,0.0003572402],"domain_scores_gemma":[0.9991738,0.0004445999,0.0001011496,0.0001365015,0.00008819198,0.00005581097],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"qualitative","study_design_scores_codex":[0.0002941722,0.0003680702,0.8322334,0.0006065354,0.00004270591,0.00003501041,0.1212232,0.003657705,0.0005663797,0.01832845,0.003506902,0.01913745],"study_design_scores_gemma":[0.0006591321,0.0001079846,0.04740754,0.0002454272,0.00008823983,0.000007549484,0.9364611,0.005669677,0.00003484751,0.0001199578,0.008955732,0.0002428367],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.99226,0.0005299427,0.0001249213,0.0003726135,0.001399234,0.0003946956,0.000006891084,0.00004436683,0.004867349],"genre_scores_gemma":[0.9980253,0.000143163,0.0004163031,0.0000609755,0.000247517,0.0000838046,0.00000769314,0.000009587481,0.001005676],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8152378,"threshold_uncertainty_score":0.9764729,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4415820364","doi":"10.33682/vv1j-z037","title":"Teaching Research-based Theatre Online: A Narrative of Practice","year":2020,"lang":"en","type":"article","venue":"ArtsPraxis","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Narrative; General partnership; Narrative inquiry; Course (navigation); Online teaching; Online course","authors":[{"name":"Chris Cook","is_ca":true},{"name":"Tetsuro Shigematsu","is_ca":false},{"name":"George Belliveau","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1688186995073479,"gpt":0.4125105285793215,"spread":0.2436918290719736,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007071788,0.0001013021,0.000173783,0.00007456692,0.0005563842,0.00006471078,0.0002051408,0.00002746602,0.002950767],"category_scores_gemma":[0.001120496,0.00007967391,0.00006463591,0.00007038548,0.0009262417,0.0002637609,0.00008429502,0.0005068698,0.0001674662],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002881335,"about_ca_system_score_gemma":0.0001465596,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001103841,"about_ca_topic_score_gemma":0.0003969315,"domain_scores_codex":[0.998121,0.0006265799,0.0002121819,0.0002274791,0.0005312717,0.0002815205],"domain_scores_gemma":[0.998068,0.001099701,0.00007065842,0.0001790868,0.000443833,0.0001387426],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002836247,0.000392651,0.0001282649,0.00007273439,0.00006128823,0.00003298689,0.2521211,0.00001059812,0.0006220181,0.7006962,0.03557882,0.009999749],"study_design_scores_gemma":[0.0003350079,0.0007710854,0.00006333961,0.00004486287,0.00001415289,0.000001111806,0.3006039,0.0007236192,0.0002850435,0.001583104,0.6954642,0.0001105871],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.02913902,0.0002264728,0.000425458,0.0634167,0.00003157276,0.0003423749,0.0001069651,0.00007340222,0.906238],"genre_scores_gemma":[0.9955296,0.000006858623,0.00078236,0.001022988,0.0004326611,0.00001504926,0.00001825751,0.00001753234,0.0021747],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9663906,"threshold_uncertainty_score":0.9979607,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4415820710","doi":"10.33682/tkz6-xwym","title":"On Border and Identity: A Performative Reflection from an Applied Theatre Project","year":2021,"lang":"en","type":"article","venue":"ArtsPraxis","topic":"Interdisciplinary Cultural and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Regina","funders":"","keywords":"Performative utterance; The arts; Focus (optics); Identity (music); Displacement (psychology); Cultural identity; Performing arts; Reflection (computer programming)","authors":[{"name":"Taiwo Afolabi","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03373696305095066,"gpt":0.4061931982070063,"spread":0.3724562351560556,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0001843722,0.00007564844,0.0001087311,0.0000175537,0.001726128,0.0001308082,0.00005707803,0.00005445807,0.0002269091],"category_scores_gemma":[0.0000436294,0.00006006211,0.00003254444,0.000168394,0.0001335968,0.000435945,0.0000662116,0.0001137442,0.00003684252],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006871351,"about_ca_system_score_gemma":0.00004819415,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003155094,"about_ca_topic_score_gemma":0.04157021,"domain_scores_codex":[0.9992215,0.0001538693,0.00008687122,0.0001859914,0.0001982919,0.0001534643],"domain_scores_gemma":[0.99972,0.00006661064,0.00003222582,0.00006838327,0.00007396222,0.00003879106],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001064188,0.0001813886,0.001814673,0.000007992771,0.0000959401,0.00001362813,0.8295574,0.000001473553,0.001193144,0.1256448,0.004532775,0.03685037],"study_design_scores_gemma":[0.0006997972,0.0003937371,0.04496716,0.0000550836,0.00006973781,0.000002489025,0.6756172,0.00002480095,0.0009053173,0.1468856,0.1298352,0.0005438987],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7030461,0.00007225198,0.00001499942,0.002086941,0.0001662861,0.0001208712,0.00000755112,0.00004621299,0.2944387],"genre_scores_gemma":[0.9974788,0.0001197623,0.000103004,0.0003714749,0.0002696629,0.00002365199,0.00001540819,0.000004245967,0.001614035],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2944326,"threshold_uncertainty_score":0.9995735,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4412606239","doi":"10.33682/t5j6-teu6","title":"Editorial: E Pluribus Unum","year":2024,"lang":"en","type":"editorial","venue":"ArtsPraxis","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"York University; U.S. Department of State","keywords":"Political science; Humanities; Philosophy","authors":[{"name":"Jonathan Jones","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01119217642683108,"gpt":0.2407805163876284,"spread":0.2295883399607974,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002434439,0.0004306127,0.0004758243,0.0001609251,0.0004450468,0.0005458675,0.0003203358,0.0004075882,0.002531988],"category_scores_gemma":[0.0001211258,0.0003389248,0.0002505566,0.0000423552,0.0002801567,0.0002255671,0.0001779313,0.001022276,0.007389804],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00008311004,"about_ca_system_score_gemma":0.0001870246,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0006767659,"about_ca_topic_score_gemma":0.004312431,"domain_scores_codex":[0.9979529,0.00002713398,0.0003497107,0.0004656847,0.0007616286,0.0004428885],"domain_scores_gemma":[0.9987531,0.0003619199,0.00009593787,0.0004116144,0.0003051425,0.00007230041],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002085988,0.00002081296,5.003162e-7,0.0002053462,0.0001446047,0.00000823227,0.01355592,1.874826e-7,6.566403e-7,0.004878728,0.9805519,0.0006122584],"study_design_scores_gemma":[0.0001445696,0.0001448913,1.50427e-7,0.0001783558,0.0001496329,3.118877e-7,0.0007059961,5.728062e-7,0.000002571943,0.002062435,0.9961933,0.000417227],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"editorial","genre_gemma":"editorial","genre_scores_codex":[0.000004806723,0.002415703,1.925819e-7,0.0002566059,0.7384933,0.0001114299,0.0007525309,0.000291825,0.2576737],"genre_scores_gemma":[0.0001697012,0.0006521435,0.000003510243,0.00004220686,0.8769954,0.00006006172,0.0003729368,0.00008836092,0.1216156],"genre_candidate":"editorial","genre_consensus":"editorial","teacher_disagreement_score":0.1385022,"threshold_uncertainty_score":0.9999063,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4415820381","doi":"10.33682/fyu8-eb6u","title":"Inciting Solidarity through Plural Performativity and Pedagogical Aesthetics in Ethnodrama with Marginalized Youth in Toronto","year":2019,"lang":"en","type":"article","venue":"ArtsPraxis","topic":"Participatory Visual Research Methods","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Toronto","funders":"","keywords":"Plural; Dialogic; Solidarity; Performativity; Politics; Performative utterance; Agency (philosophy); Power (physics); Field (mathematics)","authors":[{"name":"Rachel Rhoades","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.582731802909241,"gpt":0.5964490785217177,"spread":0.01371727561247671,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004388847,0.0001313693,0.0002796781,0.00004226443,0.0001865902,0.00009882481,0.0001814914,0.0001177512,0.000351369],"category_scores_gemma":[0.0008111919,0.0001111748,0.00002689753,0.0002440788,0.0004328984,0.0009254833,0.0001231998,0.0003604247,0.00002306317],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004787233,"about_ca_system_score_gemma":0.0002393241,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.03504852,"about_ca_topic_score_gemma":0.1390715,"domain_scores_codex":[0.9968293,0.001431278,0.0002438422,0.0002833375,0.0005716032,0.000640603],"domain_scores_gemma":[0.9991366,0.0003942341,0.00006772688,0.0001888582,0.00006274576,0.0001498455],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.0002004741,0.0001379895,0.6979883,0.00003443243,0.000004322332,0.00001960228,0.2807751,0.000009340806,0.0001914443,0.01723929,0.000006109852,0.003393575],"study_design_scores_gemma":[0.004189292,0.0008902778,0.5021503,0.0002775835,0.00001982084,0.000005297991,0.4753933,0.002204471,0.0005003461,0.005531203,0.008036523,0.0008016473],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.936942,0.0001110772,0.0000740554,0.0004460833,0.00003857794,0.0003954598,0.000003315007,0.00003180244,0.06195758],"genre_scores_gemma":[0.997748,0.00005535427,0.001819551,0.000100694,0.00002827795,0.00002163688,0.000001482816,0.000009990887,0.0002150512],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.195838,"threshold_uncertainty_score":0.9713772,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4415820803","doi":"10.33682/bx24-x1tu","title":"Encounters with Otherness in the Work of Dorothy Heathcote","year":2023,"lang":"en","type":"article","venue":"ArtsPraxis","topic":"Philosophy, Ethics, and Existentialism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Drama; Praxis; Dialogical self; Literal (mathematical logic); Space (punctuation)","authors":[{"name":"David Allen","is_ca":false},{"name":"Agata Handley","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05506556640665811,"gpt":0.2586145154927262,"spread":0.2035489490860681,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003759871,0.0000956872,0.0001356036,0.00008784335,0.000129164,0.00006659768,0.0002183496,0.00003041663,0.0002618908],"category_scores_gemma":[0.0000150561,0.00005888553,0.00005263055,0.0001192271,0.0003557636,0.0001172344,0.00002333655,0.0001347777,0.000156317],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001034374,"about_ca_system_score_gemma":0.00001958363,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001048711,"about_ca_topic_score_gemma":0.004511138,"domain_scores_codex":[0.9992222,0.00006245395,0.0001650015,0.0001382401,0.0002274249,0.0001846612],"domain_scores_gemma":[0.999501,0.0001204635,0.00005093435,0.000263225,0.00004427731,0.0000200557],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001702007,0.0001339584,0.002368229,0.0000934718,0.00006128378,0.00005979854,0.5236706,0.00006025331,0.00007550573,0.4570234,0.01499653,0.001286848],"study_design_scores_gemma":[0.001531368,0.0004957936,0.008855283,0.0004707254,0.00006123727,0.00001135834,0.06286251,0.0000406613,0.0002226995,0.1007061,0.8241237,0.0006185315],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.731033,0.0001353868,0.000006745975,0.008225779,0.0005883736,0.000241685,0.00003003616,0.00008912995,0.2596499],"genre_scores_gemma":[0.9968488,0.0000185821,0.000008101695,0.0008525884,0.0003263928,0.00002475271,0.000007996775,0.00001516072,0.001897614],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8091272,"threshold_uncertainty_score":0.286752,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4415820358","doi":"10.33682/97cs-z57g","title":"Editorial: I Can't Breathe","year":2020,"lang":"en","type":"article","venue":"ArtsPraxis","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"General partnership; Distance education; Equity (law); The Internet; Professional development; Politics; Work (physics); Scope (computer science)","authors":[{"name":"Jonathan Jones","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02751526110066627,"gpt":0.2165652412441356,"spread":0.1890499801434694,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00004154967,0.00009227776,0.0001137572,0.00001447443,0.0002677779,0.00006855782,0.0000952841,0.00001903669,0.002169768],"category_scores_gemma":[0.00001365753,0.00007021263,0.00005338742,0.00002042342,0.00009940245,0.0001176246,0.00003701682,0.00008443357,0.000764332],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000007622989,"about_ca_system_score_gemma":0.00001472526,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002891628,"about_ca_topic_score_gemma":0.001062489,"domain_scores_codex":[0.9994777,0.00001105543,0.0001025401,0.0001248266,0.000124142,0.0001597412],"domain_scores_gemma":[0.9997364,0.00002733398,0.00002420601,0.00009901601,0.0000493601,0.00006369015],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001257634,0.000009144159,0.0002318893,0.000008801527,0.00001780118,0.000001125392,0.05712302,6.821284e-7,0.00002939651,0.01679662,0.9239598,0.001809158],"study_design_scores_gemma":[0.0001337186,0.0001034269,0.00005557153,0.000004018873,0.00001177806,4.118301e-7,0.002367133,0.000004348175,0.00006164688,0.0003938034,0.9967646,0.00009955857],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.02603014,0.0004747974,0.00000516414,0.02680411,0.07915604,0.0001849929,0.0001075406,0.0004037196,0.8668335],"genre_scores_gemma":[0.8247869,0.00003767953,0.00001072684,0.002322058,0.169647,0.0000104469,0.000006700391,0.00001326678,0.003165215],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.8636683,"threshold_uncertainty_score":0.9987424,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4415820700","doi":"10.33682/b9tc-et95","title":"Reflections on Teaching Process Drama: A Critical Inquiry into Our Practice with/as Educators","year":2021,"lang":"en","type":"article","venue":"ArtsPraxis","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Regina; Vancouver Island University","funders":"Vancouver Island University","keywords":"Drama; Process (computing); Bachelor; Embodied cognition; Narrative; Reflexivity; Teaching method","authors":[{"name":"Amanda Claudìa Wager","is_ca":true},{"name":"Sara Schroeter","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0585526649434765,"gpt":0.4099652403645794,"spread":0.3514125754211029,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0001709606,0.0001643808,0.0001644126,0.00007705166,0.001435311,0.0002515822,0.00008484709,0.00003457295,0.0004388027],"category_scores_gemma":[0.0005453777,0.0001281898,0.00005208709,0.00006369929,0.0001636231,0.0006629893,0.00003800455,0.0003877287,0.000537987],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004271735,"about_ca_system_score_gemma":0.0001678001,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002836914,"about_ca_topic_score_gemma":0.001675126,"domain_scores_codex":[0.9989836,0.00008935697,0.0001667449,0.0002862311,0.0002071819,0.0002669407],"domain_scores_gemma":[0.9991417,0.0002294857,0.0000435211,0.0002391412,0.0002663091,0.00007986321],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001285312,0.0005962356,0.0001306881,0.00009022329,0.0001151609,0.00006962298,0.5976478,0.000007509119,0.00004262607,0.375364,0.02197831,0.003829235],"study_design_scores_gemma":[0.0001447173,0.0004006297,0.00003529579,0.00009047384,0.0000655568,0.00007514184,0.3904299,0.000001346626,0.0002869919,0.003336572,0.6049421,0.0001912475],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1490004,0.0003211731,0.00001940219,0.03394096,0.001560104,0.0001054875,0.00000396247,0.0001468608,0.8149016],"genre_scores_gemma":[0.9890416,0.00002437487,0.0002929555,0.003359091,0.001957105,0.00005899762,0.00000694829,0.00002436584,0.005234593],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8400412,"threshold_uncertainty_score":0.9998647,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4415820451","doi":"10.33682/xe2h-6zbg","title":"\"A kick in the pants\" or Mentoring as \"a brain to pick, an ear to listen and a push in the right direction\" (John C. Crosby 1859 – 1943)","year":2016,"lang":"en","type":"article","venue":"ArtsPraxis","topic":"Mentoring and Academic Development","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"Mentorship; Set (abstract data type); Term (time)","authors":[{"name":"Juliana Saxton","is_ca":true},{"name":"Carole Miller","is_ca":true},{"name":"Monica Prendergast","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03344083183982488,"gpt":0.3450678649579023,"spread":0.3116270331180774,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00207959,0.0001751491,0.0001780592,0.0001634598,0.000146982,0.0000902627,0.000441674,0.00009314166,0.0005511873],"category_scores_gemma":[0.0003645248,0.00008562428,0.00002549616,0.0004013041,0.00004318216,0.0001354362,0.00009163313,0.0001973054,0.0005114094],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001025942,"about_ca_system_score_gemma":0.0000312743,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001368879,"about_ca_topic_score_gemma":0.001591475,"domain_scores_codex":[0.9979841,0.0004076754,0.0003258167,0.0004699369,0.0002844441,0.0005280869],"domain_scores_gemma":[0.9987481,0.0005540224,0.00005166147,0.0004783338,0.00001864911,0.0001492888],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0007447808,0.0007127953,0.1603159,0.00003066851,0.00009198969,0.0002802139,0.3377533,0.000003608779,0.008875815,0.009348344,0.2660304,0.2158122],"study_design_scores_gemma":[0.0006096085,0.0002096695,0.2234563,0.00008574921,0.000004605774,0.00003208076,0.002169722,4.45697e-7,0.0002386753,0.0002471182,0.7727792,0.0001668588],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9381115,0.0000553829,0.00002633022,0.02713536,0.001516954,0.0005864436,0.000006110684,0.00004060552,0.03252132],"genre_scores_gemma":[0.9577458,0.00002155116,0.0001699716,0.005801519,0.0002918837,0.0003512088,0.000001872524,0.00001991859,0.03559626],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5067487,"threshold_uncertainty_score":0.6573303,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4415820748","doi":"10.33682/jcd7-rs9r","title":"Performer and Audience Responses to Ethnotheatre: Exploring Conflict and Social Justice","year":2010,"lang":"en","type":"article","venue":"ArtsPraxis","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"University of British Columbia","keywords":"Social justice; Performing arts; Economic Justice; Audience response; Audience participation; Visual methods","authors":[{"name":"George Belliveau","is_ca":true},{"name":"Vincent White","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09030939356147662,"gpt":0.2856575752060136,"spread":0.195348181644537,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001865611,0.0001253395,0.0001397046,0.00006964948,0.001107998,0.0001224006,0.00006279633,0.00002624558,0.0005158405],"category_scores_gemma":[0.0000344289,0.0001019374,0.00002247137,0.00002247042,0.0003571921,0.0003342176,0.00007997518,0.000162419,0.00008920211],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000004625223,"about_ca_system_score_gemma":0.00001133259,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001130909,"about_ca_topic_score_gemma":0.001856226,"domain_scores_codex":[0.999344,0.00001522542,0.0001180861,0.0001938122,0.00009732629,0.0002315661],"domain_scores_gemma":[0.9996536,0.0001117378,0.00002454072,0.000102108,0.00004791393,0.00006008637],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003111605,0.00004563504,0.01080219,0.0001601731,0.0000562631,0.000009152429,0.77258,2.716352e-7,0.005669955,0.1039996,0.0253713,0.08099433],"study_design_scores_gemma":[0.0001863574,0.0001628651,0.01451852,0.0000120913,0.00003546419,0.000009805321,0.01813363,0.000004918577,0.0002679408,0.0001139528,0.966362,0.0001924585],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.941133,0.0002089821,0.000001766537,0.003372894,0.0006492888,0.00009297549,0.000016672,0.00004056165,0.05448386],"genre_scores_gemma":[0.9923584,0.0001484133,0.0000945323,0.0008270373,0.0009300224,0.00003857264,8.672881e-7,0.00001146366,0.005590707],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9409907,"threshold_uncertainty_score":0.8521936,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4415820798","doi":"10.33682/tqyd-88xr","title":"ArtsPraxis: Volume 2, Issue 1","year":2010,"lang":"en","type":"paratext","venue":"ArtsPraxis","topic":"","field":"","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"University of British Columbia","keywords":"The arts; Arts in education; Narrative; Face (sociological concept); Performing arts education; Arts administration","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.01277566467027351,"gpt":0.2757419384748638,"spread":0.2629662738045903,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.0009723761,0.001736962,0.001790466,0.0009609837,0.0005237365,0.0005450211,0.002024765,0.002510549,0.3625198],"category_scores_gemma":[0.00053967,0.001809042,0.0007723606,0.0009516675,0.0007050085,0.0006361909,0.0007115324,0.004232306,0.9692477],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003884548,"about_ca_system_score_gemma":0.0007063003,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0009146026,"about_ca_topic_score_gemma":0.00129818,"domain_scores_codex":[0.9925181,0.0003797809,0.001328125,0.002234377,0.001492878,0.00204672],"domain_scores_gemma":[0.9932855,0.0002309643,0.001034779,0.004007027,0.0006005525,0.000841141],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006267404,0.0002538468,0.00008557687,0.0001438556,0.0002001176,0.00008493362,0.000342399,0.00002009405,0.004357395,0.0001074863,0.9914479,0.002893752],"study_design_scores_gemma":[0.0006942204,0.0002013584,0.0002787529,0.0001959027,0.0001863863,0.0001400138,0.00006495055,0.00004223408,0.001491982,0.0001288631,0.9946083,0.001967025],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.001746633,0.003396598,0.00008411532,0.001589595,0.02150571,0.001447118,0.003254112,0.0008484208,0.9661277],"genre_scores_gemma":[0.009841654,0.0003190784,0.001523775,0.001199218,0.009058297,0.0004397086,0.003659006,0.001319153,0.9726401],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.6067279,"threshold_uncertainty_score":0.9995376,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4415820663","doi":"10.33682/khk2-heqp","title":"Standards: The Illusion of Comfort","year":2004,"lang":"en","type":"article","venue":"ArtsPraxis","topic":"Creative Drama in Education","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"Drama; Illusion; Action (physics); Quality (philosophy); The arts; Locale (computer software)","authors":[{"name":"Carole Miller","is_ca":true},{"name":"Juliana Saxton","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02045104842722831,"gpt":0.2622122578733973,"spread":0.241761209446169,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002031413,0.00005690862,0.00007213199,0.00002865528,0.0002219871,0.00003772153,0.0001006732,0.00001216981,0.002841914],"category_scores_gemma":[0.00006291647,0.0000359181,0.00004243699,0.00002470452,0.000297704,0.0001072805,0.00002605357,0.00005176267,0.00005741225],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006545849,"about_ca_system_score_gemma":0.00006862493,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0006314623,"about_ca_topic_score_gemma":0.00157689,"domain_scores_codex":[0.9994906,0.00001649569,0.000129694,0.00007678645,0.0001999465,0.00008647613],"domain_scores_gemma":[0.9995114,0.00005048305,0.0000625002,0.0001906972,0.0001675752,0.00001734519],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001644812,0.000109742,0.0003008627,0.00001355658,0.00001559214,5.817237e-7,0.08706134,0.0000427999,0.0004026464,0.9001772,0.009118296,0.002740962],"study_design_scores_gemma":[0.0002288407,0.0001009677,0.002514083,0.00003380589,0.00001337101,0.000001811866,0.01334013,0.000002889154,0.001305504,0.01756314,0.9648222,0.00007320448],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6731384,0.0001385631,0.0001602135,0.002587579,0.0005503051,0.0001823973,0.00006069019,0.00003358618,0.3231482],"genre_scores_gemma":[0.997546,0.00001238779,0.00007481828,0.0001897217,0.0002135958,0.000009836406,0.000008847765,0.000007236134,0.001937524],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.955704,"threshold_uncertainty_score":0.9980696,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}