{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":6,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":6,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"2a0823a029e2","filters":{"venue":"Baltic Journal of Art History"}},"results":[{"id":"W4388267278","doi":"10.12697/bjah.2021.21.03","title":"Colour in Church Interiors, Medieval and Beyond","year":2021,"lang":"en","type":"article","venue":"Baltic Journal of Art History","topic":"Medieval European History and Architecture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Middle Ages; Estonian; Polychrome; Painting; Quarter (Canadian coin); Medieval art; Art; Medieval studies; History; Period (music); Ancient history; Archaeology; Visual arts; Aesthetics; Philosophy","authors":[{"name":"Anneli Randla","is_ca":false},{"name":"Hilkka Hiiop","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02049077699966923,"gpt":0.202954201927907,"spread":0.1824634249282377,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005891318,0.0001552316,0.0002131941,0.002073129,0.00282796,0.002528434,0.0003666063,0.0003154661,0.003237776],"category_scores_gemma":[0.000964588,0.0002055661,0.0001587533,0.001780177,0.004693975,0.001044539,0.002272011,0.0005906015,0.0001514641],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002343538,"about_ca_system_score_gemma":0.0006324108,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01882879,"about_ca_topic_score_gemma":0.06799239,"domain_scores_codex":[0.9994797,0.0001590744,0.00002413883,0.00007869275,0.00009462178,0.0001637091],"domain_scores_gemma":[0.9995284,0.0001051884,0.000123533,0.00004934809,0.00007540504,0.0001180816],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0008941066,0.0001552431,0.2257925,0.0006036184,0.00007658176,0.001451361,0.5509454,0.0004294485,0.009160818,0.05531292,0.003523189,0.1516548],"study_design_scores_gemma":[0.000006268394,0.00006395067,0.9074328,0.0001893798,0.00001358333,0.0004500622,0.05603972,0.0000767766,0.0002828037,0.0009365046,0.0344822,0.00002594523],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9772252,0.003571099,0.00009958075,0.0002688132,0.00002733555,0.000003322107,0.00004974754,0.000005124792,0.01874959],"genre_scores_gemma":[0.9974914,0.0005404982,0.0001058554,0.00002530637,0.00001061337,0.000001253505,0.00001855662,0.000003459236,0.001803195],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01882879,"threshold_uncertainty_score":0.03743839,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1491476789","doi":"","title":"Inventory of manors – future of the past","year":2011,"lang":"en","type":"article","venue":"Baltic Journal of Art History","topic":"Cultural Heritage Management and Preservation","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Hindsight bias; History; Quarter (Canadian coin); Period (music); Architecture; Romance; Point (geometry); Aesthetics; Archaeology; Literature; Art; Psychology","authors":[{"name":"Olev Suuder","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1003286635838115,"gpt":0.1908523931734233,"spread":0.09052372958961173,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003064164,0.0005008755,0.0003086619,0.005832709,0.003630955,0.006673687,0.0006146019,0.0005362657,0.01250183],"category_scores_gemma":[0.004295324,0.0002881715,0.0002866523,0.005125523,0.004745587,0.01208604,0.003011405,0.001230892,0.001610238],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003772034,"about_ca_system_score_gemma":0.004161163,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006987551,"about_ca_topic_score_gemma":0.01378479,"domain_scores_codex":[0.9985506,0.0005964138,0.0001276125,0.0001414536,0.000388392,0.000195471],"domain_scores_gemma":[0.9972329,0.0005358818,0.000424566,0.0003531158,0.0009799013,0.0004736968],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000115786,0.00004590434,0.01638786,0.000841842,0.00003759255,0.0003715836,0.07955638,0.0006395784,0.0008955279,0.6604857,0.03752431,0.203098],"study_design_scores_gemma":[0.000003614326,0.00006699411,0.01512727,0.0009602759,0.00002058213,0.0005519062,0.03944338,0.000295601,0.0003932842,0.05890366,0.8841928,0.00004075476],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1069837,0.03676639,0.02147694,0.009564694,0.001223442,0.0003774445,0.004095675,0.0001753021,0.8193364],"genre_scores_gemma":[0.8777525,0.02853241,0.01770948,0.0007190622,0.0005983883,0.000241275,0.002369562,0.00009846846,0.07197875],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01250183,"threshold_uncertainty_score":0.04182279,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4388264818","doi":"10.12697/bjah.2022.23.01","title":"Foreword","year":2022,"lang":"fr","type":"article","venue":"Baltic Journal of Art History","topic":"","field":"","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Tartu Ülikool; Turun Yliopisto; Uppsala Universitet; University of Waterloo; Helsingin Yliopisto","keywords":"Psychology; Aesthetics; Philosophy","authors":[{"name":"Kadri Asmer","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0237212136880345,"gpt":0.2194704906717415,"spread":0.195749276983707,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001249077,0.0008052648,0.0007607482,0.001804236,0.002713207,0.004703865,0.00110236,0.003742557,0.2752819],"category_scores_gemma":[0.01012933,0.000242291,0.0005866938,0.0008621333,0.0008906022,0.002347301,0.002714065,0.004857244,0.2745366],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001653751,"about_ca_system_score_gemma":0.002979158,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003250456,"about_ca_topic_score_gemma":0.006107404,"domain_scores_codex":[0.9988631,0.0001436212,0.00007172288,0.0001609637,0.0006045306,0.0001561162],"domain_scores_gemma":[0.9953284,0.0007196937,0.0002129916,0.0003084379,0.002596804,0.000833665],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000007269763,0.000004493746,0.00002436298,0.00003865752,8.069414e-7,0.00002104045,0.0000126292,0.000004272288,0.00003490002,0.001290324,0.985485,0.01307621],"study_design_scores_gemma":[0.000002663009,0.000004474744,0.0001060455,0.0001076469,0.000001556805,0.00004752162,0.00003123837,0.00000568675,0.00004278013,0.0007915997,0.9988563,0.000002410316],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"editorial","genre_gemma":"other","genre_scores_codex":[0.0003787739,0.01226878,0.000714044,0.1219338,0.5348611,0.0001869163,0.001261121,0.0004299291,0.3279656],"genre_scores_gemma":[0.003023298,0.004994963,0.0004677909,0.06281795,0.09610441,0.0001825688,0.0008915837,0.00037473,0.8311427],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.2752819,"threshold_uncertainty_score":0,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2557567777","doi":"10.12697/bjah.2016.11.07","title":"Endel Kõksi abstraktsetest maalidest","year":2016,"lang":"en","type":"article","venue":"Baltic Journal of Art History","topic":"Digital Media and Visual Art","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Exhibition; Estonian; Painting; Homeland; Style (visual arts); Art history; Art; Modern art; Foregrounding; History of art; Visual arts; Performance art; Law; Literature; Politics; Political science; Architecture; Philosophy","authors":[{"name":"Reet Mark","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02167314356220285,"gpt":0.2192530541750892,"spread":0.1975799106128863,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009423722,0.001175171,0.0005038007,0.001683325,0.004342093,0.005754599,0.0006765536,0.0009401821,0.0697715],"category_scores_gemma":[0.001100036,0.0004342932,0.0006012855,0.0007581735,0.001646945,0.002643264,0.00445087,0.002317771,0.02338673],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001637799,"about_ca_system_score_gemma":0.001223548,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002521383,"about_ca_topic_score_gemma":0.008766582,"domain_scores_codex":[0.9994105,0.00006945157,0.00003343706,0.0001158247,0.000259148,0.0001115791],"domain_scores_gemma":[0.9996269,0.00004974246,0.0000430135,0.00004610602,0.00012692,0.0001073253],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001198365,0.0002713942,0.01496574,0.00219786,0.0001172175,0.004509349,0.03231326,0.001081278,0.01304101,0.1502633,0.4218563,0.358185],"study_design_scores_gemma":[0.00001011491,0.00005663626,0.005165382,0.0002810491,0.00001389807,0.001033593,0.002975849,0.00008971972,0.001433782,0.001660283,0.9872559,0.00002373937],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.09508289,0.02508182,0.003922245,0.007332443,0.009673666,0.0001153695,0.002038448,0.000883267,0.8558698],"genre_scores_gemma":[0.2848554,0.00866135,0.004335247,0.001288008,0.001338482,0.0001083302,0.001597181,0.000715042,0.697101],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0697715,"threshold_uncertainty_score":0.2334089,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3126458704","doi":"10.12697/bjah.2020.20.03","title":"„Die vornehmsten Plätze und Gebäude, die in Danzig zu sehen sind“. Aegidius Dickmans Ansichten von Danzig 1617","year":2020,"lang":"en","type":"article","venue":"Baltic Journal of Art History","topic":"Medieval European History and Architecture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Art; History; Art history; Archaeology","authors":[{"name":"Lars Larsson","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04647032480870387,"gpt":0.2122341075591235,"spread":0.1657637827504196,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003109035,0.0005029018,0.0001652837,0.0007602622,0.002434351,0.00216557,0.0002849757,0.000761237,0.01279193],"category_scores_gemma":[0.0005256612,0.0001965256,0.0001065964,0.0006972958,0.005297777,0.001682662,0.001668906,0.001192603,0.001829584],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00351686,"about_ca_system_score_gemma":0.001138348,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01831592,"about_ca_topic_score_gemma":0.04526223,"domain_scores_codex":[0.9996901,0.00008080825,0.00001127504,0.00006657262,0.00008609962,0.00006516425],"domain_scores_gemma":[0.9999387,0.00002009221,0.00001089174,0.000009651499,0.00001097285,0.000009753279],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001070877,0.00001790158,0.002397073,0.0003298653,0.00001937127,0.0009113676,0.04771053,0.0003224791,0.002895436,0.6035236,0.1818066,0.1599586],"study_design_scores_gemma":[0.000002515317,0.000004814658,0.001414032,0.00008365201,0.000001576707,0.0001609992,0.002403001,0.00001769889,0.0002805512,0.005099822,0.990528,0.000003326183],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.0725831,0.1102743,0.003002779,0.02712923,0.004124131,0.00005400983,0.0004841736,0.0001135944,0.7822347],"genre_scores_gemma":[0.5600379,0.0221158,0.001628883,0.001556999,0.0004044218,0.00003237888,0.0001790387,0.000105431,0.4139391],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01831592,"threshold_uncertainty_score":0.04279327,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2780836481","doi":"10.12697/bjah.2017.14.04","title":"Carl Julius Senff (1804–1832) – ein Kurzes Künstlerleben als Architekt, Zeichner und Grafiker","year":2017,"lang":"en","type":"article","venue":"Baltic Journal of Art History","topic":"Historical Architecture and Urbanism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Vernon Seed Orchard Company (Canada)","funders":"","keywords":"Art history; Art; Period (music); Fell; Architecture; Classics; Visual arts; Cartography; Aesthetics","authors":[{"name":"Gerd-Helge Vogel","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0403694456181185,"gpt":0.244704105870116,"spread":0.2043346602519975,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003483848,0.0006424552,0.000224004,0.001608315,0.003466356,0.002150521,0.0003450691,0.001155462,0.01194181],"category_scores_gemma":[0.0005242454,0.0002999093,0.0001418267,0.0009044955,0.003098128,0.001258892,0.001757226,0.001482698,0.003648177],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003780667,"about_ca_system_score_gemma":0.003073204,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02983919,"about_ca_topic_score_gemma":0.06577008,"domain_scores_codex":[0.9996008,0.00006213578,0.00001335245,0.0000875151,0.0001377347,0.00009848581],"domain_scores_gemma":[0.9998893,0.0000267821,0.000015097,0.000008589839,0.00003061311,0.00002959079],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001271922,0.00003133078,0.003113474,0.0004290375,0.00001778241,0.001681144,0.02639245,0.0006957898,0.002303279,0.3540799,0.3294978,0.281631],"study_design_scores_gemma":[9.366366e-7,0.000004718789,0.0008383564,0.00008548547,9.228351e-7,0.0001973311,0.0005402573,0.00001612536,0.0002208278,0.001533536,0.9965562,0.000005350929],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.06031755,0.09638214,0.00275393,0.01277708,0.00370573,0.00007426632,0.0007855728,0.0002058936,0.8229979],"genre_scores_gemma":[0.3925385,0.03912295,0.002062801,0.001820153,0.0007750941,0.00006534979,0.0004372417,0.0003617305,0.5628162],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02983919,"threshold_uncertainty_score":0.059331,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}