{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":3,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":3,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"fd4b68b7b347","filters":{"venue":"Barnelitterært forskningstidsskrift"}},"results":[{"id":"W4405415576","doi":"10.18261/blft.15.1.4","title":"Reading as Play: Oral Performativity in the Adaptation of “De tre bukkene Bruse”","year":2024,"lang":"no","type":"article","venue":"Barnelitterært forskningstidsskrift","topic":"Lexicography and Language Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Performativity; Reading (process); Adaptation (eye); Art; Psychology; Linguistics; Philosophy","authors":[{"name":"Ann-Kathrine Havemose","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0254905785990656,"gpt":0.2681721651983848,"spread":0.2426815865993192,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001804816,0.0004747158,0.0005427928,0.0005063717,0.0005804906,0.0006055704,0.0004357365,0.0001797449,0.0009947995],"category_scores_gemma":[0.000185812,0.0003410151,0.0004121887,0.0004299494,0.000566436,0.0007957765,0.0001110602,0.0007855677,0.0001282348],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007510745,"about_ca_system_score_gemma":0.0001670594,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008840812,"about_ca_topic_score_gemma":0.001532821,"domain_scores_codex":[0.9971056,0.0003813237,0.0007999564,0.0004706612,0.0005237851,0.0007186959],"domain_scores_gemma":[0.9985579,0.000660288,0.0002132207,0.000386749,0.0001042251,0.0000775981],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001334766,0.0001932598,0.002615652,0.001172356,0.0002915419,0.0001773128,0.7661361,0.0001114678,0.000087853,0.2007197,0.006042611,0.02231864],"study_design_scores_gemma":[0.001662031,0.001376479,0.01389327,0.005829243,0.0007451159,0.0001523386,0.3656908,0.01485822,0.0005086801,0.008901962,0.5850329,0.001348997],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9279538,0.01223655,0.0003094156,0.002106458,0.001026128,0.0006557841,0.0002507311,0.0001671108,0.05529403],"genre_scores_gemma":[0.9949575,0.0005902797,0.0001582526,0.0006826191,0.0008642472,0.00006889827,0.0000583642,0.00005248153,0.002567352],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5789902,"threshold_uncertainty_score":0.9999184,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1969025982","doi":"10.3402/blft.v4i0.21092","title":"<i>Keywords for Children's Literature</i> : mapping the critical moment","year":2013,"lang":"no","type":"article","venue":"Barnelitterært forskningstidsskrift","topic":"Digital Humanities and Scholarship","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Brock University","funders":"","keywords":"Moment (physics); Psychology; Physics","authors":[{"name":"Philip Nel","is_ca":false},{"name":"Lissa Paul","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03501195489189423,"gpt":0.2355677600635705,"spread":0.2005558051716763,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0009337242,0.001047792,0.0008205453,0.0002797683,0.002989982,0.0119928,0.001358568,0.0003410631,0.005317785],"category_scores_gemma":[0.0004210253,0.0007597433,0.0009262123,0.0002100391,0.00130972,0.002499007,0.0004543839,0.001124518,0.00114716],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001186923,"about_ca_system_score_gemma":0.0001094476,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004068436,"about_ca_topic_score_gemma":0.00004130352,"domain_scores_codex":[0.9946609,0.0001810977,0.001297454,0.00110837,0.0007992612,0.001952964],"domain_scores_gemma":[0.9961668,0.001062341,0.0003192794,0.001083124,0.0009071843,0.0004613331],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005466946,0.0002734402,0.0007139232,0.000427345,0.0002827694,0.000009149522,0.02849633,0.000002824692,0.00002847913,0.7373133,0.2231505,0.009247324],"study_design_scores_gemma":[0.001184659,0.0006397977,0.003605948,0.001286148,0.0002300196,0.00006074128,0.007030986,0.0002163767,0.00005070921,0.05292444,0.9313908,0.00137938],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5256177,0.03363439,0.003645831,0.07804463,0.01486959,0.01488306,0.004758187,0.001283524,0.3232631],"genre_scores_gemma":[0.9129069,0.0001463267,0.0004555875,0.009024921,0.006568408,0.001098406,0.0003984898,0.0002085555,0.06919241],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7082403,"threshold_uncertainty_score":0.9996306,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2620819750","doi":"10.3402/blft.v5.23764","title":"Littler Red Riding Hoods","year":2014,"lang":"no","type":"article","venue":"Barnelitterært forskningstidsskrift","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Winnipeg","funders":"","keywords":"Treasure; Appeal; Audience measurement; History; Classics; Media studies; Sociology; Political science; Law; Archaeology","authors":[{"name":"Perry Nodelman","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01911564692059296,"gpt":0.2373615090600652,"spread":0.2182458621394723,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001750808,0.001270446,0.001468084,0.0005270003,0.002167606,0.001360536,0.001020306,0.0005739693,0.003145705],"category_scores_gemma":[0.0008637058,0.001147373,0.0007493129,0.0002662357,0.001412114,0.0007171176,0.0005586887,0.001286507,0.001586996],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001003446,"about_ca_system_score_gemma":0.00008445985,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002204581,"about_ca_topic_score_gemma":0.00008047267,"domain_scores_codex":[0.9937928,0.0005344279,0.001393335,0.001673083,0.0006932768,0.001913106],"domain_scores_gemma":[0.9965689,0.0005664154,0.0005876276,0.001353812,0.0004797006,0.0004435263],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002375212,0.0002545377,0.002960471,0.000618257,0.0005817222,0.00005931084,0.04905153,0.00001047611,0.000229947,0.7101804,0.2279737,0.007842107],"study_design_scores_gemma":[0.001582064,0.0007369414,0.004144572,0.0007058167,0.0004146666,0.0000486305,0.003888199,0.0003152638,0.0001664397,0.01172148,0.9748204,0.001455553],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.09376603,0.01165547,0.0009392072,0.01134972,0.01435816,0.00119906,0.000348842,0.001081186,0.8653023],"genre_scores_gemma":[0.9308001,0.0003202833,0.000962639,0.004550462,0.01115596,0.00009094292,0.0001553879,0.0002295837,0.05173461],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8370341,"threshold_uncertainty_score":0.9996762,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}