{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":12,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":12,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"a38c93a77b09","filters":{"venue":"Brno Studies in English"}},"results":[{"id":"W2336521814","doi":"10.5817/bse2015-2-7","title":"Alice Munro's Australian mirror stories","year":2015,"lang":"en","type":"article","venue":"Brno Studies in English","topic":"Short Stories in Global Literature","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Alice (programming language); Art; Art history; Sociology; Media studies","authors":[{"name":"Andrea F. Szabó","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1543196673573858,"gpt":0.3453972946653426,"spread":0.1910776273079569,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003254939,0.0002648979,0.0003717378,0.0000889853,0.0002235848,0.0001474843,0.000324533,0.00008591516,0.0001820708],"category_scores_gemma":[0.001045752,0.0002325892,0.00006790587,0.0001277705,0.0007636419,0.0004133812,0.0002187064,0.0002869651,0.00001063888],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003060471,"about_ca_system_score_gemma":0.00004263461,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004921419,"about_ca_topic_score_gemma":0.004643615,"domain_scores_codex":[0.9984909,0.00007198113,0.0003360208,0.0003264728,0.0003458401,0.0004287924],"domain_scores_gemma":[0.9985309,0.0001074174,0.00007995882,0.0003632723,0.0008117278,0.0001067224],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000316642,0.00004387821,0.001571825,0.00003303693,0.00007294576,0.00003694179,0.3664806,0.00000261685,8.613217e-7,0.3710493,0.2605437,0.0001326091],"study_design_scores_gemma":[0.0003541188,0.00007320506,0.0000945885,0.00006053253,0.00001954094,0.000001971467,0.1613993,5.748108e-7,0.00001773601,0.001613004,0.8361269,0.0002384884],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.02512158,0.005560012,2.354236e-7,0.0001945113,0.02173255,0.0002701915,0.0001241646,0.0003384407,0.9466583],"genre_scores_gemma":[0.9444512,0.00008156148,0.0003976695,0.000485158,0.003423391,0.00009052971,0.00002731255,0.00003610838,0.05100705],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.9193296,"threshold_uncertainty_score":0.9484714,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2498226424","doi":"","title":"Alternative (hi)stories in stolen generation and residential school narratives : reading indigenous life writings by Doris Pilkington and Shirley Sterling","year":2007,"lang":"en","type":"article","venue":"Brno Studies in English","topic":"Indigenous Health, Education, and Rights","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Indigenous; Narrative; Settlement (finance); Life writing; Identity (music); Sociology; Power (physics); History; Reading (process); Gender studies; Law; Aesthetics; Literature; Political science; Art","authors":[{"name":"Martina Horáková","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02864684036203186,"gpt":0.3428583267375027,"spread":0.3142114863754709,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.002639143,0.000170765,0.0002981218,0.0002497751,0.003415994,0.0001358349,0.0001232785,0.0001374385,0.000006043739],"category_scores_gemma":[0.0003708829,0.0001660509,0.00001775306,0.0003177154,0.0004698839,0.0006147738,0.00001209399,0.0002812068,6.81996e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005606925,"about_ca_system_score_gemma":0.001052752,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.06731828,"about_ca_topic_score_gemma":0.658997,"domain_scores_codex":[0.9979444,0.0003126347,0.0004701348,0.000393447,0.000329963,0.0005494655],"domain_scores_gemma":[0.9989015,0.0003450249,0.0001949305,0.00009157677,0.0003197429,0.0001472559],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002754578,0.00004446652,0.03390111,0.00004587034,0.00002645467,0.000007329336,0.9616567,0.000004113887,0.00002412604,0.003599729,0.0001376856,0.0005248286],"study_design_scores_gemma":[0.0007628945,0.0001280517,0.01086025,0.0002602141,0.00001402568,0.000001412186,0.9514322,0.000006539831,0.0004692817,0.001439499,0.03424249,0.0003831501],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9824616,0.008640539,0.00005126793,0.00008289047,0.001525178,0.0005448072,0.000004842858,0.00004569145,0.00664317],"genre_scores_gemma":[0.9755031,0.02104274,0.0003633675,0.00006288532,0.002393126,0.00001105853,0.000007140542,0.00001525645,0.0006013241],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5916787,"threshold_uncertainty_score":0.9978814,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2165636331","doi":"10.5817/bse2013-2-4","title":"On true meaning(s) and the impossibility of documentary in the films of Jennifer Baichwal","year":2013,"lang":"en","type":"article","venue":"Brno Studies in English","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Impossibility; Meaning (existential); Documentary film; Linguistics; Epistemology; Sociology; Philosophy; Media studies; Political science; Law","authors":[{"name":"Darrell Varga","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01618604479577802,"gpt":0.2773109269706878,"spread":0.2611248821749098,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001292612,0.00004964145,0.000175889,0.00008813621,0.0002152607,0.00003368403,0.0002035085,0.00003327334,0.0001321087],"category_scores_gemma":[0.001291721,0.00003457282,0.00003849361,0.0001959456,0.001892795,0.0001167626,0.00005069105,0.0001200685,0.000001379521],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001269304,"about_ca_system_score_gemma":0.00006460627,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.3326293,"about_ca_topic_score_gemma":0.7775822,"domain_scores_codex":[0.999054,0.000291759,0.000207736,0.0001085793,0.0002078011,0.0001301005],"domain_scores_gemma":[0.9989504,0.0007393827,0.00006599905,0.0001498209,0.00007622795,0.00001813273],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00005221528,0.00008058169,0.01358377,0.00004798631,0.00003903739,0.000002679683,0.872921,0.000009103098,0.000004895764,0.06598773,0.04539626,0.001874707],"study_design_scores_gemma":[0.002605253,0.0001192371,0.1707674,0.0001512203,0.00003980699,4.106282e-7,0.7332631,0.0000120793,0.00001562281,0.04866794,0.04414913,0.0002087982],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9503776,0.001503652,7.631048e-8,0.0007160867,0.0003220185,0.0003133009,0.000006805204,0.000004614544,0.04675586],"genre_scores_gemma":[0.9987841,0.0006350977,0.00001035497,0.0001848853,0.00005721446,0.00003126402,3.217243e-7,0.000002142512,0.000294605],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.444953,"threshold_uncertainty_score":0.6974082,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2078344567","doi":"10.5817/bse2013-2-1","title":"The five senses of Canadian cinema: introduction","year":2013,"lang":"en","type":"article","venue":"Brno Studies in English","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Movie theater; Aesthetics; Linguistics; Sociology; Art; Visual arts; Philosophy","authors":[{"name":"Tomáš Pospíšil","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03237036540857478,"gpt":0.2261731786261121,"spread":0.1938028132175374,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002917837,0.0000975687,0.0003155232,0.0003005174,0.000151037,0.00001440152,0.0001071821,0.00003645836,0.00004962847],"category_scores_gemma":[0.002403941,0.00008028596,0.00004693488,0.0004233143,0.000211117,0.00009194433,0.00006055414,0.00009764179,0.00006194309],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001027982,"about_ca_system_score_gemma":0.0000150492,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.04331717,"about_ca_topic_score_gemma":0.1260375,"domain_scores_codex":[0.9991034,0.00001063864,0.0003984232,0.0001973291,0.00002565284,0.0002645914],"domain_scores_gemma":[0.9992452,0.0001870228,0.0001275352,0.0002127728,0.0001848166,0.00004261183],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000009100602,0.00004293673,0.07427525,0.00007679251,0.0002603149,0.000004181695,0.03680512,0.00007618705,0.000009152379,0.0726584,0.8122247,0.003557791],"study_design_scores_gemma":[0.0006271392,0.00007511875,0.1058632,0.00003535194,0.000009931015,0.000001998658,0.05414449,0.00004878105,0.00009895727,0.01198929,0.8268534,0.0002523476],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8350231,0.04832888,0.00000395717,0.01440552,0.008578449,0.0006601806,0.000057223,0.0000416692,0.09290103],"genre_scores_gemma":[0.9827101,0.01195514,0.00007815865,0.00009746134,0.001037811,0.00009816045,0.000002396353,0.00001017779,0.004010631],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.147687,"threshold_uncertainty_score":0.9630535,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2397389226","doi":"10.5817/bse2015-1-8","title":"(Re)inscribing blackness onto the Canadian Soil: memory and resistance in contemporary African-Canadian drama","year":2015,"lang":"en","type":"article","venue":"Brno Studies in English","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Drama; Resistance (ecology); Aesthetics; Literature; Sociology; History; Art; Ecology","authors":[{"name":"Lucia Otrísalová","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08850915677971413,"gpt":0.2890777677049482,"spread":0.2005686109252341,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.001782331,0.0001243387,0.0002571427,0.0006504318,0.001323289,0.0002905241,0.0003483887,0.0001240734,0.00002488852],"category_scores_gemma":[0.002546311,0.0001402062,0.00003257041,0.0006373525,0.001790384,0.0003209332,0.00005100162,0.000291017,0.0000100653],"about_ca_system_candidate":true,"about_ca_system_consensus":true,"about_ca_system_score_codex":0.006037916,"about_ca_system_score_gemma":0.006252814,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9992253,"about_ca_topic_score_gemma":0.9999998,"domain_scores_codex":[0.998283,0.0002775592,0.0002489675,0.0002895159,0.0003057518,0.0005952507],"domain_scores_gemma":[0.998657,0.0001755231,0.00005964476,0.0002241281,0.00028084,0.000602873],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001566955,0.00001198547,0.01079896,0.00002566568,0.00002643092,0.0002312496,0.7587488,0.00000851821,1.792358e-7,0.01462755,0.2150379,0.0004671619],"study_design_scores_gemma":[0.0002674327,0.000005848423,0.004907575,0.00006510505,0.000004527501,1.538973e-7,0.3259249,0.000001120737,1.159499e-7,0.001224838,0.6674523,0.0001460321],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.07637708,0.03186435,1.274445e-7,0.008898039,0.001862786,0.000418648,0.00004225043,0.00003631122,0.8805004],"genre_scores_gemma":[0.9917902,0.0004706743,0.00001610973,0.0008961557,0.0003635087,0.00004432452,0.000002055634,0.00001339214,0.006403613],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9154131,"threshold_uncertainty_score":0.9999769,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2477190794","doi":"","title":"Sam and Me, Masala and Double happiness : multicultural experience in Canadian film of the early 1990s","year":2007,"lang":"en","type":"article","venue":"Brno Studies in English","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Multiculturalism; Happiness; Representation (politics); Identity (music); Sociology; Gender studies; Aesthetics; Media studies; Visual arts; Psychology; Social psychology; Art; Political science; Pedagogy; Law","authors":[{"name":"Tomáš Pospíšil","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02979360547630472,"gpt":0.2950417987599775,"spread":0.2652481932836728,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004051142,0.0000555345,0.0001256357,0.000161517,0.0004083083,0.0000493207,0.0001234575,0.00005226423,0.0000112198],"category_scores_gemma":[0.0004514112,0.00005209517,0.00001541809,0.0003309719,0.001318367,0.0001499884,0.00005166678,0.00009312497,3.255918e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000437581,"about_ca_system_score_gemma":0.0001532139,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9803607,"about_ca_topic_score_gemma":0.9998016,"domain_scores_codex":[0.999288,0.00003164865,0.0001434448,0.0001304611,0.0001287034,0.0002777105],"domain_scores_gemma":[0.9996315,0.00007169441,0.00003486199,0.00007451438,0.00008280754,0.0001045843],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"observational","study_design_scores_codex":[0.000008687115,0.000009750529,0.1919051,0.00002027237,0.000007498388,0.00001293396,0.8032195,0.000003345813,0.0000135159,0.002743593,0.001292765,0.0007630062],"study_design_scores_gemma":[0.0003872602,0.000006760587,0.6105689,0.0000573351,0.000003865637,4.429571e-7,0.1958707,0.000001946393,0.00001146549,0.00004288065,0.1929486,0.00009984389],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9783952,0.00223651,6.919877e-8,0.0001669995,0.0005962787,0.0001521334,0.00000622783,0.000006574216,0.01844],"genre_scores_gemma":[0.9978184,0.0004517407,0.00001600038,0.00005269856,0.00007963548,0.00000974485,2.1703e-7,0.00000274462,0.001568834],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6073487,"threshold_uncertainty_score":0.4857578,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4312607912","doi":"10.5817/bse2022-1-8","title":"Canadian literature as an American literature : CanLit through the lens of hemispheric American literary studies","year":2022,"lang":"en","type":"article","venue":"Brno Studies in English","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"American literature; Literary criticism; Identification (biology); History of literature; Identity (music); Canadian literature; History; Sociology; Political science; Literature; Aesthetics; Art","authors":[{"name":"Lucia Grauzľová","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02025839703256671,"gpt":0.3047178226427228,"spread":0.2844594256101561,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0006389858,0.0002240264,0.0005565232,0.0003534123,0.002705893,0.0002554688,0.0007397878,0.00004921892,0.000114071],"category_scores_gemma":[0.001087837,0.0002254271,0.0001378607,0.003659192,0.00360703,0.0005150714,0.0002192781,0.0007026943,0.000002399695],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003367978,"about_ca_system_score_gemma":0.001391565,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.8969232,"about_ca_topic_score_gemma":0.9935694,"domain_scores_codex":[0.9972293,0.0007275113,0.0003637396,0.0004602428,0.0005568484,0.0006623906],"domain_scores_gemma":[0.9982799,0.0002975698,0.000244844,0.0004726462,0.0005250736,0.0001799979],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002497398,0.00005160127,0.001465654,0.00004856311,0.0001632802,0.0001432941,0.9293258,0.0000310524,0.000002255704,0.006763487,0.0540202,0.007959889],"study_design_scores_gemma":[0.0001068889,0.0001248768,0.0008717326,0.00007349811,0.0000222611,0.000003188174,0.3110788,6.294962e-7,6.145785e-7,0.001784251,0.6857412,0.0001920263],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6829603,0.2427259,2.316359e-7,0.009309295,0.004072099,0.0007925701,0.0009174956,0.0001574511,0.05906469],"genre_scores_gemma":[0.966653,0.01969448,0.0001173494,0.003703944,0.0009219988,0.0002129338,0.00003973855,0.00003441763,0.008622157],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6317211,"threshold_uncertainty_score":0.9991046,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3113266414","doi":"10.5817/bse2020-2-10","title":"Rooted cosmopolitan identity and internalized homophobia in Farzana Doctor's Stealing Nasreen","year":2020,"lang":"en","type":"article","venue":"Brno Studies in English","topic":"LGBTQ Health, Identity, and Policy","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Heteronormativity; Identity (music); Sociology; Gender studies; Social psychology; Queer; Psychology; Aesthetics; Art","authors":[{"name":"Shobana Jeyasingam","is_ca":false},{"name":"Manimangai Mani","is_ca":false},{"name":"Rosli Talif","is_ca":false},{"name":"Mohammad Ewan Awang","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1453057867921598,"gpt":0.4433239587125002,"spread":0.2980181719203404,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0005268994,0.0002505461,0.0005973873,0.0002260588,0.0001251306,0.00006214991,0.0003495207,0.0001560442,0.0001040222],"category_scores_gemma":[0.001172198,0.0002664027,0.00007263291,0.0005072352,0.0002582693,0.0002847358,0.0003601258,0.0005149594,0.00004960604],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002327387,"about_ca_system_score_gemma":0.00003711983,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01184692,"about_ca_topic_score_gemma":0.01239136,"domain_scores_codex":[0.997658,0.0003518455,0.0006501406,0.0005299058,0.0002201732,0.0005899876],"domain_scores_gemma":[0.9989703,0.0002500567,0.0001768404,0.0002889794,0.0001395012,0.0001743469],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.0001780608,0.0001652844,0.8712906,0.0008271233,0.0001921673,0.0002218103,0.07759371,0.000004374143,0.00001775636,0.01188523,0.03626344,0.001360508],"study_design_scores_gemma":[0.008603112,0.0003373054,0.9330616,0.0002281584,0.0001120999,0.00001238005,0.02306543,0.00003748267,0.00001149663,0.01137167,0.02234933,0.0008099548],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9604278,0.01065177,0.00001167138,0.001170524,0.002361211,0.0003943589,0.00004162519,0.0001264567,0.02481465],"genre_scores_gemma":[0.9938153,0.002267469,0.00005234159,0.001482152,0.001067017,0.00005117982,0.000006963256,0.0000338224,0.001223775],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.06177105,"threshold_uncertainty_score":0.9999788,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1985135792","doi":"10.5817/bse2011-2-12","title":"The Texture of Everyday Life","year":2011,"lang":"en","type":"article","venue":"Brno Studies in English","topic":"Autobiographical and Biographical Writing","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Texture (cosmology); Everyday life; History; Aesthetics; Art; Artificial intelligence; Computer science; Philosophy; Epistemology","authors":[{"name":"Vanja Polić","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09864414050498074,"gpt":0.2557706932464271,"spread":0.1571265527414464,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002846701,0.0001101977,0.000203375,0.00007421565,0.0003021583,0.00002065611,0.0002121488,0.00004282628,0.000121716],"category_scores_gemma":[0.0005454969,0.00006030681,0.0001288077,0.0001459851,0.001406013,0.00006950133,0.0001189832,0.0001897578,0.000003281633],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000004788713,"about_ca_system_score_gemma":0.00000690223,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001029354,"about_ca_topic_score_gemma":0.001028346,"domain_scores_codex":[0.9991503,0.00004580893,0.0003024718,0.0001395238,0.0001364402,0.0002255006],"domain_scores_gemma":[0.9992154,0.0002870618,0.00008260902,0.0001473586,0.0002330151,0.00003455345],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000555622,0.0002036431,0.0259245,0.00009326165,0.0003080492,0.000006914317,0.1703921,2.474058e-7,0.000006609985,0.7751822,0.02161975,0.006207083],"study_design_scores_gemma":[0.0006201849,0.0002522605,0.03032402,0.000238135,0.00006132437,4.782113e-7,0.210099,0.000006760524,0.00007795904,0.03257088,0.7253547,0.0003942809],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3799241,0.01911031,0.000002958,0.000580546,0.003298221,0.0003857738,0.0000437838,0.0002245872,0.5964296],"genre_scores_gemma":[0.9972776,0.001304893,0.00002074398,0.000198015,0.0005195645,0.00001951231,8.016779e-7,0.00000738613,0.0006515394],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7426113,"threshold_uncertainty_score":0.5180515,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2152818838","doi":"10.5817/bse2011-1-6","title":"Metaphors of Weather in Canadian Short Prose","year":2011,"lang":"en","type":"article","venue":"Brno Studies in English","topic":"Language, Metaphor, and Cognition","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"History; Literature; Linguistics; Meteorology; Art; Geography; Philosophy","authors":[{"name":"Judit Nagy","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06266475995301767,"gpt":0.3224245932949826,"spread":0.259759833341965,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004883753,0.0001314545,0.0003061353,0.0002965231,0.000025754,0.000002902727,0.000149725,0.0000993299,0.0004901717],"category_scores_gemma":[0.000280641,0.000116973,0.00005489784,0.000337473,0.0001412467,0.00006167767,0.00003485547,0.0001571821,0.00002252163],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00008558125,"about_ca_system_score_gemma":0.0000382665,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.1310831,"about_ca_topic_score_gemma":0.5521915,"domain_scores_codex":[0.9988478,0.0001170877,0.0003010932,0.0002503168,0.00009951067,0.0003841495],"domain_scores_gemma":[0.9994662,0.0000498276,0.00003972839,0.0002512552,0.0001265207,0.00006649432],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"observational","study_design_scores_codex":[0.0001063011,0.0004233302,0.4387015,0.00005526139,0.0003743764,0.0002558949,0.5350092,8.984094e-7,0.00003234481,0.006697099,0.003693386,0.01465043],"study_design_scores_gemma":[0.001657326,0.0002590624,0.7484168,0.0001531137,0.0001318859,0.000008727857,0.2298457,0.000002048221,0.001313958,0.003362422,0.01430079,0.0005482241],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7226772,0.003359117,0.000001132745,0.000007074392,0.001048257,0.0002353704,0.00001531276,0.00002150321,0.272635],"genre_scores_gemma":[0.9982246,0.0001383656,0.0001019549,0.0001106971,0.0001110822,0.0001515737,0.000004294865,0.00001808718,0.001139412],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4211084,"threshold_uncertainty_score":0.874703,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2147084451","doi":"10.5817/bse2011-2-10","title":"Life Writing and Biographical Plays: Emily Carr","year":2011,"lang":"en","type":"article","venue":"Brno Studies in English","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Carr; Life writing; Biography; Literature; Art; Sociology; Biology; Ecology","authors":[{"name":"Katalin Kürtösi","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0470575796691645,"gpt":0.2787783154659114,"spread":0.2317207357967469,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003592371,0.00005709981,0.0001422413,0.0002768581,0.0006343062,0.00005968534,0.0001074027,0.00007110901,0.00005721503],"category_scores_gemma":[0.001924321,0.00007339573,0.00003530836,0.0003094045,0.001398237,0.0001311026,0.00005894691,0.0001288929,0.000004176713],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001414287,"about_ca_system_score_gemma":0.0001429403,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.1411578,"about_ca_topic_score_gemma":0.7036331,"domain_scores_codex":[0.9992568,0.00006764278,0.0001422913,0.0001619028,0.0001369399,0.0002343622],"domain_scores_gemma":[0.9995466,0.0001024017,0.0000311455,0.00007378447,0.00009106688,0.0001550239],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001371841,0.00005153823,0.1084029,0.00005398476,0.00007874007,0.00007000035,0.761657,2.560482e-7,0.000003598472,0.04876118,0.07722592,0.003681174],"study_design_scores_gemma":[0.0003263709,0.00002936254,0.05445904,0.00007603778,0.00002273918,5.757305e-7,0.2615574,6.851873e-7,0.000001248474,0.001317356,0.6819767,0.0002324056],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.711761,0.01776475,0.000001142251,0.000297503,0.001498742,0.000148025,0.00001331419,0.0001083226,0.2684072],"genre_scores_gemma":[0.9932268,0.005397048,0.00009185221,0.0003023616,0.0005088731,0.00001464935,4.060744e-7,0.000006073761,0.0004519105],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6047508,"threshold_uncertainty_score":0.8645613,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3113022660","doi":"10.5817/bse2020-2-7","title":"Tribute to Newfoundland, tribute to fatherland : Michael Crummey's Sweetland in a geocritical perspective","year":2020,"lang":"en","type":"article","venue":"Brno Studies in English","topic":"Arctic and Russian Policy Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Tribute; Perspective (graphical); Fatherland; Environmental ethics; Sociology; Art; Art history; Philosophy; Political science; Law; Visual arts; Politics","authors":[{"name":"Ewelina Feldman-Kołodziejuk","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07033474869817206,"gpt":0.3889293519334997,"spread":0.3185946032353276,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaresearch"],"consensus_categories":[],"category_scores_codex":[0.0005972307,0.0002517618,0.0006364736,0.0001533916,0.0004532823,0.00005240815,0.0003368806,0.000108027,0.00002498815],"category_scores_gemma":[0.009469151,0.0002254737,0.00009296642,0.00108707,0.0004406247,0.0001355915,0.0004053415,0.000303356,0.00005937609],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006741461,"about_ca_system_score_gemma":0.0001200268,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.01041502,"about_ca_topic_score_gemma":0.1374899,"domain_scores_codex":[0.9975353,0.0002458886,0.000379892,0.0005691253,0.000395335,0.0008743829],"domain_scores_gemma":[0.9985441,0.000578035,0.00004133135,0.0001539683,0.0003145936,0.0003679589],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002564731,0.0001070521,0.06251458,0.00002878953,0.0001245501,0.0001505916,0.7962759,0.00003198748,0.000005015991,0.01157113,0.1283843,0.0005496106],"study_design_scores_gemma":[0.001768199,0.0003176777,0.02632732,0.0001301354,0.00003349779,0.000001166521,0.4322145,0.000007888182,0.000005649014,0.005724462,0.5329834,0.0004860487],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.2359547,0.003054046,0.0002243505,0.7027658,0.001272864,0.001711278,0.0001489441,0.0002302125,0.05463781],"genre_scores_gemma":[0.9893975,0.0007346419,0.0003368296,0.004856852,0.001851228,0.0001504507,0.000001768547,0.0000211473,0.002649542],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7534428,"threshold_uncertainty_score":0.9988745,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}