{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":643,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":643,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"5500702d0aa6","filters":{"venue":"CAML Review / Revue de l ACBM"}},"results":[{"id":"W2289521792","doi":"10.25071/1708-6701.2948","title":"A Century of Recorded Music: Listening to Musical History","year":2001,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":84,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Documentation; Active listening; Musical; Visual arts; History of music; Music history; History; Literature; Psychology; Art; Computer science; Communication","authors":[{"name":"Robert L. Hall","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1348999219368916,"gpt":0.2502014106012632,"spread":0.1153014886643716,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002130689,0.0004359477,0.0006386437,0.005645369,0.002608706,0.006680325,0.0008389794,0.002111965,0.007584043],"category_scores_gemma":[0.008984881,0.0002122732,0.0002454001,0.006214863,0.004695965,0.004570943,0.002235123,0.00162857,0.001872788],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003131582,"about_ca_system_score_gemma":0.004812856,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01174344,"about_ca_topic_score_gemma":0.04492947,"domain_scores_codex":[0.9973214,0.00136259,0.0001439574,0.0001744051,0.0008587429,0.000138847],"domain_scores_gemma":[0.9949712,0.003087041,0.0004042012,0.0002057742,0.001089649,0.0002421156],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005781526,0.00002479608,0.0008104981,0.008013096,0.00005978595,0.0005788125,0.01960813,0.00007238371,0.0008742279,0.04840537,0.3402387,0.5812564],"study_design_scores_gemma":[0.000003395228,0.00001503967,0.001309304,0.003948442,0.00001646285,0.0003464558,0.007252942,0.000008188522,0.00007758007,0.002501178,0.9845126,0.000008476951],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.001840957,0.9071521,0.0003787218,0.02206356,0.005752351,0.0000230433,0.00003412692,0.00001619075,0.06273892],"genre_scores_gemma":[0.03725668,0.9013299,0.0008903936,0.01957525,0.008011633,0.00007471102,0.00007765533,0.0000474952,0.03273639],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01174344,"threshold_uncertainty_score":0.02537113,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1558230513","doi":"10.25071/1708-6701.2959","title":"Bel Canto: A History of Vocal Pedagogy","year":2001,"lang":"fr","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":47,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Documentation; Singing; Canto; Music education; Vocal music; History; Visual arts; Linguistics; Literature; Music; Pedagogy; Art; Sociology; Acoustics; Computer science; Philosophy","authors":[{"name":"Michel B. Ducharme","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1305753334369145,"gpt":0.2904075669538616,"spread":0.1598322335169471,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00679403,0.0004933978,0.0006997242,0.005766613,0.006644284,0.008976796,0.001555911,0.00348382,0.02067115],"category_scores_gemma":[0.009826988,0.0002891482,0.0002954567,0.006454934,0.009187845,0.003714181,0.004028527,0.002916155,0.002756399],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0261448,"about_ca_system_score_gemma":0.02823994,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1361658,"about_ca_topic_score_gemma":0.2051812,"domain_scores_codex":[0.9945041,0.002300233,0.000202849,0.0004166353,0.001845282,0.0007309047],"domain_scores_gemma":[0.9940687,0.003107347,0.0004288243,0.0002778103,0.001418111,0.0006991068],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001245171,0.00005591931,0.0005330981,0.003085373,0.00001554883,0.0003194013,0.01029805,0.0001168489,0.0005448813,0.2991187,0.3998646,0.2859231],"study_design_scores_gemma":[0.000004427316,0.00001162409,0.0007549131,0.001429542,0.000003407001,0.00005235085,0.001265644,0.00001588876,0.00005214616,0.002701162,0.9937025,0.000006421055],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.002354119,0.6552942,0.0009573807,0.1115279,0.01096639,0.00006782769,0.0001157944,0.00007858896,0.2186378],"genre_scores_gemma":[0.1777805,0.4663439,0.002530101,0.07835748,0.01098341,0.0004587648,0.0002804571,0.0002563065,0.263009],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1361658,"threshold_uncertainty_score":0.2707464,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2530757422","doi":"10.25071/1708-6701.2951","title":"The New Grove Dictionary of Music and Musicians, Second Edition","year":2001,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":40,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Documentation; Visual arts; Library science; History; Art; Computer science; Programming language","authors":[{"name":"Kathleen McMorrow","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0652501211742783,"gpt":0.2277482248215986,"spread":0.1624981036473204,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008873009,0.0008054582,0.001181843,0.007466331,0.001537881,0.004835042,0.001451473,0.001642021,0.03980701],"category_scores_gemma":[0.004966372,0.0003286015,0.0003069326,0.009044437,0.001968235,0.004020503,0.001340412,0.00242303,0.02227606],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002911267,"about_ca_system_score_gemma":0.008944099,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01780502,"about_ca_topic_score_gemma":0.05092462,"domain_scores_codex":[0.9987766,0.0001874573,0.0001512433,0.00009777196,0.0006967488,0.00009017868],"domain_scores_gemma":[0.9979487,0.0007658435,0.0002055758,0.0000992158,0.0008051451,0.0001755318],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001184079,0.000007406507,0.00009832341,0.00107813,0.000005446217,0.00005800368,0.0004538133,0.00002785142,0.000111959,0.01118157,0.8872335,0.09973212],"study_design_scores_gemma":[0.000001613847,0.000002567872,0.0002576807,0.0006728189,0.000001765866,0.00006722739,0.0001009533,0.000005013391,0.00001049316,0.0009140615,0.997963,0.000002757719],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.0004625019,0.7681926,0.00126744,0.02274297,0.01377645,0.0001047512,0.002039495,0.0001871288,0.1912266],"genre_scores_gemma":[0.00791771,0.6863814,0.003515311,0.020854,0.009599677,0.0003983718,0.003219159,0.0002564469,0.2678579],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.03980701,"threshold_uncertainty_score":0.1331677,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W429962143","doi":"10.25071/1708-6701.1330","title":"Wondrous Strange: The Life and Art of Glenn Gould","year":2004,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":34,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Documentation; Visual arts; History; Art history; Performance art; Art; Library science; Computer science; Programming language","authors":[{"name":"David Rogosin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03219358487967267,"gpt":0.2412281156162636,"spread":0.2090345307365909,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002611162,0.0005398683,0.0005751139,0.001983581,0.00347387,0.004974208,0.0008530184,0.003611019,0.009305159],"category_scores_gemma":[0.009278111,0.0002606247,0.0003256425,0.00215569,0.003128887,0.003855948,0.002019534,0.003853657,0.003495773],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004813637,"about_ca_system_score_gemma":0.007662201,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03756436,"about_ca_topic_score_gemma":0.08811789,"domain_scores_codex":[0.9973604,0.001089684,0.00009419324,0.000279256,0.001000774,0.0001756822],"domain_scores_gemma":[0.997418,0.0009247292,0.0001771252,0.00009695743,0.0009942937,0.0003888389],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001215641,0.000004033094,0.00005901479,0.000311435,0.000004746784,0.00008026019,0.0004909848,0.0000208442,0.0000557203,0.007882764,0.9568156,0.0342624],"study_design_scores_gemma":[0.000001524799,0.000003303699,0.0001063516,0.0003562811,0.000002670385,0.00007680447,0.0003871364,0.000006206682,0.00002114802,0.001369725,0.9976647,0.000004198502],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.0004714328,0.5713558,0.0004241758,0.3565103,0.03924999,0.00002124674,0.00004364094,0.0000461168,0.03187733],"genre_scores_gemma":[0.02349055,0.4073083,0.001420987,0.2962535,0.02657388,0.0001115631,0.00008773718,0.0001792288,0.2445743],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9624357,"threshold_uncertainty_score":0.07469141,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2262962438","doi":"10.25071/1708-6701.1349","title":"The Harvard Dictionary of Music, Fourth Edition","year":2004,"lang":"fr","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Documentation; Library science; History; Visual arts; Computer science; Art; Programming language","authors":[{"name":"S. Timothy Maloney","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07178759993166166,"gpt":0.2398603677728579,"spread":0.1680727678411962,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001131054,0.0009937098,0.001195219,0.006668047,0.001667598,0.005260545,0.001420432,0.001682186,0.05231278],"category_scores_gemma":[0.005725424,0.0003826417,0.0003499989,0.008647623,0.002090063,0.003699914,0.001346296,0.002562489,0.03266667],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003385031,"about_ca_system_score_gemma":0.007444584,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01355714,"about_ca_topic_score_gemma":0.02864738,"domain_scores_codex":[0.9986128,0.0002550863,0.000158045,0.0001198202,0.0007432097,0.0001109867],"domain_scores_gemma":[0.9978883,0.0007172643,0.0002315937,0.0001450432,0.000840536,0.0001772716],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001000658,0.000005859092,0.00007913864,0.0008959774,0.000006688645,0.00004737501,0.0003325347,0.00003373518,0.00008008609,0.01414714,0.9103463,0.07401517],"study_design_scores_gemma":[0.000002035049,0.000003134617,0.0002151442,0.0007171799,0.000001963515,0.00004332181,0.00009275892,0.000005997411,0.00001008453,0.001601504,0.9973035,0.000003371977],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.0003576665,0.7642685,0.0009522424,0.02697342,0.01461029,0.0000719856,0.001862998,0.0002062332,0.1906967],"genre_scores_gemma":[0.009389085,0.6562407,0.002080432,0.01612974,0.01316826,0.0002917975,0.002549153,0.0002553459,0.2998954],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.05231278,"threshold_uncertainty_score":0.1750036,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2253728112","doi":"10.25071/1708-6701.2753","title":"Building a Regional Music Collection: the Saskatchewan Experience","year":2007,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Geography; Regional science","authors":[{"name":"Richard Belford","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03267812968670042,"gpt":0.2969499823728052,"spread":0.2642718526861048,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004910877,0.0004423842,0.0006106523,0.001696626,0.02350657,0.0113082,0.00267407,0.001630834,0.0243883],"category_scores_gemma":[0.004839104,0.0005692904,0.0003154501,0.006325513,0.006442982,0.00286735,0.008581971,0.002711717,0.0022585],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.05440285,"about_ca_system_score_gemma":0.127231,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9308977,"about_ca_topic_score_gemma":0.9909385,"domain_scores_codex":[0.997121,0.0009540057,0.00008921773,0.000226504,0.0005482952,0.001060845],"domain_scores_gemma":[0.9950818,0.001199814,0.0002146543,0.000423158,0.001351758,0.001728813],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004911594,0.0003242384,0.0397358,0.001538126,0.000248132,0.006955178,0.3162889,0.0009278883,0.006964126,0.08095953,0.1891074,0.3564594],"study_design_scores_gemma":[0.00003158026,0.00008281776,0.06084938,0.0005556457,0.00006596269,0.000374614,0.4403073,0.0001073565,0.0007216447,0.002057493,0.4947611,0.00008512045],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4472348,0.01571359,0.001095569,0.07446193,0.0009621562,0.0003930581,0.00127265,0.0001537306,0.4587126],"genre_scores_gemma":[0.7808786,0.01331063,0.002421813,0.008869279,0.0001232218,0.0002238672,0.0006451273,0.0002113997,0.193316],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.06910229,"threshold_uncertainty_score":0.3947222,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2529697293","doi":"10.25071/1708-6701.2378","title":"Louis Applebaum: A Passion for Culture","year":2003,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"Ontario Arts Council","keywords":"Passion; Documentation; Sociology; Visual arts; History; Psychology; Art; Computer science; Social psychology","authors":[{"name":"Elaine Keillor","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1009284028517078,"gpt":0.2660867374719566,"spread":0.1651583346202488,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00583508,0.0007241809,0.001028967,0.001844746,0.003416987,0.007913324,0.00143017,0.00554571,0.03567293],"category_scores_gemma":[0.01617501,0.0003869139,0.0005931191,0.0021563,0.004014867,0.008743686,0.003319495,0.00906757,0.01734643],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004813276,"about_ca_system_score_gemma":0.008481365,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01153568,"about_ca_topic_score_gemma":0.02244389,"domain_scores_codex":[0.9952639,0.00180229,0.0002942888,0.0006865627,0.001680193,0.0002727432],"domain_scores_gemma":[0.9891517,0.003799671,0.0007535858,0.0007214802,0.004453522,0.00111999],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000008836027,0.000005566141,0.00005934862,0.0001666492,0.00000743334,0.00003854368,0.0001408349,0.00001454499,0.00006668833,0.01836423,0.964536,0.01659142],"study_design_scores_gemma":[0.000002681549,0.000003050032,0.00005488129,0.0002214329,0.000002780685,0.00003204572,0.000108893,0.000009249927,0.00003948075,0.003042863,0.9964785,0.000004164012],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.000225582,0.1673888,0.000979686,0.7066995,0.07528313,0.00002590064,0.0001116955,0.0001464814,0.0491392],"genre_scores_gemma":[0.00928713,0.1205791,0.003209128,0.43486,0.02554042,0.0001748762,0.0001457733,0.0003200763,0.4058833],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.03567293,"threshold_uncertainty_score":0.1193379,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1541095773","doi":"10.25071/1708-6701.2413","title":"The United States and Canada","year":2002,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Documentation; Library science; History; Political science; Visual arts; Computer science; Art","authors":[{"name":"Anna T. Hoefnagels","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08755089994221932,"gpt":0.214588595207419,"spread":0.1270376952651997,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009351025,0.0005877874,0.0007069986,0.00294796,0.005903436,0.006117861,0.001052003,0.001865598,0.1621917],"category_scores_gemma":[0.004121104,0.0002887548,0.0004289759,0.008457751,0.001071442,0.001506438,0.001254102,0.00132167,0.03633821],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02647195,"about_ca_system_score_gemma":0.1285505,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9548888,"about_ca_topic_score_gemma":0.9796316,"domain_scores_codex":[0.9979811,0.0001265545,0.00008282979,0.0002276817,0.001111733,0.0004700775],"domain_scores_gemma":[0.9946125,0.0001990774,0.0001795043,0.0001119282,0.004398812,0.0004982328],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003650618,0.00001027025,0.00107286,0.0004138214,0.00001369591,0.0001505723,0.0001895294,0.00005570979,0.0001005819,0.01245939,0.9263709,0.05912628],"study_design_scores_gemma":[0.0000059381,0.000003534626,0.002353326,0.0002785614,0.000006870379,0.00002848744,0.0002605485,0.00001412163,0.00002757295,0.0003186269,0.9966955,0.000006787747],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.001747346,0.03848953,0.0002369907,0.02165538,0.003004479,0.0001701756,0.01680587,0.0001812456,0.917709],"genre_scores_gemma":[0.01906539,0.03266459,0.0009086144,0.008387381,0.0002558833,0.0001591363,0.004628216,0.0001021914,0.9338285],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1621917,"threshold_uncertainty_score":0.5425853,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4232377253","doi":"10.25071/1708-6701.36612","title":"Scene but Not Heard: Collecting Local Music","year":2013,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Visual arts; Art; Communication; Psychology","authors":[{"name":"Sean Luyk","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05207141894858724,"gpt":0.2336012274020201,"spread":0.1815298084534328,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0131266,0.0007988708,0.001213942,0.00596506,0.00656904,0.006483264,0.004264119,0.003737071,0.02219007],"category_scores_gemma":[0.04328638,0.00064191,0.0006628399,0.008262957,0.007935122,0.005264372,0.006189185,0.003373738,0.01107188],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004894859,"about_ca_system_score_gemma":0.02204158,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.08437426,"about_ca_topic_score_gemma":0.268627,"domain_scores_codex":[0.9926864,0.003271588,0.0004833804,0.0008407297,0.002144079,0.0005738549],"domain_scores_gemma":[0.9794366,0.008085519,0.001338352,0.00233072,0.007330692,0.001478158],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001503333,0.0001185488,0.00999987,0.00912608,0.000110599,0.0008029618,0.02369169,0.00006447153,0.001515726,0.005637125,0.2846799,0.6641027],"study_design_scores_gemma":[0.00005714663,0.0001484312,0.06873159,0.01475931,0.0002767151,0.001066123,0.152822,0.00006263551,0.002130017,0.004852956,0.755,0.00009302257],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.07966907,0.3413468,0.01128674,0.2418633,0.01520746,0.002684704,0.005911796,0.0005259209,0.3015042],"genre_scores_gemma":[0.3292834,0.3404811,0.03595228,0.08866302,0.01696756,0.003208624,0.008772771,0.001195216,0.1754761],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.08437426,"threshold_uncertainty_score":0.1677663,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1526694521","doi":"10.25071/1708-6701.2950","title":"The Thelonious Monk Reader","year":2001,"lang":"fr","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Biblical Studies and Interpretation","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Computer science; History","authors":[{"name":"Sherrie Tucker","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03560238164754635,"gpt":0.2757153589817294,"spread":0.2401129773341831,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00559658,0.001274244,0.002203702,0.007087974,0.003137565,0.009235639,0.002329109,0.004845412,0.07842961],"category_scores_gemma":[0.02930832,0.0006391311,0.001062742,0.005370494,0.003534129,0.006589635,0.004652506,0.006088359,0.06942327],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005322212,"about_ca_system_score_gemma":0.008441675,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006203879,"about_ca_topic_score_gemma":0.01983048,"domain_scores_codex":[0.994,0.001404362,0.0004212938,0.0006138868,0.003113937,0.0004466109],"domain_scores_gemma":[0.9767462,0.005316374,0.001828878,0.001793509,0.01183909,0.002475983],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000006543905,0.000003217055,0.00002639589,0.0002601598,0.000002695091,0.00003089273,0.00005370361,0.000005359941,0.0000368361,0.0007820297,0.9836903,0.0151018],"study_design_scores_gemma":[0.000002048042,0.000004044028,0.00009278654,0.0003366297,0.000003336754,0.00008223725,0.00008148188,0.00000652086,0.00001428331,0.000414917,0.998958,0.000003756787],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"editorial","genre_gemma":"other","genre_scores_codex":[0.0002791033,0.2234416,0.001218002,0.2245466,0.4793498,0.0001683259,0.0002890975,0.0005334571,0.07017399],"genre_scores_gemma":[0.003479377,0.1052224,0.002222848,0.2446668,0.2192155,0.0003542955,0.0006176572,0.0004466908,0.4237745],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.07842961,"threshold_uncertainty_score":0.2623732,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1603675319","doi":"10.25071/1708-6701.25697","title":"Music in the Digital Age: Downloading, Streaming and Digital Lending","year":2010,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"FinTech, Crowdfunding, Digital Finance","field":"Business, Management and Accounting","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Upload; Digital audio; Computer science; Multimedia; Telecommunications; World Wide Web","authors":[{"name":"James David Mason","is_ca":true},{"name":"J Wierciński","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0166885735240613,"gpt":0.2292418613844378,"spread":0.2125532878603765,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009238828,0.0002254604,0.0004267936,0.00249774,0.001021034,0.005906372,0.0005850379,0.001853629,0.04309705],"category_scores_gemma":[0.00787781,0.0001073463,0.0003848475,0.004331777,0.002061483,0.003431091,0.001282737,0.001104816,0.00238291],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001393235,"about_ca_system_score_gemma":0.001586427,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009471731,"about_ca_topic_score_gemma":0.01738769,"domain_scores_codex":[0.9991628,0.0001831443,0.00005105988,0.00008198807,0.0003968315,0.0001240624],"domain_scores_gemma":[0.994269,0.003431658,0.0007867478,0.0001573466,0.0007458627,0.0006093238],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000634725,0.0002075274,0.03050602,0.001853534,0.0001066642,0.0008251319,0.002000676,0.0003249735,0.0006984519,0.07873971,0.2145545,0.669548],"study_design_scores_gemma":[0.0000727001,0.0003765121,0.2015838,0.003065695,0.0003248242,0.002303589,0.01017489,0.0006226041,0.0008330204,0.03615345,0.7444054,0.00008357776],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.09289836,0.4545791,0.0007237702,0.07878894,0.00536667,0.00005643736,0.001319315,0.00009157509,0.3661759],"genre_scores_gemma":[0.5282058,0.3641866,0.0005235719,0.008697207,0.02420433,0.00005097403,0.000664256,0.00006890514,0.0733983],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04309705,"threshold_uncertainty_score":0.144174,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2298968267","doi":"10.25071/1708-6701.2936","title":"The Miller Companion to Jazz in Canada (and Canadians in Jazz)","year":2002,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Jazz; Documentation; Miller; History; Visual arts; Sociology; Library science; Art; Computer science; Biology","authors":[{"name":"Cynthia Leive","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07455819994487864,"gpt":0.2066361834013963,"spread":0.1320779834565177,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001711685,0.0005657924,0.0005961526,0.004214875,0.006743597,0.005403429,0.001040117,0.002191245,0.03396365],"category_scores_gemma":[0.00542612,0.0002843048,0.0003101811,0.008768687,0.002722667,0.002050411,0.001365473,0.00207414,0.005520339],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02783504,"about_ca_system_score_gemma":0.05421731,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9003843,"about_ca_topic_score_gemma":0.9652223,"domain_scores_codex":[0.9982651,0.0001841709,0.00007199516,0.0001344858,0.001069369,0.0002748772],"domain_scores_gemma":[0.9945351,0.0004778108,0.0002284512,0.0001094909,0.003877154,0.0007719676],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000009016218,0.000003938218,0.0001842877,0.0003638529,0.000003581748,0.00004457925,0.0003344913,0.00001709718,0.00006048116,0.003229391,0.9633502,0.03239907],"study_design_scores_gemma":[0.000001057082,0.000002846819,0.001076395,0.0002202654,0.000004162836,0.00003191093,0.0004089829,0.000003138581,0.00001744745,0.0001586462,0.9980707,0.000004444327],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.001230959,0.6186708,0.0003061294,0.1516598,0.05163276,0.00007930854,0.000964285,0.00008466045,0.1753713],"genre_scores_gemma":[0.02437782,0.4509099,0.0008931857,0.04604596,0.01650295,0.00007359533,0.0007392911,0.0001100033,0.4603472],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.09961569,"threshold_uncertainty_score":0.2019582,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2256222959","doi":"10.25071/1708-6701.2379","title":"Oscar Peterson: A Musical Biography","year":2003,"lang":"fr","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Documentation; Biography; Musical; Visual arts; Musical composition; History; Art; Art history; Literature; Computer science; Programming language","authors":[{"name":"James McGowan","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07981355936878037,"gpt":0.24849660670935,"spread":0.1686830473405696,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002344976,0.0006959683,0.0006018712,0.003959584,0.001839591,0.002817954,0.0009182784,0.001775845,0.03694083],"category_scores_gemma":[0.01052784,0.0002871808,0.0003461459,0.00352016,0.001004581,0.003202654,0.001734045,0.00276116,0.02098658],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002088147,"about_ca_system_score_gemma":0.00399723,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005194861,"about_ca_topic_score_gemma":0.010044,"domain_scores_codex":[0.9984434,0.0005239072,0.0001034615,0.0002301988,0.0005841827,0.000114942],"domain_scores_gemma":[0.9952366,0.001352964,0.0004894783,0.0001494908,0.002202383,0.0005690336],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001130431,0.000006115795,0.0000760218,0.000353746,0.000004676366,0.00006894721,0.000156531,0.00001310947,0.00007772248,0.001737735,0.969103,0.02839111],"study_design_scores_gemma":[0.00000246484,0.000005598781,0.0001992881,0.0003324598,0.000004852333,0.000154537,0.0002057802,0.00000995525,0.0000582882,0.0004362669,0.9985865,0.000004040111],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.0008795034,0.4534039,0.001625004,0.3214124,0.1307863,0.0001187302,0.000414531,0.0001792419,0.09118052],"genre_scores_gemma":[0.01529371,0.2993083,0.001946117,0.1756753,0.06611954,0.0002484731,0.0003758945,0.0003262631,0.4407064],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03694083,"threshold_uncertainty_score":0.1235794,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2801293993","doi":"10.25071/1708-6701.40314","title":"In Other News: The Significance of Canadian Media Sources in an Analysis of Local Music Collection Literature","year":2018,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Newspaper; Thematic analysis; Content analysis; Sociology; Library science; Qualitative research; History; Media studies; Computer science; Social science","authors":[{"name":"Veronica Kmiech","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07546505917096606,"gpt":0.2486075870865577,"spread":0.1731425279155916,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.02044654,0.0006245646,0.0008943353,0.04272847,0.02611427,0.02509514,0.002184142,0.001529009,0.004637008],"category_scores_gemma":[0.05025801,0.0004600359,0.0004628376,0.07431888,0.01607808,0.00683209,0.006243989,0.001832221,0.0002464029],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.1089078,"about_ca_system_score_gemma":0.173132,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9288813,"about_ca_topic_score_gemma":0.9724694,"domain_scores_codex":[0.9865783,0.004408276,0.0008527368,0.0009086092,0.005542888,0.001709065],"domain_scores_gemma":[0.9435963,0.03681592,0.003004162,0.00108489,0.01364433,0.001854406],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"observational","study_design_scores_codex":[0.00004836793,0.00001657932,0.01299353,0.003384497,0.00006789858,0.001171837,0.8615925,0.00009842377,0.0004556055,0.04223335,0.01656696,0.06137035],"study_design_scores_gemma":[0.00000675285,0.000009400831,0.02294771,0.006626273,0.0001495498,0.0002638746,0.8180515,0.0001058314,0.0003017111,0.003029808,0.1484513,0.00005626885],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4356379,0.1437371,0.00521082,0.1006627,0.002147607,0.001122476,0.004247546,0.000131321,0.3071024],"genre_scores_gemma":[0.9346421,0.04537564,0.004315984,0.00541115,0.0002671772,0.0004091511,0.0009204609,0.0001132366,0.008545059],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1089078,"threshold_uncertainty_score":0.7901847,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4205494958","doi":"10.25071/1708-6701","title":"CAML Review / Revue de l ACBM","year":2021,"lang":"fr","type":"paratext","venue":"CAML Review / Revue de l ACBM","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Documentation; Library science; Bibliography; World Wide Web; Computer science","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.1150360562931532,"gpt":0.2885798836247416,"spread":0.1735438273315884,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.05700364,0.00174708,0.004111839,0.0184874,0.00522018,0.02294315,0.006394504,0.01724828,0.08571767],"category_scores_gemma":[0.2438762,0.001420504,0.002482508,0.01507179,0.00972759,0.01362774,0.007636083,0.01217773,0.06690663],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02651764,"about_ca_system_score_gemma":0.07181311,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0251717,"about_ca_topic_score_gemma":0.02538347,"domain_scores_codex":[0.9278076,0.02157645,0.008196731,0.003274785,0.0361563,0.002988179],"domain_scores_gemma":[0.7549587,0.06128075,0.01466735,0.01513772,0.1427544,0.01120116],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001882917,0.00001555334,0.0000341036,0.007576194,0.00002193192,0.00004480449,0.0001407459,0.00001964024,0.0000438336,0.005934561,0.9449431,0.04120666],"study_design_scores_gemma":[0.00001490651,0.000005008875,0.00007961546,0.0145424,0.00001915971,0.00004904578,0.00007659925,0.00001236281,0.00002191376,0.001395805,0.9837736,0.000009577067],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.0001214698,0.4090365,0.0008404558,0.3160583,0.1826291,0.0009748751,0.001546107,0.0002748557,0.08851825],"genre_scores_gemma":[0.00484838,0.5431562,0.003915111,0.2590703,0.08978099,0.004419051,0.003028596,0.0005281822,0.09125315],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.9142823,"threshold_uncertainty_score":0.3014676,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2266542750","doi":"10.25071/1708-6701.36610","title":"Making Noise: Toronto Public Library's Local Music Project","year":2013,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Library Science and Administration","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Noise (video); Media studies; Library science; Sociology; Computer science; Artificial intelligence","authors":[{"name":"Thomas Krzyzanowski","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0835876624328473,"gpt":0.3392267403319832,"spread":0.2556390778991359,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004699545,0.000618566,0.0005116023,0.001981062,0.01242489,0.01067937,0.002017589,0.003545142,0.04547446],"category_scores_gemma":[0.009014455,0.000382918,0.0004214895,0.004385419,0.005355066,0.002266296,0.005395974,0.002221311,0.005706681],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.04022216,"about_ca_system_score_gemma":0.1213689,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.8448588,"about_ca_topic_score_gemma":0.9521686,"domain_scores_codex":[0.9953805,0.0009231998,0.0001021186,0.0002342775,0.00210283,0.00125694],"domain_scores_gemma":[0.9922523,0.00138919,0.0003052789,0.0003977936,0.002428298,0.003227153],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001744854,0.00008711719,0.003544181,0.001355585,0.00004348888,0.0003145334,0.01510032,0.0002957186,0.0003687872,0.02034664,0.8452713,0.1130979],"study_design_scores_gemma":[0.0000474781,0.00007798591,0.02731825,0.00101535,0.0000847867,0.00005282611,0.0530061,0.00006349673,0.0004136746,0.0009135845,0.9169667,0.00003980112],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.07053266,0.08619502,0.0009198877,0.2298605,0.005683794,0.0006788599,0.005619738,0.0005254269,0.5999841],"genre_scores_gemma":[0.3346666,0.0586624,0.001234657,0.01429457,0.001384396,0.0004470917,0.003298373,0.0003245593,0.5856874],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1551412,"threshold_uncertainty_score":0.3121098,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1591224009","doi":"10.25071/1708-6701.34453","title":"The Encyclopedia of Music in Canada at 30","year":2011,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Encyclopedia; Art; Library science; Computer science","authors":[{"name":"Desmond Maley","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04105988307445983,"gpt":0.2073276264381102,"spread":0.1662677433636504,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005856946,0.001689177,0.001467763,0.01157442,0.00442275,0.009159971,0.001885284,0.001592826,0.4086124],"category_scores_gemma":[0.001572181,0.0005010787,0.0007588993,0.02750905,0.001876273,0.002717201,0.002620378,0.001601965,0.1568606],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01956666,"about_ca_system_score_gemma":0.07748433,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.8859279,"about_ca_topic_score_gemma":0.9542975,"domain_scores_codex":[0.9987383,0.00003960019,0.00004830388,0.00008631176,0.0007959002,0.0002915011],"domain_scores_gemma":[0.9981617,0.00008593046,0.00005865349,0.00007462721,0.001103313,0.0005157967],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001894893,0.00001337118,0.0002502936,0.0004135945,0.000007148637,0.00005710291,0.00009654297,0.00004785235,0.0001494617,0.002390508,0.9418811,0.05467396],"study_design_scores_gemma":[0.000003235865,0.000003435535,0.00201337,0.0002743955,0.000004825997,0.00003441731,0.000201077,0.00001343135,0.00004401294,0.0003140216,0.9970861,0.000007633305],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.001575369,0.1025247,0.0004060645,0.0115992,0.01541158,0.0001727409,0.04125406,0.001263537,0.8257927],"genre_scores_gemma":[0.005436105,0.04942287,0.0004678802,0.001798688,0.00118466,0.00005029399,0.009488219,0.0003206442,0.9318306],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.4086124,"threshold_uncertainty_score":0.8435426,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4312062061","doi":"10.25071/1708-6701.40444","title":"Decolonized Listening in the Archive: A Study of How a Reconstruction of Archival Processes and Spaces can Contribute to Decolonizing Narratives and Listening","year":2022,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Indigenous; Active listening; Exhibition; Colonialism; Narrative; Decolonization; Mainstream; Visual arts; Aotearoa; Traditional knowledge; Museology; Sociology; History; Anthropology; Aesthetics; Media studies; Art; Literature; Gender studies; Political science; Archaeology; Law; Communication","authors":[{"name":"Sofie Tsatas","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05991026424352092,"gpt":0.2653027311744959,"spread":0.205392466930975,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.009514511,0.0006529005,0.0006476612,0.002331278,0.0233655,0.01452869,0.003523859,0.002953298,0.004770959],"category_scores_gemma":[0.01424636,0.0006278089,0.0005112177,0.002034497,0.03179812,0.009192035,0.01182204,0.007030519,0.0005353844],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006538113,"about_ca_system_score_gemma":0.004126817,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01531723,"about_ca_topic_score_gemma":0.04022563,"domain_scores_codex":[0.9915421,0.006401177,0.0001799532,0.0005336958,0.0006397972,0.0007032322],"domain_scores_gemma":[0.9911994,0.006044795,0.0007042722,0.0009099534,0.0004552082,0.0006864066],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.000009743851,0.0000250157,0.0003803792,0.00002344765,0.000001590522,0.0002500117,0.9916481,0.00001306048,0.0001703647,0.004781974,0.0002511978,0.002445096],"study_design_scores_gemma":[0.00000522296,0.0000289628,0.0007850491,0.00006351712,0.000004869578,0.0002206971,0.9795449,0.00006439842,0.0002159525,0.001023159,0.01803374,0.000009457857],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9434814,0.0008098182,0.003601673,0.003940486,0.0001032391,0.0001290053,0.00004638146,0.00006878343,0.0478193],"genre_scores_gemma":[0.9854797,0.0004679719,0.001396956,0.0004199636,0.00004165888,0.00008866663,0.00002258871,0.00008511242,0.0119974],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9766345,"threshold_uncertainty_score":0.05031812,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1545632129","doi":"10.25071/1708-6701.2302","title":"Who Needs Classical Music?","year":2003,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Documentation; Visual arts; History; Computer science; Art; Programming language","authors":[{"name":"Edward Jurkowski","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1264697277342405,"gpt":0.2502812796960459,"spread":0.1238115519618054,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003111149,0.0003218984,0.000931596,0.002432172,0.001590794,0.003762624,0.0009658424,0.002746175,0.01323734],"category_scores_gemma":[0.01388052,0.0001651996,0.0003622119,0.002613826,0.002101001,0.003426441,0.001250592,0.001388335,0.003781635],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003444158,"about_ca_system_score_gemma":0.00870022,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01237486,"about_ca_topic_score_gemma":0.03947287,"domain_scores_codex":[0.9977911,0.0009463896,0.0001592165,0.0002065622,0.0006610504,0.0002356206],"domain_scores_gemma":[0.9952971,0.002345864,0.0003721567,0.0001122645,0.001351894,0.0005207221],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007382175,0.00003110175,0.001255139,0.01108479,0.00005935502,0.0004964676,0.001956276,0.00001586469,0.0002347636,0.01163365,0.5517681,0.4213906],"study_design_scores_gemma":[0.00002183028,0.00003177296,0.00270628,0.008049243,0.00006838937,0.000830269,0.005598769,0.000008462514,0.00005267758,0.003542684,0.9790788,0.00001091555],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"commentary","genre_scores_codex":[0.001329037,0.8571704,0.00008177881,0.1092444,0.007173242,0.00002712937,0.00004422782,0.000009462008,0.02492038],"genre_scores_gemma":[0.02285273,0.860613,0.000408557,0.08880325,0.009491689,0.00008192103,0.000108944,0.00001520278,0.01762467],"genre_candidate":"commentary","genre_consensus":null,"teacher_disagreement_score":0.01323734,"threshold_uncertainty_score":0.04428327,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2232927563","doi":"10.25071/1708-6701.2933","title":"István Anhalt: Pathways and Memory","year":2002,"lang":"fr","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Digital and Traditional Archives Management","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Documentation; Visual arts; History; Art; Computer science; Programming language","authors":[{"name":"Beverley Diamond","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04777752766279939,"gpt":0.2081902461001992,"spread":0.1604127184373998,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003239079,0.0005613404,0.0007506583,0.003475148,0.002528705,0.01162509,0.001140214,0.003543407,0.05754008],"category_scores_gemma":[0.009505325,0.000296776,0.0003767932,0.005278426,0.001947152,0.007137732,0.002936597,0.002350803,0.01715424],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0036823,"about_ca_system_score_gemma":0.01075551,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004943133,"about_ca_topic_score_gemma":0.01013126,"domain_scores_codex":[0.9970179,0.0008878325,0.0002690467,0.0002974896,0.001202136,0.0003256574],"domain_scores_gemma":[0.9961487,0.001011895,0.0005737634,0.0002766042,0.001514872,0.0004740965],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001063633,0.00003623946,0.0004229758,0.002565189,0.00003210172,0.0003321338,0.0008569792,0.0001144167,0.0003122117,0.05746901,0.5862197,0.3515328],"study_design_scores_gemma":[0.000003513356,0.000008858433,0.0002876853,0.001121109,0.000009299126,0.00009266217,0.0003343099,0.000008946072,0.00008562971,0.003294584,0.9947498,0.000003552117],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.001321596,0.6789815,0.0006196179,0.07774156,0.02030828,0.00006907586,0.0003762124,0.000110915,0.2204713],"genre_scores_gemma":[0.03926868,0.5915546,0.001875393,0.02531984,0.006143824,0.0002053683,0.0007269395,0.0001867936,0.3347185],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.05754008,"threshold_uncertainty_score":0.1924907,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2942426557","doi":"10.25071/1708-6701.40344","title":"Sounds of Home: A Survey of Local Music Collection Management Practices in Canadian Libraries","year":2019,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Digital and Traditional Archives Management","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":true,"about_ca":true},"ca_institutions":"University of Saskatchewan","funders":"Social Sciences and Humanities Research Council of Canada; University of Alberta","keywords":"Outreach; Data collection; Digitization; Collection development; Promotion (chess); Collections management; Scope (computer science); Public relations; Special collections; World Wide Web; Computer science; Sociology; Library science; Political science","authors":[{"name":"Carolyn Doi","is_ca":true},{"name":"Sean Luyk","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04960288703790036,"gpt":0.2370202902256112,"spread":0.1874174031877109,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.003114919,0.0002411153,0.0004500407,0.004083966,0.005927803,0.003412772,0.001813932,0.0004420394,0.005138427],"category_scores_gemma":[0.006949447,0.0002939437,0.0002584779,0.008740681,0.001974476,0.001240976,0.002157742,0.0005466994,0.0005138372],"about_ca_system_candidate":true,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.04513868,"about_ca_system_score_gemma":0.05015704,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9773193,"about_ca_topic_score_gemma":0.9896674,"domain_scores_codex":[0.9970311,0.0003953775,0.0001524818,0.0002357877,0.001466275,0.0007188549],"domain_scores_gemma":[0.994405,0.000615615,0.001005628,0.0001585898,0.00237178,0.001443349],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001579444,0.0001667634,0.6051739,0.001072544,0.00005379264,0.0007795986,0.2317646,0.0001106814,0.001214903,0.001098158,0.02637383,0.1320334],"study_design_scores_gemma":[0.000006270986,0.0000545601,0.7579409,0.0003956529,0.00002146921,0.0001225601,0.203567,0.00008227173,0.000150695,0.00004991246,0.03756037,0.0000483049],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9727494,0.002854816,0.0003021049,0.002405962,0.00003270287,0.0003051263,0.002208073,0.00005211232,0.01908964],"genre_scores_gemma":[0.9864072,0.003713225,0.0007199671,0.001090988,0.000017261,0.0001857716,0.0009081693,0.00002630056,0.006931053],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9965872,"threshold_uncertainty_score":0.3275056,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1543759149","doi":"10.25071/1708-6701.3617","title":"La musique, la recherche et la vie","year":2000,"lang":"fr","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Documentation; Art; Sociology; Humanities; Library science; Computer science","authors":[{"name":"Irène Brisson","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.3730816972498566,"gpt":0.3666161478208741,"spread":0.00646554942898242,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01249224,0.0008601304,0.001997887,0.006966272,0.002852929,0.009266398,0.001488341,0.005002821,0.02148526],"category_scores_gemma":[0.03233499,0.0004303552,0.0008650627,0.00810587,0.006125164,0.006069025,0.002587771,0.004127632,0.008030669],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01000001,"about_ca_system_score_gemma":0.02431706,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0230615,"about_ca_topic_score_gemma":0.03003412,"domain_scores_codex":[0.985564,0.007424801,0.0008922162,0.00107958,0.00431585,0.000723663],"domain_scores_gemma":[0.970264,0.01698616,0.00188173,0.002026088,0.007538578,0.001303508],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009545703,0.00003379886,0.000468801,0.01031856,0.0001197804,0.0002544293,0.002277264,0.0001061093,0.000884243,0.1024692,0.584064,0.2989084],"study_design_scores_gemma":[0.000006477364,0.00001199893,0.0003081415,0.002688146,0.00001782406,0.0001140089,0.0003981733,0.000016837,0.00007028367,0.00251012,0.9938507,0.000007275136],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.0004598403,0.8506339,0.000813682,0.07241374,0.02066878,0.00006555553,0.0001510873,0.0000604878,0.05473289],"genre_scores_gemma":[0.02510981,0.833248,0.004424779,0.03981773,0.02351327,0.0004330039,0.0004763811,0.0001504862,0.07282659],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.0230615,"threshold_uncertainty_score":0.07255548,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2253606861","doi":"10.25071/1708-6701.2973","title":"Opera Viva: The Canadian Opera Company: The First Fifty Years","year":2001,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Opera; Documentation; Visual arts; History; Art; Computer science","authors":[{"name":"Paul F. Rice","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03339282593754663,"gpt":0.293960621094154,"spread":0.2605677951566074,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001922198,0.000926669,0.0006707959,0.006390295,0.004512945,0.00527102,0.001412135,0.002075263,0.02107219],"category_scores_gemma":[0.005282506,0.0002887182,0.0003144509,0.01477707,0.002190728,0.00221972,0.001193283,0.00147361,0.004202076],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.03418892,"about_ca_system_score_gemma":0.1041807,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9003574,"about_ca_topic_score_gemma":0.9571548,"domain_scores_codex":[0.9974614,0.00009905771,0.00009114005,0.0001422864,0.001949823,0.0002562585],"domain_scores_gemma":[0.9945273,0.0002458149,0.0002683193,0.00006485462,0.004226827,0.0006669877],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002309391,0.00000726146,0.000508161,0.002254142,0.00001278464,0.0001384686,0.0004919583,0.00005023359,0.0002507606,0.003328097,0.861495,0.1314401],"study_design_scores_gemma":[0.000001232245,0.000003868393,0.001616431,0.0007196889,0.000009170438,0.00003862291,0.0004256448,0.000006431113,0.00003653589,0.0001279455,0.997008,0.000006515577],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.001404681,0.8720064,0.0001964204,0.04047938,0.01443481,0.00009521107,0.001012373,0.00005932269,0.07031139],"genre_scores_gemma":[0.01864935,0.7309318,0.0008607315,0.01185792,0.00380227,0.00009089541,0.001450833,0.00005400825,0.2323022],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.09964263,"threshold_uncertainty_score":0.2480592,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3119452224","doi":"10.25071/1708-6701.40379","title":"Digital Scores Galore: nKoda Digital Sheet Music Library (Database)","year":2020,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Music and Audio Processing","field":"Computer Science","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Computer science; Database","authors":[{"name":"Trevor Deck","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02832490456056999,"gpt":0.2294074995216601,"spread":0.2010825949610901,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008027549,0.001261137,0.001593067,0.007648943,0.001457849,0.00769509,0.002472941,0.001530604,0.8564393],"category_scores_gemma":[0.0060296,0.000547149,0.0004841642,0.007304267,0.0005738096,0.003274613,0.00257541,0.001139169,0.7709025],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001291389,"about_ca_system_score_gemma":0.002521716,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003599946,"about_ca_topic_score_gemma":0.00732387,"domain_scores_codex":[0.9990289,0.00007132427,0.0001033637,0.0001447026,0.0005644975,0.00008715545],"domain_scores_gemma":[0.9962478,0.0003880846,0.0002129638,0.0004890955,0.001920785,0.000741334],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009120558,0.0000342169,0.0001230005,0.0003183893,0.000005028468,0.00002912893,0.00001103337,0.00001962588,0.0002392388,0.0004978594,0.8881525,0.1104786],"study_design_scores_gemma":[0.00004844963,0.00002039855,0.0008574461,0.0001417193,0.000009411255,0.00004651023,0.0000303563,0.00006267278,0.0003392505,0.0003473568,0.9980844,0.00001189004],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"dataset","genre_scores_codex":[0.001110918,0.003322185,0.001781699,0.002990531,0.003891916,0.0005114412,0.08155014,0.01048457,0.8943566],"genre_scores_gemma":[0.00383029,0.002346328,0.001545159,0.0009674353,0.001297022,0.0002489012,0.04801968,0.001561538,0.9401836],"genre_candidate":"dataset","genre_consensus":null,"teacher_disagreement_score":0.8564393,"threshold_uncertainty_score":0.2047719,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2271808634","doi":"10.25071/1708-6701.23302","title":"Sonic Mosaics: Conversations with Composers (Book Review)","year":2009,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Visual arts; History","authors":[{"name":"J. Drew Stephen","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01130985843623589,"gpt":0.2458452068481572,"spread":0.2345353484119213,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001455722,0.0005186017,0.0008419762,0.003568506,0.001150516,0.003780115,0.001012028,0.001809617,0.0346787],"category_scores_gemma":[0.004471705,0.0003743043,0.0002731968,0.005132972,0.001154151,0.00296979,0.001704686,0.002004318,0.01494331],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001377827,"about_ca_system_score_gemma":0.002233022,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004379308,"about_ca_topic_score_gemma":0.01400411,"domain_scores_codex":[0.9991686,0.0001847561,0.0000537632,0.00007690302,0.0004520667,0.00006404186],"domain_scores_gemma":[0.9983262,0.0008735685,0.0000910014,0.00007105082,0.0005013203,0.0001368694],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000222156,0.00001742087,0.00005344765,0.001447623,0.000009415635,0.00004581369,0.0003979594,0.00003507888,0.0003068384,0.004275237,0.6583516,0.3350374],"study_design_scores_gemma":[0.000002467309,0.000006632284,0.0001793464,0.0004357683,0.0000042775,0.00008235074,0.0001375473,0.000005220246,0.00007131274,0.0002199482,0.9988523,0.000002852075],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0004919649,0.91422,0.0008065704,0.01293979,0.009343303,0.00003681656,0.0001533386,0.0001062616,0.06190199],"genre_scores_gemma":[0.007372226,0.7712309,0.001550157,0.008691527,0.0109697,0.000135988,0.00041974,0.0002530163,0.1993767],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.0346787,"threshold_uncertainty_score":0.1160118,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2625401155","doi":"10.25071/1708-6701.40291","title":"Introduction to Post-Tonal Theory, 4th ed. – by Joseph N. Straus (Book Review)","year":2017,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Philosophy; Psychoanalysis; Mathematical economics; Psychology; Cognitive science; Epistemology; Mathematics","authors":[{"name":"Roxane Prevost","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01482089001095548,"gpt":0.2443962338680718,"spread":0.2295753438571163,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009426671,0.0007619431,0.0006338952,0.00237814,0.0009854002,0.003070237,0.001226997,0.001423387,0.05336224],"category_scores_gemma":[0.003027266,0.0004317544,0.0005066137,0.002066916,0.00260771,0.004654184,0.001356781,0.003353775,0.02845957],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002010594,"about_ca_system_score_gemma":0.002656774,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005284431,"about_ca_topic_score_gemma":0.00848094,"domain_scores_codex":[0.9995608,0.00008169488,0.00002801988,0.00006365359,0.0002283339,0.00003751872],"domain_scores_gemma":[0.9990407,0.0003953758,0.00005591787,0.00005687,0.0003767173,0.00007438569],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002860304,0.00001372758,0.00006736465,0.000776171,0.00001107588,0.00005481525,0.0002137166,0.0001010499,0.0001846433,0.03393524,0.7575212,0.2070924],"study_design_scores_gemma":[0.000002391949,0.000007219749,0.0002241701,0.0004352157,0.000003188288,0.0001529132,0.00008152997,0.00002040517,0.00005009067,0.007063958,0.9919536,0.000005370653],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0002419191,0.8750141,0.00235329,0.01765248,0.01786855,0.00001786514,0.000177133,0.0001220639,0.08655267],"genre_scores_gemma":[0.008800007,0.7303768,0.002144099,0.01131923,0.0211812,0.00006508432,0.0003325918,0.0002243997,0.2255566],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.05336224,"threshold_uncertainty_score":0.1785145,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2306608010","doi":"10.25071/1708-6701.2932","title":"The Memorial University of NewfoundlandFolklore and Language Archive","year":2002,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Lexicography and Language Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Linguistics; History; Computer science; Philosophy","authors":[{"name":"Patricia Fulton","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01689700071235865,"gpt":0.2063043878069009,"spread":0.1894073870945422,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002560244,0.0004575649,0.0007445776,0.004206887,0.004591087,0.005570009,0.001039811,0.001569519,0.08708651],"category_scores_gemma":[0.006140976,0.0003272566,0.0003807463,0.00622299,0.001690863,0.002734889,0.002407654,0.001670933,0.0153154],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01889639,"about_ca_system_score_gemma":0.04281193,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.5071507,"about_ca_topic_score_gemma":0.8000082,"domain_scores_codex":[0.9975868,0.0003705689,0.0001354668,0.0002160854,0.001193057,0.0004979739],"domain_scores_gemma":[0.9915106,0.001154821,0.0006051766,0.0004998472,0.00523928,0.0009902436],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002875862,0.00001257505,0.0005625729,0.001014893,0.00001051416,0.0002203559,0.0003961399,0.0000247868,0.0002721299,0.004876513,0.8882915,0.1042893],"study_design_scores_gemma":[0.000001537969,0.000004139449,0.001771435,0.0004685849,0.000006819449,0.00005745836,0.0001748346,0.000005422425,0.00005611386,0.0001006109,0.9973496,0.000003398873],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.004734903,0.3244198,0.000669049,0.08729678,0.01406276,0.0001723398,0.00368826,0.0002369249,0.5647192],"genre_scores_gemma":[0.01820051,0.134172,0.001409781,0.00961583,0.001781561,0.0001181395,0.001792287,0.0001247897,0.8327851],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.4928493,"threshold_uncertainty_score":0.9915035,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1518385643","doi":"10.25071/1708-6701.2411","title":"Making Music: Profiles from a Century of Canadian Music","year":2002,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Documentation; Visual arts; Music education; History; Library science; Art; Computer science","authors":[{"name":"Gordon Ross","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2509214664937426,"gpt":0.247899000373465,"spread":0.003022466120277595,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00324574,0.0005213013,0.0005259003,0.007605528,0.008913009,0.008468851,0.001101745,0.001351729,0.01101267],"category_scores_gemma":[0.006700959,0.0002268689,0.0002647132,0.01671563,0.004588239,0.002842287,0.00280141,0.001492213,0.001589756],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0545975,"about_ca_system_score_gemma":0.1086031,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9186999,"about_ca_topic_score_gemma":0.9832274,"domain_scores_codex":[0.9972786,0.0002542301,0.000108848,0.0001574942,0.001798801,0.0004019289],"domain_scores_gemma":[0.9944189,0.0006830281,0.0002505486,0.0001570617,0.003665187,0.0008253685],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007651112,0.00001568983,0.001864418,0.002534709,0.00002458373,0.0002863162,0.02718183,0.00009541278,0.0006668554,0.03373687,0.539606,0.3939109],"study_design_scores_gemma":[0.000001462564,0.000004813432,0.003889457,0.0007077582,0.00001030933,0.00007252179,0.008004234,0.000005534809,0.00005792644,0.0005872351,0.9866475,0.00001119095],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.01223942,0.6452868,0.0005964345,0.08988351,0.005952173,0.0001060517,0.001027035,0.00006974205,0.2448388],"genre_scores_gemma":[0.1202797,0.6939601,0.001893799,0.0225396,0.001585978,0.00009902527,0.001044314,0.0001166933,0.1584808],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.08130014,"threshold_uncertainty_score":0.3961344,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2237713210","doi":"10.25071/1708-6701.1389","title":"The Worst of Both Worlds: How Old Rules and New Interfaces Hinder Access to Music","year":2005,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Robarts Clinical Trials; University of Toronto","funders":"","keywords":"Documentation; World Wide Web; Computer science; Visual arts; Multimedia; Sociology; Art","authors":[{"name":"Alastair Boyd","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1695205721633925,"gpt":0.2828979531724918,"spread":0.1133773810090994,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007546073,0.000354281,0.0007137443,0.003024193,0.003963437,0.01283003,0.001432101,0.003654724,0.005081006],"category_scores_gemma":[0.01792038,0.0002324644,0.0004144441,0.003730752,0.007260739,0.008635805,0.003197346,0.002333416,0.001530946],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003946856,"about_ca_system_score_gemma":0.007158737,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02212224,"about_ca_topic_score_gemma":0.07317067,"domain_scores_codex":[0.9886947,0.005583855,0.0005092749,0.0005794755,0.003965313,0.0006673876],"domain_scores_gemma":[0.9868374,0.008480521,0.0009321289,0.0005048462,0.002857049,0.0003880263],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001112802,0.00006974005,0.002073868,0.006415941,0.0001199724,0.000918412,0.02231493,0.0001749633,0.001066132,0.1614507,0.1728311,0.6324528],"study_design_scores_gemma":[0.00002632129,0.0001016987,0.003600839,0.006756024,0.00009704143,0.0007400339,0.04455346,0.00007958937,0.0005467252,0.02232099,0.9211299,0.00004748226],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.02009456,0.6209413,0.002150427,0.1327932,0.004279225,0.00008676159,0.00008990111,0.00004841843,0.2195161],"genre_scores_gemma":[0.328679,0.5671471,0.004648489,0.05862977,0.002422709,0.000188289,0.0001241217,0.0001360118,0.03802449],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02212224,"threshold_uncertainty_score":0.04398692,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2809752470","doi":"10.25071/1708-6701.15900","title":"The Present State of Unpopular Music","year":2007,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"State (computer science); Aesthetics; Computer science; Art; Programming language","authors":[{"name":"John Beckwith","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02386672831078272,"gpt":0.2736374128424913,"spread":0.2497706845317086,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003310954,0.0004443194,0.0008110084,0.003223042,0.00216498,0.01016677,0.00143687,0.003188237,0.04074222],"category_scores_gemma":[0.00616578,0.0001838587,0.0003458585,0.003826963,0.007181038,0.006942849,0.003700535,0.002742536,0.008850035],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002434422,"about_ca_system_score_gemma":0.002898604,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002042435,"about_ca_topic_score_gemma":0.003675768,"domain_scores_codex":[0.998477,0.0003158341,0.00009280964,0.0003015492,0.0006305082,0.0001822439],"domain_scores_gemma":[0.9935341,0.003307217,0.0005513827,0.0005085566,0.001599973,0.0004988625],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002051781,0.00006058525,0.0009280352,0.004463925,0.00005231798,0.0002162983,0.001922811,0.0001139825,0.002298439,0.2361088,0.1306815,0.6229481],"study_design_scores_gemma":[0.000009217254,0.00003404968,0.001366461,0.0009934255,0.00001716314,0.0003695845,0.001813694,0.00004185444,0.0003372716,0.02600627,0.968998,0.0000131402],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.01068062,0.6524965,0.001908399,0.1183317,0.009846155,0.00002743019,0.0007674649,0.0002006301,0.2057411],"genre_scores_gemma":[0.2294961,0.5768195,0.003887502,0.0800978,0.04318729,0.00009595104,0.0009898203,0.0002259776,0.06520015],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.04074222,"threshold_uncertainty_score":0.1362963,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1841054101","doi":"10.25071/1708-6701.23300","title":"Five Cent Music: Publication of an Early Series of Canadian Sheet Music","year":2009,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Series (stratigraphy); Sheet music; Visual arts; Art; History; Geology","authors":[{"name":"Peter Higham","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.040715764614473,"gpt":0.2343064421994682,"spread":0.1935906775849952,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003541273,0.0009369217,0.0005413598,0.009317197,0.005181738,0.005686045,0.001750717,0.002254236,0.07143212],"category_scores_gemma":[0.01450203,0.0003491366,0.0006797635,0.007402874,0.001797184,0.001505114,0.002119104,0.002392969,0.01309077],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01657145,"about_ca_system_score_gemma":0.05546182,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.5606307,"about_ca_topic_score_gemma":0.843882,"domain_scores_codex":[0.9955896,0.0001929009,0.0001832037,0.0001883378,0.003312774,0.0005331444],"domain_scores_gemma":[0.9790449,0.001170472,0.0004957896,0.0008019278,0.01614811,0.00233894],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003941516,0.000007581523,0.0003199491,0.0002390273,0.000007664069,0.00008986318,0.0001364143,0.00001897297,0.0002100191,0.002164338,0.963663,0.03310372],"study_design_scores_gemma":[0.000003177822,0.000006295924,0.002090374,0.0001228805,0.00000777468,0.00005073849,0.0001570941,0.00001036962,0.00012017,0.000106279,0.9973169,0.000007949919],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.006494647,0.1054389,0.001248636,0.09846277,0.3719833,0.0005403524,0.008204587,0.0005760612,0.4070508],"genre_scores_gemma":[0.03071311,0.04681331,0.001352953,0.01433414,0.03597322,0.0001431213,0.004371493,0.0003902093,0.8659084],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.4393693,"threshold_uncertainty_score":0.8839136,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2995583342","doi":"10.25071/1708-6701.40356","title":"Analytical Essays on Music by Women Composers: Secular and Sacred Music to 1900 – edited by Laurel Parsons and Brenda Ravenscroft (Book review)","year":2019,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Sacred music; Traditional music; Art; Visual arts; Musical","authors":[{"name":"Roxane Prevost","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01621910455133006,"gpt":0.2304976762225406,"spread":0.2142785716712106,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001262208,0.0009997083,0.0007201072,0.005868782,0.003487871,0.005708085,0.001011135,0.001857652,0.02232562],"category_scores_gemma":[0.002804787,0.0003260815,0.0002916591,0.006336684,0.006867982,0.004142754,0.002623101,0.003226834,0.004794666],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006085927,"about_ca_system_score_gemma":0.008020218,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02537896,"about_ca_topic_score_gemma":0.0599012,"domain_scores_codex":[0.9992602,0.0002032492,0.00003765674,0.00008903381,0.0003188855,0.0000909474],"domain_scores_gemma":[0.9990729,0.0004150352,0.00006892159,0.00003302799,0.0002945761,0.0001154638],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003241027,0.00002356319,0.0001093878,0.0009254725,0.00001369956,0.00007162438,0.007115917,0.0000416788,0.0001633216,0.07640802,0.7938796,0.1212152],"study_design_scores_gemma":[0.000002521632,0.000003046468,0.0003395913,0.0007747562,0.000002527107,0.00003116832,0.001017127,0.000002152676,0.00002488195,0.002361033,0.9954385,0.000002686087],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.0006462441,0.8209604,0.0001740662,0.02234725,0.01556239,0.0000170554,0.0001252727,0.00001535529,0.140152],"genre_scores_gemma":[0.0187506,0.7297665,0.0003709875,0.009415493,0.01896981,0.00006767269,0.0002034487,0.00008653307,0.2223689],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.02537896,"threshold_uncertainty_score":0.07468671,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4399424052","doi":"10.25071/1708-6701.40479","title":"An Examination of Faceted Searching in Discovery Systems and the Impact on Information Discovery","year":2024,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Library Collection Development and Digital Resources","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Computer science; Resource (disambiguation); Information literacy; World Wide Web; Perception; Information resource; Data discovery; Information retrieval; Data science; Knowledge management; Metadata; Psychology","authors":[{"name":"Katie Lai","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01349334881085189,"gpt":0.2637584124517479,"spread":0.250265063640896,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.01738879,0.000238557,0.0005932359,0.0056153,0.002800478,0.01455889,0.0008060445,0.0007255559,0.003029756],"category_scores_gemma":[0.09526352,0.0003203273,0.0006449054,0.00761172,0.006143039,0.01254786,0.006026349,0.001103882,0.0005045571],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004308403,"about_ca_system_score_gemma":0.004631747,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007058149,"about_ca_topic_score_gemma":0.007479356,"domain_scores_codex":[0.9762576,0.01242979,0.001416094,0.000795793,0.008240595,0.0008601059],"domain_scores_gemma":[0.8291864,0.1422172,0.007884781,0.009058539,0.009459523,0.002193586],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"observational","study_design_scores_codex":[0.0007428892,0.0002909242,0.1750144,0.001671497,0.0001981911,0.0008751567,0.3005567,0.001050841,0.008690246,0.08552148,0.00193339,0.4234544],"study_design_scores_gemma":[0.0001048239,0.001497274,0.4074332,0.001582795,0.000512971,0.004437313,0.3477682,0.01058993,0.01419682,0.0911798,0.1203019,0.0003950301],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.837405,0.00349965,0.017487,0.00191456,0.00004179554,0.0002031106,0.0001555961,0.0002688534,0.1390243],"genre_scores_gemma":[0.9883963,0.001183505,0.007709781,0.0001329412,0.00001974437,0.0000357673,0.00008338797,0.0000473213,0.002391307],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9854411,"threshold_uncertainty_score":0.0919618,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2907794331","doi":"10.25071/1708-6701.40336","title":"The Metropolitan Opera’s 50th Anniversary Gala: A Conversation with Robert Sutherland, Chief Librarian","year":2018,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Theater, Performance, and Music History","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"Bibliothèque et Archives nationales du Québec; McGill University","keywords":"Metropolitan area; Management; Work (physics); Library science; Opera; Sociology; Engineering; Art; Art history; History; Computer science; Archaeology; Mechanical engineering","authors":[{"name":"Patrick Lo","is_ca":false},{"name":"Robert Sutherland","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01249710932067705,"gpt":0.2047478782050212,"spread":0.1922507688843441,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002497432,0.000258912,0.0002493067,0.0006631871,0.008852792,0.005950908,0.0008170521,0.003376548,0.01614439],"category_scores_gemma":[0.00471599,0.000277846,0.000231091,0.001014861,0.003241969,0.002823955,0.003189298,0.00535141,0.002292216],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005403614,"about_ca_system_score_gemma":0.003935764,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05907306,"about_ca_topic_score_gemma":0.1874627,"domain_scores_codex":[0.999077,0.0003983454,0.00002505644,0.00005476588,0.000221108,0.0002237867],"domain_scores_gemma":[0.9982387,0.0005634986,0.0001337746,0.00005025493,0.0003181979,0.0006956381],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004091248,0.00002814258,0.00167451,0.0001293524,0.000009790755,0.001053134,0.01815273,0.00003837643,0.0004287524,0.01844461,0.9381248,0.02187494],"study_design_scores_gemma":[0.000002861325,0.00000801638,0.002398568,0.0000650594,0.000002785224,0.00009054303,0.01527388,0.000007009409,0.00009685459,0.0002856562,0.9817619,0.00000678155],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.0333809,0.02283837,0.0002636694,0.7648096,0.006445776,0.00003272505,0.0001564425,0.00008307345,0.1719894],"genre_scores_gemma":[0.2542848,0.01743607,0.0006528366,0.1944731,0.005992728,0.0001174893,0.0001898245,0.0002359019,0.5266173],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.05907306,"threshold_uncertainty_score":0.1174585,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2247072641","doi":"10.25071/1708-6701.22092","title":"CentreStreams: the Launch of a Digital Audio Archive at the Canadian Music Centre","year":2009,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Documentation; Digital audio; Visual arts; Computer science; Multimedia; Library science; Telecommunications; Art; Audio signal; Programming language","authors":[{"name":"Michelle Arbuckle","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06045837153223082,"gpt":0.2160786275782421,"spread":0.1556202560460113,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004288788,0.0004585299,0.0004802034,0.003080754,0.004320255,0.005182517,0.001882879,0.002736134,0.02054147],"category_scores_gemma":[0.008570181,0.0002272582,0.0004843987,0.003753742,0.002201646,0.00181413,0.001586192,0.001798764,0.002312791],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.03859805,"about_ca_system_score_gemma":0.1422566,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.8856931,"about_ca_topic_score_gemma":0.9551197,"domain_scores_codex":[0.9951137,0.0003293024,0.0001120942,0.000160949,0.003745838,0.0005380923],"domain_scores_gemma":[0.9902615,0.0008748519,0.0003277292,0.000204094,0.006892892,0.001438967],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007676541,0.0000189381,0.0004841027,0.003088511,0.00003147875,0.0003558673,0.001234967,0.0001251979,0.001170926,0.02334507,0.7684233,0.2016449],"study_design_scores_gemma":[0.000006002068,0.00001383633,0.001444425,0.0005936084,0.00001230197,0.00003416363,0.0004546456,0.000007699888,0.0001664454,0.0002370008,0.9970201,0.000009868896],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.005648518,0.5341675,0.0006570471,0.1171734,0.01957743,0.000461474,0.001568473,0.0002014303,0.3205447],"genre_scores_gemma":[0.08744139,0.466854,0.004222753,0.04750338,0.005343958,0.0002778801,0.001418659,0.0001995591,0.3867385],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.1143069,"threshold_uncertainty_score":0.2800497,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2588396888","doi":"10.25071/1708-6701.40267","title":"Eckhardt-Gramatté Music Library: Chronology of a Building Project","year":2016,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"3D Surveying and Cultural Heritage","field":"Earth and Planetary Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Doors; Reading (process); Space (punctuation); The arts; Library science; Visual arts; History; Art history; Computer science; Art; Political science; Law","authors":[{"name":"Janneka Guise","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03112371341787974,"gpt":0.243746698930871,"spread":0.2126229855129913,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004389764,0.0006109751,0.0003199726,0.008171013,0.009173154,0.01398141,0.001509549,0.002451738,0.03224819],"category_scores_gemma":[0.005672137,0.0008503218,0.0002732469,0.01629796,0.005331659,0.007544317,0.006486213,0.004058862,0.01238484],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01282227,"about_ca_system_score_gemma":0.02113053,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0466859,"about_ca_topic_score_gemma":0.1130688,"domain_scores_codex":[0.9956375,0.0008697036,0.0003505409,0.0003709858,0.002152966,0.0006183332],"domain_scores_gemma":[0.995011,0.0007448638,0.0004064525,0.0002151846,0.001302094,0.002320406],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001733533,0.0002509585,0.006784155,0.003328771,0.00001451499,0.001805161,0.03560117,0.0004068419,0.001728809,0.1518559,0.4000143,0.398036],"study_design_scores_gemma":[0.000002016706,0.00001570348,0.003215251,0.0004447041,0.000001450667,0.0002116645,0.004818536,0.00001032346,0.000150111,0.0004929075,0.990625,0.00001236266],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0296397,0.1248187,0.008795213,0.03652045,0.007570719,0.002052331,0.004045783,0.000880441,0.7856767],"genre_scores_gemma":[0.2268266,0.210441,0.04299835,0.009147498,0.002083689,0.002097768,0.007182823,0.001535531,0.4976868],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.0466859,"threshold_uncertainty_score":0.1078809,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2242475400","doi":"10.25071/1708-6701.37763","title":"Patriotism and Nationalism in Music Education (Book Review)","year":2013,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Patriotism; Nationalism; Political science; Aesthetics; Sociology; Art; Law; Politics","authors":[{"name":"Paul Louth","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0314182775491476,"gpt":0.2487313047481725,"spread":0.2173130271990248,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008681336,0.0003910211,0.0007685042,0.002207784,0.000791369,0.003033821,0.000816384,0.00241511,0.0231733],"category_scores_gemma":[0.002709437,0.0002698291,0.0003297636,0.0035933,0.001637887,0.002339098,0.001416188,0.002650623,0.005774111],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002035267,"about_ca_system_score_gemma":0.003958533,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006523229,"about_ca_topic_score_gemma":0.02146136,"domain_scores_codex":[0.9995327,0.0001372404,0.00003272495,0.00004876538,0.0002021647,0.00004637295],"domain_scores_gemma":[0.9991061,0.0005444204,0.00008616627,0.00002517021,0.000169655,0.0000685314],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002388837,0.00002854471,0.00008369896,0.003545924,0.00002042026,0.00005760978,0.0001725926,0.00003733377,0.00007071906,0.01592818,0.7574456,0.2225855],"study_design_scores_gemma":[0.00001555689,0.00001254587,0.0006089577,0.003382821,0.00001557803,0.0001471368,0.0001825452,0.0000076621,0.00002681139,0.001808823,0.9937863,0.000005323802],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0001275297,0.9650956,0.00004744935,0.01049952,0.004020025,0.00001060797,0.0000376187,0.000007243781,0.02015436],"genre_scores_gemma":[0.002618512,0.9515287,0.0001247965,0.01231861,0.00463392,0.00004127408,0.00007532898,0.00001107883,0.02864766],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.0231733,"threshold_uncertainty_score":0.0775224,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2282428233","doi":"10.25071/1708-6701.2393","title":"The Weakest Link: Subject Access to Music in Online Catalogues","year":2002,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Robarts Clinical Trials; University of Toronto","funders":"","keywords":"Documentation; Subject (documents); Link (geometry); Subject access; World Wide Web; Computer science; Library science","authors":[{"name":"Alastair Boyd","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2225539587186117,"gpt":0.2896013435620344,"spread":0.06704738484342268,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00671016,0.0003401479,0.0008922129,0.007836119,0.003386785,0.009685997,0.001392682,0.004550336,0.06542483],"category_scores_gemma":[0.06726654,0.0002977767,0.000502336,0.009079562,0.002761195,0.009631218,0.003483608,0.001872271,0.01968422],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004181616,"about_ca_system_score_gemma":0.009170433,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02450061,"about_ca_topic_score_gemma":0.04040033,"domain_scores_codex":[0.9912692,0.002935732,0.0007252794,0.0004681984,0.004009648,0.0005917837],"domain_scores_gemma":[0.9487682,0.0192738,0.003705514,0.00316824,0.02297068,0.002113544],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"qualitative","study_design_scores_codex":[0.00005775547,0.00002633578,0.001111255,0.003663745,0.00003391095,0.0002037834,0.001271795,0.00002659569,0.0003443506,0.02423224,0.7816269,0.1874013],"study_design_scores_gemma":[0.00001031763,0.00002033378,0.002206553,0.002742633,0.00004609186,0.000129357,0.0008423271,0.0000187497,0.0001661541,0.002247581,0.9915612,0.000008666131],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.007387412,0.2186231,0.001787971,0.2131321,0.02964871,0.0004604616,0.001642225,0.0002868318,0.5270312],"genre_scores_gemma":[0.1256722,0.2605949,0.004623513,0.1309906,0.02193048,0.0008647647,0.00285256,0.000749604,0.4517213],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.990314,"threshold_uncertainty_score":0.2188678,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4399424053","doi":"10.25071/1708-6701.40481","title":"Spotlight on Music Collections: Interview with Marion Newman, (Ne'ega,) Mezzo-Soprano","year":2024,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"University of Victoria","funders":"","keywords":"Indigenous; Opera; Singing; Interview; Identity (music); Sociology; Visual arts; Music festival; Art history; History; Art; Anthropology; Management; Aesthetics","authors":[{"name":"Marion Newman","is_ca":true},{"name":"Kyra Folk-Farber","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1158382319498441,"gpt":0.2511700850215412,"spread":0.1353318530716971,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005503641,0.0004902047,0.0007676819,0.00168256,0.007931253,0.00470642,0.001640456,0.004271385,0.006606452],"category_scores_gemma":[0.008027783,0.0004902668,0.0002163823,0.002865446,0.005551889,0.004575039,0.003732254,0.004608229,0.001569857],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01208192,"about_ca_system_score_gemma":0.01551988,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1212668,"about_ca_topic_score_gemma":0.267464,"domain_scores_codex":[0.9970112,0.001750774,0.00007102345,0.0002695475,0.000559037,0.0003382828],"domain_scores_gemma":[0.9958898,0.002061574,0.0003471902,0.00005319725,0.0008606817,0.0007875495],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000760175,0.00006073819,0.001369107,0.002137566,0.00001550311,0.001623163,0.1632221,0.00004070903,0.001080426,0.01497276,0.7718333,0.0435686],"study_design_scores_gemma":[0.000006981416,0.00001592439,0.002082657,0.001299531,0.000007342667,0.0004132212,0.1176786,0.000007534478,0.0001321426,0.0003959841,0.877945,0.00001524703],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.02122868,0.2947682,0.0003788121,0.5932212,0.008191844,0.0001967552,0.0002042464,0.00004220559,0.08176799],"genre_scores_gemma":[0.2001125,0.308417,0.001377918,0.3202578,0.007422359,0.0009096006,0.0002220015,0.0001597729,0.1611211],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.1212668,"threshold_uncertainty_score":0.241122,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2235943534","doi":"10.25071/1708-6701.2934","title":"In Their Own Words: Canadian Choral Conductors","year":2002,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Choir; Documentation; Visual arts; History; Computer science; Art","authors":[{"name":"Peter J. Allen","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1592482006305026,"gpt":0.2425754390890772,"spread":0.08332723845857459,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002755684,0.0007341117,0.0007151715,0.001856915,0.006853738,0.00728944,0.002138539,0.004569284,0.05211572],"category_scores_gemma":[0.01377482,0.0002328362,0.0003631891,0.003980577,0.002781453,0.003171567,0.001721384,0.004382395,0.01691404],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01943838,"about_ca_system_score_gemma":0.04224071,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.7316905,"about_ca_topic_score_gemma":0.8811868,"domain_scores_codex":[0.9975004,0.0003321885,0.0001362639,0.000253728,0.001407773,0.0003696917],"domain_scores_gemma":[0.9897048,0.0009442967,0.0005178495,0.0002529981,0.007408976,0.001171068],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"qualitative","study_design_scores_codex":[0.0000058249,0.00000175812,0.0001017932,0.00008769286,0.000002127987,0.00002530554,0.0002280914,0.000007767767,0.00002979181,0.001350614,0.9919426,0.006216582],"study_design_scores_gemma":[0.000002081127,0.000001833466,0.0003084503,0.0001154575,0.000004234576,0.00002931865,0.0007677659,0.000007417172,0.00003183842,0.0002221102,0.9985025,0.000007014586],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.001015477,0.06344554,0.0004878133,0.7306414,0.09269293,0.0001002375,0.000956199,0.0002234509,0.110437],"genre_scores_gemma":[0.0213859,0.04242637,0.001619945,0.3046654,0.02592667,0.0001288326,0.0004992859,0.0001885937,0.6031589],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.2683095,"threshold_uncertainty_score":0.5397793,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1492671807","doi":"10.25071/1708-6701.2399","title":"A Jazz Odyssey: The Life of Oscar Peterson","year":2002,"lang":"fr","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Jazz; Documentation; Visual arts; History; Art; Art history; Sociology; Computer science","authors":[{"name":"Rob Van der Bliek","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04580170205430649,"gpt":0.2211517701491789,"spread":0.1753500680948724,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006427311,0.0008556512,0.0009333182,0.002709378,0.004760581,0.007614996,0.001408261,0.005292907,0.008736184],"category_scores_gemma":[0.02485595,0.0004802876,0.0005533455,0.002481129,0.003210254,0.0065667,0.002771213,0.009567019,0.006922435],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003819805,"about_ca_system_score_gemma":0.008423314,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01246181,"about_ca_topic_score_gemma":0.03214899,"domain_scores_codex":[0.9958088,0.001569678,0.0002226736,0.0003960906,0.001738928,0.0002637726],"domain_scores_gemma":[0.9849244,0.003780459,0.0008671166,0.0004023922,0.007571951,0.002453806],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000007295389,0.000003070959,0.00002536943,0.0001164893,0.000003095848,0.00004023273,0.0001531152,0.000007613363,0.00002488187,0.00113817,0.9888333,0.009647457],"study_design_scores_gemma":[0.000002278302,0.000006183378,0.00009863052,0.0003454034,0.000003750201,0.0001027624,0.0003913899,0.000005698188,0.00002030425,0.0006005872,0.9984171,0.000005872937],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.0002755589,0.2655517,0.0003727912,0.5989987,0.1234437,0.00002812043,0.00004897377,0.0000520552,0.01122835],"genre_scores_gemma":[0.008354089,0.250469,0.001321741,0.4894634,0.1255399,0.0001564876,0.0001075634,0.0001972028,0.1243906],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01246181,"threshold_uncertainty_score":0.03399134,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4321270124","doi":"10.25071/1708-6701.23307","title":"The Conservation, Restoration, and Repair of Stringed Instruments and Their Bows (IPCI Canada)","year":2009,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Documentation; Conservation; Visual arts; History; Art; Computer science; Geography; Environmental planning","authors":[{"name":"CAML Editors","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05372912439860515,"gpt":0.2196442393827664,"spread":0.1659151149841613,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001653793,0.0005107686,0.000367001,0.003176811,0.002745747,0.002680356,0.0013124,0.001203842,0.01160613],"category_scores_gemma":[0.00247736,0.0001888353,0.0002300285,0.005425798,0.001962527,0.0008145789,0.001003879,0.0008478098,0.001329537],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01004858,"about_ca_system_score_gemma":0.04239487,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.7403892,"about_ca_topic_score_gemma":0.8652122,"domain_scores_codex":[0.9983755,0.0001180131,0.00006541726,0.000126453,0.001151449,0.000163008],"domain_scores_gemma":[0.9984465,0.0001588795,0.0001167402,0.00005796027,0.00110613,0.0001138522],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003640756,0.00003825196,0.001209732,0.004639245,0.00002131743,0.0003285135,0.0009762567,0.0002969033,0.001452343,0.01650075,0.2002726,0.7742277],"study_design_scores_gemma":[0.000003506922,0.00002188783,0.005393474,0.001295984,0.0000185331,0.000212884,0.0007855443,0.00003029778,0.000610049,0.0005525835,0.9910643,0.00001095251],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.005517633,0.8021651,0.001291992,0.01341861,0.004429017,0.000193054,0.0006693694,0.00006282421,0.1722524],"genre_scores_gemma":[0.05806179,0.8057126,0.003762816,0.003096777,0.001067861,0.0000992725,0.0006531367,0.0000504723,0.1274953],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.7403892,"threshold_uncertainty_score":0.5222794,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2235767552","doi":"10.25071/1708-6701.2956","title":"Disques et cylindres au Centre franco-ontarien de folklore","year":2001,"lang":"fr","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Folklore; Documentation; Art; Visual arts; Humanities; Literature; History; Computer science","authors":[{"name":"Germain Lemieux","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03392508288883614,"gpt":0.275182565893082,"spread":0.2412574830042459,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002434573,0.0005527049,0.0008186128,0.003698673,0.002360725,0.003638156,0.000865823,0.002030247,0.02650562],"category_scores_gemma":[0.007429832,0.0002048701,0.0003648201,0.004451024,0.001385642,0.002056272,0.0009747145,0.001276343,0.003883452],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008175822,"about_ca_system_score_gemma":0.01167386,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1257156,"about_ca_topic_score_gemma":0.2071531,"domain_scores_codex":[0.9969558,0.0008622112,0.0001845209,0.0003259885,0.001356671,0.0003148925],"domain_scores_gemma":[0.9955258,0.001103527,0.0006619792,0.0001534918,0.002209143,0.0003460167],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001839389,0.00005257956,0.001845887,0.006974029,0.00008420849,0.0008340907,0.002324719,0.0001055326,0.001555831,0.02930677,0.4302925,0.52644],"study_design_scores_gemma":[0.000005536281,0.00002287224,0.002442487,0.0008000861,0.00001430308,0.0001826534,0.0004023598,0.00000676117,0.0001319808,0.0002378581,0.9957476,0.000005423161],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.004208027,0.8674605,0.000406125,0.02387457,0.009015887,0.00006756568,0.000249701,0.00004757889,0.09467014],"genre_scores_gemma":[0.08840892,0.5820861,0.001581852,0.02313935,0.005138449,0.0001764161,0.0005506769,0.00008197877,0.2988363],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8742844,"threshold_uncertainty_score":0.2499676,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4389766034","doi":"10.25071/1708-6701.40474","title":"On Music Theory, and Making Music More Welcoming For Everyone by Philip Ewell (Book)","year":2023,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"University of Manitoba","funders":"","keywords":"Music theory; Art; Art history; Media studies; Visual arts; Sociology; Musical","authors":[{"name":"Robin Attas","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07467948387309038,"gpt":0.2894282617845674,"spread":0.214748777911477,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001693733,0.0006571838,0.0005338226,0.001820284,0.001348213,0.003855054,0.0007993745,0.002867142,0.01597573],"category_scores_gemma":[0.005418783,0.0003816996,0.0003965567,0.001767729,0.002364248,0.005161467,0.001990242,0.005104945,0.009589963],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002142439,"about_ca_system_score_gemma":0.004689068,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007672468,"about_ca_topic_score_gemma":0.02055933,"domain_scores_codex":[0.9984805,0.0004352212,0.00007378456,0.0001807771,0.000715916,0.000113766],"domain_scores_gemma":[0.997775,0.0009671337,0.0001525362,0.00005964887,0.0007609497,0.0002847013],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000008787478,0.000005503623,0.00002243878,0.000503566,0.000004685037,0.00002658728,0.0001444212,0.0000166432,0.00007590998,0.009107783,0.9414208,0.04866292],"study_design_scores_gemma":[0.00000265724,0.00000534151,0.0001125998,0.000643055,0.000003752606,0.00005014055,0.0001230238,0.000004953242,0.00002198758,0.002132163,0.996897,0.000003441477],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.000105241,0.8525655,0.0002901802,0.08687294,0.02351022,0.00001802173,0.00003302117,0.00003414217,0.0365707],"genre_scores_gemma":[0.003680419,0.7048258,0.0008188571,0.08492111,0.02252845,0.00007615758,0.00006976991,0.0000748669,0.1830046],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.01597573,"threshold_uncertainty_score":0.05344421,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W132722361","doi":"10.25071/1708-6701.2287","title":"Little Did I Know: A Sister's Memoir of George Little","year":2003,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Digital and Traditional Archives Management","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Memoir; Sister; George (robot); Documentation; History; Art; Visual arts; Art history; Sociology; Literature; Computer science; Anthropology; Programming language","authors":[{"name":"Cynthia Leive","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02518191242286396,"gpt":0.2231503396132025,"spread":0.1979684271903385,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00787005,0.0009414784,0.001334802,0.002436898,0.005197735,0.008189083,0.002518689,0.01105386,0.007054781],"category_scores_gemma":[0.02709489,0.0005543053,0.0007904476,0.002560351,0.003478419,0.007986347,0.003138404,0.01628591,0.004596304],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005643032,"about_ca_system_score_gemma":0.01330208,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02110347,"about_ca_topic_score_gemma":0.04195839,"domain_scores_codex":[0.9951811,0.001461091,0.000387146,0.0004795345,0.002112779,0.0003783065],"domain_scores_gemma":[0.9842371,0.006348179,0.0008770325,0.0003889231,0.005701131,0.002447584],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000006113689,0.000003900562,0.00003533161,0.0001544082,0.000003607761,0.00007084111,0.0001899131,0.000006342757,0.00002526621,0.0009768002,0.9932214,0.005306056],"study_design_scores_gemma":[0.000003358277,0.000006252285,0.0001211242,0.0005203225,0.000005371216,0.0001272445,0.0004850256,0.000006017772,0.00002305053,0.000625047,0.9980693,0.000007798159],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.0001275734,0.08376255,0.00008310786,0.8270086,0.08460237,0.00001612626,0.00003856763,0.00001474034,0.00434633],"genre_scores_gemma":[0.002416194,0.07855585,0.0003020407,0.8387008,0.04067738,0.00007130747,0.00004449355,0.00006465815,0.03916717],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.02110347,"threshold_uncertainty_score":0.04196125,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1484289423","doi":"10.25071/1708-6701.3606","title":"Teaching Music Research Methodology at the UndergraduateLevel: An Approach Developed at Memorial University of Newfoundland","year":2000,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Documentation; Visual arts; Library science; Sociology; Computer science; Art","authors":[{"name":"Paul F. Rice","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.4783632058683506,"gpt":0.3535480934954175,"spread":0.124815112372933,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["metaresearch"],"consensus_categories":[],"category_scores_codex":[0.05613285,0.0003453795,0.0007709673,0.01067255,0.006456288,0.006598799,0.00184681,0.001438026,0.00424813],"category_scores_gemma":[0.05938305,0.0005514396,0.0004027495,0.008058938,0.007271605,0.002083855,0.003848007,0.003021969,0.001700767],"about_ca_system_candidate":true,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0249963,"about_ca_system_score_gemma":0.08949834,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0924622,"about_ca_topic_score_gemma":0.4350006,"domain_scores_codex":[0.9749511,0.01570535,0.002186443,0.001059676,0.005247672,0.0008497646],"domain_scores_gemma":[0.8797795,0.06190246,0.006455947,0.006576292,0.03998387,0.005301876],"domain_codex":null,"domain_gemma":"methods","domain_candidate":"methods","domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003702728,0.0001297385,0.002905746,0.006320684,0.0000487084,0.000514598,0.03290434,0.0002764058,0.003939782,0.03685817,0.2054286,0.7106361],"study_design_scores_gemma":[0.00002923948,0.000104117,0.01716977,0.004668991,0.00007305554,0.0009392562,0.01364278,0.0002970893,0.001150127,0.009655599,0.9522027,0.00006724456],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"methods","genre_scores_codex":[0.02953403,0.1230818,0.3910064,0.1967169,0.01330472,0.02664069,0.0009945409,0.001651057,0.2170699],"genre_scores_gemma":[0.1486054,0.1155174,0.5487896,0.03411073,0.004161929,0.02216774,0.0005231402,0.0006100534,0.125514],"genre_candidate":"methods","genre_consensus":"methods","teacher_disagreement_score":0.9750037,"threshold_uncertainty_score":0.2968624,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1561799284","doi":"10.25071/1708-6701.2286","title":"Modification of the Copyright Law: What Is At Stake","year":2003,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Copyright and Intellectual Property","field":"Business, Management and Accounting","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Documentation; Copyright law; Law; Visual arts; Sociology; Political science; History; Library science; Intellectual property; Art; Computer science; Programming language","authors":[{"name":"Jean-Pierre Sévigny","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04595730654992181,"gpt":0.247142793322142,"spread":0.2011854867722202,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.02527836,0.0004168806,0.001015404,0.002239876,0.004916819,0.01693393,0.003139967,0.02380809,0.00609003],"category_scores_gemma":[0.136828,0.0003069449,0.0007332241,0.00270423,0.01227166,0.01951535,0.002319324,0.00949352,0.002940308],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005125586,"about_ca_system_score_gemma":0.01613496,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01028134,"about_ca_topic_score_gemma":0.01550838,"domain_scores_codex":[0.9684433,0.008372469,0.001867714,0.001691713,0.01691263,0.002712284],"domain_scores_gemma":[0.9019423,0.0504495,0.00707156,0.009287371,0.02718963,0.004059667],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00002602089,0.0001073182,0.00120621,0.001392248,0.00005193432,0.0006430483,0.001452438,0.0002176484,0.0006131821,0.3930365,0.3987156,0.2025379],"study_design_scores_gemma":[0.00000968681,0.00003833653,0.002086073,0.003721717,0.00004067078,0.0004872247,0.00142687,0.0001868638,0.0003655065,0.08710588,0.9044731,0.00005812524],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"commentary","genre_scores_codex":[0.005410106,0.1202582,0.001938545,0.7024714,0.01825831,0.00009505931,0.00008192453,0.0001170754,0.1513695],"genre_scores_gemma":[0.2382394,0.1345893,0.005316663,0.4800133,0.04404267,0.0003477244,0.0001988211,0.0002510117,0.09700109],"genre_candidate":"commentary","genre_consensus":"commentary","teacher_disagreement_score":0.02527836,"threshold_uncertainty_score":0.1336864,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2543714361","doi":"10.25071/1708-6701.2957","title":"Pirates, Humpty Dumpty and a Brazilian Bishop: The Myth of Musicology","year":2001,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Brock University","funders":"","keywords":"Documentation; Musicology; Mythology; Library science; History; Visual arts; Art history; Art; Literature; Computer science","authors":[{"name":"Patricia Debly","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09416273858258073,"gpt":0.2567464641621701,"spread":0.1625837255795893,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001640495,0.0004724109,0.0005627375,0.002417946,0.003337231,0.003343764,0.0008187699,0.001855747,0.003456485],"category_scores_gemma":[0.005473221,0.0001690743,0.000225945,0.002832157,0.006043542,0.002836754,0.00167407,0.001561647,0.0005607621],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002799309,"about_ca_system_score_gemma":0.006345121,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04218279,"about_ca_topic_score_gemma":0.1358321,"domain_scores_codex":[0.9985542,0.0007025675,0.00008075107,0.0001273123,0.0004395142,0.00009570151],"domain_scores_gemma":[0.9985716,0.0007943772,0.0001412058,0.00005530931,0.0003257089,0.0001118014],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00007032594,0.00004206188,0.001602225,0.007267582,0.00006228424,0.002065356,0.03968243,0.0001452271,0.001121693,0.2879586,0.245154,0.4148282],"study_design_scores_gemma":[0.000007732639,0.00002399819,0.002977221,0.005053967,0.0000262297,0.0007827984,0.01688689,0.00002967301,0.0001042794,0.01315756,0.9609382,0.00001145677],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.004720035,0.8349808,0.0002962435,0.06856792,0.004207381,0.00002488088,0.00002170111,0.000007101559,0.08717388],"genre_scores_gemma":[0.1640915,0.7597271,0.0008066973,0.032494,0.005843769,0.00007985732,0.0000452851,0.00002574014,0.03688611],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04218279,"threshold_uncertainty_score":0.08387452,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2249438699","doi":"10.25071/1708-6701.2961","title":"New Grove Dictionary of Music and Musicians Online, 2nd ed","year":2001,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Documentation; Visual arts; History; Computer science; Art","authors":[{"name":"Rob Van der Bliek","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09033788443790487,"gpt":0.2481541049349961,"spread":0.1578162204970912,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006068817,0.0008914504,0.00102909,0.007251097,0.001639157,0.004870636,0.001181672,0.001592495,0.07978649],"category_scores_gemma":[0.003006156,0.0003846692,0.0003317302,0.008518614,0.001268759,0.004641714,0.001433846,0.00215025,0.04385875],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00208964,"about_ca_system_score_gemma":0.006825245,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01494444,"about_ca_topic_score_gemma":0.05226415,"domain_scores_codex":[0.999285,0.00009876173,0.00008599,0.00005977209,0.0004121537,0.00005825298],"domain_scores_gemma":[0.9986676,0.0004876634,0.0001199313,0.00006281768,0.000508334,0.0001536496],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000110084,0.000008678251,0.00006701331,0.000757461,0.00000329405,0.00005382345,0.000349689,0.00002939098,0.0001047224,0.006702897,0.8917552,0.1001569],"study_design_scores_gemma":[0.000001163763,0.000002307927,0.0002136638,0.0004813079,0.000001220603,0.00006114505,0.0000935551,0.000006630941,0.000009783498,0.0005624805,0.9985643,0.000002425799],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.0004740183,0.6581317,0.001164656,0.01836351,0.01258767,0.00008767963,0.003071498,0.0004214119,0.3056979],"genre_scores_gemma":[0.005328673,0.5108453,0.002325179,0.01330371,0.005738044,0.000200495,0.002838478,0.00035234,0.4590679],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.07978649,"threshold_uncertainty_score":0.2669124,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1562469717","doi":"10.25071/1708-6701.2285","title":"New Music Library at McGill","year":2003,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"McGill University","funders":"","keywords":"Documentation; Library science; Visual arts; World Wide Web; Computer science; Art","authors":[{"name":"Cynthia Leive","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1198117306306436,"gpt":0.2277801691811394,"spread":0.1079684385504958,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009838199,0.0006194719,0.0006555567,0.002223826,0.002630886,0.004381245,0.001369015,0.001879456,0.4238617],"category_scores_gemma":[0.003631802,0.0003680268,0.0004388031,0.003825292,0.0007075061,0.002192329,0.001659203,0.00137024,0.1412226],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006424793,"about_ca_system_score_gemma":0.01007747,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1334286,"about_ca_topic_score_gemma":0.4446256,"domain_scores_codex":[0.9990451,0.0001362244,0.00004485402,0.0001552344,0.0005221806,0.00009627679],"domain_scores_gemma":[0.9974431,0.0003346026,0.0001514862,0.000228425,0.001309933,0.0005324814],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002796834,0.000006315877,0.0001113385,0.0003947139,0.000005611043,0.00009868648,0.00009248457,0.00001479901,0.0003042704,0.002391777,0.9087499,0.08780204],"study_design_scores_gemma":[0.000003086976,0.000004780665,0.0004548376,0.0001328148,0.000002585442,0.00002713998,0.00004218566,0.000005067778,0.00003702431,0.0001182503,0.9991686,0.000003638565],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0009417082,0.09100799,0.0005061289,0.0247831,0.007891528,0.0001915354,0.003484761,0.0006859484,0.8705073],"genre_scores_gemma":[0.002908908,0.01674447,0.0005490744,0.004959497,0.0008170685,0.00008234764,0.0006034035,0.00009815652,0.9732369],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.4238617,"threshold_uncertainty_score":0.8217914,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}