{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":5,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":5,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"82f3e40a78ea","filters":{"venue":"CHINOPERL"}},"results":[{"id":"W2946508785","doi":"10.1080/01937774.2019.1589665","title":"Performance Review: <i>Snow in Midsummer</i>, by Frances Ya-Chu Cowhig. Based on the Classical Chinese Drama <i>The Injustice to Dou E That Moved Heaven and Earth</i> by Guan Hanqing. U. S. Premiere at the Oregon Shakespeare Festival, Ashland Oregon, August 2-October 27, 2018.","year":2018,"lang":"en","type":"article","venue":"CHINOPERL","topic":"Philippine History and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Guan; Heaven; Drama; Injustice; Snow; Art; Literature; Theology; Philosophy; Geography; Humanities; Meteorology; Law; Political science","authors":[{"name":"Catherine Swatek","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01429168290704556,"gpt":0.2598977727668129,"spread":0.2456060898597674,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.001457501,0.0004333378,0.0004350405,0.00003420107,0.002322125,0.0002089398,0.001014654,0.0002116278,0.0007031631],"category_scores_gemma":[0.0007071282,0.0002055272,0.0001096248,0.0007126066,0.001455951,0.0003385252,0.0001735452,0.0007014035,0.0001737878],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001377753,"about_ca_system_score_gemma":0.0001339859,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003478222,"about_ca_topic_score_gemma":0.006259494,"domain_scores_codex":[0.9968548,0.000729608,0.0003608565,0.0006551103,0.0007684177,0.0006311554],"domain_scores_gemma":[0.9982173,0.0004948578,0.000184931,0.0007314539,0.0001173657,0.000254133],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002905799,0.0001187226,0.009450711,0.0001093982,0.00001766101,0.000002575124,0.01262696,0.0000105109,0.000898306,0.00007885942,0.9724697,0.003925944],"study_design_scores_gemma":[0.0004931437,0.0002240972,0.00641604,0.0008698961,0.00004598789,0.000003544244,0.0009002119,0.0002078436,0.0005072489,0.00002283343,0.9899397,0.0003693863],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8884999,0.0147786,0.000006935441,0.06786833,0.0008197291,0.001661665,0.0001386906,0.00008850513,0.02613767],"genre_scores_gemma":[0.9514262,0.002705504,0.00001770766,0.02333416,0.0007433792,0.0001274851,0.00005016302,0.00004035419,0.02155505],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.06292633,"threshold_uncertainty_score":0.9989767,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4379804696","doi":"10.1353/cop.2016.0003","title":"An Annotated Translation of Zhang Jiqing’s Lecture on Playing Cui-Shi in Chimeng (The Mad Dream): A Sample Lecture from Kunqu baizhong, Dashi shuoxi (One Hundred Pieces of Kunqu , Master Performers Talk About Their Scenes)","year":2016,"lang":"en","type":"article","venue":"CHINOPERL","topic":"Hong Kong and Taiwan Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Dream; Art history; Art; Narrative; Visual arts; Literature; Psychology","authors":[{"name":"Josh Stenberg","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03748150304326633,"gpt":0.2822759724259125,"spread":0.2447944693826461,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006534292,0.0002728373,0.0004499629,0.0001919853,0.0004251349,0.0000789598,0.0005229872,0.0002675965,0.0002607005],"category_scores_gemma":[0.0001941467,0.0001840115,0.0001367518,0.0004737258,0.00042059,0.0003864714,0.00002633072,0.0003107921,0.00001397619],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001078721,"about_ca_system_score_gemma":0.0002046988,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007386866,"about_ca_topic_score_gemma":0.0146629,"domain_scores_codex":[0.9975189,0.0004604124,0.0004990245,0.0004298984,0.0005009177,0.0005908782],"domain_scores_gemma":[0.9985787,0.0005033691,0.0002402062,0.0004298328,0.0000994295,0.0001484733],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"observational","study_design_scores_codex":[0.0005807467,0.0007602705,0.1348625,0.0001484425,0.0003344217,0.000008135285,0.3158598,0.001711103,0.1688498,0.001834657,0.0000822245,0.374968],"study_design_scores_gemma":[0.009465726,0.001558379,0.7079296,0.003550843,0.000374985,0.000005491428,0.03009773,0.006639376,0.2127316,0.0128485,0.01216436,0.002633351],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9944048,0.0003822042,0.0008541679,0.001095331,0.0002380979,0.0004376738,0.0003054893,0.00006199153,0.002220257],"genre_scores_gemma":[0.9988111,0.0001055946,0.000389796,0.0001690834,0.000325055,0.00001021282,0.00008325167,0.00003985861,0.00006600026],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5730672,"threshold_uncertainty_score":0.9992231,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4379804691","doi":"10.1353/cop.2016.0013","title":"The 2015 Inaugural Shanghai Experimental Xiqu (Chinese Indigenous Theater) Festival, December 1–6","year":2016,"lang":"en","type":"article","venue":"CHINOPERL","topic":"Hong Kong and Taiwan Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Indigenous; Performing arts; Narrative; Beijing; History; Visual arts; Art; China; Literature","authors":[{"name":"Josh Stenberg","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01651198873111678,"gpt":0.3304489641056573,"spread":0.3139369753745405,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0004542479,0.0001637641,0.0001467692,0.00003456148,0.001460149,0.0001727295,0.0004918906,0.0001009266,0.0002052571],"category_scores_gemma":[0.0001608274,0.00007966346,0.00008510757,0.0001448184,0.0006052897,0.0002292208,0.00009152395,0.0001142057,0.0006865363],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001914937,"about_ca_system_score_gemma":0.0002486385,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001424673,"about_ca_topic_score_gemma":0.001556247,"domain_scores_codex":[0.998336,0.000241801,0.0001847141,0.0002236033,0.0003608544,0.0006529893],"domain_scores_gemma":[0.9990962,0.0002356411,0.00005315178,0.000316701,0.00006181811,0.0002365177],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002379104,0.0009188136,0.2603909,0.0000214955,0.000259774,0.0001398563,0.417811,0.00000440193,0.01870759,0.1021006,0.08712576,0.1122819],"study_design_scores_gemma":[0.002899905,0.0005579205,0.1025772,0.0001798829,0.00004948453,0.00005084676,0.03078007,0.00001769121,0.01263489,0.03116833,0.8173879,0.001695927],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9441499,0.0006648711,0.00001030195,0.003380844,0.0007956095,0.0002174591,0.00001267005,0.0001289741,0.05063936],"genre_scores_gemma":[0.9768399,0.00009073804,0.0000300572,0.0002415088,0.0007095615,0.0000162171,0.000001986365,0.00002368856,0.02204634],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7302621,"threshold_uncertainty_score":0.9998398,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4379805268","doi":"10.1353/cop.2014.0009","title":"“Jaw Laoshy” and Teaching Chinese","year":2014,"lang":"en","type":"article","venue":"CHINOPERL","topic":"Chinese history and philosophy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Pride; Quarter (Canadian coin); China; Sociology; Media studies; History; Political science; Law; Archaeology","authors":[{"name":"Perry Link","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01306713130796059,"gpt":0.284901533480342,"spread":0.2718344021723814,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000783144,0.0001027023,0.0001346961,0.0000440325,0.001035717,0.00006488926,0.0001662392,0.00006401076,0.00008187709],"category_scores_gemma":[0.0004114105,0.00008121171,0.00004141535,0.00005986714,0.0001964038,0.000199392,0.00004146609,0.0002036278,0.00008742602],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002639867,"about_ca_system_score_gemma":0.00002520072,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0007382518,"about_ca_topic_score_gemma":0.0007752964,"domain_scores_codex":[0.9991488,0.0002428542,0.0001006291,0.0001906146,0.0001646042,0.000152502],"domain_scores_gemma":[0.99953,0.0001177902,0.00003254055,0.0001600346,0.000016778,0.0001428622],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001241498,0.00005393136,0.04038326,0.00001763052,0.000009294276,0.000002527476,0.04129415,0.00000501833,0.0003791947,0.8959368,0.001354117,0.02055166],"study_design_scores_gemma":[0.0003212571,0.00004162743,0.02286262,0.00001758414,0.000009465168,0.000003168822,0.0001569939,0.000136168,0.000005209111,0.196746,0.7794386,0.0002613261],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5660999,0.0001012232,0.00004664833,0.001355157,0.0003193536,0.00005477408,0.000001154674,0.00007204747,0.4319498],"genre_scores_gemma":[0.9955179,0.000007574611,0.0002346119,0.0006749975,0.0009044961,0.000003238632,0.000002694105,0.00001042859,0.002644038],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7780845,"threshold_uncertainty_score":0.7966002,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4379792491","doi":"10.1353/cop.2015.0002","title":"A Report on the Sixth International Nanxi (Southern Drama) Conference","year":2015,"lang":"en","type":"article","venue":"CHINOPERL","topic":"Chinese history and philosophy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Drama; China; Library science; Government (linguistics); Political science; Compendium; History; Mainland China; Media studies; Sociology; Art; Archaeology; Law; Visual arts","authors":[{"name":"Josh Stenberg","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08762690750176463,"gpt":0.3164643077095746,"spread":0.2288374002078099,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007626712,0.00007634848,0.00007696384,0.00002525101,0.0003332357,0.00008195893,0.0003949527,0.00004829641,0.0004350899],"category_scores_gemma":[0.0005963559,0.00004829708,0.00004698672,0.0000922215,0.0002193361,0.00008425864,0.00003716918,0.0001490016,0.0006231138],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00008801747,"about_ca_system_score_gemma":0.0002263425,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0006398945,"about_ca_topic_score_gemma":0.0005300741,"domain_scores_codex":[0.9990808,0.0001283517,0.0001170457,0.0001634829,0.0004068864,0.0001034351],"domain_scores_gemma":[0.9994207,0.00006514186,0.00006332081,0.0002219094,0.0001220431,0.0001069048],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006130657,0.0001213527,0.005457679,0.000001908466,0.00002977363,0.00009864709,0.1297992,0.0000177462,0.00006760626,0.8389283,0.02363299,0.001783535],"study_design_scores_gemma":[0.0001732954,0.00003111706,0.0004577769,0.00001619499,0.000005102574,0.000009614617,0.001810687,0.00004198296,0.00002027861,0.1531007,0.8442019,0.0001313169],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.354844,0.00002405954,0.00001589942,0.01463413,0.0011162,0.0000896669,0.000007284541,0.00004720726,0.6292216],"genre_scores_gemma":[0.9782207,0.000001931073,0.00002225627,0.0009279842,0.000817361,0.000007976104,0.000007629807,0.000006389378,0.0199878],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.820569,"threshold_uncertainty_score":0.8009076,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}