{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":19,"total_is_capped":false,"direct_labels_cover":1,"predictions_cover":19,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"4aaa9f409d77","filters":{"venue":"Cahiers de littérature orale"}},"results":[{"id":"W2060938073","doi":"10.4000/clo.923","title":"Puissance du dessin et limites du papier","year":2010,"lang":"fr","type":"article","venue":"Cahiers de littérature orale","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Aurélie Maire","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0110758207189112,"gpt":0.2327338638285875,"spread":0.2216580431096763,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002151944,0.000312145,0.0003082828,0.001916252,0.00505196,0.007419975,0.0008581787,0.0007243548,0.009251018],"category_scores_gemma":[0.007314959,0.0002634683,0.0002302124,0.001658286,0.01048836,0.003992737,0.003867559,0.001374939,0.0005461682],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004210379,"about_ca_system_score_gemma":0.003292319,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04867081,"about_ca_topic_score_gemma":0.06220929,"domain_scores_codex":[0.9984699,0.0004827098,0.0000443195,0.0003308968,0.0004814281,0.000190745],"domain_scores_gemma":[0.9965186,0.001571617,0.0004973268,0.0004480095,0.0006903074,0.000274198],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00006137328,0.00002065727,0.01465603,0.0001581146,0.00001684819,0.0005524833,0.2851547,0.0002023304,0.001878383,0.6466419,0.001205147,0.04945215],"study_design_scores_gemma":[0.00001617995,0.0001359278,0.06950647,0.0008139586,0.00006589409,0.001416364,0.2687914,0.001328254,0.003286046,0.1311586,0.5234073,0.00007353219],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.5660467,0.003965537,0.0093452,0.004138727,0.0001308763,0.00003961192,0.0001603799,0.00009588676,0.4160771],"genre_scores_gemma":[0.9642779,0.0008454524,0.002059038,0.00008219133,0.0000389729,0.00002572281,0.00003416173,0.00005486288,0.03258165],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.04867081,"threshold_uncertainty_score":0.096775,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3204707440","doi":"10.4000/clo.8469","title":"Les parcours chantés du raid. Expérience, composition et domestication d’un environnement lointain","year":2020,"lang":"fr","type":"article","venue":"Cahiers de littérature orale","topic":"Rangeland Management and Livestock Ecology","field":"Environmental Science","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Humanities","authors":[{"name":"Giordano Marmone","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.007580358431933657,"gpt":0.2170231737400965,"spread":0.2094428153081628,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000938356,0.0002559957,0.0001892792,0.0003802664,0.007802655,0.003272746,0.0004160035,0.0008904002,0.004705254],"category_scores_gemma":[0.001228458,0.0002158846,0.0001183215,0.0006885021,0.00935422,0.002302523,0.002765261,0.001198272,0.0003936563],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001700669,"about_ca_system_score_gemma":0.001588348,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02143597,"about_ca_topic_score_gemma":0.05083648,"domain_scores_codex":[0.9990255,0.0005436978,0.00001586511,0.0001207116,0.0001030244,0.0001912887],"domain_scores_gemma":[0.9995198,0.0001662948,0.00009513156,0.00003286245,0.00005305458,0.0001329058],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003298753,0.0000197578,0.007564149,0.00005544115,0.000003801629,0.0006847214,0.9623848,0.00002398326,0.00118821,0.01540407,0.001286361,0.01135165],"study_design_scores_gemma":[0.000004997733,0.0000940527,0.01989032,0.0001309027,0.000005830963,0.001096182,0.8233843,0.00004691412,0.000400412,0.001252278,0.1536691,0.00002462717],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9307184,0.003784106,0.0008497456,0.002693835,0.00009895706,0.00001477077,0.00003570869,0.00001288649,0.06179155],"genre_scores_gemma":[0.9835101,0.0009548696,0.0002540094,0.0002095613,0.00001679003,0.00001012033,0.00001099659,0.000009481183,0.01502409],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02143597,"threshold_uncertainty_score":0.04262239,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3204746987","doi":"10.4000/clo.8565","title":"Un même environnement, deux interprétations écopoétiques (chez les Peuls du Mali)","year":2020,"lang":"fr","type":"article","venue":"Cahiers de littérature orale","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"GDG Environnement","funders":"","keywords":"Geography; Humanities; Geology; Philosophy","authors":[{"name":"Christiane Seydou","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01754529614354442,"gpt":0.2322617280151577,"spread":0.2147164318716133,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00068902,0.00060093,0.000179409,0.001080661,0.005052339,0.002843712,0.0005273919,0.001268222,0.006675445],"category_scores_gemma":[0.001235501,0.000150128,0.0001769181,0.001133854,0.006893348,0.00187041,0.001509428,0.001518901,0.0006707435],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003491032,"about_ca_system_score_gemma":0.001610957,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06285109,"about_ca_topic_score_gemma":0.1840605,"domain_scores_codex":[0.9995185,0.000221271,0.00001394454,0.00008860935,0.00005992579,0.00009770239],"domain_scores_gemma":[0.9994362,0.000255495,0.00009751005,0.00003976118,0.0001209803,0.0000500858],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001356485,0.00002281687,0.02676358,0.0003242858,0.00001814502,0.001971344,0.8231142,0.0001363458,0.006764949,0.09912434,0.004596054,0.03702837],"study_design_scores_gemma":[0.00001023544,0.00006703968,0.07198679,0.0004762876,0.00003297417,0.001872263,0.5125417,0.0003614697,0.003925513,0.008963448,0.3996853,0.00007706344],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8130826,0.007329039,0.01129458,0.01594824,0.0008394907,0.00007568318,0.0005817212,0.000081178,0.1507675],"genre_scores_gemma":[0.9678051,0.001126619,0.001879774,0.0008299999,0.00008334228,0.00003481507,0.0001004332,0.00003485288,0.02810502],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.06285109,"threshold_uncertainty_score":0.1249706,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4239649494","doi":"10.4000/clo.4586","title":"Éditorial","year":2018,"lang":"fr","type":"article","venue":"Cahiers de littérature orale","topic":"Multiculturalism, Politics, Migration, Gender","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Réseau Technoscience","funders":"","keywords":"Geology","authors":[{"name":"Nicole Belmont","is_ca":true},{"name":"Cécile Leguy","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04584970072795302,"gpt":0.3560701363174435,"spread":0.3102204355894905,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0029587,0.001421709,0.001238893,0.002949152,0.002010278,0.006713746,0.001928496,0.004826203,0.122844],"category_scores_gemma":[0.01811741,0.0004983147,0.001223923,0.001498968,0.001501557,0.003040083,0.001502915,0.006381287,0.08090837],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002373551,"about_ca_system_score_gemma":0.004108052,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002230002,"about_ca_topic_score_gemma":0.00340024,"domain_scores_codex":[0.9968599,0.0003816186,0.0002926761,0.000484989,0.001696185,0.0002846171],"domain_scores_gemma":[0.987291,0.002601618,0.0008455146,0.0007804198,0.006951681,0.001529716],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001035589,0.000003673725,0.00001758972,0.000124303,0.000003462796,0.0000360724,0.000009655946,0.000007060588,0.00004258738,0.0004894277,0.9920844,0.007171397],"study_design_scores_gemma":[0.000006017125,0.00000407461,0.00008592996,0.0001888927,0.00000475868,0.00007126114,0.00001813102,0.00001298564,0.00005121106,0.0003690768,0.9991847,0.00000308466],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"editorial","genre_gemma":"editorial","genre_scores_codex":[0.00009210543,0.007653664,0.000191679,0.04519809,0.9196975,0.00004272269,0.0005257279,0.0001350946,0.02646335],"genre_scores_gemma":[0.002094812,0.0125506,0.0003089663,0.04048806,0.7893296,0.00008820584,0.0008028832,0.0002114822,0.1541254],"genre_candidate":"editorial","genre_consensus":"editorial","teacher_disagreement_score":0.877156,"threshold_uncertainty_score":0,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4242891905","doi":"10.4000/clo.420","title":"Quand l’art prend la parole","year":2010,"lang":"fr","type":"paratext","venue":"Cahiers de littérature orale","topic":"New Caledonia Indigenous Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Geography","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.01304240825634534,"gpt":0.2643062347264197,"spread":0.2512638264700744,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001093371,0.0007040439,0.0003404433,0.001188389,0.004280271,0.0127392,0.0007696269,0.00296987,0.04940094],"category_scores_gemma":[0.003848371,0.0002812259,0.0006520274,0.0008217432,0.006847311,0.007054334,0.002854225,0.003931643,0.01415233],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002481139,"about_ca_system_score_gemma":0.001910405,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005056445,"about_ca_topic_score_gemma":0.01124815,"domain_scores_codex":[0.9981906,0.0006389893,0.00007121523,0.0003019081,0.0006424051,0.0001548862],"domain_scores_gemma":[0.9986483,0.0005425583,0.0000684791,0.0003433333,0.0002887213,0.0001086379],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007107368,0.0000259987,0.0005300107,0.0003170811,0.0000115044,0.0002276432,0.01482676,0.0002495679,0.002078169,0.7929298,0.08097024,0.1077622],"study_design_scores_gemma":[0.000002413567,0.00001283762,0.0002493716,0.0001605993,0.000003549789,0.0002840029,0.001354113,0.0001570588,0.0004028968,0.0109602,0.9864021,0.00001085801],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.005310033,0.006386586,0.02178097,0.01045734,0.00467508,0.00004320695,0.000111662,0.0003740629,0.9508611],"genre_scores_gemma":[0.1611137,0.007362948,0.01613229,0.004830323,0.003260555,0.0001502581,0.0002336677,0.00102385,0.8058925],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.04940094,"threshold_uncertainty_score":0.1652626,"prediction_status":"machine_predicted_unvalidated"},"labels":[{"model":"gemma","categories":[],"domain":null,"study_design":"not_applicable","genre":"other","about_ca_system":false,"about_ca_topic":false,"confidence":"low"},{"model":"gpt","categories":[],"domain":null,"study_design":"not_applicable","genre":"other","about_ca_system":false,"about_ca_topic":false,"confidence":"low"}],"label_agreement":"agree"},{"id":"W2015541885","doi":"10.4000/clo.1230","title":"D’écrits et d’écrans dans des contes","year":2007,"lang":"fr","type":"article","venue":"Cahiers de littérature orale","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Vivian Labrie","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08187954503664424,"gpt":0.294828370357354,"spread":0.2129488253207098,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001247162,0.0002850691,0.0002384692,0.001057944,0.009011043,0.002902711,0.0006645537,0.0006745105,0.01207253],"category_scores_gemma":[0.002226034,0.0002868292,0.0001182419,0.00221727,0.006196592,0.002215813,0.00251363,0.00144869,0.001697895],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01003583,"about_ca_system_score_gemma":0.00587145,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1619076,"about_ca_topic_score_gemma":0.444236,"domain_scores_codex":[0.9984074,0.0004494142,0.00005200109,0.0002769608,0.0003715212,0.0004426159],"domain_scores_gemma":[0.9987805,0.0004011259,0.0001811755,0.0001462557,0.0002247462,0.0002661043],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001200638,0.00005271691,0.02376456,0.0001147295,0.000008487121,0.001934062,0.776833,0.0001169697,0.003229487,0.08984987,0.00869552,0.09528048],"study_design_scores_gemma":[0.000007321729,0.00005462841,0.04664101,0.0001773421,0.000006775692,0.0005015187,0.2687662,0.00007816141,0.001339228,0.00231929,0.6800867,0.00002180194],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7334476,0.003334378,0.001393421,0.0038424,0.0002026994,0.00005385272,0.0002157627,0.00004024342,0.2574697],"genre_scores_gemma":[0.85416,0.001186457,0.0005957463,0.0004323677,0.00004228942,0.00002972429,0.0001385557,0.00005810616,0.1433568],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1619076,"threshold_uncertainty_score":0.3219304,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4307702728","doi":"10.4000/clo.9224","title":"L’imprévoyance de l’oralité et les sottises de la lettre","year":2020,"lang":"fr","type":"article","venue":"Cahiers de littérature orale","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Canadian Institute for International Peace and Security; Université du Québec à Montréal","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Marion Caudebec","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01676212935053262,"gpt":0.2623363766193086,"spread":0.245574247268776,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001272589,0.0005377203,0.0002368829,0.001475703,0.004501774,0.00634286,0.0004659393,0.001141268,0.01591791],"category_scores_gemma":[0.002580173,0.000227679,0.0002102837,0.001091878,0.01168134,0.002912346,0.002127833,0.00220325,0.00183964],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00333407,"about_ca_system_score_gemma":0.001603377,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01182919,"about_ca_topic_score_gemma":0.01952463,"domain_scores_codex":[0.9988151,0.0005397266,0.00003868793,0.0001701639,0.0003113449,0.0001250575],"domain_scores_gemma":[0.9982746,0.001002001,0.0002001396,0.0001693939,0.0002455199,0.0001083358],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001037648,0.0000266031,0.00325882,0.0004274077,0.00001181494,0.0009391799,0.4440168,0.0001560472,0.002844686,0.4973226,0.01157115,0.03932121],"study_design_scores_gemma":[0.00000927648,0.00005107692,0.01174597,0.0007238323,0.00001649509,0.001212623,0.1216957,0.0002234562,0.001990821,0.01313793,0.8491534,0.00003944999],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2784858,0.008902387,0.009435865,0.009066346,0.00146561,0.00005323467,0.0002697718,0.0001373274,0.6921837],"genre_scores_gemma":[0.8833199,0.002390628,0.001332005,0.0005555814,0.0005379531,0.0000358786,0.0001283372,0.0002031632,0.1114966],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01591791,"threshold_uncertainty_score":0.05325067,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4403272894","doi":"10.4000/127uz","title":"Le sonogramme du (mariage de) malheur. Les Ensevelis de Georges de Peyrebrune","year":2023,"lang":"fr","type":"article","venue":"Cahiers de littérature orale","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Philosophy","authors":[{"name":"Sophie Ménard","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01047586431915671,"gpt":0.2308728456228887,"spread":0.2203969813037319,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004643095,0.0003673671,0.0002493457,0.0006922912,0.003598845,0.001548808,0.0002279364,0.0006399723,0.006910809],"category_scores_gemma":[0.0008448436,0.0001703702,0.00008553202,0.0006695457,0.004478231,0.0008627246,0.001481382,0.001296454,0.0006613967],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002110689,"about_ca_system_score_gemma":0.000867924,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01397218,"about_ca_topic_score_gemma":0.03497354,"domain_scores_codex":[0.9996549,0.0001931353,0.000007247402,0.0000445739,0.00004397342,0.00005620409],"domain_scores_gemma":[0.9997708,0.0001488851,0.00003192796,0.00001023079,0.00001755736,0.00002063777],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001207372,0.00002268122,0.003081623,0.0004029447,0.000009625545,0.002477437,0.721508,0.0001231229,0.002549729,0.1894774,0.02444833,0.05577841],"study_design_scores_gemma":[0.000005036942,0.00005004261,0.008368838,0.0002637892,0.000005279611,0.0009753748,0.1118482,0.00004294822,0.0009199867,0.001839354,0.875671,0.00001012042],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6209902,0.01935035,0.00172698,0.01154615,0.001416245,0.00006115555,0.0002639059,0.00005409959,0.344591],"genre_scores_gemma":[0.8957664,0.003813462,0.0005090164,0.0003725233,0.0001677777,0.00002490391,0.00005917859,0.00005055749,0.09923618],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01397218,"threshold_uncertainty_score":0.02778167,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4307700338","doi":"10.4000/clo.9285","title":"Oralités enfantines et acquisition des savoirs","year":2020,"lang":"fr","type":"article","venue":"Cahiers de littérature orale","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art","authors":[{"name":"Savannah Kocevar","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03555537670697234,"gpt":0.2764833797805462,"spread":0.2409280030735738,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002111471,0.0003239438,0.0002513746,0.001292428,0.003637267,0.005595155,0.0004921817,0.001009349,0.0141172],"category_scores_gemma":[0.008351567,0.0002931022,0.0001467651,0.001233919,0.007010617,0.003012753,0.004290006,0.002079806,0.0008793629],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002214969,"about_ca_system_score_gemma":0.001368565,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007061659,"about_ca_topic_score_gemma":0.01047916,"domain_scores_codex":[0.9983811,0.0007511878,0.00006543435,0.0001823611,0.0003960632,0.0002237717],"domain_scores_gemma":[0.9965594,0.001517316,0.0008001529,0.0002077422,0.0005788259,0.0003365945],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000085461,0.00005471502,0.01168173,0.0002281252,0.00001146811,0.001084487,0.8786302,0.0000437597,0.00152598,0.06624515,0.003052362,0.03735659],"study_design_scores_gemma":[0.00001027235,0.000125863,0.03879545,0.0004760197,0.00002060004,0.002205382,0.5559085,0.00008839615,0.001707333,0.008800741,0.3918223,0.00003912102],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7680986,0.005201655,0.001587395,0.004346127,0.00016793,0.00004023821,0.0001457816,0.00003938691,0.2203731],"genre_scores_gemma":[0.9660216,0.00170734,0.0003606615,0.0001321891,0.00007194584,0.00002104561,0.00005150306,0.00002333871,0.03161036],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.0141172,"threshold_uncertainty_score":0.04722679,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2803578536","doi":"10.4000/clo.3197","title":"Inspiration et enchantement chez deux poètes de langue indo‑européenne","year":2017,"lang":"fr","type":"article","venue":"Cahiers de littérature orale","topic":"Philippine History and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","authors":[{"name":"John Leavitt","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01949563164493369,"gpt":0.2861269190816867,"spread":0.2666312874367531,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00161966,0.0003135029,0.0002355435,0.001074856,0.008383743,0.004558439,0.0004033767,0.001074837,0.003306326],"category_scores_gemma":[0.001782616,0.0001537957,0.0001472366,0.001404228,0.01132911,0.002089636,0.004029051,0.002282603,0.0002906019],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003795505,"about_ca_system_score_gemma":0.002310041,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02231397,"about_ca_topic_score_gemma":0.03981741,"domain_scores_codex":[0.998951,0.0006251044,0.00001919989,0.00008019435,0.0001004329,0.0002241921],"domain_scores_gemma":[0.9994465,0.00021276,0.00009036454,0.00004937248,0.00007518905,0.0001258834],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006348647,0.00002817902,0.004931153,0.00005164934,0.000004895177,0.0009427688,0.8614816,0.00006872686,0.0007480217,0.1152942,0.001121688,0.01526363],"study_design_scores_gemma":[0.00001775084,0.0001336345,0.03943397,0.0002840362,0.00002216364,0.001159943,0.5769936,0.0003244071,0.0009663676,0.008773463,0.371823,0.00006768937],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8719406,0.00415826,0.0007949097,0.004218061,0.0001272563,0.00001710546,0.00002498801,0.0000200405,0.1186988],"genre_scores_gemma":[0.9867595,0.0008112705,0.0001874037,0.0001655691,0.0000306424,0.000009790685,0.000006177276,0.000007503415,0.01202228],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02231397,"threshold_uncertainty_score":0.04436821,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4307702399","doi":"10.4000/clo.9025","title":"Comptine, poésie pour les enfants et raison scolaire","year":2020,"lang":"fr","type":"article","venue":"Cahiers de littérature orale","topic":"French Language Learning Methods","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Francophone University Association","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Sophie Ménard","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02637762313257662,"gpt":0.3153429420378937,"spread":0.2889653189053171,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003065895,0.0005502682,0.000292514,0.001472507,0.008116889,0.005868645,0.0007167288,0.001538689,0.01109502],"category_scores_gemma":[0.006460743,0.0001769991,0.000193865,0.00166632,0.01487193,0.003976862,0.003628263,0.002671136,0.001043747],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005916961,"about_ca_system_score_gemma":0.007267225,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03110195,"about_ca_topic_score_gemma":0.07281244,"domain_scores_codex":[0.997171,0.001808855,0.00005317645,0.0002608837,0.0004252518,0.0002809828],"domain_scores_gemma":[0.9975667,0.001660939,0.000176121,0.0001282484,0.0002635361,0.0002044532],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003579077,0.00003840529,0.002709667,0.000289705,0.000005642717,0.0006532518,0.5943872,0.00007205718,0.0005411351,0.2997807,0.01016303,0.09132335],"study_design_scores_gemma":[0.000005277373,0.00004129354,0.003562032,0.0005831879,0.000006687162,0.0005988922,0.3054848,0.00005887399,0.000528704,0.01756988,0.6715414,0.00001894675],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1930897,0.04050609,0.02001539,0.05517617,0.001928333,0.0002389679,0.0001908156,0.000143762,0.6887107],"genre_scores_gemma":[0.818071,0.01464866,0.008297848,0.002779763,0.0003444001,0.000250989,0.00008405666,0.0001066543,0.1554166],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03110195,"threshold_uncertainty_score":0.06184185,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4307702116","doi":"10.4000/clo.8879","title":"Henri Pichette et le « trésor » de l’enfance : de la collecte au poème","year":2020,"lang":"fr","type":"article","venue":"Cahiers de littérature orale","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","authors":[{"name":"Céline Pardo","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01484051568814524,"gpt":0.2684728456700569,"spread":0.2536323299819117,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009561003,0.0004726329,0.0002795583,0.0007823812,0.007977867,0.003987122,0.0004058565,0.001040651,0.007593638],"category_scores_gemma":[0.001611766,0.0001852346,0.000156304,0.0007996114,0.01140161,0.002348032,0.002212501,0.003083318,0.0006794028],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005354543,"about_ca_system_score_gemma":0.004888167,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.08549786,"about_ca_topic_score_gemma":0.1826792,"domain_scores_codex":[0.9992037,0.0003800069,0.00001286752,0.000114597,0.0001515936,0.0001372377],"domain_scores_gemma":[0.9994662,0.0002331771,0.00004492376,0.00003116066,0.0001230798,0.0001014048],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000629741,0.00001697492,0.001768189,0.0001400531,0.000006632246,0.0004387487,0.2679459,0.00009866852,0.0003388548,0.662344,0.04279108,0.02404784],"study_design_scores_gemma":[0.000006224558,0.0000196274,0.002949118,0.0002365836,0.00000382859,0.0002606849,0.03097725,0.00004037372,0.0001882672,0.008739831,0.9565656,0.00001261539],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1391413,0.02806737,0.004406921,0.06547298,0.003131792,0.0000708876,0.0002075504,0.00008701803,0.7594143],"genre_scores_gemma":[0.7467359,0.005201376,0.001389686,0.003781762,0.0008086881,0.00005892998,0.00005558549,0.00009511691,0.2418729],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.08549786,"threshold_uncertainty_score":0.1700004,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4307702122","doi":"10.4000/clo.9479","title":"Les petits bardes du carnage : la chanson de guerre française pour enfants (1914-1918)","year":2020,"lang":"fr","type":"article","venue":"Cahiers de littérature orale","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art","authors":[{"name":"Olivier Parenteau","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01298392336824084,"gpt":0.2092559684584131,"spread":0.1962720450901722,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001167492,0.0004244725,0.000304078,0.0008901746,0.01087769,0.001791671,0.0005998148,0.001317238,0.00642161],"category_scores_gemma":[0.001885284,0.0002471106,0.0001370527,0.001030865,0.007311286,0.001119682,0.001857275,0.001603452,0.0003812692],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01344637,"about_ca_system_score_gemma":0.006937124,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.5364668,"about_ca_topic_score_gemma":0.7912796,"domain_scores_codex":[0.9991346,0.0002457789,0.00001908968,0.00009249882,0.00009624227,0.0004118308],"domain_scores_gemma":[0.9991602,0.0002946153,0.000179945,0.00003253755,0.0001624019,0.0001703458],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006388075,0.00001806787,0.0135612,0.00014223,0.000007848581,0.001771186,0.9276682,0.00004430308,0.0008801016,0.03418225,0.00348479,0.01817582],"study_design_scores_gemma":[0.000006018069,0.0001036479,0.08084688,0.0004501232,0.00001233105,0.0007295237,0.605643,0.00004427886,0.0005877091,0.0007227819,0.3108173,0.00003648353],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9358009,0.005925664,0.0002357078,0.00401161,0.0001319328,0.00003134546,0.0001163007,0.000009880269,0.05373675],"genre_scores_gemma":[0.97526,0.001294769,0.0001291073,0.000262328,0.00001640217,0.00001494868,0.00002884716,0.000009704479,0.02298386],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5364668,"threshold_uncertainty_score":0.9325261,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W317926242","doi":"10.4000/clo.1375","title":"Jean-Nicolas de Surmont (dir.), « M’amie, faites-moi un bouquet… ». Mélanges posthumes autour de l’œuvre de Conrad Laforte","year":2011,"lang":"fr","type":"article","venue":"Cahiers de littérature orale","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","authors":[{"name":"Jean-Marie Privat","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01854326202415216,"gpt":0.2133569882053637,"spread":0.1948137261812115,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008623748,0.0008993025,0.0003395155,0.0009743316,0.005087885,0.003225578,0.0005472878,0.002008626,0.02681706],"category_scores_gemma":[0.001727584,0.0003702198,0.0002247757,0.001037794,0.001732577,0.002615517,0.001154586,0.002843426,0.007361789],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00501241,"about_ca_system_score_gemma":0.003573865,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.3220149,"about_ca_topic_score_gemma":0.4872631,"domain_scores_codex":[0.9992065,0.0001976737,0.00002469372,0.0001710206,0.0002981088,0.0001020281],"domain_scores_gemma":[0.9994394,0.0001630424,0.00005914156,0.00001696028,0.000219637,0.0001019356],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006346693,0.00001378525,0.001252092,0.0001853549,0.000009538609,0.0002625168,0.006226662,0.00004108631,0.000397897,0.01706229,0.914413,0.06007232],"study_design_scores_gemma":[0.000002087412,0.000004258498,0.00210445,0.0001129337,0.000001886568,0.0001535836,0.001682609,0.00001423389,0.0001702859,0.0007109258,0.9950347,0.000008144778],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.007265534,0.6146702,0.001692662,0.2102757,0.02552333,0.00005786611,0.001089892,0.0002385051,0.1391864],"genre_scores_gemma":[0.06574302,0.1521187,0.001380623,0.02304929,0.003645913,0.00006870138,0.0004662038,0.0003441302,0.7531835],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.3220149,"threshold_uncertainty_score":0.6402811,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1489282193","doi":"10.4000/clo.855","title":"Michèle Therrien (dir.), Paroles interdites","year":2010,"lang":"fr","type":"article","venue":"Cahiers de littérature orale","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Cécile Leguy","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.007100912111571297,"gpt":0.2334566244808546,"spread":0.2263557123692833,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002069745,0.000795585,0.0004530853,0.001440631,0.003583562,0.004623624,0.0006479961,0.002334045,0.0236529],"category_scores_gemma":[0.00433346,0.0004471782,0.0002330338,0.001419721,0.001895639,0.006485258,0.002148514,0.004029329,0.012867],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001831264,"about_ca_system_score_gemma":0.001429995,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007988388,"about_ca_topic_score_gemma":0.02072384,"domain_scores_codex":[0.9982567,0.0008116732,0.0000839309,0.0003253656,0.0004310622,0.00009130444],"domain_scores_gemma":[0.9983027,0.0009050468,0.0002258028,0.0000599388,0.0003206245,0.0001859033],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006465796,0.00002190564,0.00123513,0.0004433837,0.00001090665,0.0003041172,0.01743856,0.00005586029,0.0007713026,0.07384143,0.8149,0.09091271],"study_design_scores_gemma":[0.000001984539,0.000007264071,0.0009470374,0.0001565196,0.000002789436,0.0002762063,0.003102299,0.00003722563,0.0001931499,0.004682786,0.9905823,0.00001042484],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.004574099,0.4335435,0.01162867,0.3673582,0.04420204,0.00009159595,0.0008138454,0.000540217,0.1372478],"genre_scores_gemma":[0.08348103,0.1878062,0.008925649,0.05564676,0.01990997,0.000327313,0.0005680504,0.0008207455,0.6425142],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0236529,"threshold_uncertainty_score":0.07912678,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4403272939","doi":"10.4000/127ur","title":"Éditorial","year":2023,"lang":"fr","type":"article","venue":"Cahiers de littérature orale","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Computer science","authors":[{"name":"Cécile Leguy","is_ca":false},{"name":"Sophie Ménard","is_ca":true},{"name":"Jean-Marie Privat","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01377367722554523,"gpt":0.252358232523436,"spread":0.2385845552978907,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00249999,0.001222227,0.001249935,0.002935158,0.002076801,0.008113569,0.002444573,0.004907159,0.4054114],"category_scores_gemma":[0.01534223,0.0005324051,0.001194343,0.001678846,0.001295482,0.004829309,0.002487734,0.004983896,0.2291936],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002549949,"about_ca_system_score_gemma":0.004717588,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001732293,"about_ca_topic_score_gemma":0.002521816,"domain_scores_codex":[0.9970024,0.0004066117,0.0002540986,0.0005755234,0.001423991,0.0003373623],"domain_scores_gemma":[0.9905756,0.001684497,0.0004971802,0.0009381244,0.004677929,0.001626638],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002033211,0.000009163815,0.00004544235,0.0002443832,0.000004512177,0.00006759373,0.0000243234,0.00001695322,0.00006878027,0.001693498,0.9754706,0.02233444],"study_design_scores_gemma":[0.000006111949,0.00000514374,0.0000839542,0.0002040251,0.000003125715,0.00007012596,0.00002856063,0.00001127962,0.00003806223,0.0006229841,0.9989235,0.000003179125],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"editorial","genre_gemma":"editorial","genre_scores_codex":[0.000377624,0.02200871,0.0009817574,0.06936305,0.6414331,0.0001931877,0.002833182,0.0008701283,0.2619393],"genre_scores_gemma":[0.004979238,0.02189623,0.001126882,0.05211612,0.272095,0.0002172229,0.003683948,0.0007573532,0.643128],"genre_candidate":"editorial","genre_consensus":"editorial","teacher_disagreement_score":0.4054114,"threshold_uncertainty_score":0,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3049348964","doi":"10.4000/clo.6157","title":"Revenances de la Corriveau","year":2019,"lang":"fr","type":"article","venue":"Cahiers de littérature orale","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Sophie Ménard","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.003018688841347468,"gpt":0.213096164331845,"spread":0.2100774754904976,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002932387,0.0004821573,0.0004204169,0.001395997,0.01749059,0.006201392,0.001132027,0.001850761,0.01413558],"category_scores_gemma":[0.008259328,0.0002931987,0.0002619215,0.001581809,0.03257847,0.003641237,0.003248901,0.005061509,0.001040858],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.03484666,"about_ca_system_score_gemma":0.04344198,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.8062356,"about_ca_topic_score_gemma":0.8938686,"domain_scores_codex":[0.9962483,0.001094113,0.00007256601,0.0004429884,0.001222253,0.00091976],"domain_scores_gemma":[0.997029,0.0008605868,0.0002565569,0.0003490609,0.001083143,0.0004216747],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002531428,0.000009924375,0.00178513,0.0001086832,0.000007197092,0.0005932245,0.1159206,0.00005208364,0.0003943399,0.7957433,0.06111415,0.02424593],"study_design_scores_gemma":[0.000003809454,0.000009978442,0.003396937,0.0003429385,0.00001071358,0.0004278381,0.03938146,0.00007413591,0.0004585474,0.01772713,0.9381379,0.00002855165],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.07287166,0.02511329,0.0039728,0.1088595,0.003300528,0.00006060564,0.000296625,0.0001532525,0.7853717],"genre_scores_gemma":[0.7851378,0.007960702,0.001643287,0.005209305,0.0005860594,0.00002839724,0.00008386762,0.000127413,0.1992232],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1937644,"threshold_uncertainty_score":0.389811,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3082181468","doi":"10.4000/clo.6947","title":"La vengeance de la mère Michel, l’eusses‑tu cru ?","year":2020,"lang":"fr","type":"article","venue":"Cahiers de littérature orale","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Michel foucault; Philosophy; Art; Political science; Law; Politics","authors":[{"name":"Sophie Ménard","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01565454383411901,"gpt":0.3298290265198951,"spread":0.3141744826857761,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001861479,0.0004488805,0.0004104307,0.0005310891,0.007739678,0.006251719,0.0006004631,0.003205034,0.007875171],"category_scores_gemma":[0.004704544,0.000294773,0.0002347286,0.0003537973,0.01490688,0.005320816,0.003083868,0.005935377,0.00195385],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004205224,"about_ca_system_score_gemma":0.002621679,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01414419,"about_ca_topic_score_gemma":0.02396692,"domain_scores_codex":[0.9980801,0.0009709237,0.00002322874,0.0002564877,0.0002814995,0.0003877978],"domain_scores_gemma":[0.9987727,0.0003996328,0.0002073806,0.00008742883,0.0001926522,0.0003401711],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001444447,0.00002474417,0.00205355,0.0001693656,0.00001897473,0.001589443,0.2121518,0.00006655655,0.001116383,0.6815238,0.07732381,0.02381714],"study_design_scores_gemma":[0.00000938848,0.00007407471,0.00210699,0.0003181795,0.000008759675,0.001284195,0.06760544,0.0001103727,0.0004404848,0.02331464,0.9046885,0.00003895204],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.141192,0.0423687,0.004532766,0.3121991,0.008147488,0.00003894694,0.0001171951,0.0002467445,0.4911571],"genre_scores_gemma":[0.7991651,0.005515303,0.0008757716,0.01710594,0.00145536,0.00003178773,0.00003297118,0.000147192,0.1756705],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01414419,"threshold_uncertainty_score":0.0305112,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4411338412","doi":"10.4000/144w7","title":"Brandel Andrew, 2023, Moving Words. Literature, Memory, and Migration in Berlin, Toronto University Press, series Anthropological Horizons (dir. Michael Lambek), Toronto, 269 p.","year":2025,"lang":"en","type":"article","venue":"Cahiers de littérature orale","topic":"Memory, Trauma, and Commemoration","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Series (stratigraphy); Sociology; Media studies; Art history; Art; Geology","authors":[{"name":"Maëline Le Lay","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.007557243338460574,"gpt":0.2553053328590007,"spread":0.2477480895205401,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001671371,0.001307611,0.0007822809,0.002792841,0.003071202,0.003447599,0.001220295,0.0046916,0.02235795],"category_scores_gemma":[0.005868542,0.0009845509,0.000478243,0.003692551,0.003144674,0.006379985,0.001339376,0.004632791,0.00989805],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003878135,"about_ca_system_score_gemma":0.004972131,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1008989,"about_ca_topic_score_gemma":0.2126592,"domain_scores_codex":[0.999397,0.0001486225,0.00005440108,0.00008039237,0.0002505401,0.00006897985],"domain_scores_gemma":[0.9983684,0.0006570161,0.000123866,0.00005015584,0.0005886268,0.0002119124],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002881754,0.00000560437,0.0002098772,0.0002334845,0.00000527162,0.00006551613,0.001515167,0.00003353315,0.00009850953,0.008090362,0.9328876,0.05682626],"study_design_scores_gemma":[0.000006721159,0.000005716994,0.001234487,0.0006625858,0.000007099649,0.0001075726,0.001383983,0.00001396801,0.00005535932,0.00400058,0.9925131,0.000008865148],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.0004657019,0.8661932,0.000426212,0.1014316,0.01282401,0.00001853359,0.0004067223,0.00004258133,0.01819154],"genre_scores_gemma":[0.02073985,0.8101935,0.001253176,0.02048959,0.01369403,0.0001051926,0.0003873109,0.0001534857,0.1329839],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.1008989,"threshold_uncertainty_score":0.2006233,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}