{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":11,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":11,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"0c87c44a5126","filters":{"venue":"California Italian Studies"}},"results":[{"id":"W2779133238","doi":"10.5070/c311008866","title":"Latter-day Levantinism, or ‘Polypolis’ in the Libretti of Bernard de Zogheb","year":2010,"lang":"en","type":"article","venue":"California Italian Studies","topic":"Jewish and Middle Eastern Studies","field":"Social Sciences","cited_by":34,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"York University","keywords":"Art; History; Visual arts","authors":[{"name":"Hala Halim","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06190285615688855,"gpt":0.3596566297643769,"spread":0.2977537736074883,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001361011,0.0001730622,0.0003568475,0.000077561,0.00040661,0.00004991788,0.0004548588,0.00009663712,0.00003424629],"category_scores_gemma":[0.001077183,0.000107103,0.0001088513,0.0003363796,0.00108421,0.0001145398,0.000138977,0.0002620824,0.0001160384],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002992085,"about_ca_system_score_gemma":0.0001151845,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0006560166,"about_ca_topic_score_gemma":0.01609558,"domain_scores_codex":[0.9983153,0.0002358819,0.0003268529,0.0002174279,0.0003700065,0.0005344913],"domain_scores_gemma":[0.9988793,0.0005607865,0.0001303796,0.0002440252,0.0001099314,0.00007561221],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005699233,0.0002106205,0.7623086,0.0001333495,0.0003054015,0.00009340188,0.1465346,7.634683e-7,0.0005865471,0.0328209,0.02906964,0.02787919],"study_design_scores_gemma":[0.0007248425,0.000126872,0.05028382,0.0001435096,0.00009881901,0.00001087404,0.2587386,0.000003343542,0.0005010555,0.005841761,0.6831102,0.0004162542],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9514763,0.003843463,0.00001288625,0.01163327,0.0008389866,0.0003651397,0.000143484,0.0000597906,0.03162666],"genre_scores_gemma":[0.9951665,0.0003818107,0.0001409549,0.001233951,0.0005166588,0.00004248633,0.000001850053,0.00001458472,0.002501232],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7120247,"threshold_uncertainty_score":0.8981714,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2764069757","doi":"10.5070/c371030650","title":"Playing with the Maternal Body: Violence, Mutilation, and the Emergence of the Female Subject in Ferrante’s Novels","year":2017,"lang":"en","type":"article","venue":"California Italian Studies","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":13,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"University of Toronto; Fairleigh Dickinson University","keywords":"Subject (documents); Narrative; Agency (philosophy); Existentialism; Power (physics); Gender studies; Sociology; Identity (music); Negotiation; Aesthetics; Literature; Art; Philosophy; Epistemology","authors":[{"name":"Katrin Wehling-Giorgi","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02988920740842283,"gpt":0.3019941032846685,"spread":0.2721048958762457,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.001299809,0.0001323438,0.00022716,0.00001557668,0.003113118,0.000119501,0.0006366278,0.00004861172,0.00001814951],"category_scores_gemma":[0.0003370603,0.00005647946,0.00008146475,0.0001481175,0.003457305,0.000155575,0.0002034232,0.0001398992,0.000009001435],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002384086,"about_ca_system_score_gemma":0.00007051534,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001867879,"about_ca_topic_score_gemma":0.005582009,"domain_scores_codex":[0.9987815,0.0001868441,0.000210746,0.0001816774,0.0003648633,0.0002743385],"domain_scores_gemma":[0.9990024,0.0001969407,0.0002573851,0.0003817292,0.0001305107,0.00003100954],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.00007515724,0.00001376389,0.9181118,0.00004267606,0.000109449,0.000002830468,0.07145068,0.000005463527,0.00003932715,0.00793124,0.001674926,0.0005426912],"study_design_scores_gemma":[0.0009514574,0.00002274456,0.8800568,0.0003732653,0.00007927628,0.000003663742,0.1124479,0.00005086027,0.0002537311,0.001765532,0.003790684,0.0002040483],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.985758,0.001469467,0.00001421585,0.006599599,0.0003132103,0.0004285698,0.00007344465,0.00001154727,0.005331919],"genre_scores_gemma":[0.9983019,0.0007087897,0.00002138137,0.0002022681,0.0001011528,0.00003106718,4.962909e-7,0.000007735489,0.0006252679],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.04099723,"threshold_uncertainty_score":0.9992547,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4254720416","doi":"10.5070/c391047821","title":"Introduction to Volume 9, Issue 1: Italia senza frontiere/Borderless Italy","year":2020,"lang":"en","type":"article","venue":"California Italian Studies","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"University of Illinois at Urbana-Champaign; University of Toronto","keywords":"Volume (thermodynamics); Physics; Thermodynamics","authors":[{"name":"Claudio Fogu","is_ca":false},{"name":"Stephanie Malia Hom","is_ca":false},{"name":"Laura E. Ruberto","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02927275694766346,"gpt":0.3015088636931529,"spread":0.2722361067454895,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006096539,0.0003639482,0.0005826902,0.00007137111,0.001214803,0.0002035882,0.0004809554,0.0001872375,0.0007987343],"category_scores_gemma":[0.001263939,0.0003598247,0.0002501284,0.0009633554,0.0005931946,0.0003784487,0.0002311688,0.0002412694,0.01003359],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000257425,"about_ca_system_score_gemma":0.0001322433,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003057429,"about_ca_topic_score_gemma":0.0003973617,"domain_scores_codex":[0.9970279,0.000228016,0.0004704643,0.0007715132,0.0006868066,0.0008152768],"domain_scores_gemma":[0.998391,0.00006323642,0.000136788,0.0003488171,0.0004576533,0.000602541],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003242384,0.00003299069,0.003531128,0.00006649309,0.0001867093,0.00001366311,0.07332164,0.00001268434,0.0000745896,0.001016062,0.9189727,0.00273888],"study_design_scores_gemma":[0.0002242549,0.00009748701,0.000487231,0.00001977604,0.00007325728,0.000001185556,0.1084794,0.00001541525,0.00008747489,0.0002326393,0.8898489,0.0004329197],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.1916571,0.008965031,0.001860836,0.7442402,0.01057158,0.002581936,0.001680181,0.001549299,0.03689385],"genre_scores_gemma":[0.8666998,0.0007802186,0.004086488,0.02209179,0.02991104,0.0002194906,0.0001698625,0.0001714931,0.07586986],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7221484,"threshold_uncertainty_score":0.9998854,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2766374763","doi":"10.5070/c321008999","title":"The End of Political Futures?","year":2011,"lang":"en","type":"article","venue":"California Italian Studies","topic":"Political theory and Gramsci","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Futures contract; Politics; Ideal (ethics); Quarter (Canadian coin); History; Aesthetics; Political economy; Political science; Sociology; Economics; Art; Law; Archaeology; Financial economics","authors":[{"name":"Dávid Forgács","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09488611501484069,"gpt":0.3571883853960831,"spread":0.2623022703812424,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0007303397,0.00008425174,0.0001648688,0.00001828686,0.0008776981,0.00001509471,0.0002437368,0.00005401005,0.0001270731],"category_scores_gemma":[0.00128599,0.00005131554,0.00009448879,0.000117916,0.003595761,0.00004691914,0.00007315246,0.00008214802,0.0001507026],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004683374,"about_ca_system_score_gemma":0.0000549716,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000347523,"about_ca_topic_score_gemma":0.0004720786,"domain_scores_codex":[0.998724,0.0002052046,0.0001955331,0.0001150928,0.0002227131,0.0005374567],"domain_scores_gemma":[0.9990011,0.0005045212,0.00004397941,0.00016253,0.0001176493,0.0001702539],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00001392489,0.00002221255,0.000968454,0.000007641426,0.00005839193,0.000002969629,0.006073198,5.853271e-9,0.000004074886,0.9898408,0.001622475,0.001385848],"study_design_scores_gemma":[0.00008791737,0.00003906397,0.002796455,0.00001587841,0.00003165243,8.514938e-7,0.07628794,2.509523e-7,0.000569461,0.6879709,0.2320964,0.0001032364],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1628658,0.003805181,0.00003624631,0.006341378,0.001128451,0.000291688,0.000177651,0.0001077188,0.8252459],"genre_scores_gemma":[0.997587,0.0001056653,0.00006277746,0.0002909348,0.0002701638,0.00001206373,5.85219e-7,0.000005342177,0.001665516],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8347211,"threshold_uncertainty_score":0.9991159,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1546593720","doi":"10.5070/c311008868","title":"Il non detto, l'indicibile e l'esplosione: lettura incrociata di due scrittrici mediterranee","year":2010,"lang":"it","type":"article","venue":"California Italian Studies","topic":"Linguistic Studies and Language Acquisition","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Quest University Canada","funders":"","keywords":"Recluse; Sicilian; Conviction; Vision; Identity (music); Politics; Reading (process); Object (grammar); Mediterranean climate; History; Literature; Humanities; Sociology; Aesthetics; Art; Philosophy; Anthropology; Archaeology; Law; Linguistics","authors":[{"name":"Rawdha Zaouchi-Razgallah","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0202859326241612,"gpt":0.2795592674221353,"spread":0.2592733347979741,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009995066,0.0009397818,0.001319317,0.0003473196,0.001669697,0.000472926,0.001563306,0.0004166799,0.0004733796],"category_scores_gemma":[0.002344658,0.0007823178,0.0003948919,0.001154242,0.0006796275,0.0003841464,0.002207522,0.00107578,0.00182494],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00021557,"about_ca_system_score_gemma":0.0001527166,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002210084,"about_ca_topic_score_gemma":0.0001853718,"domain_scores_codex":[0.9945105,0.0001572222,0.001178214,0.001543858,0.001181995,0.001428231],"domain_scores_gemma":[0.9957393,0.0006091855,0.0005659153,0.001649378,0.001007684,0.000428582],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00024137,0.001465681,0.01182072,0.001890217,0.003444725,0.005027826,0.08228682,0.00002287868,0.01517121,0.005748012,0.8001835,0.07269706],"study_design_scores_gemma":[0.00664109,0.001666789,0.03602277,0.002419408,0.001791067,0.0006439228,0.03110792,0.006888502,0.006080939,0.00374667,0.8970369,0.005954053],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7733458,0.06861018,0.01492373,0.03719795,0.07128064,0.00577483,0.004621648,0.00181834,0.02242686],"genre_scores_gemma":[0.9851971,0.0007016766,0.001572677,0.003381926,0.006999104,0.0002096727,0.00008856691,0.00009630559,0.001752936],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2118513,"threshold_uncertainty_score":0.99963,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2591421311","doi":"10.5070/c362027918","title":"Exploring Canzone Napoletana and Southern Italian Migration Through Three Lenses","year":2016,"lang":"en","type":"article","venue":"California Italian Studies","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Diaspora; Immigration; Sorrow; Soul; History; Laughter; Gender studies; Perception; Perspective (graphical); Sociology; Literature; Aesthetics; Art; Psychology; Visual arts; Theology; Philosophy","authors":[{"name":"John L. Vitale","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1494554738736441,"gpt":0.310398719872796,"spread":0.1609432459991519,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000497147,0.0002748234,0.0003601052,0.00004738804,0.001211645,0.0001008189,0.0002007095,0.0001068627,0.00007509816],"category_scores_gemma":[0.0004116299,0.0001929504,0.0001416633,0.0002619371,0.001202767,0.0007069004,0.0001105208,0.00008987685,0.0005137892],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001781056,"about_ca_system_score_gemma":0.00007976044,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002354068,"about_ca_topic_score_gemma":0.01880741,"domain_scores_codex":[0.9980561,0.00013047,0.0003218124,0.000435651,0.0004489681,0.0006069574],"domain_scores_gemma":[0.9990122,0.0002366754,0.000128976,0.000259051,0.0002026912,0.0001603731],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000118092,0.0001666086,0.1511787,0.0003160939,0.001445591,0.00008288694,0.6273498,0.000001761252,0.002535478,0.03858161,0.08175276,0.09647058],"study_design_scores_gemma":[0.0009186505,0.0001395052,0.002445258,0.0004028186,0.0001759984,0.000006115071,0.2932481,0.000001839998,0.0009032576,0.008559107,0.6922544,0.0009449068],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9718051,0.005150176,0.0002310601,0.01620133,0.0007882381,0.0003794901,0.0006022389,0.0002407594,0.004601628],"genre_scores_gemma":[0.9878284,0.004098914,0.0005105153,0.0004545762,0.0007354909,0.0001028849,0.000009593139,0.00004134078,0.006218238],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6105016,"threshold_uncertainty_score":0.9990968,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2786600273","doi":"10.5070/c371030743","title":"“Quando si ama qualcuno lo si ama per qualcun altro”: Francesca Comencini’s Retelling of Svevo’s Zeno","year":2017,"lang":"it","type":"article","venue":"California Italian Studies","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Zeno's paradoxes; Narrative; Style (visual arts); Art; Literature; Philosophy; Expression (computer science); Epistemology; Computer science","authors":[{"name":"Thomas E. Peterson","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06095957481474799,"gpt":0.3398573224289111,"spread":0.2788977476141631,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.003271397,0.00112979,0.002375015,0.0001748078,0.006171296,0.0008078725,0.002334349,0.0007823034,0.0007928738],"category_scores_gemma":[0.002030315,0.00104297,0.001277712,0.0004830793,0.005772693,0.0009392433,0.0008581415,0.0008348273,0.002531048],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004534945,"about_ca_system_score_gemma":0.0004452353,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001221413,"about_ca_topic_score_gemma":0.0005493665,"domain_scores_codex":[0.9919852,0.0007247991,0.00191566,0.001436713,0.001926613,0.002011026],"domain_scores_gemma":[0.9931035,0.0009818767,0.002087141,0.001998557,0.001195701,0.0006332429],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005667247,0.001057134,0.175879,0.003737062,0.005961834,0.0002039519,0.5622529,0.00008350131,0.0008997375,0.02179863,0.2205004,0.007059121],"study_design_scores_gemma":[0.003668771,0.0008367907,0.009340367,0.001675664,0.001141573,0.000009332148,0.3751468,0.0002197447,0.0008516915,0.004737198,0.5996487,0.002723317],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8820178,0.03498029,0.0001556155,0.01065502,0.009303545,0.002071298,0.00538556,0.0002976168,0.05513324],"genre_scores_gemma":[0.9716176,0.01096655,0.0004851308,0.0008238916,0.002146544,0.00006574555,0.00006851171,0.0001307531,0.01369532],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3791483,"threshold_uncertainty_score":0.9992021,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W290929215","doi":"10.5070/c342018021","title":"The New Stakes for National Cinemas, a Word on the Case of Italy, and an Interview with Ivan Cotroneo","year":2014,"lang":"en","type":"article","venue":"California Italian Studies","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Movie theater; Film festival; State (computer science); Media studies; National cinema; History; Visual arts; Art; Art history; Management; Sociology; Computer science","authors":[{"name":"Anthony Cristiano","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06029932763229919,"gpt":0.3375625037489759,"spread":0.2772631761166767,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.001465699,0.0001419981,0.0002124224,0.00001953689,0.00130675,0.00008794913,0.0001968843,0.00004344193,0.00001805864],"category_scores_gemma":[0.0007553313,0.00007136144,0.00007758977,0.0001508019,0.0009567193,0.00009004441,0.0000435302,0.0000770855,0.000008720955],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004003886,"about_ca_system_score_gemma":0.0000986833,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001184616,"about_ca_topic_score_gemma":0.00701843,"domain_scores_codex":[0.9988741,0.0002220382,0.0001996518,0.0001948496,0.0002531392,0.0002562432],"domain_scores_gemma":[0.9980106,0.001302093,0.0001277158,0.000177681,0.0002858899,0.00009597774],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001727862,0.0001112554,0.0009617968,0.000207808,0.0007096122,0.00001400296,0.130806,0.000005784053,0.00001959042,0.3713015,0.4418115,0.05387832],"study_design_scores_gemma":[0.0005520647,0.0004426395,0.0002922034,0.0001290204,0.00008466905,0.00001458398,0.1912173,0.00004038228,0.00004939514,0.0133855,0.7935665,0.0002257794],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8443414,0.01456383,0.0008262898,0.1062207,0.0008998736,0.003267122,0.001386044,0.0001728103,0.02832196],"genre_scores_gemma":[0.9951472,0.0002342529,0.0002532437,0.0009583287,0.0003543969,0.00005502647,0.000007483407,0.00001491016,0.002975211],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.357916,"threshold_uncertainty_score":0.9999934,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4387579879","doi":"10.5070/c312161505","title":"Inhabiting Zenobia","year":2023,"lang":"en","type":"article","venue":"California Italian Studies","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Thursday; Art; Movie theater; Visual arts; Art history","authors":[{"name":"Costanza Ferrini","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09049952856286611,"gpt":0.276984751667066,"spread":0.1864852231041999,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003777285,0.000167765,0.0004857063,0.0002213307,0.0002642535,0.00002795708,0.0001200863,0.00004674625,0.0001015303],"category_scores_gemma":[0.0007668093,0.0001692719,0.0001212245,0.0005263775,0.000135051,0.00007426266,0.0001932574,0.00009210594,0.01504683],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006504485,"about_ca_system_score_gemma":0.000006267133,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0000176178,"about_ca_topic_score_gemma":0.00002417543,"domain_scores_codex":[0.9987357,0.000007082215,0.0004584551,0.00034093,0.00004072841,0.0004170613],"domain_scores_gemma":[0.9994191,0.0001152397,0.0001410789,0.0002064667,0.00004727315,0.00007083599],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001204766,0.00004966511,0.3102275,0.0003059676,0.0006812654,0.00009083302,0.007433081,0.00001953769,0.00006888185,0.07206623,0.6057742,0.003270864],"study_design_scores_gemma":[0.0006242444,0.00005739531,0.03235227,0.00007392347,0.00002017767,0.000006549614,0.009684118,0.0001263975,0.0001149701,0.04095734,0.9154699,0.000512648],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8541641,0.03233177,0.0001163644,0.01140936,0.002942584,0.0004357061,0.001088398,0.0008435678,0.09666818],"genre_scores_gemma":[0.9853576,0.002342643,0.0001578511,0.000413909,0.0004396203,0.0001009205,0.00003244669,0.00003929228,0.01111572],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3096958,"threshold_uncertainty_score":0.98572,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3019966350","doi":"10.5070/c391042320","title":"Il visuale italiano nella crisi della cittadinanza. L’Italianness nei dispositivi di cattura neoliberali del “Migrant Cinema”","year":2020,"lang":"it","type":"article","venue":"California Italian Studies","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Princeton University; University of Toronto; Purdue University","keywords":"Humanities; Art","authors":[{"name":"Eleonora Meo","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04006977243344397,"gpt":0.3009679167256655,"spread":0.2608981442922216,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.001280355,0.002081263,0.002745153,0.0002078387,0.003579074,0.0009941757,0.001923144,0.0009978752,0.000726844],"category_scores_gemma":[0.0009862286,0.001967684,0.001759307,0.002945977,0.00342882,0.001290587,0.001111536,0.001141956,0.005879052],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0007653173,"about_ca_system_score_gemma":0.0006107828,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002184561,"about_ca_topic_score_gemma":0.0004802761,"domain_scores_codex":[0.9887075,0.001036861,0.002170094,0.002586543,0.002160285,0.00333874],"domain_scores_gemma":[0.9938306,0.0007438405,0.0009722321,0.001167459,0.001211766,0.002074149],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003399318,0.0005837887,0.01516609,0.0014419,0.002750817,0.0008070599,0.3127982,0.0001108625,0.0006026863,0.004874462,0.6582528,0.002271459],"study_design_scores_gemma":[0.002974691,0.0009415601,0.003554446,0.001061577,0.001956786,0.00005582242,0.2463874,0.0006624638,0.000791715,0.001359193,0.7358088,0.004445496],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7658903,0.05630848,0.000747876,0.1120778,0.01134001,0.005180449,0.01798324,0.001659252,0.02881257],"genre_scores_gemma":[0.9522517,0.004292993,0.0002389004,0.01089377,0.004408676,0.0001914922,0.0004213828,0.0003411911,0.02695991],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1863614,"threshold_uncertainty_score":0.9992833,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2916665033","doi":"10.5070/c382037091","title":"What Did Annarella See? “Il bisogno di conoscere con ogni medium” and the Hermeneutics of the Gaze in Carlo Damasco’s “Un paio di occhiali”","year":2019,"lang":"it","type":"article","venue":"California Italian Studies","topic":"Italian Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Trope (literature); Gaze; Hermeneutics; Adaptation (eye); Art; Humanities; Art history; Literature; Philosophy; Psychoanalysis; Theology; Psychology; Physics; Optics","authors":[{"name":"Cristina Della Coletta","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01615583147978338,"gpt":0.2274392187037126,"spread":0.2112833872239293,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0006428603,0.0007839585,0.001363156,0.00008865145,0.0007715718,0.0008382534,0.0005798809,0.000308288,0.0003035411],"category_scores_gemma":[0.0001373642,0.0004146312,0.0004333781,0.0002215021,0.002784397,0.000463031,0.0005020889,0.000718958,0.0001391028],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00008562397,"about_ca_system_score_gemma":0.00009903412,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00008578455,"about_ca_topic_score_gemma":0.001081106,"domain_scores_codex":[0.9964359,0.0005429948,0.001019768,0.000685179,0.0005717541,0.0007443459],"domain_scores_gemma":[0.9976842,0.0004030201,0.0005281472,0.0008230438,0.0004384788,0.000123082],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0009548239,0.0004673451,0.1033541,0.002998044,0.003490881,0.00007483583,0.7045861,0.00005231707,0.0002068585,0.1084314,0.07438779,0.0009954907],"study_design_scores_gemma":[0.004171357,0.0002805859,0.00533905,0.002783472,0.0007701099,0.00002274405,0.4095306,0.00006651715,0.0004219124,0.002383669,0.573363,0.0008669448],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8567411,0.1134014,1.500529e-7,0.01031367,0.005639529,0.001817871,0.002702295,0.00004571729,0.009338241],"genre_scores_gemma":[0.9689394,0.006039121,0.000002015159,0.002034277,0.0008161021,0.00006683138,0.00005346642,0.0000697939,0.02197896],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4989752,"threshold_uncertainty_score":0.9999294,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}