{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":18,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":18,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"2c270311ec26","filters":{"venue":"Celestinesca"}},"results":[{"id":"W313008338","doi":"10.7203/celestinesca.36.20149","title":"Calisto, Leriano, Oliveros: tres dolientes y un mismo grabado","year":2012,"lang":"es","type":"article","venue":"Celestinesca","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":21,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Manitoba","funders":"","keywords":"Humanities; Art","authors":[{"name":"Enrique Fernández Rivera","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01833932538463548,"gpt":0.2192162865803903,"spread":0.2008769611957548,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008141172,0.0003952461,0.0002727346,0.0009081924,0.008346787,0.00675594,0.0005698962,0.002048178,0.004687367],"category_scores_gemma":[0.001771735,0.0001798552,0.0001444556,0.001367806,0.01457281,0.003217734,0.002290942,0.002631627,0.0006485648],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008163426,"about_ca_system_score_gemma":0.003379788,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.07350367,"about_ca_topic_score_gemma":0.1345254,"domain_scores_codex":[0.9993238,0.0003169883,0.00001223247,0.00008616935,0.0001057542,0.0001550146],"domain_scores_gemma":[0.999684,0.0001118359,0.00004827654,0.00002573514,0.00007146659,0.00005864543],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001490311,0.00002084298,0.002031639,0.0001460954,0.000006601506,0.0009693782,0.2228536,0.00007124917,0.0003219936,0.6864459,0.06454405,0.02243959],"study_design_scores_gemma":[0.00001986319,0.00001733939,0.003982085,0.0003314718,0.000007820294,0.0002871307,0.09481885,0.0000447585,0.0001866251,0.02387347,0.8764186,0.00001203819],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1118847,0.0818012,0.001467127,0.0691058,0.001805279,0.00002230359,0.000136877,0.00003274125,0.733744],"genre_scores_gemma":[0.8646311,0.01592428,0.0006312996,0.004745026,0.0007064858,0.00002934879,0.00006844851,0.00006861863,0.1131954],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.07350367,"threshold_uncertainty_score":0.1461517,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2407171882","doi":"10.7203/celestinesca.39.20182","title":"Casa, torre, árbol, muro: hacia una morfología del escenario urbano en las ediciones antiguas de &lt;i&gt;Celestina&lt;/i&gt;","year":2015,"lang":"es","type":"article","venue":"Celestinesca","topic":"Medieval and Early Modern Iberia","field":"Arts and Humanities","cited_by":17,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Art; Humanities","authors":[{"name":"Raúl Álvarez Moreno","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03080967465467943,"gpt":0.2440564149408334,"spread":0.213246740286154,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004971742,0.0003664577,0.0002390852,0.001439153,0.00539803,0.006628721,0.0008054287,0.001564458,0.01086082],"category_scores_gemma":[0.001364616,0.0001950282,0.0002334074,0.001822545,0.008696426,0.003374921,0.002950873,0.00160822,0.001274488],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004252031,"about_ca_system_score_gemma":0.002176357,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0712387,"about_ca_topic_score_gemma":0.1583649,"domain_scores_codex":[0.9996152,0.0001426206,0.000004634324,0.0000739312,0.00007797366,0.00008559119],"domain_scores_gemma":[0.9995818,0.0001533435,0.00005487147,0.00004115919,0.0001089245,0.00006002315],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001888351,0.00003271228,0.01053155,0.0004187408,0.00001877853,0.001055471,0.1539034,0.0004428017,0.00135541,0.7197257,0.05185262,0.06047399],"study_design_scores_gemma":[0.00002008327,0.00003703551,0.02265975,0.0004530789,0.00003014937,0.0004879551,0.09697116,0.0004442564,0.0008606224,0.06277526,0.8152233,0.00003728987],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.174532,0.03873654,0.008722812,0.0554311,0.001328705,0.0000567599,0.0005031954,0.0001515111,0.7205372],"genre_scores_gemma":[0.8939145,0.01087942,0.002390769,0.002515286,0.0003190907,0.00004799293,0.00009840712,0.0001415689,0.0896929],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0712387,"threshold_uncertainty_score":0.1416481,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W133443693","doi":"10.7203/celestinesca.25.19970","title":"La seducción de Celestina y el honor de Melibea en la recepción de Feliciano de Silva","year":2001,"lang":"es","type":"article","venue":"Celestinesca","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Honor; Art; Philosophy; Computer science","authors":[{"name":"Francisco Rodríguez Casanova","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01026573934876674,"gpt":0.2506613563942111,"spread":0.2403956170454443,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009545293,0.0004862644,0.0004735249,0.001082625,0.003806694,0.003333127,0.0007211019,0.002249554,0.01378234],"category_scores_gemma":[0.002885992,0.0001401937,0.0003504519,0.001308854,0.004823687,0.001800358,0.002106361,0.003219886,0.002048027],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004004618,"about_ca_system_score_gemma":0.002601998,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01818322,"about_ca_topic_score_gemma":0.04129257,"domain_scores_codex":[0.9994158,0.0001694031,0.00002066793,0.00008978324,0.0001698222,0.0001346822],"domain_scores_gemma":[0.9994237,0.0002427253,0.00006754529,0.00005928892,0.0001372905,0.00006947407],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002317911,0.00003254578,0.001533073,0.0006303519,0.00002030013,0.0007066484,0.02471821,0.0001089794,0.000658964,0.7694706,0.1115912,0.09029736],"study_design_scores_gemma":[0.000008784782,0.00001764764,0.001206324,0.0003579424,0.000008061776,0.0002716001,0.003453073,0.00002690318,0.0002436572,0.008572998,0.9858248,0.000008150352],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.0288137,0.1255664,0.001436146,0.04282584,0.01482973,0.00002818025,0.0001670381,0.00007572459,0.7862573],"genre_scores_gemma":[0.4991252,0.05592635,0.001134424,0.01209394,0.009356689,0.00003939971,0.0001405012,0.0001665018,0.422017],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01818322,"threshold_uncertainty_score":0.04610658,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2405780593","doi":"10.7203/celestinesca.39.20188","title":"Celestinas y majas en la obra de Goya, Alenza y Lucas Velázquez","year":2015,"lang":"es","type":"article","venue":"Celestinesca","topic":"Historical Art and Architecture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary","funders":"","keywords":"Humanities; Art","authors":[{"name":"Rachel Schmidt","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02812913052118692,"gpt":0.2477899890358296,"spread":0.2196608585146426,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006813591,0.0003616694,0.0003089221,0.0008891806,0.008509122,0.00451875,0.0004479352,0.001615029,0.006390588],"category_scores_gemma":[0.001056219,0.0002332564,0.0002011654,0.001146481,0.007782293,0.002098389,0.003557774,0.003446743,0.0006690727],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008123471,"about_ca_system_score_gemma":0.005211071,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.09547888,"about_ca_topic_score_gemma":0.2626689,"domain_scores_codex":[0.9995736,0.0001361519,0.00000771434,0.00006171598,0.00008961929,0.0001311071],"domain_scores_gemma":[0.9997882,0.00005717935,0.00003910681,0.00001294394,0.00004072418,0.00006183234],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001670957,0.00006163836,0.006549101,0.0004305611,0.00001612958,0.001650398,0.2345056,0.0001529983,0.0009106316,0.589377,0.1016941,0.06448468],"study_design_scores_gemma":[0.000005630419,0.0000157144,0.006265088,0.000485021,0.000006498049,0.0002174881,0.03407671,0.00002465512,0.0001385224,0.006909039,0.9518412,0.00001447374],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1595092,0.1029235,0.0008288133,0.09061333,0.0038226,0.00004605574,0.0001402278,0.00005560461,0.6420606],"genre_scores_gemma":[0.6590722,0.03010779,0.000611918,0.009881549,0.0006553288,0.00003519043,0.0000797707,0.00007547267,0.2994807],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.09547888,"threshold_uncertainty_score":0.1898463,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2997396766","doi":"10.7203/celestinesca.43.20241","title":"&lt;i&gt;La Celestina&lt;/i&gt; (1499) cinco siglos más tarde: ecos celestinescos en &lt;i&gt;Tiempo de Silencio&lt;/i&gt; (1962)","year":2019,"lang":"es","type":"article","venue":"Celestinesca","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Ottawa","funders":"","keywords":"Art; Humanities","authors":[{"name":"Irene López Rodríguez","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01093219479010242,"gpt":0.2204366807017788,"spread":0.2095044859116764,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003445517,0.00041485,0.0001706935,0.000734113,0.003126296,0.003652032,0.0003127294,0.001218066,0.009077262],"category_scores_gemma":[0.0004992254,0.0001752536,0.0002093568,0.0009800475,0.004422781,0.001681829,0.001420542,0.002048605,0.001469188],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003997435,"about_ca_system_score_gemma":0.0019858,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03504391,"about_ca_topic_score_gemma":0.08685534,"domain_scores_codex":[0.9997337,0.00006101511,0.00001045129,0.00006773838,0.00007083535,0.00005626243],"domain_scores_gemma":[0.9998661,0.00002755025,0.00002459036,0.00001620968,0.00003686614,0.00002871721],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004454572,0.00007067397,0.008262893,0.0003904342,0.00001835073,0.001858209,0.0712072,0.0002151345,0.006747422,0.7306834,0.05161918,0.1284817],"study_design_scores_gemma":[0.00000947599,0.00004347136,0.006802524,0.0001266643,0.000005140336,0.0003525537,0.007593422,0.00005568393,0.001132706,0.006719051,0.9771428,0.00001634842],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.09395363,0.01381583,0.002895304,0.006462649,0.001939631,0.00007996242,0.0003366297,0.00008025258,0.8804362],"genre_scores_gemma":[0.6049772,0.005942894,0.002136728,0.00184943,0.000348764,0.00005760621,0.0002316488,0.0001051111,0.3843507],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03504391,"threshold_uncertainty_score":0.06967986,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4311495480","doi":"10.7203/celestinesca.46.24377","title":"Sobre las zorras Celestina y Lozana: el simbolismo animal en la configuración del personaje de la puta alcahueta","year":2022,"lang":"es","type":"article","venue":"Celestinesca","topic":"Animal Law and Welfare","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Irene López Rodríguez","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008717901519711878,"gpt":0.2898412981630332,"spread":0.2811233966433213,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009958295,0.0002237577,0.0003441489,0.0005566211,0.001673551,0.002589669,0.0002779252,0.0008271458,0.0123859],"category_scores_gemma":[0.002023083,0.0001580052,0.0002764596,0.0006936788,0.00222428,0.001398234,0.001787439,0.0009531439,0.0007449517],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0009808373,"about_ca_system_score_gemma":0.001103558,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02253026,"about_ca_topic_score_gemma":0.03742099,"domain_scores_codex":[0.9994044,0.0003272438,0.00001318883,0.00009485795,0.00008821108,0.00007208255],"domain_scores_gemma":[0.9992214,0.000361762,0.0001676137,0.00004286799,0.0000917719,0.0001145471],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001189752,0.0003648718,0.3839301,0.001325982,0.0002564465,0.002624127,0.2299497,0.0002301685,0.008945622,0.06514091,0.01274652,0.2932958],"study_design_scores_gemma":[0.00005639511,0.0004836307,0.5805349,0.001531748,0.0002587193,0.00183323,0.1923274,0.0004691042,0.001303517,0.02381369,0.197252,0.0001355882],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8883854,0.02634799,0.00149253,0.01304732,0.0002110165,0.0000162102,0.0002367783,0.0000222206,0.07024054],"genre_scores_gemma":[0.9818776,0.01006358,0.0005583453,0.00100416,0.0000832665,0.00001490232,0.0000735705,0.000009026894,0.006315557],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02253026,"threshold_uncertainty_score":0.04479825,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W45475701","doi":"10.7203/celestinesca.35.20131","title":"Propiedad y &lt;i&gt;dominium&lt;/i&gt; en Castilla a finales del siglo XV: &lt;i&gt;Celestina&lt;/i&gt; como &lt;i&gt;civitas non recte instituta&lt;/i&gt;","year":2011,"lang":"es","type":"article","venue":"Celestinesca","topic":"Medieval and Early Modern Iberia","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Humanities; Art","authors":[{"name":"Raúl Álvarez Moreno","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0344215851279535,"gpt":0.2277511262854643,"spread":0.1933295411575108,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000828033,0.0004190637,0.0002799456,0.001277465,0.006905408,0.005466596,0.0004983941,0.001055982,0.01243205],"category_scores_gemma":[0.001385275,0.0001978295,0.0002673709,0.001552725,0.006018721,0.001222194,0.002946055,0.002371162,0.001004307],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009630541,"about_ca_system_score_gemma":0.008033188,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1326477,"about_ca_topic_score_gemma":0.2720771,"domain_scores_codex":[0.9989773,0.0002822921,0.00001664895,0.0001037055,0.0001935746,0.0004265228],"domain_scores_gemma":[0.9996765,0.00007913688,0.00003786596,0.00003491148,0.00008613237,0.00008540945],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002234633,0.00005137122,0.008651131,0.0004748786,0.00001519927,0.001051912,0.08187594,0.0002692045,0.001217064,0.7943492,0.03123247,0.08058812],"study_design_scores_gemma":[0.00002165806,0.00004199065,0.01759544,0.0007650736,0.00001014774,0.0001775053,0.03342398,0.00009409861,0.0006114988,0.01253506,0.9346988,0.00002484402],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1651772,0.02172595,0.001777748,0.0125886,0.001862683,0.0000818578,0.0003004629,0.00006007292,0.7964255],"genre_scores_gemma":[0.7830216,0.004751374,0.0007028058,0.001027364,0.0002012131,0.00004935864,0.0001297499,0.00005486279,0.2100617],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1326477,"threshold_uncertainty_score":0.2637513,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4406381245","doi":"10.7203/celestinesca.48.29894","title":"Review of Enrique Fernández, &lt;i&gt;The Image of Celestina: Illustrations, Paintings, and Advertisements&lt;/i&gt; (Toronto: University of Toronto Press, 2024)","year":2024,"lang":"en","type":"article","venue":"Celestinesca","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"ECW Press (Canada)","funders":"","keywords":"Painting; Art; Humanities; Art history; Media studies; Sociology","authors":[{"name":"Lauren Beck","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01162292100615724,"gpt":0.2137561492523662,"spread":0.2021332282462089,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001157357,0.0009261015,0.00160992,0.006572165,0.0007087249,0.002766924,0.0008323051,0.001623092,0.01453641],"category_scores_gemma":[0.00294571,0.0004117982,0.0004319406,0.01056103,0.0008623172,0.00198147,0.001167025,0.001476151,0.004398676],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001906699,"about_ca_system_score_gemma":0.005366615,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01858689,"about_ca_topic_score_gemma":0.03665129,"domain_scores_codex":[0.9996816,0.00006983694,0.00004576909,0.00006023135,0.0001112367,0.00003139913],"domain_scores_gemma":[0.9987979,0.0004953871,0.0001121651,0.00003338134,0.000473584,0.00008764969],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005185656,0.0000244798,0.0002052716,0.03562104,0.0000768008,0.0001762275,0.0005393857,0.00006914014,0.0002762216,0.00469687,0.6296759,0.3285867],"study_design_scores_gemma":[0.00000850611,0.000007946219,0.0006789984,0.01236494,0.00006177827,0.0001977099,0.0002163005,0.000004934592,0.00002960312,0.0002904803,0.9861312,0.000007525575],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.00004123709,0.9956683,0.00001852098,0.001328858,0.001245901,0.000003200783,0.00005679165,0.000002312114,0.001634864],"genre_scores_gemma":[0.000494982,0.9944479,0.00007298621,0.001814742,0.001222095,0.000009190716,0.00006209347,0.000003190209,0.001872719],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.01858689,"threshold_uncertainty_score":0.04862916,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7116658644","doi":"10.7203/celestinesca.49.31316","title":"Miguel Sabido y &lt;i&gt;La Celestina&lt;/i&gt; en México: una mirada historiográfica a una adaptación marginada","year":2025,"lang":"es","type":"article","venue":"Celestinesca","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Context (archaeology); Liminality; Triad (sociology); Identity (music)","authors":[{"name":"Eduardo Villalobos","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01016907809711654,"gpt":0.2276288752411854,"spread":0.2174597971440688,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004297622,0.0002657799,0.0001697738,0.001114725,0.005484825,0.005094066,0.0005301415,0.001307857,0.01062126],"category_scores_gemma":[0.001359497,0.0001837271,0.0001547626,0.001686622,0.003875215,0.00224819,0.001637495,0.001905915,0.0004030652],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009035066,"about_ca_system_score_gemma":0.003721859,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1774109,"about_ca_topic_score_gemma":0.2441492,"domain_scores_codex":[0.9997705,0.00007665848,0.000004666712,0.00004996656,0.00003266295,0.00006565977],"domain_scores_gemma":[0.9995877,0.0001390162,0.0001135125,0.00003194611,0.00007858777,0.0000491126],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002502192,0.00009437762,0.03306942,0.001014467,0.00002532752,0.001577698,0.1432508,0.0004337533,0.002031902,0.5487477,0.1397937,0.1297106],"study_design_scores_gemma":[0.00001075245,0.00003345033,0.0338263,0.0006343942,0.00002008045,0.0002021196,0.03617867,0.0001506041,0.0005177217,0.004967249,0.9234421,0.00001661619],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3095464,0.08123781,0.002262398,0.1609149,0.002422759,0.00007962152,0.0009313347,0.0000990698,0.4425056],"genre_scores_gemma":[0.8401306,0.03866172,0.001099225,0.003421089,0.0009999214,0.0001048817,0.0002444088,0.00005477071,0.1152834],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1774109,"threshold_uncertainty_score":0.3527564,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3130015443","doi":"10.7203/celestinesca.36.20154","title":"E. Michael Gerli. &lt;i&gt;«Celestina» and the Ends of Desire&lt;/i&gt;. Toronto: University of Toronto Press, 2011. ISBN: 978-1-4426-4255-3","year":2012,"lang":"en","type":"article","venue":"Celestinesca","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Media studies; Art history; Sociology","authors":[{"name":"José Luis Gastañaga Ponce de León","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01566688853366813,"gpt":0.1935768811513591,"spread":0.177909992617691,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004510435,0.001134053,0.0005209608,0.002225642,0.001575101,0.003149395,0.0008689028,0.002677737,0.08115885],"category_scores_gemma":[0.001288072,0.0005803879,0.0001960553,0.0035426,0.001256968,0.004635,0.001117594,0.001866614,0.03057717],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002711137,"about_ca_system_score_gemma":0.00162107,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04288579,"about_ca_topic_score_gemma":0.117171,"domain_scores_codex":[0.9997807,0.00004443702,0.00002071432,0.00003925553,0.00007793475,0.00003687733],"domain_scores_gemma":[0.9994648,0.0002477131,0.00006048794,0.000028494,0.0001380097,0.00006054496],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000280129,0.000006456469,0.000157424,0.0004841758,0.000003569901,0.00006956069,0.0009360938,0.00003756535,0.0001200034,0.01281818,0.9178249,0.06751401],"study_design_scores_gemma":[0.00000547159,0.00000544713,0.001201358,0.0006964283,0.000003854976,0.000132578,0.0009375542,0.00001993342,0.0001452685,0.002162298,0.9946839,0.000005761091],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0007677929,0.8216029,0.0004242403,0.0349797,0.005069146,0.00001359254,0.000732141,0.0001334855,0.1362769],"genre_scores_gemma":[0.03212572,0.4466268,0.0006957906,0.006363736,0.002538171,0.000030979,0.0004222456,0.0002870919,0.5109095],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.08115885,"threshold_uncertainty_score":0.2715034,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W319275698","doi":"","title":"E. Michael Gerli. \"Celestina\" and the Ends of Desire. Toronto: University of Toronto Press, 2011","year":2012,"lang":"en","type":"article","venue":"Celestinesca","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Media studies; Sociology; Art; Art history","authors":[{"name":"José Luís Gastañaga","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01858105112204304,"gpt":0.1909603250157876,"spread":0.1723792738937445,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009513285,0.001613254,0.0007677242,0.00530447,0.004017293,0.004550771,0.001739877,0.005067017,0.03776433],"category_scores_gemma":[0.002810821,0.0008786864,0.0004285729,0.008285543,0.003888041,0.006608809,0.001587737,0.003642611,0.01029175],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008083698,"about_ca_system_score_gemma":0.005706519,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2512434,"about_ca_topic_score_gemma":0.5254658,"domain_scores_codex":[0.9994618,0.0001626166,0.00004555274,0.00004767962,0.0001690483,0.0001132844],"domain_scores_gemma":[0.9980214,0.0009154414,0.0001851373,0.00007821837,0.0006174299,0.0001823769],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004474009,0.00001109635,0.000428256,0.0005616781,0.000008430781,0.0001617293,0.005089805,0.00006368213,0.0000531935,0.03638604,0.9270683,0.03012319],"study_design_scores_gemma":[0.00001771472,0.000008132642,0.005361431,0.001989995,0.00001563588,0.0001592245,0.004540226,0.00003416325,0.0001505257,0.01204069,0.9756628,0.00001953479],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.0007415873,0.8854816,0.0003162104,0.06017119,0.002818139,0.00001150358,0.0009542305,0.00008084289,0.04942471],"genre_scores_gemma":[0.06333211,0.7697931,0.001213579,0.01824542,0.003807544,0.00007069462,0.0006985782,0.000229044,0.14261],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.2512434,"threshold_uncertainty_score":0.499562,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2360093641","doi":"10.7203/celestinesca.39.20184","title":"Las dos celestinas de &lt;i&gt;Las galas del difunto&lt;/i&gt; de Valle-Inclán","year":2015,"lang":"es","type":"article","venue":"Celestinesca","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Manitoba","funders":"","keywords":"Humanities; Art","authors":[{"name":"Enrique Fernández Rivera","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02514408601504576,"gpt":0.2378655064638167,"spread":0.212721420448771,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000597312,0.0002647207,0.0002597279,0.001132574,0.001426053,0.001317789,0.0003215791,0.0005714584,0.01082238],"category_scores_gemma":[0.0007222418,0.0001283361,0.0003030162,0.0009970897,0.001145249,0.0005939818,0.0009902531,0.0005404582,0.001523231],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001372549,"about_ca_system_score_gemma":0.0007137643,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008194833,"about_ca_topic_score_gemma":0.02518003,"domain_scores_codex":[0.999797,0.00005899775,0.00001046046,0.00004959592,0.00004857542,0.00003522695],"domain_scores_gemma":[0.9997379,0.00006219619,0.00003969259,0.00003668085,0.00008119389,0.0000423612],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00470385,0.0005783249,0.06122772,0.003401863,0.0001068681,0.003792015,0.06365404,0.0002984375,0.1336468,0.03374123,0.02978127,0.6650677],"study_design_scores_gemma":[0.0001310481,0.001141493,0.1379986,0.0007016449,0.00009591738,0.001703994,0.02905627,0.0001710309,0.01609639,0.002418887,0.8104006,0.00008416013],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7700432,0.02012421,0.002559495,0.003125622,0.0007143215,0.0001661006,0.0008066685,0.0001768128,0.2022835],"genre_scores_gemma":[0.8764582,0.006379388,0.004239364,0.001002473,0.0001336299,0.00007395736,0.0003821452,0.00008930435,0.1112414],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01082238,"threshold_uncertainty_score":0.03620446,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4206230670","doi":"10.7203/celestinesca.45.21331","title":"&lt;i&gt;La Celestina&lt;/i&gt; en la democracia. Adaptación, censura y recepción de la recreación cinematográfica de Gerardo Vera","year":2021,"lang":"es","type":"article","venue":"Celestinesca","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Humanities; Art","authors":[{"name":"José Eduardo Villalobos Graillet","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0117014805950398,"gpt":0.2425535731475124,"spread":0.2308520925524726,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001173611,0.0006829457,0.0002526965,0.0013542,0.004834902,0.0125858,0.000705495,0.003062521,0.0606426],"category_scores_gemma":[0.002399027,0.0002894154,0.0003147529,0.00184671,0.005657738,0.004952763,0.003390803,0.003327466,0.01075609],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006673972,"about_ca_system_score_gemma":0.002964563,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04599338,"about_ca_topic_score_gemma":0.068726,"domain_scores_codex":[0.998933,0.0004095814,0.00002805746,0.0001890896,0.0002511125,0.0001891107],"domain_scores_gemma":[0.9992571,0.0002279022,0.00007366212,0.00008777968,0.0001570585,0.0001965192],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00015011,0.00006946564,0.002629959,0.0004306029,0.0000109651,0.0005900043,0.02157357,0.0001864707,0.001618495,0.41091,0.3791248,0.1827057],"study_design_scores_gemma":[0.000004751461,0.00001042005,0.002366617,0.0003522316,0.000003478044,0.0001406401,0.004572525,0.0001020513,0.0002447614,0.006543212,0.985651,0.000008299983],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.007495283,0.0487082,0.001412133,0.03526403,0.004653878,0.0000372683,0.0001284661,0.00008537693,0.9022154],"genre_scores_gemma":[0.1446459,0.02567531,0.001321682,0.004235351,0.002021505,0.00005913505,0.0001276979,0.0001821804,0.8217313],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0606426,"threshold_uncertainty_score":0.2028697,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4390950818","doi":"10.7203/celestinesca.47.27563","title":"François-Xavier Guerry, &lt;i&gt;L’Érotisme dans la littérature espagnole du XVIe siècle: Étude des continuations de \"La Célestine\"&lt;/i&gt;, Études et essais sur la Renaissance, n° 132, Paris, Classiques Garnier, 2023","year":2023,"lang":"fr","type":"article","venue":"Celestinesca","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Manitoba","funders":"","keywords":"Art; Humanities","authors":[{"name":"Enrique Fernández","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01282095176797417,"gpt":0.2396417402678211,"spread":0.226820788499847,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001395478,0.0009118445,0.0003458998,0.001987574,0.005539558,0.004772125,0.0007472389,0.001967377,0.01812036],"category_scores_gemma":[0.003639753,0.0003583863,0.0002016007,0.003429454,0.003491777,0.004838136,0.001462441,0.003038679,0.003109426],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006015627,"about_ca_system_score_gemma":0.004573371,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1671189,"about_ca_topic_score_gemma":0.2597,"domain_scores_codex":[0.9990245,0.0003462442,0.00003169434,0.000166447,0.0002641581,0.000166999],"domain_scores_gemma":[0.9987364,0.0006620091,0.0001251866,0.00005728907,0.0003249714,0.00009408799],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001768473,0.00004099541,0.003608706,0.0005880248,0.00001789519,0.0004388355,0.04313599,0.0001240759,0.0005156642,0.2105402,0.6280748,0.1127381],"study_design_scores_gemma":[0.000006179631,0.000008366839,0.004115533,0.0002821834,0.000003280685,0.00009130259,0.005036439,0.00001753314,0.0002400143,0.002487647,0.9877036,0.000007866629],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.01797482,0.573044,0.001185067,0.1534763,0.008298675,0.00004108472,0.0009794425,0.00009831043,0.2449023],"genre_scores_gemma":[0.284543,0.2558148,0.001448058,0.009970884,0.00352801,0.00009682715,0.000550946,0.0002777036,0.4437698],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1671189,"threshold_uncertainty_score":0.3322923,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2998174999","doi":"10.7203/celestinesca.43.20247","title":"&lt;i&gt;La Celestina&lt;/i&gt; en la Transición. Censura, polémica e interpretación de la recreación telefílmica de Juan Guerrero Zamora","year":2019,"lang":"es","type":"article","venue":"Celestinesca","topic":"Media, Journalism, and Communication History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Humanities; Art","authors":[{"name":"José Eduardo Villalobos Graillet","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01040773638856131,"gpt":0.2385650217094987,"spread":0.2281572853209374,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006051874,0.0003168484,0.0001682669,0.001400664,0.005495036,0.005622142,0.0003451525,0.0008806637,0.01232023],"category_scores_gemma":[0.001196161,0.0001775058,0.0001540856,0.001602889,0.005986101,0.001435249,0.001875677,0.001249088,0.0008085769],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00825058,"about_ca_system_score_gemma":0.002666461,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1640933,"about_ca_topic_score_gemma":0.3245203,"domain_scores_codex":[0.9995643,0.0001612125,0.000008482612,0.00007884259,0.00009187986,0.00009523438],"domain_scores_gemma":[0.9997156,0.0001000394,0.00005499109,0.00003016673,0.00005340701,0.00004585957],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000464551,0.00004854426,0.01896003,0.000651116,0.00001585035,0.002148562,0.2355298,0.0003642192,0.005532718,0.5098125,0.06105422,0.1654179],"study_design_scores_gemma":[0.00001183686,0.00002824674,0.03135666,0.0006637432,0.00001256559,0.0003403196,0.05399244,0.000138488,0.0007649103,0.005147694,0.9075298,0.00001326648],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1944358,0.04179467,0.001357725,0.021061,0.00127801,0.00004608084,0.0002085686,0.00006345876,0.7397548],"genre_scores_gemma":[0.7969502,0.008782994,0.0007723177,0.0007436,0.0003472539,0.0000288574,0.00007828933,0.00006491713,0.1922316],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1640933,"threshold_uncertainty_score":0.3262763,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2997106884","doi":"10.7203/celestinesca.43.20240","title":"El amor cristiano en la &lt;i&gt;Tragicomedia&lt;/i&gt; de Fernando de Rojas y en la &lt;i&gt;Segunda Celestina&lt;/i&gt; de Feliciano de Silva","year":2019,"lang":"es","type":"article","venue":"Celestinesca","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Petre Ene","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.007850213457950339,"gpt":0.2264128034111158,"spread":0.2185625899531654,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001625236,0.0003412353,0.0002208221,0.0009861755,0.006428635,0.006829604,0.000455852,0.001519041,0.005083564],"category_scores_gemma":[0.002556672,0.0001058973,0.0001606193,0.001171766,0.01889511,0.002520633,0.002803784,0.002156968,0.0005481442],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007445179,"about_ca_system_score_gemma":0.004745715,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02883325,"about_ca_topic_score_gemma":0.07198849,"domain_scores_codex":[0.9986469,0.0007411159,0.00002199044,0.0001575435,0.0002627803,0.0001696403],"domain_scores_gemma":[0.9990461,0.0004444137,0.0001235246,0.00008584238,0.0001728595,0.0001272878],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004646992,0.0000124602,0.001609458,0.0001323624,0.000004493797,0.0003010417,0.09593397,0.0001247799,0.0005138704,0.8581613,0.01315204,0.03000774],"study_design_scores_gemma":[0.00001426169,0.00003772527,0.006866202,0.0005333138,0.00001324218,0.0004396218,0.07660738,0.0001820485,0.0005305064,0.068929,0.8458209,0.00002581778],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1111602,0.03050714,0.003147415,0.04614786,0.0009720802,0.0000174897,0.00004144372,0.00004916418,0.8079572],"genre_scores_gemma":[0.9387431,0.007171894,0.000695379,0.002082054,0.0002964006,0.00001432526,0.00001390391,0.00003834558,0.05094462],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02883325,"threshold_uncertainty_score":0.05733085,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4390950878","doi":"10.7203/celestinesca.47.26729","title":"La influencia en los espectadores de la fama de las actrices que encarnaron a Celestina","year":2023,"lang":"es","type":"article","venue":"Celestinesca","topic":"Media, Journalism, and Communication History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Manitoba","funders":"","keywords":"Humanities; Art; Persona","authors":[{"name":"Enrique Fernández","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01580760554054218,"gpt":0.2754819140439133,"spread":0.2596743085033711,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001698728,0.000294762,0.0002727625,0.0008503218,0.003820689,0.004385448,0.0003856388,0.000801441,0.01170254],"category_scores_gemma":[0.004831244,0.0002131329,0.0002751592,0.000926715,0.005594769,0.001699819,0.002666125,0.001158347,0.001030597],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002780092,"about_ca_system_score_gemma":0.002159805,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02233608,"about_ca_topic_score_gemma":0.04067389,"domain_scores_codex":[0.9986038,0.0007319187,0.00004295367,0.0001639783,0.0002592981,0.000198074],"domain_scores_gemma":[0.9973658,0.001121745,0.0004168594,0.0002007897,0.0004937649,0.0004010542],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003867217,0.00008004371,0.07805284,0.0004911961,0.00003313822,0.001737812,0.7219111,0.000397268,0.008781823,0.109492,0.004353313,0.0742828],"study_design_scores_gemma":[0.00003047601,0.0002261147,0.1751238,0.0004451922,0.00005522605,0.0009783937,0.5637419,0.0005165675,0.003035245,0.009519251,0.2462508,0.00007706085],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7344889,0.001165853,0.005023984,0.002018951,0.0001528597,0.00003471872,0.00008727545,0.00004781785,0.2569797],"genre_scores_gemma":[0.9723806,0.0004798367,0.0008026716,0.0001440002,0.00002140457,0.00001753476,0.00002597998,0.00002275165,0.02610517],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02233608,"threshold_uncertainty_score":0.04441214,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2975308580","doi":"10.7203/celestinesca.42.20218","title":"&lt;i&gt;«Celestina», a Tragic Music Comedy&lt;/i&gt; de Brad Bond. Creación y evolución de un musical de Broadway","year":2018,"lang":"es","type":"article","venue":"Celestinesca","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Manitoba","funders":"","keywords":"Art; Humanities; Comedy; Musical; Art history; Literature","authors":[{"name":"Enrique Fernández","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0224266026566848,"gpt":0.2379449285382466,"spread":0.2155183258815618,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009821043,0.0009933274,0.0004154085,0.001200184,0.005754323,0.007891892,0.0008779701,0.002099402,0.04371432],"category_scores_gemma":[0.002478231,0.0003723002,0.0003741503,0.001172343,0.003053588,0.00434096,0.0029673,0.005268704,0.0124529],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00276312,"about_ca_system_score_gemma":0.001746782,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02040928,"about_ca_topic_score_gemma":0.0499214,"domain_scores_codex":[0.9989016,0.0002558029,0.00003786152,0.0002468088,0.0004157581,0.0001422326],"domain_scores_gemma":[0.9991769,0.0002078283,0.00007387152,0.00006490467,0.000245068,0.0002314562],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007491439,0.00002911367,0.0005943688,0.000197735,0.000009185028,0.0002224015,0.006989092,0.00004446601,0.0009516696,0.04307475,0.8989394,0.04887302],"study_design_scores_gemma":[0.000002649705,0.00001037878,0.0006548413,0.00008377745,0.000001969932,0.00008671723,0.002072112,0.00002359962,0.0002214438,0.001798859,0.9950348,0.000008725115],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.008377076,0.1089123,0.004426229,0.1418052,0.05899288,0.0001020446,0.0005302517,0.000486119,0.6763679],"genre_scores_gemma":[0.03949622,0.01553651,0.001078434,0.01227304,0.00529329,0.00005522374,0.0001696776,0.0005301007,0.9255676],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04371432,"threshold_uncertainty_score":0.1462389,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}