{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":18,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":18,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"2c270311ec26","filters":{"venue":"Celestinesca"}},"results":[{"id":"W313008338","doi":"10.7203/celestinesca.36.20149","title":"Calisto, Leriano, Oliveros: tres dolientes y un mismo grabado","year":2012,"lang":"es","type":"article","venue":"Celestinesca","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":21,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Manitoba","funders":"","keywords":"Humanities; Art","authors":[{"name":"Enrique Fernández Rivera","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01833932538463548,"gpt":0.2192162865803903,"spread":0.2008769611957548,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002349808,0.0006721244,0.000584299,0.0001801558,0.0007837716,0.00159448,0.0004968778,0.0002915846,0.004001373],"category_scores_gemma":[0.0001165212,0.0006019969,0.0002919954,0.000104027,0.0005357271,0.0009148486,0.0001877592,0.000535831,0.0009932464],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007561351,"about_ca_system_score_gemma":0.00006459264,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004939698,"about_ca_topic_score_gemma":0.00007382866,"domain_scores_codex":[0.9971086,0.0001688489,0.0005789496,0.000524304,0.0004530905,0.001166142],"domain_scores_gemma":[0.9981578,0.0001696278,0.0002864575,0.0006739244,0.0002686678,0.000443513],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001779406,0.001732463,0.06176044,0.001116292,0.000368227,0.0001083925,0.07762054,0.000009335084,0.005159226,0.7541225,0.08915714,0.008667529],"study_design_scores_gemma":[0.00094157,0.0001539764,0.02577899,0.0005232332,0.0002565553,0.00006033335,0.001419477,0.00005322479,0.001822774,0.0005170918,0.9674516,0.001021186],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8981398,0.02903297,0.00006410784,0.000798434,0.004095173,0.0004972576,0.0007485966,0.0004104366,0.06621317],"genre_scores_gemma":[0.9712,0.0001960693,0.0005330232,0.0006368348,0.006381444,0.00003185508,0.0001936198,0.0001422859,0.02068485],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8782945,"threshold_uncertainty_score":0.9997846,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2407171882","doi":"10.7203/celestinesca.39.20182","title":"Casa, torre, árbol, muro: hacia una morfología del escenario urbano en las ediciones antiguas de <i>Celestina</i>","year":2015,"lang":"es","type":"article","venue":"Celestinesca","topic":"Medieval and Early Modern Iberia","field":"Arts and Humanities","cited_by":17,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Art; Humanities","authors":[{"name":"Raúl Álvarez Moreno","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03080967465467943,"gpt":0.2440564149408334,"spread":0.213246740286154,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001207453,0.001221143,0.001313579,0.0003885164,0.0009467638,0.0009605325,0.001051731,0.0006502792,0.001705364],"category_scores_gemma":[0.001073688,0.001102658,0.000386033,0.0002286119,0.001023592,0.0005722569,0.0004588449,0.0008233199,0.002189529],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003181638,"about_ca_system_score_gemma":0.001122243,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001451987,"about_ca_topic_score_gemma":0.001352707,"domain_scores_codex":[0.9940428,0.0004792934,0.001231272,0.001230666,0.001119348,0.001896641],"domain_scores_gemma":[0.9957311,0.0004950609,0.0005522268,0.00106948,0.0008873454,0.001264826],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001435518,0.002913575,0.05360078,0.002915184,0.0008728139,0.003400625,0.08202524,0.0007316632,0.03701022,0.2407678,0.5487784,0.02554815],"study_design_scores_gemma":[0.002855289,0.001027955,0.02592299,0.001350605,0.0006207004,0.0004716977,0.001029591,0.005662935,0.000683645,0.002431805,0.9559121,0.002030739],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9180509,0.01030537,0.0002506493,0.001486463,0.004954904,0.0007642441,0.0002240085,0.0005774403,0.06338602],"genre_scores_gemma":[0.9376847,0.000456039,0.0007015112,0.0006168258,0.007990094,0.00007418761,0.0002118527,0.0002310637,0.05203369],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4071336,"threshold_uncertainty_score":0.9992072,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W133443693","doi":"10.7203/celestinesca.25.19970","title":"La seducción de Celestina y el honor de Melibea en la recepción de Feliciano de Silva","year":2001,"lang":"es","type":"article","venue":"Celestinesca","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Honor; Art; Philosophy; Computer science","authors":[{"name":"Francisco Rodríguez Casanova","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01026573934876674,"gpt":0.2506613563942111,"spread":0.2403956170454443,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.001456672,0.0008317689,0.0007019496,0.0002675914,0.0007321288,0.00217381,0.0008921715,0.0008626049,0.000864602],"category_scores_gemma":[0.0007716583,0.0008586636,0.0003206625,0.0002199156,0.0004729916,0.0004618034,0.0002192144,0.001568796,0.0002872778],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005575877,"about_ca_system_score_gemma":0.001254446,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001413192,"about_ca_topic_score_gemma":0.0005843551,"domain_scores_codex":[0.9951919,0.001120794,0.0006675993,0.0007992879,0.0004033812,0.001817079],"domain_scores_gemma":[0.9967029,0.001256834,0.0003306262,0.0007610718,0.0003070456,0.0006415343],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0007165609,0.002117404,0.3011749,0.002052957,0.0004776062,0.004867963,0.1612279,0.0007468818,0.04461619,0.3626433,0.08423889,0.0351195],"study_design_scores_gemma":[0.001319588,0.0002586193,0.06589063,0.001324563,0.0003529595,0.002026422,0.002245176,0.001719352,0.001636987,0.005806083,0.9160401,0.001379502],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9092742,0.002296206,0.000439032,0.002087115,0.0003917282,0.0003813952,0.0001600266,0.0005148663,0.08445545],"genre_scores_gemma":[0.9710939,0.0009379172,0.004133508,0.001455166,0.004595609,0.0000907487,0.00008530486,0.0002838269,0.017324],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8318012,"threshold_uncertainty_score":0.9993864,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2405780593","doi":"10.7203/celestinesca.39.20188","title":"Celestinas y majas en la obra de Goya, Alenza y Lucas Velázquez","year":2015,"lang":"es","type":"article","venue":"Celestinesca","topic":"Historical Art and Architecture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary","funders":"","keywords":"Humanities; Art","authors":[{"name":"Rachel Schmidt","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02812913052118692,"gpt":0.2477899890358296,"spread":0.2196608585146426,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005251779,0.0005823491,0.0006381383,0.0001708698,0.0006723985,0.000444148,0.0004584883,0.0001950792,0.0007318241],"category_scores_gemma":[0.000620844,0.0004981658,0.0002273166,0.0001162748,0.0007187205,0.0001513628,0.0002928763,0.0006060777,0.001904499],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002248273,"about_ca_system_score_gemma":0.0003832009,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004891215,"about_ca_topic_score_gemma":0.0003092591,"domain_scores_codex":[0.9973586,0.0003156193,0.0005131611,0.0005495792,0.000407271,0.0008557593],"domain_scores_gemma":[0.9980538,0.0005734442,0.0001774202,0.0004113734,0.000260902,0.0005229932],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002426286,0.0007571814,0.01096109,0.0007950398,0.0002756947,0.0007489485,0.1241297,0.00009815847,0.0005047757,0.426332,0.4151342,0.02002065],"study_design_scores_gemma":[0.0007570384,0.0002767354,0.001679217,0.0002192287,0.0001487082,0.00008414296,0.001565212,0.0001088293,0.0001039243,0.002743274,0.9916584,0.0006553227],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1757945,0.005129203,0.0001085635,0.002819951,0.002335213,0.0003950812,0.0001251699,0.0004673671,0.8128249],"genre_scores_gemma":[0.8835796,0.0001248671,0.0008051596,0.0004727043,0.005140503,0.00005115269,0.00002648619,0.000107978,0.1096915],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7077851,"threshold_uncertainty_score":0.999747,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2997396766","doi":"10.7203/celestinesca.43.20241","title":"<i>La Celestina</i> (1499) cinco siglos más tarde: ecos celestinescos en <i>Tiempo de Silencio</i> (1962)","year":2019,"lang":"es","type":"article","venue":"Celestinesca","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Ottawa","funders":"","keywords":"Art; Humanities","authors":[{"name":"Irene López Rodríguez","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01093219479010242,"gpt":0.2204366807017788,"spread":0.2095044859116764,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.002282391,0.00326644,0.003271876,0.001020971,0.00224714,0.003541851,0.003347418,0.001836726,0.01032976],"category_scores_gemma":[0.001640657,0.003218392,0.001620797,0.0009249349,0.001484198,0.001963623,0.001309125,0.002104283,0.01135969],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001209808,"about_ca_system_score_gemma":0.002444154,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004072232,"about_ca_topic_score_gemma":0.002954287,"domain_scores_codex":[0.9854646,0.001320056,0.003156549,0.003448971,0.002560719,0.004049075],"domain_scores_gemma":[0.9894742,0.001816347,0.001848857,0.003216319,0.0019874,0.0016569],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005959804,0.002917602,0.009875317,0.003985474,0.0009789849,0.001142784,0.01697804,0.0005852878,0.5323578,0.1431588,0.2830445,0.004379516],"study_design_scores_gemma":[0.004155568,0.001169598,0.02715779,0.002008602,0.001366986,0.0004834558,0.0006785484,0.001973904,0.004990515,0.001331954,0.9503946,0.004288473],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8047901,0.00820774,0.0001119741,0.00100677,0.005247495,0.003049262,0.000965586,0.001371489,0.1752496],"genre_scores_gemma":[0.8844571,0.001563559,0.001021919,0.000799573,0.008545479,0.0003966335,0.0007730195,0.0007160525,0.1017267],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6673501,"threshold_uncertainty_score":0.9994591,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4311495480","doi":"10.7203/celestinesca.46.24377","title":"Sobre las zorras Celestina y Lozana: el simbolismo animal en la configuración del personaje de la puta alcahueta","year":2022,"lang":"es","type":"article","venue":"Celestinesca","topic":"Animal Law and Welfare","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Irene López Rodríguez","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008717901519711878,"gpt":0.2898412981630332,"spread":0.2811233966433213,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002193003,0.000661352,0.0007247319,0.0001672402,0.002775421,0.0005025154,0.001386115,0.0004891218,0.00169423],"category_scores_gemma":[0.000756193,0.0007198549,0.0004016359,0.0009548872,0.001192145,0.0003075699,0.0006473641,0.001351894,0.0002827089],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004180278,"about_ca_system_score_gemma":0.001403947,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004947166,"about_ca_topic_score_gemma":0.0001954206,"domain_scores_codex":[0.9935275,0.00233404,0.0005958995,0.001005037,0.001157601,0.001379912],"domain_scores_gemma":[0.9967168,0.001643894,0.0003793413,0.000462899,0.0002115696,0.0005854998],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0006857157,0.001671962,0.08183924,0.0004868264,0.0002515,0.002189785,0.02672158,0.0005106856,0.008070563,0.8223498,0.03985115,0.01537113],"study_design_scores_gemma":[0.001251447,0.0005540854,0.1200967,0.000102032,0.0002858452,0.0003236772,0.01406435,0.001295365,0.0001521545,0.001819578,0.8588933,0.001161499],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7022641,0.001141233,0.00003769183,0.005761372,0.0004730027,0.0005425591,0.0003861836,0.000390539,0.2890033],"genre_scores_gemma":[0.9914006,0.0003656027,0.0002649518,0.0006879337,0.001324434,0.000104898,0.0000837694,0.0001278813,0.005639928],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8205303,"threshold_uncertainty_score":0.9995252,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W45475701","doi":"10.7203/celestinesca.35.20131","title":"Propiedad y <i>dominium</i> en Castilla a finales del siglo XV: <i>Celestina</i> como <i>civitas non recte instituta</i>","year":2011,"lang":"es","type":"article","venue":"Celestinesca","topic":"Medieval and Early Modern Iberia","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Humanities; Art","authors":[{"name":"Raúl Álvarez Moreno","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0344215851279535,"gpt":0.2277511262854643,"spread":0.1933295411575108,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.003091633,0.005180244,0.005261311,0.001872995,0.004106468,0.002468284,0.004282443,0.00238514,0.005962473],"category_scores_gemma":[0.002342615,0.004894647,0.00205515,0.001294892,0.004698474,0.00233643,0.002156836,0.002491424,0.006529236],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0009434671,"about_ca_system_score_gemma":0.002738341,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004474991,"about_ca_topic_score_gemma":0.01066209,"domain_scores_codex":[0.9784973,0.001579149,0.005188104,0.005076994,0.00367051,0.005987918],"domain_scores_gemma":[0.9849793,0.002009985,0.00296856,0.004345717,0.002747114,0.002949298],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","study_design_scores_codex":[0.005372334,0.007054909,0.001635178,0.008271113,0.002658593,0.005098153,0.06579597,0.0005079501,0.4995822,0.1893879,0.1770537,0.03758199],"study_design_scores_gemma":[0.007811681,0.003303034,0.01692591,0.005058111,0.002576409,0.001152939,0.0004011868,0.004628714,0.004469511,0.001896298,0.9446689,0.007107336],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8001289,0.02292663,0.0007043927,0.001106116,0.009168425,0.005057646,0.002153412,0.001870651,0.1568838],"genre_scores_gemma":[0.9193009,0.004372143,0.003994374,0.0007061707,0.008401806,0.001068611,0.00111067,0.001105315,0.05994],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7676151,"threshold_uncertainty_score":0.9998099,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4406381245","doi":"10.7203/celestinesca.48.29894","title":"Review of Enrique Fernández, <i>The Image of Celestina: Illustrations, Paintings, and Advertisements</i> (Toronto: University of Toronto Press, 2024)","year":2024,"lang":"en","type":"article","venue":"Celestinesca","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"ECW Press (Canada)","funders":"","keywords":"Painting; Art; Humanities; Art history; Media studies; Sociology","authors":[{"name":"Lauren Beck","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01162292100615724,"gpt":0.2137561492523662,"spread":0.2021332282462089,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003924936,0.0002245229,0.0003989332,0.00001289255,0.0001379685,0.00007046851,0.0003031783,0.00007580208,0.001577085],"category_scores_gemma":[0.0001132713,0.0001852286,0.0001325802,0.00003516837,0.0003994242,0.0005638144,0.0001380153,0.0001345606,0.00000370124],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007151516,"about_ca_system_score_gemma":0.0001157527,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002704987,"about_ca_topic_score_gemma":0.0149612,"domain_scores_codex":[0.9986395,0.0001181427,0.000471378,0.0003059283,0.000258198,0.0002069008],"domain_scores_gemma":[0.9986823,0.0001534076,0.0002599475,0.0003949351,0.000444421,0.00006493959],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001036559,0.0004761541,0.0003194602,0.0548665,0.00050218,0.00005896683,0.05392299,0.000007209245,0.06657561,0.411401,0.3960843,0.01568188],"study_design_scores_gemma":[0.0003105795,0.0001719095,0.001286944,0.01042128,0.0003129577,0.00001094769,0.00101023,0.0004012557,0.000512784,0.0002824149,0.9849674,0.0003113039],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.03634726,0.8595511,0.0002219355,0.0005740351,0.0006915738,0.001127876,0.0005700122,0.00015747,0.1007587],"genre_scores_gemma":[0.8946612,0.07714368,0.001180411,0.0001166081,0.0004406278,0.00001268054,0.0001150643,0.00006967312,0.02626003],"genre_candidate":"review","genre_consensus":null,"teacher_disagreement_score":0.858314,"threshold_uncertainty_score":0.9993356,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7116658644","doi":"10.7203/celestinesca.49.31316","title":"Miguel Sabido y <i>La Celestina</i> en México: una mirada historiográfica a una adaptación marginada","year":2025,"lang":"es","type":"article","venue":"Celestinesca","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Context (archaeology); Liminality; Triad (sociology); Identity (music)","authors":[{"name":"Eduardo Villalobos","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01016907809711654,"gpt":0.2276288752411854,"spread":0.2174597971440688,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0006933212,0.001669629,0.001557821,0.0008130572,0.001351156,0.002767503,0.001701173,0.0009882294,0.001352055],"category_scores_gemma":[0.000573556,0.001709931,0.0007001486,0.0006627715,0.001034423,0.0007534866,0.0006097069,0.001590236,0.0005174364],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0007892283,"about_ca_system_score_gemma":0.001176668,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0005706955,"about_ca_topic_score_gemma":0.001459735,"domain_scores_codex":[0.9930431,0.0006759486,0.001526614,0.001900136,0.001104423,0.001749785],"domain_scores_gemma":[0.9948115,0.001203481,0.0006400164,0.001936965,0.0008631509,0.0005448714],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000301089,0.0009311538,0.002089182,0.002561813,0.0003887546,0.0006147921,0.009710861,0.00004474982,0.01352589,0.7691855,0.1934962,0.007149964],"study_design_scores_gemma":[0.001751389,0.0002958672,0.009741817,0.003419063,0.0004849279,0.00007552643,0.0003772978,0.0006222621,0.0002229893,0.002143738,0.9792073,0.001657764],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4346336,0.05047142,0.0003854242,0.005060551,0.007461827,0.002304374,0.001274034,0.001585573,0.4968233],"genre_scores_gemma":[0.7966897,0.0004603429,0.001232029,0.0006275364,0.002558297,0.0001521365,0.000290648,0.0002801556,0.1977092],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7857112,"threshold_uncertainty_score":0.999949,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3130015443","doi":"10.7203/celestinesca.36.20154","title":"E. Michael Gerli. <i>«Celestina» and the Ends of Desire</i>. Toronto: University of Toronto Press, 2011. ISBN: 978-1-4426-4255-3","year":2012,"lang":"en","type":"article","venue":"Celestinesca","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Media studies; Art history; Sociology","authors":[{"name":"José Luis Gastañaga Ponce de León","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01566688853366813,"gpt":0.1935768811513591,"spread":0.177909992617691,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004572573,0.0003502251,0.0005587285,0.00001521451,0.0003153355,0.00008133155,0.0005016272,0.0001662409,0.00199495],"category_scores_gemma":[0.00005895656,0.0002772778,0.0001672431,0.00001738442,0.001005288,0.0009769083,0.0002358494,0.0001641586,0.00001793134],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00008587909,"about_ca_system_score_gemma":0.0000707751,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006650233,"about_ca_topic_score_gemma":0.01720765,"domain_scores_codex":[0.9982443,0.0001675371,0.0003962233,0.0003349299,0.0003512656,0.000505671],"domain_scores_gemma":[0.9981914,0.0002632337,0.0003759885,0.0006273359,0.0003622413,0.0001797951],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0006707421,0.0005429442,0.00243955,0.0005869984,0.0002507139,0.00001337783,0.09360702,0.000007080926,0.01118369,0.823288,0.06237022,0.005039691],"study_design_scores_gemma":[0.002826904,0.0002335846,0.0208927,0.000209235,0.0003877562,0.00003647471,0.002193417,0.0003105829,0.0007293345,0.000592713,0.9709022,0.0006851007],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4915044,0.196465,0.0001680259,0.0003537419,0.00145823,0.001084856,0.0004238198,0.0002492785,0.3082926],"genre_scores_gemma":[0.9731218,0.001370434,0.0006999153,0.0000566531,0.0007183815,0.000005598253,0.00003454107,0.00004841846,0.0239443],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.908532,"threshold_uncertainty_score":0.9999679,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W319275698","doi":"","title":"E. Michael Gerli. \"Celestina\" and the Ends of Desire. Toronto: University of Toronto Press, 2011","year":2012,"lang":"en","type":"article","venue":"Celestinesca","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Media studies; Sociology; Art; Art history","authors":[{"name":"José Luís Gastañaga","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01858105112204304,"gpt":0.1909603250157876,"spread":0.1723792738937445,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000231042,0.0001488082,0.0002661649,0.000004477642,0.0001394461,0.0000292119,0.0002265544,0.00006298237,0.001191748],"category_scores_gemma":[0.00002607336,0.0001105388,0.00007064896,0.000005487967,0.0005636032,0.0005454872,0.0001053084,0.00008036416,0.000004740898],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003052294,"about_ca_system_score_gemma":0.00002348608,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02882967,"about_ca_topic_score_gemma":0.01340702,"domain_scores_codex":[0.9992239,0.0000730936,0.0001844889,0.0001404754,0.0001495615,0.0002285035],"domain_scores_gemma":[0.9991567,0.0001314513,0.0001772691,0.0002938111,0.0001658268,0.0000749083],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000412949,0.0002819396,0.008007444,0.0003592802,0.00012082,0.000003858748,0.1353139,0.000001895599,0.001233256,0.8329001,0.01600901,0.005355551],"study_design_scores_gemma":[0.005300718,0.0003542817,0.09294605,0.0003174964,0.00058714,0.00004528767,0.01775322,0.0004387193,0.001653235,0.001535517,0.8780929,0.0009754175],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6432817,0.09901053,0.00007323828,0.0001404878,0.000775497,0.000524479,0.000152981,0.0001052066,0.2559358],"genre_scores_gemma":[0.9891993,0.0004867139,0.0003946959,0.0000246633,0.0003203774,0.000001519282,0.000009376974,0.00001689623,0.009546476],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8620839,"threshold_uncertainty_score":0.9997213,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2360093641","doi":"10.7203/celestinesca.39.20184","title":"Las dos celestinas de <i>Las galas del difunto</i> de Valle-Inclán","year":2015,"lang":"es","type":"article","venue":"Celestinesca","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Manitoba","funders":"","keywords":"Humanities; Art","authors":[{"name":"Enrique Fernández Rivera","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02514408601504576,"gpt":0.2378655064638167,"spread":0.212721420448771,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.001149668,0.001354906,0.001185103,0.0004044621,0.0009446371,0.002965152,0.001370154,0.000828483,0.001035054],"category_scores_gemma":[0.0009349033,0.001326804,0.0004735784,0.000282104,0.0007828888,0.000814701,0.0005670784,0.001223098,0.001499662],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006356785,"about_ca_system_score_gemma":0.001462013,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003536725,"about_ca_topic_score_gemma":0.001323737,"domain_scores_codex":[0.9935264,0.0005044085,0.001180717,0.001333547,0.001167174,0.002287776],"domain_scores_gemma":[0.9947334,0.0005071097,0.0005933642,0.001439286,0.001274509,0.001452342],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0006628879,0.001862507,0.03618867,0.0017824,0.0005030383,0.001636003,0.06632811,0.0008170863,0.02476579,0.5925921,0.2696705,0.0031909],"study_design_scores_gemma":[0.002748213,0.0006954664,0.01383395,0.001196374,0.0004962828,0.0004025945,0.0006645248,0.00463208,0.0009472529,0.006012619,0.9663777,0.001992889],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8332276,0.01162013,0.0005681329,0.00143613,0.001938499,0.0009360749,0.0003962576,0.0009366359,0.1489405],"genre_scores_gemma":[0.9259968,0.0002360093,0.002609359,0.0008328978,0.005845553,0.0001291837,0.0002056259,0.0003865563,0.06375802],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6967072,"threshold_uncertainty_score":0.9999202,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4206230670","doi":"10.7203/celestinesca.45.21331","title":"<i>La Celestina</i> en la democracia. Adaptación, censura y recepción de la recreación cinematográfica de Gerardo Vera","year":2021,"lang":"es","type":"article","venue":"Celestinesca","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Humanities; Art","authors":[{"name":"José Eduardo Villalobos Graillet","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0117014805950398,"gpt":0.2425535731475124,"spread":0.2308520925524726,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001860599,0.001079387,0.001234406,0.0002648767,0.001288587,0.002926199,0.0008479211,0.0009692172,0.003268498],"category_scores_gemma":[0.002142632,0.001103168,0.0006479447,0.0004243049,0.0008879479,0.0006160167,0.0004353927,0.001323874,0.0006438814],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002761999,"about_ca_system_score_gemma":0.00124605,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001797735,"about_ca_topic_score_gemma":0.0005055399,"domain_scores_codex":[0.9931242,0.002190834,0.00113475,0.001251709,0.0007907497,0.00150772],"domain_scores_gemma":[0.9947662,0.002057482,0.0005062768,0.001105991,0.000885108,0.000678892],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002339961,0.001583664,0.00750565,0.001393524,0.0005852152,0.008650857,0.0153458,0.00007255555,0.07117566,0.6417484,0.2400239,0.01168079],"study_design_scores_gemma":[0.001357981,0.0001423884,0.03239144,0.001106271,0.0006113676,0.002687734,0.001484107,0.0002571497,0.002771023,0.002515328,0.9533148,0.001360376],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6394366,0.008053049,0.0001511945,0.00150498,0.001195199,0.0004634518,0.0002702927,0.0006180138,0.3483072],"genre_scores_gemma":[0.9582341,0.003825109,0.002314604,0.0005154432,0.003669854,0.0001031774,0.0002927066,0.0002657935,0.03077926],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.713291,"threshold_uncertainty_score":0.9991419,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4390950818","doi":"10.7203/celestinesca.47.27563","title":"François-Xavier Guerry, <i>L’Érotisme dans la littérature espagnole du XVIe siècle: Étude des continuations de \"La Célestine\"</i>, Études et essais sur la Renaissance, n° 132, Paris, Classiques Garnier, 2023","year":2023,"lang":"fr","type":"article","venue":"Celestinesca","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Manitoba","funders":"","keywords":"Art; Humanities","authors":[{"name":"Enrique Fernández","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01282095176797417,"gpt":0.2396417402678211,"spread":0.226820788499847,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.001796529,0.001404297,0.00130665,0.0003664188,0.001962716,0.002586368,0.001034682,0.001477224,0.0008638189],"category_scores_gemma":[0.001100096,0.001276539,0.0006521681,0.001390249,0.004126713,0.001296309,0.0003285719,0.001959912,0.0003841372],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001837584,"about_ca_system_score_gemma":0.0006288129,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003404217,"about_ca_topic_score_gemma":0.007285682,"domain_scores_codex":[0.9931186,0.00170004,0.001268127,0.001362742,0.00084917,0.001701342],"domain_scores_gemma":[0.9946281,0.002042215,0.0006364132,0.00106213,0.001022159,0.0006089392],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007302314,0.0006676514,0.003660302,0.000745583,0.0002749631,0.0007806317,0.0156221,0.00029421,0.009911107,0.3468202,0.6168615,0.004288753],"study_design_scores_gemma":[0.001360208,0.000194197,0.07896225,0.002966026,0.0004267239,0.000300799,0.001076791,0.0004205102,0.0004224437,0.004380801,0.9081329,0.001356391],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1076696,0.1733073,0.0002819882,0.01127864,0.002408004,0.001610125,0.001946198,0.001931225,0.699567],"genre_scores_gemma":[0.7089342,0.03691657,0.001120323,0.0008209641,0.004682791,0.0007887544,0.001533635,0.0004350302,0.2447678],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.6012646,"threshold_uncertainty_score":0.9998707,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2998174999","doi":"10.7203/celestinesca.43.20247","title":"<i>La Celestina</i> en la Transición. Censura, polémica e interpretación de la recreación telefílmica de Juan Guerrero Zamora","year":2019,"lang":"es","type":"article","venue":"Celestinesca","topic":"Media, Journalism, and Communication History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Humanities; Art","authors":[{"name":"José Eduardo Villalobos Graillet","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01040773638856131,"gpt":0.2385650217094987,"spread":0.2281572853209374,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002290138,0.0009729589,0.001143759,0.0005097116,0.0007432394,0.0008904826,0.001885163,0.0007275752,0.002506302],"category_scores_gemma":[0.0005673299,0.000980904,0.0006117315,0.0002098032,0.001490004,0.0004409248,0.0002571298,0.001824301,0.0006852628],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004855362,"about_ca_system_score_gemma":0.0009740627,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000213393,"about_ca_topic_score_gemma":0.0001657568,"domain_scores_codex":[0.9929374,0.003055505,0.001270221,0.000835909,0.0006568359,0.001244073],"domain_scores_gemma":[0.9930698,0.003414206,0.000695068,0.00173303,0.0003666581,0.0007212906],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0008419055,0.002227766,0.007277553,0.002099425,0.0006822055,0.0005923079,0.168892,0.0001377411,0.1513048,0.535669,0.08426572,0.0460096],"study_design_scores_gemma":[0.001536369,0.0002604886,0.008399392,0.001528807,0.0003872142,0.0006697649,0.001455263,0.0009114532,0.000516671,0.001463131,0.981666,0.001205412],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6412979,0.008549213,0.0001762406,0.001256994,0.001138598,0.0005934332,0.0001842258,0.0004065863,0.3463968],"genre_scores_gemma":[0.9769838,0.004007065,0.001080294,0.0006078375,0.001358306,0.00008327006,0.0001273525,0.0002622167,0.0154899],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8974003,"threshold_uncertainty_score":0.9992641,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2997106884","doi":"10.7203/celestinesca.43.20240","title":"El amor cristiano en la <i>Tragicomedia</i> de Fernando de Rojas y en la <i>Segunda Celestina</i> de Feliciano de Silva","year":2019,"lang":"es","type":"article","venue":"Celestinesca","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Petre Ene","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.007850213457950339,"gpt":0.2264128034111158,"spread":0.2185625899531654,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.003053616,0.002420932,0.002329259,0.0008082448,0.001337288,0.004353086,0.002819717,0.002063351,0.002139176],"category_scores_gemma":[0.001750074,0.002486006,0.001060673,0.0005329499,0.001344355,0.001150529,0.0008348444,0.002678072,0.001556038],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001375697,"about_ca_system_score_gemma":0.002844746,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004330237,"about_ca_topic_score_gemma":0.001794167,"domain_scores_codex":[0.9875892,0.002310404,0.002006337,0.002301482,0.001594141,0.004198384],"domain_scores_gemma":[0.9903162,0.003667726,0.001127165,0.002260251,0.0009190525,0.00170965],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0008985582,0.002292544,0.03507779,0.003510943,0.0008709111,0.00311418,0.07254182,0.0008038817,0.4158533,0.3803325,0.07907777,0.005625875],"study_design_scores_gemma":[0.004092302,0.0006462569,0.08468924,0.002262841,0.0008892801,0.001140107,0.000489034,0.003098116,0.002247257,0.003726987,0.893656,0.003062564],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8855629,0.01040361,0.0006660627,0.001556969,0.001844898,0.001653634,0.001073039,0.00109366,0.09614521],"genre_scores_gemma":[0.9308543,0.001319443,0.003857194,0.001422032,0.006680395,0.0002914133,0.0004504266,0.0007995603,0.05432519],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8145782,"threshold_uncertainty_score":0.9999628,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4390950878","doi":"10.7203/celestinesca.47.26729","title":"La influencia en los espectadores de la fama de las actrices que encarnaron a Celestina","year":2023,"lang":"es","type":"article","venue":"Celestinesca","topic":"Media, Journalism, and Communication History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Manitoba","funders":"","keywords":"Humanities; Art; Persona","authors":[{"name":"Enrique Fernández","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01580760554054218,"gpt":0.2754819140439133,"spread":0.2596743085033711,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.001559943,0.0004089294,0.0004276253,0.0004750426,0.0007581469,0.0007167332,0.0009614638,0.0003232507,0.0006139504],"category_scores_gemma":[0.0009183544,0.0003975467,0.0002057709,0.0002606432,0.0006537961,0.000267198,0.0002023933,0.001014156,0.0004107493],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003298059,"about_ca_system_score_gemma":0.0007864618,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0009123703,"about_ca_topic_score_gemma":0.0004415367,"domain_scores_codex":[0.9966243,0.001410016,0.0005540097,0.0003456266,0.0003921995,0.0006738814],"domain_scores_gemma":[0.9958991,0.002617191,0.0003679371,0.0006055906,0.0001904317,0.0003197258],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002345442,0.0009356245,0.06633718,0.002238378,0.0003569467,0.001629017,0.3360284,0.0004590298,0.01296976,0.3439318,0.1964469,0.03843242],"study_design_scores_gemma":[0.0006448047,0.0001164635,0.06473208,0.0006725987,0.0001646752,0.0001819951,0.007156467,0.0006633918,0.0003680942,0.00266593,0.9220454,0.0005880715],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8672057,0.005177001,0.00001657063,0.0005877803,0.0003254288,0.000194911,0.00006007242,0.0004318024,0.1260007],"genre_scores_gemma":[0.9836231,0.003939301,0.0002014247,0.0003011467,0.001570102,0.00008057477,0.00003955375,0.00009128182,0.01015352],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7255986,"threshold_uncertainty_score":0.9998477,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2975308580","doi":"10.7203/celestinesca.42.20218","title":"<i>«Celestina», a Tragic Music Comedy</i> de Brad Bond. Creación y evolución de un musical de Broadway","year":2018,"lang":"es","type":"article","venue":"Celestinesca","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Manitoba","funders":"","keywords":"Art; Humanities; Comedy; Musical; Art history; Literature","authors":[{"name":"Enrique Fernández","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0224266026566848,"gpt":0.2379449285382466,"spread":0.2155183258815618,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0008498601,0.001079921,0.001026482,0.0005020265,0.001718653,0.001428285,0.000988884,0.0005078111,0.005396885],"category_scores_gemma":[0.0006954623,0.001111809,0.0005040496,0.0003812276,0.002095269,0.0006567904,0.0001691944,0.0007316644,0.0008023823],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004004796,"about_ca_system_score_gemma":0.001063158,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00046527,"about_ca_topic_score_gemma":0.0009823043,"domain_scores_codex":[0.9940497,0.0005143535,0.00122602,0.001203192,0.0007569704,0.002249786],"domain_scores_gemma":[0.9958624,0.0009355322,0.0003787805,0.001053691,0.0007669243,0.001002621],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004672969,0.002000884,0.004592356,0.001159214,0.0003063999,0.0008893085,0.1246304,0.00002983661,0.0193706,0.6984354,0.1307941,0.01732427],"study_design_scores_gemma":[0.002581718,0.001053299,0.07232968,0.0009530006,0.0006146549,0.0007319002,0.001452993,0.007310799,0.0007083995,0.009677671,0.9008854,0.001700476],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9096261,0.004842798,0.0008377063,0.001038719,0.001304408,0.0006420847,0.000298455,0.0006263414,0.08078337],"genre_scores_gemma":[0.9693035,0.0002056673,0.002683828,0.00245082,0.009754715,0.0001083637,0.0002017908,0.0002656159,0.01502569],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7700913,"threshold_uncertainty_score":0.9999756,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}