{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":13,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":13,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"f3e87dfcafe1","filters":{"venue":"Cervantes Bulletin of the Cervantes Society of America"}},"results":[{"id":"W199572752","doi":"10.3138/cervantes.24.1.119","title":"Fashioning Identities in “El licenciado Vidriera”","year":2004,"lang":"es","type":"article","venue":"Cervantes Bulletin of the Cervantes Society of America","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Elaine Bunn","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008872707200889837,"gpt":0.2190357034552249,"spread":0.2101629962543351,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001748792,0.0003971633,0.0002442908,0.0005685643,0.008787764,0.008284959,0.0007124019,0.001704581,0.007470593],"category_scores_gemma":[0.002937476,0.0002990276,0.0002923202,0.0004464234,0.01600991,0.004265985,0.003686916,0.003325614,0.001421282],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003825768,"about_ca_system_score_gemma":0.001114784,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009090237,"about_ca_topic_score_gemma":0.0173686,"domain_scores_codex":[0.9969893,0.002087599,0.00004274156,0.0002345,0.0003395449,0.00030632],"domain_scores_gemma":[0.9988974,0.0003145234,0.0001904427,0.0001799634,0.0001737013,0.0002438719],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009045214,0.00003552404,0.002093642,0.00005344999,0.000007602773,0.0006581005,0.3577815,0.0001037186,0.0006144344,0.6207302,0.0085076,0.009323708],"study_design_scores_gemma":[0.00002124396,0.0001034247,0.00552586,0.0002048999,0.00002126382,0.001316998,0.3254565,0.0005293492,0.001200703,0.04939999,0.6161596,0.00006023122],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2471148,0.001798327,0.006711013,0.01158272,0.0006872676,0.00002048015,0.00003864423,0.00006791101,0.731979],"genre_scores_gemma":[0.9512314,0.000309995,0.0005579037,0.0004576163,0.000062672,0.00000911185,0.0000163965,0.00004780254,0.04730709],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.009090237,"threshold_uncertainty_score":0.027758,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4396630114","doi":"10.3138/cervantes.43.2.198","title":"Frederick A. de Armas and James Mandrell, eds. <i>The Gastronomical Arts in Spain: Food and Etiquette.</i> Toronto: U of Toronto P, 2022. 288 pp. ISBN-13: 9781487540524.","year":2023,"lang":"en","type":"article","venue":"Cervantes Bulletin of the Cervantes Society of America","topic":"Culinary Culture and Tourism","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Etiquette; The arts; Humanities; Art; Sociology; Political science; Visual arts; Law","authors":[{"name":"Víctor Sierra Matute","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009459659927715677,"gpt":0.2036300879622782,"spread":0.1941704280345625,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001069223,0.002716686,0.001634989,0.002562117,0.000777326,0.00311478,0.001272751,0.001573971,0.05824686],"category_scores_gemma":[0.002174238,0.001164252,0.0007393989,0.003217567,0.0006777754,0.004146265,0.001107723,0.002006272,0.05092986],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001278525,"about_ca_system_score_gemma":0.002971524,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02760219,"about_ca_topic_score_gemma":0.04189064,"domain_scores_codex":[0.9995013,0.00008694423,0.00005512042,0.00007927801,0.0002236089,0.00005358911],"domain_scores_gemma":[0.9986385,0.0004648324,0.0001381799,0.00004411031,0.0005292932,0.0001850567],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008352257,0.00002746761,0.0003317667,0.001517302,0.00001606275,0.00007536178,0.0003783616,0.0001579207,0.0002356746,0.001000704,0.7759566,0.2202193],"study_design_scores_gemma":[0.000008019179,0.00001520892,0.001638619,0.001703843,0.00002096479,0.0003690251,0.000422784,0.00007707966,0.0002162268,0.0008972585,0.9946155,0.00001542074],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0003895188,0.9641057,0.0008523547,0.005178893,0.005654115,0.00001533988,0.0005311752,0.0001730064,0.02309997],"genre_scores_gemma":[0.003016833,0.9150537,0.001802539,0.0007964317,0.001878349,0.00002705393,0.0006887256,0.0001614404,0.07657495],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.05824686,"threshold_uncertainty_score":0.1948552,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3125373514","doi":"10.1353/cer.2020.0009","title":"Kid Quixotes: A Group of Students, Their Teachers, and the One-Room School Where Everything Is Possible by Stephen Haff","year":2020,"lang":"en","type":"article","venue":"Cervantes Bulletin of the Cervantes Society of America","topic":"Literature, Magical Realism, García Márquez","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Paradise; Musical; Psychology; Sociology; History; Art; Literature; Art history","authors":[{"name":"Rogelio Miñana","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01558521427592722,"gpt":0.2147003504412669,"spread":0.1991151361653397,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008254522,0.001060021,0.000532277,0.0007014578,0.002677556,0.002834382,0.0007053639,0.001537604,0.08497487],"category_scores_gemma":[0.001508904,0.0004242352,0.0002621378,0.0007451973,0.001193922,0.004114048,0.003170945,0.002465912,0.02798672],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0009511794,"about_ca_system_score_gemma":0.002141844,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004871266,"about_ca_topic_score_gemma":0.0118365,"domain_scores_codex":[0.9994248,0.0001172758,0.00003523681,0.0001344641,0.0002244637,0.00006373192],"domain_scores_gemma":[0.9993724,0.00007515251,0.00004697733,0.00002046362,0.0002495564,0.0002353995],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"qualitative","study_design_scores_codex":[0.00001893467,0.00003810403,0.0002942479,0.0002496526,0.00000202582,0.0001264105,0.002969689,0.00001841944,0.0003708761,0.001950412,0.9129323,0.08102904],"study_design_scores_gemma":[0.000001833606,0.00001757391,0.0005123699,0.0002384497,0.000001224906,0.00012776,0.001874155,0.000005334324,0.00004007452,0.0001075511,0.9970703,0.000003250762],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01453843,0.2990079,0.002969971,0.1243565,0.08882055,0.0005647375,0.0007111906,0.0008245833,0.468206],"genre_scores_gemma":[0.02336788,0.06137381,0.001716194,0.01207729,0.004024168,0.0003240674,0.0004785213,0.0003029822,0.8963351],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.08497487,"threshold_uncertainty_score":0.2842693,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W338919513","doi":"10.3138/cervantes.23.1.006","title":"Jay: Partner, Friend, and Father","year":2003,"lang":"en","type":"article","venue":"Cervantes Bulletin of the Cervantes Society of America","topic":"Theater, Performance, and Music History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Guitar; Conversation; Sociology; Media studies; Art history; History; Art; Management; Communication","authors":[{"name":"Patricia S. Finch","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01397345941724771,"gpt":0.1910721137272752,"spread":0.1770986543100275,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001408724,0.001324357,0.0009107955,0.0008852193,0.01220748,0.003864896,0.001580016,0.002140228,0.04298387],"category_scores_gemma":[0.004009337,0.0007057576,0.0002762777,0.0005558859,0.001540675,0.005686452,0.003947298,0.007798503,0.01856217],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001446067,"about_ca_system_score_gemma":0.004056036,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007824868,"about_ca_topic_score_gemma":0.01529084,"domain_scores_codex":[0.9984698,0.0004351688,0.00004261319,0.0003146629,0.0003950353,0.0003426877],"domain_scores_gemma":[0.9948779,0.0001539428,0.0002046276,0.00009611021,0.0008744381,0.003792949],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006643011,0.0004334118,0.005862317,0.0002755225,0.00002679901,0.01497087,0.04467862,0.00006723683,0.001704793,0.01254965,0.847487,0.0718773],"study_design_scores_gemma":[0.000007004025,0.0001357427,0.002091139,0.0003352188,0.00001356364,0.02718303,0.05386031,0.00008043954,0.0004985708,0.00122087,0.9145001,0.00007397037],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.1691597,0.05633179,0.009741627,0.4049829,0.03937206,0.0004371447,0.002660858,0.002481146,0.3148327],"genre_scores_gemma":[0.2831219,0.02184366,0.006889036,0.09788591,0.002549394,0.0002525227,0.0005976884,0.0009982596,0.5858616],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04298387,"threshold_uncertainty_score":0.1437953,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4379518348","doi":"10.3138/cervantes.26.1.303","title":"Frederick A. De Armas. <i>Quixotic Frescoes: Cervantes and Italian Renaissance Art.</i> Toronto: University of Toronto Press, 2006. 285 pp. ISBN: 0-8020-9074-5.","year":2006,"lang":"en","type":"article","venue":"Cervantes Bulletin of the Cervantes Society of America","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Fresco; The Renaissance; Art; Art history; Humanities; Painting","authors":[{"name":"Michael Scham","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.007194309844997773,"gpt":0.1759457432377423,"spread":0.1687514333927446,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004881202,0.001143747,0.0004657127,0.003392681,0.001857182,0.0022031,0.000861679,0.001496513,0.07974743],"category_scores_gemma":[0.001396112,0.0005107431,0.0002766628,0.003234153,0.001246017,0.004421889,0.0009174153,0.001356862,0.02892563],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002863205,"about_ca_system_score_gemma":0.00170133,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.08932758,"about_ca_topic_score_gemma":0.2350339,"domain_scores_codex":[0.9997794,0.00003587204,0.00001587613,0.00003626085,0.00009698347,0.00003563735],"domain_scores_gemma":[0.9995041,0.0001793161,0.00004644495,0.00002555783,0.0001898252,0.0000547779],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003431071,0.000007326255,0.0002446735,0.0004300137,0.00000434246,0.0000680167,0.001756201,0.00004116853,0.0001532469,0.006534157,0.881761,0.1089654],"study_design_scores_gemma":[0.000003704707,0.000004084192,0.001750939,0.0005388564,0.000004408528,0.0001174444,0.0007848308,0.00001665685,0.0001090038,0.00152093,0.9951431,0.000006018335],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.001063066,0.8163918,0.0006377351,0.01567721,0.003376018,0.00001933499,0.0007957941,0.0001949159,0.1618441],"genre_scores_gemma":[0.02386447,0.568213,0.001926943,0.002570449,0.002256932,0.00003759539,0.0007992279,0.0002974966,0.4000338],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.08932758,"threshold_uncertainty_score":0.2667817,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4391410757","doi":"10.3138/cervantes.43.1.212","title":"Catherine Infante. <i>The Arts of Encounter: Christians, Muslims, and the Power of Images in Early Modern Spain.</i> Toronto: U of Toronto P, 2022. 264 pp. ISBN: 978-1-4875-0930-9.","year":2023,"lang":"en","type":"article","venue":"Cervantes Bulletin of the Cervantes Society of America","topic":"Historical and Linguistic Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"The arts; Power (physics); Sociology; Media studies; Art; Visual arts; Physics","authors":[{"name":"Paul Michael Johnson","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.007999759440352378,"gpt":0.2418219044242037,"spread":0.2338221449838513,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005121764,0.001195149,0.0005016152,0.001921125,0.001799364,0.002876215,0.001004545,0.001731855,0.05171708],"category_scores_gemma":[0.001464095,0.0005489643,0.0002245724,0.002901005,0.001265928,0.004094357,0.001481933,0.001811099,0.01799233],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00197076,"about_ca_system_score_gemma":0.001614245,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06921504,"about_ca_topic_score_gemma":0.1739664,"domain_scores_codex":[0.9997225,0.00007630769,0.00001963496,0.0000383257,0.0001025167,0.00004066426],"domain_scores_gemma":[0.9992031,0.0003114368,0.00006547348,0.00002948943,0.0002556842,0.00013474],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002785131,0.000005097939,0.000175104,0.0005216114,0.000004069066,0.00008748544,0.002025658,0.00002117859,0.00009506295,0.002275313,0.9311198,0.06364185],"study_design_scores_gemma":[0.000003620409,0.000005561072,0.001663663,0.000939982,0.000003644992,0.0002043897,0.003900195,0.00001396456,0.00009878202,0.0008212582,0.9923385,0.000006416125],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.000708413,0.9092904,0.0002257902,0.02168624,0.004822071,0.00001787987,0.0004070588,0.000100929,0.06274118],"genre_scores_gemma":[0.02472202,0.5627294,0.0009304242,0.007204295,0.002874052,0.00004928399,0.0005353231,0.0002597026,0.4006955],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.06921504,"threshold_uncertainty_score":0.1730108,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W49644510","doi":"10.3138/cervantes.26.1.127","title":"Don Quixote: 400 Years on the Road","year":2006,"lang":"en","type":"article","venue":"Cervantes Bulletin of the Cervantes Society of America","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Order (exchange); Pronunciation; History; Classics; Art history; Media studies; Art; Sociology; Philosophy; Linguistics","authors":[{"name":"Barbara Nichol","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0109817649450092,"gpt":0.1876158099495672,"spread":0.176634045004558,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004413318,0.0003937394,0.0003765905,0.0005596789,0.007486875,0.002757313,0.0004186628,0.001158037,0.3307202],"category_scores_gemma":[0.002309548,0.0003343296,0.000126385,0.0004886336,0.001097593,0.002621359,0.002134001,0.00161588,0.04810407],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002083429,"about_ca_system_score_gemma":0.00168825,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02238484,"about_ca_topic_score_gemma":0.08544638,"domain_scores_codex":[0.999621,0.00005232563,0.000008912607,0.00009671993,0.0001401383,0.00008086458],"domain_scores_gemma":[0.999424,0.00005414096,0.00002471863,0.00002599275,0.0001674448,0.0003038845],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007053917,0.00002431947,0.001086171,0.00007776853,0.000001448017,0.0004608758,0.00577839,0.000007897718,0.0002993305,0.006474006,0.9481943,0.0375249],"study_design_scores_gemma":[0.000002376621,0.00001142533,0.0009617956,0.00006470489,5.673584e-7,0.0001163555,0.003845612,0.000004156376,0.00002726716,0.0002076267,0.9947554,0.000002742443],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.02746926,0.009027675,0.000626883,0.07795452,0.01674441,0.0001536496,0.001139593,0.0005050701,0.8663788],"genre_scores_gemma":[0.01937955,0.0009159849,0.0001455019,0.002803522,0.0003428823,0.00002624034,0.0001146238,0.00009288983,0.9761789],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.3307202,"threshold_uncertainty_score":0.9546465,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4379511815","doi":"10.3138/cervantes.36.2.187","title":"<i>The Eduardo Urbina Cervantes Collection in the Cushing Memorial Library and Archives, Texas A&amp;M University Libraries</i>. Vigo: Academia del Hispanismo, 2010. 236 pp. ISBN 978-84-96915-89-3.","year":2016,"lang":"en","type":"article","venue":"Cervantes Bulletin of the Cervantes Society of America","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary","funders":"","keywords":"Library science; Art; Humanities; Computer science","authors":[{"name":"Rachel Schmidt","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0105623705103043,"gpt":0.17685636264097,"spread":0.1662939921306657,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005701043,0.0009787519,0.0005448582,0.003921842,0.002113047,0.005000009,0.0007934523,0.0009125251,0.08455755],"category_scores_gemma":[0.001872449,0.0005196718,0.0002001688,0.007935767,0.001238632,0.004227791,0.002234565,0.001110216,0.03135458],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003479524,"about_ca_system_score_gemma":0.002808247,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04869178,"about_ca_topic_score_gemma":0.1235248,"domain_scores_codex":[0.9996473,0.00006010007,0.00003026797,0.00005970087,0.0001656835,0.00003704198],"domain_scores_gemma":[0.9993153,0.0002140412,0.00008996997,0.00006286944,0.0002121168,0.0001056694],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001403985,0.000004205328,0.0001869948,0.0003164339,0.00000232026,0.00003566778,0.001004906,0.00001742751,0.00008970062,0.003540119,0.9257929,0.06899527],"study_design_scores_gemma":[6.330167e-7,9.764623e-7,0.0005728486,0.0002762642,0.000001374108,0.00004376866,0.0004059108,0.000002607512,0.00003668123,0.0002512739,0.9984059,0.000001918988],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.001856864,0.6515375,0.0005062421,0.01903894,0.00769642,0.00003711697,0.003846667,0.0004080564,0.3150721],"genre_scores_gemma":[0.01841519,0.27123,0.001361196,0.002672571,0.003424518,0.00005505832,0.003512572,0.0007034807,0.6986253],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.08455755,"threshold_uncertainty_score":0.2828732,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4379518323","doi":"10.3138/cervantes.27.2.241","title":"William Childers. <i>Transnational Cervantes</i>. Toronto: U of Toronto P, 2006. xxi + 310 pp. ISBN 978-0-8020-9045-4.","year":2007,"lang":"en","type":"article","venue":"Cervantes Bulletin of the Cervantes Society of America","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Media studies; Humanities; History; Art; Sociology","authors":[{"name":"Edward Friedman","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008483321689786032,"gpt":0.2097652890509688,"spread":0.2012819673611827,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006428295,0.001557895,0.0005499531,0.003266845,0.002521458,0.002828902,0.0009400808,0.00152286,0.09737841],"category_scores_gemma":[0.001437265,0.0009978286,0.0002340691,0.006515686,0.00142101,0.004376407,0.001627641,0.001844409,0.04338964],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004590757,"about_ca_system_score_gemma":0.005239083,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2901942,"about_ca_topic_score_gemma":0.5535461,"domain_scores_codex":[0.9995885,0.00006378261,0.00003760781,0.00007822519,0.0001722669,0.00005944263],"domain_scores_gemma":[0.9993794,0.0001212943,0.00005884523,0.00004093902,0.0002764637,0.0001229579],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001383084,0.00000283879,0.0001111297,0.0003408713,0.000002346242,0.00004775466,0.001213709,0.00002689263,0.00007801762,0.004214413,0.93581,0.05813823],"study_design_scores_gemma":[0.000001328543,0.000001385531,0.000453895,0.0002984111,0.000001615969,0.00005006651,0.0006359912,0.000004431213,0.0000480687,0.0004623357,0.9980388,0.000003639969],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0006078451,0.805564,0.0005779719,0.01425052,0.003941766,0.00002608304,0.002415916,0.0002838694,0.172332],"genre_scores_gemma":[0.009003886,0.4500271,0.001279111,0.001765423,0.0007407397,0.00003550112,0.001342819,0.0004710539,0.5353343],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.2901942,"threshold_uncertainty_score":0.5770103,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2788603517","doi":"10.1353/cer.2017.0024","title":"Ficino in Spain by Susan Byrne","year":2017,"lang":"en","type":"article","venue":"Cervantes Bulletin of the Cervantes Society of America","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Fifteenth; Humanism; Classics; History; Literature; Art history; Art; Philosophy; Theology","authors":[{"name":"Michael J. Allen","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01388133638745702,"gpt":0.2151136226606076,"spread":0.2012322862731506,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008864343,0.0007804909,0.0006658559,0.00183563,0.002029191,0.004282558,0.0006416708,0.001541147,0.0469549],"category_scores_gemma":[0.002267537,0.0002389066,0.0002463432,0.001473972,0.001193628,0.002278869,0.002374925,0.002229143,0.02371419],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002615501,"about_ca_system_score_gemma":0.002122558,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009248323,"about_ca_topic_score_gemma":0.01232301,"domain_scores_codex":[0.9993194,0.0001484255,0.00002716777,0.0001326499,0.000286091,0.00008616108],"domain_scores_gemma":[0.9991831,0.0001463275,0.00006909425,0.00002782602,0.0003908156,0.0001828735],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000009721477,0.000006033767,0.0001186252,0.0002224815,0.00000230941,0.00008145517,0.0006803261,0.00001899034,0.00006000975,0.002705945,0.9626073,0.03348664],"study_design_scores_gemma":[7.839339e-7,0.000001230361,0.0001775068,0.0001680493,7.003501e-7,0.00007158025,0.0003244557,0.00000300109,0.00001263192,0.0001371708,0.9991009,0.000002014702],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.001950305,0.5545591,0.0002957782,0.1156713,0.09484956,0.00003655413,0.0002830554,0.0001576482,0.2321966],"genre_scores_gemma":[0.0272716,0.1950811,0.0005082774,0.0407309,0.03025301,0.00006630884,0.000418619,0.0003032476,0.7053669],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.0469549,"threshold_uncertainty_score":0.1570798,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4379531364","doi":"10.3138/cervantes.36.2.033","title":"El horizonte de cambio del cervantismo","year":2016,"lang":"es","type":"article","venue":"Cervantes Bulletin of the Cervantes Society of America","topic":"Social Sciences and Policies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Humanities; Art","authors":[{"name":"Lizandro Arbolay Alfonso","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01247591837174832,"gpt":0.2771507922891859,"spread":0.2646748739174375,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005162549,0.000545904,0.0006939347,0.001522337,0.002985624,0.007941325,0.001440086,0.00530107,0.03204416],"category_scores_gemma":[0.008070805,0.0005203758,0.0006598268,0.001351015,0.005805435,0.006272149,0.004346344,0.009789995,0.002677348],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0122959,"about_ca_system_score_gemma":0.01328685,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03054234,"about_ca_topic_score_gemma":0.04022715,"domain_scores_codex":[0.9970963,0.0008717192,0.00009369406,0.0004107452,0.0009395879,0.0005880006],"domain_scores_gemma":[0.99731,0.0009328249,0.0001914164,0.00039746,0.0007708212,0.0003974291],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0003976968,0.0001665276,0.003240153,0.0006351497,0.0000205556,0.0006051529,0.009251623,0.0003351867,0.001188406,0.7768385,0.07624143,0.1310796],"study_design_scores_gemma":[0.00004771322,0.00003738342,0.003880861,0.0007367746,0.00001517377,0.0001616328,0.003485219,0.0001224964,0.0004180155,0.0176848,0.9733898,0.0000202862],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.07656569,0.04791156,0.003143482,0.1533059,0.01204431,0.00009142572,0.0009978776,0.0003579916,0.7055818],"genre_scores_gemma":[0.5575758,0.03507717,0.004234884,0.02134983,0.00580338,0.0001928505,0.0008382805,0.0002453668,0.3746824],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03204416,"threshold_uncertainty_score":0.1071984,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4406155968","doi":"10.3138/cer-2023-0013","title":"<i>Labradores ricos</i>, <i>asalariados</i>, and <i>hidalgos</i>: Class Tension and Institutional Betrayal in the Episode of Andrés and Juan Haldudo (<i>Don Quixote</i> 1.4 and 1.31)","year":2024,"lang":"en","type":"article","venue":"Cervantes Bulletin of the Cervantes Society of America","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary","funders":"","keywords":"Betrayal; Class (philosophy); Humanities; Philosophy; Art; Political science; Law; Epistemology","authors":[{"name":"Rachel Schmidt","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.00931589784105603,"gpt":0.1975250128831534,"spread":0.1882091150420974,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004880504,0.0001851127,0.0001638152,0.0003158037,0.005438305,0.001854407,0.0004110961,0.0007132949,0.002188523],"category_scores_gemma":[0.0006084757,0.0001219041,0.00007056844,0.0003629003,0.005589705,0.0006571083,0.002382262,0.001474276,0.000150008],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004456936,"about_ca_system_score_gemma":0.001271491,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.09041825,"about_ca_topic_score_gemma":0.195682,"domain_scores_codex":[0.9997504,0.0001004104,0.000003711346,0.00001885459,0.00002872082,0.00009785432],"domain_scores_gemma":[0.9998924,0.00003202052,0.00003198912,0.00001049502,0.00001059419,0.00002258411],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001238463,0.00008066731,0.01806289,0.0001347881,0.00001466632,0.003069988,0.7822177,0.0001235318,0.001340968,0.1534417,0.01083789,0.03055135],"study_design_scores_gemma":[0.00001647516,0.00004563459,0.05744765,0.0002303475,0.00001574845,0.0009791015,0.609804,0.00005068965,0.0008596301,0.004014006,0.3265162,0.00002034257],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.879845,0.003802837,0.0001312039,0.004973495,0.0001040407,0.00001286226,0.0000263507,0.000009239968,0.111095],"genre_scores_gemma":[0.9829324,0.001312898,0.00005185496,0.0003960815,0.00002941514,0.000007150823,0.00001151574,0.000006433007,0.01525217],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.09041825,"threshold_uncertainty_score":0.1797839,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4379529945","doi":"10.3138/cervantes.41.1.153","title":"Crafting Factual Narratives: A Genealogy of Miguel de Cervantes’s <i>Información de Argel</i>","year":2021,"lang":"es","type":"article","venue":"Cervantes Bulletin of the Cervantes Society of America","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Brock University","funders":"","keywords":"Narrative; Humanities; Genealogy; Art; Philosophy; Art history; Literature; History","authors":[{"name":"Felipe E. Rúan","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01156568696717942,"gpt":0.2253383834346309,"spread":0.2137726964674515,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004165534,0.0004513743,0.0003152451,0.003975302,0.009023792,0.01126716,0.00146765,0.002180299,0.00848238],"category_scores_gemma":[0.01520409,0.0003876211,0.0002222243,0.003239578,0.02707155,0.009842534,0.004106802,0.00318684,0.0007627909],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007362267,"about_ca_system_score_gemma":0.003634569,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03045884,"about_ca_topic_score_gemma":0.04438763,"domain_scores_codex":[0.9976496,0.001408086,0.00005548383,0.0003572437,0.0002775652,0.0002518908],"domain_scores_gemma":[0.9927285,0.004492124,0.000599735,0.001029592,0.0007966552,0.0003534194],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00001974441,0.00001255378,0.0009499348,0.0000336607,0.000004417383,0.0002776855,0.2925409,0.00007034399,0.0001008171,0.6853739,0.005626006,0.01498999],"study_design_scores_gemma":[0.00001407451,0.00001348041,0.002055074,0.0005902217,0.00001596492,0.0004792354,0.1493195,0.0003036578,0.0004638578,0.1209036,0.7258167,0.00002469193],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1614129,0.008638391,0.01508262,0.04105337,0.0007872249,0.00007036907,0.0003048228,0.0001243325,0.772526],"genre_scores_gemma":[0.9511755,0.002521121,0.003508816,0.001199968,0.0002622235,0.00003873873,0.0001344287,0.0002750774,0.04088401],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03045884,"threshold_uncertainty_score":0.06056309,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}