{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":7,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":7,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"057542029fb6","filters":{"venue":"Ciné-Bulles : Le cinéma d’auteur avant tout"}},"results":[{"id":"W2278343022","doi":"","title":"Un cauchemar bien québécois. Hochelaga de Michel Jetté Hochelaga de Michel Jetté","year":2000,"lang":"fr","type":"article","venue":"Ciné-Bulles : Le cinéma d’auteur avant tout","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Michel foucault; Philosophy; Political science; Politics","authors":[{"name":"Jean-Philippe Gravel","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01492186456320705,"gpt":0.2336350820010662,"spread":0.2187132174378592,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001779027,0.001510186,0.0008072982,0.001317319,0.01550381,0.006996927,0.000832766,0.004620099,0.06007537],"category_scores_gemma":[0.004566439,0.0007497082,0.0004221355,0.00103027,0.003146854,0.003653395,0.002396267,0.008315055,0.009095195],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01618336,"about_ca_system_score_gemma":0.01139457,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.5759608,"about_ca_topic_score_gemma":0.6219555,"domain_scores_codex":[0.997981,0.0006369319,0.00003704525,0.000339396,0.0005613766,0.0004442902],"domain_scores_gemma":[0.9972139,0.0004575736,0.0001236139,0.00008599077,0.001066568,0.001052354],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001082257,0.00005244877,0.001159258,0.000144173,0.0000167965,0.0005580085,0.007411185,0.0001513704,0.001384299,0.05699854,0.9034741,0.0285415],"study_design_scores_gemma":[0.000004142122,0.000005372407,0.001139897,0.00005159368,0.000001755486,0.0000961276,0.001308134,0.0000354884,0.0000969861,0.0003575588,0.9968912,0.00001165553],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.01782484,0.1194956,0.002176003,0.486187,0.06360026,0.0001265801,0.000793129,0.0005343468,0.3092623],"genre_scores_gemma":[0.0850833,0.01620186,0.0007912639,0.02816807,0.007315331,0.00008369014,0.0002034934,0.0003832526,0.8617697],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.4240392,"threshold_uncertainty_score":0.8530729,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1200974542","doi":"","title":"Belle introduction. RUER, Juliette et Jean HAMEL. Générique — Les métiers derrière la création d’un film, Montréal, Éditions INIS et AQTIS, 2006, 167 p.RUER, Juliette et Jean HAMEL. Générique — Les métiers derrière la création d’un film, Montréal, Éditions INIS et AQTIS, 2006, 167 p.","year":2007,"lang":"fr","type":"article","venue":"Ciné-Bulles : Le cinéma d’auteur avant tout","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Éric Perron","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0120912013927263,"gpt":0.2440018061421834,"spread":0.2319106047494571,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009475197,0.001386854,0.0008940149,0.003094313,0.002394339,0.004071187,0.001409868,0.002445259,0.2248762],"category_scores_gemma":[0.003575106,0.0006246777,0.0006703007,0.003847097,0.0009917746,0.003319467,0.001698686,0.003201897,0.09638155],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004252139,"about_ca_system_score_gemma":0.002869945,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.098543,"about_ca_topic_score_gemma":0.1395074,"domain_scores_codex":[0.9993066,0.0001064606,0.00003785748,0.0001187033,0.0003505044,0.00007986663],"domain_scores_gemma":[0.9976673,0.0006246764,0.0001014759,0.00007493568,0.001316349,0.0002153416],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000006709907,0.000007852924,0.00005650413,0.000132578,0.000002046008,0.00001578633,0.0001460394,0.00001428391,0.00004990278,0.002029654,0.9798326,0.01770596],"study_design_scores_gemma":[0.000002647864,0.00000477347,0.0006473402,0.0002124332,0.000002446822,0.00004862507,0.0001486856,0.00001196487,0.00002866432,0.0004526856,0.9984358,0.000003853416],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0006311839,0.4809084,0.001911978,0.07832022,0.05373908,0.0001397026,0.005768842,0.000630733,0.3779499],"genre_scores_gemma":[0.007912492,0.1928582,0.001416118,0.02042227,0.02148642,0.0001926174,0.003561362,0.000467812,0.7516826],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.901457,"threshold_uncertainty_score":0.7522857,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W902450321","doi":"","title":"Attitudes filmiques. Sous la direction de Bruno CARRIÈRE. Métier réalisation, Montréal, Les 400 Coups, 2006, 287 p.Sous la direction de Bruno CARRIÈRE. Métier réalisation, Montréal, Les 400 Coups, 2006, 287 p.","year":2008,"lang":"fr","type":"article","venue":"Ciné-Bulles : Le cinéma d’auteur avant tout","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Zoé Protat","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02273862897271808,"gpt":0.2493516086334185,"spread":0.2266129796607004,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001500403,0.001588271,0.0005987757,0.002155205,0.003020201,0.005182094,0.001621738,0.002783038,0.09261363],"category_scores_gemma":[0.002668011,0.0009552603,0.000421,0.004854224,0.002185452,0.004966348,0.001642224,0.003849639,0.01461286],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01694276,"about_ca_system_score_gemma":0.009830302,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.6902542,"about_ca_topic_score_gemma":0.810326,"domain_scores_codex":[0.9989818,0.0002146542,0.00004383666,0.0001568287,0.0004350827,0.0001678241],"domain_scores_gemma":[0.998301,0.0002749691,0.0001301401,0.00006597906,0.000913855,0.0003140258],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001916007,0.000009173973,0.0002899156,0.0003225865,0.000006741266,0.00003613945,0.001349795,0.00003625267,0.0001698311,0.00455166,0.9496803,0.04352842],"study_design_scores_gemma":[0.00000741195,0.000004752469,0.004149763,0.0004196147,0.000004642147,0.00005310868,0.001091623,0.00003180314,0.00009005472,0.0004591471,0.9936773,0.00001089157],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.00081406,0.8124093,0.0006738961,0.09143537,0.01145833,0.00004022108,0.001911226,0.000197501,0.08106006],"genre_scores_gemma":[0.03330624,0.3437488,0.001928821,0.008315063,0.008404377,0.0001466973,0.001635884,0.0003627308,0.6021514],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.3097458,"threshold_uncertainty_score":0.6231399,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W26987259","doi":"10.1016/j.tins.2016.02.001","title":"Cinéma de la décadence. La Chute d’Oliver Hirschbiegel La Chute d’Oliver Hirschbiegel","year":2005,"lang":"en","type":"article","venue":"Ciné-Bulles : Le cinéma d’auteur avant tout","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Canadian Institutes of Health Research; Bundesministerium für Bildung und Forschung; Deutsche Forschungsgemeinschaft","keywords":"Cadence; Physics; Acoustics","authors":[{"name":"Richard Bégin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01008501539102469,"gpt":0.2249342790232705,"spread":0.2148492636322458,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001913605,0.0006775183,0.0004788705,0.001512138,0.004276318,0.004418416,0.0004982784,0.003426383,0.007860499],"category_scores_gemma":[0.004544282,0.0002034677,0.0003383107,0.0007045983,0.01011646,0.004604755,0.00151064,0.004732435,0.001292302],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006834363,"about_ca_system_score_gemma":0.002795167,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02103451,"about_ca_topic_score_gemma":0.01782143,"domain_scores_codex":[0.9987425,0.0007480491,0.00002610202,0.0001549132,0.0001836416,0.0001448798],"domain_scores_gemma":[0.9978928,0.00137767,0.0001620038,0.00006434282,0.0002937034,0.0002094704],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008095511,0.00002888939,0.0004496345,0.0005053011,0.00001481477,0.0008963499,0.02094891,0.0001542574,0.0003342895,0.5447524,0.3798439,0.0519903],"study_design_scores_gemma":[0.000005781905,0.00001413264,0.000319731,0.0004479677,0.000003559693,0.0006923289,0.002403336,0.00003282821,0.00007179579,0.00951685,0.9864818,0.000009864848],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.005902999,0.5513442,0.001393885,0.301972,0.01978547,0.00001713142,0.00007637351,0.00006437928,0.1194435],"genre_scores_gemma":[0.3889528,0.3154378,0.002221432,0.0879724,0.03675279,0.00007413746,0.00007033372,0.0002040362,0.1683142],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02103451,"threshold_uncertainty_score":0.04958695,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W173842537","doi":"","title":"Le charme discret d’un cinéaste. LA ROCHELLE, Real. Denys Arcand — L’Ange exterminateur, Montréal, Léméac, 2004, 386 p.LA ROCHELLE, Real. Denys Arcand — L’Ange exterminateur, Montréal, Léméac, 2004, 386 p.","year":2005,"lang":"fr","type":"article","venue":"Ciné-Bulles : Le cinéma d’auteur avant tout","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Mathematics","authors":[{"name":"Henri-Paul Chevrier","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01183039597309152,"gpt":0.2409971591083675,"spread":0.229166763135276,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001000646,0.001107235,0.0004619959,0.001641113,0.003554863,0.006686822,0.001033406,0.002708979,0.03837475],"category_scores_gemma":[0.002458678,0.0007723432,0.0003054404,0.002030619,0.00350626,0.006900047,0.0015977,0.003341384,0.008981307],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007042273,"about_ca_system_score_gemma":0.004455665,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1859455,"about_ca_topic_score_gemma":0.3778224,"domain_scores_codex":[0.9993566,0.0002266246,0.00002178645,0.0001112283,0.0002106983,0.00007304618],"domain_scores_gemma":[0.9988956,0.0003798812,0.00006300351,0.00004293124,0.0004264082,0.0001920616],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003608755,0.00001017305,0.0002221434,0.0003743797,0.000007087684,0.00009959408,0.004286461,0.0000329849,0.0003583789,0.02124926,0.9035825,0.06974098],"study_design_scores_gemma":[0.000004069946,0.000003357922,0.001007459,0.0003212817,0.000003790623,0.0001518594,0.001815935,0.00001848917,0.00006405517,0.001223969,0.9953803,0.000005562463],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.000974362,0.8056417,0.0008997778,0.07105273,0.007231945,0.00001709902,0.0002320749,0.0001285705,0.1138217],"genre_scores_gemma":[0.04514653,0.4056079,0.002395248,0.01394752,0.007930663,0.00007034471,0.0003368726,0.0004339863,0.5241309],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.1859455,"threshold_uncertainty_score":0.3697264,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W258616815","doi":"","title":"Aux sources du cinéma québécois. La Trilogie de l’île-aux-Coudres La Trilogie de l’île-aux-Coudres","year":2007,"lang":"fr","type":"article","venue":"Ciné-Bulles : Le cinéma d’auteur avant tout","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Marie Claude Mirandette","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1151824151563523,"gpt":0.3085374229320303,"spread":0.193355007775678,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008887017,0.0006210962,0.0002576014,0.003841631,0.01093592,0.007167384,0.0006256034,0.001119392,0.03897937],"category_scores_gemma":[0.003585398,0.000323401,0.0001957165,0.004955128,0.003135318,0.002913943,0.001859928,0.002909085,0.001574731],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02702307,"about_ca_system_score_gemma":0.01667881,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.8959715,"about_ca_topic_score_gemma":0.964818,"domain_scores_codex":[0.9992917,0.0001931943,0.00001511942,0.00008012941,0.0002737086,0.0001461066],"domain_scores_gemma":[0.9982805,0.0004307528,0.000110161,0.00008450605,0.0007932134,0.0003008738],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001277893,0.00004694402,0.006811477,0.0006237632,0.00003725159,0.001904371,0.3556512,0.0002261523,0.002243705,0.1918225,0.308201,0.1323038],"study_design_scores_gemma":[0.000004252917,0.00000467783,0.008639963,0.0003558921,0.0000114792,0.000217018,0.04030308,0.00008791788,0.0003069282,0.001442528,0.9486097,0.0000167353],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0935677,0.03124411,0.002936175,0.05390315,0.002921102,0.00009503087,0.003488817,0.0001953753,0.8116487],"genre_scores_gemma":[0.5674316,0.01234731,0.001330985,0.002860622,0.0005660503,0.00006388894,0.0009310216,0.0002544936,0.414214],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1040285,"threshold_uncertainty_score":0.2092823,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W295934431","doi":"","title":"Dans l’ombre du temps. BEAULIEU, Étienne. Sang et lumière. La communauté du sacré dans le cinéma québécois, coll. « L’Instant ciné », Québec, L’nstant même, 184 p.BEAULIEU, Étienne. Sang et lumière. La communauté du sacré dans le cinéma québécois, coll. « L’Instant ciné », Québec, L’nstant même, 184 p.","year":2008,"lang":"fr","type":"article","venue":"Ciné-Bulles : Le cinéma d’auteur avant tout","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Nicolas Gendron","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01459922242729808,"gpt":0.2212830295902252,"spread":0.2066838071629271,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001668821,0.001214508,0.00088231,0.002514894,0.005612431,0.00590824,0.00145884,0.004190919,0.03511588],"category_scores_gemma":[0.003979224,0.000823804,0.00038804,0.005182183,0.004028437,0.006868997,0.001467373,0.005869878,0.007307242],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01360819,"about_ca_system_score_gemma":0.01603544,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.6641437,"about_ca_topic_score_gemma":0.8772707,"domain_scores_codex":[0.9987117,0.0003041586,0.00008332618,0.0001632089,0.0005270381,0.0002104941],"domain_scores_gemma":[0.9961831,0.0008325519,0.0001674346,0.0001313619,0.002251993,0.0004335706],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001941575,0.000009440859,0.0004272592,0.0003204724,0.000008629372,0.00005852307,0.002696327,0.00002596086,0.0001039534,0.007150672,0.9485773,0.04060203],"study_design_scores_gemma":[0.000004054528,0.000005273597,0.00232247,0.0005792809,0.000007327658,0.00006898829,0.002084143,0.0000168664,0.00004732312,0.001380579,0.9934753,0.000008429917],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0005008864,0.8485513,0.0003755433,0.09516604,0.01836197,0.00001625013,0.0003889471,0.00004432024,0.03659466],"genre_scores_gemma":[0.03764944,0.5888182,0.001655152,0.04638062,0.01897885,0.0001030789,0.0006696722,0.0002600645,0.3054848],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.3358563,"threshold_uncertainty_score":0.6756684,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}