{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":7,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":7,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"291834d2d1e7","filters":{"venue":"Cinema and Media Studies"}},"results":[{"id":"W4206134672","doi":"10.1093/obo/9780199791286-0344","title":"Film Guilds and Unions","year":2021,"lang":"en","type":"reference-entry","venue":"Cinema and Media Studies","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Craft; Guild; Film industry; Hollywood; Scholarship; Collective bargaining; Political science; Negotiation; Studio; Alliance; Public relations; Law; Movie theater; History; Visual arts; Art","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.07410198022933875,"gpt":0.2699470081058239,"spread":0.1958450278764851,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00428439,0.0004487479,0.0004413046,0.002105482,0.02367236,0.0150348,0.001468501,0.006160446,0.05473015],"category_scores_gemma":[0.01987983,0.000414401,0.0003510219,0.001909355,0.01716707,0.01002492,0.01084018,0.00727341,0.004943768],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006018274,"about_ca_system_score_gemma":0.003876831,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01139918,"about_ca_topic_score_gemma":0.01624109,"domain_scores_codex":[0.9906483,0.003650344,0.0003177356,0.0009626217,0.002051355,0.002369599],"domain_scores_gemma":[0.9858576,0.005331877,0.002494726,0.0006859437,0.001468408,0.004161477],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008428463,0.0001605445,0.01392291,0.0002341048,0.00002118632,0.001117275,0.0861559,0.00006668086,0.0001183771,0.4848533,0.3240367,0.08922871],"study_design_scores_gemma":[0.00001592217,0.00003878379,0.006835294,0.0007652064,0.00001033407,0.000541066,0.07913466,0.00004934373,0.00008576605,0.0203681,0.8921306,0.00002492961],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.05364074,0.01796984,0.0009324331,0.09667495,0.004193942,0.00004483242,0.0001437832,0.00004144369,0.8263581],"genre_scores_gemma":[0.7521909,0.01290866,0.0004539117,0.03710945,0.004483369,0.0001132974,0.0002419653,0.0001347374,0.1923635],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.05473015,"threshold_uncertainty_score":0.1830906,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4234055105","doi":"10.1093/obo/9780199791286-0086","title":"David Cronenberg","year":2014,"lang":"en","type":"reference-entry","venue":"Cinema and Media Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Film director; Movie theater; Theme (computing); Art; Politics; Prestige; Art history; Film studies; Object (grammar); Auteur theory; Literature; Philosophy; Law; Political science","authors":[{"name":"Ernest Mathijs","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05333329779841419,"gpt":0.2706681437965388,"spread":0.2173348459981246,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008310398,0.0007184107,0.0004022112,0.001486454,0.004929883,0.006742195,0.0009033926,0.001932924,0.07686672],"category_scores_gemma":[0.00410587,0.0002802652,0.000204604,0.001123685,0.002084193,0.003499958,0.002386202,0.003527709,0.03365965],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008275256,"about_ca_system_score_gemma":0.007915537,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.07514735,"about_ca_topic_score_gemma":0.1286097,"domain_scores_codex":[0.9985327,0.0002180924,0.00004599155,0.0003935382,0.0006034811,0.0002062642],"domain_scores_gemma":[0.998022,0.0001830947,0.0000979313,0.00008565516,0.0009062155,0.000705108],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001142051,0.000007197174,0.0001454923,0.00005100931,0.000001281816,0.0000654586,0.0003974494,0.00002565313,0.00007594568,0.01721816,0.9497523,0.03224872],"study_design_scores_gemma":[5.944474e-7,0.000001621264,0.00008193836,0.00005084564,3.894899e-7,0.00005446571,0.000145363,0.000009099122,0.00002886199,0.0005706113,0.9990532,0.00000287746],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.00230852,0.1145465,0.001626184,0.1236309,0.03877186,0.00006357437,0.0005643144,0.0003219469,0.7181662],"genre_scores_gemma":[0.01882187,0.03853686,0.0009332791,0.01318626,0.003502409,0.00003735039,0.0002581925,0.0002335119,0.9244903],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.07686672,"threshold_uncertainty_score":0.2571448,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4205877571","doi":"10.1093/obo/9780199791286-0345","title":"Media Ecology","year":2021,"lang":"en","type":"reference-entry","venue":"Cinema and Media Studies","topic":"Media, Communication, and Education","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Media ecology; New media; Scholarship; Mass media; Social media; Media relations; Communication studies; Electronic media; Digital media; The Internet; Ecology; Digitization; Sociology; Media studies; Multimedia; Computer science; Social science; Political science; Telecommunications; Public relations; Law; World Wide Web; Biology","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.1217189400895939,"gpt":0.3908714058527447,"spread":0.2691524657631508,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00180945,0.0008224514,0.0004828732,0.003812766,0.004446336,0.01451368,0.002234648,0.002979932,0.1445491],"category_scores_gemma":[0.007868037,0.0004276995,0.0006231174,0.003667894,0.003857637,0.01259522,0.008510776,0.002527512,0.05334313],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003704783,"about_ca_system_score_gemma":0.00409975,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004015496,"about_ca_topic_score_gemma":0.003115352,"domain_scores_codex":[0.9973316,0.0006975279,0.00014686,0.0005570591,0.0008968,0.0003702074],"domain_scores_gemma":[0.9960616,0.0009990329,0.0002679142,0.0007670766,0.001138446,0.0007659231],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007454403,0.00009141089,0.002107799,0.0004327532,0.00002463759,0.0004692096,0.003440205,0.0005022553,0.0006667052,0.5144258,0.218993,0.2587717],"study_design_scores_gemma":[0.000004539552,0.00001127752,0.0004565076,0.0001621934,0.000004248311,0.000180378,0.0008687456,0.0001688907,0.0001884474,0.0216918,0.9762529,0.00001001886],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.00367335,0.003192226,0.01069327,0.009880501,0.001452027,0.0001717985,0.001043613,0.0007788878,0.9691143],"genre_scores_gemma":[0.1684671,0.01252304,0.01840262,0.01053887,0.003018863,0.0006259076,0.004116426,0.001268447,0.7810387],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1445491,"threshold_uncertainty_score":0.483565,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4205778813","doi":"10.1093/obo/9780199791286-0343","title":"Musicals on Television","year":2021,"lang":"en","type":"reference-entry","venue":"Cinema and Media Studies","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Musical; Variety (cybernetics); Art; Cable television; Visual arts; Media studies; History; Art history; Advertising; Telecommunications; Sociology; Engineering; Computer science","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.09754406647114736,"gpt":0.2818549829937435,"spread":0.1843109165225962,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007551195,0.000654623,0.000329532,0.00160377,0.004544977,0.007453183,0.0007285814,0.001735018,0.1424876],"category_scores_gemma":[0.004000651,0.0002297894,0.0002784554,0.001418217,0.003094085,0.004425745,0.004497476,0.003092709,0.03740508],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00212858,"about_ca_system_score_gemma":0.001294649,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007068302,"about_ca_topic_score_gemma":0.009143726,"domain_scores_codex":[0.9983714,0.0003720309,0.00004135323,0.0001754057,0.00071156,0.0003282658],"domain_scores_gemma":[0.9988784,0.0002472601,0.0000638003,0.0001390969,0.0003179585,0.000353441],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006110601,0.00002870593,0.000540374,0.0001974203,0.000008634649,0.0002403058,0.004406919,0.00009127486,0.001223643,0.1394244,0.6944535,0.1593238],"study_design_scores_gemma":[0.000003513418,0.00001086196,0.0004325426,0.0001489739,0.000002207791,0.0001231548,0.0007486869,0.00001590356,0.00009622314,0.003107195,0.9953045,0.000006299065],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.003052716,0.01421572,0.001114369,0.01496371,0.00810916,0.00002267326,0.0002721231,0.0002455972,0.9580038],"genre_scores_gemma":[0.07816747,0.02022642,0.001631349,0.01229813,0.01218441,0.00004713465,0.0004979408,0.000455781,0.8744913],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.8575124,"threshold_uncertainty_score":0.4766685,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4247776446","doi":"10.1093/obo/9780199791286-0014","title":"Canadian Cinema","year":2011,"lang":"en","type":"reference-entry","venue":"Cinema and Media Studies","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Movie theater; Film industry; Corporation; National cinema; Censorship; Indigenous; Political science; Media studies; Art history; History; Economic history; Sociology; Law","authors":[{"name":"Alanna Thain","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08577141108321507,"gpt":0.250817111544354,"spread":0.1650457004611389,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007477336,0.001262587,0.0005442931,0.004355038,0.01019302,0.009540938,0.001685284,0.001863644,0.4873706],"category_scores_gemma":[0.003870555,0.0004758448,0.0004781395,0.005082026,0.001434818,0.002928676,0.002428009,0.002463321,0.1365148],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02232178,"about_ca_system_score_gemma":0.02568264,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.6149762,"about_ca_topic_score_gemma":0.8049775,"domain_scores_codex":[0.9983159,0.00009699956,0.00004405408,0.0002584285,0.001000564,0.0002841651],"domain_scores_gemma":[0.9972493,0.0001278431,0.0000524647,0.0001639589,0.001850526,0.0005559258],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001361063,0.000006688328,0.0001254352,0.0001050574,0.000002379637,0.00006944359,0.0004556261,0.00003898713,0.0002349372,0.01935126,0.9361284,0.04346814],"study_design_scores_gemma":[6.121068e-7,7.010219e-7,0.0001285206,0.00002125564,8.602807e-7,0.00002535667,0.0001026399,0.00001236208,0.00002990437,0.0001808266,0.999494,0.000002989143],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0005135627,0.004335413,0.0006414497,0.004148691,0.003446008,0.00005766642,0.003708877,0.0004432901,0.9827051],"genre_scores_gemma":[0.01061659,0.005395181,0.001208391,0.001359365,0.0006475264,0.00003855685,0.002916993,0.0003327499,0.9774846],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.4873706,"threshold_uncertainty_score":0.7745826,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4237591841","doi":"10.1093/obo/9780199791286-0200","title":"Mack Sennett","year":2015,"lang":"en","type":"reference-entry","venue":"Cinema and Media Studies","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Comedy; Art history; Drama; Romance; Glory; Literature; Physics","authors":[{"name":"Hilde D’haeyere","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1127128334098492,"gpt":0.2819537990198063,"spread":0.1692409656099571,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005550222,0.001049672,0.0003461635,0.00122428,0.005069725,0.004040086,0.0009576985,0.001368621,0.3372464],"category_scores_gemma":[0.001720968,0.0004361864,0.0002666413,0.000832739,0.001049166,0.002686826,0.002821686,0.002314417,0.1347923],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002385885,"about_ca_system_score_gemma":0.003643692,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03390234,"about_ca_topic_score_gemma":0.09752728,"domain_scores_codex":[0.9993359,0.00006169519,0.00002654727,0.0002516795,0.0002071691,0.0001169158],"domain_scores_gemma":[0.9991024,0.00006121792,0.00004638867,0.00004109197,0.0002721919,0.0004769005],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004738282,0.00001830303,0.0005067198,0.0001032087,0.000002537987,0.0002986916,0.0004350947,0.00003385932,0.0002823329,0.009291055,0.9128184,0.07616236],"study_design_scores_gemma":[0.000001425773,0.000005982355,0.000253347,0.00004706155,7.514614e-7,0.0001260444,0.0002417129,0.00001379882,0.00007175482,0.0002521092,0.998982,0.000003998534],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.00361237,0.01662935,0.001460694,0.02028076,0.01370076,0.00009115963,0.001455276,0.0005051142,0.9422646],"genre_scores_gemma":[0.007304432,0.005132284,0.0006100771,0.00280426,0.0004368011,0.00003271435,0.0004025705,0.0001623896,0.9831145],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3372464,"threshold_uncertainty_score":0.9453375,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4412544881","doi":"10.1093/obo/9780199791286-0386","title":"Media Materiality","year":2025,"lang":"en","type":"reference-entry","venue":"Cinema and Media Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Materiality (auditing); Art; Aesthetics","authors":[{"name":"Janine Marchessault","is_ca":false},{"name":"Jack O'Dwyer","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.122836774119003,"gpt":0.3118829624849854,"spread":0.1890461883659825,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004099268,0.001140941,0.0005291422,0.005400242,0.006251219,0.01827199,0.002128979,0.002916802,0.131393],"category_scores_gemma":[0.0233462,0.0005747936,0.0008421419,0.004820433,0.005491782,0.01742262,0.009977045,0.002644617,0.03601567],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003834273,"about_ca_system_score_gemma":0.003312901,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002893772,"about_ca_topic_score_gemma":0.002087179,"domain_scores_codex":[0.9937027,0.001638432,0.000513141,0.0009136354,0.002512715,0.0007193566],"domain_scores_gemma":[0.9884464,0.003926791,0.001010896,0.002775191,0.002788774,0.00105202],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001741888,0.00009871325,0.002685344,0.001140385,0.00003841331,0.000650472,0.01411853,0.00037399,0.001702481,0.5971012,0.1223963,0.2595201],"study_design_scores_gemma":[0.000007494155,0.00002512811,0.000739738,0.0004448622,0.00001426817,0.0004464839,0.002368085,0.00008277987,0.0006074997,0.02093034,0.9743088,0.00002439242],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.006255518,0.002995831,0.01230789,0.005100383,0.001659839,0.0003191569,0.001409272,0.0006359068,0.9693164],"genre_scores_gemma":[0.3371145,0.01214948,0.0317543,0.009330085,0.004366246,0.001636666,0.006091835,0.002276144,0.5952808],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.131393,"threshold_uncertainty_score":0.4395535,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}