{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":14,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":14,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"d923ec78ce85","filters":{"venue":"Clothing Cultures"}},"results":[{"id":"W3197131341","doi":"10.1386/cc_00032_1","title":"Empowering women wearing plus-size clothing through co-design","year":2021,"lang":"en","type":"article","venue":"Clothing Cultures","topic":"Innovative Human-Technology Interaction","field":"Computer Science","cited_by":11,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"York University; Toronto Metropolitan University","funders":"","keywords":"Clothing; Empowerment; Feeling; Psychology; Meaning (existential); Creativity; Applied psychology; Social psychology","authors":[{"name":"Sandra Tullio-Pow","is_ca":true},{"name":"Kirsten Schaefer","is_ca":true},{"name":"Ben Barry","is_ca":true},{"name":"Chad Story","is_ca":true},{"name":"Samantha Abel","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03485451500307238,"gpt":0.3464646975795982,"spread":0.3116101825765258,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0005644424,0.0002841793,0.0003149188,0.00009089488,0.0006218248,0.0006505277,0.0009834252,0.0002342819,0.0001113081],"category_scores_gemma":[0.0006756751,0.0002745555,0.00008243229,0.0006409722,0.0001054895,0.001788061,0.0004835498,0.0008513359,0.000149866],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005257961,"about_ca_system_score_gemma":0.0001464833,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00002637075,"about_ca_topic_score_gemma":0.000003514616,"domain_scores_codex":[0.9977264,0.0001645832,0.0004017892,0.0007346151,0.0003639371,0.000608659],"domain_scores_gemma":[0.9984586,0.0002733859,0.0002167412,0.000724758,0.0002707739,0.000055724],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","study_design_scores_codex":[0.00003664696,0.0001407628,0.0002119522,0.0001043821,0.0002744616,0.0006111888,0.1745065,0.001926504,0.4902068,0.3043782,0.02353216,0.004070351],"study_design_scores_gemma":[0.001414848,0.0002043988,0.001226256,0.0004916224,0.00001881258,0.0006031609,0.01096995,0.00954198,0.7795065,0.04444784,0.1502023,0.001372342],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.1185335,0.0004441771,0.8529112,0.002084272,0.001944202,0.0002671883,0.000001468998,0.001853205,0.02196082],"genre_scores_gemma":[0.8278064,0.0000323994,0.1648934,0.002986842,0.0002990788,0.00006763695,0.000003910338,0.00004600902,0.003864348],"genre_candidate":"methods","genre_consensus":null,"teacher_disagreement_score":0.7092729,"threshold_uncertainty_score":0.9999707,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3197403217","doi":"10.1386/cc_00028_1","title":"Ethical fashion consumption: Market research and fashion sustainability in Canada and beyond","year":2021,"lang":"en","type":"article","venue":"Clothing Cultures","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Clothing; Sustainability; The arts; Consumption (sociology); Order (exchange); Marketing; Action (physics); Corporate social responsibility; Sustainable consumption; Fast fashion; Business; Consumer behaviour; Bridge (graph theory); Public relations; Sociology; Political science; Social science","authors":[{"name":"Kibamba Nimon","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05387744261995001,"gpt":0.3194296624593677,"spread":0.2655522198394176,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005674486,0.0001265547,0.0001730669,0.00003846458,0.0005125016,0.0003708425,0.00007933709,0.0001194727,0.001085301],"category_scores_gemma":[0.0004418959,0.00009721637,0.00002033722,0.00005581169,0.0004232409,0.0001554053,0.0001167736,0.0008069489,0.000003180604],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002424106,"about_ca_system_score_gemma":0.000284347,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.08419915,"about_ca_topic_score_gemma":0.9488451,"domain_scores_codex":[0.9985241,0.0003297341,0.0002047463,0.0003375445,0.0003164116,0.0002874741],"domain_scores_gemma":[0.9990867,0.0002627835,0.00003008656,0.0001376469,0.0003732773,0.0001094574],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00005118326,0.0000866776,0.02708252,0.0006260503,0.00002897072,0.0002454787,0.1399801,0.000003269181,0.0004188702,0.7365168,0.09020916,0.004750913],"study_design_scores_gemma":[0.0009833138,0.00009168006,0.1565239,0.0001629464,0.00001646984,0.00007428017,0.5708222,0.0001384927,0.0001380007,0.01369983,0.2567928,0.0005560401],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9762464,0.0004474849,4.775665e-7,0.007832958,0.0001771133,0.0001406357,0.00001262623,0.00002680373,0.01511551],"genre_scores_gemma":[0.9893775,0.0002552718,0.00001922307,0.001097392,0.0001164805,0.00001291926,0.0000172348,0.00000801983,0.009095942],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.864646,"threshold_uncertainty_score":0.9998279,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3197750701","doi":"10.1386/cc_00027_1","title":"The new Phrygian cap: Pussy hats, feminism and anti-fashion","year":2021,"lang":"en","type":"article","venue":"Clothing Cultures","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Royal Alberta Museum","funders":"","keywords":"Politics; Feminism; Anger; Gender studies; Political science; Media studies; Sociology; Art; Art history; Law; Psychology; Social psychology","authors":[{"name":"Julia Petrov","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02412420292878174,"gpt":0.2479260016047701,"spread":0.2238017986759884,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00007678053,0.0001560011,0.0001410182,0.00001255062,0.001214762,0.001173445,0.0001495475,0.00006097535,0.0006511161],"category_scores_gemma":[0.00007524903,0.00008687018,0.00007579853,0.00003051772,0.0002066386,0.0002001072,0.00006688952,0.0002001944,0.00008671834],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001195698,"about_ca_system_score_gemma":0.00003708113,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00005538377,"about_ca_topic_score_gemma":0.001329964,"domain_scores_codex":[0.9991578,0.00005071452,0.0001688476,0.0002290353,0.0001675087,0.0002260435],"domain_scores_gemma":[0.9995155,0.00006045892,0.00006059197,0.0001773127,0.00008569413,0.0001003876],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000030287,0.00001882843,0.00002605924,0.00001917757,0.00003811125,0.00002048767,0.1430461,0.000001560015,0.003308907,0.5562137,0.2873974,0.009906662],"study_design_scores_gemma":[0.0001880402,0.0000125986,0.000457874,0.00004241807,0.00001893084,0.00002404308,0.06853347,0.000008143919,0.0009014471,0.001571975,0.9280773,0.0001637085],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5740075,0.01016744,0.0000127789,0.03695956,0.003439111,0.0003030737,0.00002648842,0.0005017626,0.3745824],"genre_scores_gemma":[0.8310434,0.000965636,0.00006094757,0.002648481,0.001004405,0.000004372424,0.00002312425,0.00001711234,0.1642326],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.64068,"threshold_uncertainty_score":0.9998634,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3197769136","doi":"10.1386/cc_00025_1","title":"Trans* inclusivity in fashion retail: Disrupting the gender binary with queer perspectives","year":2021,"lang":"en","type":"article","venue":"Clothing Cultures","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Queer; Transgender; Context (archaeology); Sociology; Gender studies; Mainstream; Focus group; Beauty; Narrative; Aesthetics; Political science; Art","authors":[{"name":"Charlotte Carbone","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04048702834988138,"gpt":0.2679833080558217,"spread":0.2274962797059403,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001718672,0.0001773216,0.0001664324,0.0000272396,0.000737628,0.0003546898,0.0001676992,0.00005464509,0.001121749],"category_scores_gemma":[0.00005407732,0.00009058906,0.00008869926,0.00008361146,0.0002500286,0.0003286389,0.00005681257,0.0003788013,0.00001331699],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004900317,"about_ca_system_score_gemma":0.00003311667,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0000758438,"about_ca_topic_score_gemma":0.004749452,"domain_scores_codex":[0.9989341,0.0001504061,0.0001648495,0.0002915286,0.0002293161,0.0002298137],"domain_scores_gemma":[0.999531,0.00005739909,0.00005627785,0.0001814799,0.0001345936,0.00003928503],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00001644418,0.00008335306,0.0003943645,0.00003814139,0.00003959633,0.00006437911,0.8434136,0.00009531697,0.002611631,0.1510625,0.001607954,0.0005726847],"study_design_scores_gemma":[0.0004256682,0.00004394099,0.009642374,0.0001153631,0.00003393542,0.00003049745,0.8737035,0.0001081097,0.0002018029,0.0005901412,0.1147842,0.0003204687],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9315827,0.001097904,0.00001410431,0.004405878,0.0001565438,0.0001412972,0.000007683387,0.0001189943,0.06247482],"genre_scores_gemma":[0.9891583,0.00007965991,0.00006436348,0.0007577567,0.0003008968,0.00001577024,0.00001293658,0.00001811502,0.009592164],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1504724,"threshold_uncertainty_score":0.9997914,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3198614013","doi":"10.1386/cc_00026_1","title":"Transgender fashion: Fit challenges and dressing strategies","year":2021,"lang":"en","type":"article","venue":"Clothing Cultures","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Clothing; Transgender; Psychology; Snowball sampling; Sociology; Gender studies; Medicine; Political science","authors":[{"name":"Sandra Tullio-Pow","is_ca":true},{"name":"Anna S. Yaworski","is_ca":true},{"name":"Magdalena Kincaid","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1180490684162542,"gpt":0.2931191016901634,"spread":0.1750700332739092,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006051568,0.0001562305,0.0001594827,0.00001845174,0.0004445342,0.0007260299,0.00008232489,0.00006287417,0.001110168],"category_scores_gemma":[0.00001701024,0.0001105586,0.00006772416,0.00001531512,0.000172446,0.0004476612,0.00002645199,0.0001620081,0.00002618827],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000007836339,"about_ca_system_score_gemma":0.00002564799,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000008907877,"about_ca_topic_score_gemma":0.0008986382,"domain_scores_codex":[0.9992262,0.00005170567,0.0001425382,0.0002516528,0.0001437079,0.0001842387],"domain_scores_gemma":[0.999664,0.00002901612,0.00003718047,0.0001145653,0.00009389987,0.00006135442],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.000002144192,0.00002518968,0.000001295521,0.00008281864,0.00003115169,0.00002312819,0.3606958,0.000005106315,0.001519979,0.6263505,0.002330417,0.008932438],"study_design_scores_gemma":[0.0002539741,0.00002379662,0.0005199557,0.0001115865,0.000027908,0.00003541897,0.6052765,0.00001599651,0.0004727005,0.005766983,0.3872122,0.0002829052],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.508397,0.0277757,0.00001100617,0.006172936,0.0007871193,0.0001067099,0.00001313155,0.0003749892,0.4563614],"genre_scores_gemma":[0.9827701,0.00199199,0.00009394459,0.0006230728,0.0005084378,0.000005996377,0.00001185426,0.00001456019,0.01398002],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6205836,"threshold_uncertainty_score":0.9998029,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3021156250","doi":"10.1386/cc_00015_1","title":"Learning punk through its products: Combining fashion merchandising practices and pedagogy to develop a subculture of resistance","year":2019,"lang":"en","type":"article","venue":"Clothing Cultures","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Punk; Ethos; Subculture (biology); Sociology; Clothing; Perspective (graphical); Consumption (sociology); Resistance (ecology); Aesthetics; Media studies; Advertising; Visual arts; Art; Social science; Political science; Law","authors":[{"name":"Monica Sklar","is_ca":false},{"name":"Caroline Helfgott","is_ca":false},{"name":"Farah Kitchens","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04886709963848389,"gpt":0.3045935101015755,"spread":0.2557264104630916,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003573274,0.0002254375,0.0003197173,0.0000438925,0.0007114551,0.0002160745,0.0001814835,0.000103946,0.0003984723],"category_scores_gemma":[0.0008949194,0.000169189,0.00003768495,0.0001393411,0.0001085886,0.0007670225,0.00007407047,0.0004181019,0.00004364378],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003671795,"about_ca_system_score_gemma":0.0000667686,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00004887152,"about_ca_topic_score_gemma":0.0008669691,"domain_scores_codex":[0.9985842,0.0001457871,0.0003030671,0.0004376546,0.0002682225,0.0002610545],"domain_scores_gemma":[0.9986975,0.00007606566,0.0004817438,0.0001748086,0.0005117275,0.00005813285],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000932284,0.00004129912,0.0002137438,0.0005909614,0.00005492246,0.000004975937,0.8270553,0.00003596644,0.02815936,0.1214214,0.02209136,0.0002375112],"study_design_scores_gemma":[0.0002769515,0.0001110874,0.0001270472,0.0003965937,0.00004016974,0.00000847556,0.1083984,0.000004404106,0.001548045,0.0001482808,0.8886583,0.0002821859],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9231082,0.00359868,0.0000166735,0.001389187,0.0007683198,0.000468997,0.000009365228,0.0001358718,0.0705047],"genre_scores_gemma":[0.9247393,0.00005120336,0.0007281587,0.0005670397,0.0004150558,0.00001443519,0.00002648596,0.00002688985,0.07343145],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.866567,"threshold_uncertainty_score":0.6899326,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3196782326","doi":"10.1386/cc_00029_1","title":"Fracking, fashion and the environmental activism of Vivienne Westwood","year":2021,"lang":"en","type":"article","venue":"Clothing Cultures","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Environmentalism; Politics; Icon; Political activism; Variety (cybernetics); Political science; Media studies; Law; Sociology","authors":[{"name":"Aidan Moir","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0198735851227059,"gpt":0.2348577218320905,"spread":0.2149841367093846,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009680154,0.0000907393,0.0001382703,0.00001129838,0.0003277006,0.00008944712,0.00007132877,0.00003341472,0.0002850982],"category_scores_gemma":[0.00003339829,0.00005633761,0.00006188809,9.755973e-7,0.0005255206,0.0001218096,0.00006653985,0.0001200725,0.000008248474],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000106477,"about_ca_system_score_gemma":0.00001007716,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001070759,"about_ca_topic_score_gemma":0.0006558214,"domain_scores_codex":[0.9994398,0.00005644046,0.0001265887,0.0001314892,0.0001119741,0.0001337539],"domain_scores_gemma":[0.9996826,0.00006556861,0.00006978064,0.0001345146,0.00001605873,0.00003147183],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001416541,0.00008260928,0.0003211948,0.00003684207,0.0000731976,0.000006519311,0.6264205,0.000005382056,0.002650915,0.3661056,0.002809244,0.001473847],"study_design_scores_gemma":[0.00150272,0.00005447513,0.003596381,0.00007581671,0.0001224682,0.00002562762,0.04757146,0.0001564595,0.006433211,0.01784143,0.922334,0.0002859507],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9282322,0.002468427,0.0001154598,0.001446362,0.000459816,0.0001406095,0.00004940679,0.0000497197,0.06703801],"genre_scores_gemma":[0.9839959,0.0001890987,0.0000381886,0.0007842703,0.0003757154,0.000003955475,0.00001386267,0.00001082157,0.01458822],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9195248,"threshold_uncertainty_score":0.3121626,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2316791577","doi":"10.1386/cc.1.2.155_1","title":"CloTHING(s) as conversation","year":2014,"lang":"en","type":"article","venue":"Clothing Cultures","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Emily Carr University of Art and Design","funders":"","keywords":"Clothing; Conversation; Statement (logic); Cognitive reframing; Aesthetics; Sociology; Psychology; Public relations; Social psychology; Communication; Art; Political science; Law","authors":[{"name":"Hélène Day Fraser","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01756333230194217,"gpt":0.2410973313983648,"spread":0.2235339990964226,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001545309,0.0001455543,0.0001346311,0.00003136171,0.0004506353,0.00041029,0.0001701025,0.00006015663,0.003395952],"category_scores_gemma":[0.0001396545,0.0001010167,0.00008663318,0.00002188083,0.0001511013,0.0003610723,0.00002697088,0.0001571918,0.001451261],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002037234,"about_ca_system_score_gemma":0.000008871714,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001942654,"about_ca_topic_score_gemma":0.0002175824,"domain_scores_codex":[0.9991941,0.00005817185,0.0001681648,0.0002005861,0.00019435,0.0001845832],"domain_scores_gemma":[0.9995689,0.00004294814,0.00007820503,0.0001463132,0.00009486311,0.00006879194],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000004748576,0.00001728494,0.00001148991,0.00001682239,0.00001432455,9.277634e-7,0.1999897,0.000007631413,0.0007454815,0.7495952,0.04722019,0.002376189],"study_design_scores_gemma":[0.0002411169,0.00005169754,0.0001095385,0.00003541995,0.00001547925,0.000004184432,0.02636802,0.0001559158,0.0006850623,0.00714833,0.9649828,0.0002024004],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3230669,0.0001080485,0.00004648808,0.003738341,0.001726485,0.0001719977,0.000005841559,0.0006374422,0.6704984],"genre_scores_gemma":[0.9572009,0.00001162276,0.00007279345,0.004419907,0.001026205,0.000008369644,0.00002664808,0.00001612994,0.03721736],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9177626,"threshold_uncertainty_score":0.9993262,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2899339490","doi":"10.1386/cc.4.3.203_1","title":"Dressing for the dance: Aesthetics, ageing and gender in modern square dance","year":2017,"lang":"en","type":"article","venue":"Clothing Cultures","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Calgary","funders":"","keywords":"Dance; Clothing; Aesthetics; Femininity; Square (algebra); Art; Visual arts; Sociology; Gender studies; Psychology; History","authors":[{"name":"Liza McCoy","is_ca":true},{"name":"Barbara Schneider","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09960362585589036,"gpt":0.3225674314159828,"spread":0.2229638055600924,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0001436848,0.0001240063,0.0001210013,0.00001358512,0.002057011,0.001248057,0.000270572,0.00004287416,0.00003171658],"category_scores_gemma":[0.00009468543,0.00007041449,0.00005120687,0.000005406524,0.0003090864,0.0003363318,0.00005995239,0.0001483816,0.000002820988],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001258413,"about_ca_system_score_gemma":0.000007806399,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001094269,"about_ca_topic_score_gemma":0.001590945,"domain_scores_codex":[0.9993721,0.00001863797,0.0001304244,0.000190153,0.0001010999,0.0001876212],"domain_scores_gemma":[0.9995282,0.00004577865,0.0001038846,0.0002415709,0.00005231347,0.00002828387],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001819072,0.00002988596,0.0003717898,0.0001507829,0.00002554651,0.00001055216,0.705436,0.0001488279,0.0007365918,0.2453182,0.00888586,0.03886773],"study_design_scores_gemma":[0.002157045,0.00008024483,0.02729428,0.000934822,0.0001000488,0.0000212512,0.1726574,0.0178549,0.0005077121,0.0946321,0.6826587,0.001101532],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9466932,0.004525888,0.0002223607,0.00364122,0.001007742,0.0005357848,0.00002714774,0.0001285375,0.0432181],"genre_scores_gemma":[0.9937465,0.00009815603,0.0001231466,0.0006313922,0.0003592758,0.00002549033,0.000003724923,0.00001468601,0.004997596],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6737728,"threshold_uncertainty_score":0.9997888,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4312689072","doi":"10.1386/cc_00044_1","title":"Two ends of the same thread: Reimagining the boundaries of personal and professional labour in eighteenth-century needlework and twenty-first-century crochet","year":2021,"lang":"en","type":"article","venue":"Clothing Cultures","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Ottawa","funders":"","keywords":"Cognitive reframing; Clothing; Screenwriting; Sociology; Visual arts; History; Art; Psychology; Social psychology; Archaeology","authors":[{"name":"Jessica Banner","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0164512341042315,"gpt":0.2540164983971518,"spread":0.2375652642929204,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001824295,0.0001638164,0.0002241625,0.00002631886,0.0008214112,0.000318839,0.0001636393,0.00005503657,0.0003854279],"category_scores_gemma":[0.0000932218,0.00007430673,0.00008073402,0.00007547221,0.001096424,0.0001886887,0.0001870006,0.0003884954,9.488436e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001428737,"about_ca_system_score_gemma":0.00007594052,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002149355,"about_ca_topic_score_gemma":0.0012045,"domain_scores_codex":[0.9989533,0.00011775,0.0002683719,0.0002059596,0.0002685208,0.0001861112],"domain_scores_gemma":[0.9994306,0.000105029,0.0001575554,0.0001382725,0.0001325038,0.00003606716],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003061123,0.00008252223,0.005346948,0.0001697659,0.00005314247,0.000003798149,0.5198394,0.000001884365,0.001050849,0.4681521,0.004565062,0.0007039063],"study_design_scores_gemma":[0.001077795,0.00003570297,0.03569518,0.001106597,0.00006273694,0.00003290445,0.3851267,0.00004264263,0.0009572905,0.004207588,0.5713691,0.0002857194],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9778674,0.01202019,2.602375e-7,0.005039054,0.0009288084,0.0001375865,0.00005371564,0.0000203141,0.003932687],"genre_scores_gemma":[0.9948273,0.0009275859,0.00005832594,0.0008630812,0.0002317479,0.000008321008,0.00001211217,0.00001113556,0.003060423],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5668041,"threshold_uncertainty_score":0.6317714,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4255585711","doi":"10.1386/cc.5.2.303_4","title":"Exhibition Review","year":2018,"lang":"en","type":"article","venue":"Clothing Cultures","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Exhibition; Art; Art history; Visual arts; History","authors":[{"name":"Myriam Couturier","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04414192161338305,"gpt":0.3159950847571614,"spread":0.2718531631437784,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001143406,0.0001064488,0.0001182226,0.00002248856,0.0004825579,0.0001243454,0.0001150379,0.00003510364,0.003386289],"category_scores_gemma":[0.00003645267,0.00007067661,0.00009726878,0.00004200398,0.0002418637,0.0002124659,0.00001850879,0.00011371,0.0003353479],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000006974083,"about_ca_system_score_gemma":0.000006020525,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00006029214,"about_ca_topic_score_gemma":0.0001434733,"domain_scores_codex":[0.9994179,0.00003084943,0.0001307873,0.0001528274,0.0001220735,0.0001455786],"domain_scores_gemma":[0.999624,0.000008874537,0.00005410761,0.0001272325,0.000142561,0.00004325549],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000005913961,0.00003682793,0.000008938359,0.0002564279,0.00002138759,0.000002004592,0.02971165,2.118736e-8,0.002020874,0.2821671,0.685022,0.0007468469],"study_design_scores_gemma":[0.00007237841,0.00007138078,0.00003810181,0.0007808069,0.00002750673,0.000003736647,0.0007824532,0.000001639837,0.002019842,0.002069269,0.9940004,0.000132441],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.05631869,0.0390272,0.00004427884,0.002851773,0.00261804,0.0006736748,0.00006214371,0.0009200127,0.8974842],"genre_scores_gemma":[0.9616855,0.001475676,0.00009007804,0.01978603,0.004616209,0.00003041686,0.00005671023,0.0000209781,0.01223841],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9053668,"threshold_uncertainty_score":0.9975247,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4254601678","doi":"10.1386/cc.2.1.127_5","title":"Reviews","year":2014,"lang":"en","type":"article","venue":"Clothing Cultures","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Art; Art history; Humanities","authors":[{"name":"Jo B. Paoletti","is_ca":false},{"name":"Henry Navarro Delgado","is_ca":true},{"name":"Christina Lindholm","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0447968764309277,"gpt":0.2662075863230378,"spread":0.2214107098921101,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001504989,0.00009939929,0.0001339625,0.00001372568,0.0003057032,0.0002165918,0.0001346878,0.00002630242,0.002852482],"category_scores_gemma":[0.00009971876,0.00005776287,0.00008465859,0.00001309222,0.0000864161,0.0001406988,0.00001810424,0.00009625853,0.001295361],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000006509144,"about_ca_system_score_gemma":0.000002001921,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00002376421,"about_ca_topic_score_gemma":0.0001769816,"domain_scores_codex":[0.9994687,0.0000528668,0.0001425287,0.0001262261,0.00008281972,0.0001268097],"domain_scores_gemma":[0.9997288,0.00001651952,0.00005096083,0.0001254134,0.000034435,0.00004386115],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[8.456003e-7,0.00001043794,0.000003636881,0.00002006838,0.000004083406,2.670894e-7,0.05522646,7.424762e-7,0.0003432941,0.6622627,0.2727737,0.009353737],"study_design_scores_gemma":[0.00006914877,0.0000168139,0.00003967612,0.00004090801,0.000006711877,0.000001284244,0.002488837,0.00001743025,0.00007954635,0.00189246,0.9952374,0.0001097676],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.02480829,0.0009445491,0.00002446677,0.001383397,0.001029659,0.0001489019,0.000002856745,0.0002967174,0.9713612],"genre_scores_gemma":[0.8251196,0.0001845738,0.0002349217,0.007336888,0.002203635,0.00002074107,0.00001814529,0.00001723624,0.1648643],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.8064969,"threshold_uncertainty_score":0.9994823,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4249225258","doi":"10.1386/cc.3.1.85_5","title":"Exhibition Review","year":2015,"lang":"en","type":"article","venue":"Clothing Cultures","topic":"Historical Gender and Feminism Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Exhibition; Art; Art history","authors":[{"name":"Ingrid Mida","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1138514996902412,"gpt":0.3996766394716923,"spread":0.2858251397814511,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004890592,0.00005050742,0.00009983047,0.000009590563,0.0003446438,0.0000222927,0.00009665204,0.00004017813,0.00004530822],"category_scores_gemma":[0.0006379962,0.00003903832,0.00004053307,0.0001306298,0.00009022858,0.00008598805,0.00001846849,0.00007151247,0.0001291794],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009122597,"about_ca_system_score_gemma":0.00005318647,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002941049,"about_ca_topic_score_gemma":0.00003999516,"domain_scores_codex":[0.9993253,0.00008564868,0.00009119086,0.0001046822,0.0002563193,0.0001369127],"domain_scores_gemma":[0.9996776,0.00002208375,0.00003040241,0.00006658957,0.00008930314,0.000114004],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000001182872,0.00001353046,0.00006912588,0.00003738319,0.000004865953,0.000002610033,0.1657667,3.50805e-7,0.0000138365,0.0112084,0.8206563,0.00222572],"study_design_scores_gemma":[0.00005017083,0.000009908765,0.00004616057,0.000111425,0.00001165854,4.700256e-7,0.01341433,2.506522e-7,0.000008768072,0.002667209,0.9836103,0.00006929656],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.00009612706,0.06411336,0.0001239597,0.003956577,0.0006054582,0.0001269219,9.987041e-7,0.0001539502,0.9308227],"genre_scores_gemma":[0.9150982,0.02780337,0.00136754,0.01207277,0.002059214,0.00004776224,0.000009966199,0.00001785141,0.0415233],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.9150021,"threshold_uncertainty_score":0.2650756,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2319453609","doi":"10.1386/cc.1.2.171_1","title":"Clothing the lived fat body","year":2014,"lang":"en","type":"article","venue":"Clothing Cultures","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"","keywords":"Clothing; Relation (database); Lived experience; Aesthetics; Psychology; Art; Geography; Computer science; Psychoanalysis; Archaeology","authors":[{"name":"Kristin Rodier","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04566259285564063,"gpt":0.2737901078951296,"spread":0.228127515039489,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002554919,0.0001791359,0.0001663249,0.00002815209,0.001276128,0.0004827175,0.0003279229,0.00006191083,0.0003671432],"category_scores_gemma":[0.0001476153,0.0001056485,0.0001188249,0.000001860222,0.0003574859,0.0002029269,0.0000769564,0.0002771586,0.0002126718],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002416414,"about_ca_system_score_gemma":0.00001266031,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001117973,"about_ca_topic_score_gemma":0.001634061,"domain_scores_codex":[0.9989271,0.00009771312,0.0002056402,0.0002176272,0.0002024811,0.0003494194],"domain_scores_gemma":[0.9993101,0.0001322013,0.00008963603,0.0003101644,0.00008172042,0.00007614865],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000004181129,0.00002430381,0.00003604642,0.00002067868,0.0000326174,0.000001527243,0.4502066,0.00001844572,0.0003392122,0.4746436,0.07405914,0.0006136871],"study_design_scores_gemma":[0.0001620246,0.00003517828,0.0001324898,0.00003510237,0.00003322612,0.000002997094,0.007089536,0.0005205029,0.0003786598,0.01911543,0.9723068,0.0001880192],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.06419069,0.001093851,0.001137173,0.005889432,0.003123845,0.0003850726,0.00002489441,0.0007350582,0.92342],"genre_scores_gemma":[0.9227948,0.00002192119,0.00008033476,0.007041016,0.004003486,0.00001250205,0.00001341382,0.00003095411,0.06600154],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.8982477,"threshold_uncertainty_score":0.9815076,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}