{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":2,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":2,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"4cb0d73541a0","filters":{"venue":"Collection of scientific works “Notes on Art Criticism”"}},"results":[{"id":"W3197315955","doi":"10.32461/2226-2180.39.2021.238738","title":"Actress training by Michael Saint-Denis: improvisation in a mask","year":2021,"lang":"en","type":"article","venue":"Collection of scientific works “Notes on Art Criticism”","topic":"Educational Methods and Teacher Development","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Improvisation; SAINT; Drama; Context (archaeology); Curriculum; Studio; Visual arts; Sociology; Novelty; Art; Psychology; Pedagogy; Art history; History","authors":[{"name":"Valeria Shtefyuk","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04396440985954664,"gpt":0.3004194813475459,"spread":0.2564550714879993,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001462266,0.0001541246,0.000221446,0.0004143903,0.0003254125,0.0004556951,0.0003579328,0.00009387358,0.00007897994],"category_scores_gemma":[0.0007959584,0.0001635666,0.00007497164,0.002051598,0.0001289493,0.0004105933,0.00009752141,0.0002282195,0.00002761832],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002916781,"about_ca_system_score_gemma":0.0005730417,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00002075473,"about_ca_topic_score_gemma":0.0000874566,"domain_scores_codex":[0.9977875,0.0002327454,0.0004575897,0.0006600645,0.000499883,0.0003622114],"domain_scores_gemma":[0.9984719,0.000575664,0.0001161247,0.0004084754,0.0003108825,0.000116931],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"bench_or_experimental","study_design_scores_codex":[0.00007770191,0.002720409,0.00313818,0.0001707514,0.00009193185,0.00004388432,0.04319957,0.0007874103,0.1573081,0.06196199,0.04618124,0.6843188],"study_design_scores_gemma":[0.004341228,0.0005541585,0.02527773,0.002685614,0.00005234859,0.0001338194,0.01222632,0.09028213,0.689264,0.07243358,0.1005557,0.002193413],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.3916026,0.0004872403,0.577875,0.02054707,0.005918162,0.0004753393,0.00001146066,0.0001492899,0.002933869],"genre_scores_gemma":[0.8925142,0.00001255447,0.09945053,0.0004387802,0.00004471852,0.00006435379,0.00002348731,0.00001162845,0.007439775],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6821254,"threshold_uncertainty_score":0.6670051,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4386955691","doi":"10.32461/2226-2180.43.2023.286859","title":"Work of Ukrainian Composers in Concert and Performance Practice of Pianists of the Canadian Diaspora in the Second Half of the Twentieth Century","year":2023,"lang":"en","type":"article","venue":"Collection of scientific works “Notes on Art Criticism”","topic":"Central Asia Education and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Ukrainian; Diaspora; Repertoire; Musical; Creativity; Period (music); Visual arts; Musicology; History; Aesthetics; Sociology; Literature; Art; Psychology; Gender studies; Linguistics; Social psychology","authors":[{"name":"Yulia Osmachko","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02055988018703214,"gpt":0.2852582406838909,"spread":0.2646983604968588,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001733888,0.00007969618,0.0001795673,0.0001891049,0.0004792343,0.00004986374,0.00036867,0.00008631482,0.0001415606],"category_scores_gemma":[0.000764776,0.00005166362,0.00007148612,0.003912209,0.00144958,0.0001448592,0.00003055288,0.0002116879,0.000001575136],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009891459,"about_ca_system_score_gemma":0.0005835792,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.01366212,"about_ca_topic_score_gemma":0.268804,"domain_scores_codex":[0.9983528,0.0003511021,0.0003915537,0.0001718674,0.0005082837,0.0002244111],"domain_scores_gemma":[0.9986624,0.0004733108,0.000275372,0.000243492,0.0002879054,0.00005750975],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"observational","study_design_scores_codex":[0.0002333828,0.000729896,0.1396951,0.0003573252,0.00004449078,0.000001471384,0.8251695,0.0006508377,0.001810636,0.007525529,0.02000266,0.003779143],"study_design_scores_gemma":[0.0007428489,0.00009851058,0.6246053,0.001145515,0.00003626793,0.000001892268,0.2484509,0.0002352751,0.006164116,0.0002799672,0.1180578,0.0001816571],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9809387,0.0001061528,3.015759e-7,0.0106749,0.001285385,0.0004729863,0.000018518,0.000003872482,0.006499195],"genre_scores_gemma":[0.9976081,0.0000550654,0.00001844109,0.0001804194,0.00001628201,0.000008641239,0.000003517948,0.000004071376,0.002105453],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5767187,"threshold_uncertainty_score":0.992906,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}