{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":8,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":8,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"c4b8a09988fb","filters":{"venue":"College literature"}},"results":[{"id":"W2043912565","doi":"10.1353/lit.2004.0015","title":"The Politics of Re-homing: Asian Diaspora Poetry in Canada","year":2004,"lang":"en","type":"article","venue":"College literature","topic":"Diaspora, migration, transnational identity","field":"Social Sciences","cited_by":19,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Diaspora; Poetry; Politics; Impossibility; Feeling; Sociology; Constructive; Aesthetics; Gender studies; History; Literature; Political science; Process (computing); Art; Social psychology; Psychology; Law; Computer science","authors":[{"name":"Benzi Zhang","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009464031213283753,"gpt":0.2541395182394085,"spread":0.2446754870261247,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001650169,0.0006100449,0.0004845137,0.002156752,0.04412178,0.00947391,0.001575844,0.001307714,0.004066455],"category_scores_gemma":[0.003898544,0.0002192501,0.000232656,0.005971453,0.01596191,0.002132787,0.00466946,0.003478489,0.0002916118],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.07631167,"about_ca_system_score_gemma":0.1079375,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9759192,"about_ca_topic_score_gemma":0.9920983,"domain_scores_codex":[0.9983745,0.0004656129,0.00003608624,0.0001292222,0.000379621,0.0006149313],"domain_scores_gemma":[0.9977474,0.0006562931,0.0001089095,0.00008923726,0.0006742598,0.0007238348],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00008148866,0.00002689752,0.002712496,0.0001046352,0.00001087563,0.001099823,0.9201282,0.0001373922,0.0006394932,0.03741671,0.01280858,0.02483351],"study_design_scores_gemma":[0.000008379952,0.00001573789,0.00442106,0.0001341925,0.00001437338,0.0002712417,0.8149485,0.0001703163,0.0004216286,0.001505274,0.1780497,0.00003963046],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7454341,0.007518919,0.001371129,0.02099503,0.0008318534,0.0001130153,0.0002399301,0.0001030055,0.223393],"genre_scores_gemma":[0.9771213,0.002682368,0.0004357482,0.0007242153,0.00003892116,0.00002874545,0.00004281169,0.00005471464,0.01887123],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.07631167,"threshold_uncertainty_score":0.5536825,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2072847128","doi":"10.1353/lit.2011.0047","title":"Representing \"Other\" Diasporas in Recent Global Canadian Fiction","year":2011,"lang":"en","type":"article","venue":"College literature","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Cosmopolitanism; Homeland; Exoticism; The Imaginary; Sociology; Meaning (existential); Aesthetics; PARRY; History; Media studies; Literature; Diaspora; Gender studies; Anthropology; Law; Art; Philosophy; Politics; Political science; Epistemology; Psychology","authors":[{"name":"Eleanor Ty","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03958805050767789,"gpt":0.2172203680615527,"spread":0.1776323175538748,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001235825,0.0008930843,0.0004007363,0.002178349,0.03266332,0.009309229,0.001279469,0.001224195,0.01019093],"category_scores_gemma":[0.002289563,0.0002459161,0.0002927626,0.003001212,0.01631411,0.002449289,0.004117759,0.002819045,0.0005725605],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.05051659,"about_ca_system_score_gemma":0.02887501,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.8761167,"about_ca_topic_score_gemma":0.9722397,"domain_scores_codex":[0.9988862,0.000237922,0.00001640163,0.0001451764,0.0002741427,0.0004401747],"domain_scores_gemma":[0.9987844,0.0003131772,0.00008031259,0.0001057985,0.0003432469,0.0003729968],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001021726,0.00003054756,0.002003925,0.0001725199,0.0000213462,0.00132744,0.7146256,0.0002001107,0.0007359455,0.1925576,0.06805807,0.02016475],"study_design_scores_gemma":[0.000006220226,0.00001191035,0.002466676,0.0001453037,0.00002133598,0.0004738078,0.2716722,0.0001000641,0.0005012038,0.00210922,0.7224566,0.00003557044],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2736295,0.006927074,0.001303713,0.01737035,0.002303632,0.00007033983,0.0005284747,0.0001672787,0.6976995],"genre_scores_gemma":[0.9122261,0.003773178,0.0007744328,0.002004388,0.0002127029,0.00002961434,0.0001732832,0.0001769538,0.08062927],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1238833,"threshold_uncertainty_score":0.3665252,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2074865614","doi":"10.1353/lit.2006.0058","title":"The Value of Literature as a Public Institution","year":2006,"lang":"en","type":"article","venue":"College literature","topic":"Hannah Arendt's Political Philosophy","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Orientalism; Institution; Witch; Value (mathematics); Politics; Sociology; Quarter (Canadian coin); Media studies; Aesthetics; Gender studies; Political science; Law; Social science; Literature; History; Philosophy; Art","authors":[{"name":"Mustapha Marrouchi","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01036723707874187,"gpt":0.2763616297315376,"spread":0.2659943926527957,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01945678,0.0004842763,0.0008907579,0.004363843,0.01724405,0.04876937,0.002584882,0.0127616,0.0122816],"category_scores_gemma":[0.0382288,0.0005157986,0.000456598,0.003586967,0.09933993,0.0353464,0.01538884,0.009174926,0.002245327],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01110801,"about_ca_system_score_gemma":0.01250672,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002067132,"about_ca_topic_score_gemma":0.001956357,"domain_scores_codex":[0.9744135,0.0179962,0.0004096153,0.001547211,0.00356212,0.002071417],"domain_scores_gemma":[0.9434931,0.03715639,0.004136186,0.00704223,0.004012262,0.004159872],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.000003608832,0.000005524043,0.00005109804,0.00001388984,0.000001503591,0.00001852587,0.002528726,0.00003476903,0.00001185741,0.9899922,0.005004482,0.002333764],"study_design_scores_gemma":[0.00001162247,0.00001391264,0.0001271619,0.0002119179,0.000006366201,0.00005803288,0.006356535,0.000205563,0.00009694482,0.8223891,0.1705134,0.000009453968],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01097655,0.01119248,0.005875903,0.3128311,0.002384895,0.00002374618,0.00004459132,0.0001239516,0.6565468],"genre_scores_gemma":[0.9204212,0.005216241,0.001644087,0.01505892,0.004637482,0.00009814496,0.000035606,0.0001413596,0.0527469],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04876937,"threshold_uncertainty_score":0.1028985,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2011753824","doi":"10.1353/lit.0.0032","title":"“The Web of Our Life is of a Mingled Yarn”: The Canadian Adaptations of Shakespeare Project, Humanities Scholarship, and ColdFusion","year":2009,"lang":"en","type":"article","venue":"College literature","topic":"Philippine History and Culture","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Scholarship; Context (archaeology); Digital humanities; World Wide Web; Face (sociological concept); Publishing; Process (computing); Web application; Architecture; The Internet; Sociology; Computer science; Humanities; Art; History; Literature; Political science; Visual arts; Social science","authors":[{"name":"Daniel Fischlin","is_ca":false},{"name":"Dorothy Hadfield","is_ca":false},{"name":"G. Brooke Lester","is_ca":false},{"name":"Mark A. McCutcheon","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03391022431821299,"gpt":0.2827143552161929,"spread":0.2488041308979799,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006930938,0.0006297592,0.0005151731,0.004315307,0.06074284,0.02496342,0.001893024,0.003550872,0.006792238],"category_scores_gemma":[0.01236275,0.0004783866,0.0002590713,0.008809181,0.08796429,0.01067622,0.007648805,0.006492842,0.0007730924],"about_ca_system_candidate":true,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.1159765,"about_ca_system_score_gemma":0.1553379,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9697515,"about_ca_topic_score_gemma":0.9792356,"domain_scores_codex":[0.9919183,0.001977048,0.0001248585,0.0005163265,0.003770872,0.001692676],"domain_scores_gemma":[0.9921458,0.002388126,0.000299036,0.0006257012,0.002650698,0.001890624],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003719229,0.00001719609,0.001208315,0.0001339029,0.00001126887,0.0003845484,0.2106678,0.0001301313,0.0002146682,0.5678325,0.1768487,0.0425138],"study_design_scores_gemma":[0.000007955732,0.00000829187,0.003791425,0.0003337486,0.000009567741,0.0001920873,0.113815,0.00008355617,0.0002239148,0.02454032,0.856941,0.00005322571],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.05843195,0.04656451,0.004139816,0.3334438,0.00454194,0.00009344957,0.0003111028,0.0002927316,0.5521809],"genre_scores_gemma":[0.8179837,0.02362832,0.00299897,0.01835154,0.0008172347,0.00009320575,0.000157256,0.0003879734,0.1355819],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8840235,"threshold_uncertainty_score":0.8414725,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2344113929","doi":"10.1353/lit.2016.0027","title":"“La vida es el honor y el recuerdo” : Oscar Zeta Acosta’s Paratextual Struggle for Survival","year":2016,"lang":"en","type":"article","venue":"College literature","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"University of California, Santa Barbara; Egg Farmers of Canada","keywords":"Humanities; Art; Honor; Philosophy","authors":[{"name":"Allison Fagan","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01735455148836257,"gpt":0.2490485352998281,"spread":0.2316939838114655,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002943809,0.0002719557,0.0002149035,0.0009111901,0.02357589,0.01261104,0.0006858844,0.001917591,0.002868098],"category_scores_gemma":[0.006681005,0.0001825415,0.000112489,0.0009981414,0.02274846,0.004490661,0.004229832,0.005571533,0.0005640327],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004699574,"about_ca_system_score_gemma":0.004890775,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01094939,"about_ca_topic_score_gemma":0.02772392,"domain_scores_codex":[0.9986656,0.0007290199,0.00002339623,0.000106452,0.000251064,0.0002243781],"domain_scores_gemma":[0.9962302,0.001882232,0.0002209799,0.0002384509,0.000586099,0.0008419759],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004586352,0.00003687234,0.001009008,0.00003569671,0.000002654476,0.0008389109,0.5577002,0.00005447248,0.0002894321,0.3861862,0.03522421,0.01857648],"study_design_scores_gemma":[0.0000126933,0.00004412174,0.001569305,0.0001769607,0.000006166631,0.0005403778,0.3727638,0.0001475007,0.0004725564,0.02627082,0.5979758,0.00001996535],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4416899,0.006113008,0.0017812,0.08491119,0.002234382,0.00002814021,0.00002452675,0.00007334749,0.4631443],"genre_scores_gemma":[0.9560646,0.001595414,0.0002205567,0.002372375,0.0006364017,0.00001819274,0.000009515985,0.0000469646,0.03903604],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02357589,"threshold_uncertainty_score":0.03409797,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4384433384","doi":"10.1353/lit.2023.a902221","title":"Citational Gothic: Silvia Moreno-Garcia's Mexican Archive","year":2023,"lang":"en","type":"article","venue":"College literature","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Garcia; Reading (process); Relation (database); Literature; The Symbolic; Literary genre; Humanities; History; Sociology; Art; Philosophy; Linguistics; Psychoanalysis; Psychology","authors":[{"name":"Ignacio M. Sánchez Prado","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0127990909899411,"gpt":0.2930737342313194,"spread":0.2802746432413783,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001064834,0.0002898426,0.0002444453,0.003333756,0.01205941,0.007345624,0.0006620276,0.0007870023,0.006828817],"category_scores_gemma":[0.005526182,0.0001048857,0.00009764098,0.006008221,0.005708683,0.001848396,0.002449232,0.001402544,0.0003448442],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01483667,"about_ca_system_score_gemma":0.007364219,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2850299,"about_ca_topic_score_gemma":0.4776076,"domain_scores_codex":[0.9992986,0.0002289597,0.0000198722,0.00006650772,0.0002677804,0.0001182505],"domain_scores_gemma":[0.9979002,0.0008083646,0.0002658852,0.0001616631,0.000686091,0.000177762],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001237411,0.00003184847,0.004082488,0.000405428,0.00001242113,0.001087815,0.302881,0.0001585707,0.0006018938,0.4121994,0.2035955,0.07481977],"study_design_scores_gemma":[0.000004538966,0.000007093915,0.003830102,0.0004226953,0.00001177556,0.0001587252,0.06654923,0.00005498504,0.0003259277,0.003212548,0.9254086,0.00001381528],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1760886,0.02938357,0.0008674824,0.06978048,0.004985464,0.00003606257,0.0006916237,0.0001924015,0.7179743],"genre_scores_gemma":[0.8834961,0.015581,0.0005114358,0.002084088,0.001863113,0.00002680376,0.0002157522,0.0001809318,0.09604083],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.2850299,"threshold_uncertainty_score":0.5667416,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4313731243","doi":"10.1353/lit.2023.0006","title":"Old Style: Unoriginality and Its Uses in Nineteenth-Century U.S. Literature by Claudia Stokes, and: Fair Copy: Relational Poetics and Antebellum American Women's Poetry by Jennifer Putzi","year":2023,"lang":"en","type":"article","venue":"College literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Poetics; Poetry; Literature; Copying; Style (visual arts); Value (mathematics); Sociology; Art history; Philosophy; Art; Law","authors":[{"name":"Madeline Zehnder","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.007833113206465526,"gpt":0.2187163590017766,"spread":0.2108832457953111,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002247539,0.0008168968,0.0006101839,0.003778051,0.006840029,0.007708975,0.0008965656,0.001417457,0.02335069],"category_scores_gemma":[0.004867842,0.0004395478,0.0002509943,0.005048029,0.008626947,0.008639222,0.002942996,0.003840308,0.005373631],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004184902,"about_ca_system_score_gemma":0.002785091,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01183171,"about_ca_topic_score_gemma":0.02279863,"domain_scores_codex":[0.9984412,0.0006819801,0.00007989043,0.0001863726,0.000493571,0.0001170642],"domain_scores_gemma":[0.9961389,0.001640435,0.0003300906,0.0001616589,0.001212358,0.0005165906],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000239866,0.00001964282,0.0003691538,0.0002397964,0.000006411326,0.00008830336,0.01800395,0.0000309134,0.0001204748,0.05944554,0.8713066,0.05034518],"study_design_scores_gemma":[0.000003259329,0.000007395583,0.0007724228,0.0007282412,0.000003499134,0.00006416016,0.00570943,0.00002018161,0.00004082833,0.00576591,0.9868748,0.000009948209],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.005770138,0.5781287,0.000686119,0.2230156,0.0483643,0.00002827299,0.000259937,0.0001040914,0.1436428],"genre_scores_gemma":[0.1863382,0.3963472,0.001109668,0.037186,0.04753359,0.0001396411,0.0003813352,0.0004865239,0.3304778],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.02335069,"threshold_uncertainty_score":0.07811582,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2033795344","doi":"10.1353/lit.2011.0013","title":"The Golden Age of the Classics in America: Greece, Home, and the Antebellum United States (review)","year":2011,"lang":"en","type":"article","venue":"College literature","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Classics; Period (music); History; Sociology; Philosophy; Aesthetics","authors":[{"name":"David Greven","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01329519024092698,"gpt":0.2300798691843458,"spread":0.2167846789434188,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005803688,0.0007902273,0.001169579,0.003202465,0.000502574,0.002460605,0.0009388031,0.001246839,0.008434271],"category_scores_gemma":[0.00227886,0.0003467904,0.0005641991,0.005087714,0.0008472287,0.002389479,0.0009642306,0.002418397,0.001528],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001281592,"about_ca_system_score_gemma":0.003417857,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006427795,"about_ca_topic_score_gemma":0.01069381,"domain_scores_codex":[0.9996681,0.00007217676,0.00005100854,0.00004736633,0.000122552,0.00003878272],"domain_scores_gemma":[0.9989178,0.0004992222,0.0002316857,0.00001478056,0.0002237554,0.0001127275],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001046743,0.00005843571,0.0005329502,0.06075555,0.0001934093,0.0001978532,0.0007045981,0.0001457878,0.0002180677,0.002948387,0.3842433,0.5498971],"study_design_scores_gemma":[0.00002245335,0.00004775576,0.002997036,0.03210098,0.0001949021,0.0007117158,0.0006137998,0.00002320351,0.00006660607,0.0007053722,0.9624967,0.00001937609],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.00006042724,0.9984571,0.000005593178,0.0005647022,0.0005152835,0.000001659906,0.00000999389,0.000001613537,0.0003836483],"genre_scores_gemma":[0.0008014152,0.9969687,0.00002644945,0.000835377,0.0007088465,0.000004807703,0.0000301041,0.0000013871,0.0006229687],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.008434271,"threshold_uncertainty_score":0.02821541,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}