{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":9,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":9,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"query_hash":"26f986e847a3","filters":{"venue":"Comedia Performance"}},"results":[{"id":"W4286646196","doi":"10.5325/comeperf.19.1.0040","title":"Irrepresentable Corporealities: The Staging of <i>Las paredes oyen</i> in the Nineteenth and Twentieth Centuries","year":2022,"lang":"en","type":"article","venue":"Comedia Performance","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Embodied cognition; Newspaper; Variety (cybernetics); Perspective (graphical); History; Period (music); Art; Sociology; Aesthetics; Philosophy; Media studies; Visual arts","retraction":null,"screen_n_in":null,"score":{"opus":0.02203707717127319,"gpt":0.1961809815327219,"spread":0.1741439043614487,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004526082,0.00012092,0.0001605121,0.00005875657,0.0006130678,0.0001883483,0.0004144784,0.00001450599,0.0003538616],"category_scores_gemma":[0.00001349835,0.00007277141,0.0000340552,0.00008655563,0.0004781478,0.0002902283,0.0002240137,0.0003546041,0.000001456616],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000205013,"about_ca_system_score_gemma":0.00002810217,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003390329,"about_ca_topic_score_gemma":0.0002570463,"domain_scores_codex":[0.9988753,0.0001161415,0.0002398654,0.000155725,0.0003724478,0.0002405379],"domain_scores_gemma":[0.9992645,0.0002293297,0.0001291844,0.0003203883,0.00003510248,0.00002143853],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007893179,0.0001238211,0.2559732,0.0002441254,0.00003976442,0.000007800427,0.621738,0.0002145743,0.00002493755,0.07844053,0.04177253,0.001341775],"study_design_scores_gemma":[0.0005429,0.0001711026,0.02789713,0.00006722126,0.00002384689,0.00001095754,0.11461,0.001271632,0.0000797513,0.001874324,0.8532354,0.0002157337],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9789626,0.00215905,0.000001078684,0.0008663744,0.0006923031,0.0002759071,0.0001315921,0.00002309051,0.016888],"genre_scores_gemma":[0.9956374,0.0002732776,0.00001086298,0.000557126,0.0001744391,0.00009530493,0.00006291491,0.00001246567,0.003176181],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8114629,"threshold_uncertainty_score":0.4715284,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3015838964","doi":"10.5325/comeperf.17.1.0070","title":"Teatro Inverso’s <i>Rosaura</i>: Recasting <i>La vida es sueño</i> through Storytelling","year":2020,"lang":"en","type":"article","venue":"Comedia Performance","topic":"Latin American Literature Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"MacEwan University","funders":"","keywords":"Poetics; Storytelling; Action (physics); Poetry; Space (punctuation); Sociology; Aesthetics; Isolation (microbiology); Art; Humanities; Literature; Philosophy; Narrative; Linguistics","retraction":null,"screen_n_in":null,"score":{"opus":0.03512219990378265,"gpt":0.2801499890204314,"spread":0.2450277891166487,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004254251,0.0002098097,0.0003101092,0.00003289608,0.0008974011,0.0001285033,0.000435222,0.00009440952,0.00009026063],"category_scores_gemma":[0.0006103191,0.0001966183,0.00007963963,0.0007336958,0.0009261541,0.0007301622,0.0001337431,0.0004468295,0.0001095788],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00008284292,"about_ca_system_score_gemma":0.0002071901,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00008110444,"about_ca_topic_score_gemma":0.00005000542,"domain_scores_codex":[0.9981086,0.0001937945,0.0002818613,0.0003584282,0.0005223511,0.0005349136],"domain_scores_gemma":[0.9988248,0.0005155057,0.0001754252,0.0001780286,0.0001080047,0.0001982594],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001114795,0.00006947543,0.1491613,0.0003370555,0.0001177829,0.0000430041,0.7333111,0.0002874299,0.001574769,0.008103947,0.06022235,0.04666039],"study_design_scores_gemma":[0.0003110945,0.00009411676,0.001093616,0.00009477996,0.00002257525,0.000001822133,0.0102715,0.00064917,0.0004940534,0.00008063967,0.9865238,0.0003628444],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6213262,0.003406083,0.0007631555,0.01986012,0.002425308,0.0006262122,0.00002481845,0.0008917311,0.3506764],"genre_scores_gemma":[0.9850954,0.001333194,0.00709195,0.004250168,0.001728609,0.00002281066,0.00000750744,0.00002803319,0.0004423427],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9263014,"threshold_uncertainty_score":0.8017861,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4363677457","doi":"10.5325/comeperf.20.1.0158","title":"La vida es sueño, de Pedro Calderón de la Barca. Versión de Virtudes Serrano","year":2023,"lang":"es","type":"article","venue":"Comedia Performance","topic":"Historical and Modern Theater Studies","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"MacEwan University","funders":"","keywords":"Art; Humanities; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.02140224551726846,"gpt":0.3163675135402381,"spread":0.2949652680229697,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001009819,0.0003680629,0.0004701752,0.0002201183,0.0004503434,0.0000736972,0.0005749481,0.0004166857,0.0003192857],"category_scores_gemma":[0.0001186427,0.000353967,0.0001534098,0.0004498415,0.0006282879,0.0001225139,0.0002661698,0.0007008285,0.001552702],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000415042,"about_ca_system_score_gemma":0.0002082856,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001957944,"about_ca_topic_score_gemma":0.00003248655,"domain_scores_codex":[0.9973217,0.0005199914,0.0003240847,0.000454844,0.0002698434,0.001109488],"domain_scores_gemma":[0.9981531,0.0009415902,0.0000892866,0.0004521647,0.00004704339,0.0003168189],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005308248,0.0005364349,0.7581354,0.001458544,0.0005560193,0.000695473,0.08273181,0.0003277302,0.003450472,0.002315371,0.09433538,0.0549265],"study_design_scores_gemma":[0.001284388,0.0002998114,0.3969648,0.0002358932,0.0001231159,0.00009547962,0.0007443735,0.003221208,0.0008461227,0.0002769176,0.5953958,0.0005121012],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9665856,0.002278049,0.0002695839,0.001093302,0.001270942,0.0001638827,0.0000401243,0.0003109027,0.02798758],"genre_scores_gemma":[0.9818372,0.007426904,0.000201682,0.0004169359,0.0005960505,0.0001136457,0.00001821392,0.00006540958,0.009324002],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5010604,"threshold_uncertainty_score":0.9998912,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4286645021","doi":"10.5325/comeperf.19.1.0001","title":"Introduction. Confronting the Challenges of the 21st Century","year":2022,"lang":"en","type":"article","venue":"Comedia Performance","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"MacEwan University","funders":"","keywords":"Political science; Engineering ethics; Engineering","retraction":null,"screen_n_in":null,"score":{"opus":0.03345141687952738,"gpt":0.2021626319627542,"spread":0.1687112150832268,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000196843,0.00007123114,0.0001048427,0.00002038939,0.001237506,0.00002139177,0.0002988166,0.000006989673,0.0005516628],"category_scores_gemma":[0.00001265724,0.0000381649,0.00005025245,0.00003240578,0.0003902197,0.0001012109,0.000217169,0.0001905672,0.0000136334],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001619834,"about_ca_system_score_gemma":0.00001496086,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001546129,"about_ca_topic_score_gemma":0.00005586457,"domain_scores_codex":[0.9993613,0.00003776826,0.0001379089,0.0001025008,0.0002169275,0.0001436404],"domain_scores_gemma":[0.9995503,0.00003651833,0.00009974516,0.0002575235,0.00004633915,0.000009617231],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004059452,0.0001138444,0.006232196,0.0001765324,0.0001366761,4.60742e-7,0.3032527,0.0003461936,0.00007880585,0.534452,0.0699611,0.0852089],"study_design_scores_gemma":[0.00009034562,0.00003865987,0.007423316,0.000008394361,0.00000984222,0.000002007464,0.04204203,0.0001031332,0.00006286855,0.0001198791,0.9500399,0.00005965358],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8156251,0.02830872,5.325315e-7,0.02367987,0.007068474,0.0002646605,0.00001727929,0.00004851482,0.1249869],"genre_scores_gemma":[0.9928541,0.003365204,0.000001953995,0.0001396191,0.001537884,0.00004937353,0.000001426676,0.000007302127,0.002043196],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8800788,"threshold_uncertainty_score":0.9518021,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4286644660","doi":"10.5325/comeperf.19.1.0028","title":"Aesthetics and the Staging of Sexual Violence in Cervantes and Lope","year":2022,"lang":"en","type":"article","venue":"Comedia Performance","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Concordia University","funders":"","keywords":"Aristocracy (class); Romance; Power (physics); Relation (database); Monarchy; Politics; Privilege (computing); Honor; Literature; Art; Theatrical production; Aesthetics; Sociology; Law; Drama; Political science","retraction":null,"screen_n_in":null,"score":{"opus":0.011147466736818,"gpt":0.1832251319175033,"spread":0.1720776651806853,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002494928,0.00006646893,0.0001176617,0.00004518717,0.0002176632,0.00005345919,0.0001193066,0.000009533717,0.0000708151],"category_scores_gemma":[0.000008510362,0.00004715782,0.000006448327,0.00003306566,0.0004533187,0.0001383707,0.0001592577,0.0002121848,6.76305e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000008618529,"about_ca_system_score_gemma":0.00001350319,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00005940268,"about_ca_topic_score_gemma":0.0001067073,"domain_scores_codex":[0.9994863,0.0000383092,0.0001320774,0.0001025507,0.0001293931,0.0001113541],"domain_scores_gemma":[0.9997187,0.00007247077,0.00005259115,0.0001167523,0.00002268032,0.00001682634],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002234423,0.0000775587,0.4163406,0.0003791063,0.0000167643,0.000008977959,0.4547445,0.0002394715,0.0000725475,0.08019283,0.0003387753,0.04736534],"study_design_scores_gemma":[0.01342834,0.002384028,0.2657223,0.001036714,0.0001266083,0.0001309434,0.1606409,0.2165184,0.0003698217,0.01352283,0.3244,0.001719073],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.996757,0.001794508,0.000002045746,0.0003036538,0.0001340647,0.0001013342,0.00001705706,0.000009642655,0.0008807416],"genre_scores_gemma":[0.9989722,0.0003863327,0.00001984104,0.000204988,0.00004403626,0.00001776461,0.000003838285,0.000007012743,0.0003439749],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3240613,"threshold_uncertainty_score":0.192304,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4286645218","doi":"10.5325/comeperf.19.1.0070","title":"Academics in Practice: Moving Beyond Appreciation","year":2022,"lang":"en","type":"article","venue":"Comedia Performance","topic":"Theater, Performance, and Music History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"MacEwan University","funders":"","keywords":"Coronavirus disease 2019 (COVID-19); Visual arts; Sociology; Art; Medicine","retraction":null,"screen_n_in":null,"score":{"opus":0.02092960040056276,"gpt":0.2179061253144582,"spread":0.1969765249138955,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005906491,0.0001251213,0.0001538087,0.0002200525,0.000649562,0.00003857383,0.0002605034,0.00003673508,0.001054901],"category_scores_gemma":[0.00003078174,0.0001310218,0.0000343844,0.00009571915,0.0001205152,0.0007983404,0.0001245673,0.0006046556,0.00009543156],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003045328,"about_ca_system_score_gemma":0.00008021485,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00003573891,"about_ca_topic_score_gemma":0.00008780265,"domain_scores_codex":[0.9988269,0.00005517205,0.0003155945,0.000190743,0.0003177395,0.0002938934],"domain_scores_gemma":[0.9994877,0.00008008144,0.0001531024,0.0001895987,0.00004095052,0.00004854764],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004499089,0.0006264502,0.02347513,0.0003112332,0.0000662097,0.00003046994,0.6447657,0.003269986,0.0003923331,0.08388115,0.06207946,0.1806519],"study_design_scores_gemma":[0.0004215293,0.00008840373,0.001181661,0.00001258313,0.00001106712,0.000008351128,0.005755059,0.003669468,0.00002465457,0.00006952155,0.9885785,0.0001792176],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8399459,0.0005584042,0.000004214255,0.0003428929,0.003468754,0.0002229001,0.00001789009,0.0000855601,0.1553536],"genre_scores_gemma":[0.9902247,0.0002918058,0.00006254741,0.001324595,0.0008223291,0.0002134508,0.00005411747,0.00002179817,0.006984711],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.926499,"threshold_uncertainty_score":0.9998583,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4396509515","doi":"10.5325/comeperf.21.0004","title":"Henry Wells Sullivan (1942–2023)","year":2024,"lang":"en","type":"article","venue":"Comedia Performance","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Environmental science","retraction":null,"screen_n_in":null,"score":{"opus":0.01886522640295656,"gpt":0.2142189615282606,"spread":0.195353735125304,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001398156,0.000188157,0.0001670057,0.0001303043,0.0002072214,0.0006644367,0.0002631192,0.00006639508,0.003802543],"category_scores_gemma":[0.000009201059,0.0001549574,0.0000780105,0.00007959496,0.0002074781,0.0006767836,0.00006627016,0.000401363,0.003831793],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003885351,"about_ca_system_score_gemma":0.00005104441,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001194909,"about_ca_topic_score_gemma":0.00005766169,"domain_scores_codex":[0.9988986,0.0000170659,0.0002144325,0.0002795071,0.0002514425,0.0003389452],"domain_scores_gemma":[0.9994479,0.00007088254,0.00002750973,0.0002982668,0.00006255678,0.00009292367],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004194821,0.0001170382,0.003315952,0.00141079,0.000148512,0.0001516799,0.1243047,0.00002624513,0.0003515022,0.2623197,0.5696844,0.03812755],"study_design_scores_gemma":[0.00009923927,0.00006979036,0.0007472494,0.0001918651,0.00001459719,0.000008690311,0.0002426603,0.002281312,0.0001228842,0.0004748015,0.9955222,0.0002247206],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6953104,0.009070107,0.00002395023,0.001497648,0.009965178,0.0002493908,0.000101131,0.000685832,0.2830964],"genre_scores_gemma":[0.8852528,0.0002758,0.00005867383,0.0005369532,0.002470528,0.00002125623,0.00006023876,0.00003898996,0.1112847],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4258378,"threshold_uncertainty_score":0.9971081,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4396520330","doi":"10.5325/comeperf.21.0371","title":"<i>Los empeños de una casa</i>, de Sor Juana Inés de la Cruz. EFE TRES Teatro and Teatro de los Sótanos, Corner Stage, University of Alberta, April 19, 2023, and Elder Jerry Wood Atrium, Allard Hall, MacEwan University, April 20, 2023","year":2024,"lang":"es","type":"article","venue":"Comedia Performance","topic":"Latin American and Latino Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"MacEwan University","funders":"","keywords":"Art; Humanities","retraction":null,"screen_n_in":null,"score":{"opus":0.009574732460620003,"gpt":0.2639740174380259,"spread":0.2543992849774059,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0007218984,0.0004142405,0.0005835553,0.0002392051,0.0008514446,0.0001626083,0.0005724006,0.0003431826,0.0002000607],"category_scores_gemma":[0.0001400846,0.0004353885,0.0001604507,0.0008174895,0.002362067,0.0004973101,0.0005882314,0.0006147735,0.00001873396],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004934134,"about_ca_system_score_gemma":0.001337891,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01356754,"about_ca_topic_score_gemma":0.007466964,"domain_scores_codex":[0.9973018,0.0005040715,0.0002761701,0.0005905818,0.000408117,0.0009192528],"domain_scores_gemma":[0.9978052,0.00105091,0.0002122092,0.0003141811,0.000100141,0.0005173539],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005470735,0.0003444956,0.8412938,0.002592833,0.001107626,0.0006160559,0.08613902,0.0001568482,0.001659054,0.005089181,0.04317112,0.01728292],"study_design_scores_gemma":[0.003111816,0.0006892112,0.4294483,0.001126664,0.001036057,0.00008564055,0.0460139,0.0116273,0.0003297218,0.0002743117,0.5047557,0.001501396],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9623338,0.004790974,0.0001457939,0.001386833,0.0001941972,0.0003637277,0.0002212487,0.0000921906,0.03047125],"genre_scores_gemma":[0.9380935,0.03913302,0.001095439,0.0001881475,0.0001816695,0.000002058438,0.0000126756,0.00003355359,0.02125997],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4615846,"threshold_uncertainty_score":0.9998098,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4396509596","doi":"10.5325/comeperf.21.0010","title":"Honoring the Memory of Donald R. Larson (1935–2022)","year":2024,"lang":"en","type":"article","venue":"Comedia Performance","topic":"Academic Freedom and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Psychology; Psychoanalysis","retraction":null,"screen_n_in":null,"score":{"opus":0.02428693739232105,"gpt":0.2954839583064378,"spread":0.2711970209141168,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007189962,0.00006569933,0.00009305443,0.00004673959,0.0002229073,0.00002784804,0.0003653837,0.0000814086,0.0001479204],"category_scores_gemma":[0.00007588835,0.0000464169,0.00004684706,0.0002944286,0.0004912451,0.000184654,0.00005250558,0.0002954826,0.00009501787],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004966413,"about_ca_system_score_gemma":0.0001654493,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002116631,"about_ca_topic_score_gemma":0.0001025693,"domain_scores_codex":[0.9991322,0.00004498961,0.0001511459,0.0001011029,0.0003097602,0.0002607646],"domain_scores_gemma":[0.9994408,0.0002948861,0.00003320857,0.0001380964,0.00003063594,0.00006240216],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002627627,0.00005751574,0.06105291,0.0009707578,0.0001198599,0.00001663958,0.184129,0.0001358113,0.001006026,0.3226814,0.2325192,0.1972846],"study_design_scores_gemma":[0.00007395665,0.00002294498,0.004618688,0.0001184207,0.0000183899,0.000002118431,0.001990944,0.001634597,0.000880729,0.001106351,0.9894227,0.0001101704],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8791046,0.006737862,0.00003281016,0.005448203,0.004475365,0.0001459605,0.00001011869,0.0001089187,0.1039362],"genre_scores_gemma":[0.9895621,0.002872915,0.00003952306,0.0002334113,0.001507229,0.000009784571,0.000001973385,0.00000812548,0.005764954],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7569035,"threshold_uncertainty_score":0.1892826,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}