{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":16,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":16,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"8006edf5e40f","filters":{"venue":"Comitatus"}},"results":[{"id":"W2059092693","doi":"10.1353/cjm.2013.0000","title":"Adversus paganos : Disaster, Dragons, and Episcopal Authority in Gregory of Tours","year":2013,"lang":"en","type":"article","venue":"Comitatus","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":20,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"History; Plague (disease); Flood myth; Blame; Narrative; Historiography; Ancient history; Art; Archaeology; Literature; Psychology","authors":[{"name":"David J. Patterson","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01926380493740626,"gpt":0.2106667785877372,"spread":0.191402973650331,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000502336,0.0002737572,0.0001611547,0.0008691538,0.01008658,0.003102374,0.0004149804,0.001682863,0.002617487],"category_scores_gemma":[0.0008646507,0.0001716593,0.00007149002,0.0007707241,0.01702465,0.002138512,0.003466313,0.001837724,0.0001815799],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003905562,"about_ca_system_score_gemma":0.0009985127,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01493754,"about_ca_topic_score_gemma":0.03993957,"domain_scores_codex":[0.999587,0.0002388909,0.000007221941,0.00004303058,0.00002685189,0.00009696286],"domain_scores_gemma":[0.9997322,0.0001406083,0.00004866128,0.00001361464,0.00001208006,0.0000528813],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002620428,0.000009306793,0.001921645,0.00006545303,0.000002034444,0.001296735,0.8125908,0.00003184786,0.0001509938,0.1692226,0.009200704,0.005481768],"study_design_scores_gemma":[0.000009198535,0.00004357299,0.008655861,0.0004403655,0.000005631103,0.001063029,0.4161777,0.00003874981,0.0001686831,0.01019978,0.5631827,0.00001466613],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6270258,0.02276064,0.0003966573,0.03107695,0.0006964547,0.00002084614,0.00004585835,0.00003204177,0.3179448],"genre_scores_gemma":[0.9832797,0.002213729,0.00007138457,0.001057683,0.0001661313,0.00000566985,0.000007430309,0.00001146629,0.01318692],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01493754,"threshold_uncertainty_score":0.02970123,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W238785148","doi":"10.1353/cjm.2006.0030","title":"Suspended Animation: Pain, Pleasure and Punishment in Medieval Culture by Robert Mills (review)","year":2006,"lang":"en","type":"article","venue":"Comitatus","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Pleasure; Scholarship; Work (physics); Capital (architecture); Sociology; Law; Political science; Psychology; Visual arts; Engineering; Art","authors":[{"name":"Jessica Andruss","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01083074941600998,"gpt":0.2083509917296004,"spread":0.1975202423135904,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007827436,0.0008397003,0.001252252,0.002135002,0.0005878975,0.002302456,0.0009984571,0.001778538,0.009487352],"category_scores_gemma":[0.001981275,0.0004996727,0.0006010308,0.002332,0.001280564,0.002443941,0.001292543,0.003203578,0.002372525],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0012326,"about_ca_system_score_gemma":0.002140419,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008225868,"about_ca_topic_score_gemma":0.01290172,"domain_scores_codex":[0.9995859,0.0001096424,0.00005513713,0.00005473174,0.000158279,0.00003629185],"domain_scores_gemma":[0.9993182,0.000327118,0.0001062115,0.00001446069,0.0001764376,0.00005744207],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000986192,0.00005958186,0.0002310878,0.03144852,0.0001420761,0.0001205242,0.0004812983,0.0000924977,0.0002073691,0.003899705,0.3803895,0.5828292],"study_design_scores_gemma":[0.00003200891,0.00007420368,0.002526851,0.03228805,0.0001270081,0.0007855507,0.0004463521,0.00002393546,0.00005553657,0.0005658677,0.9630496,0.00002502055],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.00002581491,0.9984065,0.000005555656,0.0006871314,0.0004027629,0.000001938246,0.000004784076,0.000001351771,0.0004641792],"genre_scores_gemma":[0.0004847361,0.9964308,0.00002540657,0.001215131,0.0007800711,0.000007467458,0.00001383678,0.000001632877,0.001040884],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.009487352,"threshold_uncertainty_score":0.0317384,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2075814881","doi":"10.1353/cjm.2011.0017","title":"Becoming Venetian: Immigrants and the Arts in Early Modern Venice by Blake de Maria (review)","year":2011,"lang":"en","type":"article","venue":"Comitatus","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Vernacular; Painting; Art; Architecture; Identity (music); Population; Relation (database); Art history; Literature; History; Visual arts; Classics; Sociology; Aesthetics","authors":[{"name":"Rossella Pescatori","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04193391302610034,"gpt":0.2279548249849854,"spread":0.1860209119588851,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006236135,0.000624848,0.001014636,0.002038273,0.0005752846,0.002196829,0.0007171025,0.001536024,0.005640707],"category_scores_gemma":[0.001652734,0.0003312234,0.000578356,0.003223114,0.0009507969,0.001861797,0.001039166,0.001662312,0.0006081483],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0009071515,"about_ca_system_score_gemma":0.002737612,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01075675,"about_ca_topic_score_gemma":0.01999961,"domain_scores_codex":[0.9996985,0.00009100794,0.00004586985,0.00005350009,0.00007456966,0.0000364769],"domain_scores_gemma":[0.9993656,0.0003809076,0.0001216021,0.000009490644,0.00006903375,0.00005334597],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002124718,0.0001122641,0.001908419,0.1297391,0.0002807528,0.0004766862,0.003638335,0.00009953015,0.0002509639,0.004781408,0.07856654,0.7799335],"study_design_scores_gemma":[0.00003924739,0.0001972455,0.01950601,0.1749655,0.0005597494,0.003035029,0.005986588,0.00003940912,0.0001185586,0.0005374919,0.794965,0.00005006947],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0002230745,0.9991068,0.000002859161,0.0002459048,0.0001043624,0.000001573576,0.000005759641,4.55033e-7,0.0003092107],"genre_scores_gemma":[0.001950362,0.9972212,0.00002088444,0.0003303941,0.0001898213,0.000007160257,0.00001938378,6.852035e-7,0.0002600869],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.01075675,"threshold_uncertainty_score":0.02138829,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2166378990","doi":"10.1353/cjm.2013.0025","title":"Creating Magnificence in Renaissance Florence by Peter Howard (review)","year":2013,"lang":"en","type":"article","venue":"Comitatus","topic":"Historical Economic and Social Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"The Renaissance; Art; Art history; Classics","authors":[{"name":"Guido Rebecchini","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03295750231128306,"gpt":0.2202639784532904,"spread":0.1873064761420074,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001087348,0.000885431,0.001181039,0.002628126,0.0006046659,0.002697829,0.001184095,0.001933969,0.00732705],"category_scores_gemma":[0.003805604,0.0003416162,0.0005330256,0.004601539,0.001262222,0.003478834,0.001232615,0.003002644,0.001849569],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001734119,"about_ca_system_score_gemma":0.00397478,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008272576,"about_ca_topic_score_gemma":0.01295893,"domain_scores_codex":[0.9993942,0.0001890738,0.00006064291,0.00009200844,0.0002019299,0.00006218672],"domain_scores_gemma":[0.9985924,0.0007158863,0.0002216196,0.00002130164,0.0003040776,0.0001446898],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007072744,0.00003968729,0.0003815603,0.03142417,0.0001495901,0.0001671436,0.0007360431,0.0001460627,0.0001812186,0.006238566,0.5197976,0.4406677],"study_design_scores_gemma":[0.00002394029,0.00003260288,0.002062986,0.01743468,0.00009724237,0.0004847969,0.0004412503,0.0000284665,0.00006411962,0.00108881,0.978214,0.00002709282],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.00005520922,0.9956301,0.0000133796,0.003068873,0.0006494304,0.00000259491,0.000005404653,0.000002119648,0.0005729384],"genre_scores_gemma":[0.00150117,0.9932641,0.00004818342,0.002726249,0.001424971,0.00001172603,0.00002499344,0.000002799267,0.0009958114],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.008272576,"threshold_uncertainty_score":0.0245114,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2095543816","doi":"10.1353/cjm.2006.0024","title":"From Judgment to Passion: Devotion to Christ and the Virgin Mary, 800–1200 by Rachel Fulton (review)","year":2006,"lang":"en","type":"article","venue":"Comitatus","topic":"Historical Studies of British Isles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Theme (computing); Politics; Narrative; Argument (complex analysis); History; Settlement (finance); Classics; Sociology; Literature; Political science; Law; Art","authors":[{"name":"Dana M. Polanichka","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008467132053800798,"gpt":0.1975687166015001,"spread":0.1891015845476993,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001162693,0.0008868441,0.001148019,0.002028293,0.001042633,0.002878395,0.001103736,0.002519262,0.01192736],"category_scores_gemma":[0.005020454,0.0005557633,0.0003601925,0.002965821,0.002178625,0.004125257,0.001610798,0.004699211,0.004369251],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003022902,"about_ca_system_score_gemma":0.006007168,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01828789,"about_ca_topic_score_gemma":0.04099097,"domain_scores_codex":[0.9992858,0.0001874207,0.00007371769,0.00009018533,0.0002981987,0.00006480164],"domain_scores_gemma":[0.9983947,0.0008364594,0.0001815433,0.00003367777,0.0003906059,0.0001630006],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004543697,0.0000330683,0.0001161184,0.01118504,0.00004418277,0.000113613,0.0006387844,0.00007106232,0.00007627446,0.005054258,0.6101812,0.3724409],"study_design_scores_gemma":[0.00001103012,0.00001831476,0.0008947992,0.01319755,0.00001923056,0.0002785795,0.0004188152,0.000009849316,0.00002278191,0.0008815048,0.9842366,0.00001099938],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.00003047822,0.9955337,0.00001232385,0.001997227,0.0009813961,0.000002859287,0.000007233545,0.000002058046,0.001432768],"genre_scores_gemma":[0.0006584755,0.9922707,0.00003019776,0.002460194,0.001237712,0.00001249409,0.00002178474,0.000004415383,0.003303943],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.01828789,"threshold_uncertainty_score":0.03990102,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2017226528","doi":"10.1353/cjm.2007.0003","title":"Chaucer’s Queer Poetics. Rereading the Dream Trio by Susan Schibanoff (review)","year":2007,"lang":"en","type":"article","venue":"Comitatus","topic":"Historical Studies of British Isles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Paradise; Anachronism; Poetics; Literature; Dream; Order (exchange); Theme (computing); Art; White (mutation); Disappointment; Art history; History; Philosophy; Poetry; Politics","authors":[{"name":"Kevin Teo","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02244426191742148,"gpt":0.2362908763869386,"spread":0.2138466144695171,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002183625,0.001057337,0.001177358,0.002446314,0.0008593983,0.004363985,0.00129089,0.003152492,0.01357207],"category_scores_gemma":[0.005472346,0.000589783,0.0005597664,0.003663766,0.002497969,0.006110287,0.001854011,0.006110716,0.008030634],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002627522,"about_ca_system_score_gemma":0.005920825,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01153555,"about_ca_topic_score_gemma":0.01671661,"domain_scores_codex":[0.9990041,0.0002846386,0.00007897858,0.0001484661,0.0003914956,0.00009238764],"domain_scores_gemma":[0.9979185,0.001014755,0.0001942959,0.00006995261,0.0005794053,0.0002229879],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001874674,0.00001021171,0.00005460028,0.002307711,0.00002347668,0.00004689526,0.0002028615,0.00003478913,0.00005674375,0.006308512,0.8772593,0.1136762],"study_design_scores_gemma":[0.000004261993,0.000005761452,0.0001428405,0.002254201,0.000005853901,0.00008965664,0.0001089058,0.000005459528,0.0000124447,0.0009979351,0.9963681,0.000004592029],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.00001716457,0.9812728,0.00003692706,0.01271655,0.003877091,0.000002758921,0.00001979989,0.000006233967,0.002050597],"genre_scores_gemma":[0.0007877974,0.9642583,0.000102449,0.01826975,0.008584739,0.0000190795,0.00007209271,0.00002079878,0.007885127],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.01357207,"threshold_uncertainty_score":0.04540306,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2052785478","doi":"10.1353/cjm.2007.0030","title":"Sins of the Flesh: Responding to Sexual Disease in Early Modern Europe ed. by Kevin Siena (review)","year":2007,"lang":"en","type":"article","venue":"Comitatus","topic":"Historical Studies on Reproduction, Gender, Health, and Societal Changes","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Early modern Europe; History; Art history; Art; Classics","authors":[{"name":"Lauren Coker","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05048900087784251,"gpt":0.2797718402071243,"spread":0.2292828393292818,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00106762,0.00104588,0.00142037,0.002448332,0.0004955593,0.002474746,0.0009013861,0.001881714,0.005909047],"category_scores_gemma":[0.002287551,0.0005330817,0.0006085044,0.003429977,0.0009646758,0.002966265,0.001392873,0.002794913,0.002438031],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001236,"about_ca_system_score_gemma":0.002537299,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004293705,"about_ca_topic_score_gemma":0.007657576,"domain_scores_codex":[0.999458,0.000180487,0.00007480512,0.00006962066,0.0001665619,0.00005052795],"domain_scores_gemma":[0.99925,0.0003548485,0.0001395737,0.00001454728,0.0001798634,0.00006113327],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007459187,0.00004560592,0.0002780019,0.0298322,0.0001150656,0.0002248287,0.0008718511,0.0001411944,0.0003201752,0.004534299,0.443672,0.5198902],"study_design_scores_gemma":[0.00001390288,0.00005185817,0.001585721,0.02960207,0.00006813476,0.001091007,0.0006055709,0.0000254231,0.00006420715,0.0006469373,0.9662234,0.00002175355],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.00002434577,0.9982596,0.00001104051,0.0008258674,0.0005140498,0.000001883808,0.000004749833,0.000001255045,0.0003571584],"genre_scores_gemma":[0.0003368486,0.9971002,0.00003344539,0.001069796,0.0006438256,0.000007200368,0.00001090936,0.000001359763,0.0007963297],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.005909047,"threshold_uncertainty_score":0.01976776,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2754102236","doi":"10.1353/cjm.2017.0023","title":"Dante's Idea of Friendship: The Transformation of a Classical Concept by Filippa Modesto","year":2017,"lang":"en","type":"article","venue":"Comitatus","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Friendship; Happiness; Rhetoric; Scholarship; Reading (process); Philosophy; Literature; Style (visual arts); Aesthetics; Sociology; Art; Psychology; Law; Linguistics; Social science; Social psychology","authors":[{"name":"Michael Calabrese","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05361526019734531,"gpt":0.2679829137399117,"spread":0.2143676535425664,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000802859,0.000453964,0.0003252879,0.000968188,0.005137568,0.004841739,0.0007586039,0.001396791,0.004930961],"category_scores_gemma":[0.001835963,0.00016395,0.00022758,0.00104935,0.01164478,0.006130301,0.00278407,0.003845414,0.001027603],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004855507,"about_ca_system_score_gemma":0.00221302,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008746351,"about_ca_topic_score_gemma":0.01013718,"domain_scores_codex":[0.9991191,0.0004425316,0.00002024088,0.0001222625,0.000201935,0.0000940214],"domain_scores_gemma":[0.9995255,0.0002439059,0.00003488555,0.0000269055,0.00008106562,0.00008766689],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001881266,0.00001167129,0.0002411626,0.0001222995,0.000002932018,0.0002032444,0.02595052,0.00006288602,0.0001008191,0.8564041,0.09912787,0.01775365],"study_design_scores_gemma":[0.000003817839,0.000009041794,0.0004867413,0.0002548389,0.00000254311,0.0002391785,0.005692,0.00006925465,0.00005958464,0.04454106,0.9486342,0.000007853034],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.0147842,0.1382929,0.004555038,0.122204,0.007806575,0.00004047774,0.00007876616,0.00006243813,0.7121757],"genre_scores_gemma":[0.5833178,0.07583641,0.002138947,0.01284445,0.00682435,0.0001624331,0.00009528564,0.0001118171,0.3186685],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.008746351,"threshold_uncertainty_score":0.03522938,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2040749894","doi":"10.1353/cjm.2006.0008","title":"Ritual and the Rood: Liturgical Images and the Old English Poems of the Dream of the Rood Tradition by Éamonn Ó Carragáin (review)","year":2006,"lang":"en","type":"article","venue":"Comitatus","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Tragedy (event); Literature; Interpretation (philosophy); Dream; Poetry; Comics; Art; Drama; Representation (politics); Philosophy; History; Law; Linguistics","authors":[{"name":"Benjamin de Lee","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.007192055482176022,"gpt":0.172881254783805,"spread":0.165689199301629,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007331081,0.0004677302,0.000783288,0.001554698,0.0005053848,0.003083431,0.0006890105,0.00137709,0.005402379],"category_scores_gemma":[0.001433975,0.0002317987,0.0002852782,0.001782526,0.002622503,0.00283607,0.001177097,0.001862464,0.001193895],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001112115,"about_ca_system_score_gemma":0.002230647,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007290679,"about_ca_topic_score_gemma":0.01422583,"domain_scores_codex":[0.9996876,0.0001290336,0.0000304395,0.0000369824,0.0000890262,0.00002707311],"domain_scores_gemma":[0.9993761,0.0004219114,0.00008339927,0.00001208883,0.00006784919,0.00003856283],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001425361,0.00008740177,0.0006868194,0.03633935,0.0001430626,0.0004361468,0.00575772,0.00008866781,0.0003993466,0.01948483,0.1735552,0.7628789],"study_design_scores_gemma":[0.00001773182,0.00005649302,0.00329372,0.02691093,0.00004759199,0.001006024,0.002991745,0.00002148651,0.00005296289,0.001015804,0.964567,0.00001848596],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0001826263,0.9973399,0.00001337196,0.0009985146,0.0001961787,0.000002031969,0.000006742982,0.000001031314,0.001259653],"genre_scores_gemma":[0.002684988,0.9943317,0.00004158163,0.001364718,0.000594205,0.000007953533,0.00001828851,0.000003140208,0.000953416],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.007290679,"threshold_uncertainty_score":0.01807278,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2045861683","doi":"10.1353/cjm.2007.0012","title":"Courtly Love, the Love of Courtliness, and the History of Sexuality by James A. Schultz (review)","year":2007,"lang":"en","type":"article","venue":"Comitatus","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Queer; Queer theory; Poetry; Dream; Literature; Narrative; Poetics; Human sexuality; Art; Philosophy; History; Sociology; Gender studies","authors":[{"name":"Ruthemma Joy Ellison","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02205148896011941,"gpt":0.2342650357751969,"spread":0.2122135468150775,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00103939,0.0005934454,0.0009299022,0.002491464,0.0005045295,0.002192424,0.0006885155,0.001291046,0.008501181],"category_scores_gemma":[0.003228762,0.0003768316,0.0005228312,0.003948693,0.001300059,0.002287678,0.0009973547,0.002445231,0.001839872],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002126696,"about_ca_system_score_gemma":0.005461957,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01239213,"about_ca_topic_score_gemma":0.02191247,"domain_scores_codex":[0.9994311,0.0001946257,0.00006108291,0.00006796599,0.0002049188,0.00004029587],"domain_scores_gemma":[0.9984092,0.0009928066,0.0002236871,0.00002777001,0.0002429305,0.000103663],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009948285,0.00005494436,0.0005036653,0.04816935,0.0002636022,0.0001663386,0.0009437153,0.0001730411,0.0001966936,0.01247438,0.4414704,0.4954843],"study_design_scores_gemma":[0.00001690864,0.00004410038,0.002826284,0.04471027,0.0001015322,0.0004186471,0.0005109169,0.00002131973,0.00003016565,0.001216226,0.9500853,0.00001842221],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.00002073669,0.9987313,0.000003511911,0.0006926492,0.0001621701,0.000001093811,0.000006303573,4.544809e-7,0.000381789],"genre_scores_gemma":[0.0004347517,0.9979966,0.00001073192,0.0006486297,0.0003965361,0.000004212791,0.00001373431,9.269715e-7,0.0004939004],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.01239213,"threshold_uncertainty_score":0.02843928,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1998979618","doi":"10.1353/cjm.2008.0045","title":"‘Bring Furth the Pagants.’ Essays in Early English Drama Presented to Alexandra F. Johnston ed. by David N. Klausner, Karen Sawyer Marsalek (review)","year":2008,"lang":"en","type":"article","venue":"Comitatus","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Drama; Honor; History; Art history; Art; Literature","authors":[{"name":"Kevin Teo","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02588632403364115,"gpt":0.2264757938136161,"spread":0.2005894697799749,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001624958,0.001054438,0.001158135,0.00287372,0.0007734148,0.003542212,0.001097455,0.001548893,0.01352087],"category_scores_gemma":[0.004838016,0.0005502428,0.0005773305,0.003169111,0.001308242,0.002730126,0.001274899,0.002119736,0.006620117],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002511466,"about_ca_system_score_gemma":0.004863527,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01130696,"about_ca_topic_score_gemma":0.02709071,"domain_scores_codex":[0.9989483,0.0003328427,0.0001103919,0.0001302306,0.0003723341,0.0001059142],"domain_scores_gemma":[0.9974455,0.001102425,0.0003803546,0.00006038513,0.0008003848,0.0002110207],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004103224,0.00002378202,0.0002464998,0.01690897,0.00009348238,0.000102437,0.00126683,0.00003821745,0.0003275577,0.001827939,0.6334022,0.345721],"study_design_scores_gemma":[0.000009911047,0.00002272732,0.001801484,0.01116705,0.00004816902,0.0001977883,0.000849908,0.000005186343,0.0000625869,0.0002183666,0.9856065,0.0000103274],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.00007298602,0.9948949,0.00001548896,0.002256176,0.0009790706,0.000004346657,0.00002249057,0.000002961165,0.001751475],"genre_scores_gemma":[0.001539368,0.9902969,0.00004784224,0.002042118,0.001233131,0.00002313381,0.00008241808,0.000009200782,0.004725888],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.01352087,"threshold_uncertainty_score":0.04523182,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2054701785","doi":"10.1353/cjm.2009.0006","title":"Bernini and the Birth of Baroque Portrait Sculpture ed. by Andrea Bacchi, Catherine Hess, Jennifer Montagu (review)","year":2009,"lang":"en","type":"article","venue":"Comitatus","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Portrait; Skepticism; Interpretation (philosophy); Natural (archaeology); Plague (disease); Naturalism; History; Natural philosophy; Art history; Sculpture; Omen; Philosophy; Art; Classics; Ancient history; Theology; Epistemology; Archaeology","authors":[{"name":"Jennifer Wehmeier","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01038807583373823,"gpt":0.2096477369621199,"spread":0.1992596611283817,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00111373,0.001126491,0.001626396,0.004283272,0.00099338,0.004727142,0.001187516,0.002783681,0.02403343],"category_scores_gemma":[0.003450556,0.0007404689,0.00079536,0.004414014,0.002252785,0.004648341,0.002314883,0.005384266,0.01072514],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00233126,"about_ca_system_score_gemma":0.002925191,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0101323,"about_ca_topic_score_gemma":0.01446035,"domain_scores_codex":[0.9993943,0.0001691931,0.00006396048,0.0001047866,0.0002077796,0.00005990434],"domain_scores_gemma":[0.9990612,0.0004568679,0.0001214168,0.000037522,0.0002163544,0.0001066791],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004423655,0.00002531112,0.000178714,0.0113948,0.000059695,0.0001467259,0.0006939666,0.00006518327,0.0001404706,0.006372923,0.6893163,0.2915617],"study_design_scores_gemma":[0.000005539981,0.000007916797,0.0005088874,0.008414574,0.0000154364,0.0003665687,0.0001846387,0.000006119138,0.00001263768,0.0004810407,0.9899874,0.000009170457],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.00001207432,0.9963951,0.00000929922,0.001607096,0.001048032,0.00000143406,0.00001447667,0.000002736021,0.0009097899],"genre_scores_gemma":[0.0003958137,0.9927344,0.00002970986,0.001888726,0.002952598,0.00000919992,0.00004551058,0.000007746452,0.001936235],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.02403343,"threshold_uncertainty_score":0.08039981,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2515548842","doi":"10.1353/cjm.2016.0037","title":"Life in Words: Essays on Chaucer, the Gawain-Poet, and Malory by Jill Mann","year":2016,"lang":"en","type":"article","venue":"Comitatus","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Poetry; Scholarship; Literature; Knight; Subject (documents); Destiny (ISS module); Chose; Art; Prologue; Power (physics); History; Philosophy; Classics; Law","authors":[{"name":"Caitlin Santavenere","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02028101425916778,"gpt":0.2032018092072771,"spread":0.1829207949481093,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000746269,0.0006719979,0.0004054346,0.001052599,0.004138623,0.004037765,0.0004797738,0.001270154,0.01876843],"category_scores_gemma":[0.00447707,0.0002450366,0.0001564447,0.001410879,0.004976809,0.004795267,0.002043685,0.003006482,0.005391262],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005080191,"about_ca_system_score_gemma":0.003207161,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01311626,"about_ca_topic_score_gemma":0.03196296,"domain_scores_codex":[0.9994212,0.000190744,0.0000213705,0.00008335071,0.0002113449,0.00007198697],"domain_scores_gemma":[0.9988361,0.000466664,0.0001179054,0.00003698609,0.0002981313,0.0002442167],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002184785,0.0000119016,0.0002149585,0.0001438447,0.000002341426,0.00008499629,0.007582236,0.00002625475,0.0001535646,0.01879567,0.9537036,0.0192588],"study_design_scores_gemma":[0.000002396492,0.000005617743,0.001456066,0.0004886721,0.000002171694,0.00008367751,0.004936665,0.000009402639,0.00007144026,0.002277157,0.9906579,0.000008732736],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01349337,0.3042427,0.0006839078,0.2228836,0.02042549,0.00004991716,0.0003747527,0.0001265153,0.4377196],"genre_scores_gemma":[0.1912232,0.1400925,0.001140969,0.02732929,0.01467333,0.0001541711,0.0005763712,0.000518013,0.6242921],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01876843,"threshold_uncertainty_score":0.06278664,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2032668604","doi":"10.1353/cjm.2013.0015","title":"On the Causes of the Greatness and Magnificence of Cities by Giovanni Botero (review)","year":2013,"lang":"en","type":"article","venue":"Comitatus","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Greatness; Politics; Context (archaeology); Classics; Publishing; Philosophy; Literature; History; Humanities; Law; Art; Political science","authors":[{"name":"Adam Woodhouse Mowl","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03222633285810386,"gpt":0.2101083155636867,"spread":0.1778819827055828,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007492729,0.001033595,0.001438355,0.002984406,0.0006051158,0.003118363,0.001419646,0.001760042,0.01192442],"category_scores_gemma":[0.002586935,0.0003998497,0.00072196,0.006389746,0.001131067,0.002782702,0.001441247,0.00309885,0.003806551],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001929124,"about_ca_system_score_gemma":0.004485588,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009073682,"about_ca_topic_score_gemma":0.01739779,"domain_scores_codex":[0.9995152,0.0001289682,0.00005035684,0.00009862643,0.0001483798,0.00005845563],"domain_scores_gemma":[0.9990356,0.0004013682,0.0001977451,0.00001950256,0.0002379236,0.0001078838],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006493185,0.00002594468,0.0006133484,0.03019845,0.0001896303,0.0001543898,0.0004448301,0.0001615216,0.0001006077,0.005708785,0.7267864,0.2355513],"study_design_scores_gemma":[0.0000280664,0.00002635144,0.003123574,0.02261538,0.000139455,0.0004091387,0.0004488176,0.00002749797,0.00004379106,0.001196516,0.9719182,0.00002318423],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.00004791569,0.9959819,0.000009749881,0.002528612,0.0007585974,0.000002659715,0.00002325051,0.000001946706,0.0006453503],"genre_scores_gemma":[0.0009268936,0.9948663,0.00002675206,0.001923586,0.001135699,0.00001218658,0.00006956454,0.000003740828,0.001035314],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.01192442,"threshold_uncertainty_score":0.03989112,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2083934959","doi":"10.1353/cjm.2007.0033","title":"Wonderful Blood: Theology and Practice in Late Medieval Northern Germany and Beyond by Caroline Walker Bynum (review)","year":2007,"lang":"en","type":"article","venue":"Comitatus","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Interregnum; Character (mathematics); Context (archaeology); Literature; History; Reading (process); Sustenance; Classics; Art; Politics; Philosophy; Law","authors":[{"name":"Steven Rosenski","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01462873832320471,"gpt":0.2506387306004923,"spread":0.2360099922772876,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000866835,0.0005782273,0.001175755,0.002636088,0.000485206,0.001788783,0.0006533412,0.001141764,0.006119915],"category_scores_gemma":[0.001737438,0.0003330114,0.0004694446,0.00281628,0.001528263,0.002206752,0.001134446,0.0015552,0.001040222],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002133322,"about_ca_system_score_gemma":0.00408434,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01569926,"about_ca_topic_score_gemma":0.02796048,"domain_scores_codex":[0.9996608,0.0001033257,0.00004467051,0.00004883503,0.0001034329,0.00003891088],"domain_scores_gemma":[0.9994642,0.0002713342,0.0001104985,0.0000155399,0.00008530023,0.00005318116],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00010763,0.00005083632,0.0004288103,0.04044709,0.0001960011,0.0002271423,0.001668154,0.0001714437,0.0002268171,0.01044456,0.1420731,0.8039585],"study_design_scores_gemma":[0.00001678288,0.00004909011,0.003907374,0.04547023,0.0001275426,0.0006716599,0.001171066,0.00002380417,0.000049757,0.001053112,0.9474405,0.00001908391],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.00006823005,0.9987745,0.000006314182,0.000541863,0.0001927817,0.000001152771,0.000007005865,0.00000106825,0.0004070097],"genre_scores_gemma":[0.001368278,0.9972482,0.00002439681,0.0005356522,0.0002653061,0.00000478308,0.00001795405,0.000001062613,0.0005343433],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.01569926,"threshold_uncertainty_score":0.03121579,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1917886791","doi":"10.1353/cjm.2015.0016","title":"Gregory of Tours’ Poetics","year":2015,"lang":"en","type":"article","venue":"Comitatus","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Poetics; Narrative; Interpretation (philosophy); Ideology; Historiography; Repetition (rhetorical device); Literature; Surprise; Artifact (error); History; Aesthetics; Art; Computer science; Sociology; Philosophy; Linguistics; Communication; Politics; Poetry; Artificial intelligence; Law; Archaeology","authors":[{"name":"Peter Phillip Jones","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0766412567351762,"gpt":0.2386386559650393,"spread":0.1619973992298631,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002950387,0.0002002776,0.0001309299,0.0007972672,0.003647111,0.002039461,0.0002270938,0.0007277373,0.007739341],"category_scores_gemma":[0.0009314398,0.00009727037,0.00009954009,0.0007163221,0.005601648,0.0009706226,0.001219358,0.0009247441,0.0006563187],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003163144,"about_ca_system_score_gemma":0.001041141,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01996981,"about_ca_topic_score_gemma":0.05155921,"domain_scores_codex":[0.9997161,0.0001455771,0.000005015234,0.00004525279,0.00004230803,0.00004577081],"domain_scores_gemma":[0.9998093,0.0000829649,0.00002039893,0.00002361615,0.00002419741,0.0000395297],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008684461,0.00001053796,0.00223786,0.0001478416,0.000008170774,0.0009378566,0.1109922,0.000228888,0.0006293838,0.6809003,0.1499629,0.05385724],"study_design_scores_gemma":[0.000001861907,0.000007949746,0.001362446,0.00008096902,0.000001255323,0.0003073497,0.006199792,0.00004439572,0.0001260519,0.005785064,0.9860789,0.00000393818],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.09335128,0.01785698,0.001517963,0.01820465,0.0009247079,0.00002507839,0.0001707005,0.0001787014,0.86777],"genre_scores_gemma":[0.7440202,0.00348717,0.001096111,0.001464308,0.0002601545,0.00001956734,0.00006293459,0.000131853,0.2494576],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01996981,"threshold_uncertainty_score":0.03970718,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}