{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":19,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":19,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"d1ac4e58cb05","filters":{"venue":"Comparative Literature"}},"results":[{"id":"W3004625603","doi":"10.1215/00104124-7909939","title":"The Family Novel (and Its Curious Disappearance)","year":2020,"lang":"en","type":"article","venue":"Comparative Literature","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":20,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Scholarship; Ideology; Context (archaeology); Meaning (existential); Politics; Literature; History; Term (time); Separate spheres; Sociology; Gender studies; Art; Law; Philosophy; Political science; Epistemology","authors":[{"name":"Anna A. Berman","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04496354432256445,"gpt":0.2859231567727297,"spread":0.2409596124501653,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00008725245,0.00006578297,0.0001054865,0.00002988966,0.001570506,0.0009543817,0.0001811673,0.00005319068,0.00002212697],"category_scores_gemma":[0.0000564339,0.00005800508,0.00003693749,0.0003071629,0.0003632029,0.0001890554,0.00002402496,0.0002167943,0.00006197332],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006349514,"about_ca_system_score_gemma":0.0001549053,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001591097,"about_ca_topic_score_gemma":0.04316916,"domain_scores_codex":[0.9993721,0.00007108352,0.00008245061,0.0001523811,0.0001544596,0.0001675372],"domain_scores_gemma":[0.9995868,0.0000628093,0.00003610357,0.00006319611,0.00007633471,0.0001747887],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004127582,0.00001774689,0.00004017346,0.00001887382,0.00002497311,0.00001348458,0.4381574,0.000004857852,0.0007132269,0.3693403,0.1905952,0.001032473],"study_design_scores_gemma":[0.0001203178,0.00001389593,0.001097488,0.00002056518,0.000004062383,5.833247e-7,0.002244582,0.00009585836,0.00000356048,0.0002671098,0.9960533,0.00007867919],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.2701976,0.3412417,0.0001699146,0.08335999,0.001988135,0.001117014,0.0003467091,0.0002207895,0.3013581],"genre_scores_gemma":[0.9873322,0.0008958803,0.0000206897,0.002281129,0.0005256667,0.000008176558,0.000004639508,0.000004634338,0.008926943],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8054581,"threshold_uncertainty_score":0.9997293,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3165598460","doi":"10.1215/00104124-8874095","title":"“The Chalk Wall Falls to the Foam”: Reimagining Littoral Space in the Poetry of the Dover Cliffs","year":2021,"lang":"en","type":"article","venue":"Comparative Literature","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":15,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Poetry; Opposition (politics); History; Archaeology; Art history; Literature; Art; Politics; Law","authors":[{"name":"Maxwell Uphaus","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03567611820969772,"gpt":0.2694576050400493,"spread":0.2337814868303516,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0004635662,0.000251626,0.0002729732,0.00003825263,0.000826874,0.001396789,0.0007847063,0.00007881686,0.00007290991],"category_scores_gemma":[0.00008078873,0.00009206944,0.0001859706,0.0003750464,0.0002842654,0.0001722773,0.0001337189,0.001241935,0.00002044092],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002427721,"about_ca_system_score_gemma":0.00006658438,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00003401727,"about_ca_topic_score_gemma":0.001067891,"domain_scores_codex":[0.998027,0.0006362079,0.000328159,0.0003005629,0.0003634096,0.0003446753],"domain_scores_gemma":[0.998244,0.0005040059,0.0001376659,0.000741419,0.0003309609,0.0000418948],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004769785,0.00006128071,0.000598848,0.00002762255,0.00004102721,0.00001658937,0.481227,0.00001836778,0.0001094869,0.4320921,0.08543829,0.0003217742],"study_design_scores_gemma":[0.0002402825,0.00003935682,0.007716133,0.0004124189,0.0000167207,0.00001705663,0.02637898,0.0000601838,0.000191712,0.001443889,0.9633323,0.0001509714],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.496257,0.04882363,0.00002324226,0.1889833,0.005049435,0.001628115,0.0006417212,0.000103869,0.2584896],"genre_scores_gemma":[0.9532835,0.00002327085,0.00004183749,0.004966923,0.001213758,0.00003419542,0.00003084507,0.00001485452,0.04039083],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.877894,"threshold_uncertainty_score":0.9996399,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2052470280","doi":"10.1215/-56-1-54","title":"Modernism Misunderstood: Anna Banti Translates Virginia Woolf","year":2004,"lang":"en","type":"article","venue":"Comparative Literature","topic":"Translation Studies and Practices","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Modernism (music); Art; Art history","authors":[{"name":"Nicoletta Pireddu","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09046860275118844,"gpt":0.3066320343807168,"spread":0.2161634316295284,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00007399319,0.000256112,0.0003070167,0.00008114339,0.0005811246,0.0006402627,0.0001530247,0.00007014831,0.0006221029],"category_scores_gemma":[0.000001953816,0.0002006126,0.0001309154,0.00008178215,0.0002192119,0.0008445193,0.00001257072,0.0003558302,0.0001933674],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000015256,"about_ca_system_score_gemma":0.00002496349,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000024932,"about_ca_topic_score_gemma":0.0004218709,"domain_scores_codex":[0.9989653,0.00006136823,0.0002378615,0.0002958146,0.0001857184,0.0002539486],"domain_scores_gemma":[0.999428,0.00009223766,0.00009350704,0.0001792223,0.0001360995,0.00007095921],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001826536,0.0001925544,0.00005237336,0.00006668631,0.0002598755,0.00002355521,0.6086187,0.0003117751,0.0002995566,0.3789988,0.009153464,0.001840096],"study_design_scores_gemma":[0.0008883833,0.00009822012,0.0001493224,0.0001033114,0.00003791833,0.000005885233,0.004100897,0.00006618739,0.0001868347,0.0178926,0.976183,0.0002874375],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1034162,0.07592884,0.004028276,0.02043505,0.002175384,0.0008518911,0.0006238662,0.0005281788,0.7920123],"genre_scores_gemma":[0.9951687,0.0001899073,0.0004343142,0.0007711645,0.0005436321,0.00001658352,0.00008007111,0.00001653477,0.002779084],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9670295,"threshold_uncertainty_score":0.8180744,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2804659755","doi":"10.1215/00104124-6817419","title":"Children on the Boat: The Recuperative Work of Postmemory in Short Fiction of the Vietnamese Diaspora","year":2018,"lang":"en","type":"article","venue":"Comparative Literature","topic":"Vietnamese History and Culture Studies","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Vietnamese; Diaspora; Memoir; Narrative; Refugee; Silence; History; Biography; Sociology; Gender studies; Genealogy; Literature; Art history; Art; Aesthetics; Archaeology; Linguistics; Philosophy","authors":[{"name":"Alexandra Kurmann","is_ca":false},{"name":"Tess Do","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03326139921052416,"gpt":0.3078468104173236,"spread":0.2745854112067994,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005714312,0.0001517065,0.0002475417,0.0000321612,0.001203102,0.00003477502,0.0004563434,0.00009621341,0.00006573361],"category_scores_gemma":[0.0001551373,0.00006385351,0.00012632,0.001105797,0.001667538,0.0001203132,0.00005960116,0.0004449294,0.000005346348],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000573019,"about_ca_system_score_gemma":0.00006575263,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00002461112,"about_ca_topic_score_gemma":0.0006295365,"domain_scores_codex":[0.9981321,0.0009532822,0.0002286281,0.0001960372,0.0003240071,0.000165973],"domain_scores_gemma":[0.9991081,0.0001183067,0.0001056473,0.0003241174,0.000320474,0.00002334964],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"observational","study_design_scores_codex":[0.0001237773,0.00008598224,0.006592018,0.000002988303,0.00005686207,4.059186e-7,0.931139,0.000007781559,0.0001818461,0.0208589,0.04081094,0.0001395218],"study_design_scores_gemma":[0.000396817,0.0004384968,0.5802606,0.001013607,0.00006520871,0.000002017933,0.3590073,0.00001228864,0.003243365,0.002705847,0.05248012,0.000374338],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9307838,0.003506988,0.000002300492,0.005488862,0.0005440934,0.0007934022,0.00003379137,0.00001286607,0.05883391],"genre_scores_gemma":[0.9983009,0.00003408896,0.00001004296,0.0003880396,0.0003918843,0.00003499168,0.000004538569,0.00000445925,0.000831129],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5736686,"threshold_uncertainty_score":0.9253407,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2156860759","doi":"10.1215/00104124-2009-019","title":"Accenting the French in Comparative American Studies","year":2009,"lang":"en","type":"article","venue":"Comparative Literature","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"French; Stress (linguistics); Field (mathematics); Anthropology; Ethnology; American studies; History; Sociology; Genealogy; Gender studies; Humanities; Art; Linguistics; Philosophy; Archaeology","authors":[{"name":"Mary Jean Green","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06816828609679167,"gpt":0.3777451599873913,"spread":0.3095768738905996,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002857884,0.0001110317,0.0003026213,0.0002510071,0.001091532,0.0006198924,0.000299645,0.0000397202,0.00004773307],"category_scores_gemma":[0.0000644502,0.00009570681,0.00006532399,0.001280081,0.001078312,0.0003056336,0.00002101958,0.0003734671,0.00003820497],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004163719,"about_ca_system_score_gemma":0.0001719917,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.01556619,"about_ca_topic_score_gemma":0.6123965,"domain_scores_codex":[0.9987276,0.0003835582,0.0001747523,0.0002089007,0.0002177178,0.0002874698],"domain_scores_gemma":[0.9993173,0.000183804,0.000112006,0.0001478888,0.0001637228,0.00007522282],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001038908,0.00005930785,0.0008574997,0.000003728254,0.0000281643,0.0000162651,0.8347336,0.00002346724,0.000028084,0.03873973,0.1231899,0.002309838],"study_design_scores_gemma":[0.0001550318,0.00005350382,0.07222317,0.0001013954,0.000008543282,8.597087e-7,0.05618491,0.00002078447,0.00000942241,0.002648897,0.8684203,0.0001731847],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7711994,0.0331553,0.00001293009,0.01090962,0.0006656904,0.0005924062,0.00003139983,0.00008075649,0.1833525],"genre_scores_gemma":[0.9922476,0.0002447394,0.00008116201,0.0009175884,0.0002628878,0.00001140671,0.000006519213,0.000002135194,0.006225987],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7785487,"threshold_uncertainty_score":0.9909892,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2106071397","doi":"10.1215/00104124-2009-020","title":"The Trans-American Outcast and Figurations of Displacement","year":2009,"lang":"en","type":"article","venue":"Comparative Literature","topic":"Latin American and Latino Studies","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Reading (process); Immigration; Order (exchange); Displacement (psychology); Sociology; History; Literature; Art; Political science; Archaeology; Law; Psychoanalysis; Psychology; Economics","authors":[{"name":"Amaryll Chanady","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02603431687565038,"gpt":0.3591521139092999,"spread":0.3331177970336495,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001182835,0.00007410494,0.0001532833,0.00001771261,0.0006359522,0.0001149849,0.000111113,0.00001589432,0.000008305934],"category_scores_gemma":[0.0000315005,0.00004515334,0.00003357274,0.0003351073,0.0006080801,0.0001102953,0.000009057461,0.00008891131,7.937942e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001233773,"about_ca_system_score_gemma":0.00002779235,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00002834707,"about_ca_topic_score_gemma":0.0001847761,"domain_scores_codex":[0.9993501,0.0001457653,0.0001243906,0.0001041818,0.0001417918,0.0001337213],"domain_scores_gemma":[0.9994897,0.0001810637,0.00008756949,0.00009718153,0.00009879771,0.00004575013],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002992628,0.00006299975,0.001649369,0.000004066764,0.00004945336,8.869867e-7,0.3967179,0.00000662909,0.0002943941,0.5716467,0.007585233,0.0219524],"study_design_scores_gemma":[0.0004768659,0.0005468946,0.2331924,0.00009789551,0.00003269466,0.000001315191,0.06237284,0.0002126613,0.0002128835,0.0044204,0.6981097,0.0003233553],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2212853,0.01399432,0.003516242,0.08623606,0.0003584024,0.001287269,0.00009285684,0.0001328725,0.6730967],"genre_scores_gemma":[0.9971234,0.0003840743,0.0004497936,0.000243849,0.00005211278,0.000006388694,0.000003204188,0.000001236501,0.001736002],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.775838,"threshold_uncertainty_score":0.4891295,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4210967416","doi":"10.1215/00104124-9434498","title":"The Ghazal as “World Poetry”: Between Worlding and Vernacularization","year":2022,"lang":"en","type":"article","venue":"Comparative Literature","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"MacEwan University","funders":"","keywords":"Poetics; Literature; Poetry; Close reading; History; Context (archaeology); Theme (computing); World literature; Sociology; Art; Archaeology","authors":[{"name":"Sara Hakeem Grewal","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0361003013340117,"gpt":0.2598310108059488,"spread":0.2237307094719371,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00009071574,0.0001406728,0.0001653941,0.00004509707,0.003201796,0.0006760991,0.000150177,0.00001141957,0.0003996439],"category_scores_gemma":[0.000007420706,0.00008544703,0.00004892939,0.000141532,0.0001625308,0.0002618247,0.0001826864,0.0003167593,0.00001428821],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002851142,"about_ca_system_score_gemma":0.000009529108,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001191264,"about_ca_topic_score_gemma":0.0001076036,"domain_scores_codex":[0.9991953,0.0001299179,0.0001476775,0.0001787115,0.0001764204,0.0001720236],"domain_scores_gemma":[0.9996039,0.000118748,0.00007239771,0.0000928626,0.00007378597,0.0000383246],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006470992,0.00001825084,0.002351106,0.000009210361,0.0001131443,0.000009188547,0.1768152,0.000004653864,0.00004051786,0.7873317,0.03210583,0.001136471],"study_design_scores_gemma":[0.0001598236,0.00008974459,0.003369008,0.00002072134,0.0000179882,0.000003784407,0.003968155,0.00002152056,0.00002742561,0.007157871,0.9850325,0.0001314332],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6824435,0.02888372,0.000003995715,0.008244908,0.001464039,0.000570145,0.0005066121,0.0001415672,0.2777415],"genre_scores_gemma":[0.9068968,0.00001688544,0.000008853905,0.0005520688,0.000625869,0.00004333388,0.0001398672,0.000005685276,0.09171066],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9529267,"threshold_uncertainty_score":0.9980959,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2376135309","doi":"10.1215/00104124-3137243","title":"Crowdsourcing Penelope: Margaret Atwood, the Coen Brothers, Richard Linklater","year":2015,"lang":"en","type":"article","venue":"Comparative Literature","topic":"Digital Games and Media","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Novella; Performative utterance; Wife; Variety (cybernetics); EPIC; Art; Performance art; Orchestration; Art history; Persecution; Literature; History; Philosophy; Theology; Law; Aesthetics; Computer science","authors":[{"name":"Wai Chee Dimock","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07113716099323901,"gpt":0.337376858462688,"spread":0.266239697469449,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004801197,0.000160207,0.0002124586,0.00003548241,0.0001866467,0.0007620706,0.0004149187,0.000114895,0.0001171985],"category_scores_gemma":[0.0001265323,0.00009960823,0.0000794446,0.0003972864,0.0002730183,0.0003984061,0.00007710658,0.0003076983,0.0002032491],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006696962,"about_ca_system_score_gemma":0.0001404795,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0000282438,"about_ca_topic_score_gemma":0.0001860213,"domain_scores_codex":[0.9986295,0.0002549119,0.0001561476,0.0002296578,0.0003851728,0.000344634],"domain_scores_gemma":[0.9990893,0.0001352068,0.00007631639,0.0002245408,0.0002755225,0.0001991185],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006487234,0.00005050637,0.003036268,0.000008714672,0.00005324311,0.00002313727,0.5306426,0.00003155759,0.00004034079,0.02411591,0.4379234,0.004009452],"study_design_scores_gemma":[0.000220821,0.00004223251,0.001108079,0.0000835082,0.000008932169,0.000002568612,0.009472428,0.00002796926,0.00005091205,0.001201827,0.9876278,0.0001529129],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.09243257,0.005968553,0.0001109083,0.007266394,0.001227889,0.0006189115,0.00004870614,0.0001306204,0.8921955],"genre_scores_gemma":[0.8861434,0.00003749571,0.0001813534,0.001726137,0.0009128589,0.00002310089,0.00002825498,0.00001299439,0.1109344],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.7937108,"threshold_uncertainty_score":0.7348664,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2560006895","doi":"10.1215/00104124-3698457","title":"Epic and Genre: Beyond the Boundaries of Media","year":2016,"lang":"en","type":"article","venue":"Comparative Literature","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"EPIC; Literature; History; Art","authors":[{"name":"Luke Arnott","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0406624993135393,"gpt":0.2476165897436572,"spread":0.2069540904301179,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009705236,0.0001350238,0.0001976746,0.00005132063,0.0003979727,0.0004805726,0.0001259492,0.00003496855,0.0008897528],"category_scores_gemma":[0.00003230264,0.00006354639,0.00004608346,0.00004646949,0.00123295,0.0004213567,0.00002458973,0.00009662291,0.00001637398],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000066641,"about_ca_system_score_gemma":0.00003163994,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000006273721,"about_ca_topic_score_gemma":0.0001446025,"domain_scores_codex":[0.9992769,0.00009368191,0.0001969143,0.0001573171,0.0001380246,0.0001371891],"domain_scores_gemma":[0.9990954,0.0003835121,0.00006904361,0.0001752546,0.0002350045,0.00004180746],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002233243,0.00001239298,0.0001454272,0.00001397285,0.00002171589,0.0000017507,0.3366001,3.302773e-8,0.000104559,0.6512449,0.01116514,0.0006676729],"study_design_scores_gemma":[0.0003824192,0.00006771352,0.00409183,0.0001272623,0.0000216616,0.000006421702,0.007077263,0.000006924663,0.000401953,0.06506973,0.9226084,0.0001384105],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.832853,0.03350462,0.0001122843,0.004680796,0.001734854,0.0003711098,0.0008387423,0.00007168951,0.1258329],"genre_scores_gemma":[0.9869193,0.00004195228,0.00006443405,0.0004761379,0.0005703165,0.0000105112,0.00003134483,0.000007432419,0.01187861],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9114433,"threshold_uncertainty_score":0.9742168,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2742807554","doi":"10.1215/00104124-4164436","title":"The War Machine as Chronotope: Temporality in Child-Soldier Fiction","year":2017,"lang":"en","type":"article","venue":"Comparative Literature","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"St. Francis Xavier University","funders":"","keywords":"Temporality; Modernity; Chronotope; Negation; Temporalities; Aesthetics; Narrative; Literature; Sociology; Consciousness; History; Psychoanalysis; Art; Philosophy; Epistemology; Psychology; Linguistics","authors":[{"name":"Maureen Moynagh","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03620594786779598,"gpt":0.2893701480933011,"spread":0.2531642002255051,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0001228223,0.0001956096,0.0002335358,0.0000222376,0.003197991,0.001015067,0.0003442741,0.00004454127,0.0002331742],"category_scores_gemma":[0.00002502834,0.0001033551,0.00008282245,0.00002715928,0.0003839906,0.0007301964,0.0001125437,0.0003484402,0.00007371857],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000290488,"about_ca_system_score_gemma":0.00001012,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002107099,"about_ca_topic_score_gemma":0.002155856,"domain_scores_codex":[0.9991341,0.00008690938,0.0002100502,0.0002290588,0.0001198924,0.0002199829],"domain_scores_gemma":[0.9993268,0.00003804013,0.0001463173,0.0003515201,0.00009762612,0.00003969139],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000486764,0.0002193265,0.006335776,0.0000530936,0.0001840333,0.00006770397,0.392314,0.000005111908,0.00006482295,0.4915964,0.1053016,0.003371266],"study_design_scores_gemma":[0.0003337941,0.00007970915,0.0381589,0.0001187101,0.00000657181,0.000005292849,0.001074286,0.00004600175,0.00005806388,0.002514269,0.9574437,0.0001606862],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3021405,0.02102187,5.479757e-7,0.008728135,0.001494338,0.0005339191,0.0002232965,0.00006330271,0.6657941],"genre_scores_gemma":[0.9664821,0.0001769427,0.000004957471,0.0003388127,0.0007357282,0.00004655357,0.00007514829,0.000005564063,0.0321342],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8521421,"threshold_uncertainty_score":0.9980997,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2596861064","doi":"10.1215/00104124-2890977","title":"Forced Intimacies and Murky Genealogies in Hispaniola: Émile Ollivier's <i>Mère-Solitude</i> and Marisela Rizik's <i>El Tiempo Del Olvido</i>","year":2015,"lang":"en","type":"article","venue":"Comparative Literature","topic":"Caribbean and African Literature and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Nationalism; Solitude; Narrative; Gender studies; Latin Americans; Independence (probability theory); History; Sociology; Ethnology; Political science; Art; Literature; Law","authors":[{"name":"Dixa Ramírez","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04660974906868875,"gpt":0.2582387310567578,"spread":0.211628981988069,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0001788074,0.0004565079,0.0006480893,0.000151775,0.0002796565,0.001144047,0.000189896,0.0001739575,0.00006489742],"category_scores_gemma":[0.00002488195,0.0003375024,0.00009456436,0.0001816602,0.0004456297,0.0007272564,0.0001635322,0.000575169,0.00001397007],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004172422,"about_ca_system_score_gemma":0.00004829652,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0000384376,"about_ca_topic_score_gemma":0.0004061684,"domain_scores_codex":[0.9983258,0.0001315356,0.0003702052,0.0005325791,0.0002217681,0.0004181117],"domain_scores_gemma":[0.9990236,0.00008928136,0.0001276363,0.0002520347,0.0002791004,0.0002284017],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002543529,0.0001455904,0.001675621,0.000144507,0.0001206703,0.00007274268,0.4464545,0.000012174,0.000479054,0.3090607,0.2409289,0.0006512639],"study_design_scores_gemma":[0.001884634,0.0003057403,0.001286444,0.000339705,0.00006194231,0.00005698808,0.04169645,0.0002935042,0.0001771053,0.01027683,0.9428456,0.0007750615],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6408623,0.1254059,0.00003758815,0.001343865,0.001345946,0.001037957,0.001611568,0.000270559,0.2280843],"genre_scores_gemma":[0.9862183,0.0003561985,0.0002657456,0.00161861,0.0006831759,0.00005489782,0.0002860113,0.00002473447,0.01049226],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7019167,"threshold_uncertainty_score":0.9999077,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4386918050","doi":"10.1215/00104124-10475393","title":"“Enter Ghost of Goethe”: Comparison and Indigenous Literary Studies in the Pacific","year":2023,"lang":"en","type":"article","venue":"Comparative Literature","topic":"Island Studies and Pacific Affairs","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Biography; Indigenous; Irish; Literature; Humanity; Conversation; History; Comparative literature; Argument (complex analysis); Intertextuality; Philosophy; Art history; Art; Classics; Linguistics; Theology","authors":[{"name":"Alice Te Punga Somerville","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1345490960487644,"gpt":0.4298969540217196,"spread":0.2953478579729552,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006893859,0.0001341362,0.0003634862,0.0001133799,0.0004776811,0.0000967806,0.0001932817,0.00007543041,0.000007458421],"category_scores_gemma":[0.00004202449,0.00008164936,0.0000524984,0.001000956,0.0005248368,0.0001264803,0.00005837304,0.0002578594,0.00001270394],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001933103,"about_ca_system_score_gemma":0.00002306661,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00002097492,"about_ca_topic_score_gemma":0.0003466119,"domain_scores_codex":[0.9985644,0.0004866176,0.0002423836,0.0001920826,0.0002438496,0.0002706799],"domain_scores_gemma":[0.9990914,0.0005340055,0.00008920636,0.0001420207,0.0001136776,0.0000296286],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002659678,0.00003673009,0.03307864,0.00003909454,0.00004024056,0.00001591883,0.9408861,0.000001793193,0.000006434515,0.005142261,0.02008283,0.0006433637],"study_design_scores_gemma":[0.0003083342,0.0001137666,0.02847941,0.0002567793,0.00001223443,0.00000219763,0.8413976,0.00003264035,0.0000131886,0.006263169,0.1229629,0.0001577154],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9055098,0.04369974,0.000003319049,0.001244052,0.00045439,0.0004935938,0.00006537414,0.00004266546,0.04848702],"genre_scores_gemma":[0.9964146,0.0016163,0.00002552878,0.00006286112,0.0001460473,0.0000276296,0.00002557308,0.000004057028,0.001677421],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1028801,"threshold_uncertainty_score":0.3673985,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2030377029","doi":"10.1215/-54-3-256","title":"What's Literature Got to Do with It?","year":2002,"lang":"en","type":"article","venue":"Comparative Literature","topic":"Themes in Literature Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"Icon; Citation; Search engine optimization; Section (typography); Information retrieval; Download; Computer science; World Wide Web; Library science; Search engine","authors":[{"name":"Chris Bongie","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03621326761295132,"gpt":0.2647868515751179,"spread":0.2285735839621666,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000118388,0.0005936488,0.000652162,0.0004164062,0.0004713555,0.008593209,0.0005804817,0.0001580093,0.005586336],"category_scores_gemma":[0.00001900098,0.0004010515,0.0002157341,0.0008149794,0.0002469754,0.00282953,0.0000968035,0.0008231177,0.0007733023],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005612737,"about_ca_system_score_gemma":0.00001095194,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000001610522,"about_ca_topic_score_gemma":0.000094162,"domain_scores_codex":[0.9976696,0.0001651916,0.0003938141,0.0007641898,0.0004676401,0.0005395523],"domain_scores_gemma":[0.9978168,0.0001192389,0.0001456157,0.0008715117,0.0007755514,0.0002712854],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008948137,0.0001357016,0.00002689359,0.00004215145,0.0002124305,0.00009139784,0.5287436,0.00003091222,0.00003664786,0.1541205,0.315832,0.0006383194],"study_design_scores_gemma":[0.0004266468,0.0003190015,0.00003055782,0.001616189,0.00007441519,0.0000376604,0.00931523,0.00010292,0.0001355777,0.00112574,0.9862023,0.0006137858],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.06390455,0.1457662,0.0003182228,0.02307466,0.006255659,0.00215492,0.001016637,0.0007556933,0.7567535],"genre_scores_gemma":[0.8327885,0.0001554712,0.001035649,0.007330111,0.002565248,0.00009746639,0.0002935622,0.00005379728,0.1556802],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.768884,"threshold_uncertainty_score":0.9998441,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2613439379","doi":"10.1215/00104124-3865423","title":"Aesthetics, Politics, and the Return of Negritude","year":2017,"lang":"en","type":"article","venue":"Comparative Literature","topic":"Caribbean and African Literature and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"Poetics; Politics; Poetry; Diaspora; Aesthetics; Subjectivity; Relation (database); Colonialism; Literature; Nationalism; Creolization; Art; History; Sociology; Gender studies; Philosophy; Political science; Law","authors":[{"name":"Chris Bongie","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03100258257670654,"gpt":0.2602551821235023,"spread":0.2292525995467958,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.000102501,0.0001599889,0.0003169105,0.00002599214,0.0009820167,0.00117931,0.0003012468,0.00005558292,0.00008821064],"category_scores_gemma":[0.00002482298,0.00008216602,0.0001119856,0.00001603208,0.001684565,0.0002362462,0.00007487703,0.0003088078,0.000004642936],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000004373707,"about_ca_system_score_gemma":0.00001212376,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00002886838,"about_ca_topic_score_gemma":0.00009198042,"domain_scores_codex":[0.9993265,0.00006486709,0.0001738878,0.000163649,0.0001194985,0.0001515969],"domain_scores_gemma":[0.9990376,0.00004766754,0.0001843885,0.0004366398,0.0002407154,0.00005301796],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004742664,0.00001882346,0.00009013351,0.00001918902,0.0000328751,0.000003057108,0.1503684,1.031217e-7,0.00001631797,0.8219594,0.02736937,0.0000748789],"study_design_scores_gemma":[0.00132899,0.00006648454,0.0005471569,0.0002083274,0.00005034416,0.00001321072,0.01138046,0.00005308595,0.0001940758,0.03136557,0.9546052,0.000187096],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1128753,0.02685788,0.00001184847,0.01001101,0.001372923,0.0005996157,0.001057664,0.00005884957,0.8471549],"genre_scores_gemma":[0.9766639,0.00005578794,0.00002570718,0.0006051584,0.0006252927,0.000006105982,0.00002807937,0.000006343309,0.02198359],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9272358,"threshold_uncertainty_score":0.9998575,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3073238116","doi":"10.1215/00104124-8255361","title":"The Afterlives of Odette and Albertine in <i>Lolita’</i>s Final Chapters","year":2020,"lang":"en","type":"article","venue":"Comparative Literature","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Carleton University","funders":"","keywords":"Tragedy (event); Drama; Literature; Art; History; Philosophy","authors":[{"name":"Dana Dragunoiu","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07031279629167134,"gpt":0.3284631649109075,"spread":0.2581503686192361,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002062493,0.0001289027,0.000255461,0.0000371209,0.0002754589,0.0001175105,0.0002099006,0.00005180332,0.000009743848],"category_scores_gemma":[0.0001340116,0.00008921651,0.00004424649,0.0004686165,0.0005475495,0.0002762942,0.00007556322,0.0002145464,0.000003672377],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001489876,"about_ca_system_score_gemma":0.00002941574,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0000372605,"about_ca_topic_score_gemma":0.0003400197,"domain_scores_codex":[0.998853,0.0002767319,0.0002311549,0.0002166163,0.0001871996,0.0002353048],"domain_scores_gemma":[0.9992428,0.0003796305,0.00009159307,0.00009978421,0.00009654918,0.00008957183],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002775934,0.00003193006,0.02565991,0.00004233774,0.0000461538,0.00001460952,0.9142103,0.000008110987,0.0003168476,0.052775,0.005575073,0.001042127],"study_design_scores_gemma":[0.001389238,0.0003658093,0.1129756,0.0004005924,0.00002377379,0.000002611173,0.03710186,0.0003482878,0.0005442321,0.00427855,0.8420978,0.0004717454],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9179434,0.0267261,0.00001686085,0.03740237,0.0001492142,0.0004322069,0.00003520677,0.0000302808,0.01726433],"genre_scores_gemma":[0.9977227,0.0003297122,0.0001383857,0.001015051,0.0001452186,0.00001672487,0.000003582221,0.000004445134,0.0006241692],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8771085,"threshold_uncertainty_score":0.3638144,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2316043139","doi":"10.1215/00104124-2682182","title":"The Problem of Look-Alike Characters in the<i>Vulgate Cycle of the Arthurian Romances</i>and Juan Manuel's<i>El Conde Lucanor</i>","year":2014,"lang":"en","type":"article","venue":"Comparative Literature","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"Queen (butterfly); Literature; Order (exchange); Character (mathematics); Philosophy; nobody; Identity (music); Art","authors":[{"name":"Laurence de Looze","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0139876726707829,"gpt":0.2226500544772633,"spread":0.2086623818064804,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004853737,0.0002189106,0.0003607262,0.00005817864,0.0004040769,0.0002295061,0.0004735022,0.00006469689,0.00003241267],"category_scores_gemma":[0.00001130813,0.0001031619,0.0001120187,0.0001086685,0.0008767357,0.0002118079,0.00005481403,0.0004757984,0.000005369879],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001308671,"about_ca_system_score_gemma":0.00003140754,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00002416482,"about_ca_topic_score_gemma":0.0009697811,"domain_scores_codex":[0.9984472,0.0004140635,0.0004112571,0.0002266874,0.0002703823,0.0002304433],"domain_scores_gemma":[0.9987798,0.000276872,0.000319304,0.0004235941,0.0001594821,0.00004088522],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001099738,0.00007645186,0.0004298057,0.0001841605,0.00004335961,0.000001725334,0.3646134,0.000003691432,0.00083506,0.625246,0.008119894,0.0003364169],"study_design_scores_gemma":[0.0005488079,0.0001262892,0.006218106,0.0005229579,0.00003226324,0.000005015136,0.002684873,0.00005229014,0.0004784546,0.01070263,0.9784603,0.0001680087],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7800845,0.0143137,0.0000041026,0.002933663,0.001104577,0.001102653,0.0002234661,0.00002521785,0.2002081],"genre_scores_gemma":[0.9937283,0.00006087217,0.00001984781,0.001241268,0.0002901338,0.00003664658,0.00002842903,0.00001042334,0.004584101],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9703404,"threshold_uncertainty_score":0.4206818,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7083196257","doi":"10.1215/00104124-11794095","title":"Freud and the Non-European","year":2025,"lang":"en","type":"article","venue":"Comparative Literature","topic":"Ocular Infections and Treatments","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Colonialism; Ideology; Ambivalence; Nationalism; Judaism; Context (archaeology); The Holocaust; Modernity","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.008248709103032062,"gpt":0.2991486532724357,"spread":0.2908999441694037,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00006706112,0.00007725655,0.0001481029,0.00004309823,0.0001183186,0.00006541188,0.00002764792,0.0000221199,0.00001398121],"category_scores_gemma":[0.000009607798,0.00003917123,0.00004625343,0.0002052282,0.00009567407,0.00003301727,0.00002813682,0.0001487956,0.00002441445],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000098307,"about_ca_system_score_gemma":0.00001082225,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000002013422,"about_ca_topic_score_gemma":0.000001310141,"domain_scores_codex":[0.9996452,0.00007252485,0.00006900365,0.0001119148,0.00003887702,0.0000625094],"domain_scores_gemma":[0.9996978,0.00003958571,0.00001638181,0.0001642633,0.0000564486,0.00002552778],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","study_design_scores_codex":[0.003104797,0.001697867,0.2894171,0.0005602391,0.004619639,0.0007621382,0.05704226,0.0000206568,0.003585822,0.3628122,0.2564357,0.01994161],"study_design_scores_gemma":[0.01684498,0.0002434799,0.5716189,0.0009990381,0.0004601476,0.0001484646,0.000400388,0.0006648187,0.001951381,0.003517304,0.4029551,0.0001960987],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5531198,0.00815839,0.0004437947,0.002270738,0.0002182771,0.0004913956,0.000009269797,0.00003599724,0.4352523],"genre_scores_gemma":[0.988014,0.00004010835,0.000194508,0.000755015,0.00005299375,0.000009607968,0.00002191506,0.000002970768,0.01090885],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4348942,"threshold_uncertainty_score":0.1597357,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2514070681","doi":"10.1215/00104124-3631577","title":"Of Phagocytes and Men: Tolstoy's Response to Mechnikov and the Religious Purpose of Science","year":2016,"lang":"en","type":"article","venue":"Comparative Literature","topic":"Philosophy, Ethics, and Existentialism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Ideal (ethics); Face (sociological concept); Philosophy; Meaning (existential); Epistemology; Sociology; Linguistics","authors":[{"name":"Anna A. Berman","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03951050066302707,"gpt":0.2946438096009841,"spread":0.255133308937957,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0006622325,0.0001174891,0.0002813844,0.0001239878,0.0002369785,0.0001317224,0.0002022534,0.00003610393,0.00001451352],"category_scores_gemma":[0.0001427254,0.00005727046,0.00003854011,0.00009528035,0.004002177,0.0002343939,0.0001087587,0.0001021908,0.000002094604],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000009870198,"about_ca_system_score_gemma":0.00004093293,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001237714,"about_ca_topic_score_gemma":0.00001500269,"domain_scores_codex":[0.9991083,0.0001532676,0.0002059267,0.0002055273,0.000198117,0.0001288889],"domain_scores_gemma":[0.9988081,0.0004051267,0.0001046742,0.0002314364,0.0003871669,0.00006346597],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.001436905,0.00001822871,0.000008847011,0.00002483945,0.00001626009,0.000001491106,0.2710722,1.234233e-7,0.02235285,0.702518,0.002429733,0.0001204808],"study_design_scores_gemma":[0.006259824,0.001456686,0.0009069889,0.001586763,0.000115828,0.000041912,0.01635007,0.00005764874,0.09284586,0.4807557,0.3989235,0.0006992065],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.948063,0.009506378,0.00003360871,0.010095,0.0003336473,0.0005098311,0.0002214646,0.00002685747,0.03121022],"genre_scores_gemma":[0.9980186,0.0001024339,0.00007551496,0.000304502,0.0001165625,0.00001222028,0.000001038327,0.000004722783,0.001364354],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3964937,"threshold_uncertainty_score":0.9987084,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2789679111","doi":"10.1215/00104124-4344106","title":"Adulterous Nations: Family Politics and National Anxiety in the European Novel by Tatiana Kuzmic","year":2018,"lang":"en","type":"article","venue":"Comparative Literature","topic":"Eastern European Communism and Reforms","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"McGill University","funders":"","keywords":"Icon; Download; Politics; Anxiety; Library science; Political science; History; Art; World Wide Web; Psychology; Computer science; Law; Psychiatry","authors":[{"name":"Anna A. Berman","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03804128675970476,"gpt":0.324642618518811,"spread":0.2866013317591063,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00070148,0.0001130375,0.00009891735,0.00007969032,0.0007311112,0.0003283118,0.0003968463,0.00004287255,0.000006551853],"category_scores_gemma":[0.00006518934,0.00007070363,0.00002538884,0.0004551593,0.0005242603,0.0002811453,0.00006109667,0.0002731753,0.00003795992],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003598135,"about_ca_system_score_gemma":0.00004625974,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00007820119,"about_ca_topic_score_gemma":0.0005209238,"domain_scores_codex":[0.9984785,0.0006949532,0.0001598507,0.0001660944,0.0002986862,0.0002018779],"domain_scores_gemma":[0.9993568,0.0001241215,0.00006271769,0.0001382994,0.0002639774,0.0000540685],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001614509,0.0002619657,0.003235315,0.00001849195,0.00002926619,0.000006282332,0.6930038,0.000002999291,0.001017456,0.2606012,0.04015663,0.001650433],"study_design_scores_gemma":[0.0007756818,0.0001022018,0.06251758,0.0001795752,0.000006789151,0.00001217892,0.02613316,0.0001915418,0.00002786683,0.003017663,0.9067468,0.0002889872],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3380916,0.002183917,0.0003261498,0.001743379,0.0002201568,0.000308459,0.0002056011,0.00004175869,0.656879],"genre_scores_gemma":[0.9948934,0.0001333657,0.0003147197,0.001906552,0.0003941911,0.000004064488,0.00007486358,0.000007843775,0.002270976],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8665901,"threshold_uncertainty_score":0.562319,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}