{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":19,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":19,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"4bb2e2727acd","filters":{"venue":"Contemporary Women s Writing"}},"results":[{"id":"W2505034094","doi":"10.1093/cww/vpw020","title":"The Repeating Body: Slavery’s Visual Resonance in the Contemporary","year":2016,"lang":"en","type":"article","venue":"Contemporary Women s Writing","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":96,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Embodied cognition; Vision; Indexicality; Aesthetics; Event (particle physics); Art; Vulnerability (computing); Sight; Visual arts; Sociology; Literature; Philosophy; Anthropology; Linguistics; Epistemology; Computer science","authors":[{"name":"Sandra Smiley Trimble","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03347423773472935,"gpt":0.2459485865555329,"spread":0.2124743488208035,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001156202,0.0003860954,0.0002313163,0.0006556126,0.005275621,0.006203361,0.0006034637,0.001374236,0.004185596],"category_scores_gemma":[0.001939072,0.0002155183,0.0002486361,0.0005602676,0.01967569,0.00357608,0.003844329,0.002739703,0.0003557925],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001616946,"about_ca_system_score_gemma":0.0009431685,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003947285,"about_ca_topic_score_gemma":0.006328142,"domain_scores_codex":[0.9993308,0.0004289078,0.000007641419,0.00006881279,0.00008140515,0.00008261821],"domain_scores_gemma":[0.9994889,0.0003050247,0.00004175973,0.00006331827,0.00003897296,0.00006205102],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002679696,0.00001041117,0.0005184206,0.00006394864,0.000004150942,0.0005911299,0.8480389,0.00006893611,0.002001666,0.1368009,0.004627267,0.007247491],"study_design_scores_gemma":[0.00002147279,0.00008169315,0.003378634,0.0003492462,0.00001707605,0.001714155,0.6068744,0.0005307964,0.002197434,0.03307555,0.3517236,0.00003599025],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3943278,0.003578782,0.009298979,0.01445969,0.0008446207,0.0000437467,0.00006198542,0.0001702011,0.5772142],"genre_scores_gemma":[0.9639356,0.0006996944,0.001307959,0.00100573,0.0001408955,0.00002570572,0.00001738943,0.0001359719,0.03273115],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.006203361,"threshold_uncertainty_score":0.0140022,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2560408297","doi":"10.1093/cww/vpw007","title":"Becoming Girl: Collective Biography and the Production of Girlhood","year":2016,"lang":"en","type":"article","venue":"Contemporary Women s Writing","topic":"Historical Gender and Feminism Studies","field":"Social Sciences","cited_by":16,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Girl; Biography; Production (economics); Art; Sociology; History; Art history; Psychology; Economics; Developmental psychology","authors":[{"name":"Kate Douglas","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04488189961948837,"gpt":0.2806985820243592,"spread":0.2358166824048708,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003467667,0.0004945311,0.0004169074,0.00145749,0.007757497,0.009771287,0.0007586766,0.002221401,0.005548706],"category_scores_gemma":[0.004370759,0.0001593981,0.0002193188,0.001552946,0.02789268,0.008870374,0.006074329,0.00223262,0.0005512659],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003658873,"about_ca_system_score_gemma":0.00262624,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003574725,"about_ca_topic_score_gemma":0.0066903,"domain_scores_codex":[0.9971106,0.00215655,0.0000536843,0.0001806038,0.0003245222,0.0001739408],"domain_scores_gemma":[0.9966617,0.002231866,0.0003891793,0.0002070248,0.0001791964,0.0003311188],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00001321876,0.00001655157,0.001011973,0.0001681892,0.000004084395,0.0004246735,0.7089627,0.00005950113,0.0002933208,0.2623889,0.007056789,0.01960013],"study_design_scores_gemma":[0.000003814493,0.00003920207,0.001962839,0.0006099486,0.000005513333,0.0005464854,0.5538427,0.00008928277,0.0003590545,0.04755447,0.3949746,0.00001212608],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2575617,0.04943988,0.01587767,0.07658535,0.003239089,0.00011335,0.000114761,0.0001183445,0.5969499],"genre_scores_gemma":[0.8839908,0.01463354,0.002566476,0.002414208,0.0007637836,0.0001231977,0.00003921495,0.0001087497,0.09535999],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.009771287,"threshold_uncertainty_score":0.02654713,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2015333635","doi":"10.1093/cww/vvp012","title":"Entangled Genealogies: White Femininity on the Threshold of Change in Andrea Levy's Small Island","year":2009,"lang":"en","type":"article","venue":"Contemporary Women s Writing","topic":"Ecocriticism and Environmental Literature","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"McMaster University","funders":"","keywords":"Femininity; White (mutation); Art history; Art; Genealogy; Sociology; History; Gender studies; Biology","authors":[{"name":"Sarah Brophy","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1236383916541241,"gpt":0.2444138800873041,"spread":0.12077548843318,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001585107,0.0001892331,0.000179649,0.0008840099,0.01511728,0.005779057,0.0005426034,0.00134608,0.008952335],"category_scores_gemma":[0.003936482,0.0001678291,0.00009023787,0.0009684089,0.01828394,0.004253761,0.004122843,0.003054279,0.0005341878],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004382149,"about_ca_system_score_gemma":0.002520308,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04446707,"about_ca_topic_score_gemma":0.1184838,"domain_scores_codex":[0.9991628,0.0004551664,0.00001529124,0.00008789947,0.0001342795,0.0001446135],"domain_scores_gemma":[0.9985223,0.0008542006,0.0001181893,0.00009143462,0.000155945,0.0002578704],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002581984,0.00002283705,0.001758278,0.00002579284,0.000004492703,0.0008085957,0.408683,0.00008660024,0.0002886702,0.5319436,0.03654138,0.0198111],"study_design_scores_gemma":[0.000007818972,0.00001611908,0.003277124,0.000153727,0.000006177747,0.0003536755,0.2871005,0.0001788645,0.0003576245,0.1111323,0.5973924,0.00002359491],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.218933,0.003136701,0.002096798,0.1178623,0.0007415788,0.00002429923,0.0000419368,0.00004958092,0.6571138],"genre_scores_gemma":[0.9217757,0.0008797917,0.0004009218,0.00386649,0.0001133462,0.00002076856,0.00001006935,0.00006549145,0.07286738],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.04446707,"threshold_uncertainty_score":0.08841646,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2330053655","doi":"10.1093/cww/vpw010","title":"Writing a New Text: The Role of Cyberculture in Fanfiction Writers’ Transition to “Legitimate” Publishing","year":2016,"lang":"en","type":"article","venue":"Contemporary Women s Writing","topic":"Digital Games and Media","field":"Social Sciences","cited_by":10,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Lakehead University","funders":"","keywords":"Fandom; Blogosphere; Publishing; Commodification; Media studies; Sociology; Cyberculture; Netnography; The Internet; Political science; Social media; Law; World Wide Web","authors":[{"name":"Monica Flegel","is_ca":true},{"name":"Jenny Roth","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02045948452290774,"gpt":0.2608374805994458,"spread":0.2403779960765381,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01346579,0.0003704652,0.0002907931,0.001857646,0.01459231,0.01901717,0.001157124,0.002572141,0.004789847],"category_scores_gemma":[0.03706045,0.0003994451,0.0003406834,0.001061118,0.02989037,0.01268418,0.006134314,0.005867508,0.0007208287],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003284781,"about_ca_system_score_gemma":0.002971825,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001460441,"about_ca_topic_score_gemma":0.00235383,"domain_scores_codex":[0.9857658,0.01082518,0.0003255548,0.0008255572,0.001494104,0.0007638404],"domain_scores_gemma":[0.9451491,0.04208612,0.004320274,0.002442253,0.002543029,0.003459376],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002418595,0.0000512336,0.004980837,0.00004285176,0.000004343938,0.0006451872,0.9591382,0.00002196122,0.0003759456,0.02464946,0.001501915,0.008563828],"study_design_scores_gemma":[0.00002572683,0.00006398443,0.005466299,0.0002687581,0.00001078283,0.0009201294,0.8978933,0.0003392374,0.0009270259,0.01552547,0.07851189,0.00004735013],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8873274,0.000975913,0.004187159,0.01585191,0.0005856181,0.00004129979,0.00002216626,0.00006702868,0.0909415],"genre_scores_gemma":[0.9943697,0.0001816256,0.0004434549,0.0009247737,0.0001111364,0.0000141635,0.000006776856,0.00004441538,0.003903931],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01901717,"threshold_uncertainty_score":0.0712148,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2322863396","doi":"10.1093/cww/vpu036","title":"Affective Trans-scapes: Affect, Translation, and Landscape in Erin Moure's The Unmemntioable","year":2015,"lang":"en","type":"article","venue":"Contemporary Women s Writing","topic":"Jewish and Middle Eastern Studies","field":"Social Sciences","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Affect (linguistics); Translation (biology); Psychology; Chemistry; Communication; Biochemistry","authors":[{"name":"Dominic Williams","is_ca":false},{"name":"Milena Marinkova","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0665911403462493,"gpt":0.2981161866286408,"spread":0.2315250462823915,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001057717,0.0003745604,0.0002409916,0.0004282193,0.006333367,0.005032891,0.0003407427,0.001335176,0.002166136],"category_scores_gemma":[0.001814225,0.0001521086,0.0001829703,0.0003208692,0.01229898,0.003103225,0.002397957,0.002461538,0.000370382],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002076687,"about_ca_system_score_gemma":0.0004191739,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002751283,"about_ca_topic_score_gemma":0.005838884,"domain_scores_codex":[0.9989873,0.0007146588,0.00001807039,0.0000793381,0.0001185908,0.00008199189],"domain_scores_gemma":[0.9995306,0.0002769943,0.00005666817,0.000035285,0.00004687041,0.0000536056],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009670095,0.00006194812,0.001655474,0.0001068583,0.00001558629,0.001311905,0.7003649,0.0002225912,0.001982602,0.2592456,0.01174418,0.02319168],"study_design_scores_gemma":[0.00002752361,0.0001461012,0.009686894,0.0003109251,0.00002341693,0.002335203,0.4487829,0.0008451192,0.002992869,0.03639019,0.4984015,0.00005742449],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5350117,0.007246685,0.007872458,0.02368819,0.001294445,0.00003137813,0.00005083817,0.0001083614,0.4246959],"genre_scores_gemma":[0.9869024,0.0003995595,0.0004183817,0.000700425,0.00009066633,0.000006563645,0.000007049894,0.00003624086,0.01143865],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.006333367,"threshold_uncertainty_score":0.01506746,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1995451999","doi":"10.1093/cww/vps025","title":"Transnational Poetics: Asian Canadian Women's Fiction of the 1990s","year":2012,"lang":"en","type":"article","venue":"Contemporary Women s Writing","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Alberta","funders":"","keywords":"Poetics; Scholarship; Context (archaeology); Narrative; Literary criticism; Literature; Autoethnography; History; Gender studies; Realm; Sociology; Media studies; Poetry; Art; Political science","authors":[{"name":"Libe García Zarranz","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01857151270329403,"gpt":0.2299310056697986,"spread":0.2113594929665046,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00189493,0.001450141,0.0006473575,0.004104983,0.04929346,0.008373375,0.001615467,0.002380588,0.004693816],"category_scores_gemma":[0.003113011,0.0003782026,0.0004722108,0.005968858,0.02326946,0.002713461,0.003864202,0.005309621,0.000533542],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.1255362,"about_ca_system_score_gemma":0.09062304,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9781431,"about_ca_topic_score_gemma":0.9917284,"domain_scores_codex":[0.9980665,0.000412801,0.00003196516,0.0001624415,0.0005553733,0.0007708341],"domain_scores_gemma":[0.9985683,0.0003796062,0.00006835695,0.00005802475,0.0004859627,0.0004397711],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000567798,0.00001921273,0.001157286,0.0001886049,0.00001095047,0.001261282,0.7447149,0.0001117198,0.0003540517,0.1567179,0.07968555,0.01572182],"study_design_scores_gemma":[0.000004547068,0.000008588239,0.00187606,0.0002320735,0.00001248618,0.0002693217,0.2482252,0.00006387404,0.0002034186,0.002458059,0.7466195,0.00002690153],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1449588,0.02747397,0.001322164,0.06877434,0.004691644,0.0001525574,0.0006534812,0.0001295085,0.7518436],"genre_scores_gemma":[0.8345529,0.01465086,0.001099412,0.006487939,0.0005164208,0.0001022936,0.0002060631,0.0001972168,0.1421869],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1255362,"threshold_uncertainty_score":0.9108331,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2990422183","doi":"10.1093/cww/vpz020","title":"Settling down and Settling Up: The Second Generation in Black Canadian and Black British Women’s Writing","year":2019,"lang":"en","type":"article","venue":"Contemporary Women s Writing","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Settling; White (mutation); Settlement (finance); Citizenship; Black British; Studio; Order (exchange); History; Genealogy; Art; Sociology; Gender studies; Visual arts; Law; Political science; Engineering; Computer science; Politics","authors":[{"name":"Pilar Cuder–Domínguez","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01663961254658719,"gpt":0.2213538742876675,"spread":0.2047142617410803,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002653785,0.0008434461,0.0006970107,0.003657291,0.05466022,0.01531679,0.001890237,0.003421836,0.009498104],"category_scores_gemma":[0.003890443,0.0004500501,0.0003672095,0.004730845,0.01748356,0.002462786,0.004071997,0.00422189,0.0007088366],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.08150608,"about_ca_system_score_gemma":0.06378512,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9680721,"about_ca_topic_score_gemma":0.9896596,"domain_scores_codex":[0.9966815,0.0005444537,0.00004575053,0.0002830224,0.0009983657,0.001446819],"domain_scores_gemma":[0.996895,0.0008237326,0.0002337852,0.00007662163,0.0009346344,0.001036265],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004506959,0.00002014076,0.001794962,0.00006201094,0.000008252985,0.0006118355,0.9244207,0.00002924673,0.0002960463,0.02832667,0.03502438,0.009360843],"study_design_scores_gemma":[0.000005573979,0.00001303477,0.007151294,0.0002344577,0.00001358572,0.0002488904,0.7341991,0.00003059278,0.0002145502,0.0008923424,0.2569498,0.00004691024],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5907066,0.01728414,0.0004866302,0.03732347,0.00255619,0.0000839283,0.0003744261,0.00008664865,0.351098],"genre_scores_gemma":[0.876794,0.005141898,0.0005017208,0.005507181,0.0002382091,0.00005136259,0.0001441283,0.000160004,0.1114614],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.08150608,"threshold_uncertainty_score":0.5913708,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2053092501","doi":"10.1093/cww/vpv002","title":"African Diasporic Women’s Narratives: Politics of Resistance, Survival, and Citizenship","year":2015,"lang":"en","type":"article","venue":"Contemporary Women s Writing","topic":"African history and culture studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"","keywords":"Citizenship; Gender studies; Politics; Masculinity; Narrative; Reactionary; Racism; Diaspora; Femininity; Immigration; Resistance (ecology); Racial profiling; Sociology; Political science; Art; Law; Race (biology); Literature","authors":[{"name":"Melissa Stephens","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06489149114353335,"gpt":0.2898213757386501,"spread":0.2249298845951167,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006058203,0.0007360609,0.0004853371,0.001438481,0.02652411,0.008487916,0.0009470364,0.002694248,0.003782736],"category_scores_gemma":[0.005971909,0.0003610018,0.0002367953,0.001621203,0.03332806,0.008799914,0.006122088,0.005727707,0.0003039131],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00520588,"about_ca_system_score_gemma":0.003363625,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01120868,"about_ca_topic_score_gemma":0.0166988,"domain_scores_codex":[0.9953146,0.00357628,0.00005614085,0.0001391082,0.0002854808,0.0006284668],"domain_scores_gemma":[0.9973589,0.001825555,0.0002546483,0.00008527021,0.0001249554,0.0003506413],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00001605252,0.000008433693,0.0002384099,0.00002525911,0.000002322273,0.0002326035,0.9244514,0.00001357277,0.0001269375,0.0698886,0.002851663,0.002144686],"study_design_scores_gemma":[0.000003763071,0.00001175077,0.0003758705,0.0001578693,0.000003556995,0.000155598,0.891507,0.00004072634,0.0002247832,0.006955316,0.1005559,0.00000785334],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6473705,0.01230377,0.002056267,0.09624208,0.001328022,0.00005439616,0.00008459097,0.00003448216,0.2405259],"genre_scores_gemma":[0.9837118,0.002395258,0.0002743523,0.002677439,0.0001244244,0.00003357838,0.00001173531,0.00002586018,0.01074559],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02652411,"threshold_uncertainty_score":0.03777152,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3196316976","doi":"10.1093/cww/vpab030","title":"Reading Contemporary Black British and African American Women Writers: Race, Ethics, Narrative Form","year":2021,"lang":"en","type":"article","venue":"Contemporary Women s Writing","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Foregrounding; Narrative; Reading (process); White (mutation); Content (measure theory); Race (biology); George (robot); African american; Ethnography; History; Literature; Gender studies; Sociology; Aesthetics; Art; Anthropology; Art history; Philosophy; Linguistics","authors":[{"name":"Jennifer Gustar","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04571672120030022,"gpt":0.2594133541784309,"spread":0.2136966329781307,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002301355,0.0005747136,0.000454448,0.002107671,0.01298484,0.009996185,0.0005480183,0.001770716,0.003001368],"category_scores_gemma":[0.005057565,0.00027166,0.0001125184,0.001722962,0.01247948,0.003601244,0.002686792,0.002095361,0.0003242432],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004306627,"about_ca_system_score_gemma":0.002329334,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02463344,"about_ca_topic_score_gemma":0.05240123,"domain_scores_codex":[0.9986231,0.0009030294,0.00003542143,0.00007240948,0.0001894251,0.0001766034],"domain_scores_gemma":[0.9965667,0.002550832,0.0002960884,0.00005655426,0.0002541053,0.0002757729],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00002650123,0.00001656916,0.00087459,0.00007109488,0.000003929601,0.000391817,0.9534093,0.00001240821,0.0004149412,0.02711747,0.009818432,0.007842941],"study_design_scores_gemma":[0.000004989043,0.00002534094,0.003666454,0.000385409,0.000007112695,0.000254258,0.775521,0.00003312005,0.0003513405,0.005544703,0.2141942,0.00001213156],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.624194,0.02959003,0.001600034,0.07986538,0.003948393,0.00007922701,0.00009197632,0.00005853076,0.2605725],"genre_scores_gemma":[0.9224055,0.009195285,0.0007876933,0.005385187,0.001289391,0.00009196122,0.00003545032,0.00007175237,0.06073772],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.02463344,"threshold_uncertainty_score":0.04898012,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2767625325","doi":"10.1093/cwwrit/vpx019","title":"Imagining Beyond Extinctathon: Indigenous Knowledge, Survival, Speculation – Margaret Atwood’s and Ann Patchett’s Eco-Gothic","year":2017,"lang":"en","type":"article","venue":"Contemporary Women s Writing","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Speculation; Indigenous; History; Environmental ethics; Art history; Economics; Philosophy; Biology; Finance; Ecology","authors":[{"name":"Gina Wisker","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0336536646849419,"gpt":0.320361290473555,"spread":0.2867076257886131,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002720938,0.0005066036,0.0003420362,0.001005415,0.01847455,0.007451741,0.001039156,0.003371065,0.003208729],"category_scores_gemma":[0.003443112,0.0002721671,0.0002321913,0.0007432271,0.03554913,0.007735776,0.00413262,0.007111766,0.0004532806],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006513872,"about_ca_system_score_gemma":0.004330287,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03438552,"about_ca_topic_score_gemma":0.1244968,"domain_scores_codex":[0.998466,0.0008138433,0.00002380397,0.000145134,0.0002720022,0.0002791987],"domain_scores_gemma":[0.9969518,0.001774277,0.0001472315,0.0001470113,0.0002969382,0.0006826397],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000252847,0.00002973472,0.0005020708,0.00008220221,0.00000777394,0.0007604508,0.6003431,0.00006738787,0.0003503001,0.245632,0.1343479,0.01785179],"study_design_scores_gemma":[0.000005074656,0.00002140148,0.0006144998,0.0003636852,0.000005188735,0.0005988312,0.2332895,0.00006478059,0.0001959642,0.03929155,0.7255291,0.00002047889],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.1018478,0.07860076,0.002416755,0.4566051,0.01243133,0.00002855255,0.00004616147,0.00007858354,0.3479449],"genre_scores_gemma":[0.7945847,0.01862503,0.001599461,0.04300791,0.004883073,0.00005965033,0.00003325095,0.0001920674,0.1370149],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9656145,"threshold_uncertainty_score":0.06837076,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2332367706","doi":"10.1093/cww/vpr017","title":"A Salon with a Revolving Door: Virtual Community and the Space of Wom-po","year":2011,"lang":"en","type":"article","venue":"Contemporary Women s Writing","topic":"Social Media and Politics","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Thriving; Poetry; Space (punctuation); Openness to experience; Salon; Sociology; Ideal (ethics); Quarter (Canadian coin); Media studies; Aesthetics; Political science; History; Art; Social psychology; Psychology; Computer science; Law; Literature; Social science","authors":[{"name":"L. A. Wheeler","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05931551500620179,"gpt":0.2808961984319345,"spread":0.2215806834257327,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002453397,0.0003335267,0.0003072283,0.001930967,0.01439684,0.01225847,0.0009820211,0.001960124,0.005187589],"category_scores_gemma":[0.005975587,0.0002551543,0.0002995112,0.001184629,0.03571758,0.01477115,0.01037676,0.002262582,0.0005996673],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002090773,"about_ca_system_score_gemma":0.001749235,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001609473,"about_ca_topic_score_gemma":0.002376564,"domain_scores_codex":[0.9964991,0.002642307,0.00004025782,0.0002100718,0.0002582188,0.0003500029],"domain_scores_gemma":[0.9973791,0.00135962,0.0002798331,0.0002740124,0.0001567752,0.0005505683],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00005311342,0.00002316495,0.001243812,0.00008450243,0.000005911027,0.0004850052,0.2254642,0.0001150996,0.0002224295,0.7492931,0.004635777,0.01837389],"study_design_scores_gemma":[0.00002223317,0.00009213812,0.001710335,0.000454591,0.00001339096,0.001010237,0.3501199,0.0005647418,0.0003850321,0.2368956,0.4086945,0.00003737437],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.291225,0.01240685,0.02067098,0.03588043,0.001754865,0.00006837498,0.00005811056,0.0001926916,0.6377428],"genre_scores_gemma":[0.9853419,0.001018837,0.00109663,0.000676889,0.0002330884,0.0000415078,0.00001382651,0.00006118289,0.01151603],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01439684,"threshold_uncertainty_score":0.01735425,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2323526809","doi":"10.1093/cwwrit/vpq001","title":"Beyond Repression: German Women's War History and Hysteria in Mavis Gallant's \"O Lasting Peace\" and \"An Alien Flower\"","year":2010,"lang":"en","type":"article","venue":"Contemporary Women s Writing","topic":"German History and Society","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Winnipeg","funders":"","keywords":"Alien; German; History; Hysteria; Law; Political science; Psychoanalysis; Psychology; Archaeology","authors":[{"name":"Doris Wolf","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02412695866764285,"gpt":0.2351658398756057,"spread":0.2110388812079628,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001338826,0.0003611184,0.0001801264,0.001007034,0.006346724,0.005134664,0.0004007965,0.001503445,0.004399263],"category_scores_gemma":[0.002515643,0.0001736405,0.0001053464,0.001176067,0.01518625,0.002916693,0.002911518,0.00191072,0.0004637442],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006428787,"about_ca_system_score_gemma":0.002787734,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04114377,"about_ca_topic_score_gemma":0.07865345,"domain_scores_codex":[0.9991761,0.0004411351,0.00002567579,0.00005466809,0.0001153793,0.0001869744],"domain_scores_gemma":[0.9993423,0.0003648046,0.00009397032,0.0000339101,0.00004783431,0.0001171744],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006955215,0.00002514634,0.002389061,0.0001751754,0.00001490043,0.001474342,0.5884925,0.0001315771,0.000668551,0.3245832,0.05856428,0.02341185],"study_design_scores_gemma":[0.00001920981,0.00002787928,0.007723901,0.0004131092,0.00001288865,0.0005498469,0.3499337,0.00008276047,0.0005107478,0.01841478,0.6222854,0.00002581681],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4112789,0.06086187,0.0004443612,0.1712647,0.001939252,0.00002869599,0.0001172421,0.0000301713,0.3540348],"genre_scores_gemma":[0.9643807,0.005933602,0.00006751608,0.003688205,0.000245121,0.000009097798,0.00002255763,0.00002269162,0.02563045],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.04114377,"threshold_uncertainty_score":0.08180857,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4389109683","doi":"10.1093/cww/vpad021","title":"Miriam Toews’<i>Women Talking</i>and the Embodied Life of Feminist Nonviolence","year":2023,"lang":"en","type":"article","venue":"Contemporary Women s Writing","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Embodied cognition; Sociology; Gesture; Gender studies; Faith; Reading (process); Set (abstract data type); Aesthetics; Psychology; Social psychology; Epistemology; Philosophy; Linguistics","authors":[{"name":"Victoria Glista","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03627745009231256,"gpt":0.3102333510574004,"spread":0.2739559009650878,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001961921,0.0004431769,0.0002695953,0.0005274063,0.008079842,0.005785922,0.0006795893,0.001729055,0.004593597],"category_scores_gemma":[0.002202519,0.0001872562,0.0001574613,0.0003405472,0.02772056,0.003529843,0.002887767,0.003312692,0.0005646922],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003825301,"about_ca_system_score_gemma":0.001517326,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008326788,"about_ca_topic_score_gemma":0.0150257,"domain_scores_codex":[0.9982047,0.001297386,0.00001758401,0.0001481683,0.0001920128,0.0001400693],"domain_scores_gemma":[0.9988145,0.0007407555,0.0001355812,0.00007450613,0.00007654962,0.0001581294],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003898253,0.00002035964,0.0004474983,0.000081769,0.000005378986,0.0003913577,0.5685714,0.00006450681,0.0009945632,0.39589,0.02400978,0.009484367],"study_design_scores_gemma":[0.00001029057,0.00002980423,0.0008793368,0.0003139606,0.000005585898,0.0004438294,0.2246729,0.0001648894,0.0008749927,0.03491876,0.7376683,0.00001727167],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1689191,0.01682498,0.006155215,0.1354364,0.002872278,0.00003459136,0.00007088501,0.0001242174,0.6695623],"genre_scores_gemma":[0.9351459,0.001789437,0.0006374042,0.003902601,0.0004619906,0.00003229971,0.00001281976,0.00008149488,0.05793618],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.008326788,"threshold_uncertainty_score":0.02775466,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4405616846","doi":"10.1093/cww/vpae029","title":"“My Work Is to Show That It’s So Much More Beautiful When You Can Mix”: An Interview With Kim Thúy","year":2024,"lang":"en","type":"article","venue":"Contemporary Women s Writing","topic":"Asian Culture and Media Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"European Commission","keywords":"Work (physics); Psychology; Computer science; Engineering; Mechanical engineering","authors":[{"name":"Eglė Kačkutė","is_ca":false},{"name":"Valerie Heffernan","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08027127727367256,"gpt":0.3267742872135843,"spread":0.2465030099399118,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003168299,0.0006359872,0.000649557,0.0006152745,0.0171719,0.004771908,0.001398392,0.002400361,0.008119519],"category_scores_gemma":[0.0061845,0.000841942,0.0003000257,0.0006918906,0.007992734,0.006046307,0.004199699,0.007979391,0.0016131],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004200451,"about_ca_system_score_gemma":0.004316542,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0404212,"about_ca_topic_score_gemma":0.06049151,"domain_scores_codex":[0.9962637,0.002441002,0.00008491817,0.000187516,0.0003880283,0.0006348748],"domain_scores_gemma":[0.9963099,0.0008973255,0.0002567414,0.00007301402,0.0006454182,0.001817499],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003805094,0.00008010874,0.002575881,0.0002459293,0.000008507439,0.002985983,0.9040742,0.00003534332,0.0009683988,0.003236525,0.079336,0.006415169],"study_design_scores_gemma":[0.000005087275,0.00002895847,0.001108453,0.0001738063,0.000003245216,0.0008461662,0.8677453,0.00004013811,0.0001439621,0.0001803455,0.1296984,0.00002623145],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6175003,0.02207105,0.002917327,0.2403157,0.007816341,0.0008114584,0.000436396,0.0001684701,0.1079629],"genre_scores_gemma":[0.8533895,0.00763512,0.002428322,0.0673399,0.0005567138,0.0005003286,0.0001139222,0.0001893863,0.06784679],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.0404212,"threshold_uncertainty_score":0.0803718,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2303333982","doi":"10.1093/cww/vpv018","title":"Breaking Boundaries in Contemporary Women’s Writing: A Review Essay","year":2015,"lang":"en","type":"review","venue":"Contemporary Women s Writing","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Mount Allison University","funders":"","keywords":"Scholarship; German; Ambivalence; Presentation (obstetrics); Period (music); Literature; Set (abstract data type); History; Sociology; Art history; Classics; Art; Philosophy; Psychoanalysis; Psychology; Aesthetics; Linguistics","authors":[{"name":"Mark D. Lee","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1690290948013881,"gpt":0.3500667450362648,"spread":0.1810376502348766,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003151848,0.0007348667,0.001554112,0.005290274,0.002222836,0.009094881,0.0009304472,0.003112196,0.002333627],"category_scores_gemma":[0.006891439,0.0005014208,0.000465896,0.008742305,0.00435813,0.005844029,0.002082461,0.002536044,0.001336437],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00328905,"about_ca_system_score_gemma":0.00669248,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004054927,"about_ca_topic_score_gemma":0.007116942,"domain_scores_codex":[0.9973677,0.001207587,0.0002763986,0.0002900055,0.0006603851,0.0001979232],"domain_scores_gemma":[0.9929942,0.005088262,0.0005861532,0.00009279179,0.0009850796,0.0002533366],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000143015,0.0001820172,0.001593417,0.02967192,0.0002095217,0.001036277,0.05948579,0.0002416474,0.00108231,0.04344966,0.288844,0.5740605],"study_design_scores_gemma":[0.00001010007,0.00007213523,0.002413874,0.0190533,0.00005419419,0.0006336478,0.01900894,0.00002510032,0.0001127044,0.002903329,0.9556805,0.00003222618],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0009646749,0.9878908,0.0000817191,0.006498417,0.001522427,0.00000772031,0.00001177569,0.000003919271,0.00301846],"genre_scores_gemma":[0.01159118,0.9766406,0.0002643219,0.00442174,0.00342551,0.00005766389,0.00003449839,0.00001563282,0.003548936],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.009094881,"threshold_uncertainty_score":0.02386379,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4233474513","doi":"10.1093/cww/vpq023","title":"Notes on Contributors","year":2011,"lang":"en","type":"article","venue":"Contemporary Women s Writing","topic":"Short Stories in Global Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Middlebrow; German; Feminism; Poetry; Sociology; Gender studies; Media studies; History; Art history; Art; Literature","authors":[{"name":"D. Wolf","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07293469656017254,"gpt":0.236355783784062,"spread":0.1634210872238894,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001172539,0.0005134605,0.0006781711,0.00248833,0.003820647,0.002794605,0.001569725,0.001054313,0.3830051],"category_scores_gemma":[0.01508018,0.0002162459,0.0003030312,0.00300948,0.0006036941,0.001959951,0.001953254,0.002026559,0.2069551],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003302639,"about_ca_system_score_gemma":0.003066358,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02259354,"about_ca_topic_score_gemma":0.02832206,"domain_scores_codex":[0.9987522,0.0001583205,0.00007750239,0.0002014222,0.0006443743,0.0001661505],"domain_scores_gemma":[0.9915063,0.001482601,0.0002814326,0.0006324605,0.005456483,0.0006407773],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000004731118,0.000002743033,0.00003486491,0.00002662075,3.6812e-7,0.00001584071,0.0000907552,0.000005981577,0.00001995824,0.001902059,0.9896379,0.008258204],"study_design_scores_gemma":[9.280372e-7,8.469883e-7,0.0001387665,0.0000522517,3.890812e-7,0.00001131335,0.0001063772,0.000004869946,0.00001894432,0.0002587536,0.999405,0.00000146742],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.00108125,0.009110611,0.001022156,0.06061054,0.1160682,0.0004140122,0.01049409,0.0005895933,0.8006095],"genre_scores_gemma":[0.005774078,0.003267888,0.0004265514,0.007681635,0.007536957,0.0001859604,0.002586833,0.0003654329,0.9721746],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.6169949,"threshold_uncertainty_score":0.8800684,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4245134547","doi":"10.1093/cww/vpv004","title":"Willful Subjects","year":2015,"lang":"en","type":"article","venue":"Contemporary Women s Writing","topic":"Posthumanist Ethics and Activism","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Narrative; Phenomenon; Sociology; Cultural phenomenon; Phenomenology (philosophy); Queer; Aesthetics; Epistemology; Gender studies; Literature; Art; Philosophy; Social science","authors":[{"name":"Tanya Titchkosky","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1154735231066928,"gpt":0.3405077159182441,"spread":0.2250341928115513,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004220497,0.0005856507,0.0003466964,0.001366448,0.01369717,0.00671255,0.0008177882,0.002445063,0.02343732],"category_scores_gemma":[0.007127412,0.0002942359,0.0004199274,0.001222052,0.0121922,0.005584828,0.007207208,0.002906565,0.003178666],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002961237,"about_ca_system_score_gemma":0.002759319,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004165176,"about_ca_topic_score_gemma":0.003462451,"domain_scores_codex":[0.9964603,0.00195013,0.0001269096,0.0002934401,0.0005269946,0.000642326],"domain_scores_gemma":[0.9975129,0.001075689,0.000223904,0.0003010134,0.0003797484,0.0005066459],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00004977067,0.00007721213,0.0009735559,0.00009988925,0.000003304694,0.0008378841,0.3837588,0.00002117623,0.0006134477,0.5737548,0.02493322,0.01487701],"study_design_scores_gemma":[0.00001042779,0.00005374301,0.0004530434,0.0001717944,0.000003428851,0.0005498861,0.1142971,0.00002910035,0.0004644986,0.02832139,0.8556317,0.00001383238],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1583295,0.005157124,0.01117015,0.02234543,0.003197609,0.0008530238,0.0004311814,0.0002094657,0.7983064],"genre_scores_gemma":[0.7245938,0.002141059,0.002024252,0.01002048,0.0006380396,0.00075707,0.0002376893,0.0002088031,0.2593789],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02343732,"threshold_uncertainty_score":0.07840568,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404161309","doi":"10.1093/cww/vpae026","title":"At a Remove: The Curious State(lessness) of Migrant Mothering in Novels by Shumona Sinha and Nathacha Appanah","year":2024,"lang":"en","type":"article","venue":"Contemporary Women s Writing","topic":"Diaspora, migration, transnational identity","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Mount Allison University","funders":"","keywords":"State (computer science); Gender studies; Sociology; Art; Computer science; Algorithm","authors":[{"name":"Mark D. Lee","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02041074977806323,"gpt":0.2892904152875124,"spread":0.2688796655094491,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003549443,0.000591703,0.0004657702,0.0006440446,0.01419613,0.008243158,0.0007531127,0.001276371,0.003131116],"category_scores_gemma":[0.004261679,0.0002767971,0.0002452474,0.0003901314,0.01730182,0.003813023,0.003510876,0.002712191,0.0002647389],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003453724,"about_ca_system_score_gemma":0.001876244,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008873825,"about_ca_topic_score_gemma":0.01412981,"domain_scores_codex":[0.9977163,0.001685497,0.00003325776,0.0001623731,0.000139087,0.0002635142],"domain_scores_gemma":[0.9967967,0.002105954,0.0003272621,0.000189427,0.0002850527,0.00029566],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004970314,0.00001578848,0.0007292512,0.00005080128,0.000007154914,0.001126335,0.9710934,0.00002977841,0.0007317216,0.02183181,0.001818633,0.002515659],"study_design_scores_gemma":[0.000004330711,0.00005221183,0.001456111,0.00009038015,0.000009672679,0.0007206037,0.9330207,0.00006042745,0.000651477,0.002073212,0.06184235,0.00001856385],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9210662,0.002696384,0.001105873,0.0150223,0.0005234483,0.00002452682,0.00003633038,0.00004351883,0.05948133],"genre_scores_gemma":[0.9943464,0.0003469117,0.0001297074,0.0004628973,0.00008253607,0.000007982436,0.000006220326,0.00002445158,0.004592943],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01419613,"threshold_uncertainty_score":0.02505857,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2227959483","doi":"10.1093/cww/vpv008","title":"Borrowed Tongues: Life Writing, Migration, and Translation","year":2015,"lang":"en","type":"article","venue":"Contemporary Women s Writing","topic":"Translation Studies and Practices","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Winnipeg","funders":"","keywords":"Translation (biology); Life writing; Linguistics; History; Literature; Art; Philosophy; Chemistry; Biography","authors":[{"name":"Kathleen Venema","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1416102452387345,"gpt":0.286409808127997,"spread":0.1447995628892625,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005936044,0.0005494999,0.0005827558,0.002772535,0.008488192,0.01515077,0.0009280205,0.001869183,0.03893776],"category_scores_gemma":[0.02859115,0.0003651603,0.0002636475,0.005792854,0.01484456,0.009867222,0.008097077,0.003531499,0.00671609],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003439388,"about_ca_system_score_gemma":0.006345139,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009729385,"about_ca_topic_score_gemma":0.01557302,"domain_scores_codex":[0.9935735,0.004005959,0.0004078408,0.0002987634,0.001256199,0.0004578123],"domain_scores_gemma":[0.9852442,0.00818037,0.001531049,0.0009263586,0.001880095,0.002237869],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001011431,0.0000475118,0.002273824,0.001343892,0.00001800179,0.001233003,0.3560724,0.0000671905,0.0006132442,0.1363007,0.2422695,0.2596596],"study_design_scores_gemma":[0.00001532184,0.00003483538,0.003274551,0.003540256,0.00001310142,0.0007352284,0.1984447,0.00008545904,0.000337389,0.03007888,0.7634071,0.00003326926],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.06022853,0.1927463,0.003759921,0.2206248,0.0122283,0.0001084087,0.0004046313,0.0002985952,0.5096003],"genre_scores_gemma":[0.6980718,0.10286,0.003781728,0.01018512,0.004253098,0.0001398156,0.0003405506,0.0006010103,0.1797669],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.03893776,"threshold_uncertainty_score":0.1302598,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}