{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":41,"total_is_capped":false,"direct_labels_cover":1,"predictions_cover":41,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"8717b56517ac","filters":{"venue":"Continents manuscrits"}},"results":[{"id":"W2058035309","doi":"10.4000/coma.429","title":"Le patrimoine photographique malien et ses enjeux","year":2014,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"African history and culture studies","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Humanities","authors":[{"name":"Érika Nimis","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0259861371065242,"gpt":0.2733598645254205,"spread":0.2473737274188963,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008133322,0.0003172525,0.0001395346,0.001243639,0.008790793,0.003488286,0.0003973674,0.0006097348,0.01957361],"category_scores_gemma":[0.001667355,0.0002487715,0.0001200658,0.001890729,0.005039075,0.0017567,0.002359857,0.001440532,0.0008647491],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007585773,"about_ca_system_score_gemma":0.004377033,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.08732604,"about_ca_topic_score_gemma":0.2863183,"domain_scores_codex":[0.9995369,0.000139625,0.00001366699,0.00007760213,0.0001045066,0.0001277671],"domain_scores_gemma":[0.9993918,0.000298526,0.00009679879,0.00005355054,0.00006057964,0.00009872604],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0002161142,0.00004670375,0.03005405,0.0008389209,0.00002123379,0.002782482,0.5369688,0.0002464486,0.01054328,0.2334179,0.02151163,0.1633524],"study_design_scores_gemma":[0.000009142484,0.00004788045,0.07443203,0.0003289145,0.00000981725,0.0008164297,0.1080013,0.00005515743,0.001685449,0.001873411,0.8127205,0.00002006608],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6116213,0.01927631,0.001857877,0.01589502,0.0005712428,0.0001530399,0.0003884037,0.00006766718,0.350169],"genre_scores_gemma":[0.8739597,0.004795573,0.001074016,0.0004872696,0.0000964636,0.00005601658,0.00007104753,0.00003679603,0.119423],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.08732604,"threshold_uncertainty_score":0.1736355,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2764025924","doi":"10.4000/coma.950","title":"Naissance et résistance d’une revue : Présence africaine","year":2017,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Caribbean and African Literature and Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Francophone University Association","funders":"","keywords":"Humanities; Art","authors":[{"name":"Ferroudja Allouache","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0352939859249715,"gpt":0.2657006302845771,"spread":0.2304066443596056,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.01023131,0.0003817176,0.0004122399,0.002055676,0.01821674,0.01787298,0.001090354,0.004284591,0.006775621],"category_scores_gemma":[0.02690744,0.0003507546,0.0002800956,0.001660165,0.02411916,0.01181522,0.007067067,0.007317051,0.0007066089],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007508186,"about_ca_system_score_gemma":0.009700017,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01361188,"about_ca_topic_score_gemma":0.02138933,"domain_scores_codex":[0.9881623,0.007555541,0.0004320735,0.000841368,0.001490585,0.001518047],"domain_scores_gemma":[0.9822073,0.01030408,0.001967013,0.001235301,0.002414817,0.001871574],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003645612,0.00002805507,0.001217165,0.0002171041,0.00001385015,0.001310327,0.593635,0.00003073956,0.0006543268,0.3645625,0.01641954,0.021875],"study_design_scores_gemma":[0.000007994492,0.00002856926,0.00155,0.0006494161,0.000009300646,0.0007378721,0.1996614,0.00002946277,0.00036896,0.008086403,0.7888424,0.0000282263],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2246776,0.05641233,0.001774159,0.2149685,0.004642828,0.00007551529,0.0000667388,0.00006309472,0.4973192],"genre_scores_gemma":[0.9249902,0.008177412,0.0004286711,0.00823379,0.0008045566,0.00005141157,0.00001615856,0.00009406717,0.05720383],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.982127,"threshold_uncertainty_score":0.05447596,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2567094602","doi":"10.4000/coma.714","title":"« Les Gary de Goyave » Co-écritures et inédits schwarz-bartiens","year":2016,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Linguistic and Sociocultural Studies","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art","authors":[{"name":"Kathleen Gyssels","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06745783792950542,"gpt":0.3596756893155572,"spread":0.2922178513860517,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001284654,0.0004189342,0.0002328522,0.0009408264,0.004322701,0.003049283,0.0003465644,0.0009761298,0.004789761],"category_scores_gemma":[0.002825857,0.0002020757,0.000134174,0.001048039,0.01620485,0.002551488,0.003140993,0.001969709,0.0006548932],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001800101,"about_ca_system_score_gemma":0.0008824503,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003690541,"about_ca_topic_score_gemma":0.00726265,"domain_scores_codex":[0.9987193,0.0008157377,0.00002707755,0.0001031582,0.000170749,0.0001640152],"domain_scores_gemma":[0.9991699,0.0005078937,0.0001247009,0.00006758876,0.00005042237,0.00007955645],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000577441,0.000008553249,0.001335329,0.00006010205,0.000004836408,0.0006093556,0.2371406,0.0000550697,0.000616007,0.7477733,0.002295793,0.01004326],"study_design_scores_gemma":[0.00002035892,0.00009111295,0.01002763,0.0004683775,0.00002399883,0.00256402,0.276931,0.0002628984,0.002062607,0.1083771,0.5991106,0.00006038059],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5729907,0.01036119,0.003787327,0.0113105,0.0005644513,0.00002623604,0.0000605705,0.00004048691,0.4008586],"genre_scores_gemma":[0.9750896,0.001641391,0.0005371351,0.0002997358,0.00006561291,0.00001095168,0.00001622875,0.0000259554,0.02231341],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.004789761,"threshold_uncertainty_score":0.0160234,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2597403402","doi":"10.4000/coma.859","title":"Writing the Haitian Earthquake and Creating Archives","year":2017,"lang":"en","type":"article","venue":"Continents manuscrits","topic":"Caribbean and African Literature and Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Francophone University Association","funders":"","keywords":"Aftershock; History; Face (sociological concept); Event (particle physics); Seismology; Literature; Art; Visual arts; Linguistics; Geology; Philosophy","authors":[{"name":"Rachel Douglas","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02528243760369961,"gpt":0.2264051979772619,"spread":0.2011227603735623,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004520376,0.0004337316,0.0001868508,0.001334665,0.02017944,0.01236674,0.0009438373,0.002059995,0.005782234],"category_scores_gemma":[0.007336986,0.0002913117,0.00008750834,0.001590159,0.02267429,0.006535524,0.006166203,0.002906405,0.001008892],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004367698,"about_ca_system_score_gemma":0.009047655,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01694866,"about_ca_topic_score_gemma":0.04147889,"domain_scores_codex":[0.9976325,0.001466409,0.00006478161,0.0001094327,0.0003270483,0.0003997313],"domain_scores_gemma":[0.9967961,0.001465908,0.0003311666,0.0002847254,0.0004340364,0.0006880699],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000292126,0.00004517031,0.002157335,0.0001571556,0.000005018712,0.00130166,0.766066,0.00007063901,0.000405985,0.1400173,0.04700173,0.0427429],"study_design_scores_gemma":[0.000007255372,0.00001618418,0.001567451,0.0003304763,0.000005541928,0.0004743039,0.5187796,0.00004420022,0.0005193155,0.00787365,0.470368,0.0000140661],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2043581,0.008876289,0.002133353,0.09459262,0.00191771,0.0001165321,0.0001285525,0.0002023955,0.6876744],"genre_scores_gemma":[0.9308572,0.006417529,0.002364457,0.004242106,0.0004594866,0.00007919045,0.00004798199,0.00008734749,0.0554447],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02017944,"threshold_uncertainty_score":0.03370005,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2806677246","doi":"10.4000/coma.1189","title":"Livre culte, livre maudit","year":2018,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"African history and culture studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Cegep de Sept Iles","funders":"","keywords":"Humanities; Art","authors":[{"name":"Jean-Pierre Orban","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0351742352241545,"gpt":0.2859325716676911,"spread":0.2507583364435366,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001078516,0.000645215,0.0003500771,0.001336469,0.01073776,0.007103034,0.0006102901,0.001967442,0.02499747],"category_scores_gemma":[0.003611501,0.0003228622,0.0002517785,0.001330327,0.005156178,0.002853909,0.003222565,0.004583598,0.008059753],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00611845,"about_ca_system_score_gemma":0.004083429,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01841396,"about_ca_topic_score_gemma":0.04522241,"domain_scores_codex":[0.9986797,0.0003775514,0.00005282956,0.0001807692,0.0004416856,0.0002674616],"domain_scores_gemma":[0.9991071,0.0002368668,0.00007740966,0.0001001702,0.0002823524,0.0001960814],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001058619,0.00002968319,0.001311735,0.0002843221,0.000008096919,0.0008025073,0.07041976,0.0000378468,0.0008993391,0.2370028,0.6329401,0.05615785],"study_design_scores_gemma":[0.000001477651,0.00000564164,0.0004122575,0.0000685104,9.052122e-7,0.0000607747,0.002767766,0.000004932476,0.00006864173,0.0007307407,0.9958753,0.000003051688],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.02404207,0.04969065,0.0008396564,0.06361691,0.04109532,0.00008451536,0.0005300854,0.0001838129,0.819917],"genre_scores_gemma":[0.07377572,0.005269469,0.0002876458,0.006217944,0.003110536,0.00005586375,0.0001501931,0.0001773037,0.9109553],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.02499747,"threshold_uncertainty_score":0.0836249,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2567679635","doi":"10.4000/coma.750","title":"Sex, Lies et les Franco-Manitobains de Marc Prescott : de l’esclandre étudiant (1993) au classique avant-gardiste (2013)","year":2016,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Alberta","funders":"","keywords":"Humanities; Art; Political science","authors":[{"name":"Louise Ladouceur","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02224034954669283,"gpt":0.2457352673436649,"spread":0.2234949177969721,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001010401,0.0004367426,0.0002606518,0.0008165778,0.01730363,0.004847716,0.0006789312,0.001156703,0.005845492],"category_scores_gemma":[0.001874436,0.0002241474,0.0001422551,0.001602956,0.01104064,0.001307207,0.001708091,0.003122395,0.0004214775],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.03769464,"about_ca_system_score_gemma":0.02717835,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9411131,"about_ca_topic_score_gemma":0.9734141,"domain_scores_codex":[0.9992567,0.0002111359,0.00001453923,0.00008745235,0.0001973267,0.0002327577],"domain_scores_gemma":[0.9991176,0.0002641875,0.00009104227,0.00003670167,0.0002829347,0.0002075921],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005955186,0.00001620597,0.01098452,0.00009704415,0.00001293974,0.0009391058,0.8560941,0.00006016369,0.0007432509,0.08834939,0.02357558,0.01906808],"study_design_scores_gemma":[0.000007186099,0.00002127484,0.03875869,0.0003889668,0.00001511962,0.0002888114,0.3558224,0.00005930036,0.0003517166,0.001816574,0.6024347,0.00003530039],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.6631856,0.02840741,0.0008845236,0.06850538,0.001746804,0.00004590423,0.000533127,0.00003780974,0.2366535],"genre_scores_gemma":[0.9376206,0.004755877,0.0002364686,0.002569766,0.0001338262,0.00001787525,0.00008543272,0.00003730095,0.05454277],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.05888689,"threshold_uncertainty_score":0.2734951,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2991044362","doi":"10.4000/coma.4304","title":"De Zojagé à Houénoussou : idéologie et esthétique théâtrale en période « révolutionnaire » au Bénin","year":2019,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"History, Culture, and Society","field":"Health Professions","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Spectacle; Art; Political science","authors":[{"name":"Fernand Nouwligbeto","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03507159676532941,"gpt":0.3453872218704961,"spread":0.3103156251051667,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001088336,0.0002377422,0.0002248942,0.0008452784,0.01128314,0.002653944,0.0003447017,0.0009134993,0.005246476],"category_scores_gemma":[0.001016247,0.0001578236,0.00009291706,0.0009389141,0.0110839,0.001132449,0.001893312,0.001698924,0.0003122346],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01010982,"about_ca_system_score_gemma":0.007660838,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2836485,"about_ca_topic_score_gemma":0.4269661,"domain_scores_codex":[0.9993808,0.0002850934,0.000007777905,0.00003497659,0.00007817559,0.0002132319],"domain_scores_gemma":[0.9995989,0.0001632137,0.00006290325,0.00001692647,0.00005964131,0.00009830414],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001430398,0.00003310395,0.01015367,0.0001644985,0.000007456779,0.001522615,0.7407743,0.0001155785,0.001566171,0.2045158,0.01109738,0.02990633],"study_design_scores_gemma":[0.00001761587,0.00005090108,0.04238458,0.0004060017,0.000008945042,0.0008195413,0.530962,0.000164746,0.0006535925,0.008036704,0.4164641,0.00003112648],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7428685,0.0211303,0.0006277485,0.06018515,0.0006621208,0.00003233547,0.00005820607,0.00001832126,0.1744172],"genre_scores_gemma":[0.9667684,0.002610623,0.0001332187,0.001094326,0.00005146341,0.00001086587,0.000007938457,0.000009659595,0.02931342],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2836485,"threshold_uncertainty_score":0.5639949,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1990206955","doi":"10.4000/coma.317","title":"Écrire dans la variante de l’autre : le cas de Sous les vents de Neptune de Fred Vargas","year":2014,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Université de Sherbrooke","funders":"","keywords":"Humanities; Art","authors":[{"name":"Nadine Vincent","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01973005179922948,"gpt":0.2483032800103069,"spread":0.2285732282110774,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009379163,0.0002343457,0.0002406683,0.0005065295,0.006877082,0.003827626,0.0003761164,0.0007328993,0.003250425],"category_scores_gemma":[0.002030368,0.0001686941,0.0001355821,0.0006345572,0.009059227,0.001764183,0.001849311,0.002141234,0.0002882745],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008538831,"about_ca_system_score_gemma":0.004400368,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.3775773,"about_ca_topic_score_gemma":0.550604,"domain_scores_codex":[0.9990054,0.0004251134,0.00002077329,0.0001537552,0.000161936,0.0002330703],"domain_scores_gemma":[0.9992697,0.0002833312,0.00006881883,0.00008097193,0.0001819509,0.0001153131],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001313827,0.00002026319,0.01060426,0.0000571653,0.00001281459,0.001988773,0.7046463,0.000114868,0.004737803,0.2511236,0.004644245,0.02191851],"study_design_scores_gemma":[0.00001843935,0.00007388094,0.04209184,0.0002142174,0.00003522275,0.001520274,0.5425129,0.0005685369,0.00270828,0.01197346,0.3981981,0.00008478186],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7456058,0.0008906068,0.002186589,0.006018991,0.0001681859,0.00002380911,0.0000558988,0.00003788696,0.2450122],"genre_scores_gemma":[0.9778931,0.0001271807,0.0003554945,0.000284019,0.00001118523,0.000004832947,0.00001583656,0.00003321356,0.0212752],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3775773,"threshold_uncertainty_score":0.7507591,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2056289495","doi":"10.4000/coma.315","title":"Victor-Lévy Beaulieu : une écriture de la fureur ou comment « enquébécoiser » la langue française Étude des manuscrits de La Grande Tribu","year":2014,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"McGill University","funders":"","keywords":"Art; Humanities","authors":[{"name":"Myriam Vien","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01587772532444583,"gpt":0.2646851977246267,"spread":0.2488074724001809,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002215068,0.0003074832,0.0002934223,0.001253962,0.01537547,0.004517491,0.0005816357,0.001238183,0.004579921],"category_scores_gemma":[0.003623699,0.0001406785,0.0001418918,0.001782381,0.008698287,0.002299491,0.001930629,0.002158012,0.0003315143],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01530968,"about_ca_system_score_gemma":0.01510471,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.6989967,"about_ca_topic_score_gemma":0.7893832,"domain_scores_codex":[0.9984573,0.0008482297,0.00002608708,0.0001629768,0.0002519945,0.0002534244],"domain_scores_gemma":[0.9974754,0.001380034,0.0001560265,0.00009158778,0.0005766938,0.0003202074],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0000406464,0.00002362681,0.01453698,0.0001113898,0.00001373641,0.0008784416,0.8083734,0.00008381944,0.0009561902,0.1111378,0.02797683,0.03586711],"study_design_scores_gemma":[0.000005592412,0.0000281961,0.02727395,0.0003366011,0.0000148561,0.0004311774,0.5716907,0.00018954,0.0006260218,0.006060542,0.39329,0.00005283337],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7262509,0.01393448,0.002143805,0.1069728,0.001017841,0.00004930611,0.0002715097,0.00003673706,0.1493225],"genre_scores_gemma":[0.9605486,0.002596057,0.0004283647,0.003228723,0.00008604209,0.00002109141,0.00005792348,0.00004113462,0.03299212],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3010033,"threshold_uncertainty_score":0.6055518,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3153871422","doi":"10.4000/coma.6824","title":"Décrire la bibliothèque d’André Schwarz-Bart : enjeux et méthodes","year":2021,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Bibliothèque et Archives nationales du Québec","funders":"","keywords":"Humanities; Art","authors":[{"name":"Jérôme Villeminoz","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.3082664467730778,"gpt":0.3608734423968594,"spread":0.05260699562378157,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.02569014,0.001329051,0.001129283,0.01118055,0.00525972,0.01413699,0.002380143,0.002547491,0.04041026],"category_scores_gemma":[0.08089761,0.00147086,0.00136331,0.0127274,0.004858577,0.01155983,0.006170915,0.004247539,0.02257944],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006754261,"about_ca_system_score_gemma":0.0124286,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02025047,"about_ca_topic_score_gemma":0.03287407,"domain_scores_codex":[0.9687594,0.01673046,0.002910127,0.005361601,0.00545702,0.0007813999],"domain_scores_gemma":[0.9505091,0.03040151,0.002423075,0.006699021,0.008963444,0.001003774],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004554256,0.0002297312,0.01483459,0.005539515,0.0002000204,0.001153938,0.09127855,0.001128035,0.01064357,0.2341591,0.1166828,0.5236948],"study_design_scores_gemma":[0.00005411573,0.00003960975,0.006602717,0.002807316,0.00008218068,0.0004867043,0.0156009,0.002650674,0.004575527,0.03268424,0.9342893,0.0001267217],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.03870244,0.00985305,0.7337139,0.01819273,0.002542689,0.005806075,0.01602163,0.006665852,0.1685015],"genre_scores_gemma":[0.1379693,0.005135604,0.7159073,0.00364205,0.0008556275,0.01169503,0.01717027,0.00679796,0.1008269],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04041026,"threshold_uncertainty_score":0.1358641,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4239462140","doi":"10.4000/coma.8165","title":"« L’enfant et la solitude » de René Maran : réflexions génétiques","year":2021,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Trinity College","funders":"","keywords":"Humanities; Art; Solitude","authors":[{"name":"Roger Little","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04453848902335077,"gpt":0.3397420238695791,"spread":0.2952035348462283,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002609776,0.0003203838,0.0004198166,0.001784623,0.004092263,0.002648069,0.0007620197,0.000612392,0.003744198],"category_scores_gemma":[0.003183909,0.0001246206,0.0001749422,0.001963847,0.005441125,0.001435067,0.001350099,0.0009171391,0.0002030145],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005004186,"about_ca_system_score_gemma":0.003344803,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.07134015,"about_ca_topic_score_gemma":0.186952,"domain_scores_codex":[0.9985511,0.0008902678,0.00003062901,0.0001890244,0.0001639187,0.0001750791],"domain_scores_gemma":[0.9983186,0.0009625175,0.0003190402,0.00006748559,0.0002090476,0.0001233104],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.000126686,0.00004648926,0.03695706,0.0002996133,0.00003106913,0.001724321,0.5670754,0.0001510012,0.00223416,0.276088,0.002282344,0.1129839],"study_design_scores_gemma":[0.00001777981,0.0001739885,0.2313276,0.0007416749,0.00006171097,0.002515034,0.3518157,0.0002885094,0.001459599,0.0243195,0.3871997,0.00007921457],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.861637,0.0158304,0.001868897,0.0132419,0.0003060572,0.00003169373,0.0001225352,0.00002302347,0.1069385],"genre_scores_gemma":[0.9838886,0.002408518,0.0008336041,0.000326113,0.00006753775,0.00001748469,0.00002759029,0.00001193777,0.01241849],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.07134015,"threshold_uncertainty_score":0.1418498,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3206033260","doi":"10.4000/coma.7064","title":"Impossible généalogie littéraire de René Maran","year":2021,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Association for Canadian and Québec Literatures; Francophone University Association","funders":"","keywords":"Art; Humanities","authors":[{"name":"Ferroudja Allouache","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05409448654184638,"gpt":0.3731445243244148,"spread":0.3190500377825684,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00125762,0.0004485096,0.0004104413,0.001403166,0.006533889,0.003138936,0.0006822798,0.001106108,0.01370683],"category_scores_gemma":[0.00261866,0.0002952861,0.0001945284,0.001228192,0.005162603,0.002014183,0.001841697,0.002284798,0.002725641],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005103277,"about_ca_system_score_gemma":0.00385359,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04379862,"about_ca_topic_score_gemma":0.08973154,"domain_scores_codex":[0.9986776,0.0006247406,0.00003667424,0.0002884053,0.0002351477,0.0001374923],"domain_scores_gemma":[0.9992201,0.0003597056,0.00009463564,0.00008088011,0.0001832486,0.00006148576],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001091273,0.0000432192,0.001706099,0.0002886419,0.00001654092,0.001386796,0.06912769,0.0002012821,0.0009178433,0.7372871,0.09308007,0.09583555],"study_design_scores_gemma":[0.000001530004,0.00001134026,0.0006227004,0.00009748324,0.000002591545,0.000275527,0.001615189,0.00003351549,0.0001734371,0.003189223,0.9939704,0.000007066708],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.06272225,0.08058828,0.004252451,0.04828412,0.005644036,0.00009668518,0.0005106824,0.0001728324,0.7977287],"genre_scores_gemma":[0.3449097,0.02561337,0.002268456,0.006312161,0.001557718,0.00008731363,0.0002324235,0.000273692,0.6187451],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04379862,"threshold_uncertainty_score":0.08708739,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2563756693","doi":"10.4000/coma.696","title":"Le Prince d’Albert Memmi, une tentative théâtrale sur le pouvoir et la domination","year":2016,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Multiculturalism, Politics, Migration, Gender","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Francophone University Association","funders":"","keywords":"Humanities; Art","authors":[{"name":"Hervé Sanson","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09745893450870327,"gpt":0.3763796894907239,"spread":0.2789207549820206,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001325373,0.0002755533,0.0001997718,0.0005010663,0.006867318,0.002936483,0.000345293,0.0009778735,0.005211837],"category_scores_gemma":[0.001573055,0.0001621795,0.0001398829,0.0007137209,0.008097839,0.001575983,0.001787265,0.0016158,0.0005616661],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004688598,"about_ca_system_score_gemma":0.003902784,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03744156,"about_ca_topic_score_gemma":0.05964116,"domain_scores_codex":[0.999402,0.0002965536,0.00001521518,0.00006277078,0.00008990418,0.0001334562],"domain_scores_gemma":[0.9993381,0.0002093225,0.0001418772,0.00006626823,0.0001340611,0.0001103418],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001796944,0.00003419362,0.01796461,0.000143735,0.00002231473,0.001422159,0.2256917,0.0001849495,0.001960314,0.6877409,0.0125203,0.05213516],"study_design_scores_gemma":[0.00001367795,0.0000884851,0.02478243,0.0003078054,0.00001290911,0.001106276,0.1001339,0.0001213741,0.0009535226,0.02470871,0.8477286,0.00004235108],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.6162966,0.009491079,0.002352146,0.03390369,0.0007418363,0.00003318721,0.0001367154,0.00003270904,0.3370119],"genre_scores_gemma":[0.9448085,0.001611233,0.0005076479,0.0009020644,0.00007070365,0.00001446665,0.00002179828,0.00001042463,0.05205307],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.03744156,"threshold_uncertainty_score":0.07444721,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4224288403","doi":"10.4000/coma.8481","title":"Exploration iconographique des manuscrits d’André Schwarz-Bart","year":2022,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Continental (Canada)","funders":"","keywords":"Art; Humanities; Art history","authors":[{"name":"Fanny Margras","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04788776092196806,"gpt":0.2333947943524719,"spread":0.1855070334305038,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001251833,0.0008236286,0.0002710094,0.002015207,0.004715224,0.004190006,0.0003051568,0.001036093,0.01200127],"category_scores_gemma":[0.002556221,0.0002258964,0.0002783742,0.001400662,0.006611737,0.002380615,0.001634625,0.002376391,0.002978405],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003343247,"about_ca_system_score_gemma":0.001481725,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008884169,"about_ca_topic_score_gemma":0.01579528,"domain_scores_codex":[0.9987081,0.0008619789,0.00002004954,0.00008382507,0.0002148615,0.0001111982],"domain_scores_gemma":[0.9990594,0.0005585169,0.00007520065,0.00005144099,0.0001513444,0.0001041693],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001170246,0.00002198734,0.001083648,0.000228219,0.00001256329,0.002088757,0.2320507,0.0003747797,0.005513287,0.6003596,0.09934925,0.05880024],"study_design_scores_gemma":[0.000002319424,0.00002156769,0.0008233596,0.000128938,0.000004179003,0.0007705879,0.01938762,0.0001437137,0.0009346767,0.004666772,0.9730992,0.00001704603],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1085146,0.04420013,0.02439075,0.06438139,0.008886392,0.00007647285,0.0002426497,0.0005928333,0.7487148],"genre_scores_gemma":[0.6106162,0.01364209,0.00449036,0.00285818,0.002244852,0.00005656115,0.00008207332,0.0005065334,0.3655032],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01200127,"threshold_uncertainty_score":0.04014826,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4399938766","doi":"10.4000/11vma","title":"Les solidarités afro-asiatiques des écrivains communistes turcs","year":2024,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Diaspora, migration, transnational identity","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ministère de l’Emploi et de la Solidarité Sociale (Québec)","funders":"","keywords":"Art; Humanities","authors":[{"name":"Noémie Cadeau","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1214250608191842,"gpt":0.3835930989989897,"spread":0.2621680381798055,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004307889,0.0003661034,0.0001651284,0.0006719765,0.002820584,0.001956746,0.0003181588,0.0004031332,0.01033528],"category_scores_gemma":[0.0004466503,0.000125213,0.0001446771,0.001003939,0.002696207,0.0008688631,0.001790146,0.0008869687,0.001075236],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002272177,"about_ca_system_score_gemma":0.002086689,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04027063,"about_ca_topic_score_gemma":0.08463402,"domain_scores_codex":[0.9996935,0.00008033481,0.0000104829,0.00004235948,0.00005690618,0.0001163419],"domain_scores_gemma":[0.9996994,0.00005605205,0.00007387252,0.00003491158,0.00008022572,0.00005566828],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0006515731,0.0001158931,0.08753129,0.0005925578,0.00007521646,0.003094621,0.199268,0.001040842,0.01092243,0.4534692,0.02220115,0.2210372],"study_design_scores_gemma":[0.00002824121,0.000126758,0.1821837,0.0002599494,0.00003351377,0.001108807,0.05267004,0.0002848026,0.002265827,0.005649945,0.7553534,0.00003512484],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7513752,0.00855676,0.00154689,0.00560584,0.0002516682,0.00002659111,0.0002732545,0.00005406967,0.2323096],"genre_scores_gemma":[0.9429169,0.002196295,0.0004978083,0.000292018,0.00005387394,0.00001230862,0.0001300674,0.00001813144,0.05388269],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.04027063,"threshold_uncertainty_score":0.08007246,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3212456348","doi":"10.4000/coma.8007","title":"Nouveaux éclairages sur la genèse du Dernier des Justes au regard d’éléments inédits sur les cinq versions du roman","year":2021,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"World Federation of Science Journalists","funders":"","keywords":"Art; Humanities","authors":[{"name":"Francine Kaufmann","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04974178146540204,"gpt":0.2483823326108837,"spread":0.1986405511454817,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002353599,0.0004502608,0.0002659735,0.0009562083,0.006952972,0.006535515,0.0004940126,0.001353201,0.01368143],"category_scores_gemma":[0.006655186,0.000300764,0.000226054,0.001518301,0.0176235,0.005218373,0.003940607,0.00564746,0.001459057],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004020175,"about_ca_system_score_gemma":0.002689699,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01105905,"about_ca_topic_score_gemma":0.0293073,"domain_scores_codex":[0.9974661,0.001068365,0.0000849837,0.0003508854,0.0006896134,0.0003399745],"domain_scores_gemma":[0.9973079,0.00131291,0.0003703068,0.0002869862,0.0004850916,0.0002368415],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007077902,0.00001684137,0.00271225,0.0001003044,0.000008523387,0.0003370066,0.189452,0.00005133568,0.0006486737,0.773553,0.01179131,0.02125796],"study_design_scores_gemma":[0.00001076612,0.00003455514,0.01000122,0.0003716545,0.000008654552,0.0005900519,0.0576987,0.0000680519,0.0007922056,0.02705072,0.9033436,0.000029826],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.244627,0.01765003,0.005068307,0.03288362,0.001989324,0.00004915072,0.0002139107,0.00005891369,0.6974598],"genre_scores_gemma":[0.8394245,0.007046622,0.001014502,0.003002189,0.0005707682,0.00005172939,0.0001089886,0.0001708589,0.1486099],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01368143,"threshold_uncertainty_score":0.04576898,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2754247338","doi":"10.4000/coma.902","title":"Dossier génétique de « submersion de la peine » de Mohammed Dib (Formulaires, Le Seuil, 1970)","year":2017,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Francophone University Association","funders":"","keywords":"Humanities; Submersion (mathematics); Art","authors":[{"name":"Karolina Resztak","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01552624874757409,"gpt":0.2601809649024883,"spread":0.2446547161549142,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009713035,0.0003497527,0.0002151262,0.001082701,0.002767899,0.002060892,0.0003649131,0.001010527,0.003837885],"category_scores_gemma":[0.001713078,0.0001353502,0.0001870135,0.0006129036,0.008946622,0.001788706,0.001178541,0.002129785,0.0006200239],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003962771,"about_ca_system_score_gemma":0.002024537,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01008296,"about_ca_topic_score_gemma":0.01464289,"domain_scores_codex":[0.9994953,0.0002536131,0.00001459758,0.00007729334,0.0001114868,0.00004761033],"domain_scores_gemma":[0.9995136,0.0002579509,0.00006109099,0.00004604991,0.00009390929,0.0000273949],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002640551,0.000006175894,0.0003883582,0.00005253536,0.000003886112,0.0001886781,0.01027102,0.00006562976,0.0005573281,0.9641489,0.006174104,0.0181169],"study_design_scores_gemma":[0.00002529577,0.00005745058,0.002624817,0.0002160333,0.0000150053,0.001191575,0.00583104,0.0003081964,0.001848802,0.2317801,0.7560629,0.00003878561],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1202788,0.0339645,0.04076156,0.06120571,0.00347476,0.0001347753,0.0003362447,0.0001897584,0.7396539],"genre_scores_gemma":[0.8438059,0.005285334,0.01063818,0.004600245,0.0004275141,0.00008200259,0.0000735356,0.00008058795,0.1350067],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01008296,"threshold_uncertainty_score":0.02875203,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2921681464","doi":"10.4000/coma.3871","title":"Poétiques sur le pas de porte : de la magopinaciophilie comme terrain littéraire","year":2019,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"African Studies and Ethnography","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Francophone University Association","funders":"","keywords":"Humanities; Art","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.04416979116967821,"gpt":0.2946698365628716,"spread":0.2505000453931934,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000249209,0.0002279474,0.0001338813,0.0008054015,0.003209812,0.002282033,0.0002990515,0.0004251281,0.007946447],"category_scores_gemma":[0.000561566,0.0001241963,0.00008776858,0.001750462,0.001914007,0.001787179,0.001389487,0.0006688595,0.0003897707],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0009831744,"about_ca_system_score_gemma":0.001222905,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02652191,"about_ca_topic_score_gemma":0.09535097,"domain_scores_codex":[0.9998233,0.00006180697,0.000005786275,0.00002028911,0.0000326882,0.00005619287],"domain_scores_gemma":[0.9998229,0.00006910184,0.00004467059,0.00001303532,0.00002190604,0.00002829154],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002826845,0.00005575913,0.09085688,0.001066888,0.00003813432,0.01124613,0.4710667,0.0008894514,0.01299298,0.116065,0.01209414,0.2833453],"study_design_scores_gemma":[0.000003887294,0.00005803704,0.1099267,0.0006501258,0.00001781982,0.002618236,0.2667396,0.0001779037,0.001751387,0.003098076,0.6149327,0.00002550025],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8654581,0.0104396,0.00174224,0.002606394,0.0001878495,0.00002883343,0.0002126818,0.00002536957,0.1192989],"genre_scores_gemma":[0.9731699,0.006475708,0.0008099476,0.0001357805,0.00007039839,0.00001225606,0.00007717548,0.00002084409,0.01922783],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02652191,"threshold_uncertainty_score":0.05273509,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2040449986","doi":"10.4000/coma.305","title":"« Allez donc m’cri ane tasse d’eau » : le malaise créé par l’introduction de la langue orale dans les textes d’Albert Laberge","year":2014,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Malaise; Humanities; Art; Philosophy; Medicine; Surgery","authors":[{"name":"Caroline Loranger","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01235061803698473,"gpt":0.2400150339350435,"spread":0.2276644158980588,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002991321,0.0005180118,0.0003355508,0.001289082,0.006207284,0.007678671,0.0006333647,0.002088695,0.003809377],"category_scores_gemma":[0.006189833,0.0002421449,0.0002488647,0.001019059,0.01450865,0.004592839,0.002428851,0.00536279,0.0008621907],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006207587,"about_ca_system_score_gemma":0.003080863,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02542389,"about_ca_topic_score_gemma":0.03832629,"domain_scores_codex":[0.9970695,0.002185267,0.0000491582,0.0002073455,0.0003166287,0.0001720176],"domain_scores_gemma":[0.9965106,0.002651582,0.0002074887,0.0001192374,0.0003293457,0.0001818135],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00008905935,0.00001368964,0.0009955971,0.0002498272,0.00000940313,0.0003963779,0.2870676,0.0001393303,0.0007574631,0.6149333,0.06605944,0.02928903],"study_design_scores_gemma":[0.000003137091,0.00001573091,0.00153496,0.0004529569,0.000006552004,0.0002468941,0.04403816,0.0001962275,0.000492673,0.01577718,0.9372136,0.0000219621],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1138993,0.1034399,0.01748795,0.346798,0.01162,0.00006213215,0.0002564433,0.0002523166,0.4061838],"genre_scores_gemma":[0.8660914,0.02415062,0.004095342,0.01031704,0.003158987,0.00008571013,0.0001027571,0.0003903502,0.09160773],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9745761,"threshold_uncertainty_score":0.05055177,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2072930249","doi":"10.4000/coma.313","title":"Norme unilingue/Norme multilingue : revisiter le bilinguisme littéraire de l’écrivain franco-ontarien Patrice Desbiens","year":2014,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Historical Linguistics and Language Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Humanities; Art","authors":[{"name":"Mathieu Simard","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01509020309196522,"gpt":0.2269091659212485,"spread":0.2118189628292833,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002934138,0.0003702456,0.0003540733,0.001765986,0.005282426,0.006653764,0.000459045,0.0009709973,0.004186019],"category_scores_gemma":[0.003743039,0.0002295715,0.0001633341,0.001606412,0.01269246,0.004990849,0.001927371,0.002055636,0.0005093339],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01028469,"about_ca_system_score_gemma":0.006773548,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1664878,"about_ca_topic_score_gemma":0.2062969,"domain_scores_codex":[0.9982058,0.0009369761,0.00007514234,0.0002521253,0.0003136693,0.0002163545],"domain_scores_gemma":[0.997128,0.00172988,0.0002183886,0.0002007206,0.0005778591,0.0001452609],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002697751,0.00001248117,0.002835987,0.0001201839,0.00001165454,0.0002803325,0.1238477,0.0001538925,0.000975128,0.8427325,0.004125998,0.02487714],"study_design_scores_gemma":[0.00001164111,0.00004438403,0.02305907,0.0005760471,0.00003434874,0.001058346,0.1026679,0.002254335,0.002720281,0.1967791,0.6707289,0.00006563583],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3946924,0.02809783,0.05021284,0.05504311,0.0005109301,0.00004069776,0.0003543439,0.0001631242,0.4708847],"genre_scores_gemma":[0.984192,0.001677902,0.00195053,0.0004599199,0.00006862763,0.00001437337,0.00006030967,0.00006055848,0.01151582],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8335122,"threshold_uncertainty_score":0.3310375,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2547419917","doi":"10.4000/coma.670","title":"Introduction à l’œuvre du Mauricien Léoville L’Homme à partir des notes introductives au poème Le Rock de Cirné","year":2016,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Francophone University Association","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Robert Furlong","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03277190021327646,"gpt":0.2405686519833373,"spread":0.2077967517700608,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001084208,0.000391412,0.0002470755,0.001615184,0.004544545,0.003224959,0.0007513612,0.001388109,0.01557798],"category_scores_gemma":[0.002215795,0.0001491173,0.0002449375,0.001431389,0.005566662,0.001488512,0.001624703,0.00209505,0.001408668],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00516228,"about_ca_system_score_gemma":0.002337805,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04947797,"about_ca_topic_score_gemma":0.07324781,"domain_scores_codex":[0.9991811,0.0004167453,0.0000216116,0.000108056,0.0001457134,0.0001268093],"domain_scores_gemma":[0.9991533,0.0005077712,0.00008618175,0.00005678265,0.000122889,0.0000730451],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004745478,0.00002543856,0.002211619,0.0004453292,0.000009628729,0.0008376801,0.03790611,0.0003330047,0.0005309303,0.7533431,0.1480607,0.056249],"study_design_scores_gemma":[0.000001219372,0.00001339584,0.002201244,0.0003667305,0.000001701782,0.0001338312,0.00373792,0.00003492414,0.0000863411,0.005016476,0.9883985,0.000007716267],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0330966,0.1702414,0.003380623,0.07411744,0.008422346,0.00005867886,0.0003011958,0.00008627801,0.7102955],"genre_scores_gemma":[0.4950115,0.07686718,0.003788244,0.01266438,0.008416257,0.0001895797,0.000211393,0.000129844,0.4027217],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.04947797,"threshold_uncertainty_score":0.09837997,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4224229091","doi":"10.4000/coma.8082","title":"Corps perdu d’Aimé Césaire et de Pablo Picasso, un recueil de guerres et de paix","year":2022,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Francophone University Association","funders":"","keywords":"Art; Humanities","authors":[{"name":"Kora Véron","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03144649960627233,"gpt":0.2453259587362521,"spread":0.2138794591299798,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00076754,0.000878422,0.0003853681,0.002288104,0.006681012,0.00401686,0.0004332458,0.001160701,0.01581156],"category_scores_gemma":[0.002409618,0.0003732811,0.0002571341,0.002811087,0.004156404,0.001615216,0.001913386,0.002153818,0.001569392],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006041907,"about_ca_system_score_gemma":0.003455567,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1580789,"about_ca_topic_score_gemma":0.1884243,"domain_scores_codex":[0.9992279,0.0002478708,0.0000215329,0.0001285776,0.0001803252,0.0001937639],"domain_scores_gemma":[0.9992655,0.000312217,0.000102727,0.00006674035,0.0001429014,0.0001098842],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003023748,0.00003693591,0.007925984,0.0009104555,0.00002831548,0.002926659,0.1418059,0.0002201943,0.001714202,0.4262796,0.2517046,0.1661447],"study_design_scores_gemma":[0.000004240115,0.00001094537,0.006280847,0.0002105809,0.000003854022,0.0002978279,0.004476531,0.00001784316,0.0001645103,0.001122615,0.987403,0.000007108195],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.07026332,0.1054235,0.001843475,0.026524,0.003374229,0.00006882741,0.0006686685,0.0002137888,0.7916203],"genre_scores_gemma":[0.483907,0.02967773,0.001679852,0.004089301,0.001209855,0.0001333155,0.0003384831,0.0002462305,0.4787181],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1580789,"threshold_uncertainty_score":0.3143176,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2973609799","doi":"10.4000/coma.4132","title":"Pratique du terrain et expérience des textes : une perspective africaine","year":2019,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Francophone University Association","funders":"","keywords":"Art; Humanities","authors":[{"name":"Xavier Garnier","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02065448624985393,"gpt":0.2754286520741474,"spread":0.2547741658242934,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003553936,0.0006482033,0.0003762134,0.002669693,0.008461687,0.01048398,0.0007670281,0.002238972,0.002748635],"category_scores_gemma":[0.004360481,0.0003009361,0.0002304808,0.002751632,0.02828761,0.0156798,0.003495248,0.003543187,0.0002982731],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005376573,"about_ca_system_score_gemma":0.003511251,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01448445,"about_ca_topic_score_gemma":0.01777393,"domain_scores_codex":[0.9969624,0.002429679,0.00006410346,0.0001608467,0.0001924345,0.0001905837],"domain_scores_gemma":[0.9956864,0.003450478,0.0003375321,0.0001426274,0.0002292992,0.0001535794],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004007143,0.00002012114,0.0006525326,0.0002838206,0.000006758031,0.000969102,0.6384824,0.00015014,0.00129191,0.3394157,0.00182003,0.01686738],"study_design_scores_gemma":[0.00001095097,0.00002808311,0.00158149,0.0009813152,0.000009051842,0.0007891145,0.6353604,0.0002486347,0.0008062661,0.05326694,0.3068995,0.0000182496],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.3994813,0.08620828,0.02257662,0.1275624,0.001262326,0.0001148565,0.0002057478,0.00005379398,0.3625347],"genre_scores_gemma":[0.9648979,0.01768314,0.002849701,0.001458814,0.0003003646,0.0000563417,0.00003004171,0.00004182259,0.01268195],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01448445,"threshold_uncertainty_score":0.03900999,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2561615548","doi":"10.4000/coma.743","title":"D’une langue à l’autre","year":2016,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Naïm Kattan","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02211617542407768,"gpt":0.2350861650504853,"spread":0.2129699896264076,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003209179,0.0006749086,0.0004830744,0.001709171,0.01598892,0.01260077,0.001402989,0.003556311,0.0423618],"category_scores_gemma":[0.007384456,0.0003403984,0.0004975427,0.00252012,0.01002014,0.006105144,0.004305384,0.009352298,0.004759605],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.03042981,"about_ca_system_score_gemma":0.03114892,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.7200735,"about_ca_topic_score_gemma":0.7781478,"domain_scores_codex":[0.9964321,0.00106751,0.0001095095,0.0003474277,0.001115629,0.0009278555],"domain_scores_gemma":[0.9951042,0.001185689,0.0002063286,0.0003922224,0.002157213,0.0009543356],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001126819,0.00005972971,0.001829942,0.0005996215,0.00002754145,0.0007474033,0.07005998,0.0001924143,0.00187755,0.3395224,0.5124765,0.07249418],"study_design_scores_gemma":[0.000002045653,0.00000392359,0.0007305916,0.00009742624,0.00000171841,0.00008423927,0.005907685,0.00001794586,0.00007367077,0.0008812983,0.9921915,0.000007928099],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.02124129,0.07484286,0.004596055,0.2846638,0.02529723,0.0000654831,0.0009805725,0.000330703,0.5879819],"genre_scores_gemma":[0.279391,0.03232861,0.002920422,0.04242615,0.005121852,0.0001185162,0.0006347024,0.0004721275,0.6365865],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.2799265,"threshold_uncertainty_score":0.5631502,"prediction_status":"machine_predicted_unvalidated"},"labels":[{"model":"gemma","categories":[],"domain":null,"study_design":"not_applicable","genre":"other","about_ca_system":false,"about_ca_topic":true,"confidence":"high"},{"model":"gpt","categories":[],"domain":null,"study_design":"not_applicable","genre":"commentary","about_ca_system":false,"about_ca_topic":true,"confidence":"high"}],"label_agreement":"agree"},{"id":"W2897700204","doi":"10.4000/coma.2898","title":"Heart of Darkness, extraits du scénario d’Orson Welles","year":2018,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Film Studies Association of Canada","funders":"","keywords":"Art; Humanities; Art history","authors":[{"name":"Orson Welles","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02652389712465614,"gpt":0.2355132941996551,"spread":0.208989397074999,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001349961,0.0004334728,0.000199831,0.0006490666,0.008331475,0.004815394,0.0003663553,0.001833997,0.009794554],"category_scores_gemma":[0.003004109,0.0002003738,0.0001771572,0.0004861004,0.009292024,0.004214988,0.003301529,0.003749097,0.0009426995],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003564202,"about_ca_system_score_gemma":0.001335496,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01876201,"about_ca_topic_score_gemma":0.05631446,"domain_scores_codex":[0.9989991,0.0006059257,0.00001644778,0.00009875823,0.0001420591,0.0001377926],"domain_scores_gemma":[0.9992957,0.0003144886,0.00007115205,0.00006117013,0.00009854386,0.0001589495],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001518482,0.00003118578,0.0009215177,0.0001465371,0.00001273698,0.001636345,0.183844,0.0002565702,0.001261857,0.5573046,0.2241669,0.03026591],"study_design_scores_gemma":[0.000004333562,0.00001127792,0.001122481,0.0001467341,0.000002820871,0.0002435259,0.03529583,0.00005088317,0.0002137392,0.009702412,0.953194,0.00001202168],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.09893847,0.03403764,0.002385207,0.1216061,0.007229904,0.00003193992,0.0001824432,0.0001024828,0.7354858],"genre_scores_gemma":[0.748504,0.01136168,0.0007764193,0.007548344,0.001214449,0.00003523477,0.0000748938,0.0001619452,0.230323],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01876201,"threshold_uncertainty_score":0.03730565,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4360616426","doi":"10.4000/coma.10444","title":"Métisse blanche de Kim&amp;#8239Lefèvre, ou la rémanence des images","year":2023,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Francophone University Association","funders":"","keywords":"Humanities; Art","authors":[{"name":"Jack A. Yeager","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07584631246255825,"gpt":0.3219045634560767,"spread":0.2460582509935185,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006749678,0.0006290576,0.0002012186,0.0007762138,0.005827361,0.006843091,0.0005674644,0.003066444,0.09540398],"category_scores_gemma":[0.002452777,0.0003345021,0.0002952658,0.0006608964,0.004373502,0.005581254,0.002034561,0.002567452,0.0156557],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004979689,"about_ca_system_score_gemma":0.001868342,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02370472,"about_ca_topic_score_gemma":0.06755877,"domain_scores_codex":[0.9993165,0.0001646125,0.0000274566,0.0001688275,0.0002122638,0.0001104101],"domain_scores_gemma":[0.999268,0.0002901535,0.0000808421,0.00007921756,0.0001924769,0.00008926739],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001597925,0.00002942022,0.0008861837,0.0003947318,0.000009135219,0.001113933,0.03994329,0.00006282782,0.002575611,0.2889958,0.5591584,0.106671],"study_design_scores_gemma":[0.000002647336,0.00000602599,0.0004257139,0.0001042197,0.000001353487,0.0001761293,0.00269234,0.00002280175,0.000403549,0.001457566,0.9947018,0.000005873266],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01174057,0.01955396,0.002689508,0.0367138,0.006550366,0.0000778238,0.0005325257,0.0002424057,0.921899],"genre_scores_gemma":[0.06981795,0.005013248,0.001351989,0.004967294,0.0005677509,0.0000449766,0.0001448352,0.0002051034,0.9178868],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.09540398,"threshold_uncertainty_score":0.3191581,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1995530721","doi":"10.4000/coma.294","title":"La Transpoétique et le normatif chez Hédi Bouraoui","year":2014,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Political and Social Issues","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Humanities; Art","authors":[{"name":"Abderrahman Beggar","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02203544831610662,"gpt":0.2954209101530823,"spread":0.2733854618369757,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003033147,0.0002038203,0.0002982611,0.0008379407,0.006085468,0.00614538,0.000537573,0.000971714,0.004401507],"category_scores_gemma":[0.003786486,0.0002073868,0.000148515,0.001608106,0.01196884,0.00256784,0.002226353,0.002324313,0.0003428957],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00689315,"about_ca_system_score_gemma":0.004588502,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05080943,"about_ca_topic_score_gemma":0.05795178,"domain_scores_codex":[0.9979932,0.001118602,0.0000543809,0.0001857507,0.0002719405,0.000376158],"domain_scores_gemma":[0.9978781,0.001259729,0.0002364335,0.0001294509,0.0002600494,0.0002362615],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00007111226,0.0000352862,0.01426803,0.00009572486,0.000009610129,0.0007245147,0.5684247,0.0001104424,0.001625306,0.3739283,0.001822172,0.03888483],"study_design_scores_gemma":[0.00002634019,0.0001115961,0.04829019,0.0003800478,0.00002022165,0.0008555162,0.4848383,0.0006535043,0.001750038,0.04618187,0.4168073,0.00008495748],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7656806,0.00570913,0.006355698,0.01319374,0.000405177,0.00004451788,0.00008509804,0.0000262969,0.2084998],"genre_scores_gemma":[0.9833107,0.0008738462,0.0007622415,0.0003315952,0.00004038621,0.00001848192,0.00001275803,0.0000138742,0.01463589],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.05080943,"threshold_uncertainty_score":0.1010274,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2913962070","doi":"10.4000/coma.3305","title":"Genèse et histoire éditoriale d’un manuscrit inconnu d’Aimé Césaire","year":2019,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"African history and culture studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Trinity College","funders":"","keywords":"Art; Humanities","authors":[{"name":"Albert James Arnold","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01680750380851604,"gpt":0.2498778582978156,"spread":0.2330703544892995,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009820112,0.0004941301,0.0003114212,0.003030794,0.003526167,0.003858219,0.0005861877,0.0008761929,0.0128872],"category_scores_gemma":[0.004206758,0.0001942206,0.0002790843,0.001797796,0.003620187,0.001629025,0.001266637,0.002073217,0.002713333],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003566896,"about_ca_system_score_gemma":0.002789448,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01507065,"about_ca_topic_score_gemma":0.03190478,"domain_scores_codex":[0.9990926,0.0002350326,0.00003780366,0.0001520134,0.0003631802,0.0001194328],"domain_scores_gemma":[0.9980587,0.0008178505,0.000159965,0.000149938,0.0006613927,0.0001521878],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006991148,0.00001820042,0.000939464,0.000519404,0.00001522266,0.0005021627,0.0139854,0.00009573716,0.002612103,0.07518323,0.8629838,0.04307541],"study_design_scores_gemma":[5.951822e-7,0.000002811185,0.000463424,0.00009141889,0.000002583537,0.00007816564,0.0005198755,0.00000917441,0.0001080406,0.0005033766,0.9982182,0.000002291991],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.02247544,0.1668795,0.004034336,0.1263397,0.2634898,0.00008936701,0.0009458074,0.00030134,0.4154447],"genre_scores_gemma":[0.1680251,0.06817313,0.001902529,0.01775142,0.08265252,0.000128033,0.0005739978,0.0005149984,0.6602783],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01507065,"threshold_uncertainty_score":0.04311204,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2173959464","doi":"","title":"Le manuscrit intégral des Soleils des Indépendances d’Ahmadou Kourouma : essai d’analyse sociogénétique","year":2014,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Agriculture and Rural Development Research","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Jean-Francis Ekoungoun","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02610136054284025,"gpt":0.2441923108233288,"spread":0.2180909502804886,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00128168,0.000245619,0.000251648,0.001359528,0.005399189,0.003509722,0.0005013888,0.0004970931,0.006576986],"category_scores_gemma":[0.00213177,0.0001757861,0.0002307072,0.001951456,0.005730714,0.002515865,0.002305472,0.0008435204,0.0005164933],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003263729,"about_ca_system_score_gemma":0.003845109,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03884403,"about_ca_topic_score_gemma":0.0680391,"domain_scores_codex":[0.9992303,0.0002728589,0.00002254684,0.0001244119,0.0001586429,0.0001912294],"domain_scores_gemma":[0.998449,0.0005972302,0.0003361942,0.0001166595,0.0003183621,0.0001824368],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001482287,0.00006670491,0.06655295,0.0002214788,0.00004012802,0.001823524,0.4460514,0.0002270799,0.002058146,0.3555343,0.004215605,0.1230605],"study_design_scores_gemma":[0.000009911892,0.00008459075,0.2504145,0.000493554,0.00007887492,0.00133525,0.4254497,0.000504496,0.001423472,0.03480307,0.285339,0.00006351053],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8346981,0.005126832,0.002620027,0.005026277,0.00008321102,0.00002753476,0.0001359205,0.00001479722,0.1522673],"genre_scores_gemma":[0.9843014,0.001209017,0.0007719733,0.0001409204,0.00001555777,0.00001448553,0.00002996034,0.00001109069,0.01350561],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.03884403,"threshold_uncertainty_score":0.07723588,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3207202978","doi":"10.4000/coma.6983","title":"Le Roman d’un Nègre à la recherche d’un titre, suivi d’un post-scriptum, dix ans après","year":2021,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"African Studies and Ethnography","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Trinity College","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Roger Little","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1475826303774949,"gpt":0.3156879164918219,"spread":0.1681052861143269,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004256278,0.0004556074,0.0003923766,0.0008599148,0.006399411,0.006067895,0.0005016811,0.001218796,0.008974353],"category_scores_gemma":[0.008765484,0.0002597309,0.0002538912,0.001348718,0.0144612,0.005376348,0.003004497,0.004013731,0.001103712],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004126284,"about_ca_system_score_gemma":0.004335726,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0073179,"about_ca_topic_score_gemma":0.01545316,"domain_scores_codex":[0.995652,0.003187355,0.0001059179,0.0002667905,0.0005277587,0.0002603105],"domain_scores_gemma":[0.996654,0.002018913,0.0003105919,0.0003394026,0.0004207468,0.0002563355],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000100768,0.00001950907,0.001607147,0.000290984,0.000008490423,0.0005641386,0.2633438,0.00008509956,0.001108408,0.6888708,0.01350813,0.03049268],"study_design_scores_gemma":[0.000009969739,0.00005089484,0.00313127,0.000877995,0.000007526443,0.0005703385,0.06925115,0.00008386291,0.001175599,0.01629249,0.9085248,0.00002414252],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.2179603,0.0404659,0.01021709,0.04799266,0.003956602,0.0001290562,0.0002647523,0.00005823296,0.6789554],"genre_scores_gemma":[0.869187,0.01121857,0.002980217,0.003182721,0.0006555897,0.0001201109,0.00007707894,0.0001428875,0.1124359],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.008974353,"threshold_uncertainty_score":0.03002214,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2250094659","doi":"10.4000/coma.613","title":"Écrire en langues. Littératures et plurilinguisme, Olga Anokhina et François Rastier dir., EAC (Éditions des archives contemporaines), 2015, 126 p.","year":2015,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Linguistic and Sociocultural Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Library and Archives Canada","funders":"","keywords":"Art; Humanities","authors":[{"name":"Daniel Delas","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04834075392525001,"gpt":0.3338256755676373,"spread":0.2854849216423873,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00194888,0.001358008,0.0008136363,0.002113319,0.004236364,0.006919571,0.0006804503,0.002132821,0.01848669],"category_scores_gemma":[0.003089958,0.0005170952,0.0003471321,0.003147546,0.003255876,0.00646855,0.002777537,0.00400124,0.006839484],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003145842,"about_ca_system_score_gemma":0.003305588,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02975572,"about_ca_topic_score_gemma":0.05804546,"domain_scores_codex":[0.9987184,0.0005953768,0.00009193553,0.0001649995,0.0003167337,0.0001127127],"domain_scores_gemma":[0.9986774,0.0007086652,0.0001268744,0.00007918395,0.0002755181,0.0001322835],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008161562,0.00003526501,0.0008078839,0.0007295703,0.00001824562,0.0002579262,0.01285488,0.00005391594,0.0003745526,0.04945279,0.6974475,0.2378859],"study_design_scores_gemma":[0.000002632702,0.000005560514,0.001250107,0.0003962748,0.000003178254,0.0002796786,0.002428751,0.00002222422,0.0001045408,0.002350323,0.9931487,0.000008030847],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.001604598,0.8943075,0.0008163977,0.04974813,0.01704132,0.000009431586,0.0002142341,0.000075976,0.03618244],"genre_scores_gemma":[0.06495086,0.665246,0.002799955,0.01441985,0.01917404,0.000078959,0.000612048,0.0007577682,0.2319606],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.02975572,"threshold_uncertainty_score":0.06184411,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3096036215","doi":"10.4000/coma.5812","title":"L’extension sous toutes les latitudes de « la république des lettres »","year":2020,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Blaise Ndala","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04794258503231452,"gpt":0.252549057920596,"spread":0.2046064728882814,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006242463,0.0004498666,0.0003158904,0.0008620211,0.01003458,0.003477016,0.0008825706,0.001092006,0.03345583],"category_scores_gemma":[0.0009275422,0.0003113042,0.0003286112,0.001059704,0.003698893,0.001358023,0.002274279,0.002470448,0.007674167],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009104715,"about_ca_system_score_gemma":0.01929949,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.5071521,"about_ca_topic_score_gemma":0.8176935,"domain_scores_codex":[0.9991239,0.0001088855,0.00002391247,0.0001237571,0.0002688737,0.0003507129],"domain_scores_gemma":[0.9992176,0.00009548449,0.0000814959,0.00007609406,0.0003535395,0.0001757944],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005728394,0.0001944942,0.0367121,0.001798911,0.00005351229,0.003573237,0.1336861,0.000598038,0.01544403,0.2658656,0.1875477,0.3539535],"study_design_scores_gemma":[0.000004803659,0.00002587242,0.01870042,0.000217497,0.000004931974,0.0002492284,0.01138893,0.00003027991,0.000574673,0.000644591,0.968136,0.00002269563],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1134927,0.007600575,0.004189678,0.008396261,0.001455663,0.0001759762,0.001578579,0.0003551334,0.8627555],"genre_scores_gemma":[0.3592205,0.004026798,0.003770749,0.002245324,0.0001830319,0.0001297354,0.0009276413,0.0002556567,0.6292406],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.5071521,"threshold_uncertainty_score":0.9915007,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2010022054","doi":"10.4000/coma.339","title":"Introduction à l’œuvre de Malcolm de Chazal à partir du manuscrit de L’Île du Dodo en l’an 2000","year":2014,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Francophone University Association","funders":"","keywords":"Humanities; Art","authors":[{"name":"Robert Furlong","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0114793728243775,"gpt":0.2129272329988198,"spread":0.2014478601744423,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000758426,0.0005410843,0.0001987136,0.001773684,0.006208331,0.004194437,0.0004558131,0.002003763,0.01263471],"category_scores_gemma":[0.0013469,0.0002080687,0.0002367619,0.001570856,0.005942813,0.0015218,0.00162955,0.002925049,0.00161054],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009477106,"about_ca_system_score_gemma":0.002857413,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05380444,"about_ca_topic_score_gemma":0.1005057,"domain_scores_codex":[0.9992617,0.0002986589,0.00001743346,0.0001212235,0.0001580139,0.0001431261],"domain_scores_gemma":[0.9987093,0.0007936442,0.000134449,0.0000386194,0.000214955,0.0001089296],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001120994,0.00002974125,0.002809504,0.0005987994,0.00001182001,0.001095942,0.05703755,0.0001823894,0.0009144954,0.5271711,0.3481579,0.06187864],"study_design_scores_gemma":[0.000002397302,0.000007234842,0.00172481,0.000240959,0.000001578261,0.0001273925,0.003232746,0.00002325945,0.0001328269,0.002321236,0.9921794,0.0000060953],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.0289985,0.2267813,0.00220791,0.1953048,0.01150665,0.00004104286,0.0003792658,0.00009236301,0.5346882],"genre_scores_gemma":[0.527987,0.06404738,0.001741752,0.02425286,0.00788081,0.00007294959,0.0001901267,0.0001271925,0.3736998],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.05380444,"threshold_uncertainty_score":0.1069825,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2565780010","doi":"10.4000/coma.771","title":"De la table, une œuvre d’Habib Tengour en cours de rédaction","year":2016,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Political and Social Issues","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Francophone University Association","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Hervé Sanson","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01815642917117262,"gpt":0.3126122277469921,"spread":0.2944557985758195,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003121404,0.0005522075,0.000368969,0.000921395,0.007750981,0.006763531,0.0008510898,0.002144795,0.03038322],"category_scores_gemma":[0.008378203,0.0002793422,0.0003227462,0.001185209,0.007575262,0.004742746,0.002120007,0.004640152,0.008442221],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004173886,"about_ca_system_score_gemma":0.003954554,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009950877,"about_ca_topic_score_gemma":0.01595695,"domain_scores_codex":[0.9977671,0.0007899436,0.00008730092,0.0003096935,0.0007696029,0.0002764619],"domain_scores_gemma":[0.9965101,0.001394053,0.0003128198,0.0004046066,0.001076689,0.0003016751],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002125927,0.0000368805,0.002313054,0.000474056,0.00002895546,0.000905814,0.06894722,0.000131851,0.003225186,0.565178,0.2768994,0.08164705],"study_design_scores_gemma":[0.000005300539,0.0000146651,0.001022356,0.0001884433,0.000005727304,0.0003752266,0.01035508,0.00003981323,0.0005300014,0.01201621,0.9754268,0.00002041569],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.04487946,0.02040375,0.01224902,0.2469289,0.02191495,0.0001285116,0.001323717,0.0005781461,0.6515935],"genre_scores_gemma":[0.3939192,0.01070757,0.009377782,0.03302907,0.004529655,0.0001862663,0.0007833663,0.001041905,0.5464252],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.03038322,"threshold_uncertainty_score":0.101642,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4254328582","doi":"10.4000/coma.749","title":"Théâtres de trois continents - en français : une autre genèse ?","year":2016,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Geology","authors":[{"name":"Florence Davaille","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02367097996814771,"gpt":0.2353422198938078,"spread":0.2116712399256601,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001702045,0.0004616544,0.0003489977,0.001031183,0.01605451,0.008065069,0.0007696123,0.001463902,0.01368626],"category_scores_gemma":[0.003413971,0.0002389608,0.000304762,0.001290868,0.01419058,0.004367727,0.004067284,0.002836989,0.0011319],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008934868,"about_ca_system_score_gemma":0.00615721,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2937343,"about_ca_topic_score_gemma":0.4260423,"domain_scores_codex":[0.9982026,0.000501449,0.00005879456,0.0002259085,0.00027163,0.0007396447],"domain_scores_gemma":[0.997844,0.000609742,0.0003347093,0.0002240887,0.0004623083,0.0005250523],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001198256,0.0000439459,0.01252409,0.0001504577,0.00002872888,0.00158244,0.6315802,0.00007714966,0.001050859,0.2885337,0.02679458,0.03751389],"study_design_scores_gemma":[0.00001033105,0.0000510343,0.02233956,0.0002902145,0.00002264016,0.0009020666,0.3874697,0.00007169601,0.0007139035,0.006745229,0.581328,0.00005567835],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.4997774,0.01129402,0.00112299,0.05256097,0.002226053,0.0000375417,0.0004727122,0.00006931108,0.432439],"genre_scores_gemma":[0.936974,0.001473368,0.0002513625,0.001283269,0.0001344039,0.00001108532,0.00005445077,0.00004057501,0.05977749],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.2937343,"threshold_uncertainty_score":0.5840492,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3095998668","doi":"10.4000/coma.6201","title":"N’écoute pas ta mère !","year":2020,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","authors":[{"name":"Marie-Louise Bibish Mumbu","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.104334310978735,"gpt":0.3569776384586598,"spread":0.2526433274799249,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002870737,0.0007559727,0.0005618235,0.001010262,0.01172305,0.01045326,0.001080064,0.003519965,0.1077025],"category_scores_gemma":[0.009196691,0.0004086325,0.0004969244,0.0008395587,0.0073119,0.009767827,0.004750763,0.006681259,0.04378002],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006237188,"about_ca_system_score_gemma":0.006728911,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06228556,"about_ca_topic_score_gemma":0.1577419,"domain_scores_codex":[0.9972078,0.0007889883,0.00008394769,0.0004624418,0.00092557,0.0005311914],"domain_scores_gemma":[0.9924083,0.0007955784,0.0004653178,0.0007593305,0.003310893,0.002260646],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009993417,0.00007258159,0.002483351,0.0003702584,0.00003751089,0.0004670864,0.01520974,0.00004577083,0.0021216,0.0872975,0.826108,0.06568673],"study_design_scores_gemma":[0.000002807839,0.00001289431,0.0007656531,0.0001289203,0.000004218262,0.0001606483,0.00329094,0.00002083788,0.0001550561,0.002439611,0.9930046,0.00001377288],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0127165,0.01624835,0.00388784,0.3183839,0.02855701,0.0001009662,0.0006997805,0.0008702052,0.6185353],"genre_scores_gemma":[0.06634133,0.005994527,0.003131089,0.03374622,0.002622215,0.0000720622,0.0002927573,0.0005914707,0.8872083],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1077025,"threshold_uncertainty_score":0.3603007,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4395070617","doi":"10.4000/coma.11605","title":"Présentation du dossier","year":2024,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Francophone University Association","funders":"City University of New York","keywords":"Art; Humanities","authors":[{"name":"Charles W. Scheel","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04068441825045942,"gpt":0.2847552510667644,"spread":0.244070832816305,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005948799,0.0007883136,0.0007498969,0.002886976,0.003190167,0.01039721,0.001542353,0.003490375,0.1426156],"category_scores_gemma":[0.04544017,0.000370787,0.0009316076,0.002547456,0.002324034,0.004895375,0.004281622,0.004693191,0.07906306],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004808869,"about_ca_system_score_gemma":0.005758603,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004624349,"about_ca_topic_score_gemma":0.002968566,"domain_scores_codex":[0.9941434,0.001742968,0.0005871358,0.0006775761,0.00242497,0.0004240167],"domain_scores_gemma":[0.9847811,0.005947347,0.000898527,0.001495989,0.006153376,0.0007235466],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002027278,0.00005231277,0.0006182923,0.001038184,0.00002080666,0.0006795464,0.002588343,0.0002157886,0.0009544583,0.04026179,0.8191367,0.1342309],"study_design_scores_gemma":[0.000006445958,0.00001299385,0.0001963838,0.0005257888,0.000003886152,0.0002495829,0.0006649564,0.00002973767,0.0002164065,0.002095881,0.995989,0.000008771863],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01065081,0.03564499,0.01777688,0.2786255,0.1943631,0.001035428,0.01101807,0.002453577,0.4484316],"genre_scores_gemma":[0.08976376,0.04007764,0.01369117,0.1022177,0.05226366,0.003142205,0.01073699,0.003163131,0.6849437],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1426156,"threshold_uncertainty_score":0.4770967,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2596383906","doi":"10.4000/coma.833","title":"Nathanaël, « Le dernier mot de l’anémone »","year":2017,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Political and Social Issues","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Hervé Sanson","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07179063660782589,"gpt":0.3469637072613773,"spread":0.2751730706535515,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002296348,0.0008634079,0.0004109667,0.00084345,0.007717015,0.006363594,0.001611999,0.004753695,0.01036369],"category_scores_gemma":[0.009506407,0.0004434953,0.0003604228,0.0008617563,0.00495764,0.009604016,0.002264957,0.01063025,0.003287733],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004588864,"about_ca_system_score_gemma":0.005512758,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.07677415,"about_ca_topic_score_gemma":0.1530754,"domain_scores_codex":[0.997943,0.0008400223,0.00007559927,0.0003692672,0.0005653469,0.0002068497],"domain_scores_gemma":[0.9974912,0.001338832,0.0001857731,0.0001033314,0.0005812521,0.0002996621],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004057432,0.00001575379,0.0007318561,0.0001707293,0.00001116474,0.0001564516,0.02607452,0.00003097247,0.0003075676,0.127751,0.8323614,0.01234802],"study_design_scores_gemma":[0.00000377982,0.000004468611,0.0008161925,0.0001514532,0.000003115033,0.0001061273,0.00704682,0.00002485207,0.0001886466,0.006023081,0.9856116,0.00001991828],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.004850323,0.05988317,0.001555844,0.8128242,0.01970809,0.0000278551,0.0004292133,0.0000985751,0.1006228],"genre_scores_gemma":[0.1330594,0.03659979,0.002625457,0.3249423,0.008703752,0.0001607972,0.0002421876,0.0005083809,0.4931579],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.07677415,"threshold_uncertainty_score":0.1526545,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4413919843","doi":"10.4000/14ksy","title":"La collaboration remarquable du couple d’écrivaines et activistes culturelles martiniquaises, Claude et Magdeleine Carbet, de 1928 à 1958","year":2025,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Caribbean and African Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Francophone University Association","funders":"","keywords":"Humanities; Art","authors":[{"name":"Charles W. Scheel","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009504078183769783,"gpt":0.252739114097649,"spread":0.2432350359138793,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001537366,0.0004926195,0.0002446337,0.0007263678,0.01068306,0.003875963,0.0005658244,0.00169247,0.01164848],"category_scores_gemma":[0.002832658,0.0004669954,0.0002666311,0.0006101956,0.006858345,0.00156501,0.003681212,0.002945982,0.00105313],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007764466,"about_ca_system_score_gemma":0.009189755,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1091684,"about_ca_topic_score_gemma":0.2619718,"domain_scores_codex":[0.9984242,0.0005589758,0.00002361048,0.000268377,0.0002313078,0.000493621],"domain_scores_gemma":[0.9983516,0.0003740515,0.0002018082,0.00007489225,0.0002661214,0.0007316019],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002837375,0.00006474986,0.01698366,0.0003043145,0.00003767645,0.001341081,0.5688916,0.0001837774,0.003999952,0.2640396,0.06602216,0.07784767],"study_design_scores_gemma":[0.00000993814,0.00006422414,0.01190796,0.0001461422,0.000005675573,0.0002088887,0.02528255,0.00004622064,0.0004803881,0.001186233,0.9606385,0.00002346605],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5380466,0.02970853,0.00520829,0.06342526,0.003760016,0.0001805245,0.0002450195,0.0001873025,0.3592384],"genre_scores_gemma":[0.6766751,0.002281283,0.0008104329,0.00375588,0.0002080913,0.00007268433,0.00004402377,0.00006003522,0.3160924],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1091684,"threshold_uncertainty_score":0.217066,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4285508044","doi":"10.4000/coma.8789","title":"Batouala de René Maran, prix Goncourt 1921 : l’accueil de l’Île Maurice","year":2021,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"African history and culture studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Francophone University Association","funders":"","keywords":"Art; Humanities","authors":[{"name":"Robert A. Furlong","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02979156834480615,"gpt":0.2830534968409244,"spread":0.2532619284961182,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009905074,0.0001863496,0.0001459974,0.0003767408,0.003243518,0.00125977,0.0002821293,0.0006473977,0.003099433],"category_scores_gemma":[0.002380737,0.0001263365,0.00008257728,0.0004100839,0.004235968,0.00121827,0.0007117202,0.001564467,0.000247084],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002518682,"about_ca_system_score_gemma":0.00145061,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04859592,"about_ca_topic_score_gemma":0.1120457,"domain_scores_codex":[0.9994931,0.0003160214,0.000009199996,0.00004935351,0.00005524927,0.00007706281],"domain_scores_gemma":[0.9994792,0.0003002009,0.00009507373,0.00002916683,0.00005734678,0.00003897935],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001619931,0.00002475582,0.0177829,0.0002568608,0.0000220974,0.003491068,0.736175,0.0001901047,0.001800976,0.158204,0.01612871,0.0657615],"study_design_scores_gemma":[0.000008034754,0.00006966246,0.05535918,0.0005841863,0.00001726314,0.001470801,0.1517557,0.0001137639,0.001488255,0.003913891,0.7851808,0.00003848928],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7940302,0.02708829,0.0007724264,0.02543433,0.0007448918,0.00001499473,0.00004946979,0.00001966108,0.1518458],"genre_scores_gemma":[0.9730425,0.003376822,0.0001676188,0.0007356532,0.00009401648,0.000005585801,0.000008476749,0.00001259557,0.02255676],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.04859592,"threshold_uncertainty_score":0.0966261,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4232590680","doi":"10.4000/coma.580","title":"Jean-Joseph Rabearivelo, Chants d’Iarive précédé de Snoboland. Poèmes","year":2015,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Agriculture and Rural Development Research","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Francophone University Association","funders":"","keywords":"Art; Humanities","authors":[{"name":"Claire Riffard","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0510423262923517,"gpt":0.2636149332624174,"spread":0.2125726069700657,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00129427,0.0007053216,0.0004270817,0.0008780311,0.004123961,0.003490342,0.0008007208,0.002366202,0.04841986],"category_scores_gemma":[0.004119658,0.0003323478,0.0002416333,0.0006670252,0.001870038,0.003304272,0.001292698,0.00450914,0.02092757],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002593919,"about_ca_system_score_gemma":0.002734355,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02795321,"about_ca_topic_score_gemma":0.05778826,"domain_scores_codex":[0.9986166,0.0003675886,0.00004390362,0.0003530535,0.0004932483,0.0001256545],"domain_scores_gemma":[0.9984439,0.0005432678,0.0001184271,0.00005709179,0.0005318595,0.0003053737],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005875334,0.00002179166,0.0003980596,0.0001696647,0.000006133288,0.000202025,0.002695303,0.00004405779,0.0004247044,0.02538623,0.9346573,0.03593595],"study_design_scores_gemma":[0.000001993044,0.00000406312,0.0002925306,0.00005916828,8.481067e-7,0.0000944651,0.000531945,0.00001203548,0.000105053,0.001003754,0.9978885,0.000005596602],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.004296801,0.2408763,0.003211414,0.4128339,0.06000465,0.00007280243,0.000869506,0.0005479475,0.2772867],"genre_scores_gemma":[0.03306967,0.04388006,0.001739348,0.04980376,0.005807245,0.00005601275,0.0002677693,0.0005693442,0.8648068],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.04841986,"threshold_uncertainty_score":0.1619806,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}