{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":41,"total_is_capped":false,"direct_labels_cover":1,"predictions_cover":41,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"8717b56517ac","filters":{"venue":"Continents manuscrits"}},"results":[{"id":"W2058035309","doi":"10.4000/coma.429","title":"Le patrimoine photographique malien et ses enjeux","year":2014,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"African history and culture studies","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Humanities","authors":[{"name":"Érika Nimis","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0259861371065242,"gpt":0.2733598645254205,"spread":0.2473737274188963,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0008589416,0.0003148433,0.0004503532,0.00008396686,0.0008815598,0.00007763282,0.0004337991,0.0002074767,0.000348325],"category_scores_gemma":[0.0004535468,0.000324977,0.0002474807,0.0004976025,0.001057665,0.0003819972,0.0001467253,0.0002930139,0.0002464238],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000540381,"about_ca_system_score_gemma":0.0001417282,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006138294,"about_ca_topic_score_gemma":0.005780501,"domain_scores_codex":[0.997419,0.0006981922,0.0003623547,0.0004945501,0.0003916682,0.0006342381],"domain_scores_gemma":[0.9988471,0.0001447915,0.0002134881,0.0002893168,0.0002809597,0.0002243605],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003612006,0.0004401752,0.00397139,0.0001311294,0.0001524594,0.00002044379,0.02382772,0.000003666728,0.0002860822,0.5346723,0.4241488,0.0123098],"study_design_scores_gemma":[0.0005814287,0.0001072198,0.002495428,0.0001742233,0.00008759178,0.00000260865,0.003929454,0.000007153752,0.0001009668,0.005583959,0.9865382,0.0003917649],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.04804733,0.02265792,0.0009564204,0.1591075,0.00520155,0.0006431931,0.00007052648,0.0002930291,0.7630225],"genre_scores_gemma":[0.8525666,0.001652748,0.0002639039,0.002652279,0.0009368291,0.00003886264,0.00001335272,0.00002839733,0.141847],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.8045193,"threshold_uncertainty_score":0.9999202,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2764025924","doi":"10.4000/coma.950","title":"Naissance et résistance d’une revue : Présence africaine","year":2017,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Caribbean and African Literature and Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Francophone University Association","funders":"","keywords":"Humanities; Art","authors":[{"name":"Ferroudja Allouache","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0352939859249715,"gpt":0.2657006302845771,"spread":0.2304066443596056,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0002408197,0.0004795439,0.000556228,0.00005446785,0.002572504,0.002478676,0.0009107965,0.000188438,0.000790193],"category_scores_gemma":[0.0001865798,0.000455374,0.0002987557,0.00006030969,0.001170421,0.001173121,0.0002214645,0.0005933028,0.0003614036],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003981704,"about_ca_system_score_gemma":0.00004728834,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001521359,"about_ca_topic_score_gemma":0.002412213,"domain_scores_codex":[0.9977806,0.00008326275,0.0004728426,0.0006717332,0.0002942721,0.0006973328],"domain_scores_gemma":[0.9976773,0.00005096031,0.0004938475,0.001164987,0.0003803641,0.0002324925],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000457354,0.0001785419,0.000209128,0.0002847493,0.00006162067,0.0002125228,0.008201129,5.445522e-7,0.0001571724,0.44611,0.5425649,0.001973935],"study_design_scores_gemma":[0.00082832,0.00009012652,0.004292324,0.001678995,0.0001114619,0.00002856582,0.002068075,0.00003458421,0.00008987073,0.003409037,0.9867819,0.0005867265],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.007350541,0.06102289,0.00007177892,0.2419093,0.01069986,0.0004817865,0.001586913,0.0001274578,0.6767495],"genre_scores_gemma":[0.4469202,0.001037669,0.00007087579,0.001292047,0.002888889,0.00002058213,0.00004803877,0.00003355355,0.5476882],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.444217,"threshold_uncertainty_score":0.9997898,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2567094602","doi":"10.4000/coma.714","title":"« Les Gary de Goyave » Co-écritures et inédits schwarz-bartiens","year":2016,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Linguistic and Sociocultural Studies","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art","authors":[{"name":"Kathleen Gyssels","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06745783792950542,"gpt":0.3596756893155572,"spread":0.2922178513860517,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000850629,0.0003836472,0.0004694078,0.00005164842,0.001059563,0.0001448872,0.0004742319,0.0003616695,0.0006407963],"category_scores_gemma":[0.002421644,0.0002760176,0.0002345041,0.0001835383,0.001416831,0.0003291167,0.0001869496,0.0002939621,0.0007420395],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003151456,"about_ca_system_score_gemma":0.0001462157,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008677862,"about_ca_topic_score_gemma":0.001938282,"domain_scores_codex":[0.9967307,0.0006005829,0.0004652297,0.0005163074,0.0005815675,0.001105648],"domain_scores_gemma":[0.9982695,0.0005164132,0.0002003124,0.0002348329,0.0004216245,0.0003573136],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006686155,0.0004272137,0.08705525,0.0001482377,0.0004061795,0.000194492,0.04709208,0.000001238459,0.0008445165,0.2017182,0.5578437,0.1042021],"study_design_scores_gemma":[0.0009118223,0.00008372011,0.04325655,0.0005824908,0.0001143022,0.000003571413,0.003757666,0.000004120086,0.0005167297,0.005259766,0.9450054,0.0005038958],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5824348,0.02570637,0.0003736367,0.2029342,0.005889425,0.0006084774,0.0002760964,0.0002874958,0.1814895],"genre_scores_gemma":[0.7352198,0.004206231,0.0002506997,0.001442075,0.001914443,0.00002630323,0.000009471307,0.00002806402,0.256903],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3871617,"threshold_uncertainty_score":0.9999692,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2597403402","doi":"10.4000/coma.859","title":"Writing the Haitian Earthquake and Creating Archives","year":2017,"lang":"en","type":"article","venue":"Continents manuscrits","topic":"Caribbean and African Literature and Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Francophone University Association","funders":"","keywords":"Aftershock; History; Face (sociological concept); Event (particle physics); Seismology; Literature; Art; Visual arts; Linguistics; Geology; Philosophy","authors":[{"name":"Rachel Douglas","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02528243760369961,"gpt":0.2264051979772619,"spread":0.2011227603735623,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00007888763,0.0001212335,0.0001278773,0.00001935354,0.002409237,0.001880786,0.0002290772,0.00002066153,0.000127675],"category_scores_gemma":[0.0000533883,0.00007516293,0.00006315558,0.000005410892,0.0003768176,0.000244893,0.0001006893,0.0001558686,0.00001398903],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000001363809,"about_ca_system_score_gemma":0.00000506815,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001231543,"about_ca_topic_score_gemma":0.0003991608,"domain_scores_codex":[0.9993793,0.00002423232,0.0001348109,0.0001717834,0.00009054,0.0001993315],"domain_scores_gemma":[0.9994919,0.00004553399,0.00009979533,0.00027541,0.00003377604,0.00005360694],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003158117,0.00005619472,0.004441634,0.00008283855,0.00008916646,0.0000463322,0.09152362,8.476194e-8,0.0004512978,0.7280499,0.0425797,0.1326477],"study_design_scores_gemma":[0.0004785703,0.00003110226,0.04157584,0.000197189,0.00003798379,0.0000106228,0.01611261,0.00004240923,0.00006488041,0.002260468,0.9389731,0.0002152372],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3271919,0.001090205,0.000006094782,0.01387224,0.0004436038,0.0001701237,0.00008401988,0.00006242347,0.6570795],"genre_scores_gemma":[0.9117162,0.0000195661,0.00001825303,0.0005972736,0.001168292,0.000007579093,0.0000101224,0.000009710004,0.08645297],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8963934,"threshold_uncertainty_score":0.9991553,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2806677246","doi":"10.4000/coma.1189","title":"Livre culte, livre maudit","year":2018,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"African history and culture studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Cegep de Sept Iles","funders":"","keywords":"Humanities; Art","authors":[{"name":"Jean-Pierre Orban","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0351742352241545,"gpt":0.2859325716676911,"spread":0.2507583364435366,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004062154,0.0003646901,0.0004330179,0.00005971537,0.001785348,0.00009227437,0.00058074,0.0002775702,0.003111604],"category_scores_gemma":[0.0003675811,0.0003624382,0.0002166607,0.0006022138,0.002570525,0.0004677333,0.0001979262,0.0002950655,0.006124702],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001910849,"about_ca_system_score_gemma":0.00008727126,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00113731,"about_ca_topic_score_gemma":0.002447608,"domain_scores_codex":[0.9973104,0.0002950765,0.0003920045,0.000599843,0.0005323182,0.0008703527],"domain_scores_gemma":[0.998463,0.00006548403,0.0002204017,0.0003459483,0.000611799,0.0002933096],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002629079,0.0002753494,0.0009976993,0.00005826151,0.0001202969,0.00003493416,0.0474238,1.332398e-7,0.00006061426,0.02302944,0.9166496,0.01132359],"study_design_scores_gemma":[0.0003844045,0.0002182084,0.002126259,0.0002286777,0.0001319595,0.000004040958,0.008874215,0.00000697875,0.00004625063,0.001293556,0.9862466,0.0004388302],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.03735663,0.03849596,0.0001176715,0.07421283,0.01925646,0.0005386818,0.00008197009,0.0002534263,0.8296863],"genre_scores_gemma":[0.4094111,0.001343206,0.0001961353,0.001169674,0.005890511,0.00002301879,0.000006751339,0.00002655613,0.5819331],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3720545,"threshold_uncertainty_score":0.9998828,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2567679635","doi":"10.4000/coma.750","title":"Sex, Lies et les Franco-Manitobains de Marc Prescott : de l’esclandre étudiant (1993) au classique avant-gardiste (2013)","year":2016,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Alberta","funders":"","keywords":"Humanities; Art; Political science","authors":[{"name":"Louise Ladouceur","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02224034954669283,"gpt":0.2457352673436649,"spread":0.2234949177969721,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001328202,0.0003873609,0.000554503,0.0003734941,0.001394427,0.0005090445,0.0007233566,0.0005763004,0.001268635],"category_scores_gemma":[0.0005026187,0.0004184006,0.000325626,0.0001956151,0.001961899,0.0007394992,0.0001835827,0.0004964689,0.001077277],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00264631,"about_ca_system_score_gemma":0.002778203,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.6524262,"about_ca_topic_score_gemma":0.9787654,"domain_scores_codex":[0.9958752,0.0009172026,0.0005195127,0.0006482502,0.0005383092,0.001501457],"domain_scores_gemma":[0.9979686,0.0003312953,0.0002559708,0.0004776797,0.0001789608,0.0007875478],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005748479,0.000281024,0.04481732,0.0003206139,0.0001988819,0.000375625,0.02123828,0.000002672276,0.0007216673,0.02181374,0.8301266,0.08004607],"study_design_scores_gemma":[0.0009340764,0.00006303063,0.08574716,0.0007616971,0.0001188729,0.00001969311,0.001447219,0.00001186519,0.00006667517,0.001579942,0.908722,0.0005277743],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.3441354,0.02847279,0.002973955,0.4512323,0.01299583,0.001450682,0.001483893,0.0004051843,0.1568499],"genre_scores_gemma":[0.371966,0.0119531,0.000188496,0.001062656,0.001909942,0.00005982753,0.00001367732,0.00006707924,0.6127792],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.4559293,"threshold_uncertainty_score":0.9999056,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2991044362","doi":"10.4000/coma.4304","title":"De Zojagé à Houénoussou : idéologie et esthétique théâtrale en période « révolutionnaire » au Bénin","year":2019,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"History, Culture, and Society","field":"Health Professions","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Spectacle; Art; Political science","authors":[{"name":"Fernand Nouwligbeto","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03507159676532941,"gpt":0.3453872218704961,"spread":0.3103156251051667,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["research_integrity","insufficient_payload"],"category_scores_codex":[0.002556068,0.0006561381,0.0008954835,0.0001169182,0.001006866,0.00006932758,0.000809577,0.00189027,0.001779376],"category_scores_gemma":[0.001195692,0.0006715757,0.0005005407,0.0003259084,0.0003636733,0.0005490702,0.0002561892,0.002674788,0.005345937],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002041236,"about_ca_system_score_gemma":0.002141802,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005594772,"about_ca_topic_score_gemma":0.00399528,"domain_scores_codex":[0.992583,0.002822078,0.0009847546,0.000953847,0.000512441,0.002143864],"domain_scores_gemma":[0.9968794,0.0006598899,0.0004451517,0.0009826251,0.0003996696,0.0006332424],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007382826,0.0005599075,0.09260705,0.001397507,0.0001531837,0.00007740081,0.1080486,0.00004914608,0.001294148,0.009599066,0.7843849,0.001755237],"study_design_scores_gemma":[0.002118571,0.0001849159,0.1411466,0.001515211,0.0001358457,0.00002312896,0.01110291,0.0003109231,0.00008309181,0.0009135188,0.8417358,0.0007294841],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.7236114,0.01537804,0.002325482,0.1443572,0.01694679,0.00308629,0.0003200594,0.0006300952,0.09334465],"genre_scores_gemma":[0.481829,0.001403296,0.001368126,0.007267833,0.001184113,0.0001324833,0.0001256821,0.0001087718,0.5065807],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.413236,"threshold_uncertainty_score":0.9996261,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1990206955","doi":"10.4000/coma.317","title":"Écrire dans la variante de l’autre : le cas de Sous les vents de Neptune de Fred Vargas","year":2014,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Université de Sherbrooke","funders":"","keywords":"Humanities; Art","authors":[{"name":"Nadine Vincent","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01973005179922948,"gpt":0.2483032800103069,"spread":0.2285732282110774,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0009081895,0.0004391574,0.0005367034,0.0001529125,0.0009560892,0.0006676288,0.0005193684,0.0002714561,0.0006339016],"category_scores_gemma":[0.0005994969,0.0004742008,0.0003628671,0.00007609085,0.0004525916,0.0001503264,0.0001668253,0.0003967623,0.0001165502],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002369246,"about_ca_system_score_gemma":0.0003653813,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.07532376,"about_ca_topic_score_gemma":0.01017008,"domain_scores_codex":[0.9970809,0.0004633683,0.0005085565,0.0004836805,0.0002626448,0.001200862],"domain_scores_gemma":[0.9983913,0.000199304,0.0002348348,0.0004913164,0.0002463917,0.000436911],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008270226,0.001112983,0.02589482,0.0004751611,0.0008612504,0.001076668,0.03376456,0.0004531634,0.001225423,0.8703896,0.05934016,0.005323511],"study_design_scores_gemma":[0.002133229,0.0001345851,0.01384483,0.0006859756,0.001619496,0.0001084163,0.005947586,0.02817045,0.0007792729,0.02449314,0.9212111,0.0008719203],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5418978,0.009045455,0.02906862,0.03356159,0.002300427,0.0004573274,0.0006551526,0.0002840097,0.3827296],"genre_scores_gemma":[0.843781,0.0005377298,0.0005361207,0.0006751526,0.003291975,0.00002412613,0.00007167895,0.00008768208,0.1509945],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8618709,"threshold_uncertainty_score":0.9997709,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2056289495","doi":"10.4000/coma.315","title":"Victor-Lévy Beaulieu : une écriture de la fureur ou comment « enquébécoiser » la langue française Étude des manuscrits de La Grande Tribu","year":2014,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"McGill University","funders":"","keywords":"Art; Humanities","authors":[{"name":"Myriam Vien","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01587772532444583,"gpt":0.2646851977246267,"spread":0.2488074724001809,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001861307,0.0008239836,0.0009637718,0.0002788158,0.001419691,0.001029267,0.0007697854,0.0005731385,0.001127235],"category_scores_gemma":[0.000737455,0.0007981911,0.0005985982,0.0001778195,0.001414457,0.0002538289,0.0003366578,0.0009295132,0.0001657726],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001258272,"about_ca_system_score_gemma":0.0001313349,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03719096,"about_ca_topic_score_gemma":0.01546989,"domain_scores_codex":[0.9952022,0.001369464,0.0008218342,0.0007449737,0.0005870247,0.001274454],"domain_scores_gemma":[0.9968156,0.001105296,0.0002923706,0.0007380055,0.0004330292,0.000615669],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002511339,0.002844122,0.01359246,0.00124692,0.001210995,0.0008707384,0.04154696,0.0001038416,0.000408168,0.5615773,0.3659625,0.01038482],"study_design_scores_gemma":[0.00320049,0.0001325121,0.0122167,0.0007428686,0.001384468,0.00003933072,0.001744222,0.0006108857,0.0002775201,0.01099627,0.9677696,0.0008851754],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.266354,0.0402992,0.002515302,0.07716909,0.002673167,0.001048253,0.001131045,0.0004631102,0.6083468],"genre_scores_gemma":[0.919679,0.002732832,0.0003766223,0.003767155,0.004113678,0.00008777614,0.0002412458,0.0001510105,0.06885062],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6533251,"threshold_uncertainty_score":0.9998803,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3153871422","doi":"10.4000/coma.6824","title":"Décrire la bibliothèque d’André Schwarz-Bart : enjeux et méthodes","year":2021,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Bibliothèque et Archives nationales du Québec","funders":"","keywords":"Humanities; Art","authors":[{"name":"Jérôme Villeminoz","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.3082664467730778,"gpt":0.3608734423968594,"spread":0.05260699562378157,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005706807,0.000561226,0.0005944273,0.0003496593,0.0002589138,0.007475277,0.0008305052,0.0003108387,0.0004197283],"category_scores_gemma":[0.001258908,0.0004974949,0.0003316129,0.002080171,0.0002498447,0.007043029,0.001127318,0.0005257512,0.0008343658],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000675755,"about_ca_system_score_gemma":0.0006647104,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0008485816,"about_ca_topic_score_gemma":0.0004641961,"domain_scores_codex":[0.9961468,0.0006224057,0.000618656,0.00100902,0.0006115179,0.0009916015],"domain_scores_gemma":[0.9967164,0.0004592797,0.0001903506,0.0009485495,0.001050673,0.0006347727],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002164636,0.0008269459,0.0006929318,0.0003228269,0.0001413751,0.004152325,0.001949228,0.00003114878,0.004489369,0.4258195,0.5189104,0.04264226],"study_design_scores_gemma":[0.001225092,0.0001160071,0.01445211,0.001087475,0.00005186617,0.001191682,0.00009951778,0.001232372,0.009899002,0.01591152,0.9539586,0.0007747968],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.06281462,0.097667,0.0498645,0.2830406,0.009562966,0.0006269094,0.0001838546,0.0006317555,0.4956078],"genre_scores_gemma":[0.4785763,0.003935092,0.007977928,0.008607876,0.0006705032,0.00001885991,0.00006620776,0.00006417118,0.500083],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.4350481,"threshold_uncertainty_score":0.9999436,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4239462140","doi":"10.4000/coma.8165","title":"« L’enfant et la solitude » de René Maran : réflexions génétiques","year":2021,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Trinity College","funders":"","keywords":"Humanities; Art; Solitude","authors":[{"name":"Roger Little","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04453848902335077,"gpt":0.3397420238695791,"spread":0.2952035348462283,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005082349,0.0002477037,0.0003850658,0.00003169305,0.0007235214,0.0002318569,0.0003001366,0.0002067961,0.0008764103],"category_scores_gemma":[0.0004721796,0.000239848,0.0002500515,0.0003778299,0.0005622312,0.0003492154,0.0002948538,0.00031641,0.0004105549],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002456858,"about_ca_system_score_gemma":0.0001933279,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01044495,"about_ca_topic_score_gemma":0.005897655,"domain_scores_codex":[0.9974585,0.0006996301,0.000307784,0.0004330314,0.0004078502,0.0006931928],"domain_scores_gemma":[0.998906,0.0001881971,0.0001052452,0.0001798811,0.0003190513,0.0003015853],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002552294,0.0006521713,0.002878011,0.0001146435,0.0002232469,0.0005409659,0.01854978,0.000002220191,0.0006992865,0.7625883,0.1968998,0.01682611],"study_design_scores_gemma":[0.0003632928,0.00003204366,0.01334133,0.0002237264,0.0001226492,0.00001012425,0.002501814,0.000006597166,0.0001511077,0.01021328,0.9727216,0.0003124807],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.04016512,0.02690285,0.00009579494,0.2536466,0.00374416,0.0002038554,0.00008614387,0.0001691084,0.6749863],"genre_scores_gemma":[0.5207655,0.01704786,0.0006386312,0.003322,0.000752009,0.00002552293,0.000025599,0.00002012676,0.4574027],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.7758217,"threshold_uncertainty_score":0.9961446,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3206033260","doi":"10.4000/coma.7064","title":"Impossible généalogie littéraire de René Maran","year":2021,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Association for Canadian and Québec Literatures; Francophone University Association","funders":"","keywords":"Art; Humanities","authors":[{"name":"Ferroudja Allouache","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05409448654184638,"gpt":0.3731445243244148,"spread":0.3190500377825684,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.002023249,0.000629665,0.001014222,0.000360254,0.0003852488,0.0003181971,0.001009509,0.000994758,0.01139023],"category_scores_gemma":[0.0004330583,0.0007198912,0.0007157192,0.001425695,0.0005701294,0.0002432031,0.0003348507,0.001415818,0.005424555],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001815348,"about_ca_system_score_gemma":0.0004170302,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0006214967,"about_ca_topic_score_gemma":0.0003778385,"domain_scores_codex":[0.9921089,0.002313687,0.001034093,0.001639634,0.0005631133,0.002340613],"domain_scores_gemma":[0.9959661,0.0003658603,0.0002634077,0.002055033,0.0006095913,0.0007399452],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003083613,0.002024408,0.0979766,0.0002680843,0.000882476,0.006252594,0.00117351,0.000002772894,0.004194101,0.002895687,0.6783057,0.2057156],"study_design_scores_gemma":[0.003718715,0.0001961162,0.2031884,0.0003972146,0.0003434488,0.0009862486,0.0006226562,0.00009709303,0.0006482558,0.004323077,0.7847999,0.0006788692],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1863561,0.1364622,0.0008779489,0.1793493,0.01166166,0.0005155823,0.0002945645,0.0001943711,0.4842884],"genre_scores_gemma":[0.1707808,0.004266686,0.0008351165,0.00342489,0.002497979,0.0001050016,0.0001980107,0.0001218476,0.8177697],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3334813,"threshold_uncertainty_score":0.9995252,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2563756693","doi":"10.4000/coma.696","title":"Le Prince d’Albert Memmi, une tentative théâtrale sur le pouvoir et la domination","year":2016,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Multiculturalism, Politics, Migration, Gender","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Francophone University Association","funders":"","keywords":"Humanities; Art","authors":[{"name":"Hervé Sanson","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09745893450870327,"gpt":0.3763796894907239,"spread":0.2789207549820206,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0008273173,0.0003541002,0.0003721008,0.00009161323,0.0004452534,0.0001963117,0.0004579061,0.0002726283,0.0001665219],"category_scores_gemma":[0.000980595,0.0002958908,0.0001848453,0.0002830446,0.001314436,0.001616398,0.0001275064,0.0001858891,0.0003708012],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004805947,"about_ca_system_score_gemma":0.00112692,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.0385525,"about_ca_topic_score_gemma":0.03427107,"domain_scores_codex":[0.99643,0.001037928,0.0005635407,0.0006079083,0.0006097838,0.0007508002],"domain_scores_gemma":[0.997712,0.0006426238,0.0003463254,0.0003180285,0.0007112889,0.000269767],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005773835,0.001082182,0.01268136,0.0001405403,0.0002228115,0.00003271423,0.07623998,0.00001053041,0.0116978,0.7508508,0.1328362,0.01414734],"study_design_scores_gemma":[0.002434095,0.00003710235,0.07836073,0.0002991312,0.00006201581,0.000006382045,0.007350212,0.00004888463,0.006801355,0.001293024,0.902805,0.0005020896],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4765652,0.0006363466,0.001538166,0.4579723,0.002050672,0.0009152786,0.0001374621,0.0001270206,0.0600576],"genre_scores_gemma":[0.5659388,0.0003289814,0.0002489682,0.001705559,0.0002805013,0.00003168382,0.00002816292,0.00002791264,0.4314095],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7699688,"threshold_uncertainty_score":0.9999493,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4224288403","doi":"10.4000/coma.8481","title":"Exploration iconographique des manuscrits d’André Schwarz-Bart","year":2022,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Continental (Canada)","funders":"","keywords":"Art; Humanities; Art history","authors":[{"name":"Fanny Margras","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04788776092196806,"gpt":0.2333947943524719,"spread":0.1855070334305038,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006207189,0.0006192091,0.0005829589,0.0005176691,0.002870529,0.001040003,0.0006277306,0.0001776987,0.007516571],"category_scores_gemma":[0.00007108922,0.0007067207,0.0004021676,0.0003375569,0.0007773646,0.001925169,0.0004126799,0.001036252,0.0004819135],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001714249,"about_ca_system_score_gemma":0.00009450925,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001884692,"about_ca_topic_score_gemma":0.001159857,"domain_scores_codex":[0.9962891,0.0005336262,0.000740011,0.000776711,0.0006266389,0.001033865],"domain_scores_gemma":[0.9982899,0.0001112667,0.0002876264,0.0006290102,0.0003838979,0.0002982852],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001190435,0.0007685066,0.001487886,0.0005028309,0.000220258,0.0002481549,0.01830383,0.00004396318,0.0001637406,0.2349008,0.7297972,0.01344377],"study_design_scores_gemma":[0.001240655,0.0004959838,0.0007862565,0.0003128501,0.0001530839,0.00005893265,0.003330549,0.0001252863,0.0002398496,0.01107155,0.9814026,0.0007823504],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.2405509,0.3127431,0.0008229278,0.1418543,0.04263114,0.002667872,0.003681397,0.0008621585,0.2541862],"genre_scores_gemma":[0.3225033,0.001969877,0.0002336599,0.00308641,0.003629972,0.000414892,0.0008595415,0.000121928,0.6671804],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.4129942,"threshold_uncertainty_score":0.999997,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4399938766","doi":"10.4000/11vma","title":"Les solidarités afro-asiatiques des écrivains communistes turcs","year":2024,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Diaspora, migration, transnational identity","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ministère de l’Emploi et de la Solidarité Sociale (Québec)","funders":"","keywords":"Art; Humanities","authors":[{"name":"Noémie Cadeau","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1214250608191842,"gpt":0.3835930989989897,"spread":0.2621680381798055,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001144444,0.0003991656,0.0003980071,0.0002409034,0.001289015,0.001363487,0.0008280821,0.0003401585,0.001352044],"category_scores_gemma":[0.0003674488,0.0004533724,0.000314404,0.0008642383,0.001758164,0.001830189,0.0001488064,0.0005207889,0.0005756837],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004347092,"about_ca_system_score_gemma":0.0003063534,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.04698799,"about_ca_topic_score_gemma":0.08429831,"domain_scores_codex":[0.9965709,0.0006749726,0.0006447723,0.0005444715,0.0008334296,0.0007314114],"domain_scores_gemma":[0.9982023,0.0004936842,0.0001157423,0.0003772762,0.0005539485,0.0002570556],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001549905,0.0005515184,0.02460133,0.0009324178,0.0003228867,0.000104706,0.05401895,0.00001138717,0.0002764047,0.7742922,0.06715572,0.07771695],"study_design_scores_gemma":[0.0003074696,0.00006606014,0.09089214,0.001099788,0.000242214,0.000007767087,0.005423214,0.0005202864,0.0003583737,0.06672625,0.8337688,0.000587648],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.690004,0.08365116,0.002571531,0.1196139,0.006810931,0.0008389509,0.0004935002,0.0008273551,0.09518865],"genre_scores_gemma":[0.8695632,0.003916213,0.001065524,0.0003190348,0.0008412921,0.00003825759,0.0001575598,0.0000583639,0.1240405],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7666131,"threshold_uncertainty_score":0.9997918,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3212456348","doi":"10.4000/coma.8007","title":"Nouveaux éclairages sur la genèse du Dernier des Justes au regard d’éléments inédits sur les cinq versions du roman","year":2021,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"World Federation of Science Journalists","funders":"","keywords":"Art; Humanities","authors":[{"name":"Francine Kaufmann","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04974178146540204,"gpt":0.2483823326108837,"spread":0.1986405511454817,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004248789,0.0004984727,0.0006514198,0.00007665467,0.00283585,0.0003417429,0.0005672601,0.0003376568,0.001389195],"category_scores_gemma":[0.001877849,0.0004701795,0.0003973404,0.0006347965,0.001273396,0.00102891,0.0007018942,0.0003546967,0.0006748347],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0007536303,"about_ca_system_score_gemma":0.0002686255,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.02467555,"about_ca_topic_score_gemma":0.02421845,"domain_scores_codex":[0.9962597,0.0005680398,0.0005086558,0.0007691349,0.0007945892,0.001099887],"domain_scores_gemma":[0.9974518,0.0004412539,0.0002266532,0.0002766464,0.00110184,0.0005017545],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006955801,0.001784109,0.1684873,0.000474748,0.0007419424,0.001296615,0.02993005,0.00001088231,0.00058562,0.02112654,0.7457724,0.02972022],"study_design_scores_gemma":[0.001132551,0.00007570622,0.09858949,0.0004511187,0.0003302861,0.00001244804,0.00750764,0.0000137313,0.0001348259,0.0003661939,0.8908466,0.0005394117],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8276948,0.02219512,0.00001994139,0.03535901,0.006902898,0.0003138804,0.0001243006,0.000157467,0.1072326],"genre_scores_gemma":[0.6998206,0.01196133,0.0001113049,0.0003963083,0.001251948,0.00002246651,0.00004456048,0.00003218811,0.2863593],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1791267,"threshold_uncertainty_score":0.999775,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2754247338","doi":"10.4000/coma.902","title":"Dossier génétique de « submersion de la peine » de Mohammed Dib (Formulaires, Le Seuil, 1970)","year":2017,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Francophone University Association","funders":"","keywords":"Humanities; Submersion (mathematics); Art","authors":[{"name":"Karolina Resztak","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01552624874757409,"gpt":0.2601809649024883,"spread":0.2446547161549142,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001185815,0.0004459491,0.000467266,0.000103582,0.001895001,0.001968388,0.0008006341,0.0004362663,0.0009277886],"category_scores_gemma":[0.000640253,0.0004469634,0.0003031793,0.00003457854,0.001505933,0.0008739268,0.0002737326,0.0007437053,0.0001297892],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001881807,"about_ca_system_score_gemma":0.0002535856,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005885914,"about_ca_topic_score_gemma":0.0005964567,"domain_scores_codex":[0.9970635,0.0004597852,0.0004380282,0.0004701312,0.0002687467,0.001299812],"domain_scores_gemma":[0.9980433,0.000252887,0.0001861118,0.0008067554,0.0002005798,0.0005103603],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001849665,0.0007387048,0.002132287,0.0006219551,0.0001655476,0.000753906,0.009528616,0.000002022905,0.002107057,0.8161622,0.1480092,0.01959345],"study_design_scores_gemma":[0.001761305,0.000114228,0.01373564,0.000894806,0.0001674438,0.00007642721,0.000486661,0.0003523324,0.004363673,0.05257152,0.9249249,0.000551048],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5379187,0.03873319,0.0007887193,0.0553733,0.002727921,0.000538499,0.0003230238,0.0001787051,0.3634179],"genre_scores_gemma":[0.7304332,0.0008386121,0.000256852,0.001402018,0.00235739,0.00003877521,0.00004764379,0.000059014,0.2645665],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7769157,"threshold_uncertainty_score":0.9999855,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2921681464","doi":"10.4000/coma.3871","title":"Poétiques sur le pas de porte : de la magopinaciophilie comme terrain littéraire","year":2019,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"African Studies and Ethnography","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Francophone University Association","funders":"","keywords":"Humanities; Art","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.04416979116967821,"gpt":0.2946698365628716,"spread":0.2505000453931934,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.001487523,0.0003429571,0.0005159171,0.0001085719,0.000599242,0.0001696847,0.0005754811,0.0003496609,0.0002474464],"category_scores_gemma":[0.0001951898,0.0003736111,0.0003317334,0.0005073852,0.001119834,0.0003579068,0.0002682156,0.0004472224,0.0001734724],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001768003,"about_ca_system_score_gemma":0.0003093107,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0239351,"about_ca_topic_score_gemma":0.002364512,"domain_scores_codex":[0.996747,0.0007876056,0.0004085338,0.0004800205,0.000383915,0.001192952],"domain_scores_gemma":[0.9986201,0.0003011991,0.0002095634,0.0003776967,0.0001648135,0.000326617],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007650486,0.0009268317,0.3679529,0.0004300507,0.0003944568,0.0001974404,0.08886668,0.000005753987,0.000336878,0.06303652,0.4211691,0.05660683],"study_design_scores_gemma":[0.0008452081,0.0001132298,0.1097003,0.0003053558,0.0000665761,0.000009533884,0.01515118,0.00008109854,0.00003719278,0.006686453,0.8665767,0.0004271524],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6969164,0.01214157,0.00007253318,0.1658404,0.001193538,0.0004220617,0.00004685915,0.0001451828,0.1232215],"genre_scores_gemma":[0.8896986,0.002200461,0.0003110686,0.003312474,0.0008224663,0.00002775092,0.00001045171,0.00004292537,0.1035739],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4454076,"threshold_uncertainty_score":0.9998716,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2040449986","doi":"10.4000/coma.305","title":"« Allez donc m’cri ane tasse d’eau » : le malaise créé par l’introduction de la langue orale dans les textes d’Albert Laberge","year":2014,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Malaise; Humanities; Art; Philosophy; Medicine; Surgery","authors":[{"name":"Caroline Loranger","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01235061803698473,"gpt":0.2400150339350435,"spread":0.2276644158980588,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007158638,0.0004588287,0.0005617237,0.0001691737,0.0009331506,0.0006859567,0.0003798809,0.0002180015,0.002735518],"category_scores_gemma":[0.0005662427,0.0004555915,0.0002978571,0.00009358718,0.0006733761,0.0002658612,0.0001532547,0.0003509512,0.0003194543],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006373227,"about_ca_system_score_gemma":0.00007897687,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05462978,"about_ca_topic_score_gemma":0.01578669,"domain_scores_codex":[0.99733,0.0004004379,0.0005615366,0.0006329901,0.0003241324,0.0007509199],"domain_scores_gemma":[0.9983773,0.000212483,0.0002454217,0.0005936406,0.0003137675,0.0002574331],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000468224,0.0009582925,0.01051425,0.0002571051,0.0003645949,0.00008130693,0.004752086,0.00009251751,0.001481797,0.5839007,0.3944715,0.003078999],"study_design_scores_gemma":[0.001009264,0.0000930018,0.005692531,0.000152513,0.0006507137,0.00001558722,0.001807495,0.001729222,0.000704561,0.003342486,0.9842477,0.0005548771],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3796068,0.01062589,0.0009757515,0.1157142,0.004397945,0.0004456129,0.0004117261,0.0002418346,0.4875802],"genre_scores_gemma":[0.6483765,0.0007190048,0.0002017405,0.0002900238,0.008920785,0.00002343131,0.0002374285,0.00006656347,0.3411645],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.5897763,"threshold_uncertainty_score":0.9997896,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2072930249","doi":"10.4000/coma.313","title":"Norme unilingue/Norme multilingue : revisiter le bilinguisme littéraire de l’écrivain franco-ontarien Patrice Desbiens","year":2014,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Historical Linguistics and Language Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Humanities; Art","authors":[{"name":"Mathieu Simard","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01509020309196522,"gpt":0.2269091659212485,"spread":0.2118189628292833,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.001147737,0.0008363982,0.001082486,0.0002702554,0.001800644,0.0004829321,0.0007136841,0.0003639252,0.0006330647],"category_scores_gemma":[0.004664807,0.0008348899,0.0005155737,0.0002215244,0.0007637592,0.0002302724,0.0003633077,0.0008954327,0.0003247577],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003349241,"about_ca_system_score_gemma":0.0002068405,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02102111,"about_ca_topic_score_gemma":0.008487126,"domain_scores_codex":[0.9952282,0.0003775091,0.001193781,0.001040048,0.0005523004,0.001608112],"domain_scores_gemma":[0.9964662,0.0005764086,0.0004171812,0.0008584272,0.001140733,0.000541001],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003883249,0.002736159,0.01268091,0.004435868,0.00109401,0.001590561,0.1934441,0.00009267728,0.0003616498,0.4486609,0.2270684,0.1074464],"study_design_scores_gemma":[0.001237817,0.0002559201,0.00121887,0.0006105549,0.0003215011,0.00001556636,0.001714608,0.001974639,0.00006884427,0.002149889,0.9893965,0.001035359],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1471157,0.0939744,0.005023274,0.02521779,0.03055364,0.002255041,0.002425004,0.0009726463,0.6924625],"genre_scores_gemma":[0.6493831,0.0006275489,0.001827238,0.00164745,0.01660101,0.00004662587,0.0001719659,0.0001728213,0.3295223],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.762328,"threshold_uncertainty_score":0.9994989,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2547419917","doi":"10.4000/coma.670","title":"Introduction à l’œuvre du Mauricien Léoville L’Homme à partir des notes introductives au poème Le Rock de Cirné","year":2016,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Francophone University Association","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Robert Furlong","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03277190021327646,"gpt":0.2405686519833373,"spread":0.2077967517700608,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001014302,0.0004372022,0.0005734321,0.0001191154,0.001930872,0.0001467446,0.0005398248,0.0002897358,0.0005974246],"category_scores_gemma":[0.002856121,0.0003826003,0.0002617841,0.0006759306,0.00198222,0.0009833279,0.0002654957,0.0001844952,0.0008346642],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001421779,"about_ca_system_score_gemma":0.0003773839,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02541404,"about_ca_topic_score_gemma":0.006189607,"domain_scores_codex":[0.9960215,0.0006081556,0.0005324477,0.000816693,0.0005284779,0.001492709],"domain_scores_gemma":[0.9981977,0.0003288862,0.0002696341,0.0003615377,0.0004805715,0.0003616138],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001144631,0.001246976,0.04481106,0.0001892809,0.0004438448,0.00003408757,0.07634719,0.0000231712,0.006611148,0.1669575,0.6083617,0.09485961],"study_design_scores_gemma":[0.001151867,0.000130635,0.06246989,0.0001959677,0.0001481221,0.0000084842,0.004962026,0.0000415305,0.001893865,0.02166382,0.906653,0.0006807816],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.4562217,0.01684455,0.003006189,0.4998354,0.008611922,0.000499407,0.00005463643,0.0002189423,0.01470727],"genre_scores_gemma":[0.868135,0.004324798,0.0002935348,0.0002765936,0.01619654,0.00005632377,0.00000732824,0.00004526601,0.1106646],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.4995588,"threshold_uncertainty_score":0.9999433,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4224229091","doi":"10.4000/coma.8082","title":"Corps perdu d’Aimé Césaire et de Pablo Picasso, un recueil de guerres et de paix","year":2022,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Francophone University Association","funders":"","keywords":"Art; Humanities","authors":[{"name":"Kora Véron","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03144649960627233,"gpt":0.2453259587362521,"spread":0.2138794591299798,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007638189,0.0004622012,0.0005271875,0.00007551289,0.002183439,0.0003010379,0.0005257989,0.0001183561,0.005742755],"category_scores_gemma":[0.0002711396,0.0004361439,0.0003274652,0.0001250392,0.0003808281,0.000274056,0.0005045171,0.0008305036,0.0001078488],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0008013055,"about_ca_system_score_gemma":0.0002038501,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01265014,"about_ca_topic_score_gemma":0.002876059,"domain_scores_codex":[0.9966426,0.0008040618,0.0004943747,0.0005294817,0.0004655952,0.001063818],"domain_scores_gemma":[0.9988177,0.0002169209,0.0002186366,0.0002920581,0.0001715736,0.000283082],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008222736,0.0008251061,0.006016407,0.0001764688,0.0002666737,0.0003595435,0.03263116,0.00002819211,0.0002007042,0.1314057,0.8185355,0.009472305],"study_design_scores_gemma":[0.0008894593,0.0002839849,0.01430291,0.0001432803,0.0001852017,0.00007470526,0.00436165,0.00007996924,0.000053257,0.004365799,0.974691,0.0005687842],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.427024,0.1772269,0.0001044972,0.2074109,0.007691918,0.0008158861,0.00133168,0.0004802671,0.177914],"genre_scores_gemma":[0.5273853,0.00352922,0.0001784245,0.007070763,0.001131979,0.0002263142,0.0001103277,0.00005694355,0.4603107],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2823967,"threshold_uncertainty_score":0.999809,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2973609799","doi":"10.4000/coma.4132","title":"Pratique du terrain et expérience des textes : une perspective africaine","year":2019,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Francophone University Association","funders":"","keywords":"Art; Humanities","authors":[{"name":"Xavier Garnier","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02065448624985393,"gpt":0.2754286520741474,"spread":0.2547741658242934,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004453459,0.0003996692,0.00050075,0.0001600747,0.0004703671,0.000667662,0.000366395,0.0001096074,0.004304224],"category_scores_gemma":[0.0006430416,0.0003690573,0.0002601408,0.0001552303,0.0007223518,0.0004635853,0.0001818147,0.0002931563,0.0008104391],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001228342,"about_ca_system_score_gemma":0.0001353558,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.031813,"about_ca_topic_score_gemma":0.008046555,"domain_scores_codex":[0.9978251,0.0001769603,0.0004645673,0.0006051745,0.0003393206,0.0005888785],"domain_scores_gemma":[0.9980197,0.0001932637,0.00023635,0.0004380122,0.0009318844,0.0001807828],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002770625,0.0004795834,0.002566686,0.0001272327,0.0002217774,0.00007887071,0.0982147,0.00002172701,0.00009840776,0.8788579,0.01859494,0.0007104392],"study_design_scores_gemma":[0.001050086,0.0003008785,0.006314592,0.0006607261,0.0003607898,0.00001119156,0.06315289,0.001460458,0.0001069981,0.03375653,0.8921166,0.0007082456],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2759492,0.01411369,0.0002958949,0.06926598,0.002021881,0.0005566973,0.000236387,0.00009243713,0.6374679],"genre_scores_gemma":[0.7186818,0.0007762552,0.0001370717,0.0008406864,0.001575647,0.00002299831,0.00003083846,0.0000379661,0.2778968],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8735217,"threshold_uncertainty_score":0.9999676,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2561615548","doi":"10.4000/coma.743","title":"D’une langue à l’autre","year":2016,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Naïm Kattan","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02211617542407768,"gpt":0.2350861650504853,"spread":0.2129699896264076,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002476723,0.0001476559,0.0002195666,0.0002221164,0.0005969479,0.0002067063,0.0003622353,0.0001932537,0.005959476],"category_scores_gemma":[0.0001648417,0.000157577,0.0001478926,0.0003863722,0.001166364,0.0004600254,0.00005813766,0.0001131028,0.007054085],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005880529,"about_ca_system_score_gemma":0.0002784862,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.7933461,"about_ca_topic_score_gemma":0.8906361,"domain_scores_codex":[0.9983709,0.0001371077,0.0002396436,0.0003248809,0.0003320451,0.0005954454],"domain_scores_gemma":[0.9990906,0.00007708147,0.0001010084,0.0002649584,0.0001103328,0.0003560036],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000005714941,0.0000635046,0.0005360935,0.00003222842,0.00002562389,0.000083209,0.001685612,4.040918e-8,0.000222308,0.02815238,0.8558678,0.1133255],"study_design_scores_gemma":[0.0005261443,0.00002084538,0.007652899,0.0002687375,0.00004465949,0.000003482786,0.0002781511,9.924478e-7,0.00001786032,0.001663964,0.9892818,0.000240486],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.02748404,0.01224005,0.00009308942,0.7504956,0.007665916,0.0002207565,0.000191448,0.0001039719,0.2015052],"genre_scores_gemma":[0.08469814,0.001884986,0.00003109593,0.0007429156,0.001368445,0.000009223716,0.000004315103,0.00002160821,0.9112393],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.7497526,"threshold_uncertainty_score":0.9949492,"prediction_status":"machine_predicted_unvalidated"},"labels":[{"model":"gemma","categories":[],"domain":null,"study_design":"not_applicable","genre":"other","about_ca_system":false,"about_ca_topic":true,"confidence":"high"},{"model":"gpt","categories":[],"domain":null,"study_design":"not_applicable","genre":"commentary","about_ca_system":false,"about_ca_topic":true,"confidence":"high"}],"label_agreement":"agree"},{"id":"W2897700204","doi":"10.4000/coma.2898","title":"Heart of Darkness, extraits du scénario d’Orson Welles","year":2018,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Film Studies Association of Canada","funders":"","keywords":"Art; Humanities; Art history","authors":[{"name":"Orson Welles","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02652389712465614,"gpt":0.2355132941996551,"spread":0.208989397074999,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003785362,0.0004307826,0.0006224453,0.0002205203,0.0007213011,0.0003595626,0.000391915,0.0001753648,0.006879469],"category_scores_gemma":[0.0001365063,0.0004563981,0.0002593437,0.0001192867,0.001631844,0.0008729923,0.0001005543,0.000220933,0.0007527832],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003682459,"about_ca_system_score_gemma":0.0000964096,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004015971,"about_ca_topic_score_gemma":0.001444175,"domain_scores_codex":[0.9973359,0.0001585556,0.0008374148,0.0005364259,0.0004591879,0.0006725593],"domain_scores_gemma":[0.997973,0.0001692358,0.0002276596,0.0004510574,0.0009755372,0.000203506],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001228455,0.0008284154,0.004375809,0.0005888685,0.0001688309,0.00004052405,0.04516791,0.000001699955,0.0001886036,0.6308116,0.3136162,0.004088679],"study_design_scores_gemma":[0.001103681,0.0004483723,0.01255884,0.001173891,0.00015497,0.00002818873,0.002775,0.000271412,0.0005897952,0.002661894,0.9777559,0.0004780387],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6074396,0.04103688,0.0002395561,0.03425353,0.01449712,0.0008258911,0.0007293617,0.0001870356,0.300791],"genre_scores_gemma":[0.6673836,0.0002339831,0.0001866703,0.000752015,0.005092604,0.00001266189,0.00007579769,0.00006025439,0.3262024],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6641397,"threshold_uncertainty_score":0.9997888,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4360616426","doi":"10.4000/coma.10444","title":"Métisse blanche de Kim&#8239Lefèvre, ou la rémanence des images","year":2023,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Francophone University Association","funders":"","keywords":"Humanities; Art","authors":[{"name":"Jack A. Yeager","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07584631246255825,"gpt":0.3219045634560767,"spread":0.2460582509935185,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007251828,0.0004387885,0.0004932981,0.0003006731,0.001223757,0.0008431232,0.0005088776,0.0001730484,0.00244993],"category_scores_gemma":[0.0006468125,0.0004427156,0.0003300821,0.0002465094,0.0009894309,0.0002810719,0.0003444829,0.000326148,0.002768442],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006815749,"about_ca_system_score_gemma":0.0001015768,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005796656,"about_ca_topic_score_gemma":0.001921774,"domain_scores_codex":[0.9973243,0.0001643721,0.0005338257,0.0005545455,0.0003861152,0.001036815],"domain_scores_gemma":[0.9982775,0.000267396,0.000182589,0.0005315105,0.0004292684,0.0003117109],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004272118,0.0005578869,0.01170356,0.0008475796,0.0005778727,0.0007586969,0.01331499,0.00005764637,0.0003836368,0.3772677,0.5834116,0.01107612],"study_design_scores_gemma":[0.0005664863,0.00004038299,0.01127217,0.0005118089,0.0005138527,0.00001462326,0.001393768,0.0004269225,0.0001734287,0.02055131,0.9639867,0.0005485231],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.4747861,0.04344354,0.0006507553,0.03973434,0.005832681,0.0005719715,0.001229481,0.0007680718,0.4329831],"genre_scores_gemma":[0.3678624,0.007102845,0.0003105023,0.0003771054,0.003530417,0.00003318449,0.0001805835,0.00007502935,0.6205279],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.3805752,"threshold_uncertainty_score":0.9998025,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1995530721","doi":"10.4000/coma.294","title":"La Transpoétique et le normatif chez Hédi Bouraoui","year":2014,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Political and Social Issues","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Humanities; Art","authors":[{"name":"Abderrahman Beggar","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02203544831610662,"gpt":0.2954209101530823,"spread":0.2733854618369757,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.001677038,0.0002856531,0.0004642853,0.00005248377,0.0004688528,0.0002284831,0.0004888538,0.0004456402,0.000363137],"category_scores_gemma":[0.0004826011,0.0003065375,0.0002400451,0.0002664046,0.001133104,0.0006000275,0.00006597432,0.000467469,0.0007530726],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006416176,"about_ca_system_score_gemma":0.0001610223,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02080913,"about_ca_topic_score_gemma":0.003663906,"domain_scores_codex":[0.9961758,0.001677165,0.0004330414,0.0003478462,0.0004487701,0.0009174159],"domain_scores_gemma":[0.9986285,0.000445059,0.0001101584,0.0002170129,0.000141072,0.0004582132],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001017241,0.0003329446,0.001179106,0.0001347967,0.00004254375,0.0000150227,0.0205138,0.000001249386,0.000104809,0.9367621,0.009879842,0.03102363],"study_design_scores_gemma":[0.000731467,0.00004065486,0.02166577,0.0002148383,0.00005510649,0.000002036798,0.002106807,0.0001117769,0.0002773576,0.03211226,0.9422928,0.0003891222],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.256641,0.002720539,0.001208834,0.2978823,0.00190225,0.0002935433,0.00005215524,0.0001759854,0.4391234],"genre_scores_gemma":[0.8716016,0.0004952473,0.000155501,0.002751725,0.0009130112,0.00001826085,0.00001466109,0.00002876777,0.1240213],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.932413,"threshold_uncertainty_score":0.9999387,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2913962070","doi":"10.4000/coma.3305","title":"Genèse et histoire éditoriale d’un manuscrit inconnu d’Aimé Césaire","year":2019,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"African history and culture studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Trinity College","funders":"","keywords":"Art; Humanities","authors":[{"name":"Albert James Arnold","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01680750380851604,"gpt":0.2498778582978156,"spread":0.2330703544892995,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0009082709,0.0006206477,0.0008505555,0.00008610796,0.001554595,0.0002081719,0.0008818897,0.0004997256,0.003188147],"category_scores_gemma":[0.0003141795,0.0006593099,0.0004145391,0.0005531753,0.00129241,0.00137214,0.0003492594,0.0006668932,0.004386663],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005929969,"about_ca_system_score_gemma":0.000221829,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00208064,"about_ca_topic_score_gemma":0.001267639,"domain_scores_codex":[0.9955088,0.0007641353,0.0006904891,0.000986864,0.0009441533,0.00110558],"domain_scores_gemma":[0.9979523,0.0001880428,0.0003990812,0.0006479321,0.0004286416,0.0003839963],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001102092,0.0006190874,0.005887398,0.0003088611,0.0003160562,0.0001415834,0.04738204,0.000004147097,0.0004723624,0.1347762,0.785376,0.02460603],"study_design_scores_gemma":[0.001204467,0.0001481186,0.002656785,0.0002817923,0.0001946471,0.000006809711,0.01098529,0.00001016276,0.00005618687,0.003711732,0.9799572,0.0007867948],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.155937,0.05975841,0.0001149211,0.09264278,0.1251827,0.001599357,0.0001992086,0.000438628,0.564127],"genre_scores_gemma":[0.5064188,0.0007364855,0.0001987946,0.001352164,0.005102433,0.0000477247,0.00002727914,0.00005587823,0.4860605],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.3504818,"threshold_uncertainty_score":0.9997452,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2173959464","doi":"","title":"Le manuscrit intégral des Soleils des Indépendances d’Ahmadou Kourouma : essai d’analyse sociogénétique","year":2014,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Agriculture and Rural Development Research","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Jean-Francis Ekoungoun","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02610136054284025,"gpt":0.2441923108233288,"spread":0.2180909502804886,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001469334,0.0007298858,0.0008402027,0.00009133859,0.001711705,0.0006755109,0.001275066,0.000630428,0.001729066],"category_scores_gemma":[0.0003663463,0.0003613839,0.0004894229,0.0009955353,0.001564967,0.001154148,0.0006403876,0.0008492651,0.001292492],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001551893,"about_ca_system_score_gemma":0.00009871495,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01164689,"about_ca_topic_score_gemma":0.01126331,"domain_scores_codex":[0.994447,0.0009220604,0.000877956,0.001082369,0.000820193,0.001850438],"domain_scores_gemma":[0.997936,0.0003414922,0.000293516,0.0002227389,0.0005517548,0.0006545312],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"observational","study_design_scores_codex":[0.0001374947,0.001481078,0.1041089,0.00062392,0.0004688403,0.0001319208,0.001504767,0.00001100181,0.02704824,0.04158783,0.1982111,0.6246849],"study_design_scores_gemma":[0.001085044,0.0005261736,0.6643038,0.0007973699,0.0001255906,0.00005951817,0.002154501,0.00009139083,0.01000701,0.04438457,0.275356,0.001109059],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8366981,0.00925142,0.0003369094,0.1293144,0.001124997,0.0006746388,0.00006520636,0.0002008305,0.02233351],"genre_scores_gemma":[0.8355392,0.002161588,0.0008263173,0.0007860383,0.001450296,0.00006487173,0.0001965306,0.00001130346,0.1589639],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6235758,"threshold_uncertainty_score":0.9998838,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3207202978","doi":"10.4000/coma.6983","title":"Le Roman d’un Nègre à la recherche d’un titre, suivi d’un post-scriptum, dix ans après","year":2021,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"African Studies and Ethnography","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Trinity College","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Roger Little","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1475826303774949,"gpt":0.3156879164918219,"spread":0.1681052861143269,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002365583,0.0006520207,0.0008999861,0.0001605028,0.00198491,0.0003500265,0.0009237821,0.0008845812,0.001522447],"category_scores_gemma":[0.001655465,0.0007275603,0.0006995767,0.002094886,0.001342873,0.0006144805,0.0007014913,0.001259381,0.0004543423],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001646722,"about_ca_system_score_gemma":0.0005375059,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009768315,"about_ca_topic_score_gemma":0.005552067,"domain_scores_codex":[0.9927388,0.00264554,0.0007752993,0.001144478,0.0008764146,0.001819508],"domain_scores_gemma":[0.9964939,0.0009332437,0.0003380396,0.0007741278,0.0008345894,0.0006260613],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001433091,0.003612651,0.03041726,0.0004722328,0.002239837,0.002409836,0.1529119,0.000002368192,0.002642528,0.09513602,0.4154005,0.2946115],"study_design_scores_gemma":[0.001398661,0.0001228474,0.02177724,0.0002547734,0.0003330756,0.00002962164,0.05440092,0.00002125682,0.0007544503,0.006317343,0.9137209,0.0008688791],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4347427,0.06183299,0.0002581216,0.1918242,0.004638028,0.0006190178,0.0002915651,0.0003208513,0.3054726],"genre_scores_gemma":[0.7913084,0.009449829,0.003567812,0.003747498,0.001453149,0.00007858277,0.000112909,0.0001358072,0.190146],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4983204,"threshold_uncertainty_score":0.9995176,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2250094659","doi":"10.4000/coma.613","title":"Écrire en langues. Littératures et plurilinguisme, Olga Anokhina et François Rastier dir., EAC (Éditions des archives contemporaines), 2015, 126 p.","year":2015,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Linguistic and Sociocultural Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Library and Archives Canada","funders":"","keywords":"Art; Humanities","authors":[{"name":"Daniel Delas","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04834075392525001,"gpt":0.3338256755676373,"spread":0.2854849216423873,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.001252859,0.0006192126,0.0008103588,0.0001109545,0.001127376,0.0003480344,0.0006429105,0.0003854781,0.0001516826],"category_scores_gemma":[0.00580372,0.0005399088,0.0003461893,0.0004230964,0.00230611,0.0005078983,0.000367515,0.0007212374,0.0002409225],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001501152,"about_ca_system_score_gemma":0.0003247779,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01653958,"about_ca_topic_score_gemma":0.004298768,"domain_scores_codex":[0.9954867,0.001289051,0.0006870265,0.0007199739,0.0008079716,0.001009223],"domain_scores_gemma":[0.9971634,0.0007464618,0.0003123955,0.0003516605,0.0007876356,0.0006384646],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009748675,0.0004321709,0.008630523,0.000202649,0.0004531407,0.0002024633,0.2519867,0.00001771898,0.00007090232,0.09191372,0.6420997,0.003892902],"study_design_scores_gemma":[0.001627588,0.0001416334,0.01987615,0.0007202523,0.0002064715,0.000007376003,0.01946312,0.00007236236,0.0000391025,0.02890616,0.9281775,0.0007622548],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1152126,0.2943259,0.0009663101,0.2229844,0.01540409,0.001880082,0.001395745,0.0007077574,0.347123],"genre_scores_gemma":[0.4700712,0.005260515,0.00124567,0.00221984,0.004137393,0.00008281499,0.0002843657,0.00006651052,0.5166317],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3548585,"threshold_uncertainty_score":0.9997053,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3096036215","doi":"10.4000/coma.5812","title":"L’extension sous toutes les latitudes de « la république des lettres »","year":2020,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Blaise Ndala","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04794258503231452,"gpt":0.252549057920596,"spread":0.2046064728882814,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002134687,0.0003432953,0.000426232,0.00008601382,0.0008326985,0.0006323907,0.0003107858,0.0001746856,0.002320961],"category_scores_gemma":[0.0004465137,0.0003137431,0.0002508594,0.000105481,0.0008690487,0.0006108407,0.0001389741,0.0003868942,0.0002542912],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006843806,"about_ca_system_score_gemma":0.00005312675,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007618376,"about_ca_topic_score_gemma":0.0003192289,"domain_scores_codex":[0.9980151,0.0003793415,0.0004270385,0.0004357637,0.0002312812,0.0005114484],"domain_scores_gemma":[0.9988292,0.0003177537,0.0001222184,0.0001878527,0.0002061315,0.0003368378],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001420411,0.0006492622,0.008183087,0.001044084,0.0002977508,0.0005275079,0.03726395,0.00005159808,0.00137287,0.1905237,0.7233347,0.03660944],"study_design_scores_gemma":[0.000419319,0.0001706149,0.003544739,0.0003241596,0.0001631992,0.00001150864,0.0006830172,0.0004646133,0.0002339424,0.002558342,0.991048,0.000378479],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4091863,0.195784,0.001913101,0.1695409,0.001943172,0.0005203902,0.0004010441,0.0006306784,0.2200803],"genre_scores_gemma":[0.7612672,0.001532525,0.000502897,0.003702543,0.002893417,0.00001583125,0.00004823228,0.00005243833,0.2299849],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3520809,"threshold_uncertainty_score":0.9999315,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2010022054","doi":"10.4000/coma.339","title":"Introduction à l’œuvre de Malcolm de Chazal à partir du manuscrit de L’Île du Dodo en l’an 2000","year":2014,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Francophone University Association","funders":"","keywords":"Humanities; Art","authors":[{"name":"Robert Furlong","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0114793728243775,"gpt":0.2129272329988198,"spread":0.2014478601744423,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00186211,0.0005862021,0.0005749136,0.0001731452,0.0007724237,0.0009957914,0.0006024739,0.0004252121,0.005680707],"category_scores_gemma":[0.0005807429,0.0006196753,0.0002858993,0.000104045,0.0006932596,0.0009622418,0.000148921,0.0006234581,0.000763871],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003774192,"about_ca_system_score_gemma":0.0001561473,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001454664,"about_ca_topic_score_gemma":0.0004602426,"domain_scores_codex":[0.9954964,0.001061997,0.0006615564,0.0007848089,0.0003458598,0.00164936],"domain_scores_gemma":[0.9979486,0.0002324087,0.0001362667,0.0006855968,0.0003243981,0.0006727003],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000159423,0.0008430268,0.00130341,0.0003848728,0.000104713,0.0001008301,0.01189993,0.00001563932,0.0009644963,0.6520227,0.320056,0.01214501],"study_design_scores_gemma":[0.001090675,0.0004348861,0.003581418,0.0002668533,0.0003022649,0.0001588332,0.001179659,0.002516318,0.001088804,0.03656344,0.9521275,0.0006893059],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5766388,0.01140113,0.003637073,0.2849509,0.01025608,0.0008450231,0.0003233523,0.0005322019,0.1114155],"genre_scores_gemma":[0.7068852,0.0005518095,0.00060506,0.004539553,0.03966737,0.0001072256,0.0001803348,0.0001176767,0.2473458],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6320716,"threshold_uncertainty_score":0.9996254,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2565780010","doi":"10.4000/coma.771","title":"De la table, une œuvre d’Habib Tengour en cours de rédaction","year":2016,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Political and Social Issues","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Francophone University Association","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Hervé Sanson","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01815642917117262,"gpt":0.3126122277469921,"spread":0.2944557985758195,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001463086,0.0002318569,0.0003174729,0.0000594591,0.0004408188,0.0002039564,0.0004096988,0.0004762836,0.0004574149],"category_scores_gemma":[0.001574383,0.0001974759,0.0001415885,0.0003761657,0.001057795,0.000584487,0.00008300368,0.0002045802,0.0004841589],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006662153,"about_ca_system_score_gemma":0.0003341375,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02772929,"about_ca_topic_score_gemma":0.0009801573,"domain_scores_codex":[0.9967425,0.001036699,0.0002923491,0.000384266,0.0003817311,0.001162467],"domain_scores_gemma":[0.998206,0.0007901323,0.000108104,0.0002337927,0.0001523845,0.000509563],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000608529,0.0008508854,0.05089006,0.0001508299,0.0001838104,0.000144413,0.0247852,0.000001724152,0.01156388,0.5396008,0.1475578,0.2242097],"study_design_scores_gemma":[0.0006771099,0.00004961373,0.07426454,0.000344196,0.00009706853,0.000006364595,0.003166914,0.00002984825,0.001279273,0.05007512,0.8696707,0.0003392705],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6184697,0.002352663,0.001409784,0.2675227,0.002201983,0.0002904976,0.00008172535,0.0001921282,0.1074788],"genre_scores_gemma":[0.6685348,0.001195336,0.0002341254,0.0007234939,0.001740758,0.00001953678,0.000002733637,0.00002422685,0.327525],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7221129,"threshold_uncertainty_score":0.9787452,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4254328582","doi":"10.4000/coma.749","title":"Théâtres de trois continents - en français : une autre genèse ?","year":2016,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Geology","authors":[{"name":"Florence Davaille","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02367097996814771,"gpt":0.2353422198938078,"spread":0.2116712399256601,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003605884,0.0006059523,0.0006935002,0.0001598038,0.0008073552,0.0008849987,0.0006788133,0.0003195778,0.01021133],"category_scores_gemma":[0.0002328446,0.0004642509,0.0004648343,0.0001129854,0.000715544,0.001483281,0.00028384,0.0003455309,0.004035177],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001599013,"about_ca_system_score_gemma":0.00005958931,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04902803,"about_ca_topic_score_gemma":0.0172208,"domain_scores_codex":[0.99666,0.0002582491,0.0007595532,0.0006761553,0.000462406,0.00118366],"domain_scores_gemma":[0.9982963,0.0002109301,0.0002412608,0.0005339051,0.0003328405,0.00038476],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000206852,0.0009683635,0.01255435,0.0006156864,0.0006002167,0.0004820004,0.04048377,0.000001021825,0.006727669,0.1077266,0.7906237,0.03900978],"study_design_scores_gemma":[0.002531375,0.0001379847,0.04009245,0.001181643,0.0002873091,0.00002731799,0.001615039,0.00002087391,0.0007714657,0.003855686,0.9487592,0.0007196313],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.7078547,0.01280754,0.0002101639,0.2406995,0.005124551,0.0006787642,0.001073736,0.0003120626,0.03123889],"genre_scores_gemma":[0.4329498,0.001576903,0.00006171312,0.0007148586,0.002205272,0.00003407719,0.00003315765,0.00005911233,0.5623651],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.5311262,"threshold_uncertainty_score":0.9997809,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3095998668","doi":"10.4000/coma.6201","title":"N’écoute pas ta mère !","year":2020,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","authors":[{"name":"Marie-Louise Bibish Mumbu","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.104334310978735,"gpt":0.3569776384586598,"spread":0.2526433274799249,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0008957804,0.0006558197,0.001031828,0.0002328877,0.0002558588,0.0002033484,0.001331451,0.0007091155,0.01256279],"category_scores_gemma":[0.0002628611,0.0007071825,0.0005969576,0.001128671,0.0005187017,0.0002493533,0.0003017868,0.001377272,0.02137829],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004956873,"about_ca_system_score_gemma":0.0000784096,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002589103,"about_ca_topic_score_gemma":0.00005592194,"domain_scores_codex":[0.993885,0.001185556,0.001014211,0.00161933,0.0006433649,0.001652492],"domain_scores_gemma":[0.9968816,0.0002174963,0.0003052644,0.00118538,0.0003284742,0.001081777],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004594155,0.0007499327,0.03339823,0.0001989862,0.0007616853,0.001136664,0.00238444,0.000001953403,0.001062947,0.003085131,0.8649004,0.09186018],"study_design_scores_gemma":[0.003676828,0.0004211203,0.04527322,0.0001491919,0.0003344333,0.0000780782,0.0004870671,0.0004173073,0.00005138719,0.0006470403,0.9478079,0.0006563864],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.05508059,0.04447833,0.001386899,0.5762331,0.009131203,0.0008501737,0.0003770285,0.0002133143,0.3122493],"genre_scores_gemma":[0.4206586,0.001322356,0.0003535317,0.02540137,0.004566625,0.0001002767,0.0001527058,0.0001605149,0.547284],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.5508317,"threshold_uncertainty_score":0.9995379,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4395070617","doi":"10.4000/coma.11605","title":"Présentation du dossier","year":2024,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Francophone University Association","funders":"City University of New York","keywords":"Art; Humanities","authors":[{"name":"Charles W. Scheel","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04068441825045942,"gpt":0.2847552510667644,"spread":0.244070832816305,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003900202,0.0002068712,0.0002348714,0.00007202961,0.0005407173,0.0003945572,0.0002023581,0.0001735984,0.001345787],"category_scores_gemma":[0.0001762158,0.0002159481,0.0001860034,0.0006908554,0.0006392035,0.0005182204,0.00007763479,0.0002089541,0.002002795],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003130904,"about_ca_system_score_gemma":0.0001035405,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008150638,"about_ca_topic_score_gemma":0.001933459,"domain_scores_codex":[0.9981962,0.0001805511,0.0002869852,0.00037279,0.0004406028,0.0005228332],"domain_scores_gemma":[0.9994194,0.0001411897,0.0000488334,0.0001084679,0.0001292663,0.0001528386],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000002978409,0.00006355525,0.0007620131,0.0001221131,0.0001007195,0.00007394748,0.02093991,4.914202e-7,0.00001372968,0.138817,0.7833971,0.05570645],"study_design_scores_gemma":[0.0001931408,0.00002732182,0.008972702,0.0003005699,0.0001028183,0.000001740818,0.001508395,0.0002474735,0.00001872988,0.00720635,0.9811826,0.0002381046],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.0290514,0.3319788,0.000433038,0.265788,0.1166399,0.0004887841,0.00004752157,0.0003585989,0.255214],"genre_scores_gemma":[0.3283827,0.01160956,0.00009752572,0.0006132202,0.01845143,0.00003195454,0.00001501166,0.00003045563,0.6407681],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.3855541,"threshold_uncertainty_score":0.9995671,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2596383906","doi":"10.4000/coma.833","title":"Nathanaël, « Le dernier mot de l’anémone »","year":2017,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Political and Social Issues","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Hervé Sanson","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07179063660782589,"gpt":0.3469637072613773,"spread":0.2751730706535515,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006937418,0.0002520462,0.0004031674,0.00003858063,0.002528584,0.0005813433,0.001080046,0.0003657344,0.0003709468],"category_scores_gemma":[0.001337944,0.0002849064,0.0002151935,0.00007625367,0.001833149,0.0007418707,0.0002963648,0.0003139187,0.001003061],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001070583,"about_ca_system_score_gemma":0.0002698732,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.08610456,"about_ca_topic_score_gemma":0.004936866,"domain_scores_codex":[0.9972908,0.0002822671,0.0003055308,0.0003984957,0.0004509001,0.001271964],"domain_scores_gemma":[0.9984146,0.0001055664,0.0001981742,0.0005127907,0.0001746233,0.0005942282],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002201445,0.0006563663,0.01862581,0.0001140885,0.0001530509,0.0002187128,0.0117817,4.101892e-7,0.0003724323,0.8207419,0.08587547,0.06143804],"study_design_scores_gemma":[0.0006380795,0.00003249524,0.0703185,0.0001726239,0.00007569132,0.000001949318,0.001288302,0.00006238501,0.0006159628,0.04433589,0.8820792,0.000378878],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3564082,0.009336206,0.0001330983,0.2630105,0.003742112,0.0002453487,0.00004739103,0.00008693637,0.3669901],"genre_scores_gemma":[0.6043928,0.0006527972,0.0001194353,0.0006797621,0.001620536,0.00001011497,0.000002977313,0.00001956342,0.392502],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7962038,"threshold_uncertainty_score":0.9999603,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4413919843","doi":"10.4000/14ksy","title":"La collaboration remarquable du couple d’écrivaines et activistes culturelles martiniquaises, Claude et Magdeleine Carbet, de 1928 à 1958","year":2025,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Caribbean and African Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Francophone University Association","funders":"","keywords":"Humanities; Art","authors":[{"name":"Charles W. Scheel","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009504078183769783,"gpt":0.252739114097649,"spread":0.2432350359138793,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0007075508,0.0005393323,0.0006120807,0.0001606379,0.000734446,0.001740084,0.0003221921,0.0003560596,0.0004709783],"category_scores_gemma":[0.0002853287,0.0005062506,0.0002654985,0.0003225991,0.000370095,0.0007151704,0.0001491702,0.0007738602,0.00005776652],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001155227,"about_ca_system_score_gemma":0.0003039836,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001665901,"about_ca_topic_score_gemma":0.00519172,"domain_scores_codex":[0.9972516,0.0006282277,0.000590666,0.000588586,0.0003026969,0.000638277],"domain_scores_gemma":[0.9982875,0.0002805834,0.0002526472,0.0003918925,0.0006181775,0.000169175],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001291895,0.0003742423,0.0005165269,0.0004087676,0.0001693175,0.00005950089,0.01316352,0.00001329158,0.0009715693,0.3767908,0.6063546,0.001048653],"study_design_scores_gemma":[0.00136132,0.0001099811,0.001223382,0.001080262,0.0003116305,0.0000182346,0.01429283,0.0002317031,0.0006072281,0.002292681,0.9779456,0.0005251075],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.07922073,0.06968083,0.0004413993,0.2433966,0.005383132,0.001345596,0.00313193,0.0004310279,0.5969688],"genre_scores_gemma":[0.4535437,0.002343321,0.0001434692,0.005896582,0.001127034,0.00007133913,0.0006724626,0.00004898314,0.5361531],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3744981,"threshold_uncertainty_score":0.9997389,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4285508044","doi":"10.4000/coma.8789","title":"Batouala de René Maran, prix Goncourt 1921 : l’accueil de l’Île Maurice","year":2021,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"African history and culture studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Francophone University Association","funders":"","keywords":"Art; Humanities","authors":[{"name":"Robert A. Furlong","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02979156834480615,"gpt":0.2830534968409244,"spread":0.2532619284961182,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009161563,0.0003881581,0.000541408,0.00005223852,0.001166942,0.0001383355,0.0005400887,0.0003393011,0.001625394],"category_scores_gemma":[0.0008353936,0.0004365456,0.000300306,0.0007350653,0.0007282531,0.0003943452,0.0002602137,0.0004847619,0.000547296],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006186573,"about_ca_system_score_gemma":0.0007209136,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001817528,"about_ca_topic_score_gemma":0.003535039,"domain_scores_codex":[0.9962366,0.0008250487,0.0004719032,0.0006727764,0.000539091,0.00125455],"domain_scores_gemma":[0.9983074,0.0001920972,0.0002218893,0.0004035337,0.0004419028,0.0004331479],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006170956,0.0007485169,0.01470933,0.0002923366,0.0003352927,0.0009195342,0.06611292,0.000009429306,0.001152839,0.02720274,0.871532,0.01692333],"study_design_scores_gemma":[0.0006597483,0.00004407967,0.01131785,0.0002401608,0.0002421294,0.00003168313,0.01831258,0.00002389567,0.0003620572,0.002768004,0.965499,0.0004987779],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.194209,0.09522078,0.0006308784,0.1431592,0.007612643,0.0005329229,0.0001339953,0.0002879081,0.5582127],"genre_scores_gemma":[0.3779689,0.003820836,0.001074902,0.002182174,0.001940148,0.00005090463,0.00001836883,0.00004403297,0.6128998],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1837599,"threshold_uncertainty_score":0.9998086,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4232590680","doi":"10.4000/coma.580","title":"Jean-Joseph Rabearivelo, Chants d’Iarive précédé de Snoboland. Poèmes","year":2015,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Agriculture and Rural Development Research","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Francophone University Association","funders":"","keywords":"Art; Humanities","authors":[{"name":"Claire Riffard","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0510423262923517,"gpt":0.2636149332624174,"spread":0.2125726069700657,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0009229686,0.0005172205,0.0005583717,0.00005417909,0.0004088124,0.000362123,0.000790133,0.0005074985,0.001977412],"category_scores_gemma":[0.0005507767,0.0002300339,0.0002143235,0.0007234855,0.0002744906,0.0005288764,0.000539515,0.0005747013,0.002789466],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002019816,"about_ca_system_score_gemma":0.000154575,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004724724,"about_ca_topic_score_gemma":0.001175108,"domain_scores_codex":[0.9959037,0.0003811812,0.000525258,0.0007436346,0.0008848365,0.0015614],"domain_scores_gemma":[0.997805,0.0002256358,0.000191573,0.0001458969,0.0006255416,0.001006374],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001209503,0.000487023,0.04029064,0.00008225794,0.0001453281,0.0002519643,0.0009756567,0.00000539776,0.00745748,0.00226428,0.8602504,0.08766866],"study_design_scores_gemma":[0.000967098,0.0003753152,0.2850812,0.0003247218,0.00006124128,0.00005249182,0.001188087,0.0001250699,0.002231259,0.002582475,0.7063428,0.0006682781],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.4908324,0.03086726,0.0001035473,0.4497975,0.004640555,0.00149521,0.0001902298,0.0002787071,0.0217946],"genre_scores_gemma":[0.3722407,0.00301497,0.0003618831,0.001350743,0.002540972,0.00005752216,0.000314568,0.000009242331,0.6201094],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.5983148,"threshold_uncertainty_score":0.9989349,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}