{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":13,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":13,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"a60dd76aa26e","filters":{"venue":"Creativity and Cognition"}},"results":[{"id":"W69935542","doi":"","title":"Proceedings of the 6th ACM SIGCHI conference on Creativity & cognition","year":2007,"lang":"en","type":"article","venue":"Creativity and Cognition","topic":"Creativity in Education and Neuroscience","field":"Psychology","cited_by":39,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Creativity; Cognition; The arts; Cognitive architecture; Cognitive science; Psychology; Computer science; Engineering ethics; Sociology; Engineering; Political science; Social psychology","authors":[{"name":"Ben Shneiderman","is_ca":false},{"name":"Gerhard Fischer","is_ca":false},{"name":"Elisa Giaccardi","is_ca":false},{"name":"Mike Eisenberg","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08359890090500612,"gpt":0.3654519755424115,"spread":0.2818530746374054,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006912767,0.0001620046,0.0001904871,0.0001025081,0.0002756657,0.00005006413,0.0001807856,0.0001173171,0.0003837458],"category_scores_gemma":[0.0006382325,0.000127804,0.00006309247,0.0003801307,0.0004612227,0.0002211496,0.00006625887,0.000253544,0.00003050596],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002650618,"about_ca_system_score_gemma":0.0000426081,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00003604491,"about_ca_topic_score_gemma":0.00003730864,"domain_scores_codex":[0.9988163,0.00008123057,0.0002242039,0.0003668438,0.0002754705,0.000235915],"domain_scores_gemma":[0.9986311,0.0005804318,0.0002444656,0.0002035814,0.0002443659,0.00009606721],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","study_design_scores_codex":[0.002433314,0.007940312,0.1307568,0.0002253336,0.0001355631,0.00001109754,0.02605568,6.428877e-7,0.2954096,0.2966695,0.006497996,0.2338642],"study_design_scores_gemma":[0.001325578,0.0008183036,0.7810942,0.0003023944,0.0001515931,0.00006329452,0.008192437,0.00002388495,0.176874,0.02832519,0.002477524,0.000351607],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7620326,0.00001240472,0.0003647644,0.0008498799,0.0002105892,0.0003234706,0.0000492298,0.00003966848,0.2361174],"genre_scores_gemma":[0.9980591,0.0000276161,0.00004536304,0.0005067314,0.00006586537,0.00003572628,0.00001226587,0.000009603299,0.001237752],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6503374,"threshold_uncertainty_score":0.5211696,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3175875793","doi":"10.1145/3450741.3465265","title":"Patching Textiles","year":2021,"lang":"en","type":"article","venue":"Creativity and Cognition","topic":"Innovative Human-Technology Interaction","field":"Computer Science","cited_by":33,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"Carleton University","funders":"Natural Sciences and Engineering Research Council of Canada; Mitacs","keywords":"Craft; Textile; Context (archaeology); Clothing; Computer science; Sustainability; Wearable computer; Wearable technology; Architectural engineering; Interview; Human–computer interaction; Engineering ethics; Engineering; Sociology; Visual arts; Materials science; Art; Political science","authors":[{"name":"Lee Jones","is_ca":true},{"name":"Audrey Girouard","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02167912479203532,"gpt":0.2676335727468132,"spread":0.2459544479547778,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0000871384,0.00005672626,0.00006568929,0.0000532686,0.0001521114,0.00009109724,0.00006117367,0.00004893687,0.00003985802],"category_scores_gemma":[0.00008578736,0.00005893797,0.00001493974,0.0001830753,0.00004546231,0.0005744597,0.0000856019,0.0001228935,0.00003020617],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001213787,"about_ca_system_score_gemma":0.00001975175,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000003804031,"about_ca_topic_score_gemma":0.0000136563,"domain_scores_codex":[0.9995314,0.00005300439,0.00007205453,0.0001942151,0.00006538755,0.0000839346],"domain_scores_gemma":[0.9996126,0.00007508184,0.0000394376,0.0001181319,0.0001409386,0.00001382671],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"bench_or_experimental","study_design_scores_codex":[0.000007021926,0.0001476574,0.001569591,0.00002315253,0.00003233847,0.00007976308,0.0009596781,9.080072e-7,0.064759,0.4656547,0.0003111677,0.466455],"study_design_scores_gemma":[0.0007228947,0.0001496602,0.05794501,0.0001859152,0.00002898242,0.0004353015,0.0008521606,0.006730374,0.5391813,0.3878393,0.005516459,0.0004127174],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5540729,0.00006052458,0.4196491,0.00113396,0.0001148566,0.00004401312,0.000002319787,0.0001556896,0.02476664],"genre_scores_gemma":[0.9960178,0.00001819091,0.003387052,0.000312787,0.00002700123,0.00001009901,0.00001072959,0.000002349584,0.0002139682],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4744223,"threshold_uncertainty_score":0.2403421,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4283166401","doi":"10.1145/3527927.3535200","title":"Calliope: A Co-creative Interface for Multi-Track Music Generation","year":2022,"lang":"en","type":"article","venue":"Creativity and Cognition","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":18,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Track (disk drive); Computer science; Interface (matter); Operating system","authors":[{"name":"Renaud Bougueng Tchemeube","is_ca":true},{"name":"Jeffrey Ens","is_ca":true},{"name":"Philippe Pasquier","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08731636315528508,"gpt":0.3197031111996766,"spread":0.2323867480443916,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002379548,0.00009208525,0.0001235572,0.00006473494,0.0008561081,0.00005292007,0.0001265366,0.00004122575,0.00005324514],"category_scores_gemma":[0.00005893163,0.00009314597,0.00003263247,0.0001359837,0.000095747,0.0002371527,0.0001446524,0.000126885,0.000003837751],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002955549,"about_ca_system_score_gemma":0.00002125628,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001506629,"about_ca_topic_score_gemma":0.00005438851,"domain_scores_codex":[0.9992955,0.00009580964,0.0001026017,0.0002875126,0.00008982765,0.0001287903],"domain_scores_gemma":[0.9996493,0.00008115035,0.00006037388,0.0001227496,0.00006246672,0.00002389246],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"simulation_or_modeling","study_design_scores_codex":[0.0003007721,0.001674907,0.001982208,0.0001218607,0.0004101752,0.00003062961,0.04414058,0.0001474042,0.0301275,0.1799504,0.02653841,0.7145751],"study_design_scores_gemma":[0.01193077,0.004803694,0.02552109,0.0001036313,0.0003554919,0.0002642048,0.01233358,0.6599955,0.09510826,0.06988214,0.1174212,0.002280504],"study_design_candidate":"design_other","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.2646404,0.0002512893,0.7325842,0.0003844008,0.0001138841,0.000330418,0.00003788597,0.0001230659,0.001534423],"genre_scores_gemma":[0.9913859,0.00002663803,0.007289584,0.0002847475,0.00003710166,0.0004275124,0.00003609448,0.000004050858,0.0005083309],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7267455,"threshold_uncertainty_score":0.6584578,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4283157209","doi":"10.1145/3527927.3532808","title":"Cognitive Strategy Prompts","year":2022,"lang":"en","type":"article","venue":"Creativity and Cognition","topic":"Big Data and Business Intelligence","field":"Business, Management and Accounting","cited_by":10,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Thomson Reuters (Canada)","funders":"","keywords":"Computer science; Cognition; Human–computer interaction; Psychology","authors":[{"name":"Johannes Schleith","is_ca":false},{"name":"Milda Norkutė","is_ca":false},{"name":"Mary Mikhail","is_ca":true},{"name":"Daniella Tsar","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09791175412059251,"gpt":0.3001818495374657,"spread":0.2022700954168732,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001752974,0.00009877502,0.00009743516,0.00009775592,0.0005100985,0.000172527,0.0000691265,0.00002343597,0.002268856],"category_scores_gemma":[0.00005893056,0.00009983918,0.00002243848,0.000291948,0.0000772187,0.0009317505,0.0001855187,0.0001328377,0.00009845721],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000008022815,"about_ca_system_score_gemma":0.00001324849,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001389489,"about_ca_topic_score_gemma":0.00002714386,"domain_scores_codex":[0.9993545,0.00001550091,0.00009659294,0.0002227217,0.0001714595,0.0001392514],"domain_scores_gemma":[0.9997086,0.00004183964,0.00008120497,0.00006277933,0.00009823751,0.000007322542],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"observational","study_design_scores_codex":[0.0009186732,0.001374282,0.03266636,0.0006069709,0.0001179027,0.00008900437,0.0002546162,0.00003878695,0.003107656,0.08116975,0.008288395,0.8713676],"study_design_scores_gemma":[0.00514264,0.000464155,0.4121304,0.0005180806,0.001239692,0.0002078737,0.01488915,0.01516382,0.004454919,0.2647075,0.27815,0.002931773],"study_design_candidate":"design_other","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8949907,0.0001508535,0.00176266,0.000327173,0.000148037,0.0003114737,0.00007698256,0.0001175791,0.1021145],"genre_scores_gemma":[0.9981474,0.00001276541,0.000006718074,0.0007275114,0.0002470921,0.00009935049,0.0004113398,0.000008746441,0.000339091],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8684358,"threshold_uncertainty_score":0.9986432,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4283168300","doi":"10.1145/3527927.3533730","title":"The Technical Dilemmas of Creative Design and Rapid Prototyping for Immersive Storytelling","year":2022,"lang":"en","type":"article","venue":"Creativity and Cognition","topic":"Virtual Reality Applications and Impacts","field":"Computer Science","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Carleton University","funders":"","keywords":"Storytelling; Computer science; Human–computer interaction; Rapid prototyping; Plan (archaeology); Multimedia; Engineering; Narrative","authors":[{"name":"Assem Kroma","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04613617681246419,"gpt":0.2811313635778517,"spread":0.2349951867653876,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006369358,0.00005878859,0.00008913483,0.00003210667,0.0007566753,0.00004822146,0.0001096882,0.00001961076,0.000003379303],"category_scores_gemma":[0.0001135156,0.00004771266,0.00002332591,0.0001338156,0.0001271711,0.0001758256,0.0001042931,0.00007964984,1.756909e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001928455,"about_ca_system_score_gemma":0.00004111595,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001126052,"about_ca_topic_score_gemma":0.000001233969,"domain_scores_codex":[0.9993843,0.0001423618,0.0001055095,0.0001666276,0.00009965056,0.0001015356],"domain_scores_gemma":[0.9989075,0.0007803222,0.00009117554,0.000114792,0.00007020117,0.00003600285],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0003843811,0.0002447288,0.00004120212,0.00006622682,0.00006053839,8.343039e-7,0.00328865,0.0001055262,0.02431955,0.1999997,0.0002817527,0.7712069],"study_design_scores_gemma":[0.0046101,0.009001652,0.01533472,0.0002664872,0.0003036562,0.000142658,0.009744591,0.2700512,0.2218345,0.4086396,0.05891868,0.00115217],"study_design_candidate":"design_other","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.01091761,0.0003768662,0.9863957,0.0004902824,0.0000116707,0.001159366,0.00001754094,0.00001378473,0.0006172408],"genre_scores_gemma":[0.9924935,0.0002165171,0.006360113,0.00005331868,0.00001011506,0.0008333903,0.000006293811,0.000003360364,0.00002344167],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9815758,"threshold_uncertainty_score":0.5819811,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4399917572","doi":"10.1145/3635636.3656191","title":"ThermalPen: Investigating the Influence of Thermal Haptic Feedback for Creativity in 3D Sketching","year":2024,"lang":"en","type":"article","venue":"Creativity and Cognition","topic":"Creativity in Education and Neuroscience","field":"Psychology","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Dalhousie University","funders":"","keywords":"Haptic technology; Creativity; Computer science; Human–computer interaction; Simulation; Psychology","authors":[{"name":"Philipp Pascal Hoffmann","is_ca":false},{"name":"Rina R. Wehbe","is_ca":true},{"name":"Max Mühlhäuser","is_ca":false},{"name":"Mayra Donaji Barrera Machuca","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05218954665946538,"gpt":0.3539676359194782,"spread":0.3017780892600128,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008683862,0.000132895,0.0001730982,0.0001004124,0.0001752856,0.00008973348,0.0001088526,0.00007348821,0.00009816536],"category_scores_gemma":[0.0004483979,0.0001011264,0.00004846279,0.0003386615,0.0004526695,0.0003496034,0.0000349675,0.0002296421,0.00001300309],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002330727,"about_ca_system_score_gemma":0.00007790622,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000180333,"about_ca_topic_score_gemma":0.00005590308,"domain_scores_codex":[0.9988183,0.000302568,0.0002294604,0.000320433,0.0001290508,0.0002002106],"domain_scores_gemma":[0.997606,0.002030879,0.00009267197,0.0001660217,0.0000550294,0.00004937764],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"observational","study_design_scores_codex":[0.000278554,0.001001098,0.06738985,0.0006164688,0.0001027336,0.00001582897,0.08112977,0.0003743295,0.375321,0.03522064,0.0002281773,0.4383216],"study_design_scores_gemma":[0.0009164616,0.0003488323,0.961412,0.0008739447,0.00013154,0.00004920962,0.006551071,0.009633406,0.008800148,0.009659442,0.001257779,0.0003661761],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.985576,0.0002408683,0.0009230447,0.0009190251,0.0001565575,0.0004676663,0.0000353662,0.00004535645,0.01163612],"genre_scores_gemma":[0.9990382,0.00002725064,0.0001196148,0.0002720977,0.00006019438,0.0001742014,0.000007804993,0.00001233875,0.000288266],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8940222,"threshold_uncertainty_score":0.4123816,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3173635594","doi":"10.1145/3450741.3466633","title":"Interfacing &amp; Embodiment: ”Baby Tango” Dancing Robot Attempts to Communicate","year":2021,"lang":"en","type":"article","venue":"Creativity and Cognition","topic":"Innovative Human-Technology Interaction","field":"Computer Science","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Toronto Metropolitan University; Carleton University","funders":"","keywords":"Interfacing; Robot; Human–computer interaction; Focus (optics); Computer science; Wearable computer; The arts; Haptic technology; Multimedia; Artificial intelligence; Visual arts; Art; Embedded system","authors":[{"name":"Assem Kroma","is_ca":true},{"name":"Ali Mazalek","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05370225062124099,"gpt":0.311110508037152,"spread":0.2574082574159109,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002466677,0.0001273719,0.0001618754,0.0001367641,0.0003082105,0.0001679371,0.000214614,0.00007560271,0.00004276439],"category_scores_gemma":[0.0001422999,0.0001411583,0.00002826142,0.0004270708,0.00006527021,0.0004979305,0.0006481822,0.0002878731,0.0001329346],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006819714,"about_ca_system_score_gemma":0.00002641796,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00003199814,"about_ca_topic_score_gemma":0.0002166743,"domain_scores_codex":[0.9990125,0.0001487152,0.0001862788,0.0003456241,0.0001178056,0.0001890677],"domain_scores_gemma":[0.9990589,0.0001265473,0.00009014523,0.0004233471,0.00025747,0.00004359626],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","study_design_scores_codex":[0.00005179029,0.0003745506,0.001741595,0.00008266878,0.0001417641,0.00005455933,0.006363559,0.00004190485,0.6616364,0.07566022,0.00114825,0.2527028],"study_design_scores_gemma":[0.0009364638,0.0002283622,0.01245086,0.0008201022,0.00005116416,0.0003068932,0.0009086577,0.002714463,0.9273325,0.04622261,0.007367491,0.0006604597],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5800718,0.00008298003,0.4060528,0.002338936,0.0001356729,0.0001205813,0.000004123906,0.0001734815,0.01101957],"genre_scores_gemma":[0.9858179,0.00001422102,0.01279726,0.0009336256,0.00002528153,0.00003287886,0.00002535876,0.000006964661,0.0003464888],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4057461,"threshold_uncertainty_score":0.5756267,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4381104249","doi":"10.1145/3591196.3593433","title":"Tangible, Public, and Miniature Creative Exchanges: What HCI and Design Researchers Can Learn From the Free Little Art Gallery Movement","year":2023,"lang":"en","type":"article","venue":"Creativity and Cognition","topic":"Innovative Human-Technology Interaction","field":"Computer Science","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Movement (music); Human–computer interaction; Computer science; Free movement; Multimedia; Visual arts; Aesthetics; Business; Art","authors":[{"name":"Lee Jones","is_ca":true},{"name":"Alaa Nousir","is_ca":true},{"name":"Tom Everrett","is_ca":false},{"name":"Sara Nabil","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1117905120963328,"gpt":0.3053644218193129,"spread":0.1935739097229801,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006998431,0.0001467773,0.0001421945,0.0001889836,0.0004194388,0.0006421395,0.0002100701,0.0001356239,0.00004122418],"category_scores_gemma":[0.0004413812,0.0001166221,0.00001774266,0.0005472571,0.0003510783,0.001297535,0.0003721757,0.0003424079,0.00001691095],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004077288,"about_ca_system_score_gemma":0.00003863142,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00009037789,"about_ca_topic_score_gemma":0.0003595412,"domain_scores_codex":[0.9986575,0.0003265664,0.0001198618,0.0004241657,0.0002232782,0.0002486336],"domain_scores_gemma":[0.9985912,0.0007802796,0.00008379795,0.0002831557,0.0002035755,0.00005792765],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0004478872,0.0004543236,0.006294602,0.0001450323,0.0008416908,0.0001540614,0.05335606,0.000005386621,0.02662591,0.04254987,0.1230711,0.746054],"study_design_scores_gemma":[0.004475863,0.001971974,0.2668587,0.001263327,0.0001461624,0.00005662173,0.06157545,0.01679853,0.04968036,0.572091,0.02374065,0.001341274],"study_design_candidate":"design_other","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8308285,0.00165668,0.08423485,0.07470553,0.0003506001,0.001459759,0.0001214164,0.0005776664,0.006064947],"genre_scores_gemma":[0.9885609,0.003841126,0.002523967,0.001868356,0.0001534333,0.0002954431,0.0001435705,0.00002126632,0.002591992],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7447128,"threshold_uncertainty_score":0.6192166,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4399917675","doi":"10.1145/3635636.3660763","title":"Explainable AI for the Arts 2 (XAIxArts2)","year":2024,"lang":"en","type":"article","venue":"Creativity and Cognition","topic":"Explainable Artificial Intelligence (XAI)","field":"Computer Science","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Concordia University","funders":"Engineering and Physical Sciences Research Council; UK Research and Innovation","keywords":"The arts; Manifesto; Sociology; Computer science; Engineering ethics; Visual arts; Engineering; Political science; Art","authors":[{"name":"Nick Bryan–Kinns","is_ca":false},{"name":"Corey Ford","is_ca":false},{"name":"Shuoyang Zheng","is_ca":false},{"name":"Helen Kennedy","is_ca":false},{"name":"Alan Chamberlain","is_ca":false},{"name":"Makayla Lewis","is_ca":false},{"name":"Drew Hemment","is_ca":false},{"name":"Zijin Li","is_ca":false},{"name":"Qiong Wu","is_ca":false},{"name":"Lanxi Xiao","is_ca":false},{"name":"Gus Xia","is_ca":false},{"name":"Jeba Rezwana","is_ca":false},{"name":"Michael Clemens","is_ca":false},{"name":"Gabriel Vigliensoni","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04589826887072394,"gpt":0.3127543293377939,"spread":0.2668560604670699,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004191233,0.00009492842,0.00008237192,0.00005656505,0.0004225717,0.0006363162,0.0001693364,0.00004338399,0.0000283472],"category_scores_gemma":[0.0001081362,0.0000701286,0.00004881507,0.0002358181,0.00008419423,0.0009903061,0.00007194042,0.00009879837,0.0000702543],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001750071,"about_ca_system_score_gemma":0.00004254647,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00003638605,"about_ca_topic_score_gemma":0.00003505699,"domain_scores_codex":[0.9992386,0.0000343832,0.0001099304,0.000292656,0.0001151199,0.0002093177],"domain_scores_gemma":[0.9988995,0.000743593,0.00001965912,0.0001973791,0.00009415548,0.00004573305],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.000015062,0.00004627304,0.00001788051,0.00008925747,0.00002777102,0.00001771109,0.001550947,0.0000299437,0.001212872,0.6328227,0.005464038,0.3587056],"study_design_scores_gemma":[0.0001193725,0.000220771,0.0001798767,0.000148597,0.00005762185,0.00004335368,0.0008270323,0.2817986,0.06913026,0.4712848,0.1759277,0.0002620336],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.004817663,0.001156954,0.9798565,0.007152754,0.0002974255,0.0003690656,0.0000076833,0.0002037004,0.006138239],"genre_scores_gemma":[0.9964649,0.0001274327,0.001224709,0.0007216756,0.0001439834,0.0002208261,0.000005845232,0.000007544789,0.001083091],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9916472,"threshold_uncertainty_score":0.6136012,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4399917696","doi":"10.1145/3635636.3656197","title":"How Example-Based Authoring of Motion Graphics Impacts Creative Expression: Differences in Perceptions of Professional and Casual Motion Designers","year":2024,"lang":"en","type":"article","venue":"Creativity and Cognition","topic":"Educational Games and Gamification","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Computer science; Casual; Motion (physics); Animation; Graphics; Perception; Workflow; Human–computer interaction; Creativity; Multimedia; Expression (computer science); Avatar; Computer graphics (images); Artificial intelligence; Psychology; Programming language","authors":[{"name":"Amir Jahanlou","is_ca":true},{"name":"Parmit K. Chilana","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08518990523783528,"gpt":0.3536796587544482,"spread":0.2684897535166129,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003609995,0.0001048126,0.0001571845,0.0002471996,0.00006820237,0.0000333089,0.00002689029,0.0001172965,0.00008595727],"category_scores_gemma":[0.00009096535,0.00009123417,0.00003337774,0.0002367509,0.0001979307,0.0002400406,0.00001019989,0.0001303752,6.643592e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001922394,"about_ca_system_score_gemma":0.00004111057,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001579034,"about_ca_topic_score_gemma":0.00003677062,"domain_scores_codex":[0.9990168,0.0003101487,0.0001822814,0.0002484684,0.0001405894,0.0001016766],"domain_scores_gemma":[0.9992324,0.000438699,0.00009996362,0.00007534573,0.0001059179,0.00004774373],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.0007953842,0.002301051,0.5642298,0.001541555,0.0001424265,0.000007256436,0.05014285,0.00001179911,0.1719097,0.09046985,0.0001989304,0.1182494],"study_design_scores_gemma":[0.0003496589,0.0001539115,0.9785047,0.0006165724,0.00005080501,0.000004426219,0.01021194,0.0006525606,0.004580838,0.004774632,0.000006510269,0.0000934815],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9750116,0.0003978955,0.02319488,0.0004009679,0.0001212903,0.0002512053,0.00005514762,0.00001945516,0.0005475863],"genre_scores_gemma":[0.9992514,0.00006956138,0.0002416899,0.00001107651,0.00004216277,0.0000864035,0.0001269615,0.000007165214,0.0001635645],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4142749,"threshold_uncertainty_score":0.3720421,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4381104228","doi":"10.1145/3591196.3596822","title":"Manifesting Creativity in Virtual World Building: A Case Study in Gather","year":2023,"lang":"en","type":"article","venue":"Creativity and Cognition","topic":"Design Education and Practice","field":"Engineering","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Manitoba","funders":"","keywords":"Creativity; Computer science; Human–computer interaction; Psychology","authors":[{"name":"Celine Latulipe","is_ca":true},{"name":"Hussein Agoushi","is_ca":true},{"name":"Min Kyu Jung","is_ca":true},{"name":"Lena Le","is_ca":true},{"name":"Shauna Mallory-Hill","is_ca":true},{"name":"M. Popper","is_ca":true},{"name":"Jason Shields","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06414288804641768,"gpt":0.3282268989897503,"spread":0.2640840109433326,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006138101,0.00009984211,0.0001205916,0.0003028381,0.00005678762,0.00005254561,0.00002426502,0.00003450299,0.00006458946],"category_scores_gemma":[0.0001857399,0.0001131206,0.00001189749,0.0007237144,0.00001840536,0.0003332475,0.00001609756,0.0001898235,0.0000309223],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003617267,"about_ca_system_score_gemma":0.00001477187,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003290272,"about_ca_topic_score_gemma":0.002839866,"domain_scores_codex":[0.9993075,0.000166845,0.0001406062,0.0001576182,0.00007679607,0.0001506616],"domain_scores_gemma":[0.9992414,0.0006046328,0.00002278866,0.000073055,0.00001642462,0.00004176991],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.0002159343,0.002596759,0.6258127,0.0003072867,0.0001153956,0.0131311,0.04485555,0.006212408,0.006610398,0.00185168,0.0007851992,0.2975056],"study_design_scores_gemma":[0.005197795,0.0004499798,0.784436,0.0005331318,0.0001568997,0.001792606,0.08508854,0.1137989,0.001840926,0.004047346,0.001449407,0.001208391],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9833675,0.00002201584,0.00052929,0.00004641469,0.00008806668,0.0002637151,0.000003611863,0.0001619713,0.01551741],"genre_scores_gemma":[0.9993276,0.00001662745,0.00005102092,0.00002009419,0.00003605902,0.00008241554,0.00000604629,0.00001432648,0.0004457982],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2962972,"threshold_uncertainty_score":0.4612925,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3177369388","doi":"10.1145/3450741.3466629","title":"How a Creative Product Evolves: A Structural Analysis of Creative Trajectories in Graphic Design","year":2021,"lang":"en","type":"article","venue":"Creativity and Cognition","topic":"Creativity in Education and Neuroscience","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McMaster University","funders":"","keywords":"Brainstorming; Sketch; Creativity; Focus (optics); Computer science; Creative work; Product design; Session (web analytics); Product (mathematics); Ideation; Graphic design; New product development; Trajectory; Order (exchange); Creative problem-solving; Work (physics); Creative brief; Human–computer interaction; Multimedia; Psychology; Engineering; Cognitive science; Visual arts; Artificial intelligence; World Wide Web; Marketing; Mathematics; Mechanical engineering; Social psychology","authors":[{"name":"Steven Brown","is_ca":true},{"name":"Zoe Lazar-Kurz","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0632316426371084,"gpt":0.3422086972382177,"spread":0.2789770546011093,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003275544,0.0001863481,0.0004682911,0.000519117,0.0001308963,0.00007995246,0.00007345733,0.00007992046,0.0004579838],"category_scores_gemma":[0.000715203,0.0001785449,0.0001129915,0.002748082,0.0004899208,0.0003699817,0.0000251503,0.0001773343,0.000001466909],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003766546,"about_ca_system_score_gemma":0.0001294446,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002323441,"about_ca_topic_score_gemma":0.0003395381,"domain_scores_codex":[0.9979463,0.0008367125,0.0002263476,0.0005654806,0.0002067766,0.0002183871],"domain_scores_gemma":[0.9986074,0.0005922421,0.0001882874,0.0002432737,0.0002904567,0.00007834366],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.002258522,0.005119309,0.4944716,0.0002477211,0.0036665,0.0002255901,0.228958,0.0001344374,0.1103635,0.02853294,0.0004341942,0.1255876],"study_design_scores_gemma":[0.0007516191,0.0002973875,0.920239,0.00006371059,0.0009033471,0.00002487971,0.03788226,0.0003990253,0.0365761,0.002519162,0.00008134151,0.0002621311],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9854921,0.0005058126,0.004013467,0.0004512942,0.0001294156,0.0003208993,0.0001134959,0.00002933392,0.008944184],"genre_scores_gemma":[0.9979331,0.00011329,0.000398873,0.00005614361,0.00002959239,0.0001012145,0.00007919728,0.000008342658,0.001280188],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4257674,"threshold_uncertainty_score":0.7280849,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3177122581","doi":"10.1145/3450741.3465266","title":"Stories Incarnate","year":2021,"lang":"en","type":"article","venue":"Creativity and Cognition","topic":"Innovative Human-Technology Interaction","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"Toronto Metropolitan University","funders":"Ontario Ministry of Research and Innovation; Canada Foundation for Innovation","keywords":"Computer science","authors":[{"name":"Marisa Samek","is_ca":true},{"name":"Tudor Tibu","is_ca":true},{"name":"Richard Lachman","is_ca":true},{"name":"Ali Mazalek","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03585523123020324,"gpt":0.2966299046801972,"spread":0.260774673449994,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00008488684,0.00005652941,0.00006757855,0.00005418511,0.0001461799,0.00008335111,0.00006271873,0.00005082653,0.00002876693],"category_scores_gemma":[0.00009724851,0.00005930674,0.00001305457,0.0002262492,0.00006621992,0.000613866,0.00009281634,0.0001185623,0.00002505592],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001731499,"about_ca_system_score_gemma":0.00002466718,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000005030804,"about_ca_topic_score_gemma":0.00001926509,"domain_scores_codex":[0.999546,0.00005214629,0.00006810925,0.0001830061,0.00006974601,0.00008098672],"domain_scores_gemma":[0.9995439,0.00005637424,0.00004046267,0.0001228237,0.0002226304,0.00001382699],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"bench_or_experimental","study_design_scores_codex":[0.00001245417,0.0001334964,0.001857963,0.00002315705,0.00004424476,0.00008867385,0.001324268,5.345924e-7,0.0478149,0.7705367,0.0005390797,0.1776246],"study_design_scores_gemma":[0.0006781848,0.0001653124,0.03310129,0.00009079894,0.00002657878,0.0003003754,0.0007465711,0.001880341,0.6889533,0.2598824,0.01384075,0.0003341071],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6395345,0.0001100584,0.3208797,0.001451241,0.0002423924,0.00005492699,0.000003416821,0.0002067098,0.03751707],"genre_scores_gemma":[0.9966703,0.00002521737,0.00253262,0.0002489094,0.00002941415,0.00001135854,0.00001063501,0.000002241841,0.0004693074],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6411384,"threshold_uncertainty_score":0.2418459,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}