{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":6,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":6,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"e9db81fec622","filters":{"venue":"Criticism"}},"results":[{"id":"W2016466098","doi":"10.1353/crt.0.0054","title":"Music from the Wrong Place: On the Italianicity of Quebec Disco","year":2008,"lang":"en","type":"article","venue":"Criticism","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":17,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Style (visual arts); Milestone; Dance; Musical; Electronic dance music; Art; Art history; History; Visual arts; Period (music); Aesthetics; Archaeology","authors":[{"name":"Will Straw","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07279921175767749,"gpt":0.2091647927993881,"spread":0.1363655810417106,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001522943,0.000386856,0.0002817443,0.001939048,0.01737736,0.009019432,0.001162958,0.001206264,0.02687737],"category_scores_gemma":[0.004107426,0.0002244176,0.0001937303,0.003605679,0.005909184,0.001912295,0.002443611,0.002486305,0.001997569],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.06285439,"about_ca_system_score_gemma":0.03137208,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9844021,"about_ca_topic_score_gemma":0.9957538,"domain_scores_codex":[0.9984156,0.0001921032,0.00002502853,0.0001979092,0.0006754389,0.0004940024],"domain_scores_gemma":[0.9976822,0.0002299583,0.0001508842,0.0001447092,0.001334536,0.0004576282],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001625245,0.00003703932,0.009419965,0.0001444694,0.00002857333,0.0005631934,0.03410101,0.0002853813,0.0006978876,0.07071059,0.78757,0.09627936],"study_design_scores_gemma":[0.000008856337,0.00001375883,0.02498623,0.0002271255,0.00001274765,0.000113313,0.02086565,0.0001145025,0.0002913575,0.0009124845,0.9524077,0.00004627467],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1015129,0.01569635,0.001070757,0.1017209,0.002689117,0.00005628141,0.002616961,0.0002289375,0.7744079],"genre_scores_gemma":[0.5785485,0.006831831,0.0006248695,0.01630956,0.0004818435,0.00003406275,0.001015083,0.0003832772,0.395771],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.06285439,"threshold_uncertainty_score":0.4560427,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2090174498","doi":"10.1353/crt.2004.0029","title":"Reading into Henry James","year":2004,"lang":"en","type":"article","venue":"Criticism","topic":"American and British Literature Analysis","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Feeling; History; Reading (process); Literature; Symbol (formal); Art; Psychology; Law; Philosophy; Political science","authors":[{"name":"Jonathan Flatley","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01057335909724465,"gpt":0.2307015873621097,"spread":0.2201282282648651,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004677989,0.0003800517,0.0001723535,0.0004200435,0.003684342,0.003677232,0.0003000863,0.001090831,0.08611587],"category_scores_gemma":[0.002114831,0.0001423393,0.0001223614,0.0003426567,0.002122253,0.00158395,0.001838083,0.002554676,0.02280284],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002613715,"about_ca_system_score_gemma":0.002702698,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01566415,"about_ca_topic_score_gemma":0.03514456,"domain_scores_codex":[0.9995701,0.00008876346,0.00001271608,0.00008797012,0.0001533926,0.00008707451],"domain_scores_gemma":[0.9994352,0.00009935525,0.00004754975,0.00003943818,0.0001470911,0.0002312087],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000151687,0.00001095676,0.0002205301,0.00005752789,0.000001665466,0.0001571899,0.003572722,0.0000102401,0.0002899889,0.02105404,0.9450536,0.02955644],"study_design_scores_gemma":[6.042326e-7,0.000003165566,0.0001551155,0.00003000248,3.748036e-7,0.00003039319,0.0004423831,0.000001947825,0.00002567519,0.0002593955,0.9990496,0.000001241422],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.005897693,0.03910163,0.0006189388,0.1074655,0.05852297,0.000034897,0.0002216493,0.0002703765,0.7878665],"genre_scores_gemma":[0.02428943,0.00797963,0.0002223555,0.01301091,0.006473987,0.00001083216,0.00005801313,0.0001080162,0.9478468],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.08611587,"threshold_uncertainty_score":0.2880863,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3174711900","doi":"10.13110/criticism.63.1-2.0151","title":"Teaching Women Writers in a \"Great Books\" Program","year":2021,"lang":"en","type":"article","venue":"Criticism","topic":"Publishing and Scholarly Communication","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"History; Mathematics education; Sociology; Psychology","authors":[{"name":"Micheline White","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04302896769776123,"gpt":0.284417872886209,"spread":0.2413889051884477,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002440908,0.0003204095,0.0002746895,0.0006821989,0.01302262,0.004963081,0.001626136,0.001140433,0.01982892],"category_scores_gemma":[0.003157509,0.0002139163,0.0001460987,0.0008580515,0.006850873,0.001394155,0.004051628,0.002524852,0.002087971],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01506206,"about_ca_system_score_gemma":0.02573392,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0316478,"about_ca_topic_score_gemma":0.1346666,"domain_scores_codex":[0.9983854,0.0004635483,0.00003150037,0.0001737564,0.0005940833,0.000351628],"domain_scores_gemma":[0.9952431,0.0007002772,0.0002970209,0.0001789431,0.0009016675,0.00267886],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001567284,0.0012949,0.01310996,0.0005728024,0.00001481349,0.002288132,0.4751588,0.0004139697,0.006173854,0.05600036,0.2336246,0.2111911],"study_design_scores_gemma":[0.00002357012,0.000159527,0.005633789,0.0002433726,0.00001037903,0.0004932403,0.09636761,0.0001277138,0.003578559,0.003341936,0.8900041,0.00001631384],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5387147,0.002576588,0.004818532,0.037979,0.001935585,0.0003252154,0.0001412265,0.0005245883,0.4129845],"genre_scores_gemma":[0.7181854,0.001131116,0.003672859,0.003838342,0.0003704091,0.0001004521,0.0000812689,0.0002068485,0.2724134],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.0316478,"threshold_uncertainty_score":0.1092834,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2082875952","doi":"10.1353/crt.2013.0022","title":"Revolution of Thought/Revulsion of Feeling: Edgar Allan Poe and the Interest Concept","year":2013,"lang":"en","type":"article","venue":"Criticism","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Contemplation; Poetry; Philosophy; Feeling; Opposition (politics); Criticism; Literature; Art; Epistemology; Politics; Law","authors":[{"name":"Sean McAlister","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03341645889742315,"gpt":0.2401681673470862,"spread":0.2067517084496631,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003791719,0.0005790386,0.0003751486,0.001056332,0.01219301,0.009995637,0.000910475,0.005545984,0.002781097],"category_scores_gemma":[0.004465483,0.0003234226,0.000208893,0.0009150509,0.04779711,0.01155718,0.004320503,0.01294063,0.0005744017],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007788712,"about_ca_system_score_gemma":0.003936845,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008200559,"about_ca_topic_score_gemma":0.009405301,"domain_scores_codex":[0.9970709,0.002030996,0.00003058507,0.0002734462,0.0003287449,0.0002653315],"domain_scores_gemma":[0.9983717,0.001106723,0.0001116203,0.0001064615,0.0001332741,0.0001701958],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00001505739,0.00001997296,0.00005149904,0.00002994579,0.000002038873,0.0001481402,0.0375382,0.0000319457,0.00003569678,0.8948054,0.06057113,0.006750951],"study_design_scores_gemma":[0.00001748512,0.00002324081,0.0003905974,0.0003174239,0.0000034478,0.0002259226,0.02650533,0.0000963269,0.0001247167,0.2913203,0.6809528,0.0000224274],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.02486814,0.0910679,0.001877238,0.4425659,0.006679811,0.00003459826,0.00002692353,0.00003853661,0.4328411],"genre_scores_gemma":[0.7465993,0.02090562,0.001021013,0.1064872,0.007148021,0.0001294173,0.0000235532,0.0001164204,0.1175695],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01219301,"threshold_uncertainty_score":0.05651134,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2059145368","doi":"10.1353/crt.2013.0031","title":"At the Intersections of Mode, Genre, and Media: A Dossier of Essays on Melodrama","year":2013,"lang":"en","type":"article","venue":"Criticism","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Narrative; Movie theater; Art; Literature; Drama; Film genre; Praise; Mode (computer interface); Modernity; Criticism; Aesthetics; Politics; History; Philosophy","authors":[{"name":"Marcie Frank","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02699343233506252,"gpt":0.233278632999575,"spread":0.2062852006645125,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002890786,0.0009251932,0.0007514532,0.002530204,0.007139023,0.006780574,0.0008613881,0.003399866,0.003866463],"category_scores_gemma":[0.009994539,0.0002927584,0.0003981717,0.00139656,0.01380159,0.006804343,0.005303253,0.006375165,0.00107045],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004211694,"about_ca_system_score_gemma":0.001191425,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002153949,"about_ca_topic_score_gemma":0.004547655,"domain_scores_codex":[0.9967451,0.001956704,0.0001248404,0.0003732399,0.0005322887,0.0002676783],"domain_scores_gemma":[0.9937162,0.004868006,0.00029027,0.0002901482,0.0004407223,0.000394841],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001358407,0.0001375323,0.000893557,0.0005311668,0.00002738789,0.0008209058,0.1616043,0.0001909389,0.002083631,0.4267836,0.3416195,0.06517155],"study_design_scores_gemma":[0.000008142036,0.00002524026,0.000793793,0.001087574,0.000005345282,0.0002730394,0.02573672,0.00006669237,0.0002622914,0.01791476,0.9538057,0.00002079855],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"review","genre_scores_codex":[0.06256468,0.2080446,0.006905316,0.3432283,0.05337781,0.0001678753,0.0002583947,0.0001483835,0.3253046],"genre_scores_gemma":[0.5931561,0.0820253,0.005198275,0.05539305,0.06709882,0.0005579332,0.000185905,0.0005856688,0.1957989],"genre_candidate":"review","genre_consensus":null,"teacher_disagreement_score":0.007139023,"threshold_uncertainty_score":0.03055811,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2050632066","doi":"10.1353/crt.2012.0025","title":"Phenomophobia, or Who's Afraid of Merleau-Ponty?","year":2012,"lang":"en","type":"article","venue":"Criticism","topic":"Philosophy, Ethics, and Existentialism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Criticism; Deconstruction (building); New Criticism; Poetics; Politics; Phenomenology (philosophy); Literature; Art; Philosophy; Art history; Literary criticism; Epistemology; Literary theory; Poetry; Law; Political science","authors":[{"name":"Bruce R. Smith","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1001761337604015,"gpt":0.2982233412419019,"spread":0.1980472074815004,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002359736,0.0004356457,0.0003468629,0.0007387146,0.004789943,0.0094548,0.0004845843,0.00267288,0.004592244],"category_scores_gemma":[0.00752567,0.0001429512,0.0002215976,0.0006582672,0.01178885,0.006060638,0.002155406,0.005430283,0.00103074],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00342025,"about_ca_system_score_gemma":0.001891218,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003059829,"about_ca_topic_score_gemma":0.004590875,"domain_scores_codex":[0.9975324,0.001256831,0.00006768275,0.0003042126,0.0006445459,0.000194328],"domain_scores_gemma":[0.996367,0.002127378,0.0003485375,0.0001843069,0.0005485879,0.0004241899],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006869454,0.00002602308,0.001931456,0.0004497601,0.00002688363,0.0003984919,0.04715865,0.00006614132,0.0007743836,0.2540232,0.6275132,0.06756306],"study_design_scores_gemma":[0.000006578643,0.00002432849,0.002241528,0.0006976866,0.000009615676,0.0004638818,0.0203581,0.00009871858,0.0003517036,0.04235347,0.9333716,0.00002276129],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.01911721,0.09923941,0.002599773,0.6835369,0.04006921,0.00002656135,0.00005680738,0.0001070257,0.1552472],"genre_scores_gemma":[0.6482349,0.04576009,0.0009917822,0.1255927,0.0329718,0.00007179392,0.00005909724,0.0002661199,0.1460518],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.0094548,"threshold_uncertainty_score":0.02481574,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}