{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":18,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":18,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"0d62d2248ab0","filters":{"venue":"Cultural Trends"}},"results":[{"id":"W2085984550","doi":"10.1080/09548960701299815","title":"Participation Studies and Cross-National Comparison: Proliferation, Prudence, and Possibility","year":2007,"lang":"en","type":"article","venue":"Cultural Trends","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":59,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Comparability; Population; Interpretation (philosophy); Political science; Geography; Sociology; Demography","authors":[{"name":"J. Mark Schuster","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2175817222781583,"gpt":0.4939082883549408,"spread":0.2763265660767825,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006373771,0.00008603551,0.0001187637,0.00002866489,0.0007703209,0.0002087104,0.00004558329,0.00006847676,0.00006228097],"category_scores_gemma":[0.0002892797,0.00005930941,0.0000166911,0.0002330972,0.0004778565,0.0004113976,0.00003342818,0.00007560999,0.000002539879],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001070673,"about_ca_system_score_gemma":0.00003319203,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001115099,"about_ca_topic_score_gemma":0.002851359,"domain_scores_codex":[0.9990363,0.00003872085,0.0002382442,0.0001878209,0.0003018551,0.0001970315],"domain_scores_gemma":[0.9993161,0.00006315055,0.00007179174,0.00003404011,0.000410372,0.0001045427],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.0000328032,0.00004177383,0.8481366,0.00001405995,0.00004237159,0.000001303006,0.04309724,0.000005590178,0.00006257482,0.01090118,0.03266363,0.06500088],"study_design_scores_gemma":[0.0001900979,0.00002539847,0.9231728,0.00001134184,0.000008008547,0.000001131503,0.008486982,0.00002022961,0.0001388262,0.0006209281,0.06721127,0.0001130321],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9880494,0.0009243325,0.000007532613,0.003262855,0.0001407766,0.00008654474,0.000002684004,0.00004227324,0.007483562],"genre_scores_gemma":[0.9777321,0.00006194258,0.0002361779,0.00008760436,0.000217778,0.00001056248,0.00001233364,0.000001808156,0.02163965],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.07503617,"threshold_uncertainty_score":0.5924764,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2079461567","doi":"10.1080/09548963.2011.563907","title":"Independent artist-run centres: an empirical analysis of the Montreal non-profit visual arts field","year":2011,"lang":"en","type":"article","venue":"Cultural Trends","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":19,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Université TÉLUQ; Université du Québec à Montréal","funders":"","keywords":"The arts; Empirical research; Profit (economics); Performing arts; Field (mathematics); Relevance (law); Sociology; Arts administration; Public relations; Marketing; Visual arts; Political science; Business; Economics; Law; Art; Arts in education","authors":[{"name":"Giorgio Tavano Blessi","is_ca":false},{"name":"Pier Luigi Sacco","is_ca":false},{"name":"Thomas Pilati","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1065467293747701,"gpt":0.3692317105944651,"spread":0.2626849812196951,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001682101,0.000157589,0.0002722411,0.00008964995,0.0004220869,0.0000693082,0.0003985272,0.0001791322,0.003431949],"category_scores_gemma":[0.00005963869,0.00008944438,0.0002697305,0.001304034,0.0001930061,0.0002487351,0.00009752881,0.0001888963,0.00001042637],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009201476,"about_ca_system_score_gemma":0.00005867861,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.01501071,"about_ca_topic_score_gemma":0.04799478,"domain_scores_codex":[0.9984539,0.0001053775,0.0003155678,0.0002791042,0.0004866257,0.0003594322],"domain_scores_gemma":[0.99928,0.00003265521,0.0001533912,0.0002048351,0.0001362033,0.0001928797],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.0001094343,0.0003164763,0.6531825,0.000005875183,0.0009481474,0.00001843447,0.1425721,0.00001970586,0.0002857379,0.001099789,0.09964769,0.1017941],"study_design_scores_gemma":[0.0002160226,0.00008828229,0.9444427,0.0000117829,0.0003305405,8.713266e-7,0.02027265,0.0001214488,0.001228127,0.00004708192,0.03302628,0.0002142472],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9240572,0.00003803345,0.00000578119,0.00206413,0.0003011296,0.0001031968,0.0000133053,0.00003754614,0.07337962],"genre_scores_gemma":[0.9593085,0.00001995738,0.00005186162,0.0002187692,0.0001305437,0.00001053178,0.00002423153,0.000004673565,0.04023094],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2912602,"threshold_uncertainty_score":0.997479,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2073142998","doi":"10.1080/09548961003696120","title":"Unintended consequences: examining the impact of tax credit programmes on work in the Canadian independent film and television production sector","year":2010,"lang":"en","type":"article","venue":"Cultural Trends","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":17,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"McMaster University","funders":"","keywords":"Production (economics); Unintended consequences; Excellence; Work (physics); Business; Competition (biology); Labour economics; Vulnerability (computing); Tax credit; Economics; Public economics; Political science","authors":[{"name":"Amanda Coles","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09124762943969397,"gpt":0.3352619594875231,"spread":0.2440143300478291,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006299511,0.00011996,0.0001163819,0.00006654685,0.0005926925,0.0002088757,0.0002449238,0.0001232167,0.00027376],"category_scores_gemma":[0.000343127,0.00005092477,0.00004381003,0.0006833099,0.0009049289,0.0001441384,0.00001812375,0.0004221473,0.000001655535],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001727398,"about_ca_system_score_gemma":0.000261703,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.2911827,"about_ca_topic_score_gemma":0.7238846,"domain_scores_codex":[0.9989222,0.0001357116,0.0001686346,0.000187622,0.0002945414,0.0002912363],"domain_scores_gemma":[0.999513,0.00005833876,0.00009587695,0.0001258497,0.0001051157,0.0001017716],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"observational","study_design_scores_codex":[0.0001284464,0.000127046,0.1493239,0.00001067044,0.0001048316,0.00002350937,0.2019965,0.00007942392,0.001532865,0.004424478,0.2811615,0.3610868],"study_design_scores_gemma":[0.0002155609,0.0001998755,0.8571691,0.00008622334,0.00001223081,0.00001525239,0.05568321,0.000006871366,0.0002222113,0.0001894759,0.08599708,0.000202881],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9800189,0.00005312789,2.825475e-8,0.01313822,0.0003300934,0.0002168749,0.000007741838,0.00001391108,0.006221181],"genre_scores_gemma":[0.9938094,0.00001989365,0.00002280091,0.00003981802,0.0002392908,0.00002496955,0.00001480111,0.000003336258,0.00582571],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7078452,"threshold_uncertainty_score":0.7135373,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3133361009","doi":"10.1080/09548963.2021.1887702","title":"Reimagining the creative industries in the community arts sector","year":2021,"lang":"en","type":"article","venue":"Cultural Trends","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":12,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"Toronto Metropolitan University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Creative industries; Mainstream; The arts; Creativity; Public relations; Livelihood; Sociology; Economic growth; Political science; Economics","authors":[{"name":"Miranda Campbell","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2322982842848992,"gpt":0.3754346036893683,"spread":0.1431363194044691,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006602517,0.0001097174,0.0001191784,0.00001906588,0.001689986,0.0003403871,0.0003938858,0.00008766359,0.001175526],"category_scores_gemma":[0.0004266671,0.00004585696,0.00005126753,0.001103168,0.0004121352,0.0002371631,0.00008540852,0.0008941708,0.00001246951],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001109601,"about_ca_system_score_gemma":0.0001407102,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.007767072,"about_ca_topic_score_gemma":0.0226912,"domain_scores_codex":[0.9983665,0.0007976704,0.0001618563,0.00011523,0.0002883766,0.000270377],"domain_scores_gemma":[0.9993275,0.0002479904,0.00005860394,0.0001864938,0.0001352358,0.00004417571],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000007852121,0.00006365697,0.006875228,0.000002091235,0.00003273859,0.00002822709,0.3222612,0.000004877005,0.00006839344,0.007631353,0.5873231,0.07570135],"study_design_scores_gemma":[0.00009588098,0.000008130325,0.06256926,0.00001842439,0.000006636736,0.000005073492,0.3166764,0.000001013828,0.0001643012,0.0001751174,0.6202013,0.00007845603],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4883806,0.0003682445,6.738341e-7,0.1323806,0.0003431565,0.00009598459,0.00001069466,0.00004859355,0.3783715],"genre_scores_gemma":[0.8819892,0.0000600428,0.00002199375,0.0008529212,0.0002568406,0.00002275547,0.00003966239,0.000003417548,0.1167532],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3936086,"threshold_uncertainty_score":0.9997376,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1978827786","doi":"10.1080/09548961003696096","title":"Plural public funding and Canada's contemporary art market system","year":2010,"lang":"en","type":"article","venue":"Cultural Trends","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":10,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Contemporary art; Exhibition; The arts; Plural; Government (linguistics); Intermediary; State (computer science); Receipt; Public administration; Sociology; Political science; Economics; Visual arts; Finance; Law; Art","authors":[{"name":"Derrick Chong","is_ca":false},{"name":"Elisabeth Bogdan","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06908904132890106,"gpt":0.2818772274078068,"spread":0.2127881860789057,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002709469,0.0001413491,0.0001651592,0.00003824634,0.0007635757,0.0003433092,0.0001831225,0.0001203591,0.001220089],"category_scores_gemma":[0.00008752669,0.0001001974,0.00003828479,0.0002378536,0.0001932335,0.0003742142,0.00005622572,0.0002561012,0.000008307003],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002184323,"about_ca_system_score_gemma":0.000503406,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.4503017,"about_ca_topic_score_gemma":0.9093739,"domain_scores_codex":[0.998828,0.00005975918,0.0001926993,0.0002161071,0.0003203233,0.0003831162],"domain_scores_gemma":[0.9993482,0.00004077594,0.00007912804,0.0000930974,0.0001045446,0.0003342972],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000004562659,0.00000447159,0.01201455,0.000006840241,0.00001962859,0.00001507891,0.0007424907,3.080994e-8,0.0001259649,0.007779917,0.9701954,0.00909112],"study_design_scores_gemma":[0.0001613725,0.000006740769,0.02041542,0.00001583831,0.000004577226,0.00001304808,0.01485269,0.0000155838,0.00002426157,0.000003936144,0.9643058,0.0001808068],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2688645,0.0001547753,5.028707e-7,0.02807778,0.001649457,0.0000921816,0.00002351608,0.0001334167,0.7010038],"genre_scores_gemma":[0.7457532,0.000006855912,0.00003618521,0.00009386209,0.0003151546,0.00000855219,0.00002698698,0.000004649622,0.2537545],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.4768887,"threshold_uncertainty_score":0.9996929,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2902670305","doi":"10.1080/09548963.2018.1534719","title":"When the dead rise: encountering resistant legacies of creative economy within an artist’s residency at a municipal cemetery","year":2018,"lang":"en","type":"article","venue":"Cultural Trends","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Athabasca University","funders":"","keywords":"Craft; Criticism; Inefficiency; Resistance (ecology); Recreation; Sociology; Economy; Political science; Law; Visual arts; Economics; Art; Market economy","authors":[{"name":"Michael Lithgow","is_ca":true},{"name":"Karen Wall","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1387879204238308,"gpt":0.3363047088819012,"spread":0.1975167884580704,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004586454,0.0001798909,0.0002288683,0.0000488819,0.001175669,0.0002085536,0.0004530796,0.0001053545,0.001945273],"category_scores_gemma":[0.0001137558,0.0001055026,0.00009228728,0.0002827323,0.001161731,0.0006883508,0.0001500532,0.0001434941,0.00002349564],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002873062,"about_ca_system_score_gemma":0.0001006025,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.01491263,"about_ca_topic_score_gemma":0.1040937,"domain_scores_codex":[0.998489,0.0002042675,0.0003968522,0.00027918,0.0002720727,0.0003585768],"domain_scores_gemma":[0.9990853,0.00005563885,0.0002435758,0.0002513556,0.0002392175,0.0001249309],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003793064,0.00007650007,0.005139225,0.00001885511,0.0001966541,0.00001525685,0.7315974,0.000008042409,0.004075899,0.01382395,0.2346448,0.01002411],"study_design_scores_gemma":[0.0003633668,0.0003785256,0.02613743,0.0001224449,0.00005808989,0.000006794638,0.1189723,0.00004581012,0.005109359,0.001256643,0.8471271,0.0004220806],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8652748,0.0002617012,0.000001501895,0.004679264,0.000282272,0.0001117261,0.00001980777,0.00005226232,0.1293167],"genre_scores_gemma":[0.8102952,0.00003100036,0.0002753434,0.00009251698,0.0003859478,0.00002213729,0.00001359402,0.000007465337,0.1888768],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6126251,"threshold_uncertainty_score":0.9989671,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3153348169","doi":"10.1080/09548963.2021.1904207","title":"Understanding creative economy policies in the Canadian context: a case study of “Creative Canada”","year":2021,"lang":"en","type":"article","venue":"Cultural Trends","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Creative industries; Cultural policy; Commodification; Context (archaeology); Sovereignty; Safeguarding; The arts; Creativity; Cultural heritage; Politics; Public administration; Tourism; Sociology; Political science; Economy; Economics; Law","authors":[{"name":"Taeyoung Kim","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2440471105484109,"gpt":0.3516025622977135,"spread":0.1075554517493026,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001749871,0.0001078655,0.0001780736,0.00005593409,0.0008280916,0.0001344725,0.0001415472,0.00005277287,0.0005245323],"category_scores_gemma":[0.00008044788,0.00006915168,0.0000330758,0.0007036999,0.0001629149,0.0001426797,0.00002105562,0.0001476616,5.314672e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001917989,"about_ca_system_score_gemma":0.001658022,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9995705,"about_ca_topic_score_gemma":0.9999945,"domain_scores_codex":[0.9989414,0.0002305622,0.0001997393,0.0001548997,0.000184061,0.000289401],"domain_scores_gemma":[0.9994899,0.00007816806,0.00007118069,0.0000870387,0.0001472838,0.0001264257],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00000678486,0.00008853834,0.03356613,0.000003156442,0.0001239388,0.00248072,0.821373,0.00001814048,0.000001661854,0.01877718,0.1205202,0.003040448],"study_design_scores_gemma":[0.0002644214,0.00002906323,0.01279645,0.00001181814,0.00001392128,0.00005481393,0.8992557,0.000002053234,0.0000136679,0.00005556652,0.08740158,0.000100951],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7567164,0.00008534497,1.811259e-7,0.009766237,0.00007538963,0.000133272,0.0000214564,0.000005200859,0.2331966],"genre_scores_gemma":[0.9765715,0.00000579474,0.000002684421,0.0002909301,0.00005255978,0.00001724105,0.00001173523,0.000002737947,0.0230448],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2198552,"threshold_uncertainty_score":0.6369095,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4396507419","doi":"10.1080/09548963.2024.2345836","title":"Cultural branding of cities: the role of live music in building a city’s brand","year":2024,"lang":"en","type":"article","venue":"Cultural Trends","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":true},"ca_institutions":"HEC Montréal","funders":"Global Affairs Canada; Coordenação de Aperfeiçoamento de Pessoal de Nível Superior","keywords":"Place branding; Advertising; Nation branding; Business; Political science; Public relations; Tourism","authors":[{"name":"Alessandra Baiocchi","is_ca":false},{"name":"Danilo C. Dantas","is_ca":true},{"name":"Luís Alexandre Grubits de Paula Pessôa","is_ca":false},{"name":"François Colbert","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07039937825795109,"gpt":0.3319508454701437,"spread":0.2615514672121926,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003120184,0.0001357371,0.0002280813,0.00009155191,0.0002310582,0.000142612,0.0002647465,0.0001034782,0.001071002],"category_scores_gemma":[0.00008877834,0.00007509624,0.0001420273,0.0009804638,0.0003873332,0.0003824211,0.00006364522,0.0002108446,0.000004003473],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001283861,"about_ca_system_score_gemma":0.0000676876,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004811774,"about_ca_topic_score_gemma":0.003108839,"domain_scores_codex":[0.9987887,0.00008121898,0.0003297818,0.0001915108,0.0003216488,0.0002871814],"domain_scores_gemma":[0.9995594,0.0001282156,0.00008307708,0.00008247996,0.00009112574,0.00005568124],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006834406,0.00006788826,0.01683389,0.0001049739,0.0002207603,0.00001727711,0.650637,0.00005606225,0.01695005,0.04987746,0.04912127,0.216045],"study_design_scores_gemma":[0.000519438,0.00006987788,0.01592468,0.0008054893,0.00006185827,0.000009163043,0.3706961,0.000185617,0.0058769,0.001884608,0.6035526,0.0004136484],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9564103,0.003403952,0.000001072519,0.001862158,0.0003655412,0.0001029391,0.00001601449,0.00004503118,0.03779291],"genre_scores_gemma":[0.9788552,0.0001991624,0.00004948485,0.00002314934,0.0002114158,0.0000117908,0.000008244425,0.000005632573,0.0206359],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5544313,"threshold_uncertainty_score":0.9998422,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4396915812","doi":"10.1080/09548963.2024.2352413","title":"Towards monopolistic music promotion: an analysis of North American concert tours","year":2024,"lang":"en","type":"article","venue":"Cultural Trends","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Monopolistic competition; Promotion (chess); Advertising; Business; Political science; Economics; Microeconomics; Law; Monopoly","authors":[{"name":"Louis-Étienne Dubois","is_ca":true},{"name":"Stan Renard","is_ca":false},{"name":"Daniel Guttentag","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1170703875080383,"gpt":0.3727094046781192,"spread":0.2556390171700809,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001163687,0.000133186,0.00028288,0.0001684601,0.0002232311,0.0001694504,0.0002139336,0.00004090736,0.001591416],"category_scores_gemma":[0.00003434481,0.00009180397,0.0001740093,0.003796019,0.0004560468,0.0003050051,0.00002888069,0.0001133483,0.000009389986],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001942184,"about_ca_system_score_gemma":0.0001116026,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.01081451,"about_ca_topic_score_gemma":0.05300134,"domain_scores_codex":[0.9988102,0.00007461819,0.0002301339,0.0002723577,0.0003445963,0.0002681247],"domain_scores_gemma":[0.9994712,0.00001884331,0.00007492918,0.0001205352,0.0001404396,0.0001740348],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"observational","study_design_scores_codex":[0.00001168831,0.00009586816,0.04711248,0.00001491915,0.0009265266,0.00002334869,0.0341281,0.0001585538,0.00002616991,0.005061248,0.06238497,0.8500561],"study_design_scores_gemma":[0.00006546197,0.0001356488,0.7414193,0.00001802795,0.000608867,0.000001005183,0.01109095,0.000780296,0.00003723108,0.00002474949,0.2455506,0.0002679206],"study_design_candidate":"design_other","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9799888,0.0001486077,0.000009844824,0.003022406,0.0003561385,0.00006052182,0.00005952092,0.0001402045,0.01621399],"genre_scores_gemma":[0.9658118,0.00005450996,0.00007656027,0.00004349515,0.0003022774,0.00001222131,0.000194491,0.00000565151,0.03349899],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8497882,"threshold_uncertainty_score":0.9993213,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4287958841","doi":"10.1080/09548963.2022.2103646","title":"Collective cultural infrastructures: ownership, architecture, governance","year":2022,"lang":"en","type":"article","venue":"Cultural Trends","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Carleton University","funders":"","keywords":"Architecture; Corporate governance; Business; Public administration; Political science; Finance; Geography","authors":[{"name":"Bas van Heur","is_ca":false},{"name":"Els Silvrants-Barclay","is_ca":false},{"name":"Menna Agha","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04865807163337905,"gpt":0.307330316415484,"spread":0.2586722447821049,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020854,0.0002480586,0.0002408918,0.00005561839,0.00290597,0.0002212862,0.0005595397,0.00009441299,0.01205309],"category_scores_gemma":[0.0001421823,0.0001743928,0.0001710853,0.001431993,0.0003487595,0.0002957461,0.0002249062,0.0006077673,0.00002023322],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001664093,"about_ca_system_score_gemma":0.0003733933,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002166346,"about_ca_topic_score_gemma":0.002170043,"domain_scores_codex":[0.9976552,0.0002542362,0.000255956,0.0004028906,0.0008247982,0.0006069836],"domain_scores_gemma":[0.9992774,0.0000553819,0.0001745883,0.0001532365,0.0001324956,0.0002069414],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007121354,0.00003914018,0.001468762,0.00000326338,0.00007076721,0.00002012611,0.07359062,0.0003092695,0.0001840903,0.008039459,0.8510343,0.06516901],"study_design_scores_gemma":[0.0003814897,0.00007128795,0.01711113,0.000006729691,0.00001552163,0.0000181478,0.03324401,0.000004948783,0.00009213981,0.0008928871,0.9478111,0.0003506162],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2775426,0.001337015,0.000008920509,0.03321498,0.002947644,0.0004748022,0.0003404194,0.0005138721,0.6836197],"genre_scores_gemma":[0.5953963,0.00003482281,0.0001889112,0.0004132523,0.000401505,0.00008284606,0.00008477715,0.00001033865,0.4033873],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.3178537,"threshold_uncertainty_score":0.9983921,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2064226623","doi":"10.1080/09548960109365148","title":"Commentary: Whither classical music?","year":2001,"lang":"en","type":"article","venue":"Cultural Trends","topic":"Social and Cultural Dynamics","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Political science","authors":[{"name":"Stephen Preece","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05932189112581788,"gpt":0.3403123245086826,"spread":0.2809904333828647,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009864357,0.0001184915,0.0001329994,0.00002260658,0.0006935408,0.0001097833,0.0002256009,0.0001109607,0.002822695],"category_scores_gemma":[0.00003284767,0.00008234359,0.0001084346,0.0006381388,0.0003067077,0.0002912438,0.00003340988,0.0001399083,0.0001603256],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001191881,"about_ca_system_score_gemma":0.00001446626,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001207596,"about_ca_topic_score_gemma":0.007952639,"domain_scores_codex":[0.9989641,0.0001006777,0.0001225811,0.0001756505,0.0002839119,0.0003531361],"domain_scores_gemma":[0.999605,0.00002380338,0.00004172017,0.00008614245,0.00008391446,0.0001593927],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002540044,0.0001196316,0.01055984,0.000001698681,0.00004482446,0.00002086386,0.0319021,0.000002022575,0.0002058438,0.04537187,0.6859859,0.22576],"study_design_scores_gemma":[0.0002245698,0.00002286985,0.01317139,0.00000555896,0.00001578703,0.000002215548,0.01314135,0.00002109869,0.000003677117,0.0007310259,0.9724902,0.0001702803],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4130412,0.0001028062,0.000004690126,0.0778397,0.0007764944,0.00006245914,0.000009055683,0.0002414931,0.5079221],"genre_scores_gemma":[0.8825749,0.0001172245,0.0001011559,0.004595483,0.001556797,0.00001245894,0.000061062,0.000009383993,0.1109715],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.4695337,"threshold_uncertainty_score":0.9980888,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1983897397","doi":"10.1080/09548963.2013.819632","title":"20UNDER40: re-inventing the arts and arts education for the 21st century","year":2013,"lang":"en","type":"article","venue":"Cultural Trends","topic":"Art Education and Development","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto; Institute for Christian Studies","funders":"","keywords":"The arts; Visual arts; Arts in education; Political science; Sociology; Art; Media studies","authors":[{"name":"Marisol D’Andrea","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08229563305096474,"gpt":0.3001303256523941,"spread":0.2178346926014293,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008072653,0.00009321432,0.00006250363,0.00002442762,0.001033295,0.0004181351,0.00009039187,0.00001709624,0.002383088],"category_scores_gemma":[0.0000208059,0.00004224516,0.0000467726,0.00002732044,0.0001238878,0.0002265927,0.00002705,0.00005944973,0.00008208457],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001877354,"about_ca_system_score_gemma":0.00002706915,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00008235782,"about_ca_topic_score_gemma":0.0002459754,"domain_scores_codex":[0.9995005,0.0000124846,0.0001370654,0.0001210708,0.00008108507,0.0001478386],"domain_scores_gemma":[0.9995942,0.0000709497,0.00006494435,0.0001165276,0.0001116177,0.00004175005],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000001934376,0.00003876392,0.00008095322,0.00001052604,0.00002449188,1.621619e-8,0.07123567,3.360427e-7,0.00001390686,0.3150065,0.4172645,0.1963224],"study_design_scores_gemma":[0.00007264809,0.000008202842,0.003440587,0.00001175847,0.00001333453,0.000001418147,0.1051235,0.00002347318,0.00002106289,0.001594845,0.8896122,0.00007697241],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.07198973,0.003115395,0.000009761201,0.09677799,0.00494203,0.0006634537,0.000009361603,0.0001108243,0.8223814],"genre_scores_gemma":[0.8769386,0.0001342544,0.0001000695,0.002408187,0.001047444,0.0002568675,0.00004783244,0.000008465709,0.1190582],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8049489,"threshold_uncertainty_score":0.9985289,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4401328681","doi":"10.1080/09548963.2024.2387771","title":"The role of cultural organisations in matters of equity, diversity, and inclusion","year":2024,"lang":"en","type":"article","venue":"Cultural Trends","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":true},"ca_institutions":"Université Laval; University of Ottawa; Université du Québec en Outaouais","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Inclusion (mineral); Equity (law); Diversity (politics); Cultural diversity; Sociology; Political science; Public relations; Business; Social science; Anthropology; Law","authors":[{"name":"Julie Bérubé","is_ca":true},{"name":"Julien Doris","is_ca":true},{"name":"Alexis Pouliot","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06042163195278553,"gpt":0.3383580598458829,"spread":0.2779364278930974,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0002268857,0.00006509852,0.00009286214,0.00004004774,0.001797501,0.00006040064,0.0002112711,0.00005502188,0.0001417466],"category_scores_gemma":[0.00002949011,0.00003626934,0.0000380528,0.0004604324,0.000320825,0.0002282137,0.003602494,0.0000876643,0.000001456678],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000103066,"about_ca_system_score_gemma":0.00002998411,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004899679,"about_ca_topic_score_gemma":0.004311142,"domain_scores_codex":[0.9992767,0.00004055724,0.0001567742,0.0001026652,0.0002785061,0.000144806],"domain_scores_gemma":[0.9997547,0.00005653434,0.00004106871,0.0000457828,0.00006063926,0.00004131271],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001569786,0.00003533435,0.02154594,0.00002846888,0.00005559532,0.000003887291,0.6017198,0.000005786648,0.005303082,0.04138046,0.04908987,0.2808161],"study_design_scores_gemma":[0.0002531643,0.00004834543,0.04707862,0.0001613615,0.00003805014,0.00000338967,0.1840519,0.00006364023,0.002319815,0.007315183,0.7584401,0.000226449],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9576853,0.001776126,3.330421e-7,0.02054765,0.0001924246,0.00006454837,0.00001114838,0.00002737123,0.01969508],"genre_scores_gemma":[0.9884766,0.0003566355,0.00001694957,0.00003197397,0.00004101168,0.000001681542,0.000006781498,0.000002065605,0.01106634],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7093502,"threshold_uncertainty_score":0.999502,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404318550","doi":"10.1080/09548963.2024.2424580","title":"Whose social impact is it anyway? Directionality and the potential of affect in community music","year":2024,"lang":"en","type":"article","venue":"Cultural Trends","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Concordia University","funders":"","keywords":"Affect (linguistics); Directionality; Social impact; Psychology; Business; Sociology; Communication","authors":[{"name":"Imogen Flower","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1165428849854693,"gpt":0.3465644199524619,"spread":0.2300215349669926,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000240403,0.00009330177,0.0001405561,0.00007209232,0.0003842778,0.0002290667,0.00009090798,0.00002773937,0.006245803],"category_scores_gemma":[0.00001383004,0.00005002585,0.0001279628,0.00009412621,0.0005536154,0.0002425816,0.00004317983,0.0002063385,0.00001807374],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000421087,"about_ca_system_score_gemma":0.00002022972,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003663051,"about_ca_topic_score_gemma":0.001926848,"domain_scores_codex":[0.9993519,0.0002095002,0.0001377119,0.00008826746,0.0001180739,0.00009449908],"domain_scores_gemma":[0.9997067,0.00009644032,0.00003755057,0.00008424286,0.00005413534,0.00002088969],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006110706,0.0001188176,0.0002393802,0.00006382906,0.0001350064,0.000002117882,0.640405,0.000001160069,0.0001100963,0.1299452,0.221142,0.007776285],"study_design_scores_gemma":[0.002882528,0.0001698357,0.3412637,0.0002194072,0.0002824392,0.00002055189,0.1894243,0.0003509747,0.0001264937,0.0103217,0.4543871,0.0005509877],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9046162,0.0002136551,1.352181e-7,0.002412267,0.0007609003,0.00004289372,0.00008464043,0.00002643228,0.09184285],"genre_scores_gemma":[0.98716,0.000008815175,0.000001459476,0.0001743888,0.0004874198,0.000008100542,0.00003222762,0.00000459341,0.01212304],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4509807,"threshold_uncertainty_score":0.9946626,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4402769283","doi":"10.1080/09548963.2024.2401996","title":"Mind the gap: causes and consequences of the racial gap in music funding organizations","year":2024,"lang":"en","type":"article","venue":"Cultural Trends","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Waterloo; Queen's University","funders":"Music Library Association","keywords":"Political science; Psychology; Sociology; Business","authors":[{"name":"Alanna Stuart","is_ca":true},{"name":"Kim de Laat","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.108706663989385,"gpt":0.2786012471956361,"spread":0.1698945832062511,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0000554582,0.00007646619,0.00007816263,0.00003123199,0.0003935743,0.0001364664,0.000098224,0.00002603124,0.00571615],"category_scores_gemma":[0.00002695388,0.00003287207,0.00003437549,0.0001680058,0.0005901782,0.00014461,0.00002324835,0.0001088462,0.00001022045],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001655529,"about_ca_system_score_gemma":0.0000238472,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0000816165,"about_ca_topic_score_gemma":0.008669987,"domain_scores_codex":[0.9995701,0.00004071045,0.0001173953,0.0001036505,0.00008007843,0.00008806137],"domain_scores_gemma":[0.9998104,0.00003319894,0.00003023452,0.00007121413,0.00003977133,0.00001520119],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000003648924,0.00001696287,0.0002896694,0.00004157768,0.00003297133,0.000006388564,0.5805527,0.000005282938,0.003235912,0.3585598,0.05265464,0.004600376],"study_design_scores_gemma":[0.00008433481,0.00001392186,0.0009287192,0.00009676001,0.0000445946,0.00001270768,0.02847422,0.00001362103,0.0003415306,0.0005998529,0.9692912,0.00009855164],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8773927,0.002800181,4.385926e-7,0.001815485,0.001309829,0.0000680378,0.0000593501,0.00002731447,0.1165267],"genre_scores_gemma":[0.949983,0.000009519293,0.000002024554,0.0001141644,0.000330079,0.000004498644,0.000008289903,0.00000411924,0.04954428],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9166365,"threshold_uncertainty_score":0.9951928,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4247732685","doi":"10.1080/09548963.2021.1951003","title":"Correction","year":2021,"lang":"en","type":"article","venue":"Cultural Trends","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Creative economy; Context (archaeology); Political science; Library science; Computer science; Creativity; History; Law","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.07919243403686736,"gpt":0.3403105394387775,"spread":0.2611181054019102,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006158288,0.00005616888,0.00006570973,0.00001436938,0.0004259605,0.0001163642,0.00006152168,0.00006556704,0.005837382],"category_scores_gemma":[0.0001016235,0.00004269093,0.00005092085,0.0004605647,0.0000664822,0.0001629333,0.0000204951,0.00008837892,0.00008723104],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001012164,"about_ca_system_score_gemma":0.00006646856,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0005415843,"about_ca_topic_score_gemma":0.002780349,"domain_scores_codex":[0.9994092,0.00004436081,0.00008315002,0.0001252086,0.0001638647,0.0001742398],"domain_scores_gemma":[0.9996905,0.00001580853,0.0000237891,0.00005384858,0.0001363,0.00007976342],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00000116877,0.000009911763,0.000700363,3.58593e-7,0.0000066766,0.000007705878,0.002887598,0.000001133223,0.0001556289,0.001346492,0.8362927,0.1585902],"study_design_scores_gemma":[0.00006719127,0.000004534573,0.008488007,0.000007126251,0.000004539179,0.00000534002,0.01136309,0.000004558204,0.000824615,0.00003615517,0.9791108,0.0000840732],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.04573089,0.0003196574,0.000005255947,0.01764373,0.003728818,0.00002181528,0.000002002952,0.0001404015,0.9324074],"genre_scores_gemma":[0.2558624,0.00007843251,0.00006169738,0.0001407951,0.0003514163,0.00000322752,0.0000269447,0.000002073577,0.7434731],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.2101315,"threshold_uncertainty_score":0.9950714,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4411696540","doi":"10.1080/09548963.2025.2518372","title":"Navigating barriers: enhancing visibility and opportunities for Latin Canadian artists in the music industry","year":2025,"lang":"en","type":"article","venue":"Cultural Trends","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Visibility; Latin Americans; Music industry; Visual arts; Political science; Business; Art; Advertising; Geography; Music education","authors":[{"name":"Charlie Wall-Andrews","is_ca":true},{"name":"Lorena Escandón","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1367630899336111,"gpt":0.3673733665793978,"spread":0.2306102766457868,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006121019,0.00009952358,0.0001166671,0.0000319409,0.0008722054,0.0002295882,0.0001531281,0.0001822012,0.0002100027],"category_scores_gemma":[0.000322193,0.00006604467,0.000033819,0.0003675941,0.0001894241,0.0001595875,0.00002328967,0.0003653,3.883024e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002220634,"about_ca_system_score_gemma":0.000322991,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.1084771,"about_ca_topic_score_gemma":0.7412916,"domain_scores_codex":[0.9990748,0.00009975161,0.0002005565,0.0001766216,0.0001195364,0.0003287453],"domain_scores_gemma":[0.9995531,0.0001077882,0.00004177634,0.00007844903,0.00006738932,0.0001515107],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000009978258,0.00001364729,0.03337807,0.00003397676,0.00003100213,0.00001681399,0.137681,0.000004693859,0.00008758297,0.01424581,0.09673032,0.7177671],"study_design_scores_gemma":[0.000257458,0.00001739066,0.0522205,0.0001783899,0.00001367434,0.000001143002,0.3870199,0.00002831615,0.0001042569,0.0005489856,0.559427,0.0001829411],"study_design_candidate":"design_other","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.937636,0.0001915637,0.000001156251,0.03788955,0.000182828,0.0001669424,0.00001964891,0.00002089804,0.02389146],"genre_scores_gemma":[0.9784333,0.0000171547,0.00005298929,0.001050941,0.0001032716,0.00004707324,0.00002106488,0.000002442291,0.02027178],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7175841,"threshold_uncertainty_score":0.8974596,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2082255364","doi":"10.1080/09548963.2013.783179","title":"Creative labour: Media work in three cultural industries. Culture, economy and the social series","year":2013,"lang":"en","type":"article","venue":"Cultural Trends","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Ottawa","funders":"","keywords":"Creative industries; Work (physics); Social media; Series (stratigraphy); Sociology; Business; Political science; Engineering","authors":[{"name":"Jonathan Paquette","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05791121735761851,"gpt":0.2986682182812747,"spread":0.2407570009236562,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000305626,0.0002932725,0.0003865893,0.00005381933,0.001286757,0.0007665534,0.0003560892,0.0003216737,0.002342036],"category_scores_gemma":[0.0002256116,0.000155001,0.00009517455,0.001094599,0.001914217,0.001387464,0.0001346324,0.0005218686,0.00005622973],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002143443,"about_ca_system_score_gemma":0.00007963058,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007191677,"about_ca_topic_score_gemma":0.01005527,"domain_scores_codex":[0.9982609,0.0001959784,0.0003653277,0.0003345538,0.0002731512,0.0005701235],"domain_scores_gemma":[0.9992129,0.00009135576,0.0001539472,0.000102807,0.0002726631,0.0001663106],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001342719,0.00003445035,0.01552891,0.000005803246,0.00009965587,0.000005626357,0.2334856,0.000001324769,0.000006290599,0.09017654,0.5690835,0.091438],"study_design_scores_gemma":[0.001308134,0.00001767472,0.1601321,0.00002946455,0.00002029501,0.000003689252,0.1550752,0.000001501674,0.00002937866,0.003333052,0.6796873,0.0003620844],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7318417,0.0013954,6.053861e-7,0.07979641,0.0004564316,0.0005635289,0.00002290157,0.0001415931,0.1857814],"genre_scores_gemma":[0.8419209,0.0003204537,0.00007703783,0.0004229558,0.0008637484,0.0002022062,0.00005578523,0.00001135856,0.1561256],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1446032,"threshold_uncertainty_score":0.9994195,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}