{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":10,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":10,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"d4badd45e039","filters":{"venue":"Dance Movement & Spiritualities"}},"results":[{"id":"W2318357059","doi":"10.1386/dmas.1.1.143_1","title":"Bodyself: Linking dance and spirituality","year":2014,"lang":"en","type":"article","venue":"Dance Movement & Spiritualities","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":12,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Northern British Columbia","funders":"","keywords":"Dance; Spirituality; Reverence; Feeling; Narrative; Aesthetics; Openness to experience; Perspective (graphical); Psychology; The arts; Sociology; Gender studies; Visual arts; Social psychology; Art; Epistemology; Literature","authors":[{"name":"Indrani Margolin","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02096900647538975,"gpt":0.2825647370018158,"spread":0.261595730526426,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0008414734,0.0003119101,0.0003998918,0.00009462643,0.0003274649,0.0001651762,0.0003844863,0.0001333788,0.0005381615],"category_scores_gemma":[0.00009214027,0.0003277667,0.00009051678,0.0001432939,0.0003931946,0.0004583291,0.0002151846,0.0002579561,0.0002534655],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004517209,"about_ca_system_score_gemma":0.00002124726,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004535606,"about_ca_topic_score_gemma":0.000114385,"domain_scores_codex":[0.9977293,0.0001951236,0.0004164591,0.000595246,0.0004009088,0.0006629779],"domain_scores_gemma":[0.9987237,0.0001756769,0.000198767,0.0006539841,0.00007313528,0.0001746719],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","study_design_scores_codex":[0.000166541,0.0004963986,0.1864346,0.0003121883,0.000217114,0.00002124588,0.01705366,0.00000981345,0.001015962,0.7312926,0.0369717,0.02600821],"study_design_scores_gemma":[0.003032555,0.0006578093,0.5281195,0.0003565253,0.00007714044,0.0000103307,0.009721133,0.00008000296,0.001480033,0.03772025,0.4175719,0.001172817],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8700618,0.001301875,0.001680787,0.002362494,0.0011811,0.0003006533,0.0001084534,0.0002489038,0.1227539],"genre_scores_gemma":[0.9729549,0.00007901399,0.0009123827,0.01420889,0.0004899329,0.00003502277,0.00003804882,0.00002948419,0.0112523],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6935723,"threshold_uncertainty_score":0.9999174,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2737523001","doi":"10.1386/dmas.2.2.119_1","title":"Learning to let go: Phenomenologically exploring the experience of a grip and release in salsa dance and everyday life","year":2015,"lang":"en","type":"article","venue":"Dance Movement & Spiritualities","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Ottawa","funders":"","keywords":"Dance; Psychology; Perception; Emotive; Gesture; Merge (version control); Aesthetics; Phenomenology (philosophy); Openness to experience; Everyday life; Cognitive psychology; Communication; Social psychology; Epistemology; Computer science; Art; Visual arts; Artificial intelligence; Philosophy","authors":[{"name":"Rebecca Lloyd","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.104738914239331,"gpt":0.257441892548172,"spread":0.152702978308841,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004412423,0.0001501466,0.0002966114,0.00007461234,0.0002060429,0.00009261301,0.0001555177,0.0000270233,0.0001593845],"category_scores_gemma":[0.0003290685,0.0001051431,0.00003009806,0.00007455776,0.0005745362,0.0002757233,0.00019403,0.0001617515,0.000005886416],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002098205,"about_ca_system_score_gemma":0.00002652699,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0009380971,"about_ca_topic_score_gemma":0.002373419,"domain_scores_codex":[0.9987985,0.0001193838,0.0003422717,0.0002784511,0.0002030372,0.0002583381],"domain_scores_gemma":[0.9993886,0.0001524894,0.0001000583,0.0001687698,0.00007493484,0.0001151517],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.000147752,0.0001439585,0.01665063,0.00008042059,0.00005456236,0.000009730013,0.6962808,0.0002644137,0.0003784742,0.2799944,0.001498051,0.004496801],"study_design_scores_gemma":[0.001311592,0.0009937264,0.04053066,0.0002578008,0.00005508774,0.000001227419,0.6134512,0.0002790334,0.0004184016,0.01181053,0.3302559,0.0006349302],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9929085,0.000803526,0.00001931492,0.002234987,0.0001641046,0.0001661964,0.00001035444,0.00002645206,0.003666543],"genre_scores_gemma":[0.9914402,0.0001319178,0.00007123991,0.004740757,0.0001996088,0.0001845486,0.000003232322,0.000007491371,0.003221024],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3287578,"threshold_uncertainty_score":0.428761,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4323648216","doi":"10.1386/dmas_00039_1","title":"Motherlines, thin places and somatic orientations: An embodied inquiry","year":2022,"lang":"en","type":"article","venue":"Dance Movement & Spiritualities","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Embodied cognition; Autoethnography; Irish; Sociology; Aesthetics; Epistemology; Gender studies; Art; Linguistics; Philosophy","authors":[{"name":"Lena Rebecca Richardson","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05202635099049983,"gpt":0.3508715920323808,"spread":0.2988452410418809,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000675211,0.0001497292,0.0001771712,0.0001862582,0.002239381,0.0002669085,0.0003235376,0.00003006658,0.001714086],"category_scores_gemma":[0.00009654344,0.0001657755,0.0000550566,0.0002596268,0.0005616078,0.0008102018,0.0001504329,0.000168214,0.00001268556],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001133786,"about_ca_system_score_gemma":0.00007163756,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006283552,"about_ca_topic_score_gemma":0.03080184,"domain_scores_codex":[0.9981006,0.0003207541,0.0003340742,0.0003063942,0.0006020103,0.0003361162],"domain_scores_gemma":[0.9992633,0.0001634157,0.0001632127,0.0002378249,0.00007773891,0.00009448874],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0000452161,0.0004012485,0.01673689,0.00004967246,0.0000670072,0.000006532573,0.4584436,0.000360795,0.0002345113,0.5131591,0.01009794,0.0003974704],"study_design_scores_gemma":[0.0003333229,0.0002175267,0.00656679,0.00002033175,0.00002352304,8.867444e-7,0.9091346,0.0001186095,0.00004019017,0.0415048,0.04178306,0.0002563796],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9842663,0.000743503,0.00001324687,0.003085993,0.000780368,0.0004327314,0.0000859421,0.000201005,0.01039095],"genre_scores_gemma":[0.9897844,0.000134309,0.0006912588,0.002606657,0.0002680114,0.0003919106,0.00005402848,0.0000188989,0.006050585],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4716543,"threshold_uncertainty_score":0.9991985,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4253954645","doi":"10.1386/dmas_00014_1","title":"Dancesong","year":2020,"lang":"en","type":"article","venue":"Dance Movement & Spiritualities","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Embodied cognition; Poetry; Dance; Performing arts; Aesthetics; Sociology; Visual arts; Art; Literature; Philosophy; Epistemology","authors":[{"name":"Celeste Snowber","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06916430759757444,"gpt":0.3002018974321199,"spread":0.2310375898345455,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001223598,0.0001748093,0.000219984,0.00003151859,0.0001272363,0.00006793217,0.0003624154,0.0000631707,0.004291405],"category_scores_gemma":[0.00003983204,0.0001824434,0.00008380001,0.0001568322,0.0001431285,0.0003112545,0.0001093565,0.0001611872,0.001495097],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003163036,"about_ca_system_score_gemma":0.00001998078,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002003289,"about_ca_topic_score_gemma":0.00001626349,"domain_scores_codex":[0.9986743,0.00005419325,0.0002305043,0.0003429465,0.0002860063,0.0004120397],"domain_scores_gemma":[0.9993879,0.00004009701,0.00009441143,0.0002766824,0.00003524893,0.0001656212],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002488683,0.0002966908,0.05236771,0.0001256007,0.0002282311,0.00008997528,0.04402321,0.0000241376,0.001005235,0.3525827,0.5378852,0.01112239],"study_design_scores_gemma":[0.00210209,0.0007050779,0.08879893,0.00007223948,0.00004128435,0.000002014287,0.03801979,0.00003852981,0.002366189,0.003108822,0.8640272,0.0007178267],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6309458,0.001983773,0.001025801,0.01639669,0.001518935,0.0003552507,0.0002591824,0.0003909967,0.3471236],"genre_scores_gemma":[0.9341983,0.00003997777,0.0004133469,0.04920479,0.000601716,0.00002815133,0.0000281493,0.00002143201,0.01546416],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3494739,"threshold_uncertainty_score":0.9992824,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2888754789","doi":"10.1386/dmas.5.1.7_1","title":"Image, imagination and the social imaginary: Solo improvisational dances of North Africa and the Middle East","year":2018,"lang":"en","type":"article","venue":"Dance Movement & Spiritualities","topic":"Ottoman Empire History and Society","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"The Imaginary; Hollywood; Ethos; Middle East; Improvisation; Narrative; Dance; Art; History; Visual arts; Literature; Art history; Psychology; Archaeology; Psychoanalysis; Philosophy","authors":[{"name":"Barbara Sellers‐Young","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04151221756760332,"gpt":0.2785436658871162,"spread":0.2370314483195129,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.001463779,0.0001197848,0.0002036329,0.00002401421,0.001888448,0.0001194197,0.0002172314,0.0000325259,0.00004421265],"category_scores_gemma":[0.0001178858,0.00007822051,0.00007071043,0.0001381287,0.01274164,0.0004379056,0.00009011637,0.00009672866,0.000002871135],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005641274,"about_ca_system_score_gemma":0.0001064394,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00122307,"about_ca_topic_score_gemma":0.002198547,"domain_scores_codex":[0.9985203,0.000351087,0.0002461503,0.0002005546,0.0004509907,0.0002309682],"domain_scores_gemma":[0.9991969,0.0002107003,0.0002092982,0.0001240235,0.0002259548,0.0000331261],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001398026,0.00003894206,0.003623705,0.00003845968,0.00003694255,2.849578e-7,0.5102528,9.91052e-8,0.00003853509,0.4779499,0.006229301,0.001651223],"study_design_scores_gemma":[0.009736103,0.0002140937,0.1240044,0.00008196486,0.0001962647,0.000001537834,0.4476911,0.000707893,0.0001232069,0.2683979,0.1481138,0.0007316306],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9003829,0.002599371,0.000166017,0.03160789,0.0004693432,0.0007622037,0.0001059984,0.00006478304,0.06384154],"genre_scores_gemma":[0.9954079,0.0001593387,0.0003278975,0.001209996,0.0005677785,0.00006289652,0.000007027812,0.000007427732,0.002249694],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.209552,"threshold_uncertainty_score":0.999411,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2081511903","doi":"10.1386/dmas.1.2.241_1","title":"Professorial Reflections: Informal discussions and reflections","year":2014,"lang":"en","type":"article","venue":"Dance Movement & Spiritualities","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Spirituality; Dance; Sociology; Informal learning; Workplace spirituality; Pedagogy; Visual arts; Art","authors":[{"name":"Barbara Sellers‐Young","is_ca":true},{"name":"Daniel Meyer‐Dinkgräfe","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0492515304405934,"gpt":0.3654716225385386,"spread":0.3162200920979452,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002784433,0.0001687333,0.0001881069,0.0001166632,0.0005213181,0.00009527088,0.000157961,0.00009398768,0.00062768],"category_scores_gemma":[0.00009033935,0.0001485535,0.0000581237,0.0001676784,0.0002157548,0.000501517,0.000115498,0.0002008938,0.0001559246],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004292667,"about_ca_system_score_gemma":0.00001765047,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000357802,"about_ca_topic_score_gemma":0.0005364355,"domain_scores_codex":[0.9987529,0.0001105462,0.0002714171,0.0002585977,0.0002145967,0.000391975],"domain_scores_gemma":[0.9993165,0.00007996633,0.0001080774,0.0003320291,0.00005159175,0.0001118196],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002866236,0.0006423491,0.01004506,0.00007481017,0.0001881792,0.000002293001,0.03419371,0.000008177619,0.002393836,0.8806564,0.06196376,0.009544848],"study_design_scores_gemma":[0.002202677,0.001127979,0.1259434,0.0001122104,0.00006395522,0.000008255986,0.03829077,0.00001006102,0.0009838965,0.01384625,0.81685,0.0005605198],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.531351,0.000209551,0.001791806,0.005224132,0.00507792,0.0005020594,0.0001401422,0.0003282849,0.4553751],"genre_scores_gemma":[0.9177572,0.0000389846,0.0008959379,0.003916892,0.000951683,0.0001285829,0.00004280789,0.00002038366,0.07624757],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8668101,"threshold_uncertainty_score":0.6872656,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4248103888","doi":"10.1386/dmas.4.1.127_7","title":"Fire Goddess","year":2017,"lang":"en","type":"article","venue":"Dance Movement & Spiritualities","topic":"Ecocriticism and Environmental Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Art","authors":[{"name":"Celeste Snowber","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03030268103151609,"gpt":0.2404279226177456,"spread":0.2101252415862296,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001067723,0.0001894968,0.0001860962,0.00002040549,0.001414945,0.001099337,0.0004222531,0.00003564609,0.003648632],"category_scores_gemma":[0.00001940368,0.0001684226,0.00008251732,0.000004368067,0.0006154313,0.0007962517,0.0001565939,0.0001189258,0.0002585113],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003401251,"about_ca_system_score_gemma":0.000007617506,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000480642,"about_ca_topic_score_gemma":0.0006584034,"domain_scores_codex":[0.9989656,0.00001628686,0.0002205348,0.000248281,0.0002249133,0.000324377],"domain_scores_gemma":[0.9991319,0.00001858027,0.0001089308,0.0006527107,0.00002413147,0.00006370665],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001233524,0.0001013892,0.002581808,0.00009177012,0.00003065973,0.00001912483,0.0216395,0.000001258403,0.00008946111,0.9364097,0.03593838,0.003084608],"study_design_scores_gemma":[0.0004035773,0.00007265282,0.00724574,0.0001246648,0.00001670284,7.061042e-7,0.01060993,0.00002044458,0.0006165533,0.01940832,0.9611311,0.0003496376],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4681457,0.0009926226,0.000004446713,0.003403266,0.001445166,0.0001907075,0.0004928546,0.0001023957,0.5252229],"genre_scores_gemma":[0.8758499,0.00006929378,0.00005657866,0.004063848,0.0009413804,0.00004683777,0.0000607545,0.00002105358,0.1188904],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9251927,"threshold_uncertainty_score":0.9999376,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2316443299","doi":"10.1386/dmas.1.2.283_1","title":"Liquid lead: Negotiating the ‘First Dance’ as a queer wedding ritual","year":2014,"lang":"en","type":"article","venue":"Dance Movement & Spiritualities","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Toronto","funders":"","keywords":"Dance; Queer; Performative utterance; Gender studies; Concert dance; Choreography; White (mutation); Appropriation; Dance improvisation; Art; Visual arts; Sociology; Contemporary dance; Aesthetics; Jazz dance","authors":[{"name":"Laine Zisman Newman","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02253645484875217,"gpt":0.2852688973794552,"spread":0.262732442530703,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000843389,0.0003524541,0.0003683752,0.0000904608,0.0007592162,0.0002695066,0.0007672639,0.000125908,0.001097742],"category_scores_gemma":[0.0002047147,0.0002972698,0.0001503915,0.0002030782,0.0004048698,0.0005081467,0.000259659,0.0003701191,0.0009918611],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001061068,"about_ca_system_score_gemma":0.00003732238,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002100678,"about_ca_topic_score_gemma":0.0002750317,"domain_scores_codex":[0.997418,0.0001873525,0.0004622667,0.0005241883,0.0005612526,0.0008469319],"domain_scores_gemma":[0.9983928,0.000354097,0.0002668581,0.0007925731,0.00008229057,0.0001113951],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005031255,0.0004612769,0.02892561,0.0001441952,0.000370929,0.00002485521,0.05745727,0.0003920243,0.0006909916,0.7498947,0.1579376,0.003197401],"study_design_scores_gemma":[0.00336577,0.00172627,0.06174317,0.000450595,0.0001201839,0.00001444399,0.07880671,0.0002482676,0.001845885,0.005307029,0.8450171,0.00135455],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8542691,0.001150482,0.00133977,0.006636015,0.002463445,0.0004273308,0.00007465571,0.0002452056,0.133394],"genre_scores_gemma":[0.9592882,0.00004608657,0.0001860796,0.02034731,0.0009072744,0.00008677212,0.000021203,0.00004057517,0.0190765],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7445877,"threshold_uncertainty_score":0.999948,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2597355429","doi":"10.1386/dmas.2.3.271_1","title":"Dancing through myself: Memory, identity, spirituality","year":2016,"lang":"en","type":"article","venue":"Dance Movement & Spiritualities","topic":"Neuroscience, Education and Cognitive Function","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Autoethnography; Contemplation; Ethnography; Spirituality; Identity (music); Sociology; Rhetorical question; Aesthetics; Narrative; Psychology; Psychoanalysis; Epistemology; Anthropology; Art; Philosophy; Literature","authors":[{"name":"Barbara Sellers‐Young","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0648837129486397,"gpt":0.3210369284778311,"spread":0.2561532155291914,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000576706,0.000331125,0.0002879515,0.0001268307,0.0005885122,0.0002860964,0.0005953992,0.00006628823,0.0009245505],"category_scores_gemma":[0.001127201,0.000256961,0.000139735,0.0005327996,0.0006693839,0.002866975,0.0002461164,0.0001512362,0.0006107095],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001971864,"about_ca_system_score_gemma":0.0001341795,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00008705826,"about_ca_topic_score_gemma":0.00007863851,"domain_scores_codex":[0.9963607,0.0002917972,0.0005865981,0.001012304,0.001055118,0.0006934535],"domain_scores_gemma":[0.9984695,0.000351961,0.0002712551,0.0006234812,0.0001410305,0.0001428131],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","study_design_scores_codex":[0.00004473679,0.0003782481,0.002102515,0.00006233603,0.000007081335,0.00001511374,0.005102773,0.000001698467,0.7530197,0.22527,0.008678604,0.005317231],"study_design_scores_gemma":[0.001029331,0.0001709865,0.006195521,0.0001555582,0.00001691726,0.00001016644,0.00515443,0.000008651819,0.8743508,0.07503783,0.03729521,0.0005746311],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9404346,0.00007628915,0.01131871,0.006671014,0.004176402,0.0005908089,0.0001165748,0.0004421327,0.03617345],"genre_scores_gemma":[0.9472597,0.0001588954,0.0001567887,0.03212291,0.0004440095,0.0001526993,0.000003869105,0.00003425316,0.01966685],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1502322,"threshold_uncertainty_score":0.9999887,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2329356649","doi":"10.1386/dmas.1.2.311_1","title":"Returning to the dancing body: Honouring our divinity through dance","year":2014,"lang":"en","type":"article","venue":"Dance Movement & Spiritualities","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Dance; Vitality; Divinity; Honour; Aesthetics; Spirituality; Numinous; Visual arts; Psychology; Art; Literature; Philosophy; History; Theology; Medicine","authors":[{"name":"Karen McKinlay Kurnaedy","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03389396368475302,"gpt":0.3108052877143862,"spread":0.2769113240296332,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00104468,0.0003272205,0.0003685438,0.00006394158,0.0006880231,0.0002112112,0.0008601611,0.00009026683,0.0002354836],"category_scores_gemma":[0.0002677051,0.0002787009,0.0001303754,0.0002423246,0.00009553204,0.0005653407,0.0003916201,0.0003836387,0.000603173],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001226845,"about_ca_system_score_gemma":0.00002765838,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001225071,"about_ca_topic_score_gemma":0.0003121938,"domain_scores_codex":[0.9974158,0.0002528179,0.0004125943,0.0005634018,0.0005074053,0.0008479377],"domain_scores_gemma":[0.9984167,0.0001579857,0.0002247062,0.000984668,0.00008042494,0.0001355565],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000368553,0.0006303567,0.1111261,0.0002990096,0.0005085462,0.00004033029,0.1660812,0.0007862706,0.003770754,0.3239922,0.3776296,0.0147671],"study_design_scores_gemma":[0.001774247,0.0007067246,0.2870374,0.0005995501,0.00007906625,0.000007747484,0.08042932,0.00009618392,0.007367299,0.007372953,0.6133039,0.00122563],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.902931,0.0004917001,0.009504042,0.01208448,0.002704964,0.0004907674,0.00009588154,0.0002484819,0.07144865],"genre_scores_gemma":[0.9669127,0.00002208541,0.0009484587,0.0190779,0.001030472,0.00006570368,0.00001404723,0.0000334436,0.01189518],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3166192,"threshold_uncertainty_score":0.9999665,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}