{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":11,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":11,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"4120874147cf","filters":{"venue":"Dancecult"}},"results":[{"id":"W2070642771","doi":"10.12801/1947-5403.2009.01.01.03","title":"Neotrance and the Psychedelic Festival","year":2009,"lang":"en","type":"article","venue":"Dancecult","topic":"Psychedelics and Drug Studies","field":"Psychology","cited_by":38,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Regina","funders":"","keywords":"Visual arts; Art; Psychology","authors":[{"name":"Graham St John","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01609140174730149,"gpt":0.3292880273796278,"spread":0.3131966256323263,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004481041,0.0001444655,0.000121584,0.0002397783,0.002268712,0.001914586,0.0002506349,0.0005526146,0.004190124],"category_scores_gemma":[0.0006898728,0.00007710963,0.000130173,0.0001942343,0.005474519,0.0007950399,0.002612228,0.001046639,0.0001525062],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0008606464,"about_ca_system_score_gemma":0.0006013282,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001377981,"about_ca_topic_score_gemma":0.005836058,"domain_scores_codex":[0.9996749,0.0001626659,0.000007808,0.00002260583,0.0000462582,0.0000857575],"domain_scores_gemma":[0.9996967,0.0001088839,0.00005907899,0.00002672095,0.00001532117,0.00009318312],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0008787964,0.0003428343,0.02239331,0.001008171,0.00003926353,0.005301691,0.4892576,0.0004224856,0.008510211,0.3396665,0.01093198,0.1212471],"study_design_scores_gemma":[0.00007179035,0.0007566669,0.1056096,0.0005801323,0.00002269151,0.003857424,0.4074109,0.0002938168,0.002363432,0.01619648,0.4627824,0.00005467233],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.767978,0.003396835,0.001518913,0.004073848,0.0005233428,0.00004312738,0.00005593971,0.00002497104,0.222385],"genre_scores_gemma":[0.9889526,0.0007146711,0.0002155755,0.0002314277,0.00006735823,0.00001115992,0.00001058265,0.000007663053,0.009788926],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.004190124,"threshold_uncertainty_score":0.01401734,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1898673914","doi":"10.12801/1947-5403.2012.04.02.01","title":"What to Ask Women Composers: Feminist Fieldwork in Electronic Dance Music","year":2012,"lang":"en","type":"article","venue":"Dancecult","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"Concordia University","funders":"York University","keywords":"Dance; Ask price; Electronic dance music; Visual arts; Gender studies; Sociology; Psychology; Aesthetics; Art","authors":[{"name":"Magdalena Olszanowski","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0239828154218325,"gpt":0.2216870036151896,"spread":0.1977041881933571,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01865869,0.0008580094,0.000864991,0.003195627,0.02666916,0.01118515,0.001819674,0.002799115,0.007507173],"category_scores_gemma":[0.0173213,0.0009917812,0.0004219024,0.002650955,0.02853674,0.007464055,0.008060607,0.004216252,0.0008673291],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005196882,"about_ca_system_score_gemma":0.004111678,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006926483,"about_ca_topic_score_gemma":0.01670487,"domain_scores_codex":[0.9821592,0.01449011,0.0003037845,0.001107963,0.0007275009,0.001211309],"domain_scores_gemma":[0.9854849,0.01221155,0.0004363164,0.0004682372,0.0005009857,0.000898076],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002594605,0.00003196721,0.000484945,0.00006248965,0.000001831254,0.0002196194,0.9881489,0.000012874,0.0004835473,0.003675497,0.0009909142,0.005861484],"study_design_scores_gemma":[0.000009113735,0.00003554962,0.0004826997,0.0001179771,0.00000217881,0.0001606119,0.9642311,0.00002351316,0.0004981182,0.001200373,0.03323057,0.000008276116],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8647276,0.005866194,0.008842078,0.02663071,0.00112741,0.001149687,0.0002675881,0.0001099929,0.09127874],"genre_scores_gemma":[0.962209,0.002335728,0.004664654,0.003459431,0.0003985043,0.0008386874,0.00007091081,0.0001383056,0.02588485],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02666916,"threshold_uncertainty_score":0.09867775,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2004273070","doi":"10.12801/1947-5403.2009.01.01.06","title":"Convergence and Soniculture: 10 Years of MUTEK","year":2009,"lang":"en","type":"article","venue":"Dancecult","topic":"Medieval European Literature and History","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Convergence (economics); Economics; Economic growth","authors":[{"name":"tobias c. van Veen","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01274140853490041,"gpt":0.1947052028154862,"spread":0.1819637942805858,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007541736,0.0008700541,0.001186433,0.005030826,0.01284108,0.01993559,0.001455502,0.00458083,0.01003434],"category_scores_gemma":[0.008506226,0.000429797,0.0002913753,0.004785853,0.04877207,0.02584409,0.01575687,0.006560902,0.001279809],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008688331,"about_ca_system_score_gemma":0.003276123,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003658741,"about_ca_topic_score_gemma":0.004686674,"domain_scores_codex":[0.9952879,0.002578149,0.0002401519,0.0006790124,0.0006203841,0.0005943676],"domain_scores_gemma":[0.9953058,0.003123814,0.0002421483,0.0004383515,0.0004350891,0.0004547302],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006384889,0.00003842292,0.0004775573,0.0002038561,0.000008063096,0.0001417182,0.1243866,0.000054388,0.00009726224,0.827258,0.007124067,0.04014619],"study_design_scores_gemma":[0.00001216951,0.00007457897,0.001298651,0.001717683,0.000007716634,0.0004029568,0.09641546,0.0001775027,0.0002890029,0.1598461,0.7397208,0.00003735097],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.07978891,0.3733471,0.004506342,0.08642487,0.006363876,0.00005606158,0.0001223064,0.0001083523,0.4492821],"genre_scores_gemma":[0.8416814,0.08632345,0.00218335,0.00857896,0.00467902,0.000163155,0.0001083543,0.0002157142,0.05606672],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01993559,"threshold_uncertainty_score":0.06303853,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2013000895","doi":"10.12801/1947-5403.2014.06.01.12","title":"The Concrete and the Ephemeral of Electronic Music Production","year":2014,"lang":"en","type":"article","venue":"Dancecult","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Ephemeral key; Production (economics); Computer science; Computer security; Economics","authors":[{"name":"Colin P. McGuire","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.00520130300006199,"gpt":0.1926035422062657,"spread":0.1874022392062037,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00129571,0.0003828085,0.0003539221,0.002105126,0.003891466,0.01167401,0.0009327795,0.001886032,0.01541627],"category_scores_gemma":[0.005641933,0.0004361583,0.0002451651,0.001574403,0.02756765,0.01144042,0.006285597,0.003625307,0.0009527943],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001637951,"about_ca_system_score_gemma":0.001185206,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001532807,"about_ca_topic_score_gemma":0.003109685,"domain_scores_codex":[0.9987557,0.0004638445,0.00005751304,0.0002201779,0.0003841055,0.0001186642],"domain_scores_gemma":[0.9980364,0.0009560246,0.0001759041,0.0004966523,0.000167063,0.0001679587],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00006004766,0.00002132577,0.001192153,0.0001145439,0.00001151881,0.0002415463,0.01928478,0.0003156587,0.001615223,0.950358,0.001919785,0.02486546],"study_design_scores_gemma":[0.00004196186,0.0001234174,0.009611736,0.0007531165,0.00003229227,0.0008673801,0.03150977,0.001069124,0.001578932,0.6148175,0.3395252,0.00006954201],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1058832,0.01161373,0.04009205,0.01483905,0.001037066,0.00005505392,0.0002126975,0.0001934047,0.8260736],"genre_scores_gemma":[0.9489267,0.002823723,0.004376667,0.0006574586,0.00063081,0.00003516756,0.00005519015,0.0001154018,0.04237891],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01541627,"threshold_uncertainty_score":0.05157256,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7117407254","doi":"10.12801/1947-5403.2025.17.01.11","title":"Weekend Societies in the Walled Garden: Montréal’s Piknic Electronik in the Post-Pandemic Era","year":2025,"lang":"","type":"article","venue":"Dancecult","topic":"History of Computing Technologies","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Université de Montréal","funders":"","keywords":"Government (linguistics); Perspective (graphical); Agency (philosophy); Work (physics)","authors":[{"name":"tobias c. van Veen","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008626809992683565,"gpt":0.2369413757615291,"spread":0.2283145657688455,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001292238,0.000462433,0.0002227982,0.0006677261,0.02289929,0.009141847,0.00134888,0.002337457,0.04182849],"category_scores_gemma":[0.002433364,0.0002719067,0.0002528857,0.00121377,0.01432051,0.003210481,0.005848932,0.005190909,0.002071545],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.03575058,"about_ca_system_score_gemma":0.03215206,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.8329407,"about_ca_topic_score_gemma":0.9475982,"domain_scores_codex":[0.9988702,0.0002119467,0.000008466792,0.00008232787,0.0001729846,0.0006539982],"domain_scores_gemma":[0.9985103,0.000129757,0.00006078165,0.00006668533,0.000213984,0.001018343],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001107405,0.00006120821,0.002915227,0.00009502761,0.00001632676,0.001128775,0.05959842,0.0002405502,0.0005282084,0.3016671,0.5989935,0.03464501],"study_design_scores_gemma":[0.000006594091,0.00000921225,0.003033625,0.00006034179,0.000001890113,0.00003747029,0.01738382,0.00002206921,0.00007041482,0.002430044,0.9769291,0.0000154261],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.06809168,0.01145137,0.001127372,0.2863033,0.008368214,0.00007205985,0.0007106465,0.0002247994,0.6236505],"genre_scores_gemma":[0.5150736,0.004065058,0.0005462858,0.020348,0.001247829,0.00004055308,0.0001635864,0.0002127263,0.4583023],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1670593,"threshold_uncertainty_score":0.3360863,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2261699945","doi":"10.12801/1947-5403.2015.07.02.06","title":"Remixology: Tracing the Dub Diaspora (Paul Sullivan)","year":2015,"lang":"en","type":"article","venue":"Dancecult","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Association of Universities and Colleges of Canada; Université de Montréal","funders":"","keywords":"Diaspora; Tracing; Sociology; Computer science; Operating system; Gender studies","authors":[{"name":"tobias c. van Veen","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0659295730885567,"gpt":0.2244726016841809,"spread":0.1585430285956242,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001815615,0.0005293405,0.0003719201,0.001502972,0.01977381,0.008500746,0.00103686,0.002702557,0.004795443],"category_scores_gemma":[0.00361975,0.0003077791,0.0001539403,0.001387903,0.01610809,0.005589875,0.007686432,0.005401385,0.0007217698],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00400715,"about_ca_system_score_gemma":0.00426455,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03459671,"about_ca_topic_score_gemma":0.1219941,"domain_scores_codex":[0.9987953,0.0006781198,0.00002914159,0.000121572,0.0001480022,0.0002278281],"domain_scores_gemma":[0.9985332,0.0007598663,0.0001341563,0.00008955394,0.0001186615,0.0003645074],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004487422,0.00003175244,0.001159391,0.0001832873,0.000005648193,0.0006962858,0.6043869,0.00003982387,0.0005432612,0.2774504,0.07408645,0.04137203],"study_design_scores_gemma":[0.000005247268,0.00001349406,0.001466776,0.0003549486,0.000003556369,0.0003234272,0.2545927,0.00003985629,0.0003946703,0.0114126,0.7313783,0.00001452873],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1751103,0.07252503,0.003414067,0.1553532,0.005812731,0.0001354823,0.0001671033,0.0001307071,0.5873513],"genre_scores_gemma":[0.7191768,0.02116155,0.001557564,0.01500743,0.001459144,0.0001752031,0.00004634603,0.0002882064,0.2411277],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.03459671,"threshold_uncertainty_score":0.06879067,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2063474898","doi":"10.12801/1947-5403.2009.01.01.09","title":"12 Noon, Black Rock City","year":2009,"lang":"en","type":"article","venue":"Dancecult","topic":"Urbanization and City Planning","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Regina","funders":"","keywords":"Noon; Geology; Atmospheric sciences","authors":[{"name":"Graham St John","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03201097124433704,"gpt":0.3010204514176353,"spread":0.2690094801732983,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002719697,0.0007499416,0.0002765275,0.0003919777,0.008621105,0.003449894,0.0008871403,0.001738126,0.5040053],"category_scores_gemma":[0.000549319,0.0003584954,0.0002321539,0.0004314476,0.00054164,0.001428243,0.002807936,0.002845007,0.1737899],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002084038,"about_ca_system_score_gemma":0.005290694,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1185849,"about_ca_topic_score_gemma":0.3880819,"domain_scores_codex":[0.9997099,0.00002316926,0.000006085673,0.00007647298,0.00008007874,0.0001042494],"domain_scores_gemma":[0.9996096,0.00001129088,0.000009668402,0.0000155615,0.0001200075,0.0002339325],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003131249,0.00005902976,0.0007942572,0.00004915301,0.000002356835,0.000250851,0.0003156357,0.0000208281,0.0002585215,0.002785765,0.9672811,0.0281512],"study_design_scores_gemma":[0.000003574931,0.00001059705,0.001302915,0.00003432066,0.000001041177,0.00003554566,0.0005386597,0.00001681091,0.00005383731,0.00009401974,0.9979044,0.000004303422],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.003996716,0.001197765,0.0001610413,0.009355726,0.002626472,0.00009604202,0.002175136,0.0003946663,0.9799964],"genre_scores_gemma":[0.002860999,0.0002648559,0.00007901381,0.0009765087,0.00006841226,0.0000230845,0.0004159022,0.00006386029,0.9952474],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.5040053,"threshold_uncertainty_score":0.7074763,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7117410988","doi":"10.12801/1947-5403.2025.17.01.16","title":"Dance Music: A Feminist Account of an Ordinary Culture (Tami Gadir) & Welcome to the Club: The Life and Lessons of a Black Woman DJ (DJ Paulette)","year":2025,"lang":"","type":"article","venue":"Dancecult","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Dance; Black women; Black feminism; Feminism; Field (mathematics)","authors":[{"name":"Maren Hancock","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03218697935102509,"gpt":0.2655008882735161,"spread":0.233313908922491,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001428777,0.0006969931,0.0003667095,0.001261361,0.0247278,0.01239124,0.00134917,0.003672797,0.01996429],"category_scores_gemma":[0.001532238,0.000368015,0.0001983555,0.001057348,0.01935099,0.004974512,0.005282546,0.00582683,0.001609936],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004822054,"about_ca_system_score_gemma":0.003516404,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03213236,"about_ca_topic_score_gemma":0.09797329,"domain_scores_codex":[0.9990987,0.0004644726,0.00001300738,0.00007802074,0.0001221617,0.0002236325],"domain_scores_gemma":[0.9993334,0.0002725879,0.00004062933,0.00002375454,0.00004728644,0.0002822371],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0000527,0.00008166165,0.0004627675,0.0001515747,0.000005105373,0.0006178002,0.2469667,0.00007106602,0.0002774457,0.575753,0.1544109,0.02114918],"study_design_scores_gemma":[0.00001728727,0.00003167301,0.001761976,0.0003101058,0.000004566186,0.0002692332,0.1818619,0.00008268686,0.0001055361,0.02313421,0.7924068,0.00001386346],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"review","genre_scores_codex":[0.01689896,0.02224555,0.0005768471,0.07133538,0.002618079,0.00005538268,0.0000590046,0.00003252428,0.8861783],"genre_scores_gemma":[0.4002578,0.01240062,0.0006262952,0.01968243,0.0032184,0.0002022953,0.00003675089,0.0002065317,0.5633689],"genre_candidate":"review","genre_consensus":null,"teacher_disagreement_score":0.03213236,"threshold_uncertainty_score":0.06678718,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4406217981","doi":"10.12801/1947-5403.2024.16.01.14","title":"Reparative Raving","year":2024,"lang":"en","type":"article","venue":"Dancecult","topic":"Vibration and Dynamic Analysis","field":"Engineering","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Brock University","funders":"","keywords":"Business","authors":[{"name":"Emily L Murphy","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.005185429780998183,"gpt":0.2260633297897337,"spread":0.2208779000087355,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009589777,0.0008495277,0.0004112129,0.001564006,0.002217188,0.002347717,0.001259613,0.001451555,0.09832588],"category_scores_gemma":[0.002911151,0.0002366025,0.0005989236,0.0003917939,0.001273892,0.001472156,0.002689589,0.001921616,0.03148158],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002967264,"about_ca_system_score_gemma":0.0004252047,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0008996046,"about_ca_topic_score_gemma":0.001707042,"domain_scores_codex":[0.9992824,0.0001193416,0.00003795518,0.0001756507,0.0002843716,0.000100211],"domain_scores_gemma":[0.9987118,0.0001778623,0.00006527425,0.0004442151,0.0003416774,0.0002592196],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00118759,0.001285652,0.007542301,0.0006102017,0.00008802165,0.004472927,0.008324858,0.0009378917,0.07020786,0.04398527,0.08293011,0.7784274],"study_design_scores_gemma":[0.00007851043,0.00199292,0.03035578,0.0004030396,0.00007957964,0.00888479,0.00496448,0.003131727,0.02168802,0.01610533,0.9122035,0.0001124498],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1470447,0.001423464,0.0426506,0.002283492,0.003061986,0.0004669641,0.0005975045,0.003472495,0.7989989],"genre_scores_gemma":[0.3163861,0.0005728115,0.01524972,0.00120707,0.0009591668,0.000107866,0.0005941938,0.0006162731,0.6643068],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.09832588,"threshold_uncertainty_score":0.3289328,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2768720528","doi":"10.12801/1947-5403.2017.09.01.10","title":"\"Why would I want to put my art in your museum if I have my own house?\" An Interview with Rucyl","year":2017,"lang":"en","type":"article","venue":"Dancecult","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Concordia University","funders":"","keywords":"Visual arts; Art; Art history; Psychology","authors":[{"name":"Magdalena Olszanowski","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08051082185632173,"gpt":0.2786649335465994,"spread":0.1981541116902777,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006911627,0.0007728522,0.0008257984,0.001035197,0.04521639,0.01054532,0.002214458,0.01150626,0.01055779],"category_scores_gemma":[0.01828474,0.0008924379,0.0007453912,0.0009173559,0.01263674,0.009213635,0.007453292,0.03455269,0.00249106],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.010443,"about_ca_system_score_gemma":0.008497278,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.07478811,"about_ca_topic_score_gemma":0.1198144,"domain_scores_codex":[0.9909267,0.005501148,0.0002003468,0.0004941505,0.001065047,0.001812637],"domain_scores_gemma":[0.9922782,0.002804545,0.0005692779,0.0001426228,0.001911093,0.002294216],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003445044,0.00005521106,0.001932835,0.00008296133,0.00001080118,0.001844244,0.5861761,0.00004546023,0.0005814737,0.02069795,0.3823551,0.006183411],"study_design_scores_gemma":[0.000006161577,0.00001414006,0.001060211,0.0001607482,0.000004963475,0.0005667857,0.637929,0.00007243656,0.0001246804,0.0006005469,0.3594188,0.00004144164],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.06359788,0.003526561,0.001901824,0.800127,0.008085461,0.0001720737,0.0001404213,0.0001881083,0.1222607],"genre_scores_gemma":[0.3980745,0.002770745,0.001052993,0.4283968,0.001328217,0.0002276071,0.00008823188,0.0004804299,0.1675805],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.07478811,"threshold_uncertainty_score":0.1487055,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4388969580","doi":"10.12801/1947-5403.2023.15.01.10","title":"Dancing through Transformational Music Festivals in Western Canada","year":2023,"lang":"en","type":"article","venue":"Dancecult","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Transformational leadership; Music festival; Geography; Visual arts; Art; Political science; Public relations","authors":[{"name":"Kelci L Mohr","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05186407020755286,"gpt":0.3021772300011188,"spread":0.2503131597935659,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008027852,0.0003075272,0.0007277421,0.001875181,0.02288386,0.005816515,0.0014238,0.0008318428,0.009077781],"category_scores_gemma":[0.00163844,0.0003872339,0.0003463198,0.004184606,0.002984029,0.0009934939,0.002985041,0.002266809,0.0004970474],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.05141723,"about_ca_system_score_gemma":0.07761534,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.995133,"about_ca_topic_score_gemma":0.9994979,"domain_scores_codex":[0.9986197,0.0001348902,0.00003528977,0.000158692,0.0002940757,0.0007574261],"domain_scores_gemma":[0.9979947,0.0001025658,0.0001123391,0.00002944619,0.0006192562,0.001141799],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00070428,0.000725418,0.3497413,0.0003535901,0.0001687425,0.001484738,0.5192451,0.0004097484,0.002632877,0.007454963,0.02239067,0.09468862],"study_design_scores_gemma":[0.00002048329,0.00007780357,0.4693633,0.0001965602,0.00002817165,0.0001002098,0.4992467,0.0001563803,0.0001916995,0.0002921539,0.03027902,0.00004748939],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9730954,0.0005942158,0.0001022151,0.001710602,0.00007517339,0.00005634776,0.0004743281,0.00001589065,0.02387574],"genre_scores_gemma":[0.9770149,0.0005910973,0.0002159718,0.0003511031,0.00001332891,0.00002197372,0.0002344394,0.00002366334,0.02153349],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.05141723,"threshold_uncertainty_score":0.3730599,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}