{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":14,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":14,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"7fe5c95029be","filters":{"venue":"Dickens quarterly"}},"results":[{"id":"W318117341","doi":"","title":"Dickensian Resonances in the Contemporary English Novel","year":2011,"lang":"en","type":"article","venue":"Dickens quarterly","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Phenomenon; Narrative; History; Literature; Criticism; Exhibition; Politics; Literary criticism; Period (music); Art history; Art; Aesthetics; Philosophy","authors":[{"name":"Maria Teresa Chialant","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0820173549943572,"gpt":0.2170940139502311,"spread":0.1350766589558739,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001415217,0.0003646127,0.000258598,0.0009550657,0.009790836,0.008148124,0.0007011336,0.001909285,0.005167373],"category_scores_gemma":[0.002303347,0.0002329685,0.0001558609,0.0007705141,0.01888199,0.003965768,0.003157033,0.002706239,0.0008571555],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009589301,"about_ca_system_score_gemma":0.001725498,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0113078,"about_ca_topic_score_gemma":0.02094947,"domain_scores_codex":[0.998781,0.0006127377,0.00002758284,0.0001617992,0.0002032574,0.0002135717],"domain_scores_gemma":[0.9991772,0.0004382957,0.00008935686,0.00006216207,0.0001190063,0.0001140798],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002449555,0.00001921568,0.0002233519,0.00006889222,0.000002987107,0.0003507615,0.1419569,0.00004809149,0.0002761215,0.8281832,0.02356588,0.005280085],"study_design_scores_gemma":[0.000008038806,0.00001375021,0.0004822341,0.0001734481,0.000003582998,0.0003276613,0.04997491,0.00007928489,0.0002287435,0.03667513,0.912019,0.00001424233],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.0875537,0.02138963,0.00167327,0.0407729,0.002316895,0.00001903667,0.0001044421,0.00006550558,0.8461046],"genre_scores_gemma":[0.8939672,0.003810075,0.000440931,0.004137983,0.001053484,0.00002640808,0.00003151489,0.0001004577,0.09643204],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0113078,"threshold_uncertainty_score":0.06957555,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W107213255","doi":"","title":"Starving vs Cramming: Children's Education and Upbringing in Charles Dickens and Herbert Spencer","year":2010,"lang":"en","type":"article","venue":"Dickens quarterly","topic":"Themes in Literature Analysis","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"The Imaginary; Denunciation; Witness; Proposition; Exaggeration; Sociology; Literature; Classics; History; Law; Philosophy; Psychoanalysis; Politics; Epistemology; Psychology; Art","authors":[{"name":"Clotilde De Stasio","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.004366162609713294,"gpt":0.2090578227027202,"spread":0.2046916600930069,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003296625,0.0004080295,0.0005004673,0.001304847,0.01363132,0.006025929,0.001211756,0.004615972,0.005245391],"category_scores_gemma":[0.005488764,0.0004179741,0.0002591543,0.001234359,0.02592431,0.004976061,0.005107351,0.007333014,0.0004553799],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01855273,"about_ca_system_score_gemma":0.01029393,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2610358,"about_ca_topic_score_gemma":0.4033917,"domain_scores_codex":[0.9979024,0.0009211769,0.00005211883,0.0002034596,0.0004539389,0.000466913],"domain_scores_gemma":[0.9978037,0.001220242,0.0001725588,0.00005416507,0.0003037984,0.0004454479],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003968305,0.00005117407,0.0009400104,0.0002085447,0.000007067489,0.0007451292,0.3759253,0.00005557897,0.0001220323,0.2847145,0.3058228,0.03136825],"study_design_scores_gemma":[0.000009000269,0.00001538137,0.001769871,0.0007722004,0.000004614174,0.0001916564,0.1025907,0.00001634724,0.00008044896,0.01382061,0.880709,0.00002021225],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.04147886,0.2183387,0.000575006,0.5250103,0.005573883,0.00004812446,0.000145728,0.00004478675,0.2087846],"genre_scores_gemma":[0.652072,0.1061285,0.0009532534,0.1107922,0.004218444,0.0001094015,0.00007573659,0.000141868,0.1255086],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.2610358,"threshold_uncertainty_score":0.5190328,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2292412738","doi":"10.1353/dqt.2015.0035","title":"The Subterranean Topography of Oliver Twist","year":2015,"lang":"en","type":"article","venue":"Dickens quarterly","topic":"Migration, Policy, and Dickens Studies","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art history; Painting; Portrait; Art; George (robot)","authors":[{"name":"Ruth Richardson","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04711214398067826,"gpt":0.3206552121278192,"spread":0.273543068147141,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002192022,0.000275186,0.0001311803,0.0005913221,0.003059656,0.002564611,0.000303664,0.0004812828,0.03674637],"category_scores_gemma":[0.0008876172,0.0001516483,0.000092708,0.0006594773,0.003940528,0.001707733,0.001960163,0.001216988,0.006572919],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002322915,"about_ca_system_score_gemma":0.001013015,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01357647,"about_ca_topic_score_gemma":0.03403417,"domain_scores_codex":[0.9996402,0.00009602549,0.000006562908,0.00004398896,0.00009875831,0.0001143937],"domain_scores_gemma":[0.9997836,0.00004591122,0.000026494,0.00001449698,0.00004474289,0.00008486588],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001673758,0.00001714567,0.002079073,0.0001773031,0.000003531587,0.002534898,0.05377388,0.0001488491,0.001377303,0.4262934,0.4068711,0.1065561],"study_design_scores_gemma":[0.000001458082,0.000007367727,0.0009835364,0.00007969698,8.835941e-7,0.0005772171,0.009308202,0.00001421161,0.00007182432,0.004159955,0.9847896,0.000006012607],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03644682,0.01388068,0.001678725,0.01750423,0.003462472,0.00002785601,0.0001954168,0.0001301436,0.9266736],"genre_scores_gemma":[0.4752497,0.008805241,0.0008284528,0.002973724,0.001220413,0.00003105674,0.0001117443,0.0003118973,0.5104678],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03674637,"threshold_uncertainty_score":0.1229288,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W310944287","doi":"","title":"Dickens, Niagara Falls and the Watery Sublime","year":2009,"lang":"en","type":"article","venue":"Dickens quarterly","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Heaven; Beauty; Context (archaeology); Art history; History; Sublime; Narrative; Art; Majesty; Literature; Archaeology; Aesthetics","authors":[{"name":"Natalie McKnight","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.007195056096815994,"gpt":0.1839727373935909,"spread":0.1767776812967749,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003398866,0.0003720997,0.0001937256,0.0003923654,0.021278,0.005091761,0.0006238507,0.001196856,0.004704497],"category_scores_gemma":[0.0007412477,0.0001963674,0.0001147107,0.0004714851,0.01287612,0.00263862,0.002585146,0.00267078,0.0005600877],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008296171,"about_ca_system_score_gemma":0.00340612,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2826403,"about_ca_topic_score_gemma":0.5615403,"domain_scores_codex":[0.9995048,0.0001669756,0.000008316439,0.0000638243,0.00008202184,0.0001741281],"domain_scores_gemma":[0.9997327,0.00007265672,0.00002699189,0.00001457612,0.00006298779,0.00009013639],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005965652,0.00002232491,0.002153951,0.00009105248,0.000005317569,0.0009680524,0.864053,0.00003615284,0.000688658,0.08259271,0.03927559,0.01005355],"study_design_scores_gemma":[0.00000337171,0.00001424645,0.003091892,0.00009089013,0.000003748973,0.00027834,0.4877519,0.00002655077,0.000224504,0.001797597,0.5067027,0.00001431629],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4081743,0.01057906,0.0006463903,0.03367689,0.001396971,0.00002898013,0.0001138646,0.00007177221,0.5453118],"genre_scores_gemma":[0.9046724,0.002057788,0.0002166214,0.001930714,0.00009042444,0.0000133401,0.00002736188,0.00004216749,0.09094924],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7173597,"threshold_uncertainty_score":0.5619903,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2889044850","doi":"10.1353/dqt.2018.0022","title":"More Newly Identified Contributors to Household Words","year":2018,"lang":"en","type":"article","venue":"Dickens quarterly","topic":"Migration, Policy, and Dickens Studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"University of Manitoba","keywords":"Listing (finance); Irish; George (robot); History; Genealogy; Literature; Classics; Art history; Art; Linguistics; Philosophy","authors":[{"name":"Jeremy Parrott","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02680483416113232,"gpt":0.3276169072241237,"spread":0.3008120730629913,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003270182,0.0004681792,0.0004279479,0.006863157,0.005872266,0.01152805,0.0009787146,0.00190646,0.04906496],"category_scores_gemma":[0.01633194,0.0004955889,0.0002892395,0.00532322,0.004397141,0.01425484,0.006408866,0.003197423,0.008526426],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003480837,"about_ca_system_score_gemma":0.001559013,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003007477,"about_ca_topic_score_gemma":0.009191253,"domain_scores_codex":[0.9962795,0.001386889,0.0002437245,0.000771603,0.0009581166,0.0003601394],"domain_scores_gemma":[0.9877772,0.004986135,0.001728436,0.001202739,0.002455114,0.001850271],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008071393,0.00005182794,0.0114004,0.0005897827,0.00001682836,0.002643737,0.3511222,0.00007634935,0.001012807,0.2653844,0.2417158,0.1259051],"study_design_scores_gemma":[0.000002944894,0.000007785474,0.002478204,0.0003006475,0.000003189952,0.0006078404,0.03296489,0.00004120016,0.0001167502,0.004969286,0.9584929,0.00001434984],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1899376,0.04281842,0.01050807,0.08902872,0.02872916,0.0001500998,0.001903476,0.0005406413,0.6363839],"genre_scores_gemma":[0.5125369,0.02300188,0.006176685,0.009726502,0.01414282,0.0001521324,0.001896564,0.001038559,0.4313278],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04906496,"threshold_uncertainty_score":0.1641387,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W106073611","doi":"","title":"\"Don't let the bastards grind you down\": echoes of Hard Times in The Handmaid's Tale","year":2008,"lang":"en","type":"article","venue":"Dickens quarterly","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"The Imaginary; Literature; Allusion; State (computer science); Philosophy; History; Reading (process); Art; Psychoanalysis; Psychology","authors":[{"name":"Deborah A. Thomas","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02129439210063916,"gpt":0.2065857555228418,"spread":0.1852913634222026,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001604914,0.0007287289,0.000320521,0.0009682876,0.02249542,0.009891874,0.001088484,0.003188332,0.008003725],"category_scores_gemma":[0.006817804,0.0003203215,0.0002441986,0.000607092,0.02388451,0.005549749,0.004195423,0.007957974,0.001154182],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007809553,"about_ca_system_score_gemma":0.00265598,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06857427,"about_ca_topic_score_gemma":0.1422806,"domain_scores_codex":[0.9980533,0.0009447003,0.00001981513,0.0001775043,0.0004478483,0.000356827],"domain_scores_gemma":[0.9976682,0.001257636,0.0001325899,0.0001254065,0.0003691454,0.0004469818],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006776538,0.00002097167,0.0003889478,0.00007102807,0.00001104205,0.001015676,0.2884941,0.00008698915,0.0003079968,0.3600545,0.336405,0.01307594],"study_design_scores_gemma":[0.00001065644,0.00001711698,0.0008583889,0.0002589211,0.000008327386,0.0004314715,0.1485147,0.0001588632,0.0003203453,0.02235617,0.8270298,0.00003514282],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.05411524,0.008237528,0.003253539,0.1467428,0.01095708,0.00002612191,0.0001249142,0.0002163311,0.7763264],"genre_scores_gemma":[0.7914905,0.001408392,0.0007310995,0.02224054,0.001962139,0.00004051437,0.00004787998,0.0003348924,0.181744],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.06857427,"threshold_uncertainty_score":0.1363503,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W912827939","doi":"","title":"Reading England's Mail: Mid-Century Appropriation and Charles Dickens's Traveling Texts","year":2013,"lang":"en","type":"article","venue":"Dickens quarterly","topic":"Migration, Policy, and Dickens Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Appropriation; Narrative; Print culture; History; Cultural appropriation; Reading (process); Media studies; Sociology; Literature; Law; Art; Political science; Philosophy","authors":[{"name":"Rachel Herzl-Betz","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01148037549284499,"gpt":0.2572779175647411,"spread":0.2457975420718961,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001377678,0.0002867226,0.0002128533,0.001455156,0.01165269,0.0106408,0.0007897899,0.003231124,0.0102313],"category_scores_gemma":[0.004010747,0.0002782887,0.0001357399,0.001029606,0.02414683,0.006223106,0.003035521,0.003441856,0.001451984],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01216027,"about_ca_system_score_gemma":0.001840423,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03573862,"about_ca_topic_score_gemma":0.06590994,"domain_scores_codex":[0.9987907,0.0005322518,0.00003188754,0.0001608489,0.0002092129,0.0002751072],"domain_scores_gemma":[0.9975484,0.001553978,0.0001645592,0.0002003769,0.0002795069,0.0002532403],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002588295,0.0000151844,0.000391606,0.00004087297,0.000002171203,0.000594263,0.2311311,0.0000326369,0.0002354249,0.7302075,0.02944592,0.007877306],"study_design_scores_gemma":[0.000008691502,0.00001109394,0.0009400081,0.0001734705,0.000003741656,0.0002437816,0.05443009,0.00004461426,0.0003353137,0.02147194,0.9223219,0.00001542395],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1239821,0.01042775,0.001165395,0.04544749,0.0008511154,0.00001566931,0.00008587279,0.00007740305,0.8179472],"genre_scores_gemma":[0.8036815,0.001921197,0.0002844822,0.004019177,0.0003576827,0.00001871957,0.00002488927,0.00007402426,0.1896183],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03573862,"threshold_uncertainty_score":0.08822936,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2291531308","doi":"10.1353/dqt.2015.0044","title":"The Forty-Sixth Annual Dickens Society Meeting: Halifax, Nova Scotia, Canada","year":2015,"lang":"en","type":"article","venue":"Dickens quarterly","topic":"Academic Publishing and Open Access","field":"Decision Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Revenue; Audit; Nova scotia; Outreach; Library science; Political science; History; Management; Law; Business; Accounting; Economics","authors":[{"name":"Diana C. Archibald","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0612576563261668,"gpt":0.3448480138905533,"spread":0.2835903575643865,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001509315,0.001420461,0.0005712011,0.0009890567,0.005243776,0.0058015,0.00100565,0.002092711,0.4445318],"category_scores_gemma":[0.002330045,0.0004614325,0.0004471926,0.0008676201,0.001173446,0.001342212,0.00203711,0.002699434,0.185598],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01229651,"about_ca_system_score_gemma":0.02853288,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.5968111,"about_ca_topic_score_gemma":0.8729529,"domain_scores_codex":[0.9984705,0.0001214847,0.00003642463,0.0002534084,0.0005886221,0.0005295813],"domain_scores_gemma":[0.9951997,0.0001137252,0.00009703932,0.00009686512,0.002074262,0.002418444],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002890584,0.00000822172,0.0004214353,0.0000382073,0.000002563947,0.00006828288,0.00005323147,0.00001844282,0.0001917213,0.0005003086,0.992335,0.006333554],"study_design_scores_gemma":[0.000004711246,0.00000544773,0.002729288,0.0000760271,0.000001277509,0.00002414838,0.0003108286,0.00001861684,0.00003969032,0.00004859057,0.9967344,0.000006985011],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"editorial","genre_scores_codex":[0.006288967,0.01574513,0.0008880282,0.06126181,0.08234102,0.0004762606,0.01591889,0.000688163,0.8163918],"genre_scores_gemma":[0.00482143,0.001628274,0.0002112833,0.001425008,0.0007423857,0.00003313908,0.001183905,0.0001351214,0.9898195],"genre_candidate":"editorial","genre_consensus":null,"teacher_disagreement_score":0.4445318,"threshold_uncertainty_score":0.8111268,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W324335240","doi":"","title":"The Dickens Society: A Retrospect","year":2010,"lang":"en","type":"article","venue":"Dickens quarterly","topic":"Migration, Policy, and Dickens Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"History; TRACE (psycholinguistics); Reputation; Epithet; Journalism; Genealogy; Law; Sociology; Media studies; Classics; Political science; Philosophy","authors":[{"name":"David Paroissien","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008606375092984933,"gpt":0.2929446395503553,"spread":0.2843382644573704,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002531227,0.0006799951,0.0002856075,0.003311137,0.006530557,0.01183709,0.0008801327,0.005218385,0.0128113],"category_scores_gemma":[0.0057354,0.0005659676,0.0002539846,0.003218558,0.006635563,0.007889342,0.003792005,0.005907361,0.004435805],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006820905,"about_ca_system_score_gemma":0.006520436,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02519786,"about_ca_topic_score_gemma":0.04456183,"domain_scores_codex":[0.9982223,0.000390382,0.0001069007,0.0002673287,0.0005515211,0.0004615684],"domain_scores_gemma":[0.9972897,0.0005450635,0.0002216414,0.0001261974,0.0006737918,0.001143659],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005033426,0.00005087709,0.001578588,0.0002254642,0.000009509712,0.0004544015,0.004685708,0.0000411524,0.0000995674,0.1003092,0.8321272,0.0603679],"study_design_scores_gemma":[0.000001374766,0.000004539893,0.0006482162,0.00009227321,8.693532e-7,0.00005950236,0.0008815026,0.000003502404,0.00001572225,0.0008915227,0.9973966,0.000004373286],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.0114249,0.1732199,0.0002037482,0.6409561,0.0336879,0.00002193257,0.0004606601,0.00005296439,0.1399719],"genre_scores_gemma":[0.219237,0.2190815,0.0005501825,0.2140029,0.03452307,0.0000665753,0.0004850433,0.0002348547,0.3118189],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02519786,"threshold_uncertainty_score":0.05010241,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W298204578","doi":"","title":"\"Scrooge Nouveau\": Margaret Atwood Resites a Christmas Carol","year":2014,"lang":"en","type":"article","venue":"Dickens quarterly","topic":"Short Stories in Global Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Allusion; Literature; Shadow (psychology); History; Art history; Character (mathematics); Art; Philosophy; Classics; Psychoanalysis; Psychology","authors":[{"name":"Shuli Barzilai","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.006899012849021348,"gpt":0.1961531641084817,"spread":0.1892541512594603,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006430053,0.0004124408,0.0002146301,0.0004132107,0.01992202,0.005276446,0.0008741936,0.002815288,0.01733284],"category_scores_gemma":[0.002297612,0.0002475825,0.0001880201,0.000345728,0.00382859,0.002963494,0.002782633,0.007643226,0.003389028],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008075574,"about_ca_system_score_gemma":0.006511965,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1200178,"about_ca_topic_score_gemma":0.3122365,"domain_scores_codex":[0.9990177,0.0002189403,0.00001052238,0.000120826,0.000325654,0.0003064071],"domain_scores_gemma":[0.9990262,0.0001134849,0.0000370316,0.00002649295,0.0002323518,0.0005644542],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005248336,0.00004680417,0.0004825732,0.00005980313,0.000003494454,0.00134956,0.05004751,0.00004163067,0.000805321,0.06340658,0.866173,0.01753123],"study_design_scores_gemma":[0.000001842999,0.00001152546,0.0002702843,0.00003743541,0.000001350116,0.00026671,0.01647835,0.00001963396,0.0001652538,0.0006790787,0.9820589,0.00000956548],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.05877308,0.01460155,0.001419143,0.3315011,0.02104306,0.000117276,0.0001515781,0.0003682384,0.572025],"genre_scores_gemma":[0.1978276,0.003715144,0.0006567016,0.04074305,0.002352905,0.00005139095,0.00005537361,0.0003678991,0.7542298],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1200178,"threshold_uncertainty_score":0.2386385,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W338540452","doi":"","title":"Robert Gottlieb. Great Expectations: The Sons and Daughters of Charles Dickens","year":2013,"lang":"en","type":"article","venue":"Dickens quarterly","topic":"Migration, Policy, and Dickens Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Shadow (psychology); Duty; History; Personality; Art history; Sociology; Psychoanalysis; Law; Psychology; Political science","authors":[{"name":"M.S. Allen","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01209842543700208,"gpt":0.2726437416728347,"spread":0.2605453162358326,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003881904,0.001045877,0.0002670611,0.001224769,0.001739045,0.00221043,0.000794331,0.001905951,0.04539317],"category_scores_gemma":[0.001350335,0.0004340823,0.0001738477,0.001029613,0.0009978024,0.003518084,0.001690177,0.002817884,0.01795331],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002110156,"about_ca_system_score_gemma":0.001959767,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05431469,"about_ca_topic_score_gemma":0.1092393,"domain_scores_codex":[0.9996749,0.00004809674,0.00001248683,0.00003855798,0.0001616854,0.00006423884],"domain_scores_gemma":[0.9996027,0.00008144082,0.00003229744,0.000009906697,0.0001147841,0.0001589325],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000006536904,0.000006630132,0.0000933609,0.00007960595,0.000001177987,0.00007201469,0.0006887721,0.00001018163,0.00002826379,0.002030662,0.9549983,0.04198447],"study_design_scores_gemma":[0.000001948786,0.000003282418,0.0004670328,0.0002760907,0.000001639103,0.0001510754,0.001175153,0.00000555095,0.00002321669,0.0008055985,0.9970843,0.000005032261],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.001024978,0.757722,0.0003816037,0.09990712,0.01307248,0.00003258107,0.000267774,0.0001892305,0.1274023],"genre_scores_gemma":[0.01991416,0.3798085,0.000837154,0.02817241,0.003965851,0.00007611336,0.0003564694,0.0002357438,0.5666335],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.05431469,"threshold_uncertainty_score":0.1518553,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4241769823","doi":"10.1353/dqt.2015.0005","title":"Dickens Society 20 th Annual Symposium: “Liquid Dickens”: Saint Mary’s University, Halifax 8–10 July 2015","year":2015,"lang":"en","type":"article","venue":"Dickens quarterly","topic":"Migration, Policy, and Dickens Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"SAINT; History; Art history","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.02172443295136104,"gpt":0.2833699398296249,"spread":0.2616455068782639,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001485617,0.0007441307,0.0003926269,0.0009483077,0.009588843,0.005106382,0.000720737,0.003061991,0.1425454],"category_scores_gemma":[0.001788561,0.0003591637,0.0003187538,0.0007794303,0.001731179,0.001725333,0.003613659,0.002746611,0.01251904],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008640983,"about_ca_system_score_gemma":0.01556043,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1460767,"about_ca_topic_score_gemma":0.3998968,"domain_scores_codex":[0.999314,0.0001300013,0.00002080487,0.00008878482,0.0001832969,0.0002630572],"domain_scores_gemma":[0.9989826,0.00009339776,0.00006239619,0.00003232811,0.000253042,0.0005761944],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005251315,0.00001585168,0.0004347112,0.00004196707,0.000003004646,0.00009715591,0.0004813903,0.00003879162,0.0001948891,0.004143677,0.9832218,0.01127432],"study_design_scores_gemma":[0.000004655228,0.000007474718,0.002436152,0.00008119625,0.000001681165,0.00001429314,0.001329554,0.00002327301,0.000106485,0.0003938639,0.9955929,0.000008474094],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.02728632,0.04939313,0.0006145487,0.4660472,0.07101215,0.0001268915,0.003327585,0.0004455881,0.3817465],"genre_scores_gemma":[0.03903027,0.004677166,0.0002979425,0.007931015,0.003502349,0.00003403582,0.0005160713,0.0001237042,0.9438874],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.1460767,"threshold_uncertainty_score":0.4768618,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W302345824","doi":"","title":"The Forty-Fourth Annual Dickens Society Meeting: Toronto, Canada","year":2013,"lang":"en","type":"article","venue":"Dickens quarterly","topic":"Migration, Policy, and Dickens Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"History; Sociology; Media studies; Political science; Genealogy","authors":[{"name":"Diana C. Archibald","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.006832872115346798,"gpt":0.2467007791821907,"spread":0.2398679070668439,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001291188,0.001220174,0.0006854538,0.001225732,0.007354483,0.004694463,0.000997897,0.00300358,0.2111128],"category_scores_gemma":[0.001719223,0.0004553795,0.0004884048,0.001701435,0.001767494,0.001185348,0.002366292,0.002238684,0.03271054],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01749201,"about_ca_system_score_gemma":0.04021437,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.7870781,"about_ca_topic_score_gemma":0.9595603,"domain_scores_codex":[0.9988937,0.00008032813,0.00002963054,0.0001307661,0.0004176802,0.0004479365],"domain_scores_gemma":[0.9974692,0.00007463654,0.00007545277,0.00005804673,0.001129514,0.001193137],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005137483,0.00001466965,0.0009175773,0.00006482866,0.000005526076,0.00009581328,0.0002282746,0.00004975044,0.0001821966,0.00150421,0.9830787,0.01380706],"study_design_scores_gemma":[0.000006606384,0.000007875095,0.00606035,0.0001077124,0.000004185623,0.00001942252,0.0007831009,0.00002779819,0.0000595399,0.0001389126,0.9927735,0.00001101628],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.02648771,0.08865575,0.0009629877,0.2139526,0.1112204,0.0004626859,0.01581059,0.0004748712,0.5419723],"genre_scores_gemma":[0.015376,0.007653691,0.0002314586,0.001279107,0.001720982,0.00003128776,0.0009996223,0.00007950079,0.9726283],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.2129219,"threshold_uncertainty_score":0.7062426,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W413931027","doi":"","title":"Patricia Ingham, Ed.: Bleak House","year":2011,"lang":"en","type":"article","venue":"Dickens quarterly","topic":"Publishing and Scholarly Communication","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Context (archaeology); Interpretation (philosophy); Poetry; Judgement; Literature; History; Art history; Sociology; Law; Art; Philosophy; Linguistics; Epistemology","authors":[{"name":"Joel J. Brattin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05171599511791544,"gpt":0.2096132800952132,"spread":0.1578972849772977,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004739011,0.001356629,0.000816123,0.001881603,0.002327266,0.00523957,0.001285064,0.001819795,0.1442189],"category_scores_gemma":[0.00147298,0.0009929986,0.0004077177,0.004119461,0.0008218321,0.005478458,0.001759037,0.002162375,0.1166158],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003649516,"about_ca_system_score_gemma":0.0052215,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.07578776,"about_ca_topic_score_gemma":0.1637275,"domain_scores_codex":[0.9994512,0.00005691149,0.00002386339,0.00009109109,0.0002885197,0.00008834258],"domain_scores_gemma":[0.9995426,0.00009106337,0.00003558972,0.0000350323,0.0001714741,0.0001242793],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000008334731,0.000007107018,0.00007021101,0.0001577958,0.000001415171,0.00004786245,0.0002221649,0.0000383216,0.00006970736,0.001897588,0.9110086,0.08647081],"study_design_scores_gemma":[4.839982e-7,0.000001026654,0.0001594124,0.0001446357,9.170485e-7,0.00007572339,0.000135931,0.000009589725,0.00002764965,0.0002933232,0.9991486,0.000002742277],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0007459568,0.521084,0.001676661,0.01719888,0.007179408,0.00005205658,0.00111173,0.0007727746,0.4501786],"genre_scores_gemma":[0.004719982,0.1645109,0.001119067,0.002392509,0.0008919123,0.00004090823,0.0006182505,0.000391708,0.8253146],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.1442189,"threshold_uncertainty_score":0.4824601,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}