{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":18,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":18,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"query_hash":"3cba8889bd33","filters":{"venue":"Early Music"}},"results":[{"id":"W2028478952","doi":"10.1093/em/xxx.1.158","title":"Domenico Scarlatti's 'tremulo'","year":2002,"lang":"en","type":"article","venue":"Early Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Toronto Public Health","funders":"","keywords":"Art; Art history; History","retraction":null,"screen_n_in":null,"score":{"opus":0.06826109905906559,"gpt":0.1921306427249154,"spread":0.1238695436658498,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008740366,0.0001486253,0.0002142017,0.0001180357,0.0003749141,0.0001562744,0.0001904946,0.00006185767,0.164903],"category_scores_gemma":[0.000020584,0.000121839,0.0001736083,0.00007862458,0.0002689875,0.0002138272,0.00005150614,0.0001810053,0.006921747],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001697012,"about_ca_system_score_gemma":0.000004819436,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001691702,"about_ca_topic_score_gemma":0.0007610409,"domain_scores_codex":[0.9990132,0.00004751578,0.0001994013,0.0002581122,0.0001723352,0.0003094764],"domain_scores_gemma":[0.9994397,0.00006522513,0.00005974159,0.0002763702,0.00005912252,0.00009983657],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002055014,0.0004825519,0.0009540661,0.00002367641,0.0003222454,0.00006790832,0.07011609,0.000007323535,0.0002923458,0.4891965,0.391561,0.04695574],"study_design_scores_gemma":[0.0004428639,0.0001256342,0.002477431,0.00001127701,0.0001109839,0.000002934171,0.0003374255,0.0003015728,0.00002501857,0.002866337,0.9930073,0.0002912202],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6012471,0.0002320776,0.0000111427,0.00116306,0.0007809503,0.0000855924,0.00000839426,0.0001282898,0.3963434],"genre_scores_gemma":[0.9223924,0.000007786708,0.00002651455,0.002483828,0.001403582,0.00001645834,0.000004517534,0.00001563887,0.07364928],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6014463,"threshold_uncertainty_score":0.9938515,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2155987439","doi":"10.1093/em/cau092","title":"Optical music recognition and manuscript chant sources","year":2014,"lang":"en","type":"article","venue":"Early Music","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Variety (cybernetics); Melody; Computer science; Musicology; Musical notation; Musical; Scope (computer science); Thriving; World Wide Web; Art; Visual arts; Artificial intelligence; Sociology","retraction":null,"screen_n_in":null,"score":{"opus":0.1719307440095481,"gpt":0.2031925306788254,"spread":0.03126178666927729,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001659464,0.0001437507,0.0001905593,0.00005695524,0.0003737687,0.0004498734,0.00008897924,0.00004408061,0.004163888],"category_scores_gemma":[0.00007386815,0.0001102841,0.00005107127,0.00002527116,0.0004095813,0.0001725178,0.0001269713,0.0001195058,0.001194051],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001198986,"about_ca_system_score_gemma":0.000003310844,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002009541,"about_ca_topic_score_gemma":0.000360288,"domain_scores_codex":[0.9991348,0.00004394498,0.0001420756,0.000252175,0.0001629857,0.0002639759],"domain_scores_gemma":[0.9996171,0.00009123002,0.00004817168,0.0001042044,0.00006049416,0.00007878804],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009627422,0.0003817869,0.001323998,0.0001068158,0.0001909723,0.00004028012,0.1042843,0.000001009983,0.000532474,0.5217884,0.05168141,0.3195724],"study_design_scores_gemma":[0.0006514295,0.0006072327,0.02099212,0.0000452575,0.00008061522,0.000003837593,0.003206956,0.00003580385,0.00005614264,0.01801986,0.9559013,0.0003994596],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8564886,0.0000963761,0.00001785776,0.0003768132,0.000644868,0.000125466,0.00001151404,0.0001108294,0.1421277],"genre_scores_gemma":[0.9926925,0.000006952122,0.00008336368,0.001739301,0.00124055,0.000023415,0.000007590434,0.00001299375,0.004193311],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9042199,"threshold_uncertainty_score":0.9995837,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2263812343","doi":"10.1093/em/cav088","title":"Another lesson from Lassus: using computers to analyse counterpoint","year":2015,"lang":"en","type":"article","venue":"Early Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Counterpoint; Art history; Art; Library science; Computer science; Sociology; Pedagogy","retraction":null,"screen_n_in":null,"score":{"opus":0.1387339867284556,"gpt":0.2626593644261593,"spread":0.1239253776977037,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001559471,0.0001650637,0.0002965631,0.0001510604,0.0001644172,0.0002257842,0.0002056729,0.00005851249,0.004236112],"category_scores_gemma":[0.00002304904,0.000138452,0.0001247582,0.00009947636,0.0001319478,0.0001868633,0.00008954209,0.0001251049,0.0007870869],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007147495,"about_ca_system_score_gemma":0.00004356232,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00992039,"about_ca_topic_score_gemma":0.009779963,"domain_scores_codex":[0.9989182,0.00007798745,0.0002221732,0.0003059823,0.0002165219,0.000259136],"domain_scores_gemma":[0.999292,0.00005650321,0.00007814607,0.0002722928,0.0001358735,0.0001652402],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004518158,0.0007830608,0.005070491,0.00002570626,0.001778756,0.0002112719,0.6068845,0.002854401,0.003331441,0.04762675,0.3161974,0.01478449],"study_design_scores_gemma":[0.001656433,0.0004439416,0.006018708,0.0001128741,0.0006356959,0.000002766402,0.007600128,0.01316621,0.0002563606,0.004900971,0.964204,0.001001925],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9822066,0.0000581425,0.002017585,0.0007575838,0.001197969,0.000112301,0.00003946179,0.00007681255,0.01353348],"genre_scores_gemma":[0.9879919,3.059253e-7,0.0006402227,0.008000393,0.001483449,0.000005864491,0.00001656748,0.00002116147,0.001840115],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6480066,"threshold_uncertainty_score":0.9999909,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2081829609","doi":"10.1093/em/32.4.549","title":"Representing Jacquet de La Guerre on disc: scoring and basse continue practices, and a new painting of the composer","year":2004,"lang":"en","type":"article","venue":"Early Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Social Sciences and Humanities Research Council; University of Guelph","funders":"","keywords":"Painting; Art; Art history; Performance art; Visual arts; Library science; Humanities; Computer science","retraction":null,"screen_n_in":null,"score":{"opus":0.05153982701948965,"gpt":0.2609776521541594,"spread":0.2094378251346698,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004314775,0.00009587227,0.0001643187,0.00004366425,0.0003193241,0.0001761298,0.00009411711,0.00004625311,0.0001925983],"category_scores_gemma":[0.0003310913,0.00006552824,0.00005763704,0.00004600521,0.0002705156,0.0001676616,0.00008836489,0.0002237936,0.000002716082],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00000892784,"about_ca_system_score_gemma":0.00003080941,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004304733,"about_ca_topic_score_gemma":0.002977496,"domain_scores_codex":[0.9992341,0.0001463452,0.0001646259,0.0001912631,0.0001015937,0.0001620332],"domain_scores_gemma":[0.9991236,0.0003701009,0.0002568061,0.0001668183,0.00002819141,0.00005442202],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","study_design_scores_codex":[0.0001180542,0.0003174717,0.0936377,0.0001664503,0.000374264,0.00005200331,0.1397951,0.0001425963,0.007420692,0.7303563,0.001792815,0.02582649],"study_design_scores_gemma":[0.00437993,0.0004332406,0.7604334,0.001392624,0.0009036446,0.00005945089,0.01146673,0.0005799879,0.002868211,0.06706835,0.1494977,0.0009167226],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9779457,0.0001176896,0.00002925204,0.001102713,0.0001205316,0.00009395501,0.000002145034,0.00001840785,0.02056964],"genre_scores_gemma":[0.9974434,0.000007640711,0.000129407,0.0005592227,0.0003912294,0.000003357394,7.794256e-7,0.00000916729,0.001455843],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6667957,"threshold_uncertainty_score":0.6507497,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4320033361","doi":"10.1093/em/caad003","title":"Music, gender and the erotic in Italian visual culture of the 16th century: introduction","year":2023,"lang":"en","type":"article","venue":"Early Music","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Sensibility; Aesthetics; Passions; CONTEST; Judgement; Musical; Art; Singing; Classical music; Literature; Psychology; Philosophy; Epistemology; Theology; Acoustics","retraction":null,"screen_n_in":null,"score":{"opus":0.02157851586173784,"gpt":0.2130739282062941,"spread":0.1914954123445563,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001418742,0.0001066372,0.0001357112,0.00003893505,0.0002005269,0.0001572105,0.0001244209,0.00004937995,0.0003579974],"category_scores_gemma":[0.00001993554,0.00004878299,0.00006743806,0.0001659675,0.0002988634,0.0001703675,0.00004835365,0.0002213498,0.0000270402],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000007855876,"about_ca_system_score_gemma":0.000008707421,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00007321677,"about_ca_topic_score_gemma":0.0003186077,"domain_scores_codex":[0.999297,0.00008118951,0.0001440274,0.0001609214,0.000161421,0.0001554911],"domain_scores_gemma":[0.9996816,0.00001455678,0.000064163,0.0001753359,0.00004618168,0.00001817632],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004787083,0.00003529713,0.0007084922,0.00005836031,0.00004474067,0.000002814019,0.5973228,0.000008292108,0.0006427144,0.215971,0.1842256,0.0009320226],"study_design_scores_gemma":[0.001493857,0.00007086227,0.06733056,0.00009116669,0.00006372061,0.000006351223,0.04108717,0.00004254825,0.0001832632,0.008121871,0.8812624,0.0002462875],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9783968,0.001349404,3.141133e-7,0.001634843,0.001612918,0.0003668526,0.00001343421,0.00004445515,0.01658092],"genre_scores_gemma":[0.9903418,0.00002967327,0.000001697402,0.0004357472,0.001823952,0.00001593152,0.00001301861,0.00001019149,0.007327956],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6970367,"threshold_uncertainty_score":0.3919821,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3081353976","doi":"10.1093/em/caaa047","title":"‘May she who was once beautiful be transformed into a monster’: magic and witchcraft in <i>Veneno es de amor la envidia</i> (Madrid, 1711)","year":2020,"lang":"en","type":"article","venue":"Early Music","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"MAGIC (telescope); Superstition; Monster; Art; Literature; Context (archaeology); Philosophy; History; Theology; Archaeology","retraction":null,"screen_n_in":null,"score":{"opus":0.02380541435894781,"gpt":0.2117769765749795,"spread":0.1879715622160317,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0002214191,0.0003443723,0.0004206714,0.000114444,0.0001959215,0.0008492118,0.0003020246,0.0001552048,0.0005455483],"category_scores_gemma":[0.00003904802,0.0003210444,0.0001083318,0.0001137271,0.000389825,0.0008480229,0.00007974212,0.0006131199,0.00006074184],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005188935,"about_ca_system_score_gemma":0.00009894235,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001025421,"about_ca_topic_score_gemma":0.004332105,"domain_scores_codex":[0.9981546,0.0001501758,0.0003680545,0.0005258141,0.0002933692,0.0005079349],"domain_scores_gemma":[0.9992366,0.0001323431,0.00008161839,0.0002543567,0.00005315957,0.000241906],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002325025,0.0001485011,0.006519174,0.0003597452,0.00009531817,0.0004431583,0.8988202,0.00002299318,0.003221603,0.07370012,0.007017887,0.00941882],"study_design_scores_gemma":[0.003366143,0.0007447392,0.01981821,0.0005945914,0.0001391922,0.00004881218,0.008873391,0.0008672015,0.000941709,0.007450155,0.9557367,0.001419172],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9730405,0.001317318,0.000096537,0.006552336,0.0001550524,0.0004097018,0.00007045069,0.0001414108,0.01821676],"genre_scores_gemma":[0.9918729,0.00007866791,0.000374999,0.004915283,0.0005307195,0.00003658974,0.00002098936,0.00006893081,0.002100931],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9487188,"threshold_uncertainty_score":0.9999242,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1520247025","doi":"10.1093/em/cal088","title":"Reconstructing Cluniac music: Bryan Gillingham, Music in the Cluniac ecclesia: a pilot project (Ottawa: Institute of Medieval Music, 2006), $96","year":2006,"lang":"en","type":"article","venue":"Early Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Musical; The arts; History; Period (music); Musicology; Middle Ages; Architecture; Art; Literature; Classics; Art history; Visual arts; Ancient history; Aesthetics","retraction":null,"screen_n_in":null,"score":{"opus":0.0638040942258079,"gpt":0.2363689349319525,"spread":0.1725648407061446,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001340824,0.0004733859,0.0006104761,0.0004974086,0.0007665717,0.000444994,0.0006836002,0.0001475325,0.001286217],"category_scores_gemma":[0.0001071389,0.0003538291,0.0002293313,0.0003899897,0.0007930612,0.001211569,0.0001217556,0.0007614896,0.0001333049],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001081105,"about_ca_system_score_gemma":0.0002602365,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.0352587,"about_ca_topic_score_gemma":0.07692855,"domain_scores_codex":[0.9964687,0.00032523,0.001209784,0.0005158216,0.0007550048,0.0007254617],"domain_scores_gemma":[0.9982082,0.0001573187,0.0005993141,0.0006781494,0.0002737271,0.00008324449],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005362169,0.002316368,0.01650329,0.001002146,0.0003559951,0.0002605184,0.465353,0.0006781116,0.001506429,0.3079127,0.1539513,0.04962391],"study_design_scores_gemma":[0.005424372,0.001304793,0.04139145,0.0007210406,0.0002570348,0.0001556014,0.0218394,0.003264081,0.0003064198,0.007554984,0.9157648,0.002016024],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8726415,0.0001731394,0.0001259097,0.000229761,0.001807481,0.0008723938,0.0001096415,0.0001535033,0.1238867],"genre_scores_gemma":[0.9949768,0.00001497289,0.000422931,0.0006878675,0.002129329,0.00006247083,0.0000919533,0.00005670659,0.001556962],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7618135,"threshold_uncertainty_score":0.9998913,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1999308265","doi":"10.1093/em/caq026","title":"The unnatural trumpet","year":2010,"lang":"en","type":"article","venue":"Early Music","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Baroque; Art; The arts; Architecture; Quarter (Canadian coin); Industrialisation; Broadside; History; Middle Ages; Art history; Aesthetics; Visual arts; Literature; Ancient history; Archaeology; Law; Political science","retraction":null,"screen_n_in":null,"score":{"opus":0.06768906801200861,"gpt":0.204450420873189,"spread":0.1367613528611804,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001057707,0.000078881,0.00007346976,0.00001263415,0.0008727696,0.0006007738,0.000206734,0.00002517795,0.0051491],"category_scores_gemma":[0.00006635944,0.00004086188,0.000056533,0.00001900707,0.0005019954,0.00009612028,0.00009000471,0.0002458445,0.00114387],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000005323154,"about_ca_system_score_gemma":0.000006316557,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001704185,"about_ca_topic_score_gemma":0.002697772,"domain_scores_codex":[0.9994637,0.00001493421,0.00008438448,0.0001069923,0.0001259575,0.0002040233],"domain_scores_gemma":[0.9996266,0.0001153297,0.00003213476,0.0001441177,0.00004963602,0.00003214071],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000006800941,0.00001592552,0.0002784532,8.811919e-7,0.00001930864,0.000004091748,0.007385527,4.016715e-8,0.00009627494,0.9342738,0.04736724,0.01055159],"study_design_scores_gemma":[0.000098704,0.0000428567,0.01625753,0.000001088291,0.000006675008,4.531179e-7,0.0007131509,0.000001825169,0.000006919382,0.004584903,0.9782123,0.00007358282],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6991268,0.00004700711,1.336004e-7,0.001429076,0.002985599,0.00006807933,0.000004678795,0.00006742612,0.2962711],"genre_scores_gemma":[0.9671792,0.000002300637,0.00001148433,0.0007711216,0.001172502,0.00001113455,8.830965e-7,0.00000596325,0.03084541],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9308451,"threshold_uncertainty_score":0.9996338,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2011806825","doi":"10.1093/em/can060","title":"Harmony of two worlds","year":2008,"lang":"en","type":"article","venue":"Early Music","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Musicology; History; The arts; Art history; Appropriation; Art; Visual arts","retraction":null,"screen_n_in":null,"score":{"opus":0.07900428260954141,"gpt":0.3355149178241914,"spread":0.25651063521465,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001348427,0.00004299578,0.00009181211,0.00004415046,0.0002557749,0.000008095829,0.000154671,0.00003033327,0.0007239365],"category_scores_gemma":[0.00008352653,0.00004160434,0.00005177026,0.0003457793,0.0002844455,0.0001662852,0.0000150132,0.00006400408,0.00036905],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000411793,"about_ca_system_score_gemma":0.0001115418,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008166038,"about_ca_topic_score_gemma":0.0004922631,"domain_scores_codex":[0.9993161,0.00004808799,0.0001128647,0.00009501856,0.0002568666,0.000171044],"domain_scores_gemma":[0.9996526,0.00004659755,0.00004198158,0.0001104656,0.00005600595,0.00009237909],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004039705,0.0003922647,0.2757098,0.00001453717,0.00004055334,0.0001535779,0.3038131,0.00002572083,0.006626172,0.2025019,0.1887418,0.02194012],"study_design_scores_gemma":[0.0005592778,0.00009135825,0.1558066,0.00001915308,0.00001377454,0.000001547389,0.0004556104,0.000003842134,0.0006623284,0.006675536,0.8354502,0.0002607519],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8272585,0.000137108,0.00003574227,0.0002468801,0.0002063395,0.00005038276,8.229732e-7,0.00004124821,0.172023],"genre_scores_gemma":[0.990369,0.00001915434,0.00020545,0.0003687787,0.0002371642,0.000003209776,2.749473e-7,0.00000408642,0.008792932],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6467085,"threshold_uncertainty_score":0.9984387,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4313336252","doi":"10.1093/em/caac056","title":"Will she or won’t she? The ambivalence of female musicianship in two paintings by Bernardino Licinio (1489–1565)","year":2022,"lang":"en","type":"article","venue":"Early Music","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Art; Poetry; Painting; Literature; Comedy; Depiction; Ambivalence; Theme (computing); Art history; Visual arts; Psychology; Psychoanalysis","retraction":null,"screen_n_in":null,"score":{"opus":0.04333819740393366,"gpt":0.328394309357979,"spread":0.2850561119540453,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001805493,0.0001512161,0.0002679206,0.00009498835,0.0008822209,0.00006830527,0.0009128621,0.00005132768,0.002031682],"category_scores_gemma":[0.0005459341,0.0001193479,0.0001202339,0.001305179,0.0004465256,0.0004630904,0.0002038762,0.0004561959,0.00006292589],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002951765,"about_ca_system_score_gemma":0.0002417501,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04075963,"about_ca_topic_score_gemma":0.00450915,"domain_scores_codex":[0.9972792,0.0005858443,0.0003899763,0.0003558277,0.0008446329,0.0005445743],"domain_scores_gemma":[0.998775,0.0004922969,0.0001846309,0.0003618703,0.00006618267,0.0001199886],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002349124,0.0006858806,0.4488531,0.00005392628,0.00004991837,0.00009718767,0.4048454,0.0003362855,0.003236813,0.02542768,0.09189688,0.02428201],"study_design_scores_gemma":[0.001218092,0.0004885488,0.1383503,0.00009583169,0.00004783476,0.000003371892,0.03500026,0.00004274544,0.0001837853,0.004170283,0.819694,0.0007050092],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9750006,0.0003372261,0.0000188777,0.00204425,0.0005252619,0.0003489991,0.00001736614,0.00006087798,0.02164659],"genre_scores_gemma":[0.9906402,0.0000244583,0.00004014912,0.002503546,0.000283058,0.00007359105,0.000002104451,0.00001806255,0.00641485],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7277971,"threshold_uncertainty_score":0.9988806,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2043044062","doi":"10.1093/em/cam145","title":"Music for church, stage and salon","year":2008,"lang":"en","type":"article","venue":"Early Music","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Opera; Salon; Choir; Art; Literature; Quarter (Canadian coin); Poetry; Symphony; Musicology; History; Visual arts; Art history","retraction":null,"screen_n_in":null,"score":{"opus":0.2043832750399322,"gpt":0.2284170217588495,"spread":0.02403374671891731,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007281653,0.0001279728,0.0001821495,0.0000433811,0.0008217052,0.000205602,0.0000905455,0.00003329899,0.003625457],"category_scores_gemma":[0.00004221022,0.0001002724,0.00006306734,0.00002380099,0.0005644765,0.0001547667,0.00008960896,0.00007516797,0.0001456878],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001648381,"about_ca_system_score_gemma":0.00001262822,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003172434,"about_ca_topic_score_gemma":0.0003105997,"domain_scores_codex":[0.9992718,0.00001547324,0.0001214961,0.0002172369,0.0001245088,0.000249538],"domain_scores_gemma":[0.9996279,0.00009857884,0.00004591883,0.0001085243,0.000063272,0.00005580626],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001038166,0.0002262274,0.003882485,0.0000823569,0.0001472799,0.00007345558,0.153575,0.000001986488,0.0002890581,0.5989721,0.2331897,0.009456445],"study_design_scores_gemma":[0.0005379285,0.0003054633,0.03355053,0.000006867859,0.0000176283,0.000001466018,0.001152129,0.000006494558,0.00000947748,0.0009273443,0.9633111,0.0001736069],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9039777,0.0001914165,0.00001240451,0.0001751239,0.0005233331,0.0002962793,0.00005301113,0.0001004826,0.09467026],"genre_scores_gemma":[0.9531816,0.00001217022,0.00009557889,0.001041229,0.0006708805,0.00004650986,0.000005167723,0.00001440398,0.04493246],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7301214,"threshold_uncertainty_score":0.9972854,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2088385255","doi":"10.1093/em/cam038","title":"Sammartini to Mendelssohn","year":2007,"lang":"en","type":"article","venue":"Early Music","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Symphony; Art; Listing (finance); Autograph; Quarter (Canadian coin); Literature; History; Archaeology","retraction":null,"screen_n_in":null,"score":{"opus":0.1529836127402656,"gpt":0.2416093937347457,"spread":0.08862578099448018,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002495181,0.0001049635,0.0001286374,0.00006489048,0.0002758465,0.0002196932,0.0001390045,0.00002407856,0.009720627],"category_scores_gemma":[0.00005741216,0.0000823657,0.00005529723,0.00005172847,0.0001134766,0.00009877452,0.0001253767,0.00007974207,0.004003332],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003115219,"about_ca_system_score_gemma":0.000005431377,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002657924,"about_ca_topic_score_gemma":0.001053497,"domain_scores_codex":[0.9991324,0.00001170607,0.0001531473,0.000180929,0.0001836089,0.0003381945],"domain_scores_gemma":[0.9995952,0.00007408446,0.00003188287,0.0001251692,0.00006821875,0.0001054551],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006159518,0.0001286337,0.001268092,0.000006299152,0.00006094256,0.0000630181,0.09667023,0.000001855758,0.0002162445,0.702199,0.1598096,0.03951448],"study_design_scores_gemma":[0.0001339915,0.0001624872,0.01861403,0.000004706211,0.000008785662,2.811276e-7,0.001532456,3.177915e-7,0.00002932396,0.00109755,0.9782867,0.0001293144],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5611092,0.00002164413,0.00003731101,0.0004393161,0.0007836762,0.0001121569,0.000005439453,0.0001030089,0.4373882],"genre_scores_gemma":[0.9678106,3.260421e-7,0.0001428722,0.003859083,0.001039088,0.000008168813,0.000001181399,0.00001013321,0.02712854],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8184771,"threshold_uncertainty_score":0.9967722,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1995346604","doi":"10.1093/em/caq061","title":"Bach's chorus: against the wall","year":2010,"lang":"en","type":"article","venue":"Early Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Hatch (Canada)","funders":"","keywords":"Chorus; Art; Art history; History; Literature","retraction":null,"screen_n_in":null,"score":{"opus":0.02533221449466986,"gpt":0.2047100715032711,"spread":0.1793778570086012,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002033199,0.0001259241,0.0001446005,0.00005224467,0.000600084,0.0002014803,0.0003176379,0.0000691841,0.02300667],"category_scores_gemma":[0.00003990028,0.00007429835,0.0001483164,0.00005223916,0.0004537877,0.0001372674,0.00005952125,0.0004683045,0.001626295],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000005388445,"about_ca_system_score_gemma":0.00002128236,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000527701,"about_ca_topic_score_gemma":0.01102777,"domain_scores_codex":[0.9992034,0.00004325047,0.000158195,0.000197343,0.0001422203,0.0002556216],"domain_scores_gemma":[0.9993489,0.0000971436,0.00005690001,0.0003620689,0.00006605625,0.00006896411],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000187162,0.0001718675,0.0007273842,0.00000877089,0.0001809634,0.00001766348,0.04509195,0.000002129836,0.002520165,0.7954635,0.1250679,0.03072897],"study_design_scores_gemma":[0.0001443147,0.00003225516,0.008359096,0.000003086716,0.00004976941,8.52152e-7,0.000275126,0.00005052259,0.00004358083,0.002672127,0.9882336,0.0001356603],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7626389,0.00003022173,0.000003092346,0.003035682,0.001269119,0.00008963419,0.000005316807,0.00006703224,0.232861],"genre_scores_gemma":[0.9665974,0.000003101904,0.000017135,0.00818652,0.001783705,0.00002244339,0.000008615735,0.00001341137,0.02336769],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8631657,"threshold_uncertainty_score":0.9991511,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1982797431","doi":"10.1093/em/can144","title":"Still newer light on the old bow","year":2009,"lang":"en","type":"article","venue":"Early Music","topic":"Shoulder Injury and Treatment","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Courtesy; Art; Nothing; Art history; Bow tie; History; Philosophy; Engineering; Telecommunications","retraction":null,"screen_n_in":null,"score":{"opus":0.03174547021272035,"gpt":0.2776697918482874,"spread":0.245924321635567,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00006330582,0.0001013136,0.0001113428,0.00003349955,0.00004467008,0.00001919231,0.00005834104,0.00004567076,0.0008132751],"category_scores_gemma":[0.00002741577,0.00005482796,0.00006963597,0.0001044557,0.00001602211,0.00003130707,0.000007243514,0.0001414727,0.0007446642],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002714048,"about_ca_system_score_gemma":0.00001887873,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00002372313,"about_ca_topic_score_gemma":0.000002784032,"domain_scores_codex":[0.9993968,0.00001948523,0.00008669245,0.0001519702,0.000183388,0.0001616421],"domain_scores_gemma":[0.9994922,0.00003928127,0.00002238769,0.0003521641,0.00002171409,0.00007221601],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"observational","study_design_scores_codex":[0.001568573,0.003617795,0.02144562,0.0000284307,0.0006390513,0.00151296,0.01525551,0.000007273882,0.02384326,0.07557578,0.6650817,0.191424],"study_design_scores_gemma":[0.00175748,0.003006534,0.7838838,0.00008481237,0.0002615871,0.00002695296,0.00006825897,0.000008165757,0.03394031,0.003111093,0.1736673,0.0001837593],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9293507,0.0001218874,0.000004492309,0.02316742,0.0002145788,0.0002483354,0.000001775927,0.00006288328,0.04682794],"genre_scores_gemma":[0.9722141,0.000004846095,0.00004233475,0.01529381,0.0003457972,0.000008647768,0.000002819667,0.000008743657,0.0120789],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7624381,"threshold_uncertainty_score":0.9571401,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2133098920","doi":"10.1093/em/can038","title":"Paris revivals: two operas of Lully and Quinault","year":2008,"lang":"en","type":"article","venue":"Early Music","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Mythology; Art; Literature; History; Space (punctuation); Visual arts; Art history; Philosophy; Linguistics","retraction":null,"screen_n_in":null,"score":{"opus":0.04624813175218524,"gpt":0.2846926620889189,"spread":0.2384445303367337,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001439264,0.00005280875,0.0001449091,0.00002417742,0.0003811238,0.000009153131,0.00008156127,0.00002732124,0.0001607988],"category_scores_gemma":[0.00009913854,0.00004393817,0.0000331383,0.0001755578,0.0003164235,0.0001354783,0.00003126164,0.00005652673,0.00002501361],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000149783,"about_ca_system_score_gemma":0.00003645082,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006640836,"about_ca_topic_score_gemma":0.000206722,"domain_scores_codex":[0.9993598,0.00008274992,0.0001211433,0.0001166479,0.0001815408,0.0001380629],"domain_scores_gemma":[0.9997172,0.00006600339,0.00003674946,0.00007522055,0.00004132319,0.00006348803],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002781153,0.0001389943,0.1964307,0.00004213308,0.00005471292,0.00005092307,0.6984494,8.414763e-7,0.0007367496,0.02826132,0.05374128,0.02206521],"study_design_scores_gemma":[0.0001761368,0.00007374059,0.06602502,0.00001827666,0.000008234244,0.000001028521,0.0006590859,6.114304e-7,0.00002614559,0.0002357589,0.9326804,0.00009553328],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9065123,0.002546686,0.000007076454,0.0004729156,0.0001804906,0.0000726784,0.00000229631,0.00002313402,0.09018242],"genre_scores_gemma":[0.9882106,0.0006283619,0.0001983111,0.0001597734,0.0002280392,0.000003798932,3.286619e-7,0.000003394966,0.01056742],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8789392,"threshold_uncertainty_score":0.999974,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3036955273","doi":"10.1093/em/caaa029","title":"Internet score libraries","year":2020,"lang":"en","type":"article","venue":"Early Music","topic":"Music and Audio Processing","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Public domain; Resource (disambiguation); The Internet; Point (geometry); World Wide Web; Musical; Order (exchange); Computer science; sort; Download; Internet privacy; History; Business; Art; Visual arts; Information retrieval; Mathematics","retraction":null,"screen_n_in":null,"score":{"opus":0.07042559387613707,"gpt":0.2102244432598883,"spread":0.1397988493837512,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00003691038,0.00008036922,0.00009165067,0.00002280283,0.00004874576,0.0004466645,0.0006438834,0.00002776604,0.0001682229],"category_scores_gemma":[0.00002537871,0.000070881,0.00003377259,0.0002747,0.00003751822,0.0008746792,0.0003099372,0.0001065816,0.0003635348],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000004121224,"about_ca_system_score_gemma":0.00005033638,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001037565,"about_ca_topic_score_gemma":8.327303e-7,"domain_scores_codex":[0.999337,0.00001566129,0.0001019449,0.0002494944,0.0001367588,0.0001591675],"domain_scores_gemma":[0.9996472,0.00001729604,0.00004219525,0.0001736516,0.00001723333,0.0001024336],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001640442,0.00004524956,0.01149191,0.0001081514,0.00003675514,0.000147768,0.0536913,0.00002020086,0.002496766,0.2134566,0.3226518,0.3958371],"study_design_scores_gemma":[0.002222864,0.00110509,0.1455244,0.0004455583,0.00003430332,0.00005265303,0.0002324263,0.08688258,0.05161406,0.0474747,0.6621037,0.00230771],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.2678921,0.0003475705,0.7027661,0.0113958,0.0004450834,0.00007347659,6.68909e-7,0.0004813774,0.01659781],"genre_scores_gemma":[0.972957,8.379198e-7,0.01290712,0.01335244,0.0002667742,0.000002386986,6.560138e-7,0.000006826016,0.0005059905],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7050649,"threshold_uncertainty_score":0.4672626,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2083016859","doi":"10.1093/em/xxx.4.593","title":"Finding closure: performance issues in the Agnus Dei of Ockeghem's Missa L'homme arme","year":2002,"lang":"en","type":"article","venue":"Early Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Smiths Detection (Canada)","funders":"","keywords":"Closure (psychology); Art; Humanities; Art history; Law; Political science","retraction":null,"screen_n_in":null,"score":{"opus":0.08038869962779692,"gpt":0.230607629241362,"spread":0.1502189296135651,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002751753,0.0001384923,0.0002503344,0.0001279154,0.0002443808,0.00007362597,0.0003137655,0.00006519582,0.0126286],"category_scores_gemma":[0.00003274006,0.00009377897,0.0001226142,0.0001423399,0.000249675,0.0001860199,0.00003873613,0.0002448712,0.000293806],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001170923,"about_ca_system_score_gemma":0.00000639134,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0005017853,"about_ca_topic_score_gemma":0.001250483,"domain_scores_codex":[0.998956,0.00009253556,0.0002822286,0.0001876108,0.0002082711,0.0002733544],"domain_scores_gemma":[0.9994254,0.0001280367,0.0001000418,0.0002680408,0.0000462398,0.00003226211],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000748139,0.001209697,0.04181433,0.0002192552,0.0002881829,0.0001112815,0.572583,0.00006049999,0.000409326,0.1684633,0.1808832,0.03388298],"study_design_scores_gemma":[0.001238719,0.000628904,0.1256018,0.0001510926,0.000226358,0.00001273586,0.004620168,0.001265073,0.000426392,0.00314712,0.8620399,0.0006417108],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9401705,0.0005635188,0.000001197012,0.001863881,0.0002610246,0.0001110406,0.000005745626,0.00002252145,0.0570006],"genre_scores_gemma":[0.9893456,0.00004469141,0.00001743968,0.001414414,0.0005907813,0.00001692686,0.000004114039,0.000009828554,0.008556213],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6811566,"threshold_uncertainty_score":0.988274,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4320033350","doi":"10.1093/em/caac063","title":"Madrigal or canzona? Performing intellectual and sensual pleasure in Jacopo Tintoretto’s <i>Women making music</i>","year":2023,"lang":"en","type":"article","venue":"Early Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Dalhousie University","funders":"","keywords":"Painting; Art; Pleasure; Singing; Context (archaeology); Reading (process); Visual arts; Musical; Interpretation (philosophy); Aesthetics; Literature; Psychology; History; Philosophy; Linguistics","retraction":null,"screen_n_in":null,"score":{"opus":0.06771056575984782,"gpt":0.2440165138094837,"spread":0.1763059480496359,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004982359,0.0002579704,0.0003989932,0.0004009091,0.000478384,0.000202429,0.000178976,0.0001279241,0.01649429],"category_scores_gemma":[0.000242864,0.0002056744,0.00008581873,0.0003394971,0.000381155,0.0002397095,0.0001871574,0.0004515407,0.0004923398],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00008562786,"about_ca_system_score_gemma":0.00008927811,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0008045222,"about_ca_topic_score_gemma":0.01694183,"domain_scores_codex":[0.9981437,0.0001043563,0.0003578406,0.0004500558,0.0002638488,0.0006802115],"domain_scores_gemma":[0.9991289,0.0004005084,0.00007878734,0.0002030121,0.00006794725,0.0001208746],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005342512,0.000155616,0.00356749,0.0001689613,0.0002775129,0.0005300944,0.8188068,0.00004581688,0.0003835699,0.03051475,0.1144194,0.03059571],"study_design_scores_gemma":[0.003112382,0.001328647,0.04680735,0.0003893393,0.0002541198,0.00007308826,0.09219982,0.005566514,0.00008164279,0.004481786,0.8436943,0.002010959],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9792724,0.0000602997,0.000005672455,0.0003451974,0.0006661918,0.0001774335,0.0000209929,0.000162785,0.01928898],"genre_scores_gemma":[0.9801372,0.000009601094,0.00002821308,0.001613986,0.00111717,0.00004208615,0.00001622455,0.00003514283,0.01700036],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.729275,"threshold_uncertainty_score":0.9844048,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}