{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":6,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":6,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"789a96194728","filters":{"venue":"Economía Creativa"}},"results":[{"id":"W4410161623","doi":"10.46840/ec.2024.21.737","title":"The “Good Enough Transformation” Project: a Case Study of Art, Culture, and Community-Based Initiatives in the Global Green Transition","year":2024,"lang":"en","type":"article","venue":"Economía Creativa","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Transformation (genetics); Transition (genetics); Political science","authors":[{"name":"Sara Maclure","is_ca":true},{"name":"Jennie Suddick","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06366197516811468,"gpt":0.3356343598025636,"spread":0.2719723846344489,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000853285,0.00008295611,0.0001033119,0.00002512087,0.0009272977,0.000174385,0.00012644,0.0000461921,0.00002540665],"category_scores_gemma":[0.00002637824,0.00004589053,0.00002893659,0.000312051,0.000189859,0.000317146,0.000008190023,0.0002272827,0.000001861495],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009286041,"about_ca_system_score_gemma":0.0001540121,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.02724901,"about_ca_topic_score_gemma":0.08341763,"domain_scores_codex":[0.9987077,0.0007584606,0.0002196042,0.00008327512,0.0001066288,0.0001243351],"domain_scores_gemma":[0.9994867,0.0003276563,0.00003878872,0.0000829519,0.00004233981,0.00002155619],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002310227,0.0002283186,0.001281812,0.00003228246,0.00005236877,0.00004738794,0.9833528,0.00001245724,3.886931e-7,0.007891712,0.001893408,0.005183939],"study_design_scores_gemma":[0.0003608148,0.0002278159,0.002033858,0.0000396866,0.00002165083,0.00002489013,0.8236538,0.00007733061,0.000007728586,0.00051301,0.1729601,0.00007933006],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9088978,0.0002140844,0.00001987305,0.006421388,0.00005504032,0.001073275,0.00005067848,0.00002737425,0.08324055],"genre_scores_gemma":[0.9990995,0.00005495381,0.00001315587,0.00009956169,0.00003852081,0.00007458185,0.00001361078,0.000002433776,0.0006036802],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1710667,"threshold_uncertainty_score":0.9792286,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2263565662","doi":"10.46840/ec.2015.04.08","title":"Acerca de Complejidad visual de Manuel Lima","year":2015,"lang":"es","type":"article","venue":"Economía Creativa","topic":"Architecture, Art, Education","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"PricewaterhouseCoopers (Canada)","funders":"","keywords":"Psychology; Humanities; Geography; Art","authors":[{"name":"Alejandra Barroeta","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04540284047840201,"gpt":0.2969629098571486,"spread":0.2515600693787466,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004440955,0.0003493822,0.0003876012,0.0001879779,0.0005365985,0.0007172556,0.0003118631,0.0001287094,0.006014068],"category_scores_gemma":[0.0001014314,0.0003600854,0.0001392908,0.00002983667,0.0003808115,0.000408434,0.00009577563,0.0003097244,0.002221704],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005278609,"about_ca_system_score_gemma":0.0007129485,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001475523,"about_ca_topic_score_gemma":0.0008108725,"domain_scores_codex":[0.9981396,0.0002504663,0.0004030344,0.0004072526,0.0001335974,0.0006660224],"domain_scores_gemma":[0.9986337,0.000233341,0.0002264036,0.0003639803,0.0001134115,0.0004291272],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003005899,0.0008988171,0.06748689,0.0002320288,0.0004036059,0.00002968526,0.3517753,0.0003024666,0.00008924385,0.4302049,0.1384584,0.009818115],"study_design_scores_gemma":[0.0007334883,0.0003785085,0.0223965,0.0001025062,0.00009672192,0.00003920004,0.01563391,0.001410013,0.0004198351,0.01370962,0.9445586,0.0005211565],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6522225,0.0005668895,0.0001972578,0.002024546,0.0004877257,0.0002638816,0.0000783066,0.0001016224,0.3440572],"genre_scores_gemma":[0.9629006,0.00007493955,0.0007662413,0.0006854921,0.002327043,0.00004328919,0.00008658312,0.00007514326,0.03304069],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8061001,"threshold_uncertainty_score":0.9998851,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4410235972","doi":"10.46840/ec.2024.21.736","title":"On the Horizon: a Creative Exploration of Contemporary Trends in Canadian Social Cohesion","year":2024,"lang":"en","type":"article","venue":"Economía Creativa","topic":"Social Sciences and Policies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Humanities; Political science; Art","authors":[{"name":"Danielle Nadine Pierre","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0870745973703774,"gpt":0.3506920152610477,"spread":0.2636174178906703,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007796697,0.00008057581,0.0001407502,0.000222253,0.0004537902,0.000111531,0.0001760137,0.00008244572,0.001422859],"category_scores_gemma":[0.0001149942,0.00005967904,0.0000750304,0.000692325,0.0003629354,0.0004317139,0.0000111164,0.0001020823,0.00004406427],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003100898,"about_ca_system_score_gemma":0.0005701653,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.7095761,"about_ca_topic_score_gemma":0.6353861,"domain_scores_codex":[0.9990292,0.0002313359,0.0001857365,0.0001576184,0.0001441815,0.000251961],"domain_scores_gemma":[0.9994072,0.0003533307,0.00005537419,0.00006431023,0.00002545621,0.00009433287],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000009866996,0.00001442393,0.002753723,0.000002854429,0.00001154623,0.00000376518,0.144521,0.00000377888,0.000006380666,0.8136136,0.02576293,0.01329616],"study_design_scores_gemma":[0.0002870245,0.0004037581,0.04064803,0.0001647751,0.00001538578,2.910454e-7,0.197608,0.0002740047,0.0002883681,0.08398729,0.675904,0.0004191066],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2537492,0.0001240956,0.00000321406,0.01825228,0.000217758,0.0001328441,0.00002774061,0.0000234316,0.7274694],"genre_scores_gemma":[0.994539,0.00003243416,0.000003447553,0.0001579665,0.0003121582,0.00002999518,0.000007187545,0.000005744259,0.004912035],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7407898,"threshold_uncertainty_score":0.99949,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4410484664","doi":"10.46840/ec.2024.21.738","title":"Creativity in the Context of Risk: the Impact of Digital Transnational Repression on Artistic Expression","year":2024,"lang":"en","type":"article","venue":"Economía Creativa","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Creativity; Psychological repression; Context (archaeology); Expression (computer science); Visual arts; Aesthetics; Art; Psychology; History; Social psychology; Computer science; Gene expression; Archaeology","authors":[{"name":"Deanne Fisher","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04387526964564944,"gpt":0.3323351329946297,"spread":0.2884598633489803,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004808091,0.00007865976,0.0001311645,0.00003796458,0.0001441913,0.00008403359,0.0001729516,0.00005281528,0.0007603752],"category_scores_gemma":[0.0003142497,0.00003604649,0.0001035784,0.0001709906,0.0002125626,0.0002112255,0.00001522294,0.0001491377,0.000005339262],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009989137,"about_ca_system_score_gemma":0.0001467829,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001624323,"about_ca_topic_score_gemma":0.0003366641,"domain_scores_codex":[0.9991732,0.0001717575,0.0002320216,0.0001372196,0.0001726167,0.0001132479],"domain_scores_gemma":[0.9983584,0.001368943,0.00009446516,0.0001187187,0.00003288494,0.00002654308],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"observational","study_design_scores_codex":[0.000431611,0.0006957651,0.2543285,0.00004613323,0.0002021409,0.00001666974,0.303777,0.001129251,0.000550115,0.2035206,0.1260386,0.1092636],"study_design_scores_gemma":[0.0006687185,0.0003042382,0.860767,0.0005596965,0.00003633867,0.000003549915,0.0634203,0.000660202,0.005053794,0.01716151,0.05103063,0.0003339962],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9481985,0.00009637307,0.00002646177,0.002875763,0.00005962677,0.0002316604,0.0001317882,0.00001082342,0.04836903],"genre_scores_gemma":[0.9983689,0.00002823868,0.000005593711,0.000008430288,0.00005448722,0.00001378531,0.00001236918,0.000003449034,0.001504777],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6064385,"threshold_uncertainty_score":0.8325575,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4410484675","doi":"10.46840/ec.2024.21.739","title":"Fresh Air: Curating for Fluid Access","year":2024,"lang":"en","type":"article","venue":"Economía Creativa","topic":"Chemical and Environmental Engineering Research","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Computer science","authors":[{"name":"Meichen Waxer","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0233420382256142,"gpt":0.2881696929542059,"spread":0.2648276547285917,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00008267992,0.00008129974,0.00008475516,0.00004260327,0.0000523558,0.0002475276,0.0004984043,0.00002975844,0.0001796535],"category_scores_gemma":[0.00002650834,0.00007171488,0.0000619439,0.00009951716,0.00002182583,0.0005904091,0.0002576071,0.00007863747,0.0001335546],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006923109,"about_ca_system_score_gemma":0.00001826249,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001368547,"about_ca_topic_score_gemma":0.00000115585,"domain_scores_codex":[0.9993441,0.000004364313,0.0001112751,0.0002755311,0.0000619799,0.0002027206],"domain_scores_gemma":[0.9995258,0.0001875736,0.000008209416,0.0001982197,0.000004818815,0.00007531348],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"simulation_or_modeling","study_design_scores_codex":[0.00003113816,0.0002426449,0.002288201,0.001439348,0.0003245206,0.0001027046,0.002033936,0.01562925,0.1086301,0.2994916,0.156189,0.4135975],"study_design_scores_gemma":[0.0002321464,0.00006952162,0.001042408,0.0001069044,0.000004514836,0.00001569073,0.0000189796,0.7296216,0.1060026,0.01341695,0.1491499,0.0003187461],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.113196,0.001289578,0.8456468,0.004386485,0.0006890395,0.0004289542,0.00002966423,0.0007568581,0.03357661],"genre_scores_gemma":[0.9894394,0.00002354549,0.00823413,0.00008848962,0.0002103516,0.00008448117,0.000007928361,0.00001418007,0.001897436],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8762435,"threshold_uncertainty_score":0.2924448,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4410484665","doi":"10.46840/ec.2024.21.744","title":"The Art of Forgetting: Reading the 1974 Venice Biennale","year":2024,"lang":"en","type":"article","venue":"Economía Creativa","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Forgetting; Reading (process); Art; Visual arts; Linguistics; Philosophy","authors":[{"name":"Madeline Collins","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02601494887628225,"gpt":0.2525617626199895,"spread":0.2265468137437073,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002829209,0.00009275255,0.0001022748,0.00003275796,0.0005223381,0.0002867476,0.0001947859,0.00002295567,0.0009226362],"category_scores_gemma":[0.00002847404,0.00004523037,0.0001407373,0.0000475972,0.0002517215,0.000164183,0.0000307416,0.0001419037,0.0001480572],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001085654,"about_ca_system_score_gemma":0.00002034242,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00006561464,"about_ca_topic_score_gemma":0.0001967889,"domain_scores_codex":[0.9994251,0.00003409815,0.0001987759,0.0001284431,0.00005752722,0.0001560916],"domain_scores_gemma":[0.9993606,0.0003406069,0.00006056048,0.0001830098,0.00003035767,0.00002483274],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001324373,0.00001699753,0.0001125474,0.00003772098,0.0001461737,0.000001775097,0.04020673,0.000001280777,0.0002750554,0.8728173,0.08472379,0.001647351],"study_design_scores_gemma":[0.000040118,0.00004219056,0.00009106342,0.00006105022,0.00002781336,0.000002572027,0.005000941,0.0001156268,0.001658582,0.004767638,0.9881225,0.00006996397],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1654833,0.003430995,0.00001151571,0.003519009,0.0009939234,0.000268538,0.00006046702,0.0001186045,0.8261136],"genre_scores_gemma":[0.942524,0.00008012277,0.000005200317,0.0001312839,0.0006268255,0.00002600647,0.000007305674,0.00001180947,0.05658741],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9033986,"threshold_uncertainty_score":0.9999906,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}