{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":9,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":9,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"0fc7ee5628d9","filters":{"venue":"English Journal of the English Association"}},"results":[{"id":"W2054727187","doi":"10.1093/english/55.211.15","title":"Smoke Signals: The Sexual Semiotics of Smoking in Victorian Fiction","year":2006,"lang":"en","type":"article","venue":"English Journal of the English Association","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Kellogg's (Canada)","funders":"","keywords":"Smoke; Semiotics; Art; Literature; Engineering; Philosophy; Linguistics","authors":[{"name":"David Grylls","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01257667311041981,"gpt":0.2196758940392473,"spread":0.2070992209288275,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001820565,0.0003688083,0.0002736342,0.001245145,0.01099939,0.008166783,0.00106187,0.003171727,0.004492917],"category_scores_gemma":[0.005626393,0.0003528967,0.0002682002,0.001366991,0.02809506,0.003269996,0.003705707,0.004692188,0.0005788595],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006754593,"about_ca_system_score_gemma":0.004383314,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05625562,"about_ca_topic_score_gemma":0.07504392,"domain_scores_codex":[0.9980687,0.001193134,0.00003712264,0.0001073147,0.0002967304,0.00029702],"domain_scores_gemma":[0.9980015,0.001316396,0.0001691973,0.000120751,0.000200709,0.0001914727],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002623648,0.00001037425,0.000414187,0.00007473365,0.000003884856,0.0002757788,0.431402,0.00008042838,0.0004997604,0.5603167,0.0031007,0.003795154],"study_design_scores_gemma":[0.00001604091,0.00007179102,0.00568637,0.0006765804,0.00002707388,0.001184813,0.2798584,0.0008835438,0.0009638126,0.1469744,0.5635932,0.00006396037],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1923969,0.00742653,0.009463638,0.03296199,0.0008591909,0.00007869258,0.0002087284,0.00006174101,0.7565426],"genre_scores_gemma":[0.9562758,0.001094892,0.0007860338,0.001520662,0.000170566,0.0000364377,0.00003808026,0.00007375015,0.04000384],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.05625562,"threshold_uncertainty_score":0.1118564,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4392791306","doi":"10.1093/english/efae003","title":"The politics of death in Nnedi Okorafor’s Africanfuturist Novels","year":2023,"lang":"en","type":"article","venue":"English Journal of the English Association","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Winnipeg","funders":"","keywords":"Politics; Art; Political science; Literature; History; Law","authors":[{"name":"Ifeoluwa Adeniyi","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01810758019387137,"gpt":0.2257476884809655,"spread":0.2076401082870942,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001523738,0.000321197,0.0002754427,0.0006493658,0.01679336,0.006852956,0.0004714758,0.002138784,0.005667879],"category_scores_gemma":[0.001729346,0.0001873044,0.0001271591,0.0003871577,0.01884877,0.004195461,0.004157977,0.00320083,0.0003016718],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007481168,"about_ca_system_score_gemma":0.001838761,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005189839,"about_ca_topic_score_gemma":0.01520732,"domain_scores_codex":[0.9993049,0.0002417276,0.00001696178,0.00006376268,0.00007156516,0.0003011584],"domain_scores_gemma":[0.9995043,0.0002474129,0.00008104063,0.00002904274,0.000049024,0.00008927478],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001254153,0.00003528314,0.0004489536,0.0001283294,0.000004082872,0.00132739,0.2061119,0.000138301,0.0008332037,0.7715506,0.01168802,0.007608542],"study_design_scores_gemma":[0.00001660104,0.00004425877,0.001503956,0.0003974986,0.00001020888,0.0005868848,0.2187419,0.00009933079,0.001113046,0.0413105,0.7361414,0.00003442941],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3935896,0.007149831,0.0008441763,0.02750147,0.00105352,0.00003055655,0.00005020091,0.00002351385,0.5697572],"genre_scores_gemma":[0.9563751,0.0009256531,0.0001502481,0.001148192,0.000107124,0.00001828863,0.000008428666,0.00001608262,0.04125081],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01679336,"threshold_uncertainty_score":0.05427998,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2332010114","doi":"10.1093/english/55.212.157","title":"From Dogs to Crow: Ted Hughes and a 'world lost' 1956-1970","year":2006,"lang":"en","type":"article","venue":"English Journal of the English Association","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"AGE-WELL","keywords":"History; Library science; Art history; Art; Computer science","authors":[{"name":"R. K. Peel","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.006042960887734372,"gpt":0.1901962347936374,"spread":0.1841532739059031,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001905698,0.0003574075,0.0003306643,0.001899089,0.01045221,0.006348808,0.0009839822,0.003567391,0.009067535],"category_scores_gemma":[0.007163911,0.0002811044,0.0002024595,0.002186181,0.01580834,0.008007921,0.003721668,0.005363909,0.001144103],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006956838,"about_ca_system_score_gemma":0.003215266,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.07100663,"about_ca_topic_score_gemma":0.1360939,"domain_scores_codex":[0.9989228,0.0004213019,0.00004525714,0.0001020626,0.0002593027,0.0002491938],"domain_scores_gemma":[0.9974793,0.00124585,0.0002827003,0.00006717059,0.0003315972,0.000593471],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003559018,0.0000188205,0.001070932,0.0001181995,0.000009582364,0.001393483,0.1495196,0.00003030118,0.00007111104,0.05490209,0.7792181,0.01361213],"study_design_scores_gemma":[0.000005953442,0.00001440135,0.002330628,0.0003441227,0.000008159459,0.001102932,0.09989289,0.000008286103,0.00004484324,0.004432944,0.8918008,0.00001409546],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.05028998,0.15218,0.0002705563,0.624957,0.01872419,0.00002134734,0.0002039825,0.00004046296,0.1533125],"genre_scores_gemma":[0.5955081,0.09938724,0.0003419302,0.0961262,0.009753249,0.00004700812,0.0001531543,0.00009974175,0.1985834],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.07100663,"threshold_uncertainty_score":0.1411867,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4385848281","doi":"10.1093/english/efad017","title":"<i>Literary Rebels: A History of Creative Writers in Anglo-American Universities</i>. By Lise Jaillant","year":2023,"lang":"en","type":"article","venue":"English Journal of the English Association","topic":"Higher Education Practises and Engagement","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Ottawa","funders":"","keywords":"History of literature; Creative writing; History; Media studies; Art; Classics; Art history; Sociology; Literature","authors":[{"name":"Kimberly Quiogue Andrews","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01445296918619465,"gpt":0.2692144179690243,"spread":0.2547614487828297,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002702993,0.0008197653,0.0006232457,0.004123115,0.01060899,0.01202385,0.001069209,0.002589684,0.02498812],"category_scores_gemma":[0.004924618,0.000626067,0.0002670904,0.005858539,0.008164696,0.009425901,0.005278977,0.005048884,0.007359542],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004856986,"about_ca_system_score_gemma":0.004944702,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01371884,"about_ca_topic_score_gemma":0.03983531,"domain_scores_codex":[0.9976545,0.0009197709,0.0001333154,0.00020795,0.0007400198,0.000344494],"domain_scores_gemma":[0.9945884,0.002512946,0.0007727087,0.0001583186,0.0007350736,0.001232538],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008520385,0.00005446358,0.0008815101,0.00145451,0.0000142119,0.0003853645,0.07111112,0.00002772421,0.0002199974,0.0367973,0.7788242,0.1101444],"study_design_scores_gemma":[0.000002934615,0.000009680476,0.001042797,0.001366675,0.000002890915,0.0002432635,0.01375493,0.000007540687,0.000044619,0.001334536,0.9821814,0.000008774688],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0038227,0.8045719,0.0001328885,0.06355856,0.009089854,0.00001444237,0.00007977389,0.00007321699,0.1186566],"genre_scores_gemma":[0.1578651,0.4656389,0.0006002468,0.01941923,0.01488883,0.00008624856,0.0001644643,0.0002976968,0.3410393],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.02498812,"threshold_uncertainty_score":0.08359355,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2973464751","doi":"10.1093/english/efz041","title":"Chaucer’s Gifts: Exchange and Value in the Canterbury Tales. By Robert Epstein","year":2019,"lang":"en","type":"article","venue":"English Journal of the English Association","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Ethos; Poetry; Opposition (politics); Literature; Capitalism; Close reading; Value (mathematics); Conversation; History; Sociology; Art; Philosophy; Law; Linguistics; Politics","authors":[{"name":"David K. Coley","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.005956910821567604,"gpt":0.1813728446301721,"spread":0.1754159338086045,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001506669,0.0003741002,0.000224257,0.0007154799,0.007621069,0.005196791,0.0005392393,0.00196215,0.005708527],"category_scores_gemma":[0.004333495,0.0001765248,0.0001307758,0.0005536677,0.0168204,0.004476503,0.001900329,0.002768445,0.0006067103],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006951115,"about_ca_system_score_gemma":0.002494741,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.08657724,"about_ca_topic_score_gemma":0.1159367,"domain_scores_codex":[0.9990765,0.0005062337,0.00001436881,0.00008815623,0.0001676538,0.0001469891],"domain_scores_gemma":[0.9986796,0.0007616039,0.0001044987,0.0000656472,0.0001807233,0.0002079163],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005009648,0.00001930898,0.0003897091,0.0000443804,0.000002588931,0.0003485174,0.06051518,0.00009414902,0.0002566069,0.8133278,0.1102283,0.01472326],"study_design_scores_gemma":[0.00001006512,0.00001803278,0.0009005366,0.0002296631,0.000003112739,0.0002425957,0.02827253,0.0001963289,0.0002572841,0.04565263,0.9241855,0.00003175288],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"review","genre_scores_codex":[0.05137719,0.04307435,0.003067743,0.2725687,0.0038332,0.00005012233,0.0001081757,0.00007249058,0.6258479],"genre_scores_gemma":[0.7790877,0.005500386,0.001017718,0.009142401,0.001202198,0.00005156875,0.00002520287,0.00008114969,0.2038919],"genre_candidate":"review","genre_consensus":null,"teacher_disagreement_score":0.08657724,"threshold_uncertainty_score":0.1721466,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4318947895","doi":"10.1093/english/efad002","title":"Challenging sympathy in Mary Shelley’s fiction: <i>Frankenstein</i>, <i>Mathilda</i>, and ‘The Mourner’","year":2022,"lang":"en","type":"article","venue":"English Journal of the English Association","topic":"Psychology of Social Influence","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Manitoba","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Sympathy; Romance; Philosophy; Literature; Affect (linguistics); Aesthetics; Sociology; Psychoanalysis; Psychology; Social psychology; Art; Linguistics","authors":[{"name":"Michelle Faubert","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.006410164824946732,"gpt":0.23202921300098,"spread":0.2256190481760332,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00136113,0.0004349772,0.000382627,0.0009574115,0.009887872,0.005169332,0.0008112774,0.003330869,0.002972238],"category_scores_gemma":[0.00791125,0.0001821447,0.0001780574,0.0003874841,0.01758694,0.003191086,0.002790628,0.005454166,0.0003954841],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003964265,"about_ca_system_score_gemma":0.0009410779,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006372033,"about_ca_topic_score_gemma":0.01151897,"domain_scores_codex":[0.9980969,0.001247845,0.00003522145,0.0001376726,0.0002762409,0.0002061472],"domain_scores_gemma":[0.9952012,0.003932352,0.0002437504,0.00008940394,0.0002448373,0.0002882814],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008669689,0.00005720687,0.0006936401,0.0001514494,0.0000180479,0.003950813,0.5846674,0.0002702383,0.001009629,0.2970832,0.1015338,0.01047781],"study_design_scores_gemma":[0.00001900584,0.00007694884,0.002192208,0.0005772754,0.00001554266,0.002833288,0.1794678,0.0007985203,0.002175925,0.03301405,0.778767,0.00006244357],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4003305,0.0119617,0.004721317,0.2075253,0.007388552,0.00006492677,0.00008881972,0.0001696903,0.3677492],"genre_scores_gemma":[0.9655653,0.0008563261,0.0005055353,0.006711679,0.001031329,0.00002270476,0.00001226394,0.00005983311,0.02523498],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.009887872,"threshold_uncertainty_score":0.02876288,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4244663800","doi":"10.1093/english/efw038","title":"Poem","year":2016,"lang":"en","type":"article","venue":"English Journal of the English Association","topic":"Irish and British Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Archaeology; Art; Fountain; Kettle (birds); Visual arts; Art history; History; Biology; Ecology","authors":[{"name":"Antony Rowland","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.007950973036181634,"gpt":0.2449273848329798,"spread":0.2369764117967982,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006642491,0.000846079,0.0005835095,0.0009202562,0.003011639,0.006264479,0.001215528,0.002004187,0.6810641],"category_scores_gemma":[0.003484341,0.0002724846,0.0003540477,0.0007727208,0.001053485,0.005687784,0.003807439,0.003187717,0.562839],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001038571,"about_ca_system_score_gemma":0.001413883,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001691378,"about_ca_topic_score_gemma":0.003578717,"domain_scores_codex":[0.9993653,0.0001077406,0.00002684696,0.0001362278,0.00023625,0.0001277323],"domain_scores_gemma":[0.9990845,0.0001017265,0.00003343451,0.0001102546,0.0003180508,0.0003520343],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001520564,0.00001653995,0.0001077114,0.00004318608,0.000001249286,0.00008739357,0.000235571,0.00001477505,0.00008029825,0.01281418,0.9368447,0.04973926],"study_design_scores_gemma":[0.00000108656,0.000003500689,0.00005210127,0.00002306483,2.947036e-7,0.00006235111,0.0001002921,0.00000655494,0.000009300283,0.0006240894,0.9991161,0.000001280923],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0004967544,0.002955272,0.000758815,0.01254684,0.01666685,0.00006545219,0.0007014147,0.0004340637,0.9653745],"genre_scores_gemma":[0.002592787,0.001088924,0.0002451704,0.004226125,0.001403918,0.0000259754,0.0002879964,0.0001706143,0.9899586],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.6810641,"threshold_uncertainty_score":0,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W64864539","doi":"10.1093/english/52.203.186","title":"David Punter, Postcolonial Imaginings: Fictions of a New World Order; Roger Clark, Stranger Gods: Salman Rushdie's Other Worlds","year":2003,"lang":"en","type":"article","venue":"English Journal of the English Association","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Queen (butterfly); Order (exchange); Art history; History; Media studies; Art; Sociology","authors":[{"name":"Călin Şandru","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0129537863159631,"gpt":0.2187931656641624,"spread":0.2058393793481993,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001112951,0.0009321238,0.0004500637,0.001836314,0.005387015,0.005412475,0.001229323,0.003555804,0.02068269],"category_scores_gemma":[0.00347274,0.0003141488,0.0002798055,0.002565317,0.008080323,0.007921672,0.002560373,0.004759331,0.004292803],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004103012,"about_ca_system_score_gemma":0.002100046,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0239056,"about_ca_topic_score_gemma":0.07354725,"domain_scores_codex":[0.9991442,0.0003671298,0.00002819755,0.00009013456,0.0002881273,0.00008221416],"domain_scores_gemma":[0.9986144,0.0009397782,0.0001023543,0.00003291127,0.0001587203,0.0001517611],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000009854872,0.00000564584,0.0000355542,0.0001316109,0.000001859717,0.00006925041,0.004029459,0.00001242512,0.00003161659,0.02774463,0.9566864,0.01124161],"study_design_scores_gemma":[0.000003929392,0.00000322592,0.0001744966,0.0002055052,0.000001719311,0.000116264,0.002897906,0.000009500813,0.00003639867,0.005475742,0.9910694,0.00000591459],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.001339515,0.5234813,0.0005607284,0.2879863,0.01950799,0.00002495757,0.0001445754,0.00008175838,0.1668728],"genre_scores_gemma":[0.07443398,0.3315831,0.001314415,0.1003724,0.02321409,0.0001124311,0.0002227945,0.0002507084,0.468496],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.0239056,"threshold_uncertainty_score":0.0691905,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2314381697","doi":"10.1093/english/52.202.86","title":"Melanie Williams., Empty Justice: One Hundred Years of Law, Literature and Philosophy. Existential, Feminist and Normative Perspectives in Literary Jurisprudence","year":2003,"lang":"en","type":"article","venue":"English Journal of the English Association","topic":"Law in Society and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Calgary","funders":"","keywords":"Jurisprudence; Existentialism; Economic Justice; Normative; Sociology; Law and literature; Publishing; Philosophy and literature; Literary criticism; Law; Philosophy; Political science; Literature; Art; Epistemology","authors":[{"name":"Mary Polito","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01332590531151427,"gpt":0.2665641757845824,"spread":0.2532382704730681,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001517743,0.001002472,0.000654599,0.003052515,0.004693231,0.005259203,0.001101737,0.003731764,0.02112952],"category_scores_gemma":[0.006648085,0.0009378475,0.0003154793,0.003102925,0.004507263,0.01407164,0.00304801,0.00444035,0.006813521],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002877747,"about_ca_system_score_gemma":0.004032639,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02204796,"about_ca_topic_score_gemma":0.05990761,"domain_scores_codex":[0.9986904,0.0003673067,0.00009902968,0.000155745,0.0005700621,0.0001174044],"domain_scores_gemma":[0.9968132,0.001633364,0.0002835894,0.00007876135,0.000818476,0.0003725037],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001185233,0.00001128085,0.0001438988,0.000349967,0.000006005496,0.0001205912,0.004188043,0.00001909821,0.0001207719,0.01589122,0.9241658,0.05497148],"study_design_scores_gemma":[0.000006613925,0.000008721942,0.001230316,0.001646836,0.000007577111,0.0003062554,0.005188976,0.00002390641,0.0001149384,0.0176389,0.9738095,0.00001753938],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.000959403,0.6705328,0.0009298027,0.260628,0.007341375,0.00003348198,0.0001313687,0.0000755748,0.0593683],"genre_scores_gemma":[0.03106115,0.6080214,0.00267791,0.05040725,0.006721331,0.0001964904,0.0002322743,0.0003030431,0.3003792],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.02204796,"threshold_uncertainty_score":0.07068527,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}