{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":6,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":6,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"aae98224b4a3","filters":{"venue":"Estetika The European Journal of Aesthetics"}},"results":[{"id":"W3137152741","doi":"10.33134/eeja.251","title":"Beyond the Pleasure Principle: A Kantian Aesthetics of Autonomy","year":2021,"lang":"en","type":"article","venue":"Estetika The European Journal of Aesthetics","topic":"Philosophical Ethics and Theory","field":"Arts and Humanities","cited_by":47,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Pleasure; Hedonism; Autonomy; Aesthetics; Philosophy; Theme (computing); Key (lock); Epistemology; Psychology; Law; Political science","authors":[{"name":"Dominic McIver Lopes","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03550923264450717,"gpt":0.241125158425664,"spread":0.2056159257811568,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003512403,0.0002115091,0.000324388,0.00006055661,0.0004355961,0.0002040586,0.0009653608,0.00003647878,0.0002145232],"category_scores_gemma":[0.000223976,0.0001126611,0.0003520754,0.00009677295,0.001258754,0.00009462855,0.0002031361,0.0009931443,0.00004723461],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002347844,"about_ca_system_score_gemma":0.0003405116,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000001499958,"about_ca_topic_score_gemma":0.00001092652,"domain_scores_codex":[0.9966968,0.001489105,0.0008502378,0.0001419789,0.0005678234,0.0002540465],"domain_scores_gemma":[0.9973815,0.0002731049,0.0007461171,0.0006373966,0.0008432358,0.0001186187],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002913156,0.0001613943,0.0000242415,0.00002243595,0.00008508571,0.0002564547,0.0201926,0.0001284441,0.00007799888,0.9702196,0.0004528186,0.008349823],"study_design_scores_gemma":[0.0005515662,0.0003888571,0.0001673802,0.0001586965,0.0001612993,0.0005220111,0.002341122,0.00003642842,0.000365387,0.2644689,0.7306497,0.0001885964],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2733287,0.00568703,0.0003529948,0.0943198,0.002813585,0.0002807474,0.0000540946,0.00004545407,0.6231176],"genre_scores_gemma":[0.9953704,0.0002573043,0.000178304,0.002205702,0.0009061238,5.084043e-7,0.000001618838,0.00005690534,0.001023102],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7301969,"threshold_uncertainty_score":0.463793,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2766498207","doi":"10.33134/eeja.162","title":"Aesthetic Experience, Aesthetic Value","year":2017,"lang":"en","type":"article","venue":"Estetika The European Journal of Aesthetics","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Winnipeg","funders":"","keywords":"Aesthetic experience; Aesthetic value; Aesthetics; Value (mathematics); Relation (database); Core (optical fiber); Art; Mathematics; Computer science","authors":[{"name":"Jane Forsey","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05649935374045353,"gpt":0.2652197323300446,"spread":0.2087203785895911,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.003634567,0.0004490612,0.000516249,0.0001647647,0.002741718,0.001649004,0.003184863,0.00005862915,0.0001958658],"category_scores_gemma":[0.0002251233,0.0002942967,0.0005052626,0.00003429515,0.003763702,0.0005732725,0.0003074893,0.001080394,0.0005621696],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004361407,"about_ca_system_score_gemma":0.0001150073,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001720592,"about_ca_topic_score_gemma":0.00003785601,"domain_scores_codex":[0.9959397,0.001086432,0.001177687,0.0003137163,0.0008780078,0.00060448],"domain_scores_gemma":[0.9955446,0.00006398456,0.001708457,0.001752788,0.0006302118,0.000300018],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001383506,0.0006271327,0.0009527819,0.00004345143,0.00005131067,0.001506691,0.2234492,0.000296102,0.00005167773,0.6104479,0.01749114,0.1449442],"study_design_scores_gemma":[0.001141082,0.0009108134,0.0004871454,0.0003147345,0.0001121578,0.002357635,0.006496748,0.0000574043,0.00009492337,0.01176577,0.9757612,0.0005003472],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5808751,0.001607075,0.0002359866,0.03751626,0.006002542,0.0003438998,0.00001200736,0.0001065315,0.3733006],"genre_scores_gemma":[0.9898566,0.0005681633,0.0003341156,0.001723307,0.001351653,0.000002389388,0.000001011854,0.0001404061,0.006022382],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9582701,"threshold_uncertainty_score":0.9999509,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3086910899","doi":"10.33134/eeja.212","title":"Feeling the Aesthetic: A Pluralist Sentimentalist Theory of Aesthetic Experience","year":2020,"lang":"en","type":"article","venue":"Estetika The European Journal of Aesthetics","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Feeling; Aesthetic experience; Aesthetics; Wonder; Aesthetic theory; Epistemology; Reductionism; Focus (optics); Psychology; Philosophy","authors":[{"name":"Rasmus Rosenberg Larsen","is_ca":true},{"name":"David Sackris","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05826507285190017,"gpt":0.2682319651465404,"spread":0.2099668922946402,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002282686,0.0003461528,0.000455211,0.00009836267,0.0004650753,0.0001797437,0.002176593,0.00003646393,0.0001780282],"category_scores_gemma":[0.0003803798,0.0001885521,0.0005688377,0.0006859411,0.001582446,0.0001893256,0.0002697869,0.0006398346,0.0001657159],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003401934,"about_ca_system_score_gemma":0.00006752594,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000002168291,"about_ca_topic_score_gemma":4.280219e-7,"domain_scores_codex":[0.9936237,0.003358968,0.001266991,0.0003446566,0.001009234,0.0003964622],"domain_scores_gemma":[0.9974844,0.0001150874,0.001230227,0.0006972309,0.0001930006,0.000280048],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001437924,0.001670681,0.001469876,0.000116026,0.00007994883,0.002732948,0.2381191,0.01536591,0.2405661,0.05556726,0.008222626,0.4346516],"study_design_scores_gemma":[0.01176343,0.00799929,0.002971419,0.001591022,0.002168026,0.04791325,0.1171758,0.01280947,0.1307786,0.008743201,0.6520293,0.004057232],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9596445,0.000499708,0.003829401,0.02903042,0.0003002202,0.0002392797,0.000009204463,0.00005173074,0.006395562],"genre_scores_gemma":[0.9929884,0.0003915615,0.0003213598,0.005832721,0.00013729,0.000001675367,6.153167e-7,0.00007020098,0.0002561883],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6438066,"threshold_uncertainty_score":0.7688931,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2765382988","doi":"10.33134/eeja.163","title":"Art and Well-Being","year":2017,"lang":"en","type":"article","venue":"Estetika The European Journal of Aesthetics","topic":"Psychological Well-being and Life Satisfaction","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Subjective well-being; The arts; Well-being; Psychology; Order (exchange); Positive psychology; Quarter (Canadian coin); Social psychology; Aesthetics; Sociology; Happiness; Art; Visual arts; Psychotherapist; History; Economics","authors":[{"name":"Kevin Melchionne","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02402395232286043,"gpt":0.2962676709503168,"spread":0.2722437186274563,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002229866,0.0001383029,0.0001810926,0.00005288278,0.0004758463,0.0001934282,0.0006154682,0.00003696028,0.0001573699],"category_scores_gemma":[0.0001363621,0.00008503847,0.0001018692,0.00003101629,0.000324767,0.00009656247,0.00008288829,0.0004981148,0.0006960247],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000009408666,"about_ca_system_score_gemma":0.000006885687,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000002715856,"about_ca_topic_score_gemma":7.32066e-7,"domain_scores_codex":[0.9982461,0.0008067219,0.000397405,0.0001482833,0.0001886444,0.000212858],"domain_scores_gemma":[0.9984319,0.0001035043,0.0006509472,0.0006190823,0.00006843705,0.0001261472],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004515577,0.0003672204,0.05557405,0.00001818933,0.0002852391,0.002880754,0.01267928,0.00005723325,0.0005097978,0.05775295,0.09097427,0.7784495],"study_design_scores_gemma":[0.001328685,0.0008062219,0.4534987,0.0001104259,0.00007898695,0.003290588,0.0005423794,0.000007939888,0.00004699802,0.00610651,0.5339774,0.0002051401],"study_design_candidate":"design_other","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.394632,0.0002429544,0.0004742812,0.003819084,0.001629254,0.00004867232,3.437926e-7,0.00001544388,0.5991379],"genre_scores_gemma":[0.9934639,0.0002051919,0.0003469956,0.0006398725,0.0005698796,3.170877e-7,2.050957e-7,0.00002974739,0.004743904],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7782443,"threshold_uncertainty_score":0.8946222,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2943377455","doi":"10.33134/eeja.174","title":"Interpretation, Intentions, and Responsibility","year":2018,"lang":"en","type":"article","venue":"Estetika The European Journal of Aesthetics","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Interpretation (philosophy); Epistemology; Accidental; Psychology; Sociology; Social psychology; Philosophy; Linguistics","authors":[{"name":"Peter Alward","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0352264312220519,"gpt":0.2544991580743188,"spread":0.2192727268522669,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003963452,0.000129346,0.0001601821,0.00009041972,0.000457746,0.0002609869,0.0003618007,0.00001673594,0.0001217871],"category_scores_gemma":[0.000416049,0.00008176359,0.0001079888,0.00003053567,0.002003249,0.0001770228,0.00008576427,0.0003802416,0.00009919245],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001467147,"about_ca_system_score_gemma":0.00004835386,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000001783993,"about_ca_topic_score_gemma":0.0000617259,"domain_scores_codex":[0.9978432,0.001023923,0.0005694188,0.0001214163,0.0002869363,0.0001550789],"domain_scores_gemma":[0.9982498,0.0001536598,0.0003605192,0.0002966573,0.0008511332,0.00008818545],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005103141,0.0003327652,0.001218159,0.00004986737,0.0001264441,0.0001292995,0.3902797,0.00001217483,0.0002073496,0.469901,0.02649607,0.1107369],"study_design_scores_gemma":[0.0006156165,0.001679781,0.002036984,0.0002480643,0.00009355892,0.0004606238,0.01096123,0.00008003129,0.0001722925,0.02532648,0.9581012,0.0002241856],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7750143,0.001014166,0.001641075,0.02578032,0.003166863,0.0001856946,0.000009675621,0.00005751251,0.1931304],"genre_scores_gemma":[0.9954379,0.0001507631,0.0003540732,0.001350935,0.0009931944,2.443558e-7,4.071538e-7,0.00002843903,0.001684038],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9316051,"threshold_uncertainty_score":0.7381055,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4386747656","doi":"10.33134/eeja.343","title":"In Defence of Tourists","year":2023,"lang":"en","type":"article","venue":"Estetika The European Journal of Aesthetics","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Capilano University","funders":"","keywords":"Luck; Tourism; Aesthetics; Product (mathematics); Identity (music); Psychology; Sociology; Advertising; Epistemology; Art; Business; Political science; Philosophy; Law; Mathematics","authors":[{"name":"Michel‐Antoine Xhignesse","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04008656475982356,"gpt":0.2809233107429823,"spread":0.2408367459831587,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001911293,0.0001057467,0.0002030436,0.0002463569,0.0000621705,0.00002632972,0.0007123951,0.00001538589,0.00005428006],"category_scores_gemma":[0.0003885598,0.00006858997,0.0001685848,0.0008715009,0.0002480765,0.00009674587,0.00009100403,0.0002675337,0.0002683193],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001600454,"about_ca_system_score_gemma":0.00003309327,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000001162127,"about_ca_topic_score_gemma":8.998497e-7,"domain_scores_codex":[0.997633,0.001009986,0.0006152727,0.000122535,0.0004242263,0.0001950122],"domain_scores_gemma":[0.9990681,0.00008222274,0.000422677,0.0002834567,0.0000689201,0.00007459067],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003956477,0.001455004,0.01127264,0.0001192162,0.00003063393,0.0136518,0.0417259,0.03462457,0.5374517,0.0151586,0.03958223,0.304532],"study_design_scores_gemma":[0.01165639,0.005525539,0.1873742,0.002111415,0.0004862665,0.01456248,0.01380855,0.01022993,0.1359037,0.02142041,0.5942339,0.002687281],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9886845,0.00004660459,0.0002455295,0.003555859,0.0002094665,0.00004364405,0.000001781996,0.00001614057,0.007196523],"genre_scores_gemma":[0.9980035,0.0004914362,0.000144034,0.0005561283,0.00006931955,2.14195e-7,1.119088e-7,0.00002106547,0.0007141401],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5546516,"threshold_uncertainty_score":0.3448791,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}