{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":13,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":13,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"9ca2068be4c4","filters":{"venue":"Feminist Media Histories"}},"results":[{"id":"W2796426679","doi":"10.1525/fmh.2018.4.2.90","title":"Girls’ Media Studies","year":2018,"lang":"en","type":"article","venue":"Feminist Media Histories","topic":"Gender, Feminism, and Media","field":"Social Sciences","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Icon; Citation; Table of contents; Craft; Media studies; Art; Library science; Sociology; Visual arts; Computer science; World Wide Web","authors":[{"name":"Mary Celeste Kearney","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09391115737514985,"gpt":0.3576177709790913,"spread":0.2637066136039414,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.001122547,0.0002663149,0.0004498324,0.0001354491,0.001311957,0.00005738397,0.0005478743,0.0002319801,0.0004939095],"category_scores_gemma":[0.006293871,0.0002530797,0.000112934,0.000458886,0.004336677,0.0001776434,0.0001043843,0.000218739,0.0006245045],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004856912,"about_ca_system_score_gemma":0.0008112579,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002602605,"about_ca_topic_score_gemma":0.008565048,"domain_scores_codex":[0.9972174,0.000176581,0.0004032049,0.0004620011,0.0009873856,0.0007534266],"domain_scores_gemma":[0.9973413,0.00113577,0.0001809535,0.0004174988,0.0004530236,0.000471393],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002488685,0.00003925557,0.002851495,0.00001905389,0.00003771772,0.0000217394,0.8023492,1.041244e-8,0.00005158774,0.0297431,0.1615591,0.003302905],"study_design_scores_gemma":[0.0002225125,0.00005812423,0.0006582343,0.00002019385,0.00004312867,0.000002460229,0.228207,1.447014e-7,0.0003311387,0.003485252,0.7667231,0.0002486849],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1159921,0.01600152,0.00007085897,0.006221241,0.09241075,0.000663971,0.0001087143,0.001110539,0.7674204],"genre_scores_gemma":[0.9744039,0.001043549,0.0008743691,0.0007314072,0.01025063,0.00006453571,0.00001938715,0.00003548288,0.01257676],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8584118,"threshold_uncertainty_score":0.9999921,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3016557445","doi":"10.1525/fmh.2020.6.2.176","title":"Listening to Indigenous Knowledge of the Land in Two Contemporary Sound Art Installations","year":2020,"lang":"en","type":"article","venue":"Feminist Media Histories","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Sound (geography); Indigenous; Active listening; German; Soundscape; Sound art; Politics; Colonialism; Environmentalism; Aesthetics; Sociology; Reading (process); History; Environmental ethics; Acoustics; Art; Political science; Archaeology; Communication; Law; Ecology; Philosophy","authors":[{"name":"Kate Galloway","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1286404931224898,"gpt":0.2623254435657439,"spread":0.1336849504432542,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00008268824,0.0001093192,0.0002369598,0.00003969466,0.0003042516,0.00006226097,0.0001997594,0.00002167156,0.0003011192],"category_scores_gemma":[0.0003585735,0.00007768378,0.00005427261,0.0001078457,0.0004397258,0.0000602094,0.000174954,0.0001168491,0.00007946644],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009382998,"about_ca_system_score_gemma":0.00009557974,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000241835,"about_ca_topic_score_gemma":0.007346862,"domain_scores_codex":[0.9992965,0.00003823368,0.0002464043,0.000150149,0.0001292835,0.0001393753],"domain_scores_gemma":[0.9994566,0.0002101984,0.00008954605,0.000105151,0.00007161569,0.00006686277],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003827721,0.00006589916,0.04284439,0.00003218515,0.0000169062,0.000005415216,0.8921169,0.000004801717,0.00001395211,0.03834237,0.02634104,0.0001778443],"study_design_scores_gemma":[0.000256791,0.00006954806,0.001885411,0.00002040398,0.00001002251,2.729815e-7,0.01802327,0.000001811742,0.000008853175,0.0003133157,0.9793081,0.0001022091],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2635534,0.0008088331,0.000003483632,0.00132031,0.001770256,0.0003239617,0.000126811,0.00005640753,0.7320365],"genre_scores_gemma":[0.9953882,0.000001673204,0.00003113426,0.0006789672,0.0004150735,0.00002496027,0.000008917063,0.000009228116,0.003441838],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.952967,"threshold_uncertainty_score":0.4099722,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2754929579","doi":"10.1525/fmh.2015.1.4.89","title":"Voicing Dissonance","year":2015,"lang":"en","type":"article","venue":"Feminist Media Histories","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Cognitive dissonance; Film director; Subjectivity; Aesthetics; Representation (politics); Dialectic; Politics; Sociology; Immediacy; Voice; Art; Visual arts; Psychology; Social psychology; Epistemology; Political science; Movie theater; Linguistics; Philosophy; Law","authors":[{"name":"Shana MacDonald","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09850446999717485,"gpt":0.2575834331848488,"spread":0.1590789631876739,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000135187,0.0001457041,0.0001946817,0.00004271206,0.0003069636,0.00007478755,0.0001612348,0.00004072128,0.0002628481],"category_scores_gemma":[0.0002539069,0.0001330214,0.00005009075,0.000002145114,0.0006591202,0.0001501342,0.00004134935,0.0001108187,0.0002296098],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001862135,"about_ca_system_score_gemma":0.0001502436,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0006510091,"about_ca_topic_score_gemma":0.008676083,"domain_scores_codex":[0.9990352,0.00001981554,0.0002046076,0.0001841833,0.000259537,0.0002966819],"domain_scores_gemma":[0.9992796,0.00008703017,0.00007798153,0.0002293116,0.0001177997,0.0002082328],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001041175,0.00002259354,0.0002372357,0.00001242752,0.000006425676,0.00001097268,0.6524171,2.52204e-7,0.000002962957,0.1943205,0.1525001,0.0004590624],"study_design_scores_gemma":[0.0001910044,0.00004290792,0.00004752414,0.00001490382,0.00001663015,0.000003378849,0.01779683,0.000009792761,0.000039695,0.006494196,0.9751632,0.0001799754],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01052387,0.001442715,0.00007178017,0.0009113937,0.01095179,0.0001036004,0.0001489451,0.0002695598,0.9755763],"genre_scores_gemma":[0.863371,0.000009701219,0.0001310495,0.0006019576,0.003227017,0.00001660348,0.00003774991,0.00002553593,0.1325794],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.8528471,"threshold_uncertainty_score":0.5424457,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4390478460","doi":"10.1525/fmh.2024.10.1.17","title":"Long Histories of Mediated Community","year":2024,"lang":"en","type":"article","venue":"Feminist Media Histories","topic":"Digital Games and Media","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Dystopia; Conversation; Media studies; Digital media; Sociology; New media; Work (physics); Political science; Engineering; Communication; Law","authors":[{"name":"Reem Hilu","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03156505115707249,"gpt":0.2940182330807655,"spread":0.262453181923693,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009135886,0.0001552796,0.0003017673,0.0001262908,0.0002584332,0.00008902456,0.0004222489,0.0001483151,0.0002681116],"category_scores_gemma":[0.002736336,0.0001504451,0.0001144111,0.0005181193,0.001811289,0.0002718973,0.00007239602,0.0003472723,0.00004706316],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005141573,"about_ca_system_score_gemma":0.0007863714,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0009128385,"about_ca_topic_score_gemma":0.006904273,"domain_scores_codex":[0.9983617,0.0001792099,0.0003356578,0.0001741843,0.0006213809,0.0003278482],"domain_scores_gemma":[0.9977544,0.001488034,0.00009023517,0.0002947427,0.0001368419,0.0002357783],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003005463,0.0001138408,0.002553532,0.0002607714,0.00004702465,0.0000576936,0.7302147,1.470008e-7,0.00008104563,0.1858628,0.03951453,0.04126382],"study_design_scores_gemma":[0.00007530422,0.00006105224,0.000339148,0.00006225149,0.00002885318,0.000001673144,0.02758428,9.558887e-7,0.0000881081,0.0006372996,0.9709659,0.0001552351],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03036477,0.008067118,0.00003476816,0.001481188,0.014633,0.0001958405,0.0001658996,0.000517418,0.94454],"genre_scores_gemma":[0.9508829,0.0001305965,0.0001244155,0.00007896828,0.0005135598,0.00002083173,0.00006872151,0.00002512152,0.04815494],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.9314513,"threshold_uncertainty_score":0.6673769,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2967540375","doi":"10.1525/fmh.2019.5.3.1","title":"Editors' Introduction","year":2019,"lang":"en","type":"article","venue":"Feminist Media Histories","topic":"Media, Journalism, and Communication History","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Media studies; Sociology; Library science; Art history; Art; History","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.01774911288119542,"gpt":0.2055937806162652,"spread":0.1878446677350698,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002585765,0.000152591,0.0002216148,0.000121284,0.0003820603,0.00007591015,0.000338823,0.00006139572,0.01270595],"category_scores_gemma":[0.0001554721,0.0001437612,0.00008130907,0.00004140085,0.000410018,0.0002329521,0.00004186462,0.0002787663,0.001419341],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002608851,"about_ca_system_score_gemma":0.0001092993,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00005458591,"about_ca_topic_score_gemma":0.0002090573,"domain_scores_codex":[0.9988623,0.00006449757,0.0003058283,0.0002128685,0.0003530325,0.0002014214],"domain_scores_gemma":[0.9988066,0.0001506712,0.0001776752,0.0005909349,0.0001626651,0.0001114298],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001887859,0.00003539656,0.0001408305,0.00001853901,0.00001175768,0.000001272906,0.1561006,2.451317e-7,0.00004712553,0.130673,0.7123911,0.0005613135],"study_design_scores_gemma":[0.0001891195,0.00004931652,0.00002310682,0.00001043633,0.00001799957,0.000005284364,0.0114592,0.000002392248,0.00004185523,0.0007275502,0.9872947,0.0001790516],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01407163,0.003383135,0.00001072466,0.007225542,0.2365918,0.0002533052,0.0000441602,0.0003500727,0.7380696],"genre_scores_gemma":[0.7303538,0.0001350173,0.0001901551,0.0008955886,0.110303,0.00005584228,0.0001566316,0.00005805171,0.157852],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.7162821,"threshold_uncertainty_score":0.9993582,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4393645305","doi":"10.1525/fmh.2024.10.2-3.1","title":"Editors’ Introduction","year":2024,"lang":"en","type":"article","venue":"Feminist Media Histories","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"History","authors":[{"name":"Maggie Hennefeld","is_ca":false},{"name":"Laura Horak","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02002853914380489,"gpt":0.2142629779129749,"spread":0.19423443876917,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000234935,0.0001283293,0.0002662213,0.0001803105,0.0001114989,0.0000574794,0.0001010576,0.0000726958,0.0006130835],"category_scores_gemma":[0.0005106498,0.0001376701,0.00008088003,0.0002477652,0.0001462962,0.0001266721,0.00003481668,0.0001476724,0.001432236],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000228557,"about_ca_system_score_gemma":0.00003162272,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00003439398,"about_ca_topic_score_gemma":0.00002402532,"domain_scores_codex":[0.9990456,0.000004125966,0.0003348447,0.0003627039,0.00004804535,0.0002046681],"domain_scores_gemma":[0.9995287,0.0001078164,0.00006155526,0.0002097664,0.00002037941,0.00007176881],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000004852339,0.00001388035,0.001232013,0.00005763273,0.00002695097,0.00001067884,0.009819307,1.986383e-7,0.00001368999,0.2079388,0.780148,0.0007340028],"study_design_scores_gemma":[0.0000762087,0.00002821488,0.00035591,0.0000102171,0.000008885648,0.00000746355,0.0005070762,0.00001378545,0.00006263042,0.008276179,0.9904982,0.0001552236],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"editorial","genre_gemma":"empirical","genre_scores_codex":[0.008923305,0.108164,0.0008345984,0.03882983,0.5628896,0.0003220202,0.0004486141,0.0009559251,0.2786321],"genre_scores_gemma":[0.8403962,0.0007688415,0.0006521932,0.0001904623,0.1215004,0.000114066,0.00009294842,0.00006102123,0.03622385],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8314729,"threshold_uncertainty_score":0.9993452,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4393644583","doi":"10.1525/fmh.2024.10.2-3.283","title":"<i>Dreamers of the Day</i> and the Living Archive of 1990s Lesbian Cinema in Canada","year":2024,"lang":"en","type":"article","venue":"Feminist Media Histories","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Movie theater; Lesbian; Sociology; Art; Media studies; History; Gender studies; Art history","authors":[{"name":"Tamara de Szegheo Lang","is_ca":false},{"name":"Dan Vena","is_ca":false},{"name":"Prerna Subramanian","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01057862743301891,"gpt":0.1609622025657497,"spread":0.1503835751327308,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001398245,0.00009967956,0.0002347917,0.00001937834,0.000185367,0.00001569196,0.0001528534,0.00001203614,0.0001195238],"category_scores_gemma":[0.0002354924,0.00004775848,0.00005371171,0.00006366809,0.001309611,0.00003236079,0.00006572145,0.0001254283,5.656879e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001648854,"about_ca_system_score_gemma":0.000199049,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.6277491,"about_ca_topic_score_gemma":0.9680002,"domain_scores_codex":[0.9992778,0.00005702316,0.0002356394,0.0001130378,0.0002003619,0.0001161967],"domain_scores_gemma":[0.9988554,0.0009131187,0.00007015388,0.0001081995,0.00002817762,0.00002491162],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001805894,0.0000189085,0.001155874,0.0002903166,0.00004744865,0.000005406821,0.5999599,7.934855e-7,0.00002172915,0.2526369,0.1432552,0.002589462],"study_design_scores_gemma":[0.0001017238,0.00001436879,0.0005238257,0.0002043132,0.00003172345,0.000001252408,0.03602494,0.00001100857,0.00001746013,0.000963318,0.9620321,0.00007395157],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.089472,0.2605641,0.000004370199,0.00975692,0.0212198,0.000835867,0.000768227,0.00007019198,0.6173085],"genre_scores_gemma":[0.9941782,0.0002814991,0.000004809809,0.00008029644,0.0002294689,0.0000218941,0.000002096439,0.000006020217,0.005195662],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9047062,"threshold_uncertainty_score":0.4825318,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2959043114","doi":"10.1525/fmh.2019.5.3.168","title":"“A Girdle of Thought Thrown around the World”","year":2019,"lang":"en","type":"article","venue":"Feminist Media Histories","topic":"Australian History and Society","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Ideology; Public broadcasting; Public sphere; Commission; Internationalism (politics); Corporation; Broadcasting (networking); Media studies; Political science; Sociology; Public relations; Law; Computer science","authors":[{"name":"Justine Lloyd","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02840120185023889,"gpt":0.289300075677847,"spread":0.2608988738276081,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007372849,0.0001136021,0.0002258195,0.00003101124,0.0006218294,0.00002591789,0.0004478792,0.0001042967,0.001361122],"category_scores_gemma":[0.000227094,0.00008866312,0.0001306733,0.0003865996,0.001544169,0.0001423023,0.00003372021,0.0002014792,0.0001538348],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003466666,"about_ca_system_score_gemma":0.0003314699,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004818723,"about_ca_topic_score_gemma":0.002359968,"domain_scores_codex":[0.998655,0.000149057,0.0002336333,0.0001884498,0.0004998197,0.0002740496],"domain_scores_gemma":[0.99877,0.0005454987,0.0001791408,0.000343199,0.00007315255,0.00008902563],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002256421,0.00004931521,0.03564833,0.00003179493,0.00002492677,0.000002704992,0.3722699,0.000001728702,0.00008121111,0.4145919,0.1770852,0.0001903943],"study_design_scores_gemma":[0.00009898253,0.0000179643,0.001131436,0.00001218441,0.0000174184,3.814401e-7,0.04376192,3.888844e-7,0.00009338239,0.0004943868,0.9542595,0.0001120867],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1579683,0.0009097869,0.00001049499,0.002315497,0.01087514,0.0004172259,0.00003830904,0.0001338422,0.8273314],"genre_scores_gemma":[0.8036716,0.00003076471,0.0001912,0.0001763077,0.0006888773,0.00001108981,0.000004434232,0.00001061377,0.1952151],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.7771743,"threshold_uncertainty_score":0.9995518,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4409740786","doi":"10.1525/fmh.2025.11.2.1","title":"Editors’ Introduction","year":2025,"lang":"en","type":"article","venue":"Feminist Media Histories","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Computer science","authors":[{"name":"Tanya Goldman","is_ca":false},{"name":"Benjamín Schultz-Figueroa","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0150851028714968,"gpt":0.2129805168580851,"spread":0.1978954139865883,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002071729,0.0001204897,0.0003181816,0.0002016382,0.0001679967,0.00002254586,0.0001305103,0.00007757989,0.0002608542],"category_scores_gemma":[0.00103891,0.0001380707,0.0000663507,0.0002835589,0.0001653727,0.00007352357,0.0000500096,0.000117841,0.0002963455],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002296616,"about_ca_system_score_gemma":0.00003642128,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00004704363,"about_ca_topic_score_gemma":0.00004339393,"domain_scores_codex":[0.9990873,0.000005045895,0.0003674938,0.0003087929,0.00003503654,0.0001963733],"domain_scores_gemma":[0.9994284,0.00009636695,0.0001221254,0.0002684244,0.00003607157,0.0000486002],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001069439,0.00002650746,0.01125321,0.00002705653,0.00002443025,0.000001446532,0.003351283,2.293375e-7,0.000009824646,0.2465856,0.7382876,0.0004221587],"study_design_scores_gemma":[0.0002143559,0.00001760873,0.002591324,0.000006433733,0.000008617472,9.659311e-7,0.0006362697,0.000002774961,0.000110134,0.01186209,0.9844255,0.000123876],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.009587934,0.02302268,0.001048757,0.04062537,0.3030008,0.0003334615,0.000184466,0.000330953,0.6218656],"genre_scores_gemma":[0.8589667,0.0005433952,0.001123905,0.0008199323,0.04861423,0.0001713809,0.00008594197,0.00003491706,0.08963957],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8493788,"threshold_uncertainty_score":0.563036,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4382808008","doi":"10.1525/fmh.2023.9.3.1","title":"Note from the Editor","year":2023,"lang":"en","type":"article","venue":"Feminist Media Histories","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Icon; Citation; Movie theater; Download; Social media; Media studies; Art history; Library science; Sociology; History; Computer science; World Wide Web","authors":[{"name":"Jennifer M. Bean","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02965406883833901,"gpt":0.2233118005877227,"spread":0.1936577317493836,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002709109,0.0001323588,0.0002993774,0.0000680682,0.0002675482,0.00003246965,0.0002707607,0.00007538194,0.000283166],"category_scores_gemma":[0.001355441,0.0001121232,0.00008767894,0.0003196338,0.0002088699,0.00005542919,0.00009660798,0.000141343,0.003336541],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000108996,"about_ca_system_score_gemma":0.00003001026,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003163629,"about_ca_topic_score_gemma":0.0003536395,"domain_scores_codex":[0.9990448,0.000007406119,0.0003336127,0.0002834523,0.00006625345,0.0002644806],"domain_scores_gemma":[0.9986427,0.0007639905,0.000142936,0.0003572068,0.00002170521,0.00007148559],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000008383552,0.00001050528,0.02287218,0.000006144081,0.00002105807,0.000007210524,0.02770864,3.209051e-7,0.00000744313,0.01960745,0.929318,0.0004326448],"study_design_scores_gemma":[0.0001896763,0.00001398728,0.01622432,0.000006590911,0.000006978148,4.00513e-7,0.001506844,0.00001337349,0.00002027916,0.008778622,0.9730982,0.0001407482],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"editorial","genre_gemma":"empirical","genre_scores_codex":[0.1126448,0.04120892,0.0003428841,0.07246505,0.4555772,0.0009116898,0.005927591,0.001544581,0.3093773],"genre_scores_gemma":[0.9357164,0.001313157,0.0003833565,0.001391593,0.04188361,0.0001942739,0.0002763689,0.0000653899,0.01877584],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8230716,"threshold_uncertainty_score":0.9974395,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4366310628","doi":"10.1525/fmh.2023.9.2.1","title":"Note from the Editor","year":2023,"lang":"en","type":"article","venue":"Feminist Media Histories","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Icon; Movie theater; Queer; Citation; Media studies; Download; Art history; Art; Sociology; Library science; Computer science; Gender studies; World Wide Web","authors":[{"name":"Jennifer M. Bean","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02965406883833901,"gpt":0.2233118005877227,"spread":0.1936577317493836,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002709109,0.0001323588,0.0002993774,0.0000680682,0.0002675482,0.00003246965,0.0002707607,0.00007538194,0.000283166],"category_scores_gemma":[0.001355441,0.0001121232,0.00008767894,0.0003196338,0.0002088699,0.00005542919,0.00009660798,0.000141343,0.003336541],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000108996,"about_ca_system_score_gemma":0.00003001026,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003163629,"about_ca_topic_score_gemma":0.0003536395,"domain_scores_codex":[0.9990448,0.000007406119,0.0003336127,0.0002834523,0.00006625345,0.0002644806],"domain_scores_gemma":[0.9986427,0.0007639905,0.000142936,0.0003572068,0.00002170521,0.00007148559],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000008383552,0.00001050528,0.02287218,0.000006144081,0.00002105807,0.000007210524,0.02770864,3.209051e-7,0.00000744313,0.01960745,0.929318,0.0004326448],"study_design_scores_gemma":[0.0001896763,0.00001398728,0.01622432,0.000006590911,0.000006978148,4.00513e-7,0.001506844,0.00001337349,0.00002027916,0.008778622,0.9730982,0.0001407482],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"editorial","genre_gemma":"empirical","genre_scores_codex":[0.1126448,0.04120892,0.0003428841,0.07246505,0.4555772,0.0009116898,0.005927591,0.001544581,0.3093773],"genre_scores_gemma":[0.9357164,0.001313157,0.0003833565,0.001391593,0.04188361,0.0001942739,0.0002763689,0.0000653899,0.01877584],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8230716,"threshold_uncertainty_score":0.9974395,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4409740519","doi":"10.1525/fmh.2025.11.2.42","title":"Nontheatrical Films for Women","year":2025,"lang":"en","type":"article","venue":"Feminist Media Histories","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Materials science; Computer science","authors":[{"name":"Liz Czach","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02169626308254845,"gpt":0.2287620072377025,"spread":0.207065744155154,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000260237,0.0001352033,0.0004467411,0.0001793106,0.0001819015,0.00002220032,0.0001702731,0.00008765198,0.0002009637],"category_scores_gemma":[0.001126171,0.0001478905,0.00009722843,0.0002267194,0.0001402627,0.00004302564,0.00004912484,0.00007938939,0.0000913511],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002939149,"about_ca_system_score_gemma":0.00005646319,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00002217587,"about_ca_topic_score_gemma":0.00003218894,"domain_scores_codex":[0.9989332,0.000003735595,0.0004017978,0.000303596,0.00002949933,0.0003281618],"domain_scores_gemma":[0.9991649,0.0003770218,0.0001083263,0.0002335447,0.00003377394,0.0000824613],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001101616,0.0001056902,0.0246369,0.0002316155,0.00009122389,0.00000361459,0.02228551,5.727096e-7,0.000009701938,0.5264587,0.4239311,0.002135181],"study_design_scores_gemma":[0.000551349,0.00005269821,0.001361647,0.000008056288,0.000006646387,5.620421e-7,0.001829852,0.00001656777,0.00003481752,0.02024085,0.9757487,0.0001482491],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.02678933,0.04348423,0.002796469,0.01031221,0.02549669,0.0009591595,0.001161229,0.0002785147,0.8887222],"genre_scores_gemma":[0.8905957,0.0006715101,0.002862596,0.001069981,0.0007362256,0.001079932,0.00004680048,0.00003427816,0.1029029],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.8638064,"threshold_uncertainty_score":0.6030798,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4393644580","doi":"10.1525/fmh.2024.10.2-3.198","title":"Curation as the Cure for the Archive","year":2024,"lang":"en","type":"article","venue":"Feminist Media Histories","topic":"Digital and Traditional Archives Management","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"World Wide Web; Computer science","authors":[{"name":"Dayna McLeod","is_ca":false},{"name":"Ylenia Olibet","is_ca":false},{"name":"Alanna Thain","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0305351052436849,"gpt":0.2247851294131271,"spread":0.1942500241694422,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00008304269,0.00008850543,0.00005999584,0.00002691892,0.0006219638,0.0004030967,0.0001781404,0.000005454919,0.0001986105],"category_scores_gemma":[0.00004079498,0.00004349618,0.00008615347,0.00002134333,0.0005335461,0.0001754474,0.00002883425,0.00008073734,0.0001541737],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002556746,"about_ca_system_score_gemma":0.00004308955,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0000293113,"about_ca_topic_score_gemma":0.0002074839,"domain_scores_codex":[0.9994745,0.00001041419,0.0001131679,0.0001268577,0.000164051,0.000111004],"domain_scores_gemma":[0.9988006,0.001012345,0.00002472663,0.0001184908,0.00002060215,0.00002320409],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001092281,0.000009853577,3.867352e-7,0.0000296689,0.00003104762,0.000002292754,0.07713553,8.074996e-7,6.124878e-7,0.6998034,0.2167797,0.006195715],"study_design_scores_gemma":[0.000028035,0.00003745399,0.00002109194,0.00001524045,0.00003378837,0.000001823238,0.003497669,0.00007998561,0.000002380159,0.2524412,0.7437896,0.00005170261],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.0001683602,0.001253176,0.0005670392,0.02739556,0.007557997,0.0004142923,0.0006477771,0.0001377775,0.961858],"genre_scores_gemma":[0.9315933,0.00006988396,0.00004144331,0.0009976393,0.00362276,0.0003689401,0.0002539367,0.00001886032,0.06303325],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.9314249,"threshold_uncertainty_score":0.4783705,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}