{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":32,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":32,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"query_hash":"39fd34fec0e9","filters":{"venue":"Filigrane"}},"results":[{"id":"W2781633623","doi":"10.4000/12i34","title":"Bruits « entonnés » et sons « convenables » : Russolo et Schaeffer ou la domestication des bruits","year":2008,"lang":"fr","type":"article","venue":"Filigrane","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.04983124426368751,"gpt":0.2667151150518747,"spread":0.2168838707881872,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003412221,0.0003694682,0.0005583704,0.00007760085,0.004080347,0.0001588171,0.0002204477,0.0002068932,0.001854444],"category_scores_gemma":[0.0001792702,0.0002962049,0.0003759707,0.000177071,0.001019283,0.0003425538,0.00009954836,0.0003803018,0.0006721208],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005316045,"about_ca_system_score_gemma":0.00006348227,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008277122,"about_ca_topic_score_gemma":0.007700186,"domain_scores_codex":[0.9978502,0.0003468577,0.0004408709,0.0004233043,0.000378252,0.0005604796],"domain_scores_gemma":[0.9987543,0.0003355307,0.0001549816,0.0002422433,0.0002998377,0.0002130567],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004241358,0.0007002314,0.0006133107,0.0003293155,0.0005902235,0.000153587,0.2643181,0.0000536925,0.000133812,0.4535125,0.2758907,0.003662051],"study_design_scores_gemma":[0.0005322182,0.0001531634,0.00212975,0.0001390176,0.0003060039,0.00003990648,0.004427002,0.00009463197,0.00002429982,0.005034968,0.9866663,0.0004527576],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.4173234,0.06731984,0.0002923238,0.4720033,0.001591627,0.0006124629,0.0006750906,0.0002996536,0.03988233],"genre_scores_gemma":[0.6394874,0.04498193,0.0002448759,0.001168129,0.0005926709,0.00006540555,0.0001594879,0.00003805578,0.313262],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7107756,"threshold_uncertainty_score":0.999949,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404413910","doi":"10.4000/12i3p","title":"Déconstruire les mythes musicaux : le moment Richard Taruskin dans les études stravinskiennes","year":2010,"lang":"fr","type":"article","venue":"Filigrane","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Natural Sciences and Engineering Research Council of Canada","funders":"","keywords":"Art; Humanities","retraction":null,"screen_n_in":null,"score":{"opus":0.03313983565038783,"gpt":0.2593159750580225,"spread":0.2261761394076346,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003714143,0.0003805993,0.0004753887,0.00008706767,0.001720355,0.00007980743,0.0005094154,0.0003207801,0.001684275],"category_scores_gemma":[0.000120599,0.0003461808,0.0002804259,0.0005129457,0.002180608,0.0003263929,0.0001181738,0.000547836,0.0002023581],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001251691,"about_ca_system_score_gemma":0.0002119524,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.02830242,"about_ca_topic_score_gemma":0.04740923,"domain_scores_codex":[0.9975596,0.0002185954,0.0004464993,0.0005583724,0.0004905395,0.0007264097],"domain_scores_gemma":[0.9988235,0.0002714396,0.0001551638,0.000326603,0.0001240955,0.0002991592],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002772493,0.0008542869,0.007614841,0.0001583075,0.0001775881,0.00007193455,0.1545478,0.000005807431,0.009217694,0.5741304,0.02174842,0.2314451],"study_design_scores_gemma":[0.0002451566,0.0001215025,0.006223181,0.00007560488,0.00006379807,0.000007879895,0.01441931,0.00003294427,0.0002425259,0.001027619,0.9771179,0.0004226119],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8260337,0.008701761,0.00005933925,0.01961606,0.003930616,0.0003182708,0.0002854333,0.000159566,0.1408953],"genre_scores_gemma":[0.8903984,0.0008860462,0.001003757,0.0001304859,0.001529599,0.00004600597,0.00002067837,0.00002613792,0.1059589],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9553695,"threshold_uncertainty_score":0.999899,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404414137","doi":"10.4000/12i3a","title":"Mahagonny de Brecht, Mahagonny de Weill, Mahagonny de… Herz","year":2009,"lang":"fr","type":"article","venue":"Filigrane","topic":"Schopenhauer and Stefan Zweig","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art","retraction":null,"screen_n_in":null,"score":{"opus":0.01299170711852613,"gpt":0.242305951128576,"spread":0.2293142440100499,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001173808,0.0009263675,0.0009538366,0.0003283557,0.001285259,0.0009548199,0.0009978226,0.0006844515,0.02261335],"category_scores_gemma":[0.000184169,0.0009734667,0.0006963419,0.0002830301,0.0006138844,0.000664455,0.0001248743,0.001205381,0.003600666],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006513447,"about_ca_system_score_gemma":0.000550499,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007114328,"about_ca_topic_score_gemma":0.003098824,"domain_scores_codex":[0.9944469,0.0005059537,0.0009796937,0.0009432376,0.0006131509,0.002511109],"domain_scores_gemma":[0.9971601,0.0003178587,0.0002639025,0.001092716,0.0002349175,0.0009304764],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005658255,0.00128112,0.001518844,0.000510679,0.0003871916,0.001416715,0.03884156,0.00007719159,0.002318733,0.1567728,0.6898555,0.1064539],"study_design_scores_gemma":[0.001769005,0.0007740638,0.009317424,0.0004945984,0.0003690477,0.0006734436,0.003795729,0.0008348143,0.001643051,0.01402731,0.9650478,0.001253652],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.2289911,0.09437001,0.0006870892,0.0273711,0.004576754,0.001207221,0.001319077,0.0007563106,0.6407214],"genre_scores_gemma":[0.4765173,0.004775302,0.003047802,0.008892016,0.006140583,0.00007329055,0.0001574777,0.0001807487,0.5002155],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.2751924,"threshold_uncertainty_score":0.9994974,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404414098","doi":"10.4000/12i32","title":"Musique et Société","year":2008,"lang":"fr","type":"article","venue":"Filigrane","topic":"Contemporary art, education, critique","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art","retraction":null,"screen_n_in":null,"score":{"opus":0.04803255315168545,"gpt":0.3423859776329775,"spread":0.294353424481292,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001335043,0.0002026607,0.0002591155,0.00006705171,0.0007347795,0.0000383184,0.0003223861,0.0002529449,0.005906865],"category_scores_gemma":[0.0002437308,0.0002447211,0.0001759612,0.0004788357,0.0009115073,0.001571719,0.00003107422,0.0003343339,0.001259684],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001255568,"about_ca_system_score_gemma":0.001361649,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0147789,"about_ca_topic_score_gemma":0.007946149,"domain_scores_codex":[0.9970967,0.001352724,0.0003406749,0.000366929,0.0003635657,0.0004794264],"domain_scores_gemma":[0.998717,0.0004063614,0.0001139342,0.0003331155,0.0001742343,0.0002553525],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001014725,0.0003214951,0.002350892,0.00004711975,0.00002864993,0.00005975675,0.1161783,0.000002977342,0.0001124701,0.1121477,0.7640968,0.004643709],"study_design_scores_gemma":[0.0002380339,0.00005299662,0.004957634,0.00006885408,0.00001550479,0.00004228265,0.006976815,0.00002062392,0.0001255286,0.006750876,0.9804752,0.0002756207],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1576812,0.009412766,0.0001277803,0.3748031,0.004554479,0.0004625288,0.00007156863,0.0001714987,0.4527151],"genre_scores_gemma":[0.4106084,0.00707255,0.0008299281,0.002831259,0.001196995,0.0000295445,0.00003617359,0.00002376108,0.5773714],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3719719,"threshold_uncertainty_score":0.999518,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404413771","doi":"10.4000/12i35","title":"L’ars subtilior de Lachenmann","year":2008,"lang":"fr","type":"article","venue":"Filigrane","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Political science; Computer science","retraction":null,"screen_n_in":null,"score":{"opus":0.04043934503982402,"gpt":0.2246411309767262,"spread":0.1842017859369021,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001922495,0.0002257355,0.0003567632,0.0001105316,0.0008788746,0.00004572304,0.0002063377,0.0002193012,0.04804315],"category_scores_gemma":[0.00006195289,0.0002157106,0.0003209171,0.0001048135,0.001225653,0.000136456,0.00004929665,0.0003447119,0.002535727],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005292614,"about_ca_system_score_gemma":0.00009294692,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002887887,"about_ca_topic_score_gemma":0.003080161,"domain_scores_codex":[0.9985259,0.0001335666,0.0002916424,0.000302197,0.0001660598,0.0005806393],"domain_scores_gemma":[0.9991964,0.000149694,0.00007640983,0.0002855055,0.00008993873,0.0002020328],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001087547,0.0006980909,0.001169139,0.0001535095,0.0003564415,0.0007217173,0.02274143,0.00002747819,0.0001754259,0.3371325,0.6320908,0.004624762],"study_design_scores_gemma":[0.000355804,0.0001268893,0.003664005,0.00003816049,0.0002718091,0.0001026439,0.0004137104,0.0005010965,0.0001479731,0.002197104,0.9919134,0.0002673483],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.6989536,0.01423796,0.00003474611,0.01765262,0.001849905,0.0001630809,0.000214121,0.00011132,0.2667826],"genre_scores_gemma":[0.4816897,0.0008200118,0.0001196098,0.002453869,0.001419824,0.00001788041,0.00004149996,0.00002011076,0.5134175],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.3598227,"threshold_uncertainty_score":0.9982409,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404413792","doi":"10.4000/12i26","title":"Signe et son","year":2006,"lang":"fr","type":"article","venue":"Filigrane","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.0182945402648994,"gpt":0.2548526181034329,"spread":0.2365580778385335,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001531557,0.0001902861,0.0002451452,0.0000828488,0.0003009921,0.0003226211,0.0001192722,0.00007966638,0.02171071],"category_scores_gemma":[0.00002538023,0.0001801443,0.0001880875,0.00004963775,0.0002698336,0.00008165262,0.00002918778,0.0001355025,0.001226855],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002414228,"about_ca_system_score_gemma":0.0000417419,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03222457,"about_ca_topic_score_gemma":0.01048773,"domain_scores_codex":[0.9989066,0.00003650694,0.0002852605,0.0002332231,0.0002060356,0.0003323744],"domain_scores_gemma":[0.9993815,0.00007249671,0.00008753024,0.0002400732,0.0001521882,0.00006614976],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00000763782,0.0003139856,0.0001032458,0.00004950006,0.0000512102,0.00005228534,0.0006243478,0.00008221949,0.0000403188,0.8208768,0.1773552,0.0004431715],"study_design_scores_gemma":[0.0002437002,0.00009724113,0.0002460382,0.00006246533,0.0002107396,0.000002598494,0.0003663516,0.0005521463,0.00008986171,0.03736135,0.9605302,0.0002373222],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.009213376,0.02018135,0.00007304922,0.008906978,0.001654163,0.00008618461,0.0005543204,0.00005523943,0.9592754],"genre_scores_gemma":[0.4388762,0.0003087094,0.0001100328,0.0003332703,0.006596565,0.000005252148,0.0002506489,0.0000236397,0.5534957],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.7835155,"threshold_uncertainty_score":0.9995508,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4366077128","doi":"10.56698/filigrane.1312","title":"L’art des drones et des nappes synthétiques (synth pads) ","year":2022,"lang":"fr","type":"article","venue":"Filigrane","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Demon; Art; Humanities; Literature","retraction":null,"screen_n_in":null,"score":{"opus":0.2438069139800432,"gpt":0.3223860288822391,"spread":0.07857911490219588,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007516802,0.0003657397,0.0003548385,0.0001093351,0.0009140232,0.001429102,0.0007625202,0.00008145448,0.002292907],"category_scores_gemma":[0.000319985,0.00031062,0.0002165149,0.0006958611,0.0005917868,0.003151071,0.0008715687,0.0003402543,0.0003447891],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002092978,"about_ca_system_score_gemma":0.000190581,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002302759,"about_ca_topic_score_gemma":0.001743694,"domain_scores_codex":[0.9970999,0.0004861282,0.0003656764,0.0005976634,0.0006741742,0.000776416],"domain_scores_gemma":[0.9984607,0.0002995816,0.0001265779,0.0005258661,0.0002490554,0.0003382767],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007551696,0.001370845,0.0007007152,0.0004261543,0.0002228092,0.0009859249,0.03575333,0.001561031,0.004904573,0.2757521,0.4235307,0.2547162],"study_design_scores_gemma":[0.0003410879,0.0006639458,0.003894479,0.0002699577,0.0000570541,0.001137194,0.0008506951,0.008863616,0.003744828,0.05298014,0.9265159,0.0006810651],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3217536,0.1133199,0.006316634,0.02585824,0.004741852,0.00115296,0.0007377604,0.0008875504,0.5252315],"genre_scores_gemma":[0.8419223,0.001076127,0.004267777,0.001780394,0.0002023722,0.00008772806,0.00007407572,0.00003559103,0.1505536],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.5201688,"threshold_uncertainty_score":0.9999346,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404414155","doi":"10.4000/12i3r","title":"La réappropriation du lieu dans le champ de la musique contemporaine","year":2010,"lang":"fr","type":"article","venue":"Filigrane","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"ECW Press (Canada)","funders":"","keywords":"Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.05462385717605694,"gpt":0.2665389311255072,"spread":0.2119150739494503,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0007959967,0.0002317007,0.0002234445,0.00005289335,0.0001832919,0.001054719,0.0004068362,0.0003420437,0.00007025654],"category_scores_gemma":[0.0003929778,0.0001893675,0.0001238915,0.00028743,0.0003759583,0.001493535,0.0001487728,0.0004812011,0.0001150338],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003900547,"about_ca_system_score_gemma":0.0003350952,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005419588,"about_ca_topic_score_gemma":0.001753215,"domain_scores_codex":[0.9985137,0.0002816341,0.0002651635,0.0003527343,0.0002094665,0.0003773001],"domain_scores_gemma":[0.9987159,0.0002912822,0.0001275901,0.0004237507,0.0001491113,0.0002923949],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002344842,0.0005570726,0.0003322986,0.00008251562,0.00003645865,0.0004814322,0.03915905,0.00003739029,0.1438216,0.7715486,0.01997345,0.02394658],"study_design_scores_gemma":[0.001071826,0.0001831785,0.01449823,0.0001128829,0.000009386725,0.001525686,0.0003588958,0.01570582,0.01604585,0.02699242,0.9230102,0.0004856144],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5395706,0.0006935493,0.0267067,0.01521546,0.00172136,0.000320604,0.00004982637,0.0002080905,0.4155139],"genre_scores_gemma":[0.9680104,0.00007085024,0.002367182,0.0006837155,0.0005593341,0.00001168954,0.00003109023,0.00001795231,0.02824784],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9030368,"threshold_uncertainty_score":0.9999823,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404413914","doi":"10.4000/12i4l","title":"La théorie des musiques audiotactiles et ses rapports avec les pratiques d’improvisation contemporaines","year":2008,"lang":"fr","type":"article","venue":"Filigrane","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.1590117595311552,"gpt":0.3073873956331434,"spread":0.1483756361019882,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0004172863,0.0004384547,0.0004333102,0.0001077131,0.0004153148,0.001044037,0.0003328945,0.0002855025,0.0001200089],"category_scores_gemma":[0.0004789839,0.0003376737,0.0001980084,0.0003130822,0.0007920668,0.005165664,0.0001686547,0.0002901392,0.00004050643],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007526863,"about_ca_system_score_gemma":0.0005061772,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003465766,"about_ca_topic_score_gemma":0.001061779,"domain_scores_codex":[0.9976287,0.0003998177,0.0005148767,0.0005482831,0.0003839735,0.0005243399],"domain_scores_gemma":[0.9980838,0.0004151526,0.0003003106,0.0004392299,0.0004564729,0.000305083],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001345266,0.001420472,0.003276251,0.0008957027,0.0002963929,0.005514593,0.275478,0.00009021952,0.007853302,0.3725299,0.2040283,0.1284824],"study_design_scores_gemma":[0.001498222,0.001808196,0.07437056,0.00160135,0.00009322045,0.008235358,0.002079371,0.004056332,0.03152422,0.1228176,0.7497394,0.00217616],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7789277,0.009556494,0.006580259,0.0171379,0.001093401,0.0007009124,0.0001046114,0.0006749882,0.1852237],"genre_scores_gemma":[0.9444453,0.002247102,0.004046976,0.0008514696,0.0003165324,0.00002290932,0.00005459116,0.00002784637,0.04798724],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5457111,"threshold_uncertainty_score":0.999993,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4401558147","doi":"10.4000/12i2o","title":"World music : un objet virtuel ?","year":2007,"lang":"fr","type":"article","venue":"Filigrane","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art","retraction":null,"screen_n_in":null,"score":{"opus":0.02206182046874129,"gpt":0.2084332877789891,"spread":0.1863714673102478,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004266627,0.000298717,0.0002895335,0.0001313437,0.0009253172,0.0001100753,0.0002280788,0.0001504019,0.1741706],"category_scores_gemma":[0.0000196506,0.0002845823,0.0002212814,0.0001489501,0.0005706236,0.0002048393,0.00003668982,0.0004421445,0.003258725],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00008769512,"about_ca_system_score_gemma":0.00003712472,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0006214087,"about_ca_topic_score_gemma":0.05197721,"domain_scores_codex":[0.9983569,0.00006053742,0.0003874887,0.0003397826,0.0002735248,0.0005818077],"domain_scores_gemma":[0.9991235,0.00008515977,0.0001118879,0.000367375,0.00009777478,0.0002143467],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004137158,0.0001941821,0.00001185876,0.0001171865,0.00005008513,0.0002160075,0.03574334,0.000001222744,0.0001687407,0.3993291,0.5451974,0.0189295],"study_design_scores_gemma":[0.0004061864,0.0000834449,0.0002888288,0.0001489606,0.0000933132,0.00002560476,0.003268827,0.00001007358,0.0001454934,0.001414229,0.9937413,0.0003737352],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.02167735,0.02436037,0.00004418547,0.001286843,0.009100065,0.0002277884,0.0002629773,0.0001323267,0.9429081],"genre_scores_gemma":[0.1643059,0.00004279873,0.000102536,0.002429107,0.005262836,0.000006825956,0.00007771153,0.00003404055,0.8277382],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.4485439,"threshold_uncertainty_score":0.9999607,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404871372","doi":"10.4000/12sj0","title":"Hantologie de l’archive : le Dark Ambient et la sonographie du désastre","year":2024,"lang":"fr","type":"article","venue":"Filigrane","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Humanities","retraction":null,"screen_n_in":null,"score":{"opus":0.1211782067040993,"gpt":0.3151052446766047,"spread":0.1939270379725053,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.000321757,0.00029399,0.0002475652,0.0001482503,0.0001661484,0.002659697,0.0005080258,0.0001426688,0.00005599345],"category_scores_gemma":[0.0001065303,0.0002276785,0.0002745275,0.0006960542,0.0003756808,0.001715093,0.0003394075,0.0003668761,0.0002857734],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000037757,"about_ca_system_score_gemma":0.0003930036,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002670718,"about_ca_topic_score_gemma":0.0009074525,"domain_scores_codex":[0.9980787,0.0001970317,0.0002601312,0.0005483744,0.0002423663,0.0006734186],"domain_scores_gemma":[0.9987802,0.0003766171,0.00004485624,0.000388917,0.00006162257,0.0003477736],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001674704,0.0002849365,0.0001450247,0.0002132148,0.0000793979,0.00315962,0.008215454,0.0001403653,0.002728464,0.5428712,0.3767028,0.06544267],"study_design_scores_gemma":[0.0002845037,0.0003049085,0.00554944,0.0006698789,0.00003525103,0.001433478,0.0002150838,0.01984689,0.001265324,0.06376626,0.9062059,0.0004231213],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1027222,0.05685943,0.06519959,0.1308223,0.006844332,0.0006710704,0.0007894624,0.001346155,0.6347454],"genre_scores_gemma":[0.9564705,0.001626626,0.006092776,0.001444722,0.0003486944,0.00001784732,0.0000661916,0.00002889563,0.03390373],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8537483,"threshold_uncertainty_score":0.9983757,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2985079501","doi":"10.4000/12i48","title":"Métrique, rythme et dissolution de l’individu dans la Volksmusik et les Volkslieder de l’Allemagne nazie","year":2009,"lang":"fr","type":"article","venue":"Filigrane","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.01768321852363475,"gpt":0.261617247909704,"spread":0.2439340293860693,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001209253,0.0004235539,0.0005246564,0.0001834283,0.0008449615,0.0002888456,0.0003166581,0.0005537167,0.00928755],"category_scores_gemma":[0.0002066275,0.0004019345,0.0004270076,0.0001531606,0.0007547921,0.0003111175,0.00007419545,0.0008434893,0.0002156649],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001396067,"about_ca_system_score_gemma":0.0001960227,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004620511,"about_ca_topic_score_gemma":0.01761953,"domain_scores_codex":[0.9970237,0.0008309351,0.0004846545,0.0004919888,0.000280414,0.0008882988],"domain_scores_gemma":[0.9986011,0.0004391094,0.0001727298,0.0003739365,0.0001322613,0.0002808232],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001039915,0.001170495,0.000481993,0.0001302395,0.0002531081,0.0002133254,0.03045454,0.0001597217,0.00244918,0.8535012,0.1045101,0.006572163],"study_design_scores_gemma":[0.0008419953,0.0005098337,0.03777914,0.0002122714,0.0006338781,0.0001204813,0.001873755,0.001231952,0.0001983444,0.02013365,0.9358831,0.0005815721],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4165124,0.009463185,0.003677656,0.1511399,0.000881903,0.0005007755,0.0009945482,0.0003442063,0.4164854],"genre_scores_gemma":[0.8142883,0.001461771,0.0007179845,0.008386075,0.00115365,0.00003434051,0.0003242095,0.00003800552,0.1735957],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8333675,"threshold_uncertainty_score":0.9998432,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404413916","doi":"10.4000/12iak","title":"Sandrine Loncke, Geerewol. Musique, danse et lien social chez les Peuls nomades wodaabe du Niger","year":2016,"lang":"fr","type":"article","venue":"Filigrane","topic":"African Studies and Ethnography","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.02792187641911099,"gpt":0.2883355011135211,"spread":0.2604136246944102,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.001024127,0.0004383262,0.0006233435,0.0001175913,0.001604881,0.00008664143,0.0005093712,0.0004232769,0.003686971],"category_scores_gemma":[0.0002071718,0.0003341842,0.0004937818,0.0009067004,0.002954436,0.0003522497,0.0002252065,0.000316289,0.0004533901],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001377507,"about_ca_system_score_gemma":0.0001447768,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006653838,"about_ca_topic_score_gemma":0.007995571,"domain_scores_codex":[0.9966219,0.0005150728,0.0004941996,0.0006208679,0.0006458496,0.001102102],"domain_scores_gemma":[0.998451,0.0005218119,0.0002360666,0.0002864231,0.0002277861,0.0002769394],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002011278,0.0007032343,0.06719615,0.0001670234,0.0005819117,0.000118533,0.2369016,0.000001400934,0.001636199,0.03558191,0.5365181,0.1203928],"study_design_scores_gemma":[0.0009735691,0.0001914087,0.04573425,0.0001640744,0.0001285309,0.000006014056,0.01839554,0.000004173033,0.0001065911,0.001894732,0.9317719,0.000629255],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7337234,0.009965133,0.0002556167,0.1248541,0.002128103,0.0004976368,0.0004430268,0.0002364401,0.1278965],"genre_scores_gemma":[0.9361796,0.006076811,0.0003196915,0.001203053,0.002848037,0.00005981111,0.00001392964,0.00005269472,0.0532464],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3952538,"threshold_uncertainty_score":0.999961,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404414202","doi":"10.4000/12i22","title":"L’invisible impossible : voyage à travers les images poétiques de Salvatore Sciarrino","year":2005,"lang":"fr","type":"article","venue":"Filigrane","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Humanities","retraction":null,"screen_n_in":null,"score":{"opus":0.01193236901741038,"gpt":0.2383166126812673,"spread":0.2263842436638569,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004418388,0.0004256597,0.0004126765,0.0001536601,0.0007329372,0.0007987409,0.000354913,0.0002917071,0.01914331],"category_scores_gemma":[0.00007803747,0.0004047483,0.0003292841,0.0001074447,0.001178963,0.0006853566,0.00006005876,0.0005989745,0.0006247998],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001283288,"about_ca_system_score_gemma":0.0001113436,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001180782,"about_ca_topic_score_gemma":0.0005689904,"domain_scores_codex":[0.997638,0.0001956341,0.0004566519,0.0004483537,0.0002886376,0.0009726591],"domain_scores_gemma":[0.9988095,0.0002186111,0.00007390461,0.0004038355,0.000157477,0.0003366841],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004705615,0.0003016033,0.0001327387,0.0003642655,0.00008738071,0.0001025638,0.007890615,0.00000816131,0.001849183,0.7336981,0.2250525,0.03046588],"study_design_scores_gemma":[0.0004526691,0.000225306,0.0003859427,0.0004211325,0.000120939,0.00003951353,0.001853155,0.0001361015,0.009195256,0.01613877,0.9705251,0.0005060831],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.07420987,0.1271949,0.0001153218,0.01592973,0.001300572,0.0003470244,0.001390652,0.0003438538,0.7791681],"genre_scores_gemma":[0.5004593,0.00217129,0.001419997,0.002256259,0.005695707,0.00003088091,0.00009756022,0.00007698725,0.4877921],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.7454727,"threshold_uncertainty_score":0.9998404,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4416789040","doi":"10.4000/158j0","title":"Altérité et identité musicales : entretiens avec des joueurs de oud arabes en mobilité en Europe","year":2025,"lang":"","type":"article","venue":"Filigrane","topic":"Multiculturalism, Politics, Migration, Gender","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Bazaar; Popular music","retraction":null,"screen_n_in":null,"score":{"opus":0.0531153133857474,"gpt":0.3824846149497066,"spread":0.3293693015639592,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002010082,0.00065259,0.0007132517,0.0002827771,0.001004177,0.0006614143,0.001165468,0.0005131398,0.001438896],"category_scores_gemma":[0.00417249,0.000628263,0.0004494398,0.001009122,0.002261797,0.0006446919,0.0003414339,0.0006805364,0.0004147443],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001103271,"about_ca_system_score_gemma":0.001683981,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.01319694,"about_ca_topic_score_gemma":0.03560264,"domain_scores_codex":[0.9924653,0.002839371,0.001102433,0.001067451,0.0009437858,0.00158166],"domain_scores_gemma":[0.9961421,0.001499064,0.0002741957,0.000764512,0.000765157,0.0005549229],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007529919,0.0009477581,0.05430986,0.0005706346,0.000436643,0.0001024958,0.8119517,0.0003485778,0.006761653,0.07528264,0.04589526,0.003317464],"study_design_scores_gemma":[0.001370111,0.0001840602,0.4051831,0.0006730951,0.0005615956,0.00002738836,0.07247155,0.001754642,0.003835956,0.003571818,0.5090672,0.001299517],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.963879,0.002410506,0.000191352,0.01204482,0.001714527,0.001039411,0.0002621544,0.0002394872,0.01821874],"genre_scores_gemma":[0.8697847,0.004637366,0.0008468415,0.00567929,0.0007999301,0.00006131913,0.00009348378,0.00005682899,0.1180403],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7394801,"threshold_uncertainty_score":0.9996169,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404414131","doi":"10.4000/12i2w","title":"Rhétorique et psychanalyse : le cas Mahler","year":2007,"lang":"fr","type":"article","venue":"Filigrane","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Philosophy; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.04718661179325219,"gpt":0.4342515925204257,"spread":0.3870649807271735,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.007042471,0.0006088567,0.0009114194,0.0008707531,0.0002877416,0.00009809062,0.0008491593,0.001086779,0.01302485],"category_scores_gemma":[0.0001064063,0.0006416771,0.0007449201,0.001883495,0.000393685,0.0001858566,0.0000992913,0.001686833,0.007769002],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002570051,"about_ca_system_score_gemma":0.0001772834,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007282792,"about_ca_topic_score_gemma":0.01104263,"domain_scores_codex":[0.9934579,0.001428718,0.001122525,0.001369933,0.0006493714,0.00197161],"domain_scores_gemma":[0.9960886,0.0007326664,0.0002930101,0.001855639,0.0003059584,0.0007241704],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001550065,0.004095452,0.01962202,0.0001890374,0.001958987,0.003603554,0.01194335,0.00002074418,0.006182461,0.02537858,0.7643311,0.1611246],"study_design_scores_gemma":[0.002778226,0.0004411659,0.05492484,0.0001142343,0.0002239636,0.0007931591,0.001238686,0.00008172293,0.0002375866,0.002990898,0.9354739,0.000701661],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1006765,0.0438738,0.01271243,0.09641677,0.0104999,0.0007447312,0.0002875389,0.0001767994,0.7346115],"genre_scores_gemma":[0.4298925,0.001358973,0.001222107,0.002966673,0.001795875,0.00004978437,0.0001513336,0.0001199345,0.5624428],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.329216,"threshold_uncertainty_score":0.9996035,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404413666","doi":"10.4000/12i2a","title":"La musique du premier baroque","year":2006,"lang":"fr","type":"article","venue":"Filigrane","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Baroque; Art history","retraction":null,"screen_n_in":null,"score":{"opus":0.007926849391233923,"gpt":0.2246507923061956,"spread":0.2167239429149617,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003279797,0.0001577412,0.0002205983,0.00003284744,0.0004228498,0.00003070866,0.0001737072,0.0002174429,0.002042627],"category_scores_gemma":[0.00008251799,0.0001482174,0.000134113,0.0004031235,0.0005634797,0.0001796983,0.00004162152,0.0002036452,0.0006661959],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002446922,"about_ca_system_score_gemma":0.00006275203,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02237689,"about_ca_topic_score_gemma":0.004782428,"domain_scores_codex":[0.9985403,0.0003552847,0.0002277367,0.0002508741,0.0002501867,0.0003755483],"domain_scores_gemma":[0.9993688,0.0002815668,0.00005405453,0.0001314095,0.0000625492,0.0001015633],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001479862,0.0003538143,0.005276877,0.00008472661,0.00003227351,0.0001382772,0.05214221,0.00001129198,0.0000989112,0.2709382,0.6536334,0.0172753],"study_design_scores_gemma":[0.0001483879,0.00003484329,0.004139048,0.00004849403,0.00002307012,0.000005537544,0.0002579718,0.00002221308,0.00001657429,0.003606036,0.9915125,0.0001853589],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1052853,0.01616275,0.00005460406,0.01377094,0.002154181,0.0001583144,0.00005910822,0.00009268282,0.8622621],"genre_scores_gemma":[0.5082885,0.0005438952,0.000277667,0.0003891781,0.002372276,0.00001740625,0.00001192,0.00001140749,0.4880877],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.4030032,"threshold_uncertainty_score":0.9988697,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404871380","doi":"10.4000/12sj3","title":"Introduction: Exploring the Artistic Uses of Sonic Remnants","year":2024,"lang":"en","type":"article","venue":"Filigrane","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University; Centre for Interdisciplinary Research in Music Media and Technology","funders":"","keywords":"Narrative; Active listening; Unsaid; Power (physics); Collective memory; Vision; Sound (geography); Hegemony; Order (exchange); Visual arts; Aesthetics; Sociology; History; Media studies; Art; Literature; Political science; Anthropology; Politics; Communication; Acoustics","retraction":null,"screen_n_in":null,"score":{"opus":0.1888403000898217,"gpt":0.2386310626271494,"spread":0.0497907625373277,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001027791,0.00006797976,0.0001070151,0.00002765579,0.0001804227,0.0001406627,0.00009005899,0.000008835,0.005224141],"category_scores_gemma":[0.00008281771,0.00003757779,0.00005467741,0.00004666381,0.0002686758,0.0001024443,0.00005185108,0.00007516281,0.0004652784],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001335829,"about_ca_system_score_gemma":0.000006869554,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00007965088,"about_ca_topic_score_gemma":0.0001423749,"domain_scores_codex":[0.9994904,0.00002045591,0.0001228679,0.0001299193,0.0001178523,0.0001185017],"domain_scores_gemma":[0.9996849,0.0001292258,0.00001847509,0.0001166505,0.00003757435,0.0000132189],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001172768,0.00003385669,0.00002351592,0.00008331738,0.00008271716,0.00001556033,0.01454202,0.000007951704,0.0001515165,0.7918428,0.1828564,0.0103487],"study_design_scores_gemma":[0.00003428802,0.00005698359,0.0004004479,0.0000340735,0.00003443272,0.000001905458,0.002589043,0.00002266745,0.00009590049,0.001933608,0.9947422,0.00005445947],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8361903,0.006175035,0.0000226496,0.01641612,0.01273269,0.0003779216,0.0001244278,0.0004813424,0.1274796],"genre_scores_gemma":[0.9792755,0.00009282821,0.00001084768,0.00006106636,0.002493498,0.00001994171,0.000002698285,0.000006444992,0.01803717],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8118858,"threshold_uncertainty_score":0.9956852,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2776390432","doi":"10.4000/12i5g","title":"Scelsi était-il fou ?","year":2012,"lang":"fr","type":"article","venue":"Filigrane","topic":"Giambattista Vico and Joyce","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Mathematics","retraction":null,"screen_n_in":null,"score":{"opus":0.02898983551718591,"gpt":0.2330569926039198,"spread":0.2040671570867339,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003163705,0.000300644,0.0003144654,0.00008233658,0.0005453251,0.0002042775,0.0002052122,0.000164247,0.03059818],"category_scores_gemma":[0.00003843963,0.0002932014,0.0002054151,0.00006053426,0.0004882105,0.0004977474,0.00006853283,0.0003055081,0.009094423],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005788615,"about_ca_system_score_gemma":0.00003795266,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001930606,"about_ca_topic_score_gemma":0.0006599016,"domain_scores_codex":[0.9980844,0.00009881813,0.0003326083,0.0002397949,0.0002729477,0.00097142],"domain_scores_gemma":[0.9989889,0.000111356,0.00009436857,0.0003890203,0.00009032351,0.0003260121],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002580519,0.0004784748,0.001067916,0.0003021052,0.00007836011,0.00002262936,0.0128251,8.779821e-7,0.0001703469,0.5999325,0.3672387,0.01785716],"study_design_scores_gemma":[0.0004221377,0.0001166035,0.003311348,0.0001314872,0.000105131,0.00003924233,0.001431618,0.00003122395,0.0002279917,0.0006818362,0.9931191,0.0003823079],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1063546,0.1064521,0.00003566129,0.01061012,0.0160553,0.0003805984,0.001090511,0.0002122532,0.7588089],"genre_scores_gemma":[0.494263,0.0004469412,0.0001331034,0.000551972,0.005300755,0.00001497186,0.00006743706,0.00004266532,0.4991791],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.6258804,"threshold_uncertainty_score":0.999952,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404414110","doi":"10.4000/12i3s","title":"Topographie de la musique en réseau sur Internet","year":2010,"lang":"fr","type":"article","venue":"Filigrane","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Humanities","retraction":null,"screen_n_in":null,"score":{"opus":0.02406378622243214,"gpt":0.2248846988319305,"spread":0.2008209126094984,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004666128,0.0002415168,0.0002825695,0.00008330336,0.0002875934,0.0003919729,0.0003023009,0.0002648826,0.02373309],"category_scores_gemma":[0.0002837815,0.0002096401,0.0002112449,0.00006282899,0.001802817,0.0001294778,0.0002047434,0.0006650126,0.0006188439],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000668318,"about_ca_system_score_gemma":0.00005132324,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.02305623,"about_ca_topic_score_gemma":0.02548694,"domain_scores_codex":[0.9986576,0.0001922348,0.0002146158,0.0002756608,0.0001561878,0.0005036804],"domain_scores_gemma":[0.9988027,0.0006976373,0.00006525652,0.0002067804,0.00008634516,0.0001413361],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002809023,0.0003656317,0.0036606,0.00008725465,0.0001293589,0.0001502583,0.02158172,9.421975e-7,0.0003001098,0.7862479,0.1770272,0.010421],"study_design_scores_gemma":[0.0003447498,0.0001553584,0.0152873,0.0000520399,0.00007222247,0.00001832474,0.00106508,0.00003081154,0.00007822412,0.004829441,0.977812,0.000254475],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5125422,0.0009624554,0.000005467296,0.005328227,0.003487858,0.0001578027,0.000148329,0.00009181065,0.4772758],"genre_scores_gemma":[0.8091103,0.0002734978,0.000171415,0.0008881385,0.002389574,0.00002896575,0.00001232041,0.00002089609,0.1871048],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8007848,"threshold_uncertainty_score":0.9922954,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404413867","doi":"10.4000/12i1p","title":"Pour une médiologie musicale comme mode original de connaissance","year":2005,"lang":"fr","type":"article","venue":"Filigrane","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Humanities","retraction":null,"screen_n_in":null,"score":{"opus":0.1027733068125106,"gpt":0.3178779548409349,"spread":0.2151046480284243,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002736006,0.0003363593,0.0005606639,0.00008956821,0.0006834294,0.0001045751,0.0003686933,0.0002876925,0.04348562],"category_scores_gemma":[0.0001013099,0.0003088048,0.0003350135,0.0001250878,0.001396759,0.0001976426,0.00007702106,0.0005625538,0.002715192],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001437669,"about_ca_system_score_gemma":0.0001415391,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004123719,"about_ca_topic_score_gemma":0.009257518,"domain_scores_codex":[0.9979382,0.000208341,0.0004268143,0.0004380096,0.0001736089,0.0008150045],"domain_scores_gemma":[0.9986808,0.0004112475,0.0001330314,0.0003972423,0.0001276132,0.000250017],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008559615,0.0005742339,0.0002077412,0.00007673534,0.0001864838,0.00008291706,0.00394556,0.0005450847,0.0004021651,0.4651935,0.515057,0.01364309],"study_design_scores_gemma":[0.0006890934,0.0001494488,0.0004366318,0.00007987378,0.000305525,0.00003523955,0.0004007178,0.01055496,0.0002166241,0.0161914,0.970558,0.0003824401],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3009358,0.01565054,0.001606673,0.2441419,0.002658457,0.0003717697,0.0008199163,0.0002857454,0.4335292],"genre_scores_gemma":[0.7285556,0.0004979857,0.0009627896,0.01166366,0.007088682,0.00003739288,0.0000801935,0.00002935196,0.2510844],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.4555011,"threshold_uncertainty_score":0.9999364,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404413872","doi":"10.4000/12i1s","title":"Préalables à une lecture « musicale » de Husserl","year":2005,"lang":"fr","type":"article","venue":"Filigrane","topic":"Philosophical and Theoretical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Philosophy; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.009630465426289439,"gpt":0.2099165246428285,"spread":0.200286059216539,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001817733,0.0003043288,0.0004155806,0.00007878042,0.0004885345,0.0001708924,0.0002734069,0.0002192719,0.03338282],"category_scores_gemma":[0.00008185854,0.0002483164,0.0003570142,0.0001896485,0.001126361,0.0001579405,0.00006390779,0.0004379929,0.002267337],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006825469,"about_ca_system_score_gemma":0.00004476588,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001608658,"about_ca_topic_score_gemma":0.004042234,"domain_scores_codex":[0.9982383,0.0001138402,0.0003569106,0.0003646964,0.0002613672,0.0006649052],"domain_scores_gemma":[0.9990058,0.0001850971,0.00006765848,0.0003231731,0.0000997719,0.000318497],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004400114,0.0005341653,0.00001719671,0.0001332394,0.0001661141,0.00004027316,0.004209809,0.0001277714,0.0002868622,0.9509506,0.01964458,0.02384539],"study_design_scores_gemma":[0.0002267105,0.00009484233,0.00003529888,0.00009984695,0.0002301775,0.00001318465,0.00009513659,0.00229195,0.0004179816,0.3132024,0.6830439,0.0002486124],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.05191591,0.02944532,0.0003178512,0.4030087,0.0007598297,0.0002016954,0.0004781533,0.0001865121,0.513686],"genre_scores_gemma":[0.8614221,0.0007886575,0.0003431475,0.003202016,0.008005584,0.00001583368,0.00006304156,0.00003509731,0.1261245],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8095062,"threshold_uncertainty_score":0.9999969,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404414139","doi":"10.4000/12i3c","title":"« Je, tu, nous, vous »","year":2009,"lang":"fr","type":"article","venue":"Filigrane","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Physics; Humanities; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.02837071250841241,"gpt":0.3669932916219929,"spread":0.3386225791135805,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001242116,0.0005052758,0.0008065996,0.0004411384,0.0002621381,0.00009659822,0.0008447843,0.0008240001,0.02252165],"category_scores_gemma":[0.0000889857,0.0005215373,0.0005494705,0.001221253,0.0004071854,0.000125649,0.00003900718,0.001180776,0.0203503],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007013764,"about_ca_system_score_gemma":0.00007549984,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002479144,"about_ca_topic_score_gemma":0.00008503912,"domain_scores_codex":[0.9951677,0.0008659681,0.000751791,0.00112191,0.0005149919,0.001577591],"domain_scores_gemma":[0.9971807,0.0002970908,0.0001846537,0.00165256,0.0001760479,0.0005089398],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004035654,0.001959916,0.002054048,0.0000377281,0.0002786205,0.001128166,0.001922795,0.000007275701,0.001874254,0.005786341,0.601998,0.3825493],"study_design_scores_gemma":[0.002083301,0.001202688,0.06086658,0.0001021448,0.0001900359,0.0007178501,0.0002301324,0.0001363405,0.00004804098,0.004093608,0.9297726,0.0005566959],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.07088274,0.06548082,0.0003324154,0.05795305,0.005862848,0.0005377899,0.0002639781,0.0001717081,0.7985147],"genre_scores_gemma":[0.4765786,0.002268237,0.0006616515,0.004370459,0.00201679,0.00003337886,0.0001284967,0.00005900432,0.5138834],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.4056959,"threshold_uncertainty_score":0.9997236,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404413811","doi":"10.4000/12i5s","title":"« Au commencement était l’Action ». De la responsabilité du musicologue","year":2011,"lang":"fr","type":"article","venue":"Filigrane","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Action (physics); Humanities; Political science; Philosophy; Physics","retraction":null,"screen_n_in":null,"score":{"opus":0.06915783400207923,"gpt":0.2446245057587527,"spread":0.1754666717566735,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005680428,0.0002106978,0.0003146286,0.00004008999,0.003334858,0.00006160749,0.0001634378,0.0001552734,0.009077434],"category_scores_gemma":[0.0001148828,0.0001704507,0.0002779801,0.0000834266,0.0008715428,0.0001176461,0.0000675201,0.0002496467,0.0003007378],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002639082,"about_ca_system_score_gemma":0.00004068264,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.05323044,"about_ca_topic_score_gemma":0.01820656,"domain_scores_codex":[0.99839,0.0004321453,0.0003138403,0.0002549755,0.0001774242,0.0004315772],"domain_scores_gemma":[0.9991519,0.000309718,0.0001023415,0.0001801556,0.0001138714,0.000142019],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002373344,0.001335244,0.00325278,0.0001905892,0.0004817532,0.00007178644,0.5033659,0.000006982999,0.0001033369,0.2448078,0.230075,0.01607146],"study_design_scores_gemma":[0.0002634595,0.0003038774,0.002912857,0.00003343506,0.0002541968,0.00000509418,0.01257739,0.0000692718,0.00002094966,0.003236689,0.9800915,0.0002313497],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7994319,0.004102524,0.00006962338,0.1049097,0.002351425,0.0003083906,0.0001435644,0.000105955,0.08857697],"genre_scores_gemma":[0.7935895,0.003672295,0.0001949886,0.0009606255,0.001810677,0.00008062933,0.00003354756,0.0000214256,0.1996363],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7500164,"threshold_uncertainty_score":0.9997086,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404840886","doi":"10.4000/12siw","title":"Recomposer l’archive(s) de et dans la pratique musicale : fictions, angoisses et performances musico-archivistiques en Acadie","year":2024,"lang":"fr","type":"article","venue":"Filigrane","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Francophone University Association","funders":"","keywords":"Art; Humanities","retraction":null,"screen_n_in":null,"score":{"opus":0.01022673110590565,"gpt":0.2853798309522794,"spread":0.2751530998463738,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001298162,0.0002026584,0.0002387973,0.0004040523,0.000787416,0.0008694524,0.0003297098,0.0002258119,0.001853665],"category_scores_gemma":[0.0002044404,0.0002503725,0.0002046567,0.000499842,0.001295613,0.0006636954,0.00006162636,0.0008451026,0.0004026073],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0007186948,"about_ca_system_score_gemma":0.002474315,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.2815337,"about_ca_topic_score_gemma":0.8758418,"domain_scores_codex":[0.9972845,0.0012561,0.0002841846,0.0004041802,0.0002758904,0.0004951155],"domain_scores_gemma":[0.9983341,0.001068581,0.00005728504,0.000204946,0.00003434602,0.0003008005],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001455877,0.0001360532,0.0001369433,0.0004067952,0.00007612092,0.000184796,0.2499422,0.00004505551,0.0008144336,0.2942309,0.424971,0.02904118],"study_design_scores_gemma":[0.00007510521,0.00008949297,0.00499557,0.0004969662,0.00007238647,0.00005495429,0.003694913,0.0009180959,0.00003192492,0.007327877,0.9819613,0.0002814844],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.188618,0.02254076,0.001186135,0.09385917,0.00517896,0.0005955743,0.001980306,0.0005799288,0.6854611],"genre_scores_gemma":[0.4440363,0.07318465,0.005358831,0.004339367,0.004267086,0.0002430488,0.0004149316,0.0001416239,0.4680141],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.5943081,"threshold_uncertainty_score":0.9999949,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404679012","doi":"10.4000/12sj2","title":"Introduction : Penser les usages artistiques des traces sonores","year":2024,"lang":"fr","type":"article","venue":"Filigrane","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University; Centre for Interdisciplinary Research in Music Media and Technology","funders":"","keywords":"Art; Humanities","retraction":null,"screen_n_in":null,"score":{"opus":0.05335326215012004,"gpt":0.3006690234955275,"spread":0.2473157613454075,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005283536,0.0002392547,0.0002905187,0.00007872427,0.001096831,0.0003527384,0.0001743103,0.0002208758,0.00364886],"category_scores_gemma":[0.0002828561,0.0002282139,0.0001938696,0.0005988681,0.002528628,0.0004770803,0.00004070079,0.0002880546,0.0007094438],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002965365,"about_ca_system_score_gemma":0.00008893814,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.03053527,"about_ca_topic_score_gemma":0.04384953,"domain_scores_codex":[0.9981161,0.0002876775,0.0002764458,0.0004413894,0.0003487036,0.000529695],"domain_scores_gemma":[0.9993226,0.0002714832,0.00004768761,0.0001256619,0.0001089772,0.0001235957],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00000860716,0.00007713398,0.0003728699,0.000310484,0.0001379523,0.00004165087,0.05237988,0.000008606682,0.0001899758,0.1974707,0.5110959,0.2379063],"study_design_scores_gemma":[0.00005428389,0.00009671828,0.004134549,0.0002035995,0.0001066405,0.000005077181,0.006445198,0.0001273667,0.0002279364,0.02482473,0.9635077,0.0002661846],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.1034873,0.7236449,0.0002452474,0.06054273,0.009190226,0.0002787913,0.0001029595,0.0004885454,0.1020193],"genre_scores_gemma":[0.5602598,0.05039831,0.0008259295,0.00007294512,0.01307836,0.00003859415,0.0000177637,0.00003195782,0.3752763],"genre_candidate":"review","genre_consensus":null,"teacher_disagreement_score":0.6732466,"threshold_uncertainty_score":0.9972619,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404840854","doi":"10.4000/12sj1","title":"Éditer et performer les archives sonores : entretien avec le collectif FLEE","year":2024,"lang":"fr","type":"article","venue":"Filigrane","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University; Centre for Interdisciplinary Research in Music Media and Technology","funders":"","keywords":"Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.1049713487512516,"gpt":0.2891541905209851,"spread":0.1841828417697335,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0001124579,0.0003276172,0.0002664028,0.0001513024,0.0002553273,0.003394781,0.0004189044,0.0001201027,0.0008532017],"category_scores_gemma":[0.00005875283,0.0002398444,0.0002573915,0.0004987259,0.0003144675,0.002271292,0.0002651769,0.000339164,0.0007183556],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003549227,"about_ca_system_score_gemma":0.0003161427,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001789976,"about_ca_topic_score_gemma":0.0006507928,"domain_scores_codex":[0.9981543,0.0000963511,0.0002979176,0.0005828275,0.0002805054,0.0005880567],"domain_scores_gemma":[0.9989603,0.0003126997,0.00004376013,0.0003607211,0.00005423162,0.0002683356],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004737687,0.0003102289,0.0001136358,0.0005098559,0.0001901051,0.0007879526,0.110682,0.0001592237,0.003935662,0.222091,0.4702451,0.1909279],"study_design_scores_gemma":[0.0002460056,0.0002876729,0.002018507,0.0005865202,0.00002873343,0.0004435523,0.0002401163,0.04464198,0.003260916,0.01205281,0.9357633,0.0004299082],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1088835,0.07134317,0.009330155,0.1082855,0.007103203,0.0006619495,0.000324631,0.0005855368,0.6934823],"genre_scores_gemma":[0.4338355,0.0005723483,0.001281107,0.0006056861,0.0004325357,0.00001226096,0.00003792178,0.00002316313,0.5631995],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.4655182,"threshold_uncertainty_score":0.9976398,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404414026","doi":"10.4000/12i6w","title":"Die Idee, die aus der Kälte kam – Community Art in Finnland","year":2015,"lang":"fr","type":"article","venue":"Filigrane","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.1404302408447554,"gpt":0.3234154412898874,"spread":0.182985200445132,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001245028,0.0002382503,0.0003523359,0.00005350843,0.0004505463,0.0001137145,0.0004021813,0.0003161497,0.001281013],"category_scores_gemma":[0.0004220789,0.0002155963,0.00008296188,0.0004695866,0.0005174867,0.0002883379,0.0001733397,0.0007775875,0.001002158],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003846389,"about_ca_system_score_gemma":0.0002801999,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.05236185,"about_ca_topic_score_gemma":0.160106,"domain_scores_codex":[0.9976884,0.0006036839,0.0004009317,0.0002213532,0.000442113,0.000643566],"domain_scores_gemma":[0.9988773,0.0002299809,0.0001085666,0.0002700785,0.0001483316,0.0003656778],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004123656,0.0002615056,0.01065201,0.00003268164,0.00004322986,0.0001153443,0.02748966,0.00003278864,0.00001386248,0.0004114784,0.9288219,0.03208433],"study_design_scores_gemma":[0.0006644837,0.00009985262,0.02008066,0.0001589132,0.00002430525,0.000005750406,0.00740602,0.00004611296,0.0000629004,0.001353903,0.969785,0.0003120878],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.7287677,0.01898075,0.00001002984,0.06425529,0.003811603,0.0005973569,0.0001135078,0.00009106082,0.1833727],"genre_scores_gemma":[0.3022664,0.00109708,0.0002118198,0.000638204,0.0004751855,0.00002693614,0.0001010628,0.00001725824,0.6951661],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.5117933,"threshold_uncertainty_score":0.9997756,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404413980","doi":"10.4000/12i3k","title":"Against History: Defining, and Defending, Systematic Musicologies","year":2010,"lang":"en","type":"article","venue":"Filigrane","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Centre for Interdisciplinary Research in Music Media and Technology","funders":"","keywords":"History; Computer science","retraction":null,"screen_n_in":null,"score":{"opus":0.02318749585796063,"gpt":0.1962178029361489,"spread":0.1730303070781883,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002171458,0.0001458409,0.0003435769,0.0001114256,0.0002474659,0.00006229406,0.0001395709,0.00008884766,0.005660595],"category_scores_gemma":[0.0002323195,0.000109628,0.00009556621,0.00002295968,0.0004778752,0.00009428183,0.00005299112,0.0002453089,0.000240492],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002088987,"about_ca_system_score_gemma":0.00002161163,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000120535,"about_ca_topic_score_gemma":0.005196931,"domain_scores_codex":[0.9991841,0.00004764724,0.0002263442,0.0002218203,0.0001059889,0.0002140907],"domain_scores_gemma":[0.9993408,0.0002005211,0.0001078505,0.0002256047,0.000051282,0.00007398866],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001333899,0.0001053603,0.0003986843,0.00226011,0.000156361,0.00002987579,0.02088832,6.24213e-7,0.001916666,0.8584723,0.1151741,0.000584188],"study_design_scores_gemma":[0.0004069796,0.0001129662,0.0007139187,0.0002727833,0.0003546664,0.00001382583,0.001949257,0.0003507237,0.00004463395,0.00191415,0.9934577,0.0004084155],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8034295,0.001025345,0.000003569299,0.0004422999,0.001938534,0.000214562,0.00001652006,0.0001843968,0.1927453],"genre_scores_gemma":[0.9819303,0.00001760027,0.0001066071,0.001593303,0.0002667197,0.0000584726,0.00002118861,0.00001260429,0.01599327],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8782836,"threshold_uncertainty_score":0.9952484,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404414035","doi":"10.4000/12i8h","title":"Acordai, frontières entre tradition et modernité","year":2019,"lang":"fr","type":"article","venue":"Filigrane","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ministère de l’Emploi et de la Solidarité Sociale (Québec)","funders":"","keywords":"Geography","retraction":null,"screen_n_in":null,"score":{"opus":0.02650863846565631,"gpt":0.2437722291095576,"spread":0.2172635906439013,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00029366,0.0002068456,0.0003328391,0.00004054962,0.0003363986,0.00007733583,0.0002215733,0.000220122,0.005786554],"category_scores_gemma":[0.00006161325,0.0002190193,0.0002117376,0.0002673557,0.0003980642,0.0003302743,0.00003654451,0.0002498273,0.002680928],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002308185,"about_ca_system_score_gemma":0.0001125542,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01190273,"about_ca_topic_score_gemma":0.008478298,"domain_scores_codex":[0.9982495,0.0002690521,0.0002286091,0.0003197877,0.0004637239,0.0004692985],"domain_scores_gemma":[0.9993601,0.0001730957,0.00009756115,0.0001622219,0.00007198415,0.0001350312],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003044152,0.0003262,0.003166137,0.00012375,0.000174575,0.00001854175,0.08522316,0.00007781584,0.0002387028,0.4850168,0.4070311,0.01857277],"study_design_scores_gemma":[0.0005019989,0.0001207917,0.006195196,0.0001177633,0.00006096111,0.000001051375,0.00644131,0.0006384368,0.00003861218,0.02042099,0.965134,0.0003289367],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.28387,0.05264111,0.0001168713,0.01657971,0.008681314,0.00052012,0.0002294007,0.0001341669,0.6372273],"genre_scores_gemma":[0.7064416,0.003335386,0.0001820869,0.0006129259,0.0008592132,0.00001416541,0.00003953201,0.00001699182,0.2884981],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.5581028,"threshold_uncertainty_score":0.9980956,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404414213","doi":"10.4000/12i8c","title":"Mare nostrum ou l’espace vénitien et méditerranéen comme modèle sonore, poétique et utopique chez Luigi Nono","year":2019,"lang":"fr","type":"article","venue":"Filigrane","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.0530250701359564,"gpt":0.2631995231875775,"spread":0.2101744530516211,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004214566,0.0005754812,0.0007711375,0.0001919231,0.0003968717,0.0004517139,0.000500502,0.0003306446,0.02254932],"category_scores_gemma":[0.00003676049,0.0005320495,0.0004688276,0.0001434999,0.0003220994,0.000851054,0.0001573968,0.000853393,0.00245837],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001329886,"about_ca_system_score_gemma":0.0001363488,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006871886,"about_ca_topic_score_gemma":0.002672841,"domain_scores_codex":[0.9971795,0.0005039118,0.0005990338,0.0006253864,0.0003435906,0.0007485743],"domain_scores_gemma":[0.9982959,0.0003440029,0.0002194008,0.0006835663,0.0001685931,0.000288556],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000254096,0.0006610645,0.00115729,0.0007660248,0.0002529856,0.0001211109,0.0616352,0.00008366614,0.0002630419,0.7208242,0.212762,0.001219374],"study_design_scores_gemma":[0.0007564796,0.0005087862,0.0005864047,0.0004238082,0.0001022583,0.0000336333,0.001588071,0.0006983541,0.0001584291,0.002156714,0.9922788,0.0007082632],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1263181,0.01104129,0.0001314021,0.07929429,0.004540372,0.0009918552,0.004030988,0.0003050426,0.7733467],"genre_scores_gemma":[0.3770602,0.000292345,0.0001502289,0.004954081,0.0008693414,0.00003584142,0.0006078843,0.00006486641,0.6159652],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.7795168,"threshold_uncertainty_score":0.9997414,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404413657","doi":"10.4000/12i3o","title":"La New Musicology","year":2010,"lang":"fr","type":"article","venue":"Filigrane","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Musicology; Art; Literature","retraction":null,"screen_n_in":null,"score":{"opus":0.01534119545941205,"gpt":0.2303757079930655,"spread":0.2150345125336535,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002504571,0.0002277569,0.0003589066,0.0001083529,0.0004061878,0.0001259619,0.0002531045,0.0004995695,0.2264222],"category_scores_gemma":[0.0001237324,0.0002101117,0.000263681,0.00008249342,0.001311585,0.000123025,0.00007587664,0.0009790774,0.004136893],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001183436,"about_ca_system_score_gemma":0.000133411,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004624287,"about_ca_topic_score_gemma":0.03823715,"domain_scores_codex":[0.9986795,0.000137013,0.0002829323,0.0003317031,0.0001216995,0.000447186],"domain_scores_gemma":[0.9988595,0.0003798572,0.00008737225,0.0003396452,0.0000714315,0.0002622435],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001890691,0.0001875263,0.00005226824,0.00003010816,0.0001007051,0.00006862158,0.00356011,0.00000105269,0.0008630852,0.5595077,0.4056065,0.03000343],"study_design_scores_gemma":[0.0004193133,0.0001138347,0.001142339,0.00001668654,0.0002895845,0.00004208632,0.000198129,0.00009729539,0.00005327409,0.01072035,0.9866654,0.0002417494],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.2723441,0.002178644,0.00003544881,0.05541276,0.01126273,0.0001594699,0.00009551137,0.00009965886,0.6584117],"genre_scores_gemma":[0.2574977,0.0001071727,0.000301947,0.005138631,0.007314772,0.00001184614,0.00004405656,0.0000250478,0.7295589],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.5810588,"threshold_uncertainty_score":0.9966385,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}