{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":3,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":3,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"97fabf9a383c","filters":{"venue":"Film Education Journal"}},"results":[{"id":"W3047853910","doi":"10.14324/fej.03.1.01","title":"Film education pedagogy in Nigeria: A nation-specific approach to a non-Western university curriculum","year":2020,"lang":"en","type":"article","venue":"Film Education Journal","topic":"African history and culture studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Universalization; Curriculum; Indigenous; Argument (complex analysis); Colonialism; Film studies; Sociology; Traditional knowledge; Pedagogy; Media studies; Political science; Visual arts; Art; Psychology; Law; Social psychology; Movie theater; Medicine","authors":[{"name":"Lani Akande","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0285485574636617,"gpt":0.3056142262836593,"spread":0.2770656688199976,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001666276,0.0002217031,0.0002306573,0.0008569918,0.007734074,0.005244752,0.0003894409,0.0008315503,0.003144456],"category_scores_gemma":[0.001187108,0.0001764681,0.0001066848,0.0007456214,0.003260301,0.002222861,0.003543327,0.00178907,0.0001843646],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004467754,"about_ca_system_score_gemma":0.006850026,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004954058,"about_ca_topic_score_gemma":0.02729763,"domain_scores_codex":[0.9994345,0.0003417334,0.00002157404,0.00004919043,0.00003747407,0.0001154079],"domain_scores_gemma":[0.99927,0.000309094,0.00005415761,0.00003462823,0.00006634631,0.0002656526],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004578795,0.0008155322,0.01483112,0.0005805081,0.000005383008,0.00139731,0.7255401,0.0001620061,0.003315281,0.1478138,0.002782498,0.1027107],"study_design_scores_gemma":[0.000006932262,0.0001636378,0.02039978,0.0009731979,0.00001162957,0.0003709568,0.8593138,0.0002003075,0.001297136,0.005960181,0.1112925,0.000009985724],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8097017,0.003132944,0.002612277,0.005940525,0.000284599,0.0002590116,0.00001606381,0.00001449032,0.1780383],"genre_scores_gemma":[0.9778572,0.003114526,0.002082649,0.0006866744,0.00003187323,0.000135933,0.00001172325,0.000008976072,0.0160704],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.007734074,"threshold_uncertainty_score":0.03241599,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4282833929","doi":"10.14324/fej.05.1.05","title":"A decolonising approach to genre cinema studies","year":2022,"lang":"en","type":"article","venue":"Film Education Journal","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Emily Carr University of Art and Design; University of British Columbia","funders":"","keywords":"Movie theater; Hollywood; Conversation; Sociology; Film genre; Film studies; Film theory; Carr; Media studies; Visual arts; Art; Literature; Art history","authors":[{"name":"Sarah Shamash","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0715934016183874,"gpt":0.2948112459291808,"spread":0.2232178443107934,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007222233,0.0004460714,0.0004072304,0.003788496,0.003970951,0.006725852,0.001638234,0.001134812,0.006621845],"category_scores_gemma":[0.009471329,0.0002651165,0.0003536955,0.00170609,0.01628361,0.004847318,0.004922163,0.003335784,0.0006650235],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006891942,"about_ca_system_score_gemma":0.003926885,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004607645,"about_ca_topic_score_gemma":0.009306055,"domain_scores_codex":[0.9953203,0.003547207,0.0001074434,0.0004363142,0.0003989315,0.0001898353],"domain_scores_gemma":[0.9912876,0.005931414,0.0004830878,0.0009980989,0.0008160624,0.0004837113],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00001238708,0.00006333506,0.001320101,0.000201956,0.000007076789,0.0001028224,0.08349006,0.0002343372,0.0007738975,0.8595632,0.003226077,0.05100488],"study_design_scores_gemma":[0.00002843369,0.00007606444,0.002816594,0.00089141,0.0000135215,0.0003945947,0.04267822,0.001924634,0.001038773,0.2879567,0.6621571,0.00002405811],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1075581,0.01486494,0.2527205,0.03240094,0.001390015,0.0005132841,0.0001276525,0.0002225149,0.5902022],"genre_scores_gemma":[0.8121752,0.0108761,0.09400439,0.004052726,0.0008790215,0.0009405904,0.0001054126,0.0003629652,0.07660366],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.007222233,"threshold_uncertainty_score":0.05000472,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4411091648","doi":"10.14324/fej.08.1.03","title":"Environment and society in Átl’ḵa7tsem/Howe Sound Biosphere: towards an integrated media ecology","year":2025,"lang":"en","type":"article","venue":"Film Education Journal","topic":"Indigenous Studies and Ecology","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Capilano University","funders":"","keywords":"Biosphere; Sound (geography); Ecology; Anthropology; Geography; Sociology; Geology; Biology; Oceanography","authors":[{"name":"M. L. Mason","is_ca":true},{"name":"Gregory Coyes","is_ca":true},{"name":"Marja de Jong Westman","is_ca":true},{"name":"Cheryl Schreader","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02381883701720617,"gpt":0.367306683991952,"spread":0.3434878469747459,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001481559,0.0004134473,0.0002920692,0.002261684,0.009479085,0.01738561,0.000554879,0.002422769,0.004330827],"category_scores_gemma":[0.0007372979,0.00030476,0.0001780676,0.001101075,0.01327576,0.007221768,0.00909813,0.002512556,0.0005565295],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005562611,"about_ca_system_score_gemma":0.006240443,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01460307,"about_ca_topic_score_gemma":0.03521854,"domain_scores_codex":[0.9992499,0.00028857,0.00001711041,0.00006431908,0.0001308974,0.0002491171],"domain_scores_gemma":[0.999647,0.0001093652,0.00003142122,0.00001600581,0.00004767645,0.0001484849],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00004029394,0.0001023502,0.003466563,0.0003263024,0.000017179,0.002295978,0.4471458,0.0001632024,0.002219364,0.4660089,0.0101191,0.06809501],"study_design_scores_gemma":[0.00000808939,0.00003892165,0.004542591,0.0004674571,0.000009200234,0.0005568959,0.2605308,0.0001140439,0.0004416188,0.03277677,0.7004916,0.00002201849],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.297456,0.05760486,0.004781533,0.06784656,0.001816948,0.0001536139,0.00008130386,0.0001663473,0.5700929],"genre_scores_gemma":[0.9262868,0.01099901,0.002686862,0.004666721,0.0002957665,0.00008454359,0.00005735992,0.00009302978,0.05482982],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9853969,"threshold_uncertainty_score":0.0403598,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}