{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":5,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":5,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"1a623a390ef8","filters":{"venue":"Film History"}},"results":[{"id":"W257626130","doi":"10.2979/filmhistory.27.1.111","title":"“Ten Dollars' Worth of Fun”: The Obscured History of the Toy Magic Lantern and Early Children's Media Spectatorship","year":2015,"lang":"en","type":"article","venue":"Film History","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Education and Early Childhood Development","funders":"","keywords":"Lantern; MAGIC (telescope); Art; Visual arts; Art history; History; Astronomy; Physics; Chemistry","authors":[{"name":"Bak","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02903539962187265,"gpt":0.1914049904320385,"spread":0.1623695908101658,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001655097,0.0002706933,0.0003252485,0.001448742,0.007000464,0.007016402,0.0006144787,0.001410982,0.006949423],"category_scores_gemma":[0.003175893,0.0003151393,0.0001168373,0.001038781,0.02849353,0.006403333,0.003822883,0.002931595,0.0004261575],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006062896,"about_ca_system_score_gemma":0.001832576,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0144008,"about_ca_topic_score_gemma":0.02353796,"domain_scores_codex":[0.9990084,0.0005517118,0.00002865541,0.000129644,0.000112148,0.0001694762],"domain_scores_gemma":[0.9987271,0.000856336,0.0001055959,0.00008881608,0.0000954216,0.0001267801],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004148695,0.00001682881,0.0008491306,0.0001227739,0.000005055114,0.0006091424,0.317677,0.00005107763,0.0002154104,0.6560914,0.007739818,0.01658098],"study_design_scores_gemma":[0.00001092987,0.00005001126,0.003403885,0.0008790393,0.00001433251,0.0007615439,0.1659916,0.00006724752,0.0006761314,0.02586361,0.8022598,0.00002188768],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2820056,0.04875796,0.001930056,0.03600516,0.001082237,0.00003037217,0.0001646305,0.00007405597,0.62995],"genre_scores_gemma":[0.9680093,0.008900933,0.0002269776,0.0009471019,0.0002761973,0.00001933509,0.00001958692,0.00005393807,0.02154668],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0144008,"threshold_uncertainty_score":0.0439896,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2073733220","doi":"","title":"The Myth of Evangeline and the Origin of Canadian National Cinema","year":2014,"lang":"en","type":"article","venue":"Film History","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Mythology; Movie theater; Scholarship; Legend; Milestone; Feature (linguistics); Art history; Art; History; Literature; Political science; Philosophy; Law; Archaeology; Linguistics","authors":[{"name":"Zoë Constantinides","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01698874679384702,"gpt":0.2209467410232562,"spread":0.2039579942294092,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001999988,0.0004733972,0.0003475434,0.002553306,0.02910917,0.01237644,0.001523415,0.00191509,0.005562669],"category_scores_gemma":[0.0044061,0.0002724088,0.0001977372,0.002022398,0.04098905,0.004406114,0.003789759,0.003292169,0.0003172135],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.1050366,"about_ca_system_score_gemma":0.06563413,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9605918,"about_ca_topic_score_gemma":0.9731098,"domain_scores_codex":[0.9975992,0.0004974176,0.00004013545,0.0003562992,0.0007369347,0.0007701151],"domain_scores_gemma":[0.9981714,0.0004459077,0.0001363579,0.0001281191,0.0006799718,0.000438259],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005469198,0.00001204632,0.001880864,0.0001088774,0.000008671223,0.0003782143,0.2516181,0.0001100965,0.0004047689,0.6985466,0.02584134,0.02103566],"study_design_scores_gemma":[0.000008643114,0.00001575014,0.007432028,0.0004786798,0.00002285052,0.0004778724,0.1552397,0.0001857225,0.0005232684,0.02416526,0.8113825,0.00006771755],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1451614,0.02137028,0.00241564,0.06290837,0.001481209,0.00003656282,0.0003752093,0.0001324463,0.7661189],"genre_scores_gemma":[0.964514,0.004217183,0.0008201061,0.001774952,0.0001544856,0.00001316336,0.00005791585,0.00007217415,0.02837601],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1050366,"threshold_uncertainty_score":0.7620975,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3150391402","doi":"10.2979/filmhistory.25.4.62","title":"Four Cents to Sea: 16mm, the Royal Canadian Naval Film Society, and the Mobilization of Entertainment","year":2013,"lang":"en","type":"article","venue":"Film History","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":2,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Entertainment; Mobilization; Political science; Media studies; Art; Visual arts; Law; Sociology","authors":[{"name":"Lester","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01777634350349063,"gpt":0.1720685310941369,"spread":0.1542921875906462,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00222381,0.0004935173,0.0003735334,0.002736341,0.0154578,0.01457956,0.001264051,0.005585503,0.03200723],"category_scores_gemma":[0.01309202,0.0003316642,0.0002140789,0.005456557,0.005784079,0.006358251,0.002188168,0.005071559,0.001108981],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.05089365,"about_ca_system_score_gemma":0.04502044,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9416327,"about_ca_topic_score_gemma":0.9807545,"domain_scores_codex":[0.9987464,0.0002216337,0.000036031,0.00008329658,0.0004006007,0.0005119395],"domain_scores_gemma":[0.9954327,0.001054246,0.0004455861,0.00009920626,0.001377946,0.001590268],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001856403,0.00007185328,0.01849638,0.0002065496,0.00003179064,0.0003560218,0.03869398,0.0002116002,0.0001349377,0.1750976,0.6918623,0.0746513],"study_design_scores_gemma":[0.00001382359,0.00001774089,0.03709986,0.0006530025,0.00004598066,0.00009421268,0.0964362,0.0001850345,0.0001668512,0.0091069,0.8560993,0.00008103313],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.1140019,0.06443775,0.0002470819,0.5763252,0.005771804,0.00003405728,0.001102727,0.00004235103,0.2380372],"genre_scores_gemma":[0.6910327,0.0223415,0.0001867483,0.01463248,0.00193399,0.00003083979,0.0002756226,0.00006344296,0.2695027],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.05836731,"threshold_uncertainty_score":0.369261,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2079666748","doi":"","title":"Introduction: Cinema During the Great War","year":2010,"lang":"en","type":"article","venue":"Film History","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Parade; Watson; Nothing; History; Spanish Civil War; Movie theater; Theme (computing); Originality; Period (music); Classics; Representation (politics); Art history; Literature; Media studies; Sociology; Law; Social science; Art; Aesthetics; Political science; Politics; Archaeology; Philosophy","authors":[{"name":"Stephen Bottomore","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01453228054693165,"gpt":0.1743738071069835,"spread":0.1598415265600518,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006022385,0.0008667764,0.0002835096,0.001871112,0.003506071,0.005189585,0.0006321833,0.001712236,0.06894982],"category_scores_gemma":[0.0023887,0.0002729617,0.0002843571,0.001460667,0.001406041,0.00325527,0.001758652,0.003105672,0.01105979],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002045755,"about_ca_system_score_gemma":0.001038097,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003840077,"about_ca_topic_score_gemma":0.00797314,"domain_scores_codex":[0.9995654,0.0001435616,0.00002189551,0.00007366046,0.0001345402,0.00006087803],"domain_scores_gemma":[0.998825,0.0004894576,0.00008839549,0.00006750142,0.0003075048,0.0002221516],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002003136,0.00001194848,0.0001749542,0.0003320104,0.00000312892,0.0001053833,0.004441597,0.00002067318,0.0003286334,0.01254889,0.9586406,0.02337222],"study_design_scores_gemma":[0.000001346388,0.000006347352,0.0005481616,0.0003733846,0.000001689506,0.0001157704,0.0009483747,0.000008593456,0.00004300721,0.0004679791,0.997483,0.000002445289],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"editorial","genre_scores_codex":[0.005043306,0.1635059,0.0008841879,0.06234601,0.09267499,0.00009026709,0.001275,0.0002989151,0.6738815],"genre_scores_gemma":[0.1040422,0.1257191,0.001473593,0.02710191,0.1332862,0.0001892614,0.001765791,0.0005611492,0.6058609],"genre_candidate":"editorial","genre_consensus":null,"teacher_disagreement_score":0.06894982,"threshold_uncertainty_score":0.2306601,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4414166326","doi":"10.2979/fih.00015","title":"Following Caribou Via Rupta from the Early Hunting Film to Jerry Evans’s Apaja’lujik (2019)","year":2025,"lang":"en","type":"article","venue":"Film History","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Shot (pellet); Panning (audio); Stalking; Agency (philosophy); Crime scene; Front (military); Feature film","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.02376578852672338,"gpt":0.2343835486698006,"spread":0.2106177601430772,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005017435,0.0002114079,0.0001120981,0.0007111446,0.005948409,0.002847698,0.0003848631,0.0005302678,0.007628538],"category_scores_gemma":[0.001777467,0.0001354178,0.00007036504,0.00068359,0.003866598,0.001602473,0.001739301,0.001935865,0.0004423732],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002836109,"about_ca_system_score_gemma":0.0009756976,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0635771,"about_ca_topic_score_gemma":0.2124333,"domain_scores_codex":[0.9997601,0.00008243596,0.000004447597,0.00003761656,0.00004575842,0.00006972238],"domain_scores_gemma":[0.9997136,0.0001127713,0.0000326892,0.00002464286,0.00006676645,0.00004961298],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001825562,0.0000526383,0.004465968,0.0003094238,0.00002109082,0.003234421,0.8270151,0.0001244977,0.004390028,0.04270244,0.0424097,0.07509204],"study_design_scores_gemma":[0.000004417068,0.00005480158,0.02089387,0.0004265664,0.00002178493,0.001133588,0.4076281,0.0001038901,0.001503123,0.001095077,0.5671074,0.00002741473],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6482038,0.005281477,0.001272269,0.0109025,0.001023364,0.00004731735,0.0002107131,0.0001012956,0.3329572],"genre_scores_gemma":[0.9595681,0.001701952,0.0006175707,0.0005252731,0.0001228386,0.00001640153,0.00007504318,0.00006156704,0.03731117],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.0635771,"threshold_uncertainty_score":0.1264141,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}