{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":33,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":33,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"query_hash":"ce3f9e0f458f","filters":{"venue":"Forum for Modern Language Studies"}},"results":[{"id":"W3039734244","doi":"10.1093/fmls/cqaa021","title":"Canadian Noir: Consumer Culture, Colonial Nationalism and the Cardinal Series","year":2020,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Western University","funders":"","keywords":"Nationalism; National identity; Colonialism; Representation (politics); Spectacle; HERO; Sociology; Foregrounding; Dominance (genetics); History; Aesthetics; Art; Law; Literature; Political science","retraction":null,"screen_n_in":null,"score":{"opus":0.03974175439508097,"gpt":0.2765546215991986,"spread":0.2368128672041176,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00008122715,0.0001426823,0.0002549969,0.00003281791,0.001321586,0.00009969439,0.00006413048,0.0000235259,0.00004328678],"category_scores_gemma":[0.0001609973,0.00008787346,0.0001001166,0.00002271482,0.0005878082,0.0001273107,0.00006470353,0.00007713895,0.00001127138],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000374831,"about_ca_system_score_gemma":0.00003225243,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.009620512,"about_ca_topic_score_gemma":0.2575445,"domain_scores_codex":[0.9993282,0.00002373449,0.0001345092,0.0001804378,0.0001138004,0.0002193442],"domain_scores_gemma":[0.9994839,0.000100845,0.00004354395,0.00006565233,0.0002444582,0.00006154883],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003577259,0.000006287599,0.0001695318,0.00005751106,0.0008706623,0.000006923769,0.5918304,0.000004084,0.00001697243,0.2773086,0.1279151,0.001456155],"study_design_scores_gemma":[0.001163872,0.000122707,0.00005630097,0.000008077016,0.0001221721,0.000005761194,0.1459505,0.0001372959,0.00004250526,0.006079087,0.846149,0.0001626844],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.2414337,0.3974821,0.0006763698,0.2298158,0.004428327,0.00501769,0.008306092,0.0007548908,0.1120851],"genre_scores_gemma":[0.9904816,0.0003222957,0.00004385991,0.00297211,0.0006800978,0.0001826621,0.0000194411,0.00001430416,0.005283696],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7490479,"threshold_uncertainty_score":0.9999785,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4395084103","doi":"10.1093/fmls/cqae022","title":"How Literary Texts ‘Stage’ Code-Switching","year":2024,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Media, Communication, and Education","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Ottawa","funders":"","keywords":"Stage (stratigraphy); Code-switching; Code (set theory); Linguistics; History; Art; Literature; Computer science; Programming language; Philosophy; Biology","retraction":null,"screen_n_in":null,"score":{"opus":0.06316601289312844,"gpt":0.4074335088111229,"spread":0.3442674959179945,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005375635,0.0001131513,0.0001532004,0.00008806083,0.0008335789,0.0002868235,0.0002544781,0.0000558468,0.00001957366],"category_scores_gemma":[0.0004928167,0.00009716627,0.00009312535,0.000156548,0.0001078003,0.000466017,0.0000741831,0.0001077823,0.00001316165],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000990098,"about_ca_system_score_gemma":0.0001226693,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002081186,"about_ca_topic_score_gemma":0.003930191,"domain_scores_codex":[0.9990265,0.00007493202,0.0001349794,0.0002186758,0.0002084442,0.0003364042],"domain_scores_gemma":[0.9991277,0.0004071635,0.0000440882,0.0002592432,0.00009924351,0.00006258969],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000006634794,0.00002319955,0.0002674357,0.0001803414,0.0001048336,0.00000299793,0.7530526,0.00000252538,0.0001642191,0.01953509,0.0115918,0.2150684],"study_design_scores_gemma":[0.000175027,0.00004642586,0.0001025442,0.0002471202,0.00005875887,0.000001234282,0.4231607,0.002305828,0.0001730686,0.07364868,0.4997868,0.0002938016],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.2473111,0.5878454,0.04620672,0.08903458,0.006325199,0.001713222,0.0002124779,0.001235725,0.02011559],"genre_scores_gemma":[0.961996,0.002060794,0.001531123,0.0002638099,0.0007358351,0.00015308,0.00003999415,0.00002205781,0.03319728],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7146849,"threshold_uncertainty_score":0.6411299,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4309074405","doi":"10.1093/fmls/cqac064","title":"On Researching Early Modern Mediated Translations: Challenges and Prospects","year":2022,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Philippine History and Culture","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Metadata; The Renaissance; History; Task (project management); Computer science; World Wide Web; Art history; Engineering","retraction":null,"screen_n_in":null,"score":{"opus":0.06838560081084004,"gpt":0.3514937901508521,"spread":0.283108189340012,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0004910003,0.0001039445,0.0001647839,0.00006977433,0.002224939,0.00001957497,0.0001469679,0.0000333462,0.00002052219],"category_scores_gemma":[0.0003067475,0.00009373249,0.00005723266,0.00008222491,0.0001726435,0.0001412272,0.00007017582,0.0001808598,0.00000174901],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009612665,"about_ca_system_score_gemma":0.00003827607,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00007347205,"about_ca_topic_score_gemma":0.002937979,"domain_scores_codex":[0.9988019,0.0001319639,0.0001069447,0.0002587644,0.0003759952,0.0003243989],"domain_scores_gemma":[0.9995188,0.0002153747,0.00004274295,0.0001122252,0.00005290024,0.00005793927],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00009052779,0.00006138302,0.00001602201,0.00004144237,0.00008402943,0.000007769694,0.9096925,0.00008346275,0.0002367127,0.05731289,0.0006935587,0.03167974],"study_design_scores_gemma":[0.001683194,0.0009504709,0.0005950637,0.00007246903,0.00006022898,0.000003243285,0.4906317,0.001421268,0.00004356739,0.43572,0.06826058,0.0005581811],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6711437,0.2867535,0.0002935737,0.01692045,0.0004089454,0.001742424,0.0002987976,0.0003486516,0.02208999],"genre_scores_gemma":[0.9959784,0.001025596,0.00006971481,0.0001716319,0.00009657103,0.0004103981,0.00001245246,0.00001524089,0.002220043],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4190607,"threshold_uncertainty_score":0.999074,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4399153283","doi":"10.1093/fmls/cqae041","title":"Imperial Transnationality: On Soviet Screens","year":2024,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"European history and politics","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Trinity College","funders":"","keywords":"Transnationality; History; Art; Political science; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.06229662426993299,"gpt":0.3893638075430297,"spread":0.3270671832730968,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003678163,0.00009378637,0.0001236864,0.00004976404,0.0005601306,0.00004684782,0.0001075245,0.00003844812,0.00008278359],"category_scores_gemma":[0.000189816,0.0000816652,0.0001234186,0.00006436511,0.0002059838,0.00009801045,0.00001697497,0.00007154166,0.00004022299],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007416046,"about_ca_system_score_gemma":0.00006975516,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0000644016,"about_ca_topic_score_gemma":0.0009356304,"domain_scores_codex":[0.9991419,0.00006636625,0.0001195341,0.0001860374,0.0002008498,0.0002852634],"domain_scores_gemma":[0.9995166,0.0002698418,0.00001637892,0.00009335112,0.00005514578,0.00004866401],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003085739,0.000020386,0.00001147882,0.00007043799,0.0001164917,0.00001395925,0.1512124,0.0000122018,0.00008647543,0.8094043,0.03027589,0.008745063],"study_design_scores_gemma":[0.0002085332,0.0001197577,0.00001776226,0.00005269431,0.00004948525,7.434928e-7,0.03040671,0.000155128,0.0001005931,0.03503598,0.933672,0.0001806579],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2687446,0.08210076,0.008878177,0.04786907,0.01182639,0.002307599,0.003057232,0.00190716,0.5733089],"genre_scores_gemma":[0.9811319,0.0001417127,0.0001918213,0.0007486194,0.001128767,0.00003448705,0.00002337078,0.00002082065,0.0165785],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9033961,"threshold_uncertainty_score":0.4308128,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2067522106","doi":"10.1093/fmls/cqi031","title":"Fictional Fossils: Life and Death Writing in Carol Shields's The Stone Diaries","year":2005,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Short Stories in Global Literature","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Life writing; Literature; Witness; Biography; History; Philosophy; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.0297857060931797,"gpt":0.2939086076005094,"spread":0.2641229015073296,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001663139,0.000167935,0.0002165005,0.00004573584,0.0007351484,0.0001560729,0.0001152509,0.0000466467,0.00005255775],"category_scores_gemma":[0.0002042445,0.0001123655,0.00006324418,0.0000223062,0.0002486646,0.0002407882,0.0001174541,0.000156352,0.000001636152],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005446916,"about_ca_system_score_gemma":0.00001752735,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00008448819,"about_ca_topic_score_gemma":0.00566096,"domain_scores_codex":[0.9990873,0.00002064551,0.0002209503,0.0002080423,0.0001474142,0.0003156517],"domain_scores_gemma":[0.9994053,0.0002752454,0.0000538315,0.0001467488,0.00008656982,0.00003234181],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008589092,0.0000422875,0.004121265,0.00007434944,0.0002280872,0.000007512475,0.3797094,0.00007679274,0.000009752048,0.5888743,0.01316382,0.01360652],"study_design_scores_gemma":[0.001049529,0.0001631078,0.001535885,0.0001161933,0.00008788548,0.00001473563,0.337821,0.002090031,0.00004805624,0.01502843,0.6415375,0.0005076111],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6522366,0.2830851,0.000395151,0.01209464,0.001676259,0.001273828,0.00109578,0.0002742985,0.0478683],"genre_scores_gemma":[0.9947252,0.0001112597,0.0002686735,0.001167034,0.001374173,0.0001583062,0.00002053395,0.00001688991,0.002157886],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6283737,"threshold_uncertainty_score":0.5654241,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4294001514","doi":"10.1093/fmls/cqac038","title":"‘This was the better way’: The Restoration Afterlives of Ben Jonson’s Comic Designs","year":2022,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ambrose University; Dalhousie University","funders":"","keywords":"Comics; Comedy; Literature; Hoax; Trickster; Character (mathematics); Plot (graphics); Tragedy (event); Afterlife; Art; Philosophy; History","retraction":null,"screen_n_in":null,"score":{"opus":0.06777102248606745,"gpt":0.2845313902026859,"spread":0.2167603677166184,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0002924857,0.0001323338,0.0001820744,0.00005279575,0.00165268,0.00007181992,0.0002393219,0.00001374144,0.000530486],"category_scores_gemma":[0.00005091942,0.00007709026,0.0001269721,0.00002849198,0.0003063113,0.0001712633,0.0001027491,0.0001121098,0.000005582453],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004012682,"about_ca_system_score_gemma":0.00001974413,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002492791,"about_ca_topic_score_gemma":0.001540797,"domain_scores_codex":[0.9990424,0.0001231953,0.0002434433,0.000156033,0.0002179808,0.0002169527],"domain_scores_gemma":[0.9991162,0.0004004073,0.000107031,0.0002498739,0.0001126772,0.00001376015],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00008418289,0.00004261175,0.00008925539,0.00004755157,0.000200865,0.000002582975,0.8622321,0.00004125578,0.0001757565,0.07095943,0.06220003,0.003924329],"study_design_scores_gemma":[0.0006186204,0.0004520585,0.0003101501,0.00003198169,0.0001846408,0.000005364249,0.5689511,0.001713707,0.0002644917,0.02440537,0.4027981,0.0002644595],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9146858,0.03907751,0.001073867,0.02544257,0.002017991,0.002155825,0.001371783,0.0001707831,0.0140039],"genre_scores_gemma":[0.9834803,0.00003094228,0.00007771234,0.001556327,0.000363853,0.0004000862,0.00004782047,0.00002301284,0.01401998],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.340598,"threshold_uncertainty_score":0.999647,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4226112881","doi":"10.1093/fmls/cqac008","title":"Surrealizing Wifredo Lam?","year":2022,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Cuban History and Society","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Poetry; Art; Interpretation (philosophy); Temptation; Painting; Politics; Merge (version control); Ethnography; Relation (database); Sociology; Aesthetics; Literature; Art history; Anthropology; Philosophy; Linguistics; Law; Computer science; Political science","retraction":null,"screen_n_in":null,"score":{"opus":0.06040694175180521,"gpt":0.3794312422387421,"spread":0.3190243004869369,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.000664423,0.0000931561,0.0001803659,0.00003235715,0.003517281,0.00001901524,0.000207808,0.00002860446,0.0001375351],"category_scores_gemma":[0.0001898263,0.00009756212,0.0001670826,0.0001295091,0.0002014436,0.0001000531,0.0001663704,0.0001122814,0.000003862363],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003226508,"about_ca_system_score_gemma":0.00006916586,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0006900995,"about_ca_topic_score_gemma":0.003431399,"domain_scores_codex":[0.9988755,0.0001068602,0.0001279287,0.000203653,0.0002971683,0.0003888799],"domain_scores_gemma":[0.9995254,0.0001707199,0.00006344372,0.000137283,0.00005631987,0.00004677995],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003363841,0.00006476416,0.0009253893,0.00003573973,0.0001621626,0.00001406844,0.8329408,0.0001118517,0.0001901309,0.0429882,0.1095486,0.01298465],"study_design_scores_gemma":[0.000248315,0.0000519798,0.00003269048,0.000004213446,0.00002214892,9.168822e-7,0.4590928,0.00008588871,0.00001775833,0.005552725,0.5347449,0.0001456587],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.742577,0.1202728,0.003388745,0.01324253,0.00666764,0.002596416,0.0009662308,0.001276377,0.1090123],"genre_scores_gemma":[0.9821192,0.0001293314,0.0002666514,0.0005711448,0.000248432,0.0002462233,0.00001872902,0.00001785235,0.01638245],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4251962,"threshold_uncertainty_score":0.99778,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4213374637","doi":"10.1093/fmls/cqab035","title":"<i>Medievalism in English Canadian Literature: From Richardson to Atwood</i>. Ed. by M. J. Toswell and Anna Czarnowus","year":2021,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Queen's University","funders":"","keywords":"Medievalism; Middle Ages; Humanism; History; Historiography; Settlement (finance); Parliament; Period (music); Classics; Ancient history; Narrative; Politics; Art; Literature; Archaeology; Law; Political science","retraction":null,"screen_n_in":null,"score":{"opus":0.00818241243396497,"gpt":0.2647959438687562,"spread":0.2566135314347913,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002222933,0.0001279246,0.0002561614,0.0002308744,0.0006839903,0.0002755635,0.0001385218,0.0001143129,0.00006032804],"category_scores_gemma":[0.0007671983,0.0001604587,0.00006554929,0.0002739139,0.0001771844,0.0002095327,0.00006062851,0.0001273639,0.000008462233],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006585221,"about_ca_system_score_gemma":0.0003772026,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.8320457,"about_ca_topic_score_gemma":0.9985901,"domain_scores_codex":[0.9986753,0.00006503594,0.0001569854,0.0003568544,0.0001927043,0.0005530939],"domain_scores_gemma":[0.999152,0.0001008387,0.00003334475,0.0001596197,0.0002058066,0.0003484021],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001485421,0.00002184959,0.0003731692,0.0000346759,0.00007101554,0.000136523,0.435895,0.000002345243,0.0001921583,0.001123718,0.5447278,0.01740694],"study_design_scores_gemma":[0.000332294,0.00002525015,0.0003285771,0.00008126596,0.00002342569,6.308906e-7,0.05740794,0.00001299313,0.00005563585,0.00108008,0.9404216,0.0002303461],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.3718474,0.5905675,0.00006541785,0.01322277,0.002957709,0.0009155911,0.005909174,0.0001292569,0.01438517],"genre_scores_gemma":[0.946612,0.01552884,0.000554818,0.007174683,0.001578691,0.0002039966,0.0004302586,0.00006189049,0.02785481],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.5750387,"threshold_uncertainty_score":0.6543316,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4247851585","doi":"10.1093/fmls/cqp062","title":"CHILDERS, WILLIAM. Transnational Cervantes. Toronto, Buffalo &amp; London: University of Toronto Press, 2006. 310 pp.  40.00 ISBN 0-8020-9045-1","year":2009,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Cuban History and Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Media studies; History; Art history; Sociology","retraction":null,"screen_n_in":null,"score":{"opus":0.02219658006310182,"gpt":0.2860995428707451,"spread":0.2639029628076433,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003402957,0.0002116602,0.0003954127,0.000007573433,0.001057174,0.00001939185,0.00035188,0.0001348198,0.0004070538],"category_scores_gemma":[0.0000795255,0.0002230656,0.0003438206,0.00004102693,0.0004102935,0.0006366862,0.00004322787,0.00009227536,0.000002298993],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006495686,"about_ca_system_score_gemma":0.0001095913,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.01921156,"about_ca_topic_score_gemma":0.3142669,"domain_scores_codex":[0.9984245,0.00008004322,0.0002286132,0.0003495515,0.0004369587,0.0004803693],"domain_scores_gemma":[0.9991565,0.0001270018,0.0001467336,0.0002358245,0.0002288713,0.0001051047],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003449738,0.0004141109,0.0004548779,0.0001191235,0.0005304023,0.00000927446,0.5342529,0.00009852936,0.0003796645,0.04925841,0.3983465,0.01579127],"study_design_scores_gemma":[0.00104242,0.00013195,0.001445811,0.00003200637,0.000107718,9.77888e-7,0.06004533,0.00006940124,0.0000419866,0.002004839,0.9347185,0.0003590647],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.04485159,0.8342555,0.00968974,0.01338017,0.001634205,0.002678016,0.002126318,0.0006101547,0.09077434],"genre_scores_gemma":[0.9442699,0.02050501,0.00246407,0.0004853602,0.00045277,0.00001196512,0.0001078802,0.00003041675,0.03167262],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8994183,"threshold_uncertainty_score":0.9873196,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4254457206","doi":"10.1093/fmls/cql128","title":"The Cinema of Canada. Ed. Jerry White. London &amp; New York: Wallflower Press (24 Frames Series), 2006. xv + 268 pp. £45 (hardback)/£18.99 (paperback). ISBN 1–904–76460–6/76461–4","year":2007,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art history; White (mutation); Movie theater; Media studies; Art; Series (stratigraphy); History; Sociology; Chemistry; Geology","retraction":null,"screen_n_in":null,"score":{"opus":0.03220858955489927,"gpt":0.2516728529204646,"spread":0.2194642633655653,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0007621088,0.0005539783,0.00121167,0.00009449863,0.0006700621,0.0000646293,0.000538524,0.0001824079,0.0001645997],"category_scores_gemma":[0.0009312637,0.0004525039,0.0003500095,0.0002340822,0.0002635136,0.0002163649,0.0003583616,0.000301652,0.00002578627],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002262496,"about_ca_system_score_gemma":0.0001548721,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.03371928,"about_ca_topic_score_gemma":0.5301168,"domain_scores_codex":[0.9964767,0.00001702315,0.001231109,0.0007100937,0.0002172643,0.001347887],"domain_scores_gemma":[0.9976135,0.0004920021,0.0006235051,0.0008254592,0.0002233009,0.0002221932],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003652696,0.00009352264,0.00856944,0.0002766899,0.001078376,0.00001629758,0.009852091,0.0001227384,0.00006600887,0.005069608,0.9690559,0.005434095],"study_design_scores_gemma":[0.001521372,0.0001932079,0.002356901,0.0001073138,0.00009141258,0.00001163075,0.01323742,0.0001056928,0.0005120131,0.003951891,0.977233,0.0006781436],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.0729824,0.8809119,0.003804423,0.01223905,0.005352836,0.001845903,0.002033906,0.0001607591,0.02066879],"genre_scores_gemma":[0.4498411,0.0917355,0.006196099,0.003306759,0.003684745,0.0006556667,0.0003062848,0.0004899984,0.4437839],"genre_candidate":"review","genre_consensus":null,"teacher_disagreement_score":0.7891764,"threshold_uncertainty_score":0.9997927,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4243486556","doi":"10.1093/fmls/cqm072","title":"BETTELLA, PATRIZIA. The Ugly Woman: Transgressive Aesthetic Models in Italian Poetry from the Middle Ages to the Baroque. Toronto: University of Toronto Press (Toronto Italian Studies), 2005. viii + 260 pp.  40.00/$60.00. ISBN 0 8020 3926 X","year":2007,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Baroque; Poetry; Transgressive; Art; History; Literature; Classics; Art history","retraction":null,"screen_n_in":null,"score":{"opus":0.05297503366980637,"gpt":0.2733898785225847,"spread":0.2204148448527783,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0008067518,0.0006572891,0.0009648452,0.00001646651,0.002043867,0.0001271089,0.001119707,0.0001260446,0.0001958256],"category_scores_gemma":[0.00007272353,0.0003743577,0.0004633745,0.00003739099,0.0009540513,0.0008936145,0.0004702854,0.0002521556,0.000009535641],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005232005,"about_ca_system_score_gemma":0.00003809676,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.1430302,"about_ca_topic_score_gemma":0.8752663,"domain_scores_codex":[0.9966524,0.0001936395,0.0006635269,0.0007143485,0.0006151025,0.001160944],"domain_scores_gemma":[0.9976085,0.0006520785,0.000324806,0.000948875,0.0003477105,0.0001179985],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0006807242,0.0001762627,0.0001622905,0.0001263512,0.001468613,0.00005041371,0.8783948,0.000513947,0.00004516148,0.002591344,0.1034273,0.01236278],"study_design_scores_gemma":[0.001199682,0.00035737,0.0005635552,0.0003630349,0.0002879245,0.00000297458,0.82473,0.0004907506,0.0001066383,0.002189626,0.1691135,0.000594898],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.1337301,0.8416322,0.0006236827,0.007541967,0.0009562656,0.002447249,0.001287532,0.0001284929,0.01165253],"genre_scores_gemma":[0.9663615,0.02406541,0.0001142251,0.0009519487,0.0007259772,0.0001117011,0.00003653855,0.00008394977,0.007548769],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8326313,"threshold_uncertainty_score":0.9998708,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4403123301","doi":"10.1093/fmls/cqae058","title":"<scp>Lethbridge, Robert</scp>. <i>Zola’s Painters</i>","year":2024,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"French Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Painting; Art; Art history","retraction":null,"screen_n_in":null,"score":{"opus":0.02237248020459099,"gpt":0.2748107432065575,"spread":0.2524382630019665,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001703745,0.0002864884,0.0003257681,0.0001224285,0.0003887103,0.0004451803,0.0001784851,0.00005645761,0.00008006021],"category_scores_gemma":[0.0001266775,0.0002153372,0.0002870912,0.00004020717,0.0002299323,0.0003367208,0.000100063,0.0001849236,0.00008480043],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004185431,"about_ca_system_score_gemma":0.00002120599,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00006447095,"about_ca_topic_score_gemma":0.001006404,"domain_scores_codex":[0.9985817,0.00002369422,0.0002667006,0.0003856985,0.0001836321,0.0005585595],"domain_scores_gemma":[0.9991522,0.000376216,0.00003338152,0.0002360097,0.0001405148,0.00006165761],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000004329689,0.00003581876,0.000003286998,0.0004310375,0.0004042663,0.00007684321,0.2166096,0.000002755749,0.0002091654,0.2268204,0.5350164,0.02038605],"study_design_scores_gemma":[0.0002090401,0.0001576611,0.000001322448,0.0002386313,0.0001120262,0.000009803455,0.05236276,0.001206879,0.0003408945,0.01893757,0.9262969,0.0001264662],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.02867016,0.6600514,0.006749991,0.004713912,0.008907195,0.001191364,0.001880977,0.001552796,0.2862822],"genre_scores_gemma":[0.8140725,0.0001965556,0.0001874637,0.00280337,0.001915527,0.0002311118,0.0001206715,0.00007391699,0.1803989],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7854024,"threshold_uncertainty_score":0.8781196,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4388274257","doi":"10.1093/fmls/cqad032","title":"<i>The Gastronomical Arts in Spain: Food and Etiquette</i>. Ed. by Frederick A. de Armas and James Mandrell","year":2023,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Culinary Culture and Tourism","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Etiquette; The arts; Art history; History; Humanities; Art; Media studies; Sociology; Political science; Law; Visual arts","retraction":null,"screen_n_in":null,"score":{"opus":0.01603441307557841,"gpt":0.2495374302602331,"spread":0.2335030171846547,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001781316,0.0001200504,0.0001564511,0.000006811149,0.0002988697,0.00004718625,0.0000750164,0.0000485454,0.000002763005],"category_scores_gemma":[0.00004183424,0.00004446199,0.00004527383,0.00006446906,0.00009949596,0.00005256983,0.0001250365,0.00007549295,0.000002193166],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001238805,"about_ca_system_score_gemma":0.000002146703,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00006526856,"about_ca_topic_score_gemma":0.001497105,"domain_scores_codex":[0.9992318,0.0000242099,0.0001195739,0.0002084841,0.00005855782,0.0003574038],"domain_scores_gemma":[0.9996247,0.0002457605,0.00003327334,0.00003372742,0.00001354819,0.00004899917],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002696011,0.0001268587,0.02433915,0.00008760706,0.000280936,0.00005676557,0.01276195,0.00002103797,0.06373081,0.0009327869,0.6297516,0.2676409],"study_design_scores_gemma":[0.002886997,0.003260916,0.08009519,0.0001874835,0.0001272828,0.0001068544,0.1664579,0.002913638,0.006684496,0.0271663,0.7086895,0.001423524],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9620298,0.02488749,0.00001509261,0.01260886,0.00004353691,0.000228002,0.00006234116,0.0000487301,0.00007621293],"genre_scores_gemma":[0.9959402,0.002639404,0.00007784523,0.0003540782,0.0001530212,0.00007798579,0.00003777391,0.000002001399,0.0007176906],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2662174,"threshold_uncertainty_score":0.2298694,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4366318344","doi":"10.1093/fmls/cqad001","title":"<i>Concrete Poetry: A 21st-Century Anthology</i>. Ed. by Nancy Perloff","year":2023,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Literature, Language, and Rhetoric Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Poetry; Exhibition; Selection (genetic algorithm); Section (typography); Art history; American poetry; Reading (process); Literature; History; Art; Philosophy; Computer science; Artificial intelligence; Linguistics","retraction":null,"screen_n_in":null,"score":{"opus":0.01874888853771093,"gpt":0.339637134796708,"spread":0.3208882462589971,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0006193588,0.0003385296,0.0005705074,0.0001378937,0.001790264,0.00008864357,0.0003748554,0.0002016753,0.00003307963],"category_scores_gemma":[0.0008876331,0.0002714632,0.0002688702,0.0005115495,0.0005486375,0.0002380383,0.0002507983,0.0001924613,0.00006781155],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001101082,"about_ca_system_score_gemma":0.00006510351,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000314791,"about_ca_topic_score_gemma":0.0003367924,"domain_scores_codex":[0.9973599,0.0001304798,0.0003250501,0.0005705543,0.0004382867,0.001175752],"domain_scores_gemma":[0.9988098,0.0003920984,0.0001401043,0.0003143099,0.0002167807,0.0001269717],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"qualitative","study_design_scores_codex":[0.00007771129,0.00002682655,0.000960229,0.0001407135,0.0005856449,0.00007843141,0.4057997,7.027487e-7,0.001552164,0.01215051,0.5629481,0.01567926],"study_design_scores_gemma":[0.0008771933,0.0001772905,0.0001217839,0.00008022748,0.0001009256,0.000004127992,0.4994494,0.00002861894,0.0001935742,0.001401545,0.4970348,0.0005305626],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.2658054,0.6797159,0.0001202361,0.01071178,0.006490075,0.002011454,0.001509257,0.001899606,0.03173632],"genre_scores_gemma":[0.9285102,0.04107429,0.0004008285,0.002024631,0.00178226,0.0005442178,0.0002164736,0.00009521173,0.02535191],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6627048,"threshold_uncertainty_score":0.9999738,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4240597424","doi":"10.1093/fmls/cql048","title":"O'NEILL, PATRICK. Polyglot Joyce: Fictions of Translation. Toronto: University of Toronto Press, 2005. x + 301 pp. $55/ 35. ISBN 0-8020-3897-2","year":2006,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Polyglot; Translation (biology); Philosophy; Theology; Computer science; Biology; Messenger RNA","retraction":null,"screen_n_in":null,"score":{"opus":0.02244098465785766,"gpt":0.2512972044995319,"spread":0.2288562198416743,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00008993572,0.0002242031,0.0004221321,0.00001367538,0.0004466726,0.00003513608,0.0001780188,0.00007664169,0.0007261608],"category_scores_gemma":[0.00001078053,0.0002073511,0.0002626158,0.0000108817,0.0002395698,0.0005016536,0.00004773743,0.00006379798,0.000002272804],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009455773,"about_ca_system_score_gemma":0.00002791329,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.03065853,"about_ca_topic_score_gemma":0.1854018,"domain_scores_codex":[0.9987838,0.0000302324,0.0003466227,0.0002605028,0.0002182794,0.0003605476],"domain_scores_gemma":[0.9991982,0.00009864497,0.0001585704,0.0002685995,0.0002343,0.00004168553],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005338161,0.0009134449,0.0001720774,0.001099702,0.001167099,0.00001843943,0.3389645,0.0002060719,0.001461086,0.247277,0.3831666,0.02502017],"study_design_scores_gemma":[0.001531109,0.000228904,0.0001542466,0.0001144247,0.0004280316,0.000002400637,0.06578984,0.0009559542,0.0004974824,0.00353731,0.9263219,0.0004383411],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.0138832,0.8076224,0.005273976,0.000794924,0.0009408265,0.001183191,0.004607921,0.0002346889,0.1654589],"genre_scores_gemma":[0.9482566,0.003576048,0.0008269069,0.00006943935,0.0005248497,0.00001874586,0.0001626212,0.00003804781,0.0465268],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9343733,"threshold_uncertainty_score":0.9757964,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4235135126","doi":"10.1093/fmls/cqu055","title":"KOLB, MARTINA. Nietzsche, Freud, Benn and the Azure Spell of Liguria. Toronto: University of Toronto Press, 2013. 281 pp. $55.00. ISBN 978-1-4426-4329-1","year":2014,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Nietzsche, Schopenhauer, and Hegel","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Spell; Art history; Art; Classics; Philosophy; Theology","retraction":null,"screen_n_in":null,"score":{"opus":0.01466497865842896,"gpt":0.2321780370222749,"spread":0.2175130583638459,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004728122,0.0003138051,0.0007270353,0.00001039909,0.0004559659,0.00005532839,0.0003901752,0.00009427689,0.0009512642],"category_scores_gemma":[0.00009322161,0.0002257495,0.0002620496,0.00001133766,0.0007906146,0.0005084125,0.000335389,0.0001149479,0.00001525021],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005767683,"about_ca_system_score_gemma":0.00002523174,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.03033186,"about_ca_topic_score_gemma":0.2216611,"domain_scores_codex":[0.9984643,0.00009257411,0.0003771834,0.000358875,0.0002649362,0.0004420904],"domain_scores_gemma":[0.9985101,0.0002881871,0.0003239089,0.0004976438,0.0003056419,0.00007455775],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001035632,0.0002223323,0.000307595,0.0007430022,0.0009610414,0.00000360668,0.2310966,0.00001066781,0.0004170146,0.0815318,0.6783171,0.005353716],"study_design_scores_gemma":[0.003574563,0.000337396,0.000169862,0.0001298873,0.0003714933,0.000002072777,0.1307331,0.0006298729,0.0005023546,0.003090458,0.8600529,0.0004060737],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.06897157,0.7794716,0.0005449872,0.001597383,0.001049554,0.001821689,0.0008878776,0.0001311251,0.1455243],"genre_scores_gemma":[0.8627493,0.04426618,0.000775009,0.0002880305,0.001007643,0.00001944566,0.00005668486,0.00008223184,0.09075543],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7937778,"threshold_uncertainty_score":0.999962,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4221025692","doi":"10.1093/fmls/cqac016","title":"<scp>Swift, Megan</scp>. Picturing the Page: Illustrated Children’s Literature and Reading under Lenin and Stalin","year":2022,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Themes in Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Swift; Reading (process); History; Media studies; Period (music); Children's literature; Literature; Art history; Sociology; Law; Political science; Art; Aesthetics; Physics; Astrophysics","retraction":null,"screen_n_in":null,"score":{"opus":0.01605835089405021,"gpt":0.2467362970051329,"spread":0.2306779461110827,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0002767171,0.000273906,0.0003298971,0.0001251208,0.001929506,0.0004167881,0.0001875167,0.00004078348,0.00003589525],"category_scores_gemma":[0.00008893514,0.0001831706,0.0001147946,0.00008162462,0.0002806647,0.0002434941,0.0004016782,0.0003365556,5.527937e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004253641,"about_ca_system_score_gemma":0.000009702022,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00004975322,"about_ca_topic_score_gemma":0.0005334012,"domain_scores_codex":[0.9986959,0.00008210754,0.0002402595,0.0003780673,0.0002078453,0.0003957823],"domain_scores_gemma":[0.9991826,0.0003026336,0.0001230621,0.0002651529,0.00008498343,0.0000415756],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0000355883,0.00004722202,0.0004317618,0.0001364297,0.001812494,0.00002480226,0.8534142,0.0002100121,0.0004216672,0.1273257,0.01337245,0.002767593],"study_design_scores_gemma":[0.001964025,0.000493329,0.0006129647,0.0002048413,0.001022746,0.0001558059,0.7977312,0.002236125,0.0006681905,0.05681625,0.1374787,0.0006158448],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8716841,0.1224234,0.0001587592,0.001244611,0.0003631002,0.0005938548,0.001035666,0.0001591289,0.002337318],"genre_scores_gemma":[0.9834567,0.0002252788,0.00009821575,0.0008202076,0.0003952668,0.0001484545,0.0001473711,0.00004381849,0.01466473],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1241062,"threshold_uncertainty_score":0.9993699,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4304109165","doi":"10.1093/fmls/cqac040","title":"Introduction: Comedy and its Afterlives","year":2022,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Saint Mary's University; Dalhousie University","funders":"","keywords":"Comedy; Comics; Literature; Enlightenment; German; Art; Theatrical production; Variety (cybernetics); Philosophy; Drama; Linguistics","retraction":null,"screen_n_in":null,"score":{"opus":0.0350764144029122,"gpt":0.2712682119330757,"spread":0.2361917975301635,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001078487,0.0001195593,0.0001738912,0.000072754,0.001115611,0.00006660994,0.00007509079,0.000009143887,0.0008281998],"category_scores_gemma":[0.00004632937,0.0001072585,0.00005547058,0.00002028833,0.0001076784,0.0002215204,0.00009502101,0.00007159168,0.000005421986],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002461929,"about_ca_system_score_gemma":0.00000825229,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001748753,"about_ca_topic_score_gemma":0.0002034697,"domain_scores_codex":[0.9992549,0.00003016331,0.0001517374,0.0002184367,0.0001330045,0.0002116941],"domain_scores_gemma":[0.9996423,0.00009562713,0.00004048919,0.0001049443,0.00008937606,0.00002727128],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008269656,0.00005937846,0.00003059139,0.0001265154,0.0001928032,0.00001015945,0.7038823,0.00002336122,0.00007291049,0.2594921,0.02834876,0.007678374],"study_design_scores_gemma":[0.0003976472,0.0002394039,0.00003476537,0.000006445448,0.00004142385,0.00001159542,0.3271384,0.0005462685,0.00003737192,0.007756725,0.663624,0.0001659915],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.795066,0.1707526,0.0002641148,0.0169026,0.004136913,0.00113191,0.001339479,0.0003641432,0.01004229],"genre_scores_gemma":[0.9591523,0.00007938586,0.0000732921,0.0006632005,0.001527661,0.0002882218,0.00007492382,0.00002131042,0.03811971],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6352752,"threshold_uncertainty_score":0.9068208,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4407937748","doi":"10.1093/fmls/cqaf004","title":"How I Became the Man I Had Always Been: Narrating the Self in Recent English and German Life Writing by Trans Men","year":2025,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"LGBTQ Health, Identity, and Policy","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"German; History; Psychology; Archaeology","retraction":null,"screen_n_in":null,"score":{"opus":0.02374873933902974,"gpt":0.3615770332631993,"spread":0.3378282939241696,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005841651,0.0002099815,0.0003053665,0.0000765402,0.0008567263,0.0001151216,0.0002619052,0.00009592919,0.00001023492],"category_scores_gemma":[0.0002451485,0.0001371129,0.00007971893,0.000159795,0.0001432198,0.000110644,0.0001130567,0.0002877943,0.000001360153],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006200866,"about_ca_system_score_gemma":0.0000385211,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0009652511,"about_ca_topic_score_gemma":0.004980577,"domain_scores_codex":[0.9984562,0.0001720906,0.0003107721,0.00032982,0.0001320004,0.0005991504],"domain_scores_gemma":[0.999003,0.0004361746,0.0001032274,0.0003180982,0.00008937868,0.00005012951],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0000858701,0.0001588664,0.01438479,0.0009064699,0.0007628252,0.00001076359,0.6509898,0.000003736337,0.0001547608,0.00835357,0.2598883,0.06430027],"study_design_scores_gemma":[0.004604914,0.0003555499,0.01721457,0.0001911505,0.000411575,0.00001215796,0.7992629,0.001002529,0.00009544394,0.009123471,0.1669525,0.000773263],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6446984,0.1366187,0.0004516135,0.1839901,0.001086332,0.002274946,0.0002939833,0.0002501637,0.03033563],"genre_scores_gemma":[0.9857754,0.002342228,0.00006435048,0.003867671,0.0004319454,0.0003975143,0.00002026422,0.00003209914,0.007068529],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3410769,"threshold_uncertainty_score":0.6589332,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4407909474","doi":"10.1093/fmls/cqaf005","title":"Two Concepts of Liberty in <i>Paradise Lost</i>","year":2025,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Thompson Rivers University","funders":"","keywords":"Paradise; Art; Philosophy; History; Art history; Environmental ethics","retraction":null,"screen_n_in":null,"score":{"opus":0.02354946220891984,"gpt":0.4054003622589656,"spread":0.3818509000500458,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001576792,0.00007553418,0.0002182879,0.00005443317,0.0001742953,0.000006731324,0.0001223425,0.0000292304,0.00001384383],"category_scores_gemma":[0.0002665459,0.00006718121,0.00007312895,0.0001454903,0.0008695785,0.00006791714,0.00004980528,0.00004472997,0.000002407649],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006749644,"about_ca_system_score_gemma":0.0003467399,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001719853,"about_ca_topic_score_gemma":0.006262654,"domain_scores_codex":[0.9992853,0.00004062568,0.0001697591,0.0001226895,0.0001121676,0.0002694477],"domain_scores_gemma":[0.9994105,0.0003295884,0.00005271659,0.0000920168,0.00008625329,0.0000289782],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002293297,0.00003207465,0.002886018,0.00003339733,0.00005676049,0.000002953725,0.01306206,0.00003509343,0.00004610389,0.978152,0.002858835,0.002811771],"study_design_scores_gemma":[0.002865049,0.0001480536,0.0006944413,0.000386412,0.0001471819,0.000001130312,0.235567,0.0003006224,0.001267949,0.1194373,0.6386338,0.0005510492],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1747211,0.04316168,0.004069391,0.006668938,0.0008007553,0.0009332031,0.0003729551,0.00007495112,0.769197],"genre_scores_gemma":[0.9886443,0.0001546782,0.0005175952,0.0007711651,0.00005800069,0.00003092438,0.000005000045,0.000003689594,0.009814662],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8587147,"threshold_uncertainty_score":0.3494708,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4395084107","doi":"10.1093/fmls/cqae023","title":"Code-Switching, Queering Food and Narrative Construction in Monica Meneghetti’s Memoir <i>What the Mouth Wants</i>","year":2024,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Culinary Culture and Tourism","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Memoir; Narrative; Code (set theory); Art; Sociology; Art history; Computer science; Programming language; Literature","retraction":null,"screen_n_in":null,"score":{"opus":0.02085631044520833,"gpt":0.2680432133409141,"spread":0.2471869028957057,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001567889,0.0001542064,0.0001895788,0.00001171483,0.0003824238,0.0001480164,0.00009788405,0.00005549712,0.00000845532],"category_scores_gemma":[0.00002767015,0.00005002298,0.0000790194,0.0001176173,0.00008158273,0.0002974076,0.0001015231,0.0001305538,0.000001272885],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002671164,"about_ca_system_score_gemma":0.000004904868,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00008343457,"about_ca_topic_score_gemma":0.005277168,"domain_scores_codex":[0.9991736,0.00002884761,0.0001601748,0.0002848128,0.0001060608,0.0002464826],"domain_scores_gemma":[0.9996997,0.0001622225,0.00003569776,0.00004550109,0.00002885244,0.00002800399],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001284795,0.00006195041,0.0004003673,0.0001487665,0.0005322816,0.00005216926,0.2450847,0.00006924444,0.06486318,0.003643722,0.004063294,0.6809518],"study_design_scores_gemma":[0.0006558826,0.0008343554,0.001438019,0.0005871759,0.000117567,0.0001103147,0.9192159,0.003755543,0.006337143,0.04089922,0.02540172,0.0006471107],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9195954,0.07035834,0.00004594131,0.009036086,0.0003144548,0.0003779748,0.00006169856,0.00008119577,0.0001288849],"genre_scores_gemma":[0.998064,0.001002682,0.0001230057,0.0001928965,0.0002063886,0.00008670513,0.00001703954,0.000002217246,0.0003051045],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6803048,"threshold_uncertainty_score":0.2944784,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4382561648","doi":"10.1093/fmls/cqad041","title":"‘Curiouser and curiouser’: Childhood Figures to Live By, in Writings in French by Lydia Flem and Philippe Forest","year":2023,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Curiosity; The Imaginary; Fantasy; Storytelling; Life writing; Reading (process); Biography; Literature; Sociology; History; Art; Psychoanalysis; Art history; Aesthetics; Narrative; Psychology; Philosophy; Linguistics; Social psychology","retraction":null,"screen_n_in":null,"score":{"opus":0.01814602568778713,"gpt":0.2858813110310608,"spread":0.2677352853432737,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001615908,0.0002146005,0.000376253,0.0001810507,0.0002559998,0.0001331787,0.0001002327,0.000042116,0.0000340279],"category_scores_gemma":[0.000234012,0.0001830704,0.00005981715,0.00007326958,0.0001282529,0.00009434253,0.0001768504,0.00009266695,0.000009126392],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002135316,"about_ca_system_score_gemma":0.00001071155,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002969827,"about_ca_topic_score_gemma":0.08319472,"domain_scores_codex":[0.9987778,0.00001491092,0.0002696643,0.0003588349,0.0001340974,0.0004447027],"domain_scores_gemma":[0.9995242,0.0001574369,0.0000571448,0.0001326196,0.00006235969,0.00006619914],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003590294,0.0002108149,0.02216781,0.0002923837,0.0003755808,0.00005550695,0.7314992,0.00007707347,0.00007171329,0.01395322,0.22486,0.006400834],"study_design_scores_gemma":[0.005564678,0.0009544946,0.01249995,0.0009934481,0.0004203586,0.000005079768,0.6866066,0.005534417,0.0001684925,0.1080022,0.177024,0.002226255],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9699029,0.0243874,0.000007576428,0.002452411,0.0001060141,0.0004302701,0.0006545251,0.00007326969,0.001985688],"genre_scores_gemma":[0.9929672,0.001160792,0.00002981545,0.0006221375,0.000242035,0.0001483473,0.0001185052,0.00003445341,0.004676695],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.09404897,"threshold_uncertainty_score":0.9335346,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4403623189","doi":"10.1093/fmls/cqae073","title":"Alfonso Nitti’s Inertia or Impotentiality: Reconsidering Ineptitude in Italo Svevo’s <i>Una vita</i>","year":2024,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Italian Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Art; Philosophy; Humanities","retraction":null,"screen_n_in":null,"score":{"opus":0.05745315119914408,"gpt":0.3142499232594242,"spread":0.2567967720602802,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001725164,0.000308694,0.0004024775,0.0001559126,0.0002912924,0.0004137826,0.000150419,0.00008196699,0.000223233],"category_scores_gemma":[0.00009063101,0.0002091687,0.0002086405,0.00007947833,0.0001493904,0.0005374554,0.0001056088,0.0002242949,0.00004192917],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006066139,"about_ca_system_score_gemma":0.00003655382,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00008122003,"about_ca_topic_score_gemma":0.01198543,"domain_scores_codex":[0.9985165,0.00002677186,0.0003869555,0.0004159404,0.0001563095,0.000497537],"domain_scores_gemma":[0.9994734,0.0001036326,0.00004990537,0.0002274167,0.00009833577,0.00004734213],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000263555,0.0001429046,0.00007599661,0.001691848,0.001098572,0.0007082167,0.6777515,0.00002403147,0.00259242,0.06975877,0.2168065,0.02908568],"study_design_scores_gemma":[0.001134961,0.0003551392,0.00002094813,0.001536032,0.0002193405,0.00007354809,0.2079039,0.0007768385,0.001163882,0.02478095,0.7610329,0.001001587],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.4672763,0.4749864,0.0006058422,0.01043625,0.00722851,0.002641287,0.002365301,0.001481548,0.03297856],"genre_scores_gemma":[0.9544571,0.0001100774,0.0002415629,0.001349888,0.001083307,0.0002230062,0.0001107976,0.00006565793,0.04235859],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.5442263,"threshold_uncertainty_score":0.8529651,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4306247017","doi":"10.1093/fmls/cqac039","title":"Individual and Societal Shortcomings in Eighteenth-Century German Comedy: A Reassessment","year":2022,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Rousseau and Enlightenment Thought","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary","funders":"","keywords":"Comedy; German; Criticism; Blame; German literature; Literature; Social criticism; Argument (complex analysis); Philosophy; Sociology; History; Law; Art; Psychology; Political science; Social psychology; Linguistics; Politics","retraction":null,"screen_n_in":null,"score":{"opus":0.03919785798276049,"gpt":0.3145717180625157,"spread":0.2753738600797552,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000263714,0.0001890229,0.0003017072,0.0001003273,0.0008465805,0.00007586173,0.0001575556,0.00002079573,0.0001505504],"category_scores_gemma":[0.000008670079,0.000160483,0.0001003179,0.00003204234,0.0001550395,0.0001675682,0.0004330057,0.0001582331,0.0000018163],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001012715,"about_ca_system_score_gemma":0.00001577995,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00005903628,"about_ca_topic_score_gemma":0.0004379687,"domain_scores_codex":[0.9987215,0.00003804736,0.0002419109,0.0002832251,0.0002911256,0.0004241265],"domain_scores_gemma":[0.9996473,0.00007565235,0.00007488493,0.0001371387,0.00002421647,0.00004081145],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001476113,0.0004329778,0.002937632,0.000217658,0.0007438382,0.0000819072,0.8110927,0.00001495753,0.0001043598,0.09286283,0.06189739,0.0294661],"study_design_scores_gemma":[0.002351739,0.0005029973,0.001354323,0.00004492863,0.0001736303,0.00001735075,0.5072138,0.0007498663,0.00004451779,0.007162687,0.479762,0.0006220606],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9512696,0.04128953,0.00003249109,0.001567693,0.0006167765,0.0006620484,0.0005518483,0.00009818651,0.003911844],"genre_scores_gemma":[0.9956356,0.0007153739,0.0001520453,0.0007033004,0.0001882652,0.0004760828,0.0001301236,0.00003001788,0.00196921],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4178647,"threshold_uncertainty_score":0.6544306,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3172708962","doi":"10.1093/fmls/cqab008","title":"Joseph Krumgold’s <i>…And Now Miguel</i> and <i>Onion John</i>: The Temper of the Times and the Encounter with the Other","year":2021,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Themes in Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Winnipeg","funders":"","keywords":"Excellence; Reading (process); Publishing; Medal; Context (archaeology); Literature; Sociology; History; Classics; Art history; Philosophy; Art; Epistemology; Linguistics","retraction":null,"screen_n_in":null,"score":{"opus":0.008508895270337963,"gpt":0.2258380079556152,"spread":0.2173291126852772,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002972561,0.0001752128,0.0002625368,0.00001713997,0.0008483772,0.0001878908,0.0001704219,0.00002629138,0.0000393171],"category_scores_gemma":[0.00005576049,0.00005526264,0.000105853,0.00004338863,0.001542311,0.0001054589,0.000241152,0.0001242829,5.90728e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000005951486,"about_ca_system_score_gemma":0.00001365617,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00008425177,"about_ca_topic_score_gemma":0.007937795,"domain_scores_codex":[0.9991949,0.00009687785,0.0001535932,0.0001967775,0.0001694676,0.0001884154],"domain_scores_gemma":[0.9989165,0.0004529692,0.0001086795,0.0003692415,0.0001375852,0.00001503433],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000312776,0.00004610756,0.0008894327,0.0001944557,0.002397737,0.00000328101,0.7622733,0.00001018271,0.0004686967,0.182946,0.04693118,0.003526852],"study_design_scores_gemma":[0.001735858,0.0001150947,0.000163246,0.0001888995,0.0009810431,0.00003098861,0.2668102,0.0003255772,0.0009648019,0.009829328,0.7185873,0.0002676629],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4735835,0.3656812,0.0002003804,0.1282098,0.0005799983,0.00174319,0.0005664938,0.00006517578,0.0293703],"genre_scores_gemma":[0.9769911,0.0004224817,0.0000315323,0.004278098,0.0002242606,0.00007597102,0.000002727437,0.00002299548,0.01795084],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6716561,"threshold_uncertainty_score":0.6525118,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4400379558","doi":"10.1093/fmls/cqae054","title":"Beauty with an Explanation and the Poetics of Acculturation: How, and Why, Michael Ondaatje’s Poetic Novels Work","year":2024,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université Sainte-Anne","funders":"","keywords":"Metonymy; Poetics; Metaphor; Poetry; Postmodernism; Literature; Beauty; Trope (literature); Meaning (existential); Philosophy; Art; Aesthetics; Linguistics; Epistemology","retraction":null,"screen_n_in":null,"score":{"opus":0.0302124864649188,"gpt":0.2625541068246524,"spread":0.2323416203597335,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009972505,0.0001510272,0.0002289645,0.00002932831,0.000437097,0.0002041907,0.00005699156,0.00002125807,0.000006293791],"category_scores_gemma":[0.00002938494,0.00007059453,0.0000402395,0.00003193623,0.0005301653,0.0003678966,0.00005868149,0.00005395708,3.539568e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000009823571,"about_ca_system_score_gemma":0.000006463844,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00004759309,"about_ca_topic_score_gemma":0.002081341,"domain_scores_codex":[0.9993917,0.00002088017,0.0001326544,0.0001808899,0.000111285,0.0001626228],"domain_scores_gemma":[0.9995922,0.0001317866,0.00005203045,0.00007931455,0.0001223424,0.00002230266],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.000368275,0.00002378682,0.00006329692,0.0003063217,0.0005307859,0.000004867662,0.7886008,0.000003037904,0.0001110358,0.1958065,0.002606834,0.01157442],"study_design_scores_gemma":[0.003664485,0.001858183,0.0009194362,0.0008736128,0.0008813042,0.00004282433,0.7296259,0.002019016,0.0005253301,0.03218577,0.2265625,0.0008415662],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8249863,0.1360345,0.0004709726,0.03440957,0.0004980745,0.001149668,0.0005369319,0.0001443956,0.001769489],"genre_scores_gemma":[0.9941468,0.0003973723,0.0001733472,0.000370036,0.0002346072,0.00009254155,0.00003750437,0.00001165194,0.004536148],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2239557,"threshold_uncertainty_score":0.3361841,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4238848837","doi":"10.1093/fmls/cqp030","title":"MELVILLE, PETER. Romantic Hospitality and the Resistance to Accommodation. Waterloo, Ontario: Wilfred Laurier University Press, 2007. viii + 199 pp.  35.99. ISBN 978-0-88920-517-8/0-88920-517-5","year":2008,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Hospitality; Accommodation; Romance; Resistance (ecology); Media studies; Sociology; Art; Religious studies; Art history; History; Philosophy; Psychology; Archaeology; Literature; Tourism","retraction":null,"screen_n_in":null,"score":{"opus":0.02283698575991492,"gpt":0.2253969308479647,"spread":0.2025599450880498,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0003407127,0.0002950557,0.0004715604,0.0000805278,0.002247254,0.0001069702,0.0003568543,0.00006324665,0.000164456],"category_scores_gemma":[0.0001381137,0.0002308408,0.0001939206,0.00005270031,0.0008056515,0.0006619794,0.000273845,0.000171271,0.00001622019],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002448284,"about_ca_system_score_gemma":0.00006374543,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.01808579,"about_ca_topic_score_gemma":0.3524335,"domain_scores_codex":[0.9983022,0.00009736658,0.0003383133,0.0004661633,0.0003700535,0.000425965],"domain_scores_gemma":[0.9988087,0.0002271781,0.0001765253,0.0003976158,0.0003001257,0.00008981955],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001817119,0.0002700535,0.00279544,0.0002577929,0.001158187,0.0001028491,0.291995,0.00005010481,0.00003451624,0.110179,0.5909263,0.0004136647],"study_design_scores_gemma":[0.00313431,0.0001483516,0.007393863,0.0001022474,0.0002905717,0.000009321166,0.02188971,0.00008328226,0.0001076014,0.003700366,0.9625141,0.0006262818],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9213583,0.03791752,0.0003915965,0.002670005,0.00170249,0.002095938,0.0009410295,0.0002457966,0.03267735],"genre_scores_gemma":[0.8045241,0.0005543766,0.0003546472,0.0005857456,0.0003238152,0.00006675068,0.00009902946,0.00003192692,0.1934596],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3715878,"threshold_uncertainty_score":0.9990517,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4235060649","doi":"10.1093/fmls/cqp161","title":"Troubled Legacies: Narrative and Inheritance. Ed. Allan Hepburn. Toronto, Buffalo &amp; London : University of Toronto Press, 2007. viii + 298 pp.  32.00. ISBN 978-0-8020-9110-9","year":2010,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Narrative; Inheritance (genetic algorithm); History; Media studies; Art history; Art; Sociology; Literature; Biology","retraction":null,"screen_n_in":null,"score":{"opus":0.01303337346692014,"gpt":0.2620435183004036,"spread":0.2490101448334834,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003081133,0.000192608,0.0004334534,0.00002526599,0.001249932,0.0000919181,0.0002945318,0.0001576223,0.0007608548],"category_scores_gemma":[0.0001836037,0.000227099,0.0001490845,0.00003615761,0.001026832,0.0007593455,0.0001211691,0.0001342675,0.000004359515],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0007212379,"about_ca_system_score_gemma":0.0002339827,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.8253717,"about_ca_topic_score_gemma":0.9979943,"domain_scores_codex":[0.9985926,0.00006648965,0.000205008,0.0003603699,0.0002855115,0.000490032],"domain_scores_gemma":[0.9990362,0.0001073649,0.0001732848,0.0002689713,0.0002432035,0.0001709758],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003129679,0.00009687183,0.0002274761,0.000145813,0.0003641353,0.00001438754,0.5828324,0.000003675985,0.001407822,0.007310465,0.3989016,0.008382464],"study_design_scores_gemma":[0.0006979036,0.00009327241,0.000183807,0.00003040556,0.00005769479,0.000001191946,0.1768238,0.00001972367,0.00001568147,0.0003559337,0.8214837,0.0002368142],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.1761158,0.7305669,0.0005626559,0.002053155,0.002535543,0.001836482,0.000852855,0.0002462267,0.08523033],"genre_scores_gemma":[0.7638053,0.0756634,0.002768265,0.0002809193,0.001139635,0.00006199122,0.00006511929,0.00008107651,0.1561343],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6549035,"threshold_uncertainty_score":0.961359,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4210772603","doi":"10.1093/fmls/39.1.119","title":"Review: Rapt in Plaid: Canadian Literature and Scottish Tradition","year":2003,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"History","retraction":null,"screen_n_in":null,"score":{"opus":0.03009584855180246,"gpt":0.2679595965316907,"spread":0.2378637479798882,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000189454,0.0001030894,0.0001787654,0.0001391054,0.0003334294,0.00005308399,0.00004657656,0.00002882538,0.0001184524],"category_scores_gemma":[0.0001637685,0.00009553172,0.00004885137,0.0000381444,0.00009255735,0.0002796313,0.00000665365,0.0000767861,0.000003784388],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007850901,"about_ca_system_score_gemma":0.00003550455,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002890942,"about_ca_topic_score_gemma":0.4955642,"domain_scores_codex":[0.9994008,0.00002920229,0.0001445823,0.0001652921,0.00007332934,0.000186797],"domain_scores_gemma":[0.9997039,0.00004780955,0.00003779837,0.00007597482,0.00008608736,0.0000484517],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002271548,0.00005892691,0.0003723599,0.001586476,0.0001461238,0.00006065046,0.1278385,0.000002631788,0.00001688963,0.4620081,0.4020234,0.005863223],"study_design_scores_gemma":[0.0006767972,0.00007910363,0.0002150391,0.001534928,0.00005427996,0.00001863173,0.01013935,0.00003262844,0.00002865052,0.04070917,0.9462016,0.0003098602],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.04047242,0.9338882,0.00001558511,0.001138601,0.0007385733,0.0006416526,0.0005093471,0.00003713859,0.02255847],"genre_scores_gemma":[0.9768918,0.009828197,0.0001099347,0.003357175,0.0002016864,0.0001596339,0.000117977,0.00001988645,0.009313732],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9364194,"threshold_uncertainty_score":0.5136405,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4210252741","doi":"10.1093/fmls/xxxvi.2.222-d","title":"Reviews","year":2000,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Linguistic Studies and Language Acquisition","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Media studies; Art; History; Humanities; Library science; Sociology; Computer science","retraction":null,"screen_n_in":null,"score":{"opus":0.02798846693878259,"gpt":0.3236886065401471,"spread":0.2957001396013645,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002240221,0.0001717619,0.0003220372,0.00003801279,0.0002993735,0.00004636486,0.0003886547,0.00003197023,0.00009217678],"category_scores_gemma":[0.0002173464,0.0001277826,0.0001529872,0.0001255285,0.00004419633,0.0001463545,0.000138613,0.00005027478,0.00009379251],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003379776,"about_ca_system_score_gemma":0.000008132013,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00002274932,"about_ca_topic_score_gemma":0.00003061103,"domain_scores_codex":[0.9988631,0.0000253693,0.0002512779,0.0003456214,0.0001328933,0.0003817386],"domain_scores_gemma":[0.9992524,0.000105195,0.00006114287,0.0004584902,0.00007923686,0.00004354895],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001462856,0.0000390172,0.0000188409,0.00008561525,0.0001192783,0.00002827823,0.02245322,0.00001782871,0.0001043442,0.009433273,0.03486864,0.932817],"study_design_scores_gemma":[0.002029814,0.00058034,0.0002102694,0.0002868977,0.0001261299,0.00005917548,0.007917418,0.02423581,0.001051791,0.04805803,0.9142694,0.001174888],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.01323867,0.4942187,0.4619709,0.004218655,0.001504029,0.001798343,0.00005719317,0.000764062,0.02222946],"genre_scores_gemma":[0.7784111,0.01383827,0.1589454,0.01500931,0.002360537,0.001293333,0.00005114961,0.00008422846,0.03000668],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9316422,"threshold_uncertainty_score":0.5210822,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4243035214","doi":"10.1093/fmls/cqp076","title":"GILLIES, MARY ANN. The Professional Literary Agent in Britain, 1880-1920. Toronto: University of Toronto Press, 2007. xi + 247 pp.  42.00/$65.00. ISBN 978-0-8020-9147-5","year":2009,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Media studies; History; Art history; Sociology","retraction":null,"screen_n_in":null,"score":{"opus":0.01386790726058152,"gpt":0.2675963056721326,"spread":0.253728398411551,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000455341,0.0001792326,0.0003501618,0.00002677955,0.00128884,0.00006160017,0.0004658014,0.0001297,0.0004206866],"category_scores_gemma":[0.000124903,0.0001784158,0.0001929292,0.00006319497,0.0005481482,0.0006652268,0.0001506501,0.0001292671,0.000004991045],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001587101,"about_ca_system_score_gemma":0.000356283,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.5885943,"about_ca_topic_score_gemma":0.9649197,"domain_scores_codex":[0.9982974,0.0001498417,0.0002601481,0.0003303156,0.0004068202,0.0005554754],"domain_scores_gemma":[0.9991565,0.0001311205,0.0001537037,0.0002906866,0.0001499144,0.0001180187],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002237553,0.0002387226,0.0004136183,0.0001234916,0.0001605662,0.00006885205,0.2408299,0.00001489189,0.00004756161,0.008045699,0.690986,0.05884693],"study_design_scores_gemma":[0.0005363403,0.0001029713,0.004847798,0.0001162971,0.00003904369,0.000001151021,0.09554064,0.00006682142,0.000003873765,0.001881419,0.8966222,0.0002414465],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.01723826,0.9315187,0.00006661079,0.004410966,0.001322067,0.001346371,0.0007364301,0.0001028755,0.04325766],"genre_scores_gemma":[0.5741562,0.101377,0.0009052205,0.002926051,0.001552059,0.00008160812,0.0001821521,0.00007653978,0.3187432],"genre_candidate":"review","genre_consensus":null,"teacher_disagreement_score":0.8301417,"threshold_uncertainty_score":0.9912849,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4231290257","doi":"10.1093/fmls/cqm112","title":"SPROLES, KARYN Z. Desiring Women: The Partnership of Virginia Woolf and Vita Sackville-West. Toronto: University of Toronto Press, 2006. xii + 242 pp.  42.00/$65.00 (hardback);  20.00/$29.95 (paperback). ISBN 0-8020-3883-2/9402-3","year":2008,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; General partnership; Media studies; Art history; History; Sociology; Political science; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.03251344322341219,"gpt":0.2492610828484967,"spread":0.2167476396250845,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0003772024,0.0004311722,0.0008978331,0.00001257985,0.001073919,0.00005730143,0.0004522582,0.0001059182,0.000904725],"category_scores_gemma":[0.00006527499,0.0003370695,0.0003324703,0.00002979759,0.0009872654,0.0006724659,0.0003198547,0.0001514114,0.00000652217],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000192024,"about_ca_system_score_gemma":0.00005197689,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00638535,"about_ca_topic_score_gemma":0.05104268,"domain_scores_codex":[0.9977333,0.0001105386,0.0005081118,0.0005027449,0.0003990381,0.0007462672],"domain_scores_gemma":[0.998454,0.0002426572,0.0003046728,0.0005790777,0.0002885706,0.0001310492],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001660264,0.0009734561,0.001737066,0.00168113,0.005446985,0.00012205,0.6236302,0.0002030514,0.001838757,0.06291888,0.2883242,0.011464],"study_design_scores_gemma":[0.002392251,0.0006561225,0.0006939744,0.0002397153,0.0005250928,0.00001571972,0.3795293,0.0009786705,0.0005375043,0.001395123,0.6121682,0.0008683083],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.2471928,0.7121196,0.0001083031,0.0007074626,0.0003072189,0.0009017614,0.0009903824,0.0001321146,0.0375404],"genre_scores_gemma":[0.9559129,0.02934592,0.0001429001,0.0002222916,0.0003510705,0.00003786397,0.00003666438,0.0000511659,0.01389922],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7087201,"threshold_uncertainty_score":0.9999081,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4243665182","doi":"10.1093/fmls/cql036","title":"Italian Futurist Poetry. Ed. &amp; Trans. Willard Bohn. Toronto &amp; Buffalo, NY: University of Toronto Press, 2005. 310 pp. ISBN 0-8020-3783-6","year":2006,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Futurist; Poetry; Art history; Art; Media studies; History; Classics; Sociology; Literature","retraction":null,"screen_n_in":null,"score":{"opus":0.01594322587465018,"gpt":0.2381016287602254,"spread":0.2221584028855753,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000146265,0.0004179287,0.0006199328,0.00001924043,0.0006546275,0.0001057831,0.000343484,0.0001306918,0.00147251],"category_scores_gemma":[0.00002027036,0.0003757937,0.000388327,0.00001451346,0.0003558835,0.0006976452,0.0001020605,0.0001262819,0.00001602279],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000216002,"about_ca_system_score_gemma":0.00003509268,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.08216411,"about_ca_topic_score_gemma":0.7636468,"domain_scores_codex":[0.9981353,0.0000455598,0.0003830129,0.0004526896,0.0002992056,0.0006841886],"domain_scores_gemma":[0.9988732,0.00008287123,0.0001905826,0.0005166096,0.0002414327,0.00009532885],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001701699,0.0001972182,0.00008401315,0.000363325,0.0004825505,0.00001177113,0.09589913,0.00001204312,0.000284036,0.0160697,0.8839524,0.002473666],"study_design_scores_gemma":[0.0007728065,0.000119113,0.00008668906,0.0000919332,0.0001903949,0.000003248719,0.02142844,0.00001767535,0.00008161849,0.0008506851,0.9759095,0.0004478855],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.01394937,0.8387188,0.0009813335,0.0009508913,0.001767642,0.0009592994,0.00444081,0.0003045479,0.1379274],"genre_scores_gemma":[0.5706389,0.0153571,0.00239888,0.000494745,0.004206839,0.00004776472,0.001570789,0.0001605786,0.4051244],"genre_candidate":"review","genre_consensus":null,"teacher_disagreement_score":0.8233616,"threshold_uncertainty_score":0.9998694,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}