{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":7,"total_is_capped":false,"direct_labels_cover":1,"predictions_cover":7,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"73777c54ee81","filters":{"venue":"Genre en séries"}},"results":[{"id":"W3132509570","doi":"10.4000/ges.871","title":"Le trouble silencieux des hommes en série. La « masculinité en crise » dans les séries télévisées dramatiques nord-américaines centrées sur des personnages masculins","year":2017,"lang":"fr","type":"article","venue":"Genre en séries","topic":"Literature and Culture Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Stéfany Boisvert","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02773194672578282,"gpt":0.2613177823058547,"spread":0.2335858355800718,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001380074,0.000517429,0.0002953685,0.001259727,0.01395711,0.005608614,0.0004792335,0.00150379,0.005402745],"category_scores_gemma":[0.002435954,0.0002257708,0.0001978132,0.001100713,0.01838902,0.003194914,0.00351253,0.003010137,0.0005279545],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00529401,"about_ca_system_score_gemma":0.004383052,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1148583,"about_ca_topic_score_gemma":0.1692814,"domain_scores_codex":[0.9986771,0.000639806,0.00002743924,0.000163968,0.0002065592,0.0002851675],"domain_scores_gemma":[0.9991147,0.0003976379,0.0001700926,0.00006201561,0.0001227159,0.0001328926],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003235843,0.000008044265,0.003157431,0.00004668203,0.000005552191,0.0005728243,0.8916024,0.00006090448,0.0004995014,0.09222196,0.00285083,0.008941568],"study_design_scores_gemma":[0.000005421311,0.0000269898,0.007368027,0.0002679304,0.00001140409,0.000566082,0.7722927,0.00006631723,0.0003617207,0.005698761,0.2133115,0.0000231684],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6482533,0.006475408,0.002373616,0.01144312,0.0007892114,0.00002888198,0.000109675,0.00004915554,0.3304776],"genre_scores_gemma":[0.970561,0.001203706,0.0003486026,0.0006406709,0.00005888882,0.00001419621,0.00002400983,0.00002606759,0.02712283],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1148583,"threshold_uncertainty_score":0.2283794,"prediction_status":"machine_predicted_unvalidated"},"labels":[{"model":"gemma","categories":[],"domain":null,"study_design":"qualitative","genre":"empirical","about_ca_system":false,"about_ca_topic":false,"confidence":"low"},{"model":"gpt","categories":[],"domain":null,"study_design":"qualitative","genre":"empirical","about_ca_system":false,"about_ca_topic":false,"confidence":"low"}],"label_agreement":"agree"},{"id":"W3132281315","doi":"10.4000/ges.726","title":"Dénoncer les féminicides des femmes autochtones aux États-Unis et au Canada","year":2019,"lang":"fr","type":"article","venue":"Genre en séries","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","authors":[{"name":"Aurélie Journée-Duez","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.042093292977508,"gpt":0.2880018101849093,"spread":0.2459085172074013,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001194095,0.0002895507,0.0002915674,0.001033618,0.02460466,0.003381319,0.0008211284,0.001127295,0.006111753],"category_scores_gemma":[0.001905565,0.0002115301,0.0001773909,0.001343542,0.01054116,0.0009516952,0.002867171,0.002281863,0.0002928695],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.04050338,"about_ca_system_score_gemma":0.0579852,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.971872,"about_ca_topic_score_gemma":0.9920256,"domain_scores_codex":[0.9984125,0.0002176038,0.00001563587,0.0001252849,0.0003541218,0.0008748992],"domain_scores_gemma":[0.9988425,0.0001926423,0.0001006142,0.00004216035,0.0004856527,0.0003363627],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001353744,0.00003538141,0.04909692,0.000139713,0.0000221798,0.002449872,0.7980629,0.0003332931,0.001830149,0.08552549,0.01827523,0.04409346],"study_design_scores_gemma":[0.000004504671,0.00002327241,0.04230893,0.0002468973,0.0000167103,0.0004409117,0.6956387,0.0001330072,0.000590737,0.001120528,0.2594345,0.0000413363],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9103138,0.0026315,0.0005978574,0.009556154,0.0002086101,0.00003127383,0.0001679805,0.00001781389,0.07647515],"genre_scores_gemma":[0.9358047,0.001912683,0.0003182224,0.001317509,0.0000214831,0.00001712407,0.00005469578,0.00002089656,0.06053261],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.04050338,"threshold_uncertainty_score":0.293874,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4234201087","doi":"10.4000/ges.1943","title":"Dynamique des études de genre appliquées aux objets médiatiques","year":2016,"lang":"fr","type":"article","venue":"Genre en séries","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Institut du Savoir Montfort","funders":"","keywords":"Art; Humanities","authors":[{"name":"Laetitia Biscarrat","is_ca":true},{"name":"Sarah Lécossais","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1621645408927291,"gpt":0.4473354155966767,"spread":0.2851708747039476,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01351778,0.0005947256,0.0004441773,0.008582888,0.004500225,0.02030379,0.001409125,0.002167643,0.01872054],"category_scores_gemma":[0.04420119,0.0005481926,0.0007540251,0.007936106,0.009749781,0.01426783,0.005907116,0.002453155,0.003512471],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008590438,"about_ca_system_score_gemma":0.003555409,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01243665,"about_ca_topic_score_gemma":0.01424295,"domain_scores_codex":[0.9858646,0.007128959,0.0006296245,0.001849958,0.003927784,0.000599132],"domain_scores_gemma":[0.9606867,0.02159127,0.004622982,0.004819661,0.006628633,0.001650855],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","study_design_scores_codex":[0.0001316252,0.00007367005,0.03270437,0.0007805915,0.00007567472,0.0006673665,0.2710422,0.0003961663,0.004267589,0.5109531,0.01050425,0.1684034],"study_design_scores_gemma":[0.00002728207,0.0001291885,0.05925318,0.001600432,0.00008002167,0.001072741,0.1780839,0.001649981,0.002672235,0.08716589,0.6681715,0.00009365533],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.25396,0.0129721,0.04697231,0.02168941,0.00103534,0.0003460388,0.001050277,0.000507199,0.6614673],"genre_scores_gemma":[0.8275906,0.009646187,0.02335485,0.001541736,0.0007350594,0.000436566,0.0005781467,0.0005919781,0.1355249],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02030379,"threshold_uncertainty_score":0.07148969,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3133373337","doi":"10.4000/ges.884","title":"« Délectable Lecter » : réification et (homo-)érotisation des corps masculins dans la série télévisée Hannibal","year":2017,"lang":"fr","type":"article","venue":"Genre en séries","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"SNC-Lavalin (Canada)","funders":"","keywords":"Humanities; Philosophy; Narrative; Art; Linguistics","authors":[{"name":"Hélène Breda","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04805171155461165,"gpt":0.3931072483233485,"spread":0.3450555367687368,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001634049,0.0003438067,0.0001494142,0.0009092049,0.007341418,0.00482844,0.0005280006,0.0008282216,0.008498496],"category_scores_gemma":[0.001987309,0.0001499364,0.0001597536,0.0006927879,0.01746329,0.003245058,0.003868062,0.001774895,0.0007598107],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006755851,"about_ca_system_score_gemma":0.004569429,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04480534,"about_ca_topic_score_gemma":0.07288054,"domain_scores_codex":[0.998882,0.0005252112,0.00001977719,0.00012309,0.0001903664,0.000259476],"domain_scores_gemma":[0.9990641,0.0003876384,0.0001541527,0.0001334205,0.0001137065,0.0001469545],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007668067,0.00002352668,0.004766066,0.0000601769,0.00000620133,0.0006516975,0.7441218,0.00008026866,0.002648901,0.2126423,0.003035554,0.03188674],"study_design_scores_gemma":[0.00001566473,0.00007605281,0.01613459,0.000246303,0.00001399357,0.0006139881,0.7032401,0.000182834,0.002089255,0.0139453,0.2634097,0.000032311],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7119979,0.001411283,0.00383073,0.005508004,0.000258606,0.00004380889,0.00005257498,0.00003831936,0.2768588],"genre_scores_gemma":[0.9591069,0.0003344787,0.0004137767,0.0002494899,0.00002505088,0.000017006,0.00001520371,0.00001975777,0.03981835],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.04480534,"threshold_uncertainty_score":0.0890891,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3130565442","doi":"10.4000/ges.398","title":"Charles-Antoine Courcoux, Des machines et des hommes. Masculinité et technologie dans le cinéma américain contemporain","year":2019,"lang":"fr","type":"article","venue":"Genre en séries","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Continental (Canada)","funders":"","keywords":"Art; Humanities","authors":[{"name":"Jules Sandeau","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03167755942455186,"gpt":0.2424554018785413,"spread":0.2107778424539894,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007636826,0.000709547,0.000239186,0.001509883,0.005365965,0.004913219,0.0004769406,0.001750911,0.01156606],"category_scores_gemma":[0.001869519,0.0002544757,0.0001464595,0.001074433,0.003862569,0.003373794,0.0009205601,0.002194401,0.002025581],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004097993,"about_ca_system_score_gemma":0.002041724,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.077606,"about_ca_topic_score_gemma":0.09772034,"domain_scores_codex":[0.9993804,0.0003068974,0.00001170924,0.00007883582,0.0001595639,0.00006272023],"domain_scores_gemma":[0.9986462,0.0008367272,0.0000822206,0.00003584967,0.0002503182,0.000148599],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008029046,0.00003294825,0.001341662,0.0003287642,0.00001193233,0.0006055728,0.09501294,0.0001350082,0.0007755092,0.2501449,0.5885942,0.06293633],"study_design_scores_gemma":[0.000003045993,0.000006849858,0.001959319,0.0001541667,0.000002372088,0.0001130698,0.006003391,0.00004653672,0.0001798187,0.003847294,0.9876774,0.000006781266],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01655597,0.316305,0.002039617,0.1728434,0.008403907,0.00003551674,0.0002482538,0.0001644861,0.4834038],"genre_scores_gemma":[0.2719457,0.1121658,0.001396299,0.01370184,0.006351526,0.00007429993,0.000118952,0.000299923,0.5939457],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.077606,"threshold_uncertainty_score":0.1543086,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3132357698","doi":"10.4000/ges.590","title":"Delphine Chedaleux, Jeunes premiers et jeunes premières sur les écrans de l’Occupation (France, 1940-1944)","year":2018,"lang":"fr","type":"article","venue":"Genre en séries","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","authors":[{"name":"Claire Daniélou","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02593990050801651,"gpt":0.2432436184477815,"spread":0.217303717939765,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001134838,0.0005151004,0.0002144984,0.002236895,0.01036979,0.003902064,0.0004084498,0.001130828,0.01214148],"category_scores_gemma":[0.002142245,0.000210866,0.0001734171,0.001778216,0.004909061,0.001836209,0.001691593,0.001780763,0.0008420035],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009165893,"about_ca_system_score_gemma":0.00493457,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2961743,"about_ca_topic_score_gemma":0.4829092,"domain_scores_codex":[0.9993075,0.0002348378,0.00001531184,0.00007875028,0.000122815,0.0002407567],"domain_scores_gemma":[0.9989711,0.0005158035,0.0001138871,0.00003014378,0.0001635422,0.0002056246],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001222459,0.00002703166,0.01127307,0.0003064262,0.00001372037,0.00126045,0.6745062,0.0001142902,0.001398945,0.1348095,0.1143585,0.0618096],"study_design_scores_gemma":[0.000003634746,0.00002497201,0.0236278,0.000311219,0.000004468303,0.000304335,0.08379092,0.00002109841,0.0002942432,0.0008322516,0.8907704,0.00001472927],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4382726,0.09545167,0.0008641785,0.04805436,0.004221926,0.00007522665,0.0006558142,0.00008353699,0.4123207],"genre_scores_gemma":[0.7246096,0.01719929,0.0003534822,0.002751644,0.0009498837,0.00005395285,0.0001297011,0.00005525349,0.253897],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2961743,"threshold_uncertainty_score":0.5889008,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4391026470","doi":"10.4000/ges.4144","title":"Christine Planté et Marie-Ève Thérenty (dir.), Féminin / Masculin dans la presse du XIXe siècle","year":2023,"lang":"fr","type":"article","venue":"Genre en séries","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Humanities","authors":[{"name":"Marie-Pier Tardif","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01566525495533534,"gpt":0.2186939246828693,"spread":0.203028669727534,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002748392,0.001064253,0.0006869766,0.001605032,0.008871699,0.008508153,0.0008778321,0.003522799,0.01273052],"category_scores_gemma":[0.005661653,0.0004530393,0.0002680951,0.001577668,0.007060863,0.006582122,0.002014534,0.006074348,0.003518456],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005400941,"about_ca_system_score_gemma":0.004685661,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06441025,"about_ca_topic_score_gemma":0.1206413,"domain_scores_codex":[0.9979836,0.000907284,0.00005253168,0.0002694175,0.0005697256,0.0002173969],"domain_scores_gemma":[0.9954828,0.002902822,0.0003661475,0.00008892661,0.000682704,0.0004766265],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"qualitative","study_design_scores_codex":[0.00008306367,0.00002151693,0.001339554,0.0005139308,0.00001825331,0.0005747239,0.06385478,0.00006684755,0.0005038405,0.1140051,0.773129,0.04588946],"study_design_scores_gemma":[0.000004247614,0.000009538676,0.001715941,0.0003395806,0.000003969855,0.0002114784,0.01534798,0.00002420819,0.0001863075,0.003716315,0.9784219,0.00001840172],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"review","genre_scores_codex":[0.006148429,0.3738067,0.001719796,0.5102674,0.02155486,0.00004524583,0.0001999705,0.00009495213,0.08616272],"genre_scores_gemma":[0.1303259,0.2932544,0.002311929,0.1055599,0.01577952,0.0002547337,0.0001572284,0.0004620966,0.4518942],"genre_candidate":"review","genre_consensus":null,"teacher_disagreement_score":0.06441025,"threshold_uncertainty_score":0.1280707,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}