{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":23,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":23,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"query_hash":"cb7ed0d22964","filters":{"venue":"Gothic Studies"}},"results":[{"id":"W2058424308","doi":"10.7227/gs.2.1.2","title":"Cryptomimesis: The Gothic and Jacques Derrida's Ghost Writing","year":2000,"lang":"en","type":"article","venue":"Gothic Studies","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":71,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Art; Literature; Philosophy; Art history","retraction":null,"screen_n_in":null,"score":{"opus":0.02864540990891969,"gpt":0.3405070067451031,"spread":0.3118615968361835,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.001437614,0.0001588411,0.0002911165,0.00005551592,0.001649,0.0001867348,0.0002174251,0.000120897,0.0004293517],"category_scores_gemma":[0.0006814922,0.0001033344,0.00009552749,0.0003895077,0.0009285134,0.0001835163,0.00005098344,0.0002812671,0.0000734082],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004435253,"about_ca_system_score_gemma":0.00008580316,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001257058,"about_ca_topic_score_gemma":0.002590637,"domain_scores_codex":[0.9983022,0.0003603694,0.0002481342,0.0002836546,0.0003999025,0.0004057819],"domain_scores_gemma":[0.998646,0.0008382829,0.00006541021,0.0002070608,0.0001476746,0.00009560374],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003549581,0.00006716095,0.01880695,0.0001101149,0.001218062,0.00004130561,0.6647505,0.000004328228,0.00008737897,0.04920769,0.03993142,0.2257396],"study_design_scores_gemma":[0.0003318081,0.00003949985,0.007065402,0.0002138758,0.0003385867,0.000005621886,0.1184464,0.00001797485,0.00008857778,0.009568368,0.8635429,0.0003409697],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5231494,0.1664977,0.00002378992,0.08699039,0.0006428091,0.0005392218,0.000009897522,0.0003377885,0.2218089],"genre_scores_gemma":[0.9550334,0.02470436,0.0002056126,0.004276793,0.0009023651,0.00005250131,0.000001338073,0.00001313134,0.01481049],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8236115,"threshold_uncertainty_score":0.9996507,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2040323881","doi":"10.7227/gs.8.2.7","title":"Nightmare on Sesame Street: or, The Self-Possessed Child","year":2006,"lang":"en","type":"article","venue":"Gothic Studies","topic":"American and British Literature Analysis","field":"Arts and Humanities","cited_by":29,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Mount Saint Vincent University","funders":"","keywords":"Nightmare; Art; Psychology; Psychiatry","retraction":null,"screen_n_in":null,"score":{"opus":0.02140821894214284,"gpt":0.241824711245089,"spread":0.2204164923029461,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001017645,0.0001841224,0.0002817757,0.00005858457,0.0009527045,0.0001888016,0.0001732733,0.0000284814,0.0007692025],"category_scores_gemma":[0.00002922261,0.0000842697,0.0001290076,0.00009912677,0.0004304755,0.00007978514,0.00004639014,0.000195956,0.0001048695],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003010986,"about_ca_system_score_gemma":0.00001883158,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0005827533,"about_ca_topic_score_gemma":0.008545314,"domain_scores_codex":[0.9990408,0.00006441711,0.0002048,0.0002265379,0.0002309815,0.0002324252],"domain_scores_gemma":[0.9993235,0.0001778135,0.00009135533,0.0002421682,0.0001450078,0.00002014275],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005456763,0.000319211,0.0006865917,0.00006324752,0.001317879,0.00008745401,0.04309215,0.00001682046,0.000002110355,0.2797057,0.668915,0.005739274],"study_design_scores_gemma":[0.0001989981,0.000121379,0.0007692288,0.00007392908,0.0001405533,0.000003938231,0.02092397,0.000006863374,0.00001583925,0.0009456065,0.9766067,0.0001929715],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03127117,0.01123821,0.000005976322,0.01819927,0.0008519644,0.0003448342,0.0001419961,0.000467765,0.9374788],"genre_scores_gemma":[0.9210185,0.0003801057,0.00002540683,0.004441935,0.00189086,0.00003062094,0.00001992445,0.0000199859,0.07217266],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.8897473,"threshold_uncertainty_score":0.8422228,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2333276536","doi":"10.7227/gs.3.3.3","title":"Lewis's ‘Anaconda’: Gothic Homonyms and Sympathetic Distinctions","year":2001,"lang":"en","type":"article","venue":"Gothic Studies","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":25,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Art; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.04447554402065393,"gpt":0.2740753727554099,"spread":0.229599828734756,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0002759701,0.0003083614,0.000466901,0.0001343176,0.001563306,0.0001682487,0.0001379101,0.00007527471,0.0002822209],"category_scores_gemma":[0.0002149362,0.0002301543,0.0001058812,0.00008445034,0.001927347,0.0001761477,0.0001649825,0.0003139946,0.000118249],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003339472,"about_ca_system_score_gemma":0.00001610062,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001288331,"about_ca_topic_score_gemma":0.002143687,"domain_scores_codex":[0.9985887,0.00008303441,0.0003107779,0.0004328637,0.0001692182,0.0004153453],"domain_scores_gemma":[0.9990919,0.0002455559,0.00009108848,0.0002779808,0.0002253365,0.00006808947],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004098835,0.0001542841,0.005813314,0.0002093759,0.000947665,0.0001129949,0.3322177,0.000001823081,0.00002624284,0.5981766,0.05171907,0.01057991],"study_design_scores_gemma":[0.0004295488,0.0001969065,0.003487591,0.0001054207,0.0001834241,0.00006176747,0.05257433,0.000007858103,0.00000476532,0.01412726,0.9284614,0.0003596773],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3215007,0.1941819,0.00004939608,0.01767518,0.005568128,0.0005990666,0.0001420099,0.0006866532,0.459597],"genre_scores_gemma":[0.947561,0.005846205,0.00006078882,0.001155306,0.001228477,0.00009564761,0.000007827487,0.00003098876,0.04401374],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8767424,"threshold_uncertainty_score":0.9997365,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2328100164","doi":"10.7227/gs.4.2.2","title":"Vivisection, the Culture of Science, and Intellectual Uncertainty in<i>The Island of Doctor Moreau</i>","year":2002,"lang":"en","type":"article","venue":"Gothic Studies","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":15,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Art","retraction":null,"screen_n_in":null,"score":{"opus":0.0688374656436173,"gpt":0.2720194166370279,"spread":0.2031819509934106,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0006716411,0.00005992265,0.0001357367,0.00007576762,0.00047832,0.00001288454,0.0001718734,0.00001100826,0.00014845],"category_scores_gemma":[0.00056188,0.00002563451,0.00001809292,0.0001724524,0.007593553,0.00007967819,0.00002940148,0.00009118944,0.000003311969],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001817525,"about_ca_system_score_gemma":0.00001908794,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002590886,"about_ca_topic_score_gemma":0.001495534,"domain_scores_codex":[0.9993085,0.00002486046,0.0001450332,0.0001013129,0.0003120895,0.0001082048],"domain_scores_gemma":[0.99941,0.0001815728,0.00005398555,0.0001013582,0.0002402166,0.00001283238],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000004103373,0.00002199098,0.00007631157,0.0000234893,0.00001029883,4.236416e-7,0.904664,0.000002290851,0.0001298508,0.004119663,0.09013169,0.0008158464],"study_design_scores_gemma":[0.0002167064,0.0002224436,0.0003375877,0.00006860897,0.0000231001,0.000004601024,0.4444608,0.00007406039,0.00005560883,0.000403175,0.5540763,0.0000569466],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7974523,0.02000249,0.000002629665,0.002767357,0.0009551487,0.0003056444,0.00001137927,0.00001335033,0.1784897],"genre_scores_gemma":[0.9915985,0.001215645,0.000002009923,0.0005162957,0.0001386096,0.000006731536,1.178811e-7,0.000001455979,0.006520674],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4639447,"threshold_uncertainty_score":0.9951072,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W55123059","doi":"10.7227/gs.5.2.5","title":"‘Death by Nature’: Margaret Atwood and Wilderness Gothic","year":2003,"lang":"en","type":"article","venue":"Gothic Studies","topic":"Short Stories in Global Literature","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Wilderness; Art; History; Art history; Literature; Ecology","retraction":null,"screen_n_in":null,"score":{"opus":0.02338593264614847,"gpt":0.2709037786854456,"spread":0.2475178460392971,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002500377,0.0002961699,0.0003656634,0.00004497032,0.0006745208,0.0001903372,0.0001509457,0.000180804,0.0003101842],"category_scores_gemma":[0.0003677738,0.0002337554,0.00005990119,0.00005816841,0.0005581177,0.0001849728,0.0001027028,0.0005382617,0.00001492697],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006545782,"about_ca_system_score_gemma":0.00002263283,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0000268563,"about_ca_topic_score_gemma":0.0001096782,"domain_scores_codex":[0.9986445,0.00008903746,0.000229163,0.0003949336,0.0002807787,0.0003616273],"domain_scores_gemma":[0.9991905,0.0001742016,0.00007695464,0.0002772793,0.0002134456,0.00006762393],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000009348905,0.00002815382,0.00268511,0.00007138775,0.0002136006,0.00001009943,0.0220858,8.145661e-8,0.000004967164,0.8100533,0.1646112,0.0002269569],"study_design_scores_gemma":[0.0002573894,0.00006787421,0.0002622167,0.00007644708,0.00005957576,0.00001134893,0.006750436,5.244361e-7,0.00005104435,0.0143425,0.9778267,0.0002939528],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.04126981,0.2436472,0.000007124711,0.001438722,0.005506519,0.0003737433,0.0002931328,0.000276583,0.7071872],"genre_scores_gemma":[0.9530191,0.001663317,0.00009228212,0.00215254,0.0005716797,0.00004797871,0.00001937967,0.00003756816,0.04239611],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9117494,"threshold_uncertainty_score":0.9532269,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2323470671","doi":"10.7227/gs.5.1.6","title":"‘the clearest light of reason’: Making Sense of Hogg's Body of Evidence","year":2003,"lang":"en","type":"article","venue":"Gothic Studies","topic":"Philosophy and Theoretical Science","field":"Psychology","cited_by":8,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Sense (electronics); Philosophy; Art; Chemistry","retraction":null,"screen_n_in":null,"score":{"opus":0.2249892016116676,"gpt":0.4396924203981563,"spread":0.2147032187864887,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001124644,0.00008414983,0.0002521184,0.00002849529,0.0001055889,0.000003011698,0.0001805462,0.00004921473,0.00005098981],"category_scores_gemma":[0.002903919,0.00004835879,0.00006849999,0.0002596016,0.001202571,0.00003447726,0.00006984718,0.0001055259,0.00001697502],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001025122,"about_ca_system_score_gemma":0.00001731385,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001667376,"about_ca_topic_score_gemma":0.000008148329,"domain_scores_codex":[0.9988164,0.0002770535,0.0003066001,0.0001736617,0.0002315804,0.0001946508],"domain_scores_gemma":[0.9976656,0.001584475,0.0002067763,0.0003529446,0.0001658208,0.00002439089],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00008134019,0.00005339702,0.001510941,0.00005125397,0.0001049131,0.000006966237,0.003335368,9.29735e-7,0.001870759,0.9916418,0.0003689525,0.0009733948],"study_design_scores_gemma":[0.0009766171,0.001466389,0.07785476,0.002528805,0.0002664503,0.00005885808,0.01300854,0.00001438812,0.04156775,0.8428104,0.01893958,0.0005074451],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5227308,0.04596512,0.0001291819,0.006543605,0.00148386,0.0003688166,0.00001223295,0.00003570712,0.4227307],"genre_scores_gemma":[0.9989376,0.0005462436,0.00009214825,0.00005822142,0.00002699897,0.000006181053,2.211921e-8,0.000004715305,0.0003278379],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4762069,"threshold_uncertainty_score":0.4430921,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2329154721","doi":"10.7227/gs.2.1.1","title":"Introduction: Encrypted Identities","year":2000,"lang":"en","type":"article","venue":"Gothic Studies","topic":"Historical and Contemporary Political Dynamics","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Mount Saint Vincent University","funders":"","keywords":"Encryption; Art; Computer science; Computer security","retraction":null,"screen_n_in":null,"score":{"opus":0.04795806221520232,"gpt":0.2476852900958842,"spread":0.1997272278806818,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00006896933,0.0001088405,0.0001831198,0.00003321242,0.0004220569,0.00005583085,0.00008586986,0.00002281749,0.01475204],"category_scores_gemma":[0.00004395148,0.00008465027,0.00006366336,0.00003149081,0.0005152979,0.0001717781,0.00001972648,0.0001053099,0.001837449],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004535082,"about_ca_system_score_gemma":0.00001079588,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00007518951,"about_ca_topic_score_gemma":0.0001062993,"domain_scores_codex":[0.9992815,0.00002987681,0.0001884841,0.000167283,0.0001432994,0.0001896089],"domain_scores_gemma":[0.999663,0.00005281988,0.00002041941,0.0001327071,0.00008899908,0.00004207524],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000009216669,0.00002591364,0.0000113707,0.0000230265,0.00007474609,0.000005475871,0.01550188,0.000001015481,0.000001231286,0.8283368,0.1495819,0.0064274],"study_design_scores_gemma":[0.00008999469,0.00004681491,0.00002439205,0.000008018841,0.00001906965,0.000002382125,0.004380892,0.0000122137,0.000002417769,0.02664411,0.9686534,0.000116255],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.02282871,0.005567017,0.000005432109,0.009236755,0.00199466,0.00008518968,0.00002011842,0.0002410313,0.9600211],"genre_scores_gemma":[0.2896408,0.0005021224,0.00001940316,0.0008435339,0.004590631,0.00002202613,0.000005943752,0.000009823371,0.7043657],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.8190716,"threshold_uncertainty_score":0.9989398,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2008659935","doi":"10.7227/gs.14.2.7","title":"Gothic Vancouver: Blood Ties and Vampire Television","year":2012,"lang":"en","type":"article","venue":"Gothic Studies","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Vampire; Art; Visual arts; Literature","retraction":null,"screen_n_in":null,"score":{"opus":0.03374650221114037,"gpt":0.3337204409283169,"spread":0.2999739387171765,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00130864,0.0001615666,0.000332378,0.0000986245,0.0008342691,0.0000568176,0.0001272399,0.0001661893,0.00008178053],"category_scores_gemma":[0.00114273,0.0001243806,0.00008560985,0.0003376862,0.0005636191,0.0003751127,0.00009773107,0.0002431737,0.00003559946],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000401385,"about_ca_system_score_gemma":0.00006524065,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004393288,"about_ca_topic_score_gemma":0.002866899,"domain_scores_codex":[0.9984113,0.0002207631,0.0002077355,0.0002186231,0.0004491405,0.0004924656],"domain_scores_gemma":[0.9989125,0.0004694606,0.00008817636,0.0001745202,0.0001662572,0.0001890671],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002013921,0.0002071025,0.1392513,0.0002344869,0.001207872,0.0000146888,0.7005401,8.818434e-7,0.0001868487,0.0351155,0.09560391,0.02761712],"study_design_scores_gemma":[0.000444999,0.00006355978,0.005394202,0.0001639953,0.0005987193,0.000002941157,0.1029581,0.000002223101,0.0002093943,0.003744768,0.8860347,0.0003823741],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5583836,0.3094361,0.0001095845,0.01096639,0.006731427,0.0006057517,0.00001477754,0.0004378089,0.1133146],"genre_scores_gemma":[0.9680869,0.01218678,0.0003694087,0.0009170704,0.001257592,0.00002381403,0.000001360243,0.00001191088,0.01714514],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7904308,"threshold_uncertainty_score":0.6416607,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4323359188","doi":"10.3366/gothic.2023.0150","title":"Creepy Little Girl","year":2023,"lang":"en","type":"article","venue":"Gothic Studies","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Mount Saint Vincent University","funders":"","keywords":"Girl; Narrative; Art; Literature; Psychology; Developmental psychology","retraction":null,"screen_n_in":null,"score":{"opus":0.08597328115784646,"gpt":0.406195110523414,"spread":0.3202218293655675,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009273237,0.00008236422,0.0001960838,0.0001175433,0.000585612,0.00004497051,0.0001563546,0.00008190326,0.000138595],"category_scores_gemma":[0.001522437,0.00006683752,0.00009446493,0.001059632,0.0003113167,0.00009407107,0.00006296643,0.0001284194,0.0009425023],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004270653,"about_ca_system_score_gemma":0.00008084289,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004402198,"about_ca_topic_score_gemma":0.001734095,"domain_scores_codex":[0.9988496,0.0001238888,0.0001330606,0.0001857771,0.0003737671,0.0003338612],"domain_scores_gemma":[0.9991558,0.0004182524,0.00003775538,0.0001526705,0.0001557376,0.00007980043],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000007362702,0.00002831871,0.007140063,0.00005245553,0.0005389145,0.00005810368,0.4125227,0.00000448183,0.0001157693,0.08738012,0.4754564,0.01669532],"study_design_scores_gemma":[0.00009950921,0.00001310777,0.001513929,0.00002818352,0.00005197434,2.018788e-7,0.04870644,0.000005114686,0.00004229283,0.008063057,0.9413688,0.0001074489],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1608453,0.03156603,0.00008375706,0.1372755,0.00692738,0.0005867877,0.00002326468,0.001986055,0.6607059],"genre_scores_gemma":[0.7833045,0.009657146,0.0001672457,0.001865692,0.001682964,0.00006658331,0.00000848627,0.0000151817,0.2032322],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6224592,"threshold_uncertainty_score":0.9998354,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2332649825","doi":"10.7227/gs.5.1.7","title":"The Machinic-Human Body and Charlotte Mew's Aesthetic of (Dis)embodiment","year":2003,"lang":"en","type":"article","venue":"Gothic Studies","topic":"Posthumanist Ethics and Activism","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Art; Aesthetics; Visual arts; Human body; Computer science; Artificial intelligence","retraction":null,"screen_n_in":null,"score":{"opus":0.06019407235776913,"gpt":0.3887232877196872,"spread":0.328529215361918,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.001864214,0.0000954708,0.0001788019,0.00002219651,0.001879071,0.00004717481,0.0001457334,0.00005218054,0.00001622738],"category_scores_gemma":[0.0002872969,0.00006321662,0.00004552897,0.00007061694,0.001239255,0.00004866579,0.00005692376,0.0001710428,0.000006717416],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003448431,"about_ca_system_score_gemma":0.00005445825,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004305097,"about_ca_topic_score_gemma":0.001014033,"domain_scores_codex":[0.9988316,0.0002924884,0.0001747159,0.0001551858,0.0003058986,0.0002401084],"domain_scores_gemma":[0.99931,0.0002951608,0.000107701,0.0001563611,0.0000870735,0.00004368401],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000002647427,0.00003107523,0.0007673565,0.00001259418,0.00006184303,0.000001418567,0.0344642,1.448599e-7,0.000149742,0.9626127,0.0005000326,0.00139623],"study_design_scores_gemma":[0.0006676014,0.0002619461,0.008034874,0.0001302786,0.0001029236,0.000004866577,0.05443341,0.000004097999,0.0007694857,0.3640489,0.5711513,0.0003903183],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7486272,0.0353315,0.000009757886,0.02246718,0.0007091546,0.0005157929,0.000006414806,0.00007058513,0.1922624],"genre_scores_gemma":[0.9921566,0.004867555,0.0000163819,0.0002083935,0.00003711105,0.00001739051,1.663224e-7,0.00000727623,0.002689121],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5985638,"threshold_uncertainty_score":0.9994203,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2434541200","doi":"10.7227/gs.0001","title":"Playing the Man: Manliness and Mesmerism in Richard Marsh's<i>The Beetle</i>","year":2015,"lang":"en","type":"article","venue":"Gothic Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Marsh; Art; History; Ecology; Biology; Wetland","retraction":null,"screen_n_in":null,"score":{"opus":0.1656172880811039,"gpt":0.3192128201995287,"spread":0.1535955321184248,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005105014,0.0001522688,0.0002333791,0.00005307109,0.0009760546,0.00009069915,0.0001112872,0.00002406924,0.00002573893],"category_scores_gemma":[0.0001555823,0.00007742411,0.00004032998,0.00006384455,0.0006855602,0.00009518732,0.0002098914,0.0002019217,0.00005284087],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003084165,"about_ca_system_score_gemma":0.00001251968,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000385638,"about_ca_topic_score_gemma":0.002454818,"domain_scores_codex":[0.9991449,0.00008438453,0.000199058,0.0001869419,0.0001889137,0.0001958195],"domain_scores_gemma":[0.9992557,0.0003261414,0.00006258712,0.0001603054,0.0001716963,0.00002353495],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001393355,0.00007114644,0.01065907,0.00009201181,0.0006413282,0.00002694418,0.7551471,0.00001269104,0.00002090617,0.0591021,0.1644549,0.0096325],"study_design_scores_gemma":[0.0005674024,0.00007078588,0.01228732,0.00004604369,0.00006808044,0.000009645008,0.2729973,0.00002684236,0.0000180292,0.005400049,0.7083085,0.0002001101],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8070869,0.08168293,0.00001812364,0.01965857,0.002746978,0.00054326,0.0000253635,0.0001402257,0.08809767],"genre_scores_gemma":[0.9890772,0.001211301,0.00001017566,0.001463714,0.0006912152,0.0001041763,6.421876e-7,0.00001288938,0.007428718],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5438536,"threshold_uncertainty_score":0.7507122,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2319982836","doi":"10.7227/gs.3.3.2","title":"Spectres, Spectators, Spectacles: Matthew Lewis's <i>The Castle Spectre</i>","year":2001,"lang":"en","type":"article","venue":"Gothic Studies","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Waterloo","funders":"","keywords":"Art; Visual arts; Art history","retraction":null,"screen_n_in":null,"score":{"opus":0.05255444523498685,"gpt":0.2611284627260038,"spread":0.2085740174910169,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003786662,0.0004510976,0.0006199089,0.0001995894,0.001332176,0.0003270198,0.0005326876,0.00006579573,0.004465016],"category_scores_gemma":[0.0001269635,0.0003024735,0.0003343705,0.0002337473,0.001124875,0.0002465485,0.0001548917,0.0004517462,0.001402829],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002937399,"about_ca_system_score_gemma":0.00004908266,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0006918383,"about_ca_topic_score_gemma":0.01344737,"domain_scores_codex":[0.9976671,0.0001381123,0.0004880773,0.0005533642,0.0005194891,0.0006338752],"domain_scores_gemma":[0.9984136,0.0002747244,0.0002171565,0.0007870616,0.0002147044,0.00009277175],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005887525,0.0001669077,0.001009784,0.0000811213,0.001425422,0.0002556297,0.2372496,0.000005627879,0.00005847344,0.2751718,0.4835414,0.0009753336],"study_design_scores_gemma":[0.0003114122,0.00007316026,0.0001552018,0.00006535321,0.0002808428,0.00005222024,0.02643193,0.000009394742,0.00008898175,0.009583876,0.9625383,0.000409339],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.05970934,0.1563378,0.00003723515,0.0186459,0.005252458,0.0007084592,0.0001208936,0.0007819186,0.758406],"genre_scores_gemma":[0.7199774,0.004971023,0.0001295129,0.00374158,0.008287584,0.00007114006,0.0000224466,0.0001249557,0.2626744],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.660268,"threshold_uncertainty_score":0.9999679,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2973779633","doi":"10.3366/gothic.2019.0019","title":"Gothic Paleography and the Preface to the First Edition of<i>The Castle of Otranto</i>","year":2019,"lang":"en","type":"article","venue":"Gothic Studies","topic":"Lexicography and Language Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Concordia University","funders":"","keywords":"Palaeography; Typeface; Art; Relation (database); Folio; Literature; Context (archaeology); Subtitle; Art history; History; Classics; Philosophy; Linguistics; Visual arts; Archaeology; Computer science","retraction":null,"screen_n_in":null,"score":{"opus":0.01677538781671703,"gpt":0.2207389057294704,"spread":0.2039635179127534,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004114767,0.0001342287,0.0002744628,0.00004556295,0.0006219607,0.00002759746,0.0002135123,0.00002467972,0.00007185735],"category_scores_gemma":[0.00008605028,0.0000538006,0.0001799162,0.0001248264,0.001587992,0.00005336805,0.0001505707,0.0001432494,0.000008532058],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000003725582,"about_ca_system_score_gemma":0.000007635724,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003816199,"about_ca_topic_score_gemma":0.006049405,"domain_scores_codex":[0.9991695,0.00008359076,0.0002217622,0.0001481708,0.0002241251,0.0001528292],"domain_scores_gemma":[0.9989368,0.0004701143,0.0001318644,0.0003006356,0.0001485509,0.00001204002],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000144078,0.00005338344,0.01193881,0.0005536826,0.001056779,5.062965e-7,0.8347908,0.00001753527,0.00002459555,0.1276344,0.0226993,0.00108612],"study_design_scores_gemma":[0.002137195,0.0003415007,0.05054008,0.0008327881,0.0004966659,0.000004613017,0.2287938,0.00001012095,0.0005187466,0.006161687,0.7097931,0.0003696336],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8405592,0.07027406,0.000008475538,0.02865162,0.002989876,0.001709506,0.0001649584,0.00005133694,0.05559092],"genre_scores_gemma":[0.9963415,0.001005147,0.000005957209,0.001055469,0.0002989162,0.0000559388,4.469488e-7,0.000007842719,0.001228729],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6870938,"threshold_uncertainty_score":0.5851022,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2323144102","doi":"10.7227/gs.4.2.3","title":"‘What sort of grim adventure was it on which I had embarked?’: Lawyers, Vampires and the Melancholy of Law","year":2002,"lang":"en","type":"article","venue":"Gothic Studies","topic":"Law in Society and Culture","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Manitoba","funders":"","keywords":"Adventure; sort; Art; Law; Art history; Literature; Political science; Computer science; Database","retraction":null,"screen_n_in":null,"score":{"opus":0.05538685041122185,"gpt":0.3282983547801193,"spread":0.2729115043688974,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000784548,0.0001241329,0.0003441707,0.00000498447,0.0006951133,0.00003632613,0.000219464,0.0001501969,0.0001019055],"category_scores_gemma":[0.0003191646,0.00007203987,0.0001166557,0.0001990723,0.002080068,0.0001692989,0.00007436233,0.0002152764,0.000007207013],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002323604,"about_ca_system_score_gemma":0.00001524673,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004509003,"about_ca_topic_score_gemma":0.00341211,"domain_scores_codex":[0.9987032,0.0002222334,0.0002194938,0.0001829022,0.000466515,0.0002055929],"domain_scores_gemma":[0.998961,0.0004570074,0.0001471193,0.0001793391,0.0002203077,0.0000352775],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004079552,0.00007889345,0.0004887832,0.00009480612,0.0003969723,0.000001364436,0.5050641,0.000006580251,0.00002327711,0.4346852,0.05759374,0.001525415],"study_design_scores_gemma":[0.001389696,0.000120789,0.001082052,0.000489666,0.0001811235,0.000001216085,0.3786931,0.000006584399,0.0003483996,0.02208272,0.5953614,0.0002433106],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1663769,0.1963571,0.000001492195,0.1476226,0.00215872,0.000920015,0.00003853931,0.00009567178,0.486429],"genre_scores_gemma":[0.9200733,0.06974833,0.00002933515,0.001857021,0.0002126664,0.00001838812,7.868907e-7,0.000006579745,0.008053577],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7536964,"threshold_uncertainty_score":0.7664098,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1976910191","doi":"10.7227/gs.11.1.3","title":"Writing in the Night","year":2009,"lang":"en","type":"article","venue":"Gothic Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Mount Saint Vincent University","funders":"","keywords":"Art; Visual arts","retraction":null,"screen_n_in":null,"score":{"opus":0.1034792502885472,"gpt":0.3271970466086262,"spread":0.223717796320079,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003741313,0.00007005798,0.0001411743,0.00004100155,0.0003378669,0.00007845861,0.000114999,0.00001258761,0.0001547973],"category_scores_gemma":[0.00006540165,0.00003991669,0.00005330516,0.0000415557,0.0001211026,0.00007263842,0.00001212667,0.0001124114,0.00004594725],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000009192578,"about_ca_system_score_gemma":0.00000361378,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00003726346,"about_ca_topic_score_gemma":0.0006310064,"domain_scores_codex":[0.9994213,0.00005175041,0.0001593523,0.00009396154,0.0001233216,0.0001503191],"domain_scores_gemma":[0.9996865,0.0001348129,0.00002304226,0.0001069123,0.00004047466,0.000008213235],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00000204512,0.00004943092,0.0002437342,0.00000891062,0.00004036875,0.00003830682,0.115932,0.000001578161,0.000004356649,0.8700209,0.009192099,0.004466352],"study_design_scores_gemma":[0.0004114158,0.0001852265,0.01940342,0.0001618822,0.0001136994,0.00001460914,0.4194748,0.00004615782,0.00002400529,0.1262914,0.4335326,0.0003407685],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3780776,0.01622701,0.000005056596,0.03013923,0.0002533341,0.0001102213,0.000004139662,0.00005462868,0.5751288],"genre_scores_gemma":[0.9917592,0.0001762041,0.000006221234,0.004280706,0.0003044205,0.000006955027,7.029017e-7,0.000002113832,0.003463432],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7437295,"threshold_uncertainty_score":0.2598633,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3009323001","doi":"10.3366/gothic.2020.0038","title":"‘The worst loups-garous that one can meet’: Reading the Werewolf in the Canadian ‘Wilderness’","year":2020,"lang":"en","type":"article","venue":"Gothic Studies","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Wilderness; Trilogy; Folklore; Narrative; Literature; Depiction; History; Art; Reading (process); Art history; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.1008227899887883,"gpt":0.2648134287101649,"spread":0.1639906387213767,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0008499153,0.0002828095,0.0003709339,0.00006179047,0.004338672,0.0005026148,0.0006549899,0.00006760283,0.00004873575],"category_scores_gemma":[0.0004603259,0.000130767,0.0001047217,0.0001390023,0.001720664,0.00008086303,0.0001450611,0.000582632,0.00004251497],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009929186,"about_ca_system_score_gemma":0.00008604409,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.04853543,"about_ca_topic_score_gemma":0.9223054,"domain_scores_codex":[0.9981737,0.0002696872,0.0002921479,0.0003373789,0.0003152848,0.0006118109],"domain_scores_gemma":[0.9984785,0.0008446081,0.00010391,0.0003671075,0.0001332311,0.00007263067],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001850324,0.00001119827,0.001386176,0.00004063195,0.0002908808,0.00003953605,0.6446917,0.000001899563,6.993275e-7,0.2572738,0.0953474,0.0008976294],"study_design_scores_gemma":[0.0001845364,0.00006568091,0.002994695,0.00007438068,0.00007336262,0.000005889419,0.256919,0.000004922178,0.000002859317,0.004429201,0.7350551,0.0001903498],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.02707413,0.07463749,0.000001204813,0.6417561,0.002832827,0.0009668426,0.00009804696,0.0001237935,0.2525096],"genre_scores_gemma":[0.9765089,0.001465066,0.000007019725,0.01621906,0.001434231,0.0001305131,0.000004235801,0.00002273306,0.004208228],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9494348,"threshold_uncertainty_score":0.9969575,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4412526201","doi":"10.3366/gothic.2025.0227","title":"‘As deep as it gets’: Clipping’s Black Eco-Gothic","year":2025,"lang":"en","type":"article","venue":"Gothic Studies","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Clipping (morphology); Art; Visual arts; Computer graphics (images); Computer science; Philosophy; Linguistics","retraction":null,"screen_n_in":null,"score":{"opus":0.02857186371568934,"gpt":0.374233304605875,"spread":0.3456614408901856,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001482183,0.0002612333,0.0005662439,0.0002661105,0.001113507,0.0001599071,0.0004494629,0.0003038457,0.0003146764],"category_scores_gemma":[0.00484882,0.0002259492,0.0002378466,0.0009730905,0.001045345,0.0002050914,0.0001789208,0.0004853969,0.001003096],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002086881,"about_ca_system_score_gemma":0.0005567023,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002222745,"about_ca_topic_score_gemma":0.01318825,"domain_scores_codex":[0.9974135,0.0003583052,0.0004316884,0.0005209694,0.0006286707,0.0006468695],"domain_scores_gemma":[0.9979154,0.0008536399,0.0001370463,0.000390764,0.0005472047,0.0001558973],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005320215,0.0001531539,0.005424424,0.0002806463,0.002566737,0.000121741,0.5882123,0.00001164127,0.0001231005,0.2342914,0.1528536,0.01590811],"study_design_scores_gemma":[0.0003169687,0.00004178573,0.0004962265,0.0002069539,0.0003258184,7.896367e-7,0.09924252,0.00001492967,0.00007419215,0.03037573,0.868643,0.0002610103],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03879789,0.03322517,0.0001219654,0.1132397,0.003226319,0.0004978494,0.000004597445,0.0002928864,0.8105937],"genre_scores_gemma":[0.6877578,0.01974164,0.0002257128,0.0247209,0.001040489,0.00008832121,0.000006731081,0.00002101189,0.2663973],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.7157895,"threshold_uncertainty_score":0.9997748,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4289546022","doi":"10.3366/gothic.2022.0131","title":"Sounds Like Murder: Early 1980s Gothic on North American Radio","year":2022,"lang":"en","type":"article","venue":"Gothic Studies","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Drama; Masculinity; Narrative; Nationalism; Art; History; Literature; National identity; Trope (literature); Period (music); Comedy; Sociology; Gender studies; Aesthetics; Political science; Law; Politics","retraction":null,"screen_n_in":null,"score":{"opus":0.02755723119900472,"gpt":0.3134724634939899,"spread":0.2859152322949852,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.001068781,0.0002332385,0.000519793,0.0002363,0.00259016,0.00009677884,0.0004666495,0.00004967429,0.0001896873],"category_scores_gemma":[0.0005425867,0.000210705,0.0002299496,0.001744243,0.0009291766,0.0001169745,0.0001926291,0.0007353683,0.0001004152],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003334943,"about_ca_system_score_gemma":0.0002393591,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004720681,"about_ca_topic_score_gemma":0.0138209,"domain_scores_codex":[0.9967434,0.000660957,0.0002998851,0.0004947337,0.001181517,0.0006195526],"domain_scores_gemma":[0.9984638,0.0006181558,0.0002027825,0.0003735918,0.0001693055,0.0001723437],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001105502,0.0002913796,0.1430105,0.00004199555,0.001576827,0.000111858,0.7318003,0.0001179988,0.0000203866,0.01578017,0.08650203,0.0206361],"study_design_scores_gemma":[0.0002899717,0.000373258,0.02041651,0.00001391223,0.0001723055,0.000001871835,0.06472273,0.000005072953,0.000003635309,0.0006891218,0.9129664,0.0003452167],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9184412,0.008430882,0.00003162591,0.02417571,0.003359365,0.0005195409,0.00005817934,0.0004068376,0.04457665],"genre_scores_gemma":[0.9618535,0.001510404,0.0001069878,0.005148998,0.0007842426,0.0001895542,0.00001125456,0.00002476951,0.03037028],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8264644,"threshold_uncertainty_score":0.9987083,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4416203920","doi":"10.3366/gothic.2025.0237","title":"Weird Immanence: Genre and Belief in Blackwood's Fiction","year":2025,"lang":"en","type":"article","venue":"Gothic Studies","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Psychic; Evocation; Mysticism; Consciousness; Framing (construction); Natural (archaeology); Materialism; Expression (computer science)","retraction":null,"screen_n_in":null,"score":{"opus":0.02034905015313548,"gpt":0.3583709449619338,"spread":0.3380218948087984,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006360046,0.00008267694,0.0002011269,0.000156916,0.0003409144,0.00004093722,0.00008291812,0.0001032595,0.00001900276],"category_scores_gemma":[0.0005909192,0.00007075552,0.00003807981,0.0005996563,0.0002948808,0.0001040948,0.00005115091,0.0001663637,0.000007768292],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007053046,"about_ca_system_score_gemma":0.00008323678,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001081262,"about_ca_topic_score_gemma":0.006105341,"domain_scores_codex":[0.9991317,0.0001177545,0.0001597539,0.0002056235,0.0001789826,0.0002061982],"domain_scores_gemma":[0.9995031,0.0002340501,0.0000349497,0.00009711098,0.0000961984,0.00003459164],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004316643,0.0001283742,0.1220553,0.0002649293,0.0006881033,0.00005746005,0.6107759,0.000009483691,0.0003079806,0.151021,0.06137571,0.05327258],"study_design_scores_gemma":[0.0008385194,0.0000563057,0.0606951,0.0004784983,0.0002464846,0.000001278735,0.2238798,0.00003702619,0.00016287,0.02259321,0.6906484,0.0003625336],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6176078,0.09432495,0.000101818,0.04589451,0.002333077,0.0005300447,0.000005565595,0.0001677794,0.2390344],"genre_scores_gemma":[0.9625181,0.01350532,0.0000956671,0.001015356,0.0001747755,0.0000315685,0.000001395339,0.000003113236,0.02265471],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6292727,"threshold_uncertainty_score":0.3406923,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3129542117","doi":"10.3366/gothic.2020.0048","title":"War Gothic and Bodily Decay: Reshaping Identity in <i>All Quiet on the Western Front</i>","year":2020,"lang":"en","type":"article","venue":"Gothic Studies","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Northern British Columbia","funders":"","keywords":"Front (military); QUIET; Identity (music); Element (criminal law); Perception; Art; Aesthetics; History; Literature; Philosophy; Physics; Engineering; Law; Epistemology; Astronomy; Political science; Mechanical engineering","retraction":null,"screen_n_in":null,"score":{"opus":0.09686869859658664,"gpt":0.364981625183682,"spread":0.2681129265870954,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001440607,0.0001588249,0.0003453182,0.00006042717,0.0004874991,0.0001111699,0.0002874704,0.00012235,0.00002863495],"category_scores_gemma":[0.001430435,0.0001092328,0.00008162028,0.0003937926,0.0004732189,0.0002706358,0.000145776,0.0004479138,0.00007659677],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006653964,"about_ca_system_score_gemma":0.00007353771,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001534265,"about_ca_topic_score_gemma":0.02755824,"domain_scores_codex":[0.9980862,0.0004254862,0.000260288,0.0003501297,0.0005260425,0.0003518321],"domain_scores_gemma":[0.9988103,0.0007130603,0.00009370234,0.0001698487,0.0000919349,0.0001211472],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000567371,0.00004737975,0.04684035,0.0001109444,0.0004231253,0.00006515824,0.8809817,0.000005778876,0.0001461909,0.02614637,0.04389916,0.001277042],"study_design_scores_gemma":[0.001050271,0.0001995316,0.01168663,0.0005526784,0.0003229675,0.000001568244,0.2096093,0.00005048467,0.0002404178,0.0072033,0.7684333,0.0006496261],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4795716,0.06813251,0.00009077178,0.4177744,0.0008220584,0.0007577675,0.00001869212,0.0001911674,0.03264105],"genre_scores_gemma":[0.9515901,0.007067886,0.00004144341,0.03957769,0.0005289459,0.00003702719,0.000001680681,0.00001188342,0.001143361],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7245341,"threshold_uncertainty_score":0.9901863,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1969515079","doi":"10.7227/gs.7.1.7","title":"Sleepwalking in the<i>Zeitraum</i>of History","year":2005,"lang":"en","type":"article","venue":"Gothic Studies","topic":"Night-time city culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Acadia University","funders":"","keywords":"Sleepwalking; Psychology","retraction":null,"screen_n_in":null,"score":{"opus":0.1017875333691385,"gpt":0.3632251051132074,"spread":0.2614375717440689,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001117676,0.00007512653,0.0001683125,0.00004366328,0.0002014427,0.000007471897,0.0002833151,0.00006485902,0.00009929264],"category_scores_gemma":[0.0004767186,0.00005298447,0.00005285283,0.0001840056,0.0004861584,0.0001114687,0.00003615786,0.0001782382,0.00004469151],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002748291,"about_ca_system_score_gemma":0.00006746974,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0008855143,"about_ca_topic_score_gemma":0.01617786,"domain_scores_codex":[0.9989285,0.0002147349,0.0001688253,0.0001273725,0.0003493664,0.0002111425],"domain_scores_gemma":[0.9994274,0.0002731521,0.00007175425,0.0001292822,0.00007967014,0.00001868808],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000005529982,0.00008049222,0.003351789,0.00002731343,0.00005571119,0.000005747789,0.8347477,0.00001326657,0.0003288704,0.08726224,0.06188248,0.01223884],"study_design_scores_gemma":[0.0001382172,0.00001084041,0.004587275,0.00003730851,0.00001437941,4.807146e-7,0.0539844,0.000001224463,0.0000733086,0.001029459,0.9400343,0.00008885933],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2760456,0.06695507,0.000007837359,0.03059667,0.001000748,0.0004379403,0.000002391471,0.0001052996,0.6248485],"genre_scores_gemma":[0.9921081,0.0007545548,0.0003569117,0.001183844,0.0004279888,0.00001617685,2.469581e-7,0.000004873149,0.005147302],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8781518,"threshold_uncertainty_score":0.9027624,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3044487886","doi":"10.3366/gothic.2020.0052","title":"<i>Why Horror Seduces</i>. By Mathias Clasen","year":2020,"lang":"en","type":"article","venue":"Gothic Studies","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"Art","retraction":null,"screen_n_in":null,"score":{"opus":0.05301030598049097,"gpt":0.3364737126709892,"spread":0.2834634066904982,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004328036,0.0001498763,0.0003333639,0.00003550552,0.0005206896,0.0000752435,0.0002488761,0.0001274989,0.0002078175],"category_scores_gemma":[0.001260699,0.0001238372,0.0001284552,0.0005629382,0.0003818617,0.0001515705,0.00007074796,0.0002595973,0.0001817468],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004577131,"about_ca_system_score_gemma":0.00008844733,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0006472506,"about_ca_topic_score_gemma":0.0005775133,"domain_scores_codex":[0.9984183,0.0002016386,0.0002096167,0.0003173207,0.0004907918,0.0003623077],"domain_scores_gemma":[0.9991091,0.0002755886,0.00008140592,0.0001351649,0.0001699027,0.0002288363],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000007454141,0.00001802083,0.0003604773,0.00002837376,0.0001964667,0.00001104695,0.1716706,4.128403e-7,0.0004289296,0.002107194,0.8242038,0.0009671473],"study_design_scores_gemma":[0.0001499483,0.00003351887,0.00001745035,0.00001919687,0.0001051251,2.8646e-7,0.03901863,0.000004369429,0.0003176167,0.0005828408,0.9596004,0.0001506206],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.03476489,0.05401399,0.0002896867,0.8059261,0.001876169,0.0005392412,0.00006934044,0.0005664732,0.1019541],"genre_scores_gemma":[0.8004884,0.007674299,0.000609772,0.1679469,0.002720727,0.0000817079,0.00002366864,0.00003722695,0.0204173],"genre_candidate":"commentary","genre_consensus":null,"teacher_disagreement_score":0.7657235,"threshold_uncertainty_score":0.5049933,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4416203872","doi":"10.3366/gothic.2025.0238","title":"‘Destination Indigenous’: Wilderness Tourism, White Guilt, and Indigenous Ghosts in Algernon Blackwood's Canadian Gothic","year":2025,"lang":"en","type":"article","venue":"Gothic Studies","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Ottawa","funders":"","keywords":"Indigenous; Ambivalence; Wilderness; White (mutation); Colonialism; Natural (archaeology)","retraction":null,"screen_n_in":null,"score":{"opus":0.0159749644490757,"gpt":0.3217102035016846,"spread":0.3057352390526089,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001581172,0.0002377002,0.0004615118,0.0007867785,0.001098504,0.0001635824,0.0003999056,0.0003225378,0.00002494124],"category_scores_gemma":[0.001726334,0.0002288593,0.00006915382,0.001462401,0.0004558332,0.0002344506,0.000118168,0.0004369852,0.00001591562],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006166797,"about_ca_system_score_gemma":0.001376427,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.2798485,"about_ca_topic_score_gemma":0.8706038,"domain_scores_codex":[0.9976602,0.0003388695,0.0003832211,0.0004546327,0.0004192997,0.0007437498],"domain_scores_gemma":[0.9986618,0.0003514887,0.0001189335,0.0003332393,0.0003202793,0.0002142517],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"observational","study_design_scores_codex":[0.000009750966,0.00004941219,0.3480269,0.0001166726,0.0002534952,0.0001043791,0.6293542,0.000008729809,0.00001451374,0.003556829,0.003826665,0.01467848],"study_design_scores_gemma":[0.001851556,0.0001663729,0.5425072,0.001419492,0.0005971172,0.000009083034,0.2086584,0.0000328596,0.0001329531,0.03487228,0.2084007,0.001351961],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9304047,0.02511768,0.00003860666,0.0179428,0.0009966012,0.0008002804,0.00001638955,0.0000998864,0.02458303],"genre_scores_gemma":[0.9815072,0.004126424,0.0001554398,0.001938483,0.0002397093,0.00008246266,0.00001189352,0.00001501081,0.01192342],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5907553,"threshold_uncertainty_score":0.933261,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}