{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":4,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":4,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"e4421e4a7f2e","filters":{"venue":"Grey Room"}},"results":[{"id":"W2117126368","doi":"10.1162/grey_a_00132","title":"Multimedia Environments and Security Operations: Expo ′70 as a Laboratory of Governance","year":2014,"lang":"en","type":"article","venue":"Grey Room","topic":"Digital Games and Media","field":"Social Sciences","cited_by":44,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Corporate governance; Computer security; Business; Computer science; Multimedia; Finance","authors":[{"name":"Yuriko Furuhata","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.007489031376311711,"gpt":0.2451891060387935,"spread":0.2377000746624818,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002124371,0.00005127446,0.00008815095,0.000008315238,0.00004845447,0.00003197823,0.00008665298,0.00004545563,0.00008508717],"category_scores_gemma":[0.0004176706,0.00004901957,0.00001632003,0.00005851673,0.0001525053,0.0002282982,0.0000308671,0.00004189059,0.00005075485],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001991756,"about_ca_system_score_gemma":0.00004778842,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002648906,"about_ca_topic_score_gemma":0.000799528,"domain_scores_codex":[0.9994071,0.00004899758,0.00009523721,0.0001182004,0.0002085709,0.0001218583],"domain_scores_gemma":[0.9997013,0.00004637959,0.00003758291,0.00009658487,0.00001830284,0.0000999092],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005321837,0.0006187339,0.07465006,0.0000758557,0.00007122778,0.00001150133,0.1366999,0.00002871044,0.004875862,0.1052121,0.007842466,0.6698603],"study_design_scores_gemma":[0.0003235255,0.00005427582,0.01899912,0.00002438044,0.000006829662,1.832819e-7,0.001198634,0.0001487427,0.0009799176,0.0006104059,0.9775479,0.0001061148],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.923638,0.0004681601,0.00003220812,0.0004203509,0.0002330526,0.0001576579,0.0000426486,0.00001658298,0.07499126],"genre_scores_gemma":[0.9942625,0.000353366,0.0002537259,0.0001977744,0.0001098618,0.000008371182,0.000003213835,0.000004530039,0.004806687],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9697054,"threshold_uncertainty_score":0.199896,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2022223446","doi":"10.1162/grey_a_00142","title":"An Eternal Esthetics of Laborious Gestures","year":2014,"lang":"en","type":"article","venue":"Grey Room","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":20,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art history; Film director; Art; The arts; Photography; Visual arts; State (computer science); Sculpture; History; Movie theater","authors":[{"name":"Allan Sekula","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01846098134396491,"gpt":0.2527855291040064,"spread":0.2343245477600415,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00007797225,0.00007898793,0.0001065259,0.00004571845,0.000103505,0.00006262083,0.0001393834,0.00003614087,0.0002651107],"category_scores_gemma":[0.000009430894,0.00005841381,0.00004928305,0.00003289939,0.00007972767,0.00009187328,0.00001000778,0.00008374586,0.00001514537],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000002016046,"about_ca_system_score_gemma":0.000006262509,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001807794,"about_ca_topic_score_gemma":0.0004624452,"domain_scores_codex":[0.9995423,0.00003489746,0.000106671,0.00009569753,0.0001084244,0.0001119959],"domain_scores_gemma":[0.999631,0.00001208768,0.00005253432,0.0001541147,0.0001032641,0.00004693367],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005256024,0.0002959749,0.006763145,0.00005392907,0.00004687449,0.000004149138,0.06738547,0.00001401041,0.005129999,0.9062324,0.007003559,0.00701795],"study_design_scores_gemma":[0.0003948779,0.0007530313,0.006791419,0.00003428756,0.00003732405,0.000004273259,0.001478396,0.0001384117,0.005529963,0.008866458,0.9757349,0.0002366975],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9818231,0.0000914931,0.00003529565,0.00004501863,0.0002818804,0.00004801376,0.00003100215,0.00004867268,0.0175955],"genre_scores_gemma":[0.9984665,0.000006686445,0.00006686803,0.0002578938,0.0004669494,0.000002564526,0.00001130107,0.00000861451,0.0007126507],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9687313,"threshold_uncertainty_score":0.2902776,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2158323612","doi":"10.1162/grey_a_00144","title":"Found Paintings, Disassembled Movies, World Images","year":2014,"lang":"en","type":"article","venue":"Grey Room","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Painting; Art history; Art; Film director; The arts; Visual arts; Movie theater","authors":[{"name":"Allan Sekula","is_ca":false},{"name":"Carles Guerra","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02730887741097084,"gpt":0.2454699123496006,"spread":0.2181610349386298,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002073468,0.0001578148,0.0001741822,0.0000793799,0.0004072819,0.0003456207,0.0001712793,0.00003104104,0.0015098],"category_scores_gemma":[0.00004260519,0.0001200449,0.000126425,0.00006541011,0.0001021049,0.0002448897,0.00003958599,0.0001425826,0.0001870458],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000008656618,"about_ca_system_score_gemma":0.000006929198,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000313109,"about_ca_topic_score_gemma":0.00282272,"domain_scores_codex":[0.999162,0.00005953388,0.0001629901,0.0002064217,0.0001411002,0.0002680148],"domain_scores_gemma":[0.999517,0.000067022,0.00006968347,0.0002011365,0.00007346794,0.00007171659],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003622142,0.0001501769,0.004245902,0.00009168361,0.00008825061,0.000005107458,0.01603677,0.000001566825,0.001734347,0.7714576,0.2002141,0.005938241],"study_design_scores_gemma":[0.0002505822,0.0000564263,0.001944622,0.00003193854,0.00002678891,8.947583e-7,0.001076401,0.0000431973,0.0007986921,0.009716691,0.9858198,0.0002339445],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4196999,0.000476414,0.0001748539,0.0006474754,0.001326186,0.0002905125,0.00005611495,0.0004679409,0.5768606],"genre_scores_gemma":[0.9664565,0.00000600836,0.00005296632,0.0008270856,0.001126792,0.00001784333,0.00002871389,0.00001844571,0.03146567],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7856057,"threshold_uncertainty_score":0.9994029,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4393971933","doi":"10.1162/grey_a_00401","title":"Nicholas Barbon's <i>De febre ardente</i>: Medico-philosophical Grounds of Fire Insurance?","year":2024,"lang":"en","type":"article","venue":"Grey Room","topic":"History of Medicine Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Philosophy; Environmental ethics; History","authors":[{"name":"Matthew C. Hunter","is_ca":false},{"name":"Mackenzie S. Zalin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02698507646850087,"gpt":0.2456649458573265,"spread":0.2186798693888256,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000315701,0.0001859422,0.000333296,0.00009319117,0.0002313198,0.00005919626,0.0002215389,0.00006188567,0.001428195],"category_scores_gemma":[0.0001301639,0.0001516263,0.0001410836,0.00005854645,0.000533331,0.0001566266,0.00006017425,0.0003580098,0.0001878828],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007498085,"about_ca_system_score_gemma":0.000086254,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001671426,"about_ca_topic_score_gemma":0.0003539082,"domain_scores_codex":[0.9986721,0.00004937134,0.0003117402,0.000268777,0.0004258096,0.0002721738],"domain_scores_gemma":[0.9994016,0.0001210772,0.00005262603,0.0002306298,0.00009413014,0.00009990731],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009828094,0.0002433729,0.005859589,0.001291391,0.0005702153,0.000454067,0.1569056,0.000005353049,0.0002205842,0.2323249,0.5796735,0.02235322],"study_design_scores_gemma":[0.0003749421,0.0001951378,0.003042444,0.0004611354,0.00007359191,0.00002134384,0.001828975,0.00007831743,0.00001569074,0.007513788,0.9861916,0.0002029815],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5402299,0.0293496,0.00001925697,0.01997382,0.006409699,0.0002621727,0.0001580157,0.0004533066,0.4031442],"genre_scores_gemma":[0.9848806,0.0002005216,0.00002455437,0.0005303777,0.002829037,0.00001978352,0.00001133083,0.00003234584,0.01147144],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4446507,"threshold_uncertainty_score":0.9994847,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}