{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":16,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":16,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"ae5d088ae758","filters":{"venue":"Hispanófila/Hispanófila"}},"results":[{"id":"W1971909943","doi":"10.1353/hsf.2011.0009","title":"Existentialism Avant la Lettre : The Case of Enrique Labrador Ruiz's El laberinto de sí mismo","year":2011,"lang":"es","type":"article","venue":"Hispanófila/Hispanófila","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Existentialism; Art; Humanities; Latin Americans; Philosophy; Art history","authors":[{"name":"Edwin Murillo","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03444002291687755,"gpt":0.264454088700252,"spread":0.2300140657833744,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004156299,0.0006933633,0.0006581841,0.0006845435,0.0313465,0.007484229,0.002029672,0.008111981,0.002957723],"category_scores_gemma":[0.003739486,0.0004361366,0.0007243952,0.0006282629,0.03369286,0.005154911,0.008161102,0.01246188,0.0004005146],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01079998,"about_ca_system_score_gemma":0.003790242,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05765264,"about_ca_topic_score_gemma":0.09128291,"domain_scores_codex":[0.995631,0.002484895,0.00004077586,0.0003442639,0.0003682991,0.001130782],"domain_scores_gemma":[0.9988235,0.0006126676,0.0001339907,0.0000978354,0.0001169239,0.0002151859],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005457843,0.00003530754,0.0007245174,0.00004425337,0.00001176576,0.006161802,0.5548416,0.0001517905,0.0004064763,0.4182968,0.01478125,0.004489772],"study_design_scores_gemma":[0.00002925212,0.00003887959,0.001535028,0.0003677118,0.00003439046,0.003485619,0.6042027,0.0003724691,0.0005768154,0.0389601,0.3503264,0.00007063237],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4197721,0.009238464,0.002833395,0.1280854,0.001054966,0.0000509748,0.00003359702,0.00009342899,0.4388377],"genre_scores_gemma":[0.9720942,0.0009193487,0.0002339216,0.006200906,0.0001629776,0.0000170921,0.000007556836,0.00004068896,0.02032343],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.05765264,"threshold_uncertainty_score":0.1146342,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2564642542","doi":"10.1353/hsf.2016.0012","title":"Objects of Culture in the Literature of Imperial Spain ed. by Mary E. Barnard,Frederick A. de Armas","year":2016,"lang":"en","type":"article","venue":"Hispanófila/Hispanófila","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Arcadia; Art history","authors":[{"name":"José Manuel Hidalgo","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.006950485307874228,"gpt":0.2006965310336284,"spread":0.1937460457257542,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00197615,0.001521067,0.001542355,0.002417393,0.002298695,0.01006053,0.001256055,0.002246684,0.01181817],"category_scores_gemma":[0.002421651,0.0006416916,0.0004808541,0.0058306,0.003402548,0.005366881,0.00308676,0.003106318,0.004638765],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008272971,"about_ca_system_score_gemma":0.005343532,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02697036,"about_ca_topic_score_gemma":0.03301119,"domain_scores_codex":[0.9988163,0.0005431323,0.00008043957,0.0001267383,0.0002849566,0.0001484771],"domain_scores_gemma":[0.9987914,0.0004823585,0.0001610239,0.00005557467,0.0003388751,0.0001708562],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001167643,0.00005434799,0.001749775,0.002596493,0.00003885766,0.0004966608,0.03724961,0.0003419583,0.0003353516,0.0589909,0.71277,0.1852592],"study_design_scores_gemma":[0.000009312383,0.000008898862,0.002363572,0.003721186,0.00001120833,0.0002603485,0.01089444,0.00004043938,0.00007588107,0.006422969,0.9761758,0.00001593995],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.002017936,0.9340221,0.0001895948,0.02232674,0.003045481,0.000008037298,0.00008557329,0.00002597869,0.03827868],"genre_scores_gemma":[0.06992897,0.8278732,0.000568342,0.005149978,0.003965347,0.00005493102,0.0003661351,0.0001532753,0.09193981],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.02697036,"threshold_uncertainty_score":0.06002492,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2889206281","doi":"10.1353/hsf.2018.0014","title":"Anxieties of Interiority and Dissection in Early Modern Spain by Enrique Fernández","year":2018,"lang":"en","type":"article","venue":"Hispanófila/Hispanófila","topic":"Latin American history and culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Fern; Distrust; Dissection (medical); Humanities; Narrative; Art; Orthodoxy; Art history; Psychology; Literature; Philosophy; Medicine; Anatomy; Theology; Biology","authors":[{"name":"Holly Sims","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009022298341016245,"gpt":0.1981852447551485,"spread":0.1891629464141322,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001806033,0.0005973558,0.0005361041,0.001097311,0.00256314,0.003844589,0.0009264699,0.002200366,0.005291569],"category_scores_gemma":[0.001822343,0.0002913353,0.0003365151,0.001181539,0.004335946,0.002379593,0.002289482,0.004098259,0.0008024969],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00552401,"about_ca_system_score_gemma":0.003175799,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03274786,"about_ca_topic_score_gemma":0.03314202,"domain_scores_codex":[0.9993486,0.0002745705,0.00001994878,0.00009297751,0.0001668192,0.00009722971],"domain_scores_gemma":[0.9991688,0.0003871512,0.0001314417,0.00002207208,0.0002093659,0.00008110194],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002275522,0.0001450297,0.004347967,0.001391631,0.00003598391,0.001694668,0.1534975,0.0005109521,0.000814892,0.06158145,0.6092179,0.1665345],"study_design_scores_gemma":[0.00001960898,0.00002588001,0.007956111,0.002492692,0.00001365157,0.001002753,0.051184,0.00007578774,0.000267904,0.004030299,0.9328927,0.00003849995],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.04026052,0.7117636,0.0005899325,0.159731,0.01184225,0.00001881169,0.0001129912,0.00005254389,0.07562847],"genre_scores_gemma":[0.5207806,0.342474,0.0008537387,0.03021701,0.007982072,0.00006819075,0.0001929035,0.0001425425,0.097289],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03274786,"threshold_uncertainty_score":0.0651145,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4240658380","doi":"10.1353/hsf.2021.0042","title":"Consequential Art: Comics Culture in Contemporary Spain ed. by Samuel Amago, and Matthew J. Marr","year":2021,"lang":"en","type":"article","venue":"Hispanófila/Hispanófila","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Comics; Narrative; Representation (politics); History; Subject (documents); Literature; Art; Art history; Politics; Law","authors":[{"name":"Raquel Vega-Durán","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02424180683493316,"gpt":0.2271169183351716,"spread":0.2028751115002384,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001017905,0.001172736,0.0007510493,0.001572345,0.002114878,0.01198651,0.001027083,0.001998257,0.02774018],"category_scores_gemma":[0.00188777,0.0003380516,0.0004541053,0.003757418,0.003143383,0.00425096,0.002548808,0.003186696,0.006081484],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004240075,"about_ca_system_score_gemma":0.003534186,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01111714,"about_ca_topic_score_gemma":0.01158882,"domain_scores_codex":[0.9992919,0.0002481128,0.00003206046,0.0001049721,0.0002230358,0.00009993736],"domain_scores_gemma":[0.9993163,0.0002551366,0.00008147574,0.00003969989,0.0001903157,0.0001170246],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005250847,0.00005399999,0.0007336365,0.001068918,0.00001415758,0.0002386887,0.01347,0.0002362321,0.0002607788,0.04521742,0.7923124,0.1463412],"study_design_scores_gemma":[0.000005130006,0.000006937509,0.001216862,0.001311297,0.000003585508,0.0001300117,0.00490125,0.00003031844,0.00004242863,0.00262642,0.9897183,0.000007466607],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.006635141,0.6646748,0.0006623375,0.05870314,0.02077037,0.00002835282,0.0002146333,0.0001320283,0.2481793],"genre_scores_gemma":[0.1304359,0.45488,0.001054317,0.01094798,0.01442475,0.00008850852,0.0005813624,0.0004505163,0.3871366],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02774018,"threshold_uncertainty_score":0.09280014,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2965515032","doi":"10.1353/hsf.2018.0064","title":"Food Matters: Alonso Quijano's Diet and the Discourse of Food in Early Modern Spain by Carolyn A. Nadeau","year":2018,"lang":"en","type":"article","venue":"Hispanófila/Hispanófila","topic":"Culinary Culture and Tourism","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Food studies; Meaning (existential); Dialog box; History; Sociology; Psychology; Anthropology","authors":[{"name":"John G. Slater","is_ca":false},{"name":"Víctor H. Cervantes","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01150964949535434,"gpt":0.2080500866755088,"spread":0.1965404371801545,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001489709,0.0006549528,0.0005929883,0.001146546,0.004107711,0.006963063,0.0008656592,0.002018425,0.005402189],"category_scores_gemma":[0.001889495,0.0002338126,0.0002264808,0.002344764,0.005870977,0.00289164,0.002075136,0.00263809,0.0009142443],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008144669,"about_ca_system_score_gemma":0.003091536,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04040144,"about_ca_topic_score_gemma":0.05080793,"domain_scores_codex":[0.9992582,0.0003957762,0.00001471336,0.00008669823,0.000158726,0.00008584897],"domain_scores_gemma":[0.999022,0.0004843506,0.0001029841,0.00002841391,0.0002430752,0.0001190895],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002377138,0.0001216473,0.002684741,0.001096435,0.00002554189,0.0009452293,0.1535691,0.0003489696,0.0004621513,0.197455,0.5580288,0.08502463],"study_design_scores_gemma":[0.000008346847,0.00001126656,0.003039067,0.00113918,0.000007125737,0.0001431382,0.03830903,0.00003673541,0.00007820321,0.007051017,0.9501637,0.00001305442],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.03770026,0.5496305,0.0003753671,0.1656708,0.01465727,0.00001224736,0.0001446701,0.00004462659,0.2317643],"genre_scores_gemma":[0.5803494,0.2017101,0.0005509357,0.02112393,0.007281611,0.00004069409,0.0001742552,0.0001559461,0.1886131],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.04040144,"threshold_uncertainty_score":0.08033258,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4383372443","doi":"10.1353/hsf.2023.a901040","title":"Quixotic Memories: Cervantes and Memory in Early Modern Spain by Julia Domínguez (review)","year":2023,"lang":"en","type":"article","venue":"Hispanófila/Hispanófila","topic":"Latin American history and culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanism; Context (archaeology); Cultural memory; Literature; The Renaissance; Art; History; Art history; Philosophy; Sociology; Anthropology; Archaeology","authors":[{"name":"William Worden","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01519840633034749,"gpt":0.2106246362858589,"spread":0.1954262299555114,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007014491,0.0009054543,0.00124334,0.001839661,0.000458484,0.002693205,0.0009832254,0.001586747,0.00727438],"category_scores_gemma":[0.001709498,0.0003156746,0.0004627123,0.002859895,0.001157376,0.00238303,0.0015178,0.002018291,0.001884327],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001657636,"about_ca_system_score_gemma":0.002746722,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007411498,"about_ca_topic_score_gemma":0.007035897,"domain_scores_codex":[0.9997506,0.00005972652,0.0000263682,0.00004552134,0.00007913308,0.00003869038],"domain_scores_gemma":[0.9995248,0.0001957833,0.00009447997,0.00001084708,0.0001325372,0.00004157755],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001461272,0.00004913783,0.0006377792,0.03469742,0.0001056506,0.0002475401,0.001678543,0.0001914376,0.0003067534,0.008220493,0.2818744,0.6718447],"study_design_scores_gemma":[0.00001547661,0.00002821486,0.002331516,0.01808738,0.00004843311,0.0005920336,0.0009490735,0.00001655221,0.00006415444,0.0009583409,0.9768934,0.00001531662],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0001025583,0.9977761,0.00001228613,0.0007990155,0.0005469147,0.000001437071,0.000009246113,0.000001880052,0.0007505877],"genre_scores_gemma":[0.001574972,0.9948737,0.00003563613,0.000876923,0.0007954014,0.000006924896,0.00004097463,0.000002865715,0.001792655],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.007411498,"threshold_uncertainty_score":0.02433527,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2966107528","doi":"10.1353/hsf.2018.0054","title":"Inscribed Power: Amulets and Magic in Early Spanish Literature by Ryan Giles","year":2018,"lang":"en","type":"article","venue":"Hispanófila/Hispanófila","topic":"Historical, Religious, and Philosophical Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Inscribed figure; MAGIC (telescope); Pilgrim; Art; Literature; Peninsula; Possession (linguistics); Power (physics); History; Art history; Humanities; Philosophy; Archaeology; Linguistics","authors":[{"name":"Grant Gearhart","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01116950128382922,"gpt":0.1968276785390548,"spread":0.1856581772552256,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014057,0.0006551339,0.0006396762,0.001475043,0.00304715,0.005262255,0.0007040838,0.00109649,0.00840089],"category_scores_gemma":[0.002320306,0.0002526922,0.000198586,0.002141047,0.003462217,0.003060775,0.001791497,0.002782412,0.002325888],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003868627,"about_ca_system_score_gemma":0.00331519,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03061958,"about_ca_topic_score_gemma":0.03443768,"domain_scores_codex":[0.9994233,0.0002287176,0.00002135526,0.00008476333,0.0001742864,0.00006760487],"domain_scores_gemma":[0.9987973,0.0004506955,0.0001035258,0.00002899027,0.0004856738,0.0001338889],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005506982,0.00005785276,0.00123087,0.001183667,0.00001360152,0.0006192476,0.07245872,0.0001392648,0.0004322173,0.05128533,0.7572557,0.1152684],"study_design_scores_gemma":[0.000007326914,0.000007637334,0.001762462,0.001294737,0.000005730632,0.0002673022,0.02118377,0.0000252399,0.00006757306,0.002345632,0.9730206,0.00001189206],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.01623992,0.7129349,0.0004571191,0.1062676,0.01275217,0.0000288699,0.000143699,0.00006840369,0.1511074],"genre_scores_gemma":[0.2688357,0.4812131,0.0009569141,0.01950463,0.01769826,0.0000948974,0.0002715231,0.0003518584,0.2110732],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.03061958,"threshold_uncertainty_score":0.06088269,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4252280537","doi":"10.1353/hsf.2021.0043","title":"Sex, Drugs and Fashion in 1970s Madrid by Francisco Fernández de Alba","year":2021,"lang":"en","type":"article","venue":"Hispanófila/Hispanófila","topic":"Mexican Socioeconomic and Environmental Dynamics","field":"Environmental Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Mores; Dictatorship; Fern; Democratization; Politics; Sociology; Argument (complex analysis); Political science; Democracy; Law; Biology","authors":[{"name":"Daniel Arroyo-Rodríguez","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.003634255848110647,"gpt":0.1883980476213023,"spread":0.1847637917731916,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009058373,0.001743799,0.001421467,0.003899999,0.001896835,0.004243569,0.0009383833,0.002917812,0.03295363],"category_scores_gemma":[0.001279844,0.0006691279,0.0006618583,0.004454954,0.002129678,0.002778002,0.001916009,0.003500543,0.01171647],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00738699,"about_ca_system_score_gemma":0.00479289,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.08701054,"about_ca_topic_score_gemma":0.10535,"domain_scores_codex":[0.9993248,0.0001112497,0.00003953331,0.0001311524,0.0002895654,0.0001036539],"domain_scores_gemma":[0.9991245,0.0001886771,0.0001257105,0.00002458305,0.0003059513,0.000230605],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"qualitative","study_design_scores_codex":[0.00006788085,0.00004846332,0.0008914046,0.001161144,0.00001406485,0.0002423282,0.001451448,0.0001259247,0.0001079121,0.006076168,0.9127724,0.07704089],"study_design_scores_gemma":[0.000006329192,0.000009618595,0.002748754,0.002019185,0.000007828608,0.0001823257,0.001076984,0.00001024577,0.00002147649,0.0003881068,0.9935198,0.000009286334],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.0005023861,0.9415372,0.00002513165,0.01521275,0.01836337,0.000005520805,0.0001251724,0.0000213592,0.02420713],"genre_scores_gemma":[0.01521718,0.8028462,0.0001654195,0.007697574,0.01915602,0.00002296762,0.000380142,0.00004984908,0.1544646],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.08701054,"threshold_uncertainty_score":0.1730081,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4206231556","doi":"10.1353/hsf.2021.0023","title":"Minding Animals in the Old and New Worlds. A Cognitive Historical Analysis by Steven Wagschal","year":2021,"lang":"en","type":"article","venue":"Hispanófila/Hispanófila","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","authors":[{"name":"Noel Blanco Mourelle","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0503300510018315,"gpt":0.2508095670269402,"spread":0.2004795160251087,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.002404683,0.001361593,0.0009151602,0.003269691,0.003229309,0.005303537,0.0008083805,0.002521243,0.01235825],"category_scores_gemma":[0.003324788,0.0007029531,0.0004675724,0.004700917,0.00657265,0.008705041,0.002689947,0.005210683,0.00381184],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004173836,"about_ca_system_score_gemma":0.003167483,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02710164,"about_ca_topic_score_gemma":0.0351068,"domain_scores_codex":[0.9988812,0.0004974345,0.00006483059,0.0001699222,0.0003171024,0.00006960543],"domain_scores_gemma":[0.9975625,0.001459545,0.0001970566,0.00005160057,0.0005148805,0.0002143153],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"qualitative","study_design_scores_codex":[0.00004609959,0.00002479053,0.0004415575,0.001191608,0.0000239086,0.0002301656,0.01661041,0.000316923,0.0002372629,0.09907284,0.7782487,0.1035558],"study_design_scores_gemma":[0.000003280633,0.00001216453,0.000810272,0.001699316,0.000007207505,0.0002434598,0.003836839,0.00006414087,0.00006087986,0.01269435,0.9805477,0.00002039237],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.001072484,0.901055,0.001033056,0.05948602,0.006564025,0.00002010142,0.0001770078,0.00002566708,0.03056655],"genre_scores_gemma":[0.03559035,0.8444991,0.001721031,0.01095984,0.00800452,0.00009595635,0.000379564,0.0001269874,0.09862268],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9967707,"threshold_uncertainty_score":0.05388778,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2888969711","doi":"10.1353/hsf.2018.0019","title":"Moors Dressed as Moors: Clothing, Social Distinction, and Ethnicity in Early Modern Iberia by Javier Irigoyen-García","year":2018,"lang":"en","type":"article","venue":"Hispanófila/Hispanófila","topic":"Medieval and Early Modern Iberia","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Moors; Garcia; History; Nobility; Ethnic group; Blackface; Clothing; Identity (music); Art; Classics; Humanities; Ancient history; Politics; Sociology; Archaeology; Anthropology; Law; Art history; Political science","authors":[{"name":"Lisa M. James","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02198686481864593,"gpt":0.2417516639242875,"spread":0.2197647991056416,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001076062,0.001102243,0.0008197188,0.001519035,0.002760007,0.004026662,0.0005186123,0.00121192,0.007542507],"category_scores_gemma":[0.0008706797,0.000270865,0.0002621698,0.002302383,0.002462362,0.002468175,0.001613873,0.002136537,0.001257589],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002813482,"about_ca_system_score_gemma":0.001440225,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02886645,"about_ca_topic_score_gemma":0.0326402,"domain_scores_codex":[0.9995542,0.0002192541,0.0000218297,0.00007884344,0.00006824992,0.00005755589],"domain_scores_gemma":[0.9997166,0.00008558329,0.00004818947,0.00000893604,0.00009593296,0.00004480634],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002760441,0.0001713735,0.01024306,0.003388013,0.00008496402,0.001111615,0.09909244,0.0004708035,0.0007809734,0.06514911,0.525289,0.2939425],"study_design_scores_gemma":[0.000006943581,0.00002389629,0.0221883,0.004490829,0.00002345643,0.0004165019,0.05003553,0.00005021062,0.0001307132,0.002763659,0.9198406,0.00002935767],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0120274,0.9289569,0.00006816879,0.02631403,0.006895307,0.000006207001,0.00005127769,0.000006469093,0.02567419],"genre_scores_gemma":[0.2257289,0.6894852,0.0003726743,0.008281861,0.01438696,0.00003831623,0.000161918,0.00004759577,0.06149655],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.02886645,"threshold_uncertainty_score":0.05739683,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4378603504","doi":"10.1353/hsf.2023.0016","title":"Bibliophiles, Murderous Bookmen, and Mad Librarians by Robert Richmond Ellis","year":2023,"lang":"en","type":"article","venue":"Hispanófila/Hispanófila","topic":"Library Science and Administration","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Possession (linguistics); Variety (cybernetics); Romance; Art history; Art; History; Sociology; Literature; Philosophy","authors":[{"name":"Xabier Granja Ibarreche","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01895347189626365,"gpt":0.2721195727174969,"spread":0.2531661008212332,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006046927,0.0009057917,0.000612118,0.002090814,0.002241745,0.004801481,0.000698264,0.001436394,0.05707449],"category_scores_gemma":[0.001657141,0.0005291193,0.0002314665,0.003209313,0.001126244,0.002234019,0.001567341,0.001765443,0.02043305],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00333542,"about_ca_system_score_gemma":0.002909629,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04833584,"about_ca_topic_score_gemma":0.07929154,"domain_scores_codex":[0.9995034,0.0001258867,0.00002711642,0.00006852159,0.0002173396,0.00005773911],"domain_scores_gemma":[0.9991234,0.0002590041,0.00007955471,0.00002670328,0.0003599714,0.0001513737],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00000808445,0.000007018201,0.000146457,0.0002173903,0.00000379122,0.00005690913,0.0008466879,0.00001725709,0.00007595729,0.00191605,0.9694152,0.02728914],"study_design_scores_gemma":[0.000001290605,0.000002649648,0.0004592442,0.0003914024,0.000003380834,0.00006921111,0.000973968,0.000005041271,0.00002495383,0.00009306288,0.9979717,0.000004103449],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.001950917,0.784585,0.000137841,0.04991227,0.01530114,0.00003967934,0.0002800683,0.0001257786,0.1476673],"genre_scores_gemma":[0.01708539,0.3933917,0.0003301665,0.01142376,0.009725506,0.00005453753,0.0003422585,0.0001543284,0.5674924],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.05707449,"threshold_uncertainty_score":0.1909332,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4322392962","doi":"10.1353/hsf.2022.0047","title":"The Ibero-American Baroque ed. by Beatriz De Alba-Koch","year":2022,"lang":"pt","type":"article","venue":"Hispanófila/Hispanófila","topic":"Latin American history and culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Baroque; Art; Painting; Colonialism; Indigenous; The arts; Reverence; Art history; History; Visual arts; Humanities; Archaeology; Law","authors":[{"name":"Gladys Robalino","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.006804938150712924,"gpt":0.2035548199927421,"spread":0.1967498818420292,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006936266,0.002319602,0.001476569,0.001811581,0.002266523,0.006080363,0.0007716641,0.00173963,0.1388291],"category_scores_gemma":[0.00100001,0.0005453094,0.0004977116,0.002860866,0.0008725376,0.003720984,0.001913066,0.00333116,0.08749776],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002155225,"about_ca_system_score_gemma":0.002566762,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02047043,"about_ca_topic_score_gemma":0.03047112,"domain_scores_codex":[0.9996495,0.00005701819,0.00002599339,0.0001082718,0.0001054709,0.00005370855],"domain_scores_gemma":[0.999674,0.00004074765,0.00004007611,0.00001541305,0.0001490257,0.0000808078],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002678546,0.00002007497,0.0001718595,0.0005527423,0.00000578462,0.00005413553,0.0004499415,0.0000737912,0.0001937086,0.002882033,0.8851509,0.1104183],"study_design_scores_gemma":[0.000001232349,0.000003007966,0.0004071426,0.0004839165,0.00000167169,0.00004032009,0.000216603,0.000007091458,0.00001746389,0.0001672093,0.9986508,0.000003568112],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0005052012,0.8523387,0.000216192,0.01113507,0.03326816,0.00002715512,0.0004998765,0.0001038029,0.1019057],"genre_scores_gemma":[0.008155403,0.3575331,0.0006735927,0.005322881,0.01370397,0.00008370851,0.0006249774,0.0002592537,0.613643],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.1388291,"threshold_uncertainty_score":0.4644297,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4394752060","doi":"10.1353/hsf.2024.a924561","title":"From the Theater to the Plaza: Spectacle, Protest, and Urban Space in Twenty-First-Century Madrid by Matthew I. Feinberg (review)","year":2024,"lang":"en","type":"article","venue":"Hispanófila/Hispanófila","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Spectacle; Space (punctuation); Urban space; Art; Art history; Visual arts; Media studies; History; Political science; Sociology; Law; Philosophy; Regional science; Linguistics","authors":[{"name":"David Ramos","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01041543716081333,"gpt":0.2103212933957545,"spread":0.1999058562349412,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007520528,0.0009673481,0.001250479,0.001947169,0.0006878322,0.004788022,0.001093501,0.00171309,0.008815391],"category_scores_gemma":[0.001759459,0.0003657122,0.0005242917,0.003461991,0.001622239,0.002929726,0.001915348,0.002650018,0.002667577],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002355049,"about_ca_system_score_gemma":0.002483633,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01115141,"about_ca_topic_score_gemma":0.01280402,"domain_scores_codex":[0.9995565,0.0001360452,0.00003567636,0.00006149379,0.0001544562,0.00005590301],"domain_scores_gemma":[0.9993283,0.0002918731,0.0001330744,0.00001114214,0.0001363344,0.00009942309],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007408858,0.00004862853,0.0004804524,0.02765891,0.0001019508,0.0001908335,0.003150659,0.0002516786,0.0001720795,0.006203089,0.4624687,0.4991989],"study_design_scores_gemma":[0.00001208319,0.00002777729,0.002430156,0.01757487,0.00003666874,0.0003853312,0.002042759,0.00001892661,0.0000433191,0.0006928733,0.9767131,0.00002207614],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.0001005328,0.9967597,0.000012963,0.001348785,0.0006267911,0.000002225491,0.00001171221,0.000003154103,0.001134117],"genre_scores_gemma":[0.001961444,0.9935123,0.00004131637,0.001209694,0.0009058277,0.0000104623,0.00004897213,0.000006900254,0.002303168],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.01115141,"threshold_uncertainty_score":0.02949035,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4391140108","doi":"10.1353/hsf.2023.a918091","title":"Drawing the Curtain: Cervantes's Theatrical Revelations ed. by Esther Fernández and Adrienne L. Martín (review)","year":2023,"lang":"en","type":"article","venue":"Hispanófila/Hispanófila","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Fern; Art; Art history; Botany; Biology","authors":[{"name":"Brian M. Phillips","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01347246445057246,"gpt":0.2201650095946909,"spread":0.2066925451441184,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002681387,0.001477153,0.001637778,0.002040175,0.001418631,0.006544729,0.001791875,0.002892117,0.009485745],"category_scores_gemma":[0.007538749,0.0007352077,0.0009893181,0.003699877,0.003353506,0.005320249,0.002606898,0.006243578,0.004610581],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003196524,"about_ca_system_score_gemma":0.005899265,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009906207,"about_ca_topic_score_gemma":0.01096699,"domain_scores_codex":[0.9980427,0.0008428412,0.0001404615,0.000223034,0.0006033616,0.0001475263],"domain_scores_gemma":[0.9974208,0.00145814,0.0003342854,0.00006937439,0.0004681607,0.0002493974],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007251272,0.0000253077,0.0001253313,0.01324171,0.00008546874,0.0001327802,0.002107859,0.0000627306,0.0001462169,0.006911665,0.7430358,0.2340526],"study_design_scores_gemma":[0.00001088909,0.00001773358,0.0003480511,0.01377207,0.00002143133,0.0004136762,0.000872659,0.000009895757,0.00004115505,0.001175855,0.9833017,0.00001482523],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.00003904984,0.9924142,0.00002189589,0.00473709,0.001740939,0.000004442426,0.000009492932,0.000002209775,0.001030645],"genre_scores_gemma":[0.00129793,0.9883876,0.00008946674,0.004968417,0.002259011,0.00002945094,0.00003979,0.000009973519,0.002918348],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.009906207,"threshold_uncertainty_score":0.03173298,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4394752129","doi":"10.1353/hsf.2024.a924565","title":"A Poetry of Things: The Material Lyric in Habsburg Spain by Mary E. Barnard (review)","year":2024,"lang":"en","type":"article","venue":"Hispanófila/Hispanófila","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Poetry; Art; Humanities; Philosophy; Literature","authors":[{"name":"Víctor Sierra Matute","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008410733009598735,"gpt":0.2071464447484316,"spread":0.1987357117388328,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001510593,0.001032773,0.001880455,0.003241453,0.0006968178,0.003509353,0.0009887203,0.00176211,0.011261],"category_scores_gemma":[0.002854861,0.0003906709,0.0005760589,0.006054325,0.001692882,0.002754907,0.00228519,0.002809564,0.004812742],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002516346,"about_ca_system_score_gemma":0.004581993,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01314694,"about_ca_topic_score_gemma":0.01582636,"domain_scores_codex":[0.9992504,0.0002153095,0.00009332778,0.0001032847,0.0002562805,0.00008147542],"domain_scores_gemma":[0.9986324,0.0004713962,0.0002386591,0.00003448489,0.0004671941,0.0001559009],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008440992,0.00002379917,0.0002923511,0.02217522,0.00006757394,0.0001232494,0.0008849712,0.0001115822,0.0002358083,0.002791506,0.5107252,0.4624844],"study_design_scores_gemma":[0.00001096551,0.00002198688,0.001597858,0.01291743,0.00002692726,0.0002993364,0.0006820452,0.0000106057,0.00003637255,0.0003316594,0.9840533,0.00001159035],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.00005481202,0.99741,0.00001573041,0.001079692,0.0006280235,0.000002536298,0.00001813142,0.000002992356,0.000788131],"genre_scores_gemma":[0.001238344,0.9925959,0.00007179708,0.001613152,0.000782795,0.00001501476,0.0001184418,0.00001024356,0.003554371],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.01314694,"threshold_uncertainty_score":0.03767174,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2563856669","doi":"10.1353/hsf.2016.0017","title":"Christopher Columbus’s Naming in the diarios of the Four Voyages (1492–1504): A Discourse of Negotiation by Evelina Gužauskytė","year":2016,"lang":"en","type":"article","venue":"Hispanófila/Hispanófila","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Negotiation; Indigenous; Colonialism; History; CONTEST; Humanities; Anthropology; Art; Sociology; Archaeology; Law; Political science; Social science","authors":[{"name":"Kathryn M. Mayers","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01266223666407411,"gpt":0.2018218281594475,"spread":0.1891595914953734,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002889839,0.0006835926,0.0005422082,0.001250743,0.01899633,0.0104298,0.001224478,0.005249986,0.007222246],"category_scores_gemma":[0.006398038,0.0004878996,0.0002127035,0.003085017,0.02336659,0.01161365,0.005555438,0.007190723,0.0009457601],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02050089,"about_ca_system_score_gemma":0.009212873,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1373321,"about_ca_topic_score_gemma":0.1661704,"domain_scores_codex":[0.9967597,0.002009474,0.00005538635,0.000236121,0.0006104046,0.0003289311],"domain_scores_gemma":[0.9980823,0.001209006,0.00012805,0.00005540138,0.0002861333,0.0002391084],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003703673,0.00001715261,0.0004441648,0.0001310928,0.000004307613,0.0006184159,0.320176,0.0000988123,0.0002037443,0.3700342,0.2969587,0.01127636],"study_design_scores_gemma":[0.000007305302,0.000004399034,0.0009074212,0.0003580232,0.000002082503,0.0002189447,0.08863513,0.00005223148,0.00007645789,0.01289094,0.8968251,0.00002187167],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.05492046,0.1061161,0.001910518,0.3025565,0.007198645,0.00005930605,0.0001914463,0.00006132041,0.5269858],"genre_scores_gemma":[0.788941,0.03184067,0.001141613,0.02023388,0.001444124,0.0001890388,0.0001362229,0.0002236899,0.1558498],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1373321,"threshold_uncertainty_score":0.2730656,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}