{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":3,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":3,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"850ec097538e","filters":{"venue":"Historia del Presente"}},"results":[{"id":"W4395474838","doi":"10.5944/hdp.21.2013.40711","title":"poder suave de las Artes: la Bienal de Venecia y la diplomacia cultural entre Italia y España (1948-1958)","year":2013,"lang":"es","type":"article","venue":"Historia del Presente","topic":"Historical Art and Architecture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Humanities; Art","authors":[{"name":"Giulia Quaggio","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01262375993708741,"gpt":0.2410240334341781,"spread":0.2284002734970906,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002474908,0.0006148251,0.0006462798,0.0001933299,0.001289823,0.0007499794,0.000487185,0.0002651757,0.001352824],"category_scores_gemma":[0.0002415754,0.0005354614,0.0004696473,0.00009919573,0.0008935248,0.0004087629,0.0002269991,0.0007344058,0.0009378816],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0007064914,"about_ca_system_score_gemma":0.0001416835,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002342215,"about_ca_topic_score_gemma":0.0005107369,"domain_scores_codex":[0.9966932,0.0004722026,0.0005564626,0.0006261364,0.0005466292,0.001105367],"domain_scores_gemma":[0.9981476,0.00045116,0.0002328901,0.0004305684,0.0002967836,0.0004409761],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001419277,0.0005053685,0.006325433,0.0002378483,0.0005338569,0.0001582466,0.1227376,0.00005826223,0.001436829,0.07194761,0.7925786,0.003338384],"study_design_scores_gemma":[0.0007162957,0.0001180843,0.002777905,0.0001655376,0.0002095157,0.00003470153,0.001688396,0.0004282292,0.0000440551,0.002675849,0.9904788,0.0006626887],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3118846,0.02896799,0.0007010103,0.008212465,0.01290465,0.001740151,0.0004189736,0.0009831049,0.634187],"genre_scores_gemma":[0.8983048,0.0002657075,0.0003049332,0.0004431284,0.005543267,0.0001448016,0.00004393517,0.0001081528,0.09484128],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.5864202,"threshold_uncertainty_score":0.99984,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4394811693","doi":"10.5944/hdp.33.2019.40562","title":"Reseña de: Germán LABRADOR MÉNDEZ, Culpables por la literatura. Imaginación política y contracultura en la transición española (1968-1986), Madrid, Akal, 2017","year":2019,"lang":"es","type":"article","venue":"Historia del Presente","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Kostis Kornelis","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009250732953963794,"gpt":0.2497168073715222,"spread":0.2404660744175585,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0009153278,0.0009719231,0.001146219,0.0003103104,0.0009001633,0.004379542,0.001151666,0.000706786,0.002298336],"category_scores_gemma":[0.0002317948,0.0008643876,0.00070701,0.0001730426,0.0007356568,0.001980988,0.0002172315,0.001504098,0.00166079],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005028456,"about_ca_system_score_gemma":0.000361215,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00545717,"about_ca_topic_score_gemma":0.0003323813,"domain_scores_codex":[0.9946473,0.0009078468,0.0009575955,0.001191352,0.00100605,0.001289905],"domain_scores_gemma":[0.9966327,0.0004506014,0.0004721063,0.001206004,0.0007645181,0.0004740849],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005367594,0.000550601,0.00100856,0.0006512868,0.0005157408,0.0004754541,0.03180376,0.000008380629,0.006629616,0.3095923,0.6478854,0.0003421071],"study_design_scores_gemma":[0.002439245,0.0001856966,0.002834282,0.0005360939,0.0004920811,0.0001880621,0.002369409,0.0002758422,0.0002106223,0.001148318,0.9882214,0.001098945],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3193983,0.05268422,0.0001079546,0.01038958,0.01902056,0.003431718,0.003050619,0.0009619759,0.5909551],"genre_scores_gemma":[0.7258886,0.001739213,0.0002016564,0.0005372692,0.004668585,0.00007585957,0.0002742257,0.0001609815,0.2664536],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.4064903,"threshold_uncertainty_score":0.9993807,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4394678565","doi":"10.5944/hdp.39.2022.40374","title":"Reseña de: Gabriela DE LIMA GRECCO, Burning Books, Awarding Writers. Literary Censorship in Francisco Franco’s Spain and Getulio Vargas’s Brazil, 1936-1945, Brighton-Chicago-Toronto, Sussex Academic Press, 2020","year":2024,"lang":"en","type":"article","venue":"Historia del Presente","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Censorship; Art; Humanities; History; Philosophy; Theology","authors":[{"name":"Javier Muñoz Soro","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0206042412090911,"gpt":0.2597745378352348,"spread":0.2391702966261437,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00111425,0.0004777179,0.0005489347,0.000155371,0.0005165391,0.0008888376,0.0004929876,0.0003939235,0.001019682],"category_scores_gemma":[0.0002274231,0.0004677169,0.0001991026,0.0001118287,0.0002751894,0.001768044,0.0002315055,0.001542103,0.00006311284],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0007146665,"about_ca_system_score_gemma":0.0001633848,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01564554,"about_ca_topic_score_gemma":0.01035275,"domain_scores_codex":[0.9965516,0.0004026689,0.0006946303,0.0008748934,0.0005303514,0.0009458021],"domain_scores_gemma":[0.9986728,0.0003100975,0.0001494721,0.0004302739,0.0001132225,0.00032408],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003258877,0.0001069287,0.01178011,0.0009023861,0.0002322753,0.0008853675,0.1145125,0.00002681969,0.001774538,0.04218552,0.8257904,0.001477292],"study_design_scores_gemma":[0.000654991,0.00007358225,0.002398219,0.0006918397,0.00010725,0.00007164528,0.0008786979,0.002535991,0.00007902556,0.003609446,0.9883271,0.0005721727],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.3468594,0.4631211,0.0006140442,0.002486692,0.01391962,0.001638508,0.0003685916,0.001261231,0.1697308],"genre_scores_gemma":[0.931294,0.004921294,0.0002414419,0.0006944821,0.008370852,0.0001021261,0.00009388725,0.0001476457,0.05413425],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.5844346,"threshold_uncertainty_score":0.9998935,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}