{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":24,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":24,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"9fee7c970f96","filters":{"venue":"Hybrid"}},"results":[{"id":"W4210434883","doi":"10.4000/hybrid.342","title":"Roman québécois et textualités numériques : transposition, amplification, parodie","year":2018,"lang":"fr","type":"article","venue":"Hybrid","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Sophie Marcotte","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2184301291351427,"gpt":0.3363651056937576,"spread":0.1179349765586149,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002519355,0.0003048199,0.000251443,0.00006846098,0.0003016515,0.001290941,0.0005410027,0.00007771362,0.0003426208],"category_scores_gemma":[0.00006287958,0.0002580183,0.0001474282,0.0003429574,0.0004066642,0.004071545,0.0000869062,0.0001593074,0.001421881],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00008979906,"about_ca_system_score_gemma":0.0002576129,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01095466,"about_ca_topic_score_gemma":0.006837433,"domain_scores_codex":[0.997959,0.0001577649,0.0004414219,0.0005977394,0.0003184494,0.0005256861],"domain_scores_gemma":[0.9981722,0.00007941262,0.0001407755,0.0006952707,0.0005551415,0.0003571634],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002111369,0.000364163,0.0002220282,0.000057768,0.000055051,0.0001076481,0.01973544,0.000007458936,0.001460176,0.7630047,0.184299,0.03066536],"study_design_scores_gemma":[0.0002800351,0.0004623024,0.01024379,0.0001929722,0.00002204708,0.0004844628,0.0002149461,0.001048793,0.01681586,0.0697783,0.8999361,0.0005203722],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.1986712,0.02177348,0.3273997,0.1261352,0.005184429,0.0008840046,0.0004889821,0.0009786756,0.3184844],"genre_scores_gemma":[0.9656769,0.0004502749,0.002387245,0.006182476,0.0009233252,0.00001297575,0.00008659832,0.00002327359,0.02425692],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7670057,"threshold_uncertainty_score":0.9999872,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4210372266","doi":"10.4000/hybrid.1332","title":"Création n° 1","year":2015,"lang":"fr","type":"article","venue":"Hybrid","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Materials science","authors":[{"name":"M. Benayoun","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1323478844738047,"gpt":0.2920454897953643,"spread":0.1596976053215596,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004397582,0.00008273772,0.0001240653,0.00001769744,0.0002688006,0.00004740741,0.000108526,0.0000460738,0.0004097654],"category_scores_gemma":[0.000255481,0.00009109564,0.0000592831,0.0001959197,0.0004895618,0.0001858761,0.00003428566,0.00008476766,0.001938262],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003797834,"about_ca_system_score_gemma":0.0001624487,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01034646,"about_ca_topic_score_gemma":0.001051897,"domain_scores_codex":[0.9989852,0.0001521878,0.0001194596,0.0001333575,0.0003310086,0.0002787607],"domain_scores_gemma":[0.9995074,0.00004200465,0.00005126452,0.00007530698,0.0001346975,0.0001893351],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000002175645,0.00004373244,0.0003647243,0.000005176535,0.0000174785,0.0000117381,0.01400413,0.000006031777,7.8853e-7,0.2590151,0.6935725,0.03295644],"study_design_scores_gemma":[0.0001508723,0.00003579956,0.0004092468,0.00001331209,0.00001755859,9.332869e-7,0.002678416,0.00008079431,0.00001864884,0.03779232,0.9586914,0.0001107346],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01789228,0.08257432,0.0004749034,0.01575691,0.01121338,0.0001273188,0.00001458505,0.00007414403,0.8718722],"genre_scores_gemma":[0.6518689,0.001654609,0.0002640957,0.0006441197,0.003380741,0.00000792208,0.000005554046,0.00001007885,0.342164],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.6339766,"threshold_uncertainty_score":0.9988388,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4210821173","doi":"10.4000/hybrid.1029","title":"Creation no. 2","year":2016,"lang":"en","type":"article","venue":"Hybrid","topic":"Migration and Exile Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Computer science","authors":[{"name":"Françoise Chambefort","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01981441364415642,"gpt":0.3085333616903728,"spread":0.2887189480462163,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001172773,0.00001910224,0.00002668487,0.00001062457,0.0001719734,0.00001122267,0.00003275254,0.000006087159,0.001504982],"category_scores_gemma":[0.0002245804,0.00001211899,0.00001433139,0.00002515885,0.00006409001,0.00006779315,0.00000590053,0.000007222728,0.003039879],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001814783,"about_ca_system_score_gemma":0.00001810891,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002314258,"about_ca_topic_score_gemma":0.0004271237,"domain_scores_codex":[0.9997253,0.00002713948,0.00003658698,0.00004888542,0.00008910925,0.00007297118],"domain_scores_gemma":[0.9998418,0.00003064936,0.00001262522,0.00003736804,0.00005279686,0.00002472631],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000009065991,0.00002214319,0.008453405,0.000002190108,0.00001002332,0.000002390037,0.00418841,1.076949e-7,0.001032886,0.1416122,0.7662621,0.07840513],"study_design_scores_gemma":[0.00005548258,0.000005105558,0.001960925,0.000004225811,0.000001059941,8.01342e-8,0.0001989872,9.35757e-7,0.0003073583,0.001027873,0.9964107,0.00002730625],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.0343361,0.00004447515,0.000791654,0.005479528,0.0003395931,0.00005391062,0.00000336619,0.00007471737,0.9588767],"genre_scores_gemma":[0.9344462,0.0002041549,0.00005574075,0.0001746346,0.0003036436,0.000004329015,5.256223e-7,0.000001464633,0.06480936],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.9001101,"threshold_uncertainty_score":0.9994078,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4210304431","doi":"10.4000/hybrid.1335","title":"Creation no. 1","year":2015,"lang":"ru","type":"article","venue":"Hybrid","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Business; Computer science","authors":[{"name":"Maurice Benayoun","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0822398740175908,"gpt":0.2753066195405872,"spread":0.1930667455229964,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001824013,0.0001790606,0.0001974787,0.00005807807,0.0002660008,0.000245556,0.0001268765,0.00003668738,0.002346253],"category_scores_gemma":[0.00008988353,0.0001738049,0.00008985838,9.568402e-7,0.0002625953,0.0002332177,0.00005650315,0.0001281831,0.0102849],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00008515899,"about_ca_system_score_gemma":0.0001499826,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001855332,"about_ca_topic_score_gemma":0.0008867852,"domain_scores_codex":[0.998863,0.00005375932,0.0002447808,0.0002215717,0.0002447404,0.0003720931],"domain_scores_gemma":[0.9990291,0.00003110477,0.00008732549,0.00028202,0.000321777,0.0002486583],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004026053,0.0001684481,0.0002097332,0.00005956173,0.00006029293,0.0000426798,0.07365718,0.000009744797,0.00000811408,0.1010998,0.8226863,0.001957969],"study_design_scores_gemma":[0.0004747774,0.0001570624,0.0000802014,0.00003663345,0.00005819926,0.000008928735,0.00140272,0.0009532628,0.0001675047,0.009206639,0.9872219,0.0002321514],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.02364271,0.0009602283,0.0002016289,0.0006647296,0.003288761,0.0001708284,0.0002690066,0.0001068209,0.9706953],"genre_scores_gemma":[0.5962298,0.00006880858,0.00003484908,0.000985835,0.004189754,0.00000579095,0.00009819024,0.0000258211,0.3983611],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.5725871,"threshold_uncertainty_score":0.9985657,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4210749708","doi":"10.4000/hybrid.1219","title":"Creation no. 2","year":2014,"lang":"en","type":"article","venue":"Hybrid","topic":"Contemporary art, education, critique","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Computer science","authors":[{"name":"Julie Châteauvert","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01798141997312166,"gpt":0.3075125965723645,"spread":0.2895311765992428,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001045948,0.0000373264,0.00004933691,0.0000267033,0.0002626787,0.00004717101,0.00009840104,0.00001556454,0.0006294592],"category_scores_gemma":[0.0004519702,0.00004118473,0.00002239532,0.00005611749,0.00007061817,0.0005341794,0.000005794879,0.0000378218,0.0009569144],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002802044,"about_ca_system_score_gemma":0.0001286393,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001705519,"about_ca_topic_score_gemma":0.0004917629,"domain_scores_codex":[0.9992324,0.0003319519,0.00008070554,0.0001047154,0.0001322352,0.0001179764],"domain_scores_gemma":[0.9995819,0.00009397016,0.00002980887,0.0001191135,0.0001084617,0.00006669262],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000007137228,0.0000764035,0.01552026,0.000009576826,0.000005755131,0.00000136944,0.008095245,0.000001643182,0.0001857535,0.1641684,0.7974988,0.01442963],"study_design_scores_gemma":[0.00005315546,0.00001077133,0.002898338,0.000005735577,0.000001943587,3.996024e-7,0.0003677979,0.00003942582,0.0002428045,0.006558744,0.9897643,0.00005654684],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.09881318,0.0000329379,0.001356879,0.02098179,0.0008123796,0.0001391573,0.00000189142,0.000123803,0.877738],"genre_scores_gemma":[0.903891,0.0000407576,0.0003620678,0.0003680649,0.0008761072,0.000009254655,0.000009699354,0.000004991596,0.09443806],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8050779,"threshold_uncertainty_score":0.9998209,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4210290472","doi":"10.4000/hybrid.1216","title":"Création n° 2","year":2014,"lang":"fr","type":"article","venue":"Hybrid","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art","authors":[{"name":"Julie Châteauvert","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03147580318323581,"gpt":0.2476574864731307,"spread":0.2161816832898948,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004269146,0.00008521802,0.0001318526,0.00001709855,0.0005065951,0.00004623208,0.0001111428,0.00004632431,0.0009593364],"category_scores_gemma":[0.0002333315,0.00009407203,0.00007578031,0.0001520746,0.000493688,0.0001282645,0.00002736382,0.00008698885,0.001569607],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001549095,"about_ca_system_score_gemma":0.00003485756,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005384458,"about_ca_topic_score_gemma":0.0009064745,"domain_scores_codex":[0.9989949,0.0002120926,0.0001213653,0.0001468743,0.0002373267,0.0002873864],"domain_scores_gemma":[0.9996044,0.0001049929,0.00005521873,0.00008550975,0.00006139793,0.00008848372],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[9.174555e-7,0.00003203314,0.0002670975,0.00001054914,0.00001419551,0.000001590763,0.003976021,0.000003757938,0.000003313789,0.6339929,0.2336137,0.128084],"study_design_scores_gemma":[0.00009424565,0.00003029538,0.001602808,0.00001774779,0.00001743105,4.082105e-7,0.0003380082,0.0002782759,0.00003115408,0.03992698,0.9575496,0.0001129904],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01601417,0.02229868,0.002608909,0.01423204,0.008213335,0.0001085886,0.00000790005,0.0000759698,0.9364404],"genre_scores_gemma":[0.78997,0.001547052,0.0001966845,0.0008156911,0.003342623,0.000005810583,0.000003509483,0.000008492181,0.2041101],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.7739559,"threshold_uncertainty_score":0.9999539,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4210585618","doi":"10.4000/hybrid.1026","title":"Creation no. 2","year":2016,"lang":"en","type":"article","venue":"Hybrid","topic":"Migration and Exile Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Political science","authors":[{"name":"Françoise Chambefort","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01981441364415642,"gpt":0.3085333616903728,"spread":0.2887189480462163,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001172773,0.00001910224,0.00002668487,0.00001062457,0.0001719734,0.00001122267,0.00003275254,0.000006087159,0.001504982],"category_scores_gemma":[0.0002245804,0.00001211899,0.00001433139,0.00002515885,0.00006409001,0.00006779315,0.00000590053,0.000007222728,0.003039879],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001814783,"about_ca_system_score_gemma":0.00001810891,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002314258,"about_ca_topic_score_gemma":0.0004271237,"domain_scores_codex":[0.9997253,0.00002713948,0.00003658698,0.00004888542,0.00008910925,0.00007297118],"domain_scores_gemma":[0.9998418,0.00003064936,0.00001262522,0.00003736804,0.00005279686,0.00002472631],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000009065991,0.00002214319,0.008453405,0.000002190108,0.00001002332,0.000002390037,0.00418841,1.076949e-7,0.001032886,0.1416122,0.7662621,0.07840513],"study_design_scores_gemma":[0.00005548258,0.000005105558,0.001960925,0.000004225811,0.000001059941,8.01342e-8,0.0001989872,9.35757e-7,0.0003073583,0.001027873,0.9964107,0.00002730625],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.0343361,0.00004447515,0.000791654,0.005479528,0.0003395931,0.00005391062,0.00000336619,0.00007471737,0.9588767],"genre_scores_gemma":[0.9344462,0.0002041549,0.00005574075,0.0001746346,0.0003036436,0.000004329015,5.256223e-7,0.000001464633,0.06480936],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.9001101,"threshold_uncertainty_score":0.9994078,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4210249392","doi":"10.4000/hybrid.625","title":"Le réseau créatif des langu.ages","year":2021,"lang":"fr","type":"article","venue":"Hybrid","topic":"Digital Communication and Language","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université de Moncton","funders":"","keywords":"Political science","authors":[{"name":"Erika Fülöp","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03906369365627151,"gpt":0.266523078734364,"spread":0.2274593850780925,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000169828,0.0001204748,0.0001396531,0.00003421272,0.0001780899,0.000617532,0.0007085321,0.00002956815,0.0004904548],"category_scores_gemma":[0.0001527898,0.0001382795,0.00009578311,0.0002857561,0.0001852141,0.0007007641,0.0006023808,0.0001526198,0.001153206],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003406551,"about_ca_system_score_gemma":0.0003679798,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0005419229,"about_ca_topic_score_gemma":0.0004238465,"domain_scores_codex":[0.998911,0.0001740882,0.0001746627,0.0002696665,0.000178411,0.000292167],"domain_scores_gemma":[0.9985455,0.0001046501,0.00005110062,0.001012486,0.0001512836,0.0001349902],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000001325938,0.0002251503,0.0001013623,0.00005281806,0.00002179469,0.0005535101,0.0008666581,0.00001238171,0.0003247352,0.7091128,0.01547831,0.2732492],"study_design_scores_gemma":[0.0002089143,0.0000271193,0.001656873,0.0001026447,0.000007282366,0.0003281728,0.0002588051,0.001275489,0.01315194,0.01086811,0.9719043,0.0002102961],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.009472597,0.04948526,0.02198933,0.02158788,0.0005820409,0.00007043819,0.00003477814,0.0001751318,0.8966026],"genre_scores_gemma":[0.8470389,0.0004813414,0.01216976,0.002512162,0.00008541894,0.000005639191,0.00004237707,0.00001614218,0.1376482],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.956426,"threshold_uncertainty_score":0.9996245,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2766295207","doi":"10.4000/hybrid.472","title":"Dépeindre l’existentialité : l’esthétique anarchique de Désordre de Philippe De Jonckheere","year":2018,"lang":"fr","type":"article","venue":"Hybrid","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art","authors":[{"name":"Corentin Lahouste","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02188421868108613,"gpt":0.2555390740416048,"spread":0.2336548553605186,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005680273,0.0003824133,0.0004228617,0.0001439193,0.001022851,0.0003292866,0.0004396691,0.0001505329,0.00993236],"category_scores_gemma":[0.00009643503,0.0003860252,0.0003795808,0.0001036527,0.001006384,0.0003589361,0.000102368,0.0005619266,0.000672406],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004517028,"about_ca_system_score_gemma":0.0004605756,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007014952,"about_ca_topic_score_gemma":0.001861288,"domain_scores_codex":[0.997183,0.0005350792,0.0004747223,0.0004698701,0.000232234,0.001105106],"domain_scores_gemma":[0.9986013,0.0001319322,0.0001396325,0.000450485,0.0001856199,0.0004910273],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002183993,0.0008223907,0.002311863,0.0005934678,0.0003892569,0.001512747,0.04450782,0.00002741689,0.0006056224,0.5948345,0.3199615,0.034215],"study_design_scores_gemma":[0.0003017181,0.0004413967,0.0005055861,0.0002521313,0.0001749276,0.0003913147,0.000517553,0.0007651144,0.001341439,0.02218552,0.972642,0.0004813086],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6441702,0.02716576,0.00307712,0.01724693,0.002595136,0.0003764583,0.0007578238,0.0003158047,0.3042948],"genre_scores_gemma":[0.7187258,0.0008218008,0.0007210136,0.0033358,0.01059625,0.00002722885,0.00006786153,0.00006849471,0.2656358],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6526805,"threshold_uncertainty_score":0.9998592,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4210350297","doi":"10.4000/hybrid.1402","title":"Née Lou Sarabadzic: Translating digital identities, a bilingual experience","year":2021,"lang":"en","type":"article","venue":"Hybrid","topic":"Linguistic and Sociocultural Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Identity (music); Persona; Virtual space; Multilingualism; Social media; Resistance (ecology); Performing arts; Sociology; Digital media; Linguistics; Space (punctuation); Power (physics); Computer science; World Wide Web; Art; Humanities; Visual arts; Aesthetics; Artificial intelligence; Pedagogy","authors":[{"name":"Lou Sarabadzic","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03709667045258636,"gpt":0.3233498691408798,"spread":0.2862531986882935,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001394124,0.00009201863,0.0001441905,0.00001150624,0.0008458344,0.0002826574,0.0001341344,0.00002870644,0.0003404867],"category_scores_gemma":[0.001131018,0.00008411647,0.00009434629,0.00014026,0.0003301969,0.0002155204,0.00004499188,0.0000916033,0.00003939295],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005967411,"about_ca_system_score_gemma":0.000213378,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004427337,"about_ca_topic_score_gemma":0.0004251765,"domain_scores_codex":[0.9988912,0.00005033808,0.0001750334,0.0002197953,0.0003546771,0.000308923],"domain_scores_gemma":[0.9995592,0.0001036917,0.00004169139,0.00008924872,0.0001202767,0.00008595471],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001560759,0.0001892787,0.03850647,0.00004170079,0.0001428968,0.001225767,0.8371454,0.000006647857,0.0003423342,0.06708079,0.007642478,0.04766059],"study_design_scores_gemma":[0.0005439995,0.00003510203,0.001160198,0.00008888856,0.00003591507,0.00003479956,0.3649398,0.00003437902,0.001795013,0.01502796,0.6156237,0.0006801714],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8069799,0.001779124,0.0001455449,0.0006020867,0.0007602977,0.00007942654,0.00002202069,0.0001005178,0.1895311],"genre_scores_gemma":[0.9870349,0.0001620798,0.0001906024,0.0001348156,0.0007126357,0.000005520612,0.00002068939,0.000006456002,0.01173226],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6079813,"threshold_uncertainty_score":0.650556,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4210791152","doi":"10.4000/hybrid.426","title":"Digital textuality and the Quebecois novel: transposition, amplification, parody","year":2018,"lang":"en","type":"article","venue":"Hybrid","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Textuality; Transposition (logic); Computer science; Art; Literature; World Wide Web; History; Artificial intelligence","authors":[{"name":"Sophie Marcotte","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08469094158781246,"gpt":0.2680359577481079,"spread":0.1833450161602954,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0001132337,0.00008956199,0.00009261915,0.00001689382,0.0001885522,0.001253745,0.0002741605,0.00001325418,0.000008787767],"category_scores_gemma":[0.00004511252,0.00004810475,0.00003871193,0.0001257395,0.0003302876,0.001598531,0.00005755615,0.00004229082,0.0000757188],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001060504,"about_ca_system_score_gemma":0.00002008728,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001357148,"about_ca_topic_score_gemma":0.00004390039,"domain_scores_codex":[0.9993373,0.00001548557,0.0001492186,0.0002204988,0.000133561,0.000143965],"domain_scores_gemma":[0.9993476,0.00006720216,0.00004600764,0.0003295574,0.0001243058,0.00008536648],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000501343,0.0001382526,0.0003075796,0.00001014252,0.00003370503,0.000006495268,0.003952435,0.000002796633,0.000941115,0.9370106,0.01395257,0.04359411],"study_design_scores_gemma":[0.006528757,0.0005275125,0.1568728,0.00009520105,0.00005751102,0.001492894,0.0003407202,0.01542566,0.03060808,0.214081,0.5724151,0.001554817],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.3642583,0.0002912285,0.5055869,0.01669008,0.0003830895,0.0004525396,0.00009592567,0.0003530226,0.1118888],"genre_scores_gemma":[0.9965773,0.000006259382,0.0003644837,0.001450073,0.0001147912,0.000004861357,0.000011223,0.000003528335,0.001467526],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7229297,"threshold_uncertainty_score":0.999783,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4210561974","doi":"10.4000/hybrid.381","title":"The Readies (from Bob Brown to dj readies)","year":2018,"lang":"en","type":"article","venue":"Hybrid","topic":"Digital Humanities and Scholarship","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Reading (process); Rhetoric; Pseudonym; Computer science; Semiotics; Opera; Point (geometry); Aesthetics; Visual arts; Art; Law; Epistemology; Linguistics; Philosophy; Political science","authors":[{"name":"Bertrand Gervais","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04591469368566795,"gpt":0.2319673327659226,"spread":0.1860526390802547,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001744306,0.0001529118,0.0001401138,0.00003777465,0.001194437,0.001503568,0.0003626249,0.00001391953,0.002586658],"category_scores_gemma":[0.00008325751,0.000101853,0.00007549168,0.0000185009,0.000510243,0.0003626141,0.000121697,0.0001108861,0.002968888],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002789345,"about_ca_system_score_gemma":0.00001736976,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0007599033,"about_ca_topic_score_gemma":0.008987909,"domain_scores_codex":[0.9989883,0.00002884716,0.0002031715,0.0002217557,0.0002025337,0.0003554106],"domain_scores_gemma":[0.9991454,0.0001442311,0.00004661906,0.0004024473,0.0001625605,0.00009868824],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005930983,0.00002514039,0.00006328212,0.000004534053,0.00004825514,0.00001496424,0.01584634,1.184109e-7,0.0000184554,0.4208017,0.5482919,0.01482609],"study_design_scores_gemma":[0.00007970966,0.0001617093,0.0002918608,0.00002797755,0.00001102854,0.00000277572,0.003409354,0.000003589467,0.0003436879,0.02328942,0.9722118,0.0001670762],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3387754,0.0002624697,0.000003454233,0.001173802,0.00125068,0.0001131995,0.0001465607,0.0001100285,0.6581644],"genre_scores_gemma":[0.8185474,0.00002027446,0.00001800595,0.001871055,0.002775715,0.00001807365,0.00002100512,0.00002341121,0.176705],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.4814594,"threshold_uncertainty_score":0.9995329,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4210527462","doi":"10.4000/hybrid.292","title":"The Readies (de Bob Brown à dj readies)","year":2018,"lang":"fr","type":"article","venue":"Hybrid","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Bertrand Gervais","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2041287696713859,"gpt":0.3103998141743852,"spread":0.1062710445029993,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003223532,0.0002363638,0.0001847132,0.00002847312,0.0007931342,0.002664395,0.0007498307,0.00005178863,0.00009764006],"category_scores_gemma":[0.0002831464,0.0001409306,0.0001216615,0.0002348116,0.000943072,0.001750387,0.0004072037,0.0001768271,0.001914372],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009339317,"about_ca_system_score_gemma":0.0001409386,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001705464,"about_ca_topic_score_gemma":0.0006964956,"domain_scores_codex":[0.9981853,0.00008760591,0.0002627775,0.0003713152,0.0002643478,0.0008286961],"domain_scores_gemma":[0.9983663,0.0002067785,0.0001072894,0.0007343708,0.0002831044,0.0003021891],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001605768,0.00004841076,0.00003584952,0.00001567548,0.00004036833,0.0001957884,0.002702823,0.000002914037,0.0003414769,0.2109919,0.6971397,0.08846904],"study_design_scores_gemma":[0.0001306538,0.0002878604,0.001365627,0.0001055467,0.00001454667,0.0008266337,0.00007908528,0.002553948,0.008637448,0.03489577,0.9508578,0.0002450359],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.05764483,0.02529324,0.005692774,0.06852567,0.008900138,0.000317285,0.00005157561,0.0002970495,0.8332775],"genre_scores_gemma":[0.5442394,0.001166596,0.001081279,0.003740916,0.002377287,0.000006742315,0.00000429257,0.00002095118,0.4473625],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.4865946,"threshold_uncertainty_score":0.9988627,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4310999117","doi":"10.4000/hybrid.2769","title":"Réflexions rétrospectives et prospectives sur les avatars et acteurs virtuels issues d’explorations expérimentales artistiques","year":2022,"lang":"fr","type":"article","venue":"Hybrid","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"Agence Nationale de la Recherche","keywords":"Humanities; Art","authors":[{"name":"Étienne Armand Amato","is_ca":false},{"name":"Judith Guez","is_ca":false},{"name":"Étienne Perény","is_ca":false},{"name":"Marie-Hélène Tramus","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2296886582825029,"gpt":0.4720992521990157,"spread":0.2424105939165128,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002715834,0.0002906488,0.0003210981,0.0001430114,0.002714019,0.0001790248,0.000401315,0.00006937093,0.001666759],"category_scores_gemma":[0.0008482615,0.0003538023,0.0001735205,0.0004635987,0.002097836,0.001147991,0.0001587386,0.0006036346,0.00008983849],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004600956,"about_ca_system_score_gemma":0.0007310348,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003345713,"about_ca_topic_score_gemma":0.00126579,"domain_scores_codex":[0.994997,0.002934498,0.0004229663,0.0006130171,0.0005415268,0.000490971],"domain_scores_gemma":[0.9977035,0.001319048,0.000286179,0.0002699499,0.0002698031,0.0001515013],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.000009150186,0.0007054211,0.008913976,0.00001720573,0.0001063892,0.000004577053,0.1136085,0.0001541317,0.0003986954,0.8654878,0.009701632,0.0008925037],"study_design_scores_gemma":[0.0003655274,0.0003653332,0.04560031,0.00008607047,0.00008426077,0.00002567102,0.4566133,0.00005371057,0.001086766,0.1976438,0.2974244,0.0006508269],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6257391,0.02776087,0.001148425,0.3053593,0.006443948,0.00117701,0.001489205,0.0004699671,0.0304121],"genre_scores_gemma":[0.9743238,0.005504698,0.002314584,0.001369886,0.001423828,0.0005914812,0.0004482018,0.00004815519,0.01397537],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.667844,"threshold_uncertainty_score":0.9998914,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4210400971","doi":"10.4000/hybrid.691","title":"Guillemets et crochets : de l’influence de la syntaxe et de la grammaire des langages de code sur une poétique de la page","year":2021,"lang":"fr","type":"article","venue":"Hybrid","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ministère de l’Emploi et de la Solidarité Sociale (Québec)","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"J. R. Carpenter","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01745085578986189,"gpt":0.314996379682941,"spread":0.2975455238930791,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00306889,0.0003552163,0.0004175873,0.0001034406,0.0006578189,0.001008335,0.0003296541,0.0001912107,0.0009269306],"category_scores_gemma":[0.002705179,0.0003723241,0.000302265,0.0001058902,0.001001965,0.0001533332,0.0001664124,0.0007112625,0.00003942646],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003048223,"about_ca_system_score_gemma":0.001557579,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02658401,"about_ca_topic_score_gemma":0.01266217,"domain_scores_codex":[0.9956605,0.002477841,0.0003609261,0.000399904,0.0002363109,0.0008644495],"domain_scores_gemma":[0.9967744,0.002044377,0.000155288,0.0004153298,0.0002732172,0.0003374145],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004600666,0.0008952403,0.03851407,0.0006053649,0.0006897561,0.01256961,0.03028575,0.003261365,0.004444576,0.8766444,0.03038971,0.001654149],"study_design_scores_gemma":[0.0009391169,0.00006925083,0.04202592,0.000868911,0.001094381,0.001275707,0.007088374,0.002331767,0.01467466,0.1344401,0.7942506,0.0009411632],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8499545,0.009336716,0.001464298,0.002667504,0.0000902598,0.00008096588,0.0005957799,0.0001001708,0.1357098],"genre_scores_gemma":[0.9729587,0.007041807,0.002842308,0.002600831,0.0007082326,0.00002763989,0.00008653239,0.00007710017,0.0136568],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7638609,"threshold_uncertainty_score":0.9999864,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4416413926","doi":"10.4000/1568f","title":"La sociophotographie : une méthodologie pour construire un imaginaire critique du numérique","year":2025,"lang":"it","type":"article","venue":"Hybrid","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Narrative; Context (archaeology); The Imaginary","authors":[{"name":"Sophie Jéhel","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08576197685185342,"gpt":0.3207663383333996,"spread":0.2350043614815462,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0005426396,0.0005505696,0.0005845231,0.000238553,0.0004482784,0.001976777,0.00107856,0.0002056567,0.000104472],"category_scores_gemma":[0.0004776421,0.000452011,0.0004155231,0.001097138,0.0009443077,0.001591996,0.0007090446,0.0006129256,0.0001716057],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001143665,"about_ca_system_score_gemma":0.0006457003,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000873859,"about_ca_topic_score_gemma":0.00005962518,"domain_scores_codex":[0.9969561,0.0005079571,0.0005430609,0.0009006123,0.0002960064,0.0007963312],"domain_scores_gemma":[0.9975438,0.0007482793,0.0001765107,0.0008044697,0.0004045553,0.0003224622],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0000737298,0.000731373,0.003092793,0.0003050284,0.0003094899,0.006152943,0.002665931,0.00003641741,0.003056725,0.6386026,0.2619109,0.08306214],"study_design_scores_gemma":[0.003573363,0.0004254694,0.02319607,0.001835674,0.0001316032,0.004702835,0.003374013,0.007132808,0.06893794,0.6458947,0.238242,0.002553547],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2188126,0.004961187,0.1323878,0.08492158,0.003385316,0.0009865987,0.0001883586,0.001028776,0.5533279],"genre_scores_gemma":[0.9856318,0.0009870637,0.002823562,0.005030275,0.0001862645,0.00002311072,0.00002149622,0.00002382334,0.005272615],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7668192,"threshold_uncertainty_score":0.9997932,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4311046547","doi":"10.4000/hybrid.2808","title":"Prospective and retrospective reflections on avatars and virtual actors in artistic experimental exploration.","year":2022,"lang":"en","type":"article","venue":"Hybrid","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"Agence Nationale de la Recherche","keywords":"Context (archaeology); Appropriation; Avatar; Metaverse; Plural; Empathy; Aesthetics; Sociology; Visual arts; Epistemology; Computer science; Human–computer interaction; Art; Virtual reality; Psychology; Social psychology; History; Philosophy; Linguistics","authors":[{"name":"Étienne Armand Amato","is_ca":false},{"name":"Judith Guez","is_ca":false},{"name":"Étienne Perény","is_ca":false},{"name":"Marie-Hélène Tramus","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1423929844583146,"gpt":0.3199023671855904,"spread":0.1775093827272758,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00005358891,0.00009062698,0.00009224771,0.00008459277,0.0002480609,0.0002493934,0.00008206058,0.000007660805,0.00001592853],"category_scores_gemma":[0.00003096158,0.00007750338,0.00001340095,0.0002043618,0.00004596208,0.001118857,0.0002032068,0.0001268169,0.000004462845],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001855333,"about_ca_system_score_gemma":0.00001887443,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00007704383,"about_ca_topic_score_gemma":0.00003620328,"domain_scores_codex":[0.9992793,0.00003300097,0.00009737101,0.0003005336,0.0001594681,0.0001303572],"domain_scores_gemma":[0.9997326,0.00002790132,0.00003319273,0.0001215719,0.0000170655,0.00006773466],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","study_design_scores_codex":[0.0001901401,0.001018266,0.00590718,0.000005935752,0.00004394989,0.0004634689,0.0378935,0.0006764572,0.0297406,0.9148485,0.005443043,0.00376897],"study_design_scores_gemma":[0.005750155,0.01602477,0.5744736,0.00008509825,0.00002146663,0.00175625,0.01697708,0.01251767,0.1851029,0.1744637,0.01050894,0.002318448],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9906648,0.00009984677,0.0007552992,0.0002432794,0.0002036245,0.0002065979,0.00001687371,0.00006322251,0.007746399],"genre_scores_gemma":[0.9991208,0.000005527867,0.0001569935,0.0002172426,0.00002259919,0.00005187443,0.000004412298,0.000004732963,0.0004157795],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7403848,"threshold_uncertainty_score":0.3160496,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4210454258","doi":"10.4000/hybrid.434","title":"The Archives of Achab: the exhaustive and the elusive in the digital rewritings of Moby Dick","year":2018,"lang":"en","type":"article","venue":"Hybrid","topic":"Translation Studies and Practices","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Future Earth","funders":"","keywords":"Context (archaeology); Rewriting; Rework; Literature; Emoji; Art; Computer science; Art history; History; World Wide Web; Social media","authors":[{"name":"Laurence Perron","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02172685630740682,"gpt":0.2423172142684682,"spread":0.2205903579610614,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003515578,0.00006240609,0.00009785679,0.00001258847,0.0005319179,0.0001284858,0.0001838664,0.000004716839,0.00002989121],"category_scores_gemma":[0.00005650862,0.00002132432,0.00004539565,0.00002133563,0.002373372,0.0001041424,0.00005022528,0.0000971695,0.000003079949],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000001016143,"about_ca_system_score_gemma":0.00000793149,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002476366,"about_ca_topic_score_gemma":0.0006467967,"domain_scores_codex":[0.9994603,0.00008558237,0.0001672693,0.00007029461,0.0001235984,0.0000929643],"domain_scores_gemma":[0.9974049,0.002261939,0.0001426555,0.0001430048,0.00004127951,0.000006224573],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005597685,0.00004854009,0.001213647,0.00002725147,0.0001455486,0.000001737259,0.4056399,0.000001492307,0.0000114195,0.5172682,0.003264419,0.07181799],"study_design_scores_gemma":[0.00058591,0.00009614226,0.004908576,0.000035137,0.00003990392,0.0000056866,0.1070922,0.0000890494,0.00009613525,0.01438487,0.872608,0.00005831507],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4138625,0.004794208,0.00003782155,0.01995592,0.0001761564,0.0005358464,0.0001333381,0.00001086101,0.5604934],"genre_scores_gemma":[0.9985142,0.0004867552,0.000003023307,0.0002456319,0.0002375435,0.00001255382,0.000001256472,0.000003908244,0.0004950847],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8693436,"threshold_uncertainty_score":0.8744789,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4210374571","doi":"10.4000/hybrid.1374","title":"De l’auteur à l’auteur-machine dans le théâtre postdramatique : les classiques soumis au crash test ?","year":2018,"lang":"fr","type":"article","venue":"Hybrid","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"ECW Press (Canada)","funders":"Belgian Federal Science Policy Office","keywords":"Humanities; Auteur theory; Art; Philosophy; Art history","authors":[{"name":"Claire Swyzen","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02119974421580754,"gpt":0.2383286361678008,"spread":0.2171288919519932,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004564722,0.0005220577,0.0004399364,0.0001754596,0.001842702,0.0009090996,0.0004411491,0.000144497,0.005309715],"category_scores_gemma":[0.0002286082,0.0005331987,0.0002530708,0.00008273824,0.001819444,0.0008646921,0.00009266483,0.0004515115,0.0005323862],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002484702,"about_ca_system_score_gemma":0.0007286015,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.028007,"about_ca_topic_score_gemma":0.01529049,"domain_scores_codex":[0.997158,0.0003574913,0.0006507798,0.0005652531,0.0003251683,0.0009433108],"domain_scores_gemma":[0.9980908,0.0004754369,0.0001889693,0.0005321907,0.0003923633,0.0003202584],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004651987,0.0008456419,0.009340886,0.0004075063,0.0001397495,0.000331192,0.06049271,0.00001035054,0.0004614069,0.809236,0.103999,0.01468905],"study_design_scores_gemma":[0.0005440392,0.0005202554,0.00727556,0.000384509,0.0001175529,0.0002716209,0.004782745,0.002414682,0.002006724,0.009847783,0.9711967,0.0006378447],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3837073,0.007392134,0.005981656,0.01683074,0.002953246,0.0005718809,0.003821096,0.0005885998,0.5781533],"genre_scores_gemma":[0.6126794,0.0003735122,0.0007919751,0.001591865,0.004668163,0.00002447945,0.0002895278,0.0001104297,0.3794707],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8671977,"threshold_uncertainty_score":0.9997119,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4210611882","doi":"10.4000/hybrid.465","title":"Depicting existentiality: the anarchic aesthetic of Désordre by Philippe De Jonckheere","year":2018,"lang":"en","type":"article","venue":"Hybrid","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Aesthetics; Salient; Poetry; Focus (optics); Art; Literature; History; Archaeology","authors":[{"name":"Corentin Lahouste","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1094585687207816,"gpt":0.2937874503858693,"spread":0.1843288816650878,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000188774,0.00009493191,0.0001092766,0.00002160197,0.0001555504,0.0002608035,0.0005618348,0.00001601136,0.00001468157],"category_scores_gemma":[0.0000428283,0.00005522709,0.00006794881,0.0001596577,0.0001682386,0.0004353763,0.0001907391,0.00007695647,0.00002995674],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001650851,"about_ca_system_score_gemma":0.00004080467,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002272687,"about_ca_topic_score_gemma":0.00003401476,"domain_scores_codex":[0.9991518,0.00005305319,0.0001662088,0.000185277,0.0001858935,0.000257809],"domain_scores_gemma":[0.999296,0.00003385719,0.00008097925,0.0004234237,0.00007835732,0.00008735969],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005573468,0.0005311489,0.003263892,0.0001075208,0.0001155705,0.0001676263,0.01271894,0.00004659023,0.04357073,0.1650362,0.1368939,0.6374921],"study_design_scores_gemma":[0.001773849,0.002034898,0.01382442,0.0003740716,0.00008129654,0.003936362,0.0006978065,0.03720828,0.368102,0.1590811,0.411368,0.001517944],"study_design_candidate":"design_other","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9438773,0.0004789052,0.01897899,0.002302526,0.0002290613,0.0001219498,0.000009107785,0.00009161663,0.03391058],"genre_scores_gemma":[0.9978182,0.000009040276,0.0006222934,0.0007146205,0.00008219788,0.000001970633,0.000002352907,0.000005599478,0.0007436796],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6359742,"threshold_uncertainty_score":0.2514934,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4224304772","doi":"10.4000/hybrid.1569","title":"Quels imaginaires pour les outils numériques participatifs au musée ?","year":2022,"lang":"fr","type":"article","venue":"Hybrid","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"Agence Nationale de la Recherche","keywords":"Humanities; Art; Political science","authors":[{"name":"Éva Sandri","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2437348853436225,"gpt":0.3281860092586773,"spread":0.08445112391505477,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003091713,0.0003255141,0.0003173804,0.00007924123,0.0007117331,0.001559461,0.000762536,0.00002984216,0.0009493722],"category_scores_gemma":[0.0001236357,0.0002850343,0.0002083295,0.000300742,0.0002335114,0.002749335,0.001028706,0.0003400942,0.0003464621],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003408182,"about_ca_system_score_gemma":0.0004518039,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008518535,"about_ca_topic_score_gemma":0.0004541622,"domain_scores_codex":[0.9973577,0.0002756498,0.0004011776,0.0005739835,0.0005128573,0.000878576],"domain_scores_gemma":[0.9985892,0.0001269867,0.0001644153,0.0005835221,0.0001566021,0.0003793342],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004206997,0.001116903,0.003488214,0.0001328337,0.0001185742,0.003154402,0.02073016,0.001170792,0.001538869,0.2868804,0.4454749,0.2361519],"study_design_scores_gemma":[0.0004642605,0.0004423964,0.004796788,0.00009651599,0.00002906803,0.001164502,0.001236173,0.01618711,0.01269547,0.05314594,0.9089956,0.0007461935],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6869987,0.02019609,0.01381285,0.0849556,0.006964847,0.0006422048,0.000363318,0.0005928098,0.1854735],"genre_scores_gemma":[0.9350013,0.00006645046,0.0006801086,0.001711782,0.0005224916,0.00004827947,0.00001766483,0.00002412079,0.06192782],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4635207,"threshold_uncertainty_score":0.9999639,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4409989954","doi":"10.4000/13ute","title":"Les mèmes, vecteurs de rencontres renouvelées des musées et de leurs publics","year":2025,"lang":"fr","type":"article","venue":"Hybrid","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","authors":[{"name":"Cécile Velley","is_ca":false},{"name":"Sarah Cordonnier","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07370298201371046,"gpt":0.2959994990099454,"spread":0.222296516996235,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000427238,0.0002652569,0.0002980971,0.0001428936,0.001170889,0.001619964,0.000322915,0.00009564079,0.001907054],"category_scores_gemma":[0.0003012628,0.0002643799,0.0002075381,0.00008599228,0.0008493566,0.0006942599,0.0001274369,0.0003796052,0.00008522171],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002801781,"about_ca_system_score_gemma":0.0003020302,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.08785052,"about_ca_topic_score_gemma":0.1502702,"domain_scores_codex":[0.9983515,0.0002548234,0.0003162329,0.0002990325,0.0001524745,0.0006260047],"domain_scores_gemma":[0.999168,0.0001805105,0.00009449831,0.0002392389,0.0001905688,0.000127154],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002632687,0.0001918927,0.00293719,0.0004389413,0.0001540474,0.000102642,0.02724096,0.00001835544,0.000184016,0.8002561,0.1490653,0.01938416],"study_design_scores_gemma":[0.0003283434,0.00007093245,0.009811314,0.0005451096,0.0001513738,0.00003475969,0.0104956,0.0000572161,0.0007141904,0.04660044,0.9308907,0.0002999647],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.761409,0.0354319,0.0001306609,0.01068232,0.001475815,0.0001726848,0.0002937306,0.0001879256,0.190216],"genre_scores_gemma":[0.6964865,0.006884747,0.0003215036,0.001663756,0.0007507154,0.00002238133,0.00006272199,0.00002789625,0.2937798],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7818254,"threshold_uncertainty_score":0.9999809,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4409989959","doi":"10.4000/13utf","title":"Memes: Transforming the relationship between museums and their publics","year":2025,"lang":"en","type":"article","venue":"Hybrid","topic":"Digital Games and Media","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Publics; Political science; Media studies; Sociology; Politics; Law","authors":[{"name":"Cécile Velley","is_ca":false},{"name":"Sarah Cordonnier","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05206320503001092,"gpt":0.3078564255808209,"spread":0.25579322055081,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004665611,0.00004568492,0.00006370496,0.00003170119,0.0002064369,0.0001450726,0.0001257375,0.0000213623,0.000009870339],"category_scores_gemma":[0.0004273787,0.00002888755,0.00003137719,0.0001667139,0.000159775,0.0001951284,0.00001701024,0.00008211447,0.000005324676],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001626093,"about_ca_system_score_gemma":0.00009151426,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00009606123,"about_ca_topic_score_gemma":0.0003403457,"domain_scores_codex":[0.999558,0.00003962259,0.00008473156,0.00008369321,0.00008908458,0.0001449213],"domain_scores_gemma":[0.9992105,0.0006214414,0.00001688431,0.00008144554,0.00002044024,0.00004931804],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000002090811,0.00001062898,0.1140743,0.00001433961,0.0000197814,8.134537e-7,0.01903826,3.542913e-7,0.000002937665,0.2942833,0.003322504,0.5692307],"study_design_scores_gemma":[0.00007062489,0.000004910902,0.03668158,0.00001847777,0.000007623801,2.253913e-7,0.005406175,0.000002860146,0.00004470862,0.01374467,0.9439756,0.0000425499],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4232287,0.0003573449,0.000654881,0.01374575,0.0002141648,0.0001887822,0.00001272395,0.00005686854,0.5615408],"genre_scores_gemma":[0.984883,0.00005346101,0.00001542523,0.0003101,0.0001077823,0.000006947873,0.00000416018,0.00000290618,0.01461628],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9406531,"threshold_uncertainty_score":0.1587767,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4210786238","doi":"10.4000/hybrid.480","title":"Éditorial","year":2019,"lang":"fr","type":"article","venue":"Hybrid","topic":"Multiculturalism, Politics, Migration, Gender","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Computer science","authors":[{"name":"Anne Sédès","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09395157372259487,"gpt":0.3838754929211882,"spread":0.2899239191985933,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003246186,0.0001569873,0.0001814092,0.00002776493,0.0001902072,0.0001157015,0.0002406724,0.0001085214,0.006245409],"category_scores_gemma":[0.0001328995,0.0001573699,0.0001233099,0.00009462789,0.0004594936,0.0003609536,0.00004350504,0.0001633272,0.01243642],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0008391786,"about_ca_system_score_gemma":0.000541708,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007064688,"about_ca_topic_score_gemma":0.0006083507,"domain_scores_codex":[0.9982085,0.0002377549,0.0002419394,0.0002942519,0.0004828604,0.0005347501],"domain_scores_gemma":[0.9991589,0.0001113345,0.0001000219,0.0002562208,0.0001784853,0.000195022],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000009380385,0.0000952988,0.007946889,0.00004686005,0.0000503664,0.00001076047,0.02093197,0.00004731403,0.0002980583,0.1483191,0.8204512,0.001792846],"study_design_scores_gemma":[0.0003237562,0.00002739478,0.003151055,0.00002328819,0.00002563772,0.000004509327,0.002722109,0.0001832584,0.0006382876,0.0004208913,0.9922552,0.0002246629],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8141901,0.001115514,0.00002022434,0.01666158,0.09407308,0.0003922637,0.00007870828,0.00008155626,0.07338692],"genre_scores_gemma":[0.5093982,0.0001420956,0.0001483202,0.002790383,0.02331072,0.000004399249,0.00002819353,0.00001886275,0.4641588],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3907719,"threshold_uncertainty_score":0.9995474,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}