{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":72,"total_is_capped":false,"direct_labels_cover":1,"predictions_cover":72,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"194584a93149","filters":{"venue":"Images"}},"results":[{"id":"W2023179200","doi":"10.1163/187180008x408564","title":"Two Faces of Eve: Polemics and Controversies Viewed Through Pictorial Motifs","year":2008,"lang":"en","type":"article","venue":"Images","topic":"Historical and Linguistic Studies","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Trent University","keywords":"Heresy; Judaism; Allegiance; Period (music); Old Testament; Order (exchange); Kabbalah; Art; Philosophy; History; Paganism; Literature; Ancient history; Religious studies; Theology; Christianity; Law; Politics; Aesthetics; Political science","authors":[{"name":"Shulamit Laderman","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03394049806371958,"gpt":0.3262916823639586,"spread":0.292351184300239,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001386166,0.0003687712,0.000227521,0.002121865,0.00674207,0.008964931,0.0007661515,0.001515375,0.01275294],"category_scores_gemma":[0.003508746,0.0002430782,0.0001704681,0.001484997,0.01390027,0.004330618,0.003135833,0.002742101,0.0008256386],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001890712,"about_ca_system_score_gemma":0.0004560524,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00257436,"about_ca_topic_score_gemma":0.005015716,"domain_scores_codex":[0.9990232,0.0006400311,0.00001637343,0.00005861421,0.0001407309,0.0001210562],"domain_scores_gemma":[0.9990423,0.0006635498,0.0000656214,0.00009973134,0.00006895334,0.00005980751],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0000668421,0.00001593383,0.0004158452,0.00004855855,0.00000364278,0.000491044,0.1163236,0.0001095347,0.0005576687,0.8688241,0.006478287,0.006664981],"study_design_scores_gemma":[0.00001894422,0.00005330871,0.003340024,0.0005515277,0.00001798491,0.00100577,0.2277327,0.0009920869,0.001249645,0.09015634,0.6748476,0.00003396049],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1926129,0.001925714,0.005259774,0.01449327,0.0009427072,0.00003755526,0.0001167641,0.00009281755,0.7845185],"genre_scores_gemma":[0.9591849,0.0006142934,0.001006254,0.0004585315,0.0001915391,0.00003178028,0.00003229405,0.0001059968,0.03837445],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01275294,"threshold_uncertainty_score":0.04266286,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2016855330","doi":"10.1163/187180011x604625","title":"Imaginary Space meets Actual Space in Thirteenth-Century Cologne: Eliezer Ben Joel and the Eruv","year":2011,"lang":"en","type":"article","venue":"Images","topic":"Jewish and Middle Eastern Studies","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Judaism; Terminology; Quarter (Canadian coin); Space (punctuation); Jewish identity; History; Genealogy; Classics; Philosophy; Archaeology","authors":[{"name":"Micha J. Perry","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02153822720136381,"gpt":0.269695278718538,"spread":0.2481570515171742,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008528442,0.000271733,0.0001633682,0.0007768628,0.006852635,0.005408626,0.0004497482,0.001514329,0.007720429],"category_scores_gemma":[0.001127522,0.0001991964,0.00008336373,0.0006886894,0.02602411,0.002581968,0.00260208,0.002764613,0.0008113192],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01109925,"about_ca_system_score_gemma":0.002276848,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05663403,"about_ca_topic_score_gemma":0.1797535,"domain_scores_codex":[0.9993467,0.0003214573,0.00001398467,0.00005740275,0.00008885923,0.0001716505],"domain_scores_gemma":[0.9995229,0.0001917524,0.0000650145,0.00003782301,0.00008658674,0.00009578685],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001118766,0.00006592512,0.001990726,0.00008029565,0.000007753181,0.001045284,0.2954347,0.000131399,0.0005149379,0.6387532,0.04499806,0.01686593],"study_design_scores_gemma":[0.00001555261,0.00002135996,0.003775051,0.000285525,0.0000043533,0.0003947929,0.1230083,0.00008442678,0.0004729394,0.01225005,0.8596612,0.0000265245],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3155035,0.01862359,0.001402783,0.05267407,0.001601847,0.00003015784,0.0001348266,0.00008214679,0.6099471],"genre_scores_gemma":[0.9391903,0.001438206,0.0002433018,0.001324837,0.0001212609,0.00001181259,0.00001821933,0.0000426744,0.05760948],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.05663403,"threshold_uncertainty_score":0.1126088,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2002161369","doi":"10.1163/187180010x547639","title":"Idolatry and the Civil Covenant of Photography: On the Practice of Exhibiting Images of Suffering, Degradation, and Death","year":2010,"lang":"en","type":"article","venue":"Images","topic":"Memory, Trauma, and Commemoration","field":"Psychology","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Idolatry; Covenant; Voyeurism; Judaism; Conscience; Exhibition; Photography; Covert; Art; Aesthetics; Sociology; Visual arts; Law; Psychoanalysis; Psychology; Philosophy; Political science; Religious studies; Theology","authors":[{"name":"Roger I. Simon","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01753566953867578,"gpt":0.2976937113343775,"spread":0.2801580417957017,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007073766,0.000456592,0.0003826987,0.001696175,0.01691544,0.01085195,0.001332372,0.004244297,0.003334697],"category_scores_gemma":[0.01418978,0.0003993043,0.0002030834,0.001018934,0.07666136,0.005878788,0.0076139,0.005367734,0.0002598025],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004911825,"about_ca_system_score_gemma":0.002460741,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008863142,"about_ca_topic_score_gemma":0.02316229,"domain_scores_codex":[0.9938719,0.004931795,0.0001089861,0.0002633273,0.0003838712,0.0004401164],"domain_scores_gemma":[0.9883733,0.008980883,0.000913741,0.000787827,0.0005050295,0.0004392954],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00003270239,0.00003048009,0.001000908,0.00008383021,0.000005687795,0.000641498,0.7306532,0.00003111696,0.0003780909,0.2529699,0.006093077,0.008079406],"study_design_scores_gemma":[0.00001897797,0.00008997531,0.002724197,0.0008321893,0.00001766322,0.001404659,0.7490955,0.0001398651,0.00105862,0.03214691,0.2124275,0.00004392882],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5311401,0.01809571,0.004316166,0.1024836,0.001821568,0.0000657092,0.00004372507,0.00007525581,0.3419581],"genre_scores_gemma":[0.9889457,0.001802558,0.000458588,0.002525083,0.00029274,0.00001728566,0.000003630569,0.00002989493,0.005924532],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01691544,"threshold_uncertainty_score":0.03741008,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2736439096","doi":"","title":"Les règles de l’art, les lois du marché / Le marché des étoiles. Culture populaire et mondialisation, Peter S. Grant et Chris Wood, Montréal, Éditions du Boréal, 2004 / Cinéma et marché, Laurent Creton, Paris, Armand Colin, 1997","year":2005,"lang":"fr","type":"article","venue":"Images","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Pierre Barrette","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0244613425669361,"gpt":0.2697945910955099,"spread":0.2453332485285737,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009267,0.0007303419,0.0002274446,0.001423783,0.003566421,0.007169991,0.0004924609,0.001080551,0.01168997],"category_scores_gemma":[0.001562688,0.0003142132,0.0002505209,0.002023681,0.006316396,0.003617716,0.001152637,0.00164834,0.001847827],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006161985,"about_ca_system_score_gemma":0.004050285,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1468539,"about_ca_topic_score_gemma":0.2756919,"domain_scores_codex":[0.9994554,0.0002320756,0.00001550296,0.00004573448,0.0001484666,0.0001028459],"domain_scores_gemma":[0.9995394,0.0001335805,0.00005697604,0.0000464816,0.0001348954,0.00008874634],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005314641,0.00002129778,0.001528256,0.0002516868,0.000008745795,0.0001927315,0.02792035,0.0001974975,0.0005710503,0.3131993,0.5299368,0.1261192],"study_design_scores_gemma":[0.000003638585,0.000005200721,0.00446241,0.0001400999,0.000003141632,0.0001113118,0.008975794,0.00004979338,0.0001312107,0.008740815,0.9773705,0.000006087779],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"review","genre_scores_codex":[0.01365255,0.4325267,0.001593899,0.09621787,0.00276203,0.0000230563,0.0004504333,0.0001281186,0.4526453],"genre_scores_gemma":[0.4260836,0.1251172,0.002190806,0.003393705,0.002634334,0.00004644035,0.0002521322,0.0002857607,0.439996],"genre_candidate":"review","genre_consensus":null,"teacher_disagreement_score":0.1468539,"threshold_uncertainty_score":0.2919983,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2737877491","doi":"","title":"Le fantôme de l’opératrice, un film de Caroline Martel, couleurs + N&B, 66 min., Québec, 2004","year":2013,"lang":"fr","type":"article","venue":"Images","topic":"African history and culture studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Caroline Martel","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.007857984806965342,"gpt":0.2377412350257473,"spread":0.2298832502187819,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005443655,0.0004794837,0.0001593854,0.0005142069,0.008728362,0.002640765,0.0004918133,0.0009493405,0.01817364],"category_scores_gemma":[0.001381233,0.0002211554,0.0001518194,0.0006302734,0.00446297,0.001190071,0.000751644,0.00264699,0.001122212],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01774793,"about_ca_system_score_gemma":0.007416148,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.8757503,"about_ca_topic_score_gemma":0.9686852,"domain_scores_codex":[0.99977,0.00006306804,0.000003080547,0.00001804529,0.00007621916,0.00006950802],"domain_scores_gemma":[0.9996185,0.0001022682,0.00002217079,0.00001687422,0.0001150519,0.0001251529],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001309496,0.00002581557,0.002077666,0.0001106646,0.0000128535,0.0006434213,0.046645,0.0001583202,0.001478329,0.02859758,0.8898398,0.03027959],"study_design_scores_gemma":[0.000008188652,0.00001079119,0.0108276,0.0001033603,0.000003768018,0.0002071919,0.03048268,0.0000739177,0.0004533761,0.0005641988,0.957248,0.0000169929],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.14018,0.04407766,0.00145426,0.2426552,0.00859495,0.00008523193,0.002042824,0.0001757525,0.5607342],"genre_scores_gemma":[0.4565039,0.008092469,0.0009939715,0.009010405,0.0007468492,0.00002853839,0.0002651755,0.0002186049,0.5241401],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1242497,"threshold_uncertainty_score":0.2499628,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W12125044","doi":"10.1002/syn.10099","title":"Made in Québec : Le cinéma québécois, entre imitation et critique du modèle hollywoodien","year":2006,"lang":"en","type":"article","venue":"Images","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities; Mod; Psychology; Mathematics; Combinatorics","authors":[{"name":"Pierre Barrette","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04620682158509269,"gpt":0.2594662907372066,"spread":0.2132594691521139,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001583913,0.0009364014,0.0005936592,0.001268219,0.002405296,0.002574464,0.001270303,0.00168226,0.02115121],"category_scores_gemma":[0.001906824,0.0002379046,0.0007065076,0.0009971666,0.002632937,0.001686888,0.001132919,0.002681442,0.001849882],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01616236,"about_ca_system_score_gemma":0.01472504,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.7644979,"about_ca_topic_score_gemma":0.7808231,"domain_scores_codex":[0.999221,0.0002348298,0.0000170096,0.000141241,0.0002957721,0.00009015154],"domain_scores_gemma":[0.9993674,0.0001520911,0.00005025144,0.00008765451,0.0002245499,0.0001180488],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0006110466,0.0002797103,0.00901054,0.000604548,0.0002058982,0.003711181,0.002690067,0.01056862,0.01281123,0.5238324,0.1621802,0.2734945],"study_design_scores_gemma":[0.00007920527,0.0001353677,0.009870012,0.0006655098,0.00005979298,0.0009174809,0.001151022,0.00624573,0.002550936,0.0188056,0.9594358,0.00008353642],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1300014,0.1116589,0.0890605,0.1268854,0.01743304,0.0007779098,0.006722288,0.001655462,0.5158052],"genre_scores_gemma":[0.4763259,0.03930236,0.02239389,0.005111999,0.001205117,0.0005563597,0.001288859,0.0003979735,0.4534175],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.2355021,"threshold_uncertainty_score":0.4737779,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2201395438","doi":"","title":"Pour un cinéma léger et synchrone ! Invention d’un dispositif à l’Office national du film, à Montréal de Vincent Bouchard, Presses Universitaires du Septentrion, Paris, 2012, 284 pagesPour un cinéma léger et synchrone ! Invention d’un dispositif à l’Office national du film, à Montréal de Vincent Bouchard, Presses Universitaires du Septentrion, Paris, 2012, 284 pages","year":2014,"lang":"fr","type":"article","venue":"Images","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Robert Daudelin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01803859309410212,"gpt":0.228109137970971,"spread":0.2100705448768689,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001187045,0.0008251141,0.0003538162,0.001215494,0.00456074,0.008801282,0.0006412221,0.002380922,0.03552053],"category_scores_gemma":[0.002301888,0.0006198425,0.0002928997,0.001271877,0.003619422,0.008978349,0.002102322,0.003311437,0.005856242],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005325788,"about_ca_system_score_gemma":0.002150673,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0559061,"about_ca_topic_score_gemma":0.1036517,"domain_scores_codex":[0.999289,0.0002023138,0.00002405187,0.0001415362,0.0002633637,0.00007958786],"domain_scores_gemma":[0.999395,0.0002404852,0.00003602569,0.00004994142,0.0001684788,0.0001101572],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"qualitative","study_design_scores_codex":[0.00004328334,0.00002068736,0.0002159018,0.0002140915,0.000006733776,0.0001148278,0.005792212,0.00008498569,0.001056229,0.09293658,0.8161967,0.08331783],"study_design_scores_gemma":[0.000003695313,0.000005418224,0.0004676979,0.0001161691,0.000003343873,0.00006029385,0.001237381,0.00005639806,0.0002681617,0.001713246,0.9960601,0.00000800273],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.007312144,0.2980195,0.008100986,0.1503078,0.02113792,0.00008469217,0.0004111531,0.0006748122,0.5139511],"genre_scores_gemma":[0.08047362,0.1125384,0.006614145,0.007883756,0.007646258,0.00007834083,0.0002363143,0.0006317352,0.7838973],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9440939,"threshold_uncertainty_score":0.118828,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1029277826","doi":"","title":"La dérive des corps et des sentiments. Yellowknife de Rodrigue Jean Yellowknife de Rodrigue Jean","year":2002,"lang":"fr","type":"article","venue":"Images","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Geology","authors":[{"name":"André Roy","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02967572887085347,"gpt":0.2608569623837878,"spread":0.2311812335129343,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001542253,0.0009076677,0.0004424681,0.001181538,0.005629045,0.004337418,0.0005350895,0.002572264,0.008195988],"category_scores_gemma":[0.004238022,0.0003295222,0.0003310958,0.001026015,0.007789556,0.003598768,0.001172718,0.004327868,0.001057814],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007200738,"about_ca_system_score_gemma":0.00271819,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1130088,"about_ca_topic_score_gemma":0.1020303,"domain_scores_codex":[0.9986993,0.000826176,0.00001579495,0.0001373603,0.0002294204,0.00009187435],"domain_scores_gemma":[0.998715,0.0007790278,0.00008813467,0.00004519588,0.0002680533,0.0001045995],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005001478,0.00001298588,0.0004015501,0.0001696001,0.00001307929,0.0003704106,0.01551335,0.0001843374,0.0003053005,0.7376089,0.2234196,0.02195078],"study_design_scores_gemma":[0.000006839633,0.00000924768,0.0007830581,0.0002434705,0.000005605606,0.0002729444,0.00514536,0.0001460619,0.0002346966,0.04058054,0.9525538,0.00001841358],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.01040862,0.3485162,0.002520185,0.3208611,0.008253986,0.00001289555,0.0001308803,0.00006241263,0.3092338],"genre_scores_gemma":[0.506901,0.1458864,0.002303584,0.02397229,0.0106115,0.00003989539,0.0000809955,0.0002774851,0.3099268],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.1130088,"threshold_uncertainty_score":0.224702,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1460906127","doi":"","title":"Petites histoires de cinéma. La vie privée du cinéma de Denys Desjardins, Québec, 2011, 240 minutesLa vie privée du cinéma de Denys Desjardins, Québec, 2011, 240 minutes","year":2011,"lang":"fr","type":"article","venue":"Images","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Robert Daudelin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01721494236701164,"gpt":0.237709314444753,"spread":0.2204943720777414,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004422311,0.0005652601,0.0001941861,0.001429317,0.005450151,0.002343859,0.0005800358,0.0007986683,0.04711199],"category_scores_gemma":[0.00148079,0.000284194,0.0002011437,0.002336752,0.001034,0.000598545,0.0006642466,0.001088564,0.002655179],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02571242,"about_ca_system_score_gemma":0.01302187,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9730431,"about_ca_topic_score_gemma":0.9939675,"domain_scores_codex":[0.9997452,0.00004222107,0.000009536891,0.00003175679,0.0001090194,0.00006227279],"domain_scores_gemma":[0.9992219,0.0001137368,0.00004597312,0.00002011077,0.0004471932,0.000151135],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000771848,0.00002581437,0.004634912,0.0004313205,0.00001328598,0.0004232362,0.01653235,0.0001693803,0.001212554,0.003171669,0.9271687,0.04613959],"study_design_scores_gemma":[0.000004547409,0.000005427593,0.04341976,0.0001669778,0.000004974867,0.00009033384,0.008825746,0.00004776075,0.0001147188,0.00005203748,0.9472588,0.000008815769],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1204501,0.1919392,0.001374942,0.06521649,0.01805839,0.0003646947,0.04108987,0.0003291384,0.5611773],"genre_scores_gemma":[0.1631296,0.02363356,0.0006810264,0.00247561,0.001032763,0.00009962112,0.003340558,0.0001545072,0.8054528],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04711199,"threshold_uncertainty_score":0.1865575,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W301283036","doi":"","title":"DVD Québec court","year":2007,"lang":"fr","type":"article","venue":"Images","topic":"Social Sciences and Governance","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Dominique Dugas","is_ca":false},{"name":"Philippe Gajan","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02157269671456416,"gpt":0.3382841623295438,"spread":0.3167114656149796,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003971406,0.0008649852,0.0007252207,0.001617477,0.007282508,0.005326677,0.001035386,0.003236033,0.7250105],"category_scores_gemma":[0.001511592,0.0005261843,0.0007407999,0.001134514,0.0006168546,0.00078162,0.001162119,0.002992578,0.2187146],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01023944,"about_ca_system_score_gemma":0.006388275,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.6133657,"about_ca_topic_score_gemma":0.8713963,"domain_scores_codex":[0.9995481,0.00003397575,0.000008806316,0.00005785016,0.0001912205,0.0001599398],"domain_scores_gemma":[0.9994041,0.00006572434,0.00001353106,0.00004349573,0.0003153048,0.0001578182],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005293445,0.00002131712,0.0001788544,0.00002612107,0.000004130045,0.0001335504,0.00004253467,0.00008591478,0.0001596029,0.0040894,0.9816411,0.01356455],"study_design_scores_gemma":[0.00002105657,0.00001057678,0.001086075,0.000031587,0.000003162424,0.00004109985,0.00009781638,0.00009168672,0.0001120014,0.0005290461,0.9979685,0.000007376076],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.002098758,0.001555261,0.0001851246,0.005095223,0.003179026,0.0001532609,0.004514962,0.0002564716,0.9829618],"genre_scores_gemma":[0.001895685,0.000112352,0.00004784647,0.0003038032,0.00008559502,0.00001128052,0.0002748534,0.00005076931,0.9972177],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.7250105,"threshold_uncertainty_score":0.7778226,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1559876028","doi":"","title":"La candeur salvatrice d’un tendre révolté. Coteau Rouge d’André Forcier, Québec, 2011, 83 minutesCoteau Rouge d’André Forcier, Québec, 2011, 83 minutes","year":2011,"lang":"fr","type":"article","venue":"Images","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"ROUGE; Humanities; Art; Baton rouge; Computer science","authors":[{"name":"Marie-Claude Loiselle","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01854359206180651,"gpt":0.2240342070124214,"spread":0.2054906149506149,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001232525,0.001405396,0.0006823074,0.00101245,0.01267322,0.006484969,0.0009239294,0.003582455,0.1309913],"category_scores_gemma":[0.003381671,0.0007685353,0.0005557545,0.001500191,0.00227975,0.002554122,0.002254286,0.003954761,0.02138518],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.03789787,"about_ca_system_score_gemma":0.0306487,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9012941,"about_ca_topic_score_gemma":0.9739914,"domain_scores_codex":[0.9990402,0.0001493958,0.00002266718,0.0001097116,0.0003944766,0.0002836641],"domain_scores_gemma":[0.9984238,0.0001551151,0.00004382809,0.00005348347,0.0008376034,0.000486298],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000008042913,0.000002969236,0.00007446708,0.00001902542,0.000001005664,0.00002186032,0.0001700923,0.00001307513,0.00002078706,0.0008634421,0.9946826,0.004122649],"study_design_scores_gemma":[0.00000350355,0.000001662851,0.0006244544,0.00005213724,0.000001379025,0.00001686345,0.0005311794,0.000009771346,0.00001948302,0.0001284594,0.9986061,0.000004906576],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"review","genre_scores_codex":[0.003048051,0.2161279,0.0006867921,0.3060791,0.09795729,0.0001185594,0.003938285,0.0004366371,0.3716074],"genre_scores_gemma":[0.01369776,0.01868082,0.0003222774,0.008285488,0.003540539,0.0000459312,0.0004250645,0.0002015443,0.9548005],"genre_candidate":"review","genre_consensus":null,"teacher_disagreement_score":0.1309913,"threshold_uncertainty_score":0.4382097,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1489258794","doi":"","title":"Entre deux mondes. Roméo Onze d’Ivan Grbovic, Québec, 2011, 89 minutesRoméo Onze d’Ivan Grbovic, Québec, 2011, 89 minutes","year":2012,"lang":"fr","type":"article","venue":"Images","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"André Roy","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01368348970330386,"gpt":0.2218352857857885,"spread":0.2081517960824847,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009438687,0.001322895,0.00081957,0.001403643,0.009197691,0.006252753,0.001033172,0.003225569,0.3029598],"category_scores_gemma":[0.002884195,0.0006762968,0.0005460095,0.002657561,0.001675028,0.003386254,0.002407294,0.003527286,0.06876551],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02567801,"about_ca_system_score_gemma":0.01766427,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.7998605,"about_ca_topic_score_gemma":0.937047,"domain_scores_codex":[0.9992415,0.0001106172,0.00002547109,0.0001170938,0.0003176333,0.0001876644],"domain_scores_gemma":[0.9986433,0.000125634,0.0000423003,0.00005993496,0.0007784345,0.0003504182],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000009471623,0.0000034894,0.00004910503,0.00002508662,9.57342e-7,0.00001548921,0.00007948861,0.00001118887,0.00002183293,0.0007867404,0.993717,0.005280118],"study_design_scores_gemma":[0.00000296537,0.000001619903,0.0005660601,0.00006209473,0.000001144027,0.0000121257,0.0002382351,0.000008839224,0.00001774157,0.000157047,0.9989279,0.000004117997],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.00222502,0.2223209,0.0005925817,0.1735699,0.08644179,0.0001325742,0.008551188,0.0006573703,0.5055087],"genre_scores_gemma":[0.006004449,0.01319912,0.0001911635,0.005847771,0.002363896,0.00004033002,0.0008304719,0.0002237961,0.9712991],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3029598,"threshold_uncertainty_score":0.9942432,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W934535978","doi":"","title":"Ici Schizo-Canada : La convergence au temps des lock-out","year":2002,"lang":"fr","type":"article","venue":"Images","topic":"Social Sciences and Governance","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Convergence (economics); Domain (mathematical analysis); Sequence (biology)","authors":[{"name":"Yves Rousseau","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03543888275751755,"gpt":0.2834723280367522,"spread":0.2480334452792346,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00387439,0.0003812823,0.0005002717,0.001934901,0.01525277,0.01105378,0.00134531,0.002317791,0.02051689],"category_scores_gemma":[0.01320431,0.0002990932,0.0004052772,0.002963921,0.01036731,0.003841514,0.0047132,0.005640809,0.0009455087],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.08789777,"about_ca_system_score_gemma":0.1072216,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9629273,"about_ca_topic_score_gemma":0.9743409,"domain_scores_codex":[0.994927,0.0007696426,0.00007895056,0.0003641635,0.001443344,0.002416849],"domain_scores_gemma":[0.9912297,0.001454282,0.0005779295,0.0005343043,0.00313205,0.003071787],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0008086414,0.0001953101,0.05791351,0.0001685356,0.00007438036,0.0009053108,0.08735973,0.0007703904,0.001495954,0.6149999,0.07009584,0.1652125],"study_design_scores_gemma":[0.00009794276,0.00007653022,0.1392016,0.0004359403,0.00004787093,0.0002915296,0.1483143,0.0008675986,0.001338261,0.03197759,0.6772126,0.0001382692],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5733149,0.008506414,0.00325206,0.1077595,0.001221072,0.00009769205,0.001001186,0.0001801437,0.3046671],"genre_scores_gemma":[0.9521894,0.0008740234,0.000566342,0.001947885,0.00006820804,0.00002457277,0.0001013816,0.00008036764,0.04414776],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.08789777,"threshold_uncertainty_score":0.637746,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2805440425","doi":"","title":"La fille de Montréal de Jeanne Crépeau","year":2010,"lang":"fr","type":"article","venue":"Images","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Robert Daudelin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.00707869065479641,"gpt":0.2569635584051407,"spread":0.2498848677503443,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008810629,0.001500542,0.0006976124,0.002041352,0.005296463,0.005408452,0.0008196345,0.001660964,0.09049146],"category_scores_gemma":[0.002771415,0.0004109535,0.0004018366,0.002002445,0.002289922,0.001925636,0.001684212,0.002848212,0.007433156],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01423382,"about_ca_system_score_gemma":0.01013182,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.6172856,"about_ca_topic_score_gemma":0.67393,"domain_scores_codex":[0.9989008,0.0003431762,0.00002612434,0.0001740141,0.000363607,0.0001922708],"domain_scores_gemma":[0.9990008,0.0003350533,0.00006818409,0.0000654867,0.0003305522,0.000199788],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002406039,0.00009455572,0.001885155,0.0006297043,0.00006934714,0.00191138,0.008667555,0.0009365683,0.003266905,0.3018156,0.4587372,0.2217453],"study_design_scores_gemma":[0.000009267895,0.000006387207,0.002666163,0.000124938,0.000004609368,0.0002113735,0.0007709062,0.00007739854,0.0003199315,0.00133368,0.9944637,0.00001151791],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03732041,0.2143098,0.003149451,0.05156957,0.01050467,0.0001044836,0.00181126,0.000600204,0.6806301],"genre_scores_gemma":[0.134177,0.03614698,0.001825066,0.001415917,0.002391467,0.00006352597,0.0003652945,0.0003166774,0.823298],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.3827144,"threshold_uncertainty_score":0.7699366,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2625884618","doi":"","title":"La femme en noir / La Sarrasine de Paul Tana, Québec, 1992","year":2008,"lang":"fr","type":"article","venue":"Images","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Gérard Grugeau","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01299356832897785,"gpt":0.2337934128647624,"spread":0.2207998445357846,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007731985,0.0006968473,0.0003239849,0.001101468,0.01495584,0.003611292,0.0008064374,0.001904978,0.02445789],"category_scores_gemma":[0.00198958,0.0003326962,0.0002289413,0.001639416,0.00369698,0.001810511,0.001084932,0.003541662,0.001441514],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.04536,"about_ca_system_score_gemma":0.03819569,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9824751,"about_ca_topic_score_gemma":0.9946504,"domain_scores_codex":[0.999438,0.0001730776,0.00001477994,0.00007097641,0.0001141381,0.0001890656],"domain_scores_gemma":[0.9993481,0.0001517096,0.00004523424,0.00002105615,0.0003136978,0.0001201217],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001173907,0.00005854527,0.005592844,0.0002724734,0.00002084589,0.001104631,0.07606579,0.0001303208,0.0005274718,0.1137173,0.7264618,0.07593065],"study_design_scores_gemma":[0.00000591976,0.000007560348,0.01018646,0.0002122998,0.000007783729,0.0001462185,0.02168929,0.00002713772,0.0001925626,0.0008612645,0.9666482,0.00001537385],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.06296055,0.1939801,0.000720089,0.22881,0.007256641,0.00009096035,0.001937595,0.00008567144,0.5041584],"genre_scores_gemma":[0.2308658,0.02236779,0.0005071207,0.01073355,0.0004298385,0.00005030353,0.0002414597,0.00006933114,0.7347348],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.04536,"threshold_uncertainty_score":0.3291114,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2530281092","doi":"","title":"Conte de guerre. Les 4 soldats de Robert Morin, Québec, 2013, 87 minutesLes 4 soldats de Robert Morin, Québec, 2013, 87 minutes","year":2013,"lang":"fr","type":"article","venue":"Images","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Morin; Art; Humanities; Medicine","authors":[{"name":"Alexandre Fontaine Rousseau","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01403514091281834,"gpt":0.236127310169966,"spread":0.2220921692571477,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003405142,0.0006782053,0.0003304509,0.0005528429,0.01055143,0.002700492,0.0006328187,0.00183989,0.4080651],"category_scores_gemma":[0.001146734,0.0004038375,0.0002581713,0.0007571587,0.000925112,0.000910429,0.001143088,0.002022045,0.06803144],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01683122,"about_ca_system_score_gemma":0.0145233,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9364501,"about_ca_topic_score_gemma":0.9890774,"domain_scores_codex":[0.999689,0.00002126521,0.000005061876,0.00003325231,0.000115612,0.0001358816],"domain_scores_gemma":[0.9993836,0.00003001119,0.00001786228,0.00001371044,0.0002943585,0.0002603908],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001400102,0.000005806922,0.0003126085,0.00001592772,8.749818e-7,0.00004682543,0.0001920344,0.00001050192,0.00006040372,0.0004917323,0.9915252,0.007323926],"study_design_scores_gemma":[0.000004704728,0.000004402024,0.003745566,0.00004043925,0.000001302799,0.00003219931,0.0009765266,0.00001462349,0.00004293338,0.0000664045,0.995066,0.000004830337],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.008719144,0.02570465,0.0003602123,0.06472676,0.01441684,0.0001779669,0.00855659,0.0004005863,0.8769372],"genre_scores_gemma":[0.0096645,0.001670051,0.0001205846,0.001445538,0.0002191433,0.00001674007,0.000403801,0.00006237975,0.9863971],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.4080651,"threshold_uncertainty_score":0.8443233,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2737283890","doi":"","title":"L’oeil au-dessus du puits. Deux conversations avec Johan van der Keuken Robert Daudelin Éd. Les 400 coups cinéma, Montréal, 2006. 85 pages","year":2007,"lang":"fr","type":"article","venue":"Images","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Marie-Claude Loiselle","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01805708909804601,"gpt":0.2238918932684451,"spread":0.2058348041703991,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011679,0.0007933971,0.0004311007,0.001056732,0.003065085,0.005978519,0.0004673561,0.002080749,0.02726052],"category_scores_gemma":[0.005043401,0.000652199,0.0002761363,0.00104027,0.003196668,0.004304809,0.001119275,0.00281265,0.002978456],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005026436,"about_ca_system_score_gemma":0.002247659,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1112558,"about_ca_topic_score_gemma":0.1374546,"domain_scores_codex":[0.9991671,0.0003699963,0.00001931933,0.0001382718,0.0001985561,0.0001068242],"domain_scores_gemma":[0.9992255,0.0003726474,0.0000609898,0.00004298455,0.0001988317,0.00009902454],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001306676,0.00002247543,0.000768173,0.0002742864,0.00001910469,0.0002959611,0.008929933,0.0002357041,0.0006176424,0.1785602,0.705276,0.1048698],"study_design_scores_gemma":[0.000003544424,0.000004654985,0.001176454,0.0002177509,0.000003646047,0.0001763103,0.001828513,0.00008503204,0.0002233693,0.003682319,0.9925898,0.000008561338],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.01063962,0.5550464,0.002393799,0.1413104,0.01597529,0.00001622963,0.0005406889,0.0001309661,0.2739466],"genre_scores_gemma":[0.2836341,0.1913165,0.002597821,0.008229909,0.007937782,0.00003674734,0.0003252117,0.0004893328,0.5054327],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.1112558,"threshold_uncertainty_score":0.2212164,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W255855770","doi":"","title":"L’oeil au-dessus du puits. Deux conversations avec Johan van der Keuken Robert Daudelin Éd. Les 400 coups cinéma, Montréal, 2006. 85 pages L’oeil au-dessus du puits. Deux conversations avec Johan van der Keuken Robert Daudelin Éd. Les 400 coups cinéma, Montréal, 2006. 85 pages","year":2007,"lang":"fr","type":"article","venue":"Images","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Marie-Claude Loiselle","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01639031009594751,"gpt":0.2519370427058895,"spread":0.235546732609942,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00179528,0.001069859,0.0005287454,0.001406778,0.00769066,0.007775907,0.0008271844,0.002935163,0.04840547],"category_scores_gemma":[0.005697133,0.0007718057,0.0004048069,0.001628317,0.005602644,0.006607839,0.002162237,0.004956899,0.008497436],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01057709,"about_ca_system_score_gemma":0.004406844,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2052895,"about_ca_topic_score_gemma":0.327667,"domain_scores_codex":[0.998406,0.0007238452,0.00003804142,0.0001917304,0.0004338842,0.0002065831],"domain_scores_gemma":[0.9982747,0.0006600099,0.0001049451,0.00007246433,0.0005467316,0.0003411802],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003824482,0.00001067142,0.0001997539,0.0001055339,0.000005538014,0.0001113695,0.00774974,0.00003708094,0.000235915,0.02451178,0.9301353,0.03685902],"study_design_scores_gemma":[0.000002568594,0.000003650881,0.0006184545,0.0001991155,0.000002415019,0.00007364143,0.004181743,0.00001700341,0.00009214137,0.001611309,0.9931886,0.000009336706],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.003257127,0.5124416,0.001200087,0.2604391,0.02151689,0.00002129025,0.0002974716,0.0001325339,0.2006939],"genre_scores_gemma":[0.08624236,0.1788961,0.001368255,0.02011661,0.0114265,0.00005414857,0.0002353468,0.0004165572,0.7012442],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.2052895,"threshold_uncertainty_score":0.4081891,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W641238420","doi":"","title":"Confessions d’une jeunesse solitaire. Nuit #1 d’Anne Émond, Québec, 2011, 91 minutesNuit #1 d’Anne Émond, Québec, 2011, 91 minutes","year":2011,"lang":"fr","type":"article","venue":"Images","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Physics","authors":[{"name":"Bruno Dequen","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02720763905917879,"gpt":0.2414439549944599,"spread":0.2142363159352812,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008707893,0.0008435618,0.0005172956,0.0006518865,0.01488132,0.002884374,0.0008997379,0.004276639,0.05388826],"category_scores_gemma":[0.003786289,0.0005766115,0.0005073558,0.0008280725,0.002230105,0.001129235,0.001747778,0.005438233,0.006035931],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.03001974,"about_ca_system_score_gemma":0.02147429,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9352302,"about_ca_topic_score_gemma":0.9826009,"domain_scores_codex":[0.9991129,0.0002001692,0.00003030238,0.00006569773,0.0002784982,0.0003125404],"domain_scores_gemma":[0.9985822,0.0002521636,0.00009625128,0.00003456606,0.0006382212,0.0003965426],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002104285,0.00001093435,0.0006367457,0.00007108894,0.000004464606,0.0004846398,0.003909454,0.00002959305,0.00008931384,0.001203401,0.9869555,0.006583958],"study_design_scores_gemma":[0.000007446674,0.00000614102,0.005378254,0.0001715581,0.000002839271,0.000244375,0.007635244,0.00002445667,0.00006970028,0.0001069443,0.9863366,0.00001654856],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.02887811,0.1033608,0.0004185553,0.4646524,0.07127878,0.0002315778,0.007036122,0.0001990594,0.3239446],"genre_scores_gemma":[0.114731,0.02153387,0.000345483,0.04172512,0.004949681,0.0001501054,0.001143841,0.000169247,0.8152517],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.0647698,"threshold_uncertainty_score":0.2178095,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2264125650","doi":"","title":"La voix des sirènes. Le chant des Ondes de Caroline Martel, Québec, 2012, 95 minutesLe chant des Ondes de Caroline Martel, Québec, 2012, 95 minutes","year":2013,"lang":"fr","type":"article","venue":"Images","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Physics","authors":[{"name":"Robert Daudelin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01479223008700666,"gpt":0.2316422730781386,"spread":0.2168500429911319,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006238034,0.0009430848,0.0004652822,0.0007549853,0.007678051,0.003440941,0.0007704855,0.001892852,0.2726636],"category_scores_gemma":[0.002123724,0.0005263336,0.000416724,0.001114976,0.0008554232,0.00113554,0.001426697,0.002551027,0.05496706],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02092289,"about_ca_system_score_gemma":0.02223927,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9417198,"about_ca_topic_score_gemma":0.9887321,"domain_scores_codex":[0.9995232,0.00003813116,0.00001043114,0.00004717123,0.0002176803,0.0001633876],"domain_scores_gemma":[0.9987955,0.00004886465,0.00002791669,0.00002358586,0.0006344629,0.000469668],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000007408784,0.000003856632,0.0001225377,0.00001418849,6.317388e-7,0.0000173847,0.00007833886,0.00000885642,0.00002550164,0.0001861061,0.9943845,0.005150564],"study_design_scores_gemma":[0.000004923043,0.000003429112,0.002879848,0.00005134574,0.000001414876,0.00001627733,0.0006004446,0.000013377,0.00002443594,0.00005505879,0.9963436,0.000005917334],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.006859115,0.0786727,0.0005394502,0.1433625,0.07598712,0.0002978157,0.01788117,0.0007992941,0.6756009],"genre_scores_gemma":[0.007050376,0.004685767,0.0001978295,0.002476232,0.0007719003,0.0000351062,0.0009854031,0.00009035959,0.9837071],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.2726636,"threshold_uncertainty_score":0.9121507,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2544942345","doi":"","title":"« Le jazz, c’est une musique à part… ». Le roi du drum de Serge Giguère, Québec, 1991, 54 minutesLe roi du drum de Serge Giguère, Québec, 1991, 54 minutes","year":2011,"lang":"fr","type":"article","venue":"Images","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Drum; Art; Humanities; Engineering","authors":[{"name":"Marcel Jean","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01724604023896349,"gpt":0.2272371533553446,"spread":0.2099911131163811,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000966898,0.0008976776,0.0004453642,0.00108151,0.007428067,0.004391431,0.0007689749,0.001702406,0.08002264],"category_scores_gemma":[0.002960004,0.0005524692,0.0002786376,0.001891498,0.002074643,0.002215402,0.001138915,0.002643896,0.01650782],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02614259,"about_ca_system_score_gemma":0.02231934,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9088933,"about_ca_topic_score_gemma":0.9832544,"domain_scores_codex":[0.9993359,0.00009680464,0.00002605665,0.00007890234,0.000343348,0.0001188662],"domain_scores_gemma":[0.9986503,0.0001263484,0.00004143889,0.0000387906,0.0008537037,0.0002895226],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001316548,0.000003632892,0.0002727311,0.00005758906,0.000001964159,0.00002620531,0.0005214093,0.00001529547,0.000103271,0.001061764,0.98439,0.01353308],"study_design_scores_gemma":[0.000004140792,0.000003806656,0.005070246,0.0001207958,0.000001924373,0.00003261035,0.001201171,0.00001709653,0.00005343393,0.0001776883,0.9933108,0.000006361988],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.006614142,0.3281969,0.001197132,0.2080857,0.05732486,0.0001252862,0.005766881,0.0004245903,0.3922644],"genre_scores_gemma":[0.02527083,0.03072664,0.0005507483,0.006782606,0.002217618,0.00004000988,0.0008718293,0.0002358246,0.933304],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.09110671,"threshold_uncertainty_score":0.2677024,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2532336254","doi":"","title":"Tristesse, modèle social. Jo pour Jonathan de Maxime Giroux, Québec, 2010, 80 minutesJo pour Jonathan de Maxime Giroux, Québec, 2010, 80 minutes","year":2011,"lang":"fr","type":"article","venue":"Images","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Mod; Philosophy; Combinatorics; Mathematics","authors":[{"name":"André Roy","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08548873652862715,"gpt":0.2599056857253303,"spread":0.1744169491967031,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009938594,0.001693528,0.0009803408,0.001187198,0.001847694,0.003530514,0.001089122,0.001419849,0.552018],"category_scores_gemma":[0.004912689,0.0009218978,0.0009384786,0.002010162,0.0008122958,0.003027715,0.001133293,0.002034265,0.2163886],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007120248,"about_ca_system_score_gemma":0.00547481,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.5338183,"about_ca_topic_score_gemma":0.7400533,"domain_scores_codex":[0.9996388,0.00008336139,0.00001662553,0.00006786093,0.0001585892,0.00003469285],"domain_scores_gemma":[0.9981426,0.0005906501,0.00003823613,0.0001237488,0.0008340814,0.0002707032],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001762227,0.000010909,0.0001287035,0.00005088552,0.000005419818,0.00002780744,0.0000611477,0.0002850887,0.0000995331,0.002382521,0.9740015,0.02292892],"study_design_scores_gemma":[0.00003090834,0.000008538343,0.001522056,0.000154755,0.00000673035,0.00004346981,0.0002258284,0.002077888,0.0001441252,0.003590876,0.9921771,0.00001770558],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.002803332,0.05233727,0.06033223,0.05630451,0.01389789,0.000276097,0.04237749,0.02564013,0.7460311],"genre_scores_gemma":[0.01608599,0.01618071,0.0151571,0.001987612,0.001383568,0.0002057798,0.01088301,0.007591936,0.9305242],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.552018,"threshold_uncertainty_score":0.9378543,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1502266404","doi":"","title":"Picture of Light de Peter Mettler, Canada, 1994, 83 minutesPicture of Light de Peter Mettler, Canada, 1994, 83 minutes","year":2012,"lang":"en","type":"article","venue":"Images","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Pierre Jutras","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01145573415013634,"gpt":0.1974465379685207,"spread":0.1859908038183843,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005745153,0.001329593,0.0007055834,0.001939316,0.004755586,0.004747092,0.001109183,0.002097726,0.6902798],"category_scores_gemma":[0.002292975,0.0006301515,0.0005269475,0.001746932,0.0005989733,0.001857872,0.001716918,0.002440671,0.3039126],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006970556,"about_ca_system_score_gemma":0.00754442,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.44241,"about_ca_topic_score_gemma":0.7619576,"domain_scores_codex":[0.9994404,0.00004013976,0.00001092904,0.00006145036,0.0002896331,0.0001573845],"domain_scores_gemma":[0.9979382,0.0001130197,0.00004452817,0.00006019619,0.001270687,0.0005734112],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00000969045,0.000003926929,0.00003247611,0.00002003763,5.94329e-7,0.00001386079,0.00001624125,0.00001539725,0.0000531177,0.0002417851,0.994594,0.004998738],"study_design_scores_gemma":[0.000003594448,0.000004235222,0.0004886548,0.00004284948,0.000001529537,0.00002210634,0.0001111205,0.00002392021,0.00003229033,0.00007856873,0.9991873,0.000003862788],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.001488749,0.0189039,0.0009164836,0.02767812,0.03073501,0.0003890637,0.01236832,0.001180394,0.90634],"genre_scores_gemma":[0.001658413,0.00197842,0.0002304855,0.0005698016,0.0008267369,0.00002572889,0.0008743277,0.0001487006,0.9936875],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.6902798,"threshold_uncertainty_score":0.8796697,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1591113238","doi":"","title":"La rumeur du sang. Rebelle de Kim Nguyen, Québec, 2011, 90 minutesRebelle de Kim Nguyen, Québec, 2011, 90 minutes","year":2012,"lang":"fr","type":"article","venue":"Images","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Gérard Grugeau","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0132656620921286,"gpt":0.2145487842607533,"spread":0.2012831221686247,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001005526,0.001032138,0.0005890252,0.0008286175,0.008105189,0.004055684,0.0008191554,0.0025794,0.1874509],"category_scores_gemma":[0.002641519,0.0005741997,0.0003943319,0.001496247,0.001534767,0.001851472,0.001754847,0.00358503,0.03417043],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02482587,"about_ca_system_score_gemma":0.01897992,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.8838932,"about_ca_topic_score_gemma":0.9646538,"domain_scores_codex":[0.9993408,0.0001211303,0.00002252082,0.000105024,0.0002370698,0.0001734094],"domain_scores_gemma":[0.9984145,0.00015008,0.00004472605,0.00005223965,0.00090249,0.0004358242],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000008884423,0.00000319545,0.0001181898,0.00002292362,0.000001312293,0.00003131576,0.0001815308,0.00001203784,0.00004995218,0.0005033314,0.9938841,0.005183037],"study_design_scores_gemma":[0.000002177879,0.00000174671,0.0009870084,0.00005901979,0.000001199133,0.00002236339,0.0005293955,0.00001063672,0.00002522049,0.00006077666,0.9982961,0.000004467583],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.003943747,0.2060928,0.0008471284,0.3206455,0.1493925,0.0001472262,0.007080497,0.0005597388,0.3112909],"genre_scores_gemma":[0.01375598,0.01920938,0.0002965625,0.01201159,0.004264975,0.00005009266,0.0008882975,0.0002357989,0.9492874],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.1874509,"threshold_uncertainty_score":0.6270857,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1570986417","doi":"","title":"Moving the Sleeping Images of Things Towards The Light, de Daïchi Saïto, traduit de l’anglais par Patrick Poulin, Les éditions Le laps, Montréal, 2013, 88 pagesMoving the Sleeping Images of Things Towards The Light, de Daïchi Saïto, traduit de l’anglais par Patrick Poulin, Les éditions Le laps, Montréal, 2013, 88 pages","year":2014,"lang":"fr","type":"article","venue":"Images","topic":"Caribbean and African Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Charles-André Coderre","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01359308653134667,"gpt":0.206963933581683,"spread":0.1933708470503363,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008699106,0.00142674,0.0004853026,0.001462516,0.01501724,0.006115574,0.001114376,0.002492466,0.0245746],"category_scores_gemma":[0.001163513,0.0006026186,0.0003284987,0.002853081,0.005052998,0.004177738,0.002306018,0.004402532,0.003182913],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01542244,"about_ca_system_score_gemma":0.01354708,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.6259385,"about_ca_topic_score_gemma":0.8783201,"domain_scores_codex":[0.999602,0.000103817,0.0000154088,0.00004361372,0.0001194811,0.0001156967],"domain_scores_gemma":[0.9995006,0.0001138908,0.00004822812,0.00001954479,0.0001939958,0.0001236769],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004029889,0.00002471658,0.0006203874,0.0005483853,0.000007358399,0.000225039,0.04624864,0.00005871265,0.0005948257,0.0175133,0.8973417,0.03677656],"study_design_scores_gemma":[0.000004115693,0.00000510551,0.003690547,0.0004920359,0.000005552719,0.0001312078,0.02714321,0.00001549589,0.0001388292,0.0005877295,0.9677722,0.00001394785],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.01048489,0.5896995,0.000330678,0.1992633,0.01567765,0.00005681829,0.0007950031,0.00009700706,0.1835951],"genre_scores_gemma":[0.1004186,0.3345033,0.001309456,0.02715358,0.006370582,0.0001500906,0.000581581,0.000306545,0.5292062],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.6259385,"threshold_uncertainty_score":0.7525288,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1581802670","doi":"","title":"La part des anges. Le démantèlement de Sébastien Pilote, Québec, 2013, 111 minutesLe démantèlement de Sébastien Pilote, Québec, 2013, 111 minutes","year":2013,"lang":"fr","type":"article","venue":"Images","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Gérard Grugeau","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1240241555772425,"gpt":0.2795743867305151,"spread":0.1555502311532726,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008783219,0.0006994894,0.0004721921,0.0006561896,0.005173311,0.002798098,0.0006942195,0.001270453,0.2132923],"category_scores_gemma":[0.002500806,0.0004302028,0.0003371879,0.0009460111,0.0008672333,0.001045407,0.001411243,0.001700264,0.03772839],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01616343,"about_ca_system_score_gemma":0.02049587,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9104101,"about_ca_topic_score_gemma":0.977435,"domain_scores_codex":[0.9994047,0.00005212964,0.00001282509,0.00006808928,0.0002965894,0.0001656871],"domain_scores_gemma":[0.9979762,0.00008165839,0.00003452714,0.0000410565,0.001138778,0.0007278139],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002557355,0.00001284366,0.0004763319,0.00002386556,0.000001808558,0.00006351192,0.000193818,0.00004000645,0.0001535271,0.0002134155,0.9878709,0.01092441],"study_design_scores_gemma":[0.0000101206,0.00001396031,0.007194013,0.00005786972,0.000002199263,0.00003584184,0.00108127,0.0000542928,0.00009569973,0.00008175568,0.9913633,0.000009607956],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03032551,0.05074983,0.00260046,0.1321703,0.06689283,0.00068997,0.028832,0.001736784,0.6860023],"genre_scores_gemma":[0.01982746,0.003603868,0.0006071371,0.002706615,0.0008503283,0.00007205319,0.002558211,0.0002517039,0.9695227],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.2132923,"threshold_uncertainty_score":0.7135338,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2740296514","doi":"","title":"Au coeur de la nuit. Montréal La Blanche de Bachir BensaddekMontréal La Blanche de Bachir Bensaddek","year":2016,"lang":"fr","type":"article","venue":"Images","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Helen Faradji","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.004874236306886806,"gpt":0.2354884771963659,"spread":0.2306142408894791,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009058192,0.0008742998,0.0003949465,0.001254034,0.01745101,0.006372072,0.0008271915,0.002328292,0.1220582],"category_scores_gemma":[0.001983998,0.0006666537,0.000304568,0.001871843,0.003631909,0.001942572,0.002181303,0.003557594,0.007075344],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0660704,"about_ca_system_score_gemma":0.05032722,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9760275,"about_ca_topic_score_gemma":0.9926038,"domain_scores_codex":[0.9989691,0.0001471427,0.00001720544,0.0001421485,0.0003640066,0.0003604979],"domain_scores_gemma":[0.9990841,0.0001081251,0.00004258065,0.00003019529,0.0003951648,0.0003397781],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007232161,0.00002644233,0.001435199,0.0001429457,0.000008639643,0.0002827466,0.004900914,0.0001516165,0.0004355611,0.1129579,0.8154418,0.06414387],"study_design_scores_gemma":[0.000003701594,0.000003328895,0.002385476,0.00006461333,0.000002323824,0.00004585601,0.001579545,0.00002683459,0.0001367936,0.0007419306,0.9949974,0.00001230723],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01970741,0.1733139,0.0006261607,0.1974945,0.0155724,0.0000690678,0.001653533,0.0001977697,0.5913653],"genre_scores_gemma":[0.07508355,0.01445987,0.000469314,0.00233934,0.0005289714,0.00001294003,0.00014912,0.00008831168,0.9068685],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1220582,"threshold_uncertainty_score":0.4793766,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2196078538","doi":"","title":"Le 11 septembre à Laval. Que Dieu bénisse l’Amérique de Robert Morin Que Dieu bénisse l’Amérique de Robert Morin","year":2006,"lang":"fr","type":"article","venue":"Images","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Morin; Humanities; Philosophy; Art; Medicine","authors":[{"name":"Robert Daudelin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.006258241786921852,"gpt":0.2319502013542089,"spread":0.225691959567287,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007309243,0.0005282701,0.0003421589,0.0009166971,0.007569858,0.004820186,0.0005150437,0.002106337,0.07392377],"category_scores_gemma":[0.002932029,0.0003015665,0.0002888266,0.001137019,0.002410209,0.001941083,0.0009763574,0.004282234,0.008853257],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01925996,"about_ca_system_score_gemma":0.01129383,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.8133416,"about_ca_topic_score_gemma":0.9103615,"domain_scores_codex":[0.9990507,0.0001624527,0.00001593171,0.0001112515,0.0004484784,0.0002111382],"domain_scores_gemma":[0.9989293,0.0001500224,0.0000461493,0.00003627116,0.0006293372,0.0002088567],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"qualitative","study_design_scores_codex":[0.00005922463,0.00001054992,0.0008844938,0.00008834623,0.00001018185,0.0002359326,0.002754808,0.00003047053,0.0003147789,0.0661542,0.9027355,0.02672155],"study_design_scores_gemma":[0.000002349964,0.00000138941,0.0009478537,0.00004482526,0.00000124152,0.00007377331,0.000631584,0.000006454877,0.00005963546,0.0003623162,0.9978628,0.000005850144],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.007667776,0.1507406,0.0006179794,0.3238445,0.036683,0.00003609501,0.001359155,0.0001443603,0.4789065],"genre_scores_gemma":[0.05823798,0.02289543,0.0004458528,0.01112544,0.003330693,0.00001567966,0.0002190047,0.0001343891,0.9035956],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1866584,"threshold_uncertainty_score":0.3755153,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4238501410","doi":"10.1163/18718000-12340018","title":"R. Crumb, The Book of Genesis. New York: W. W. Norton & Company, 2009. 224 pp., $27.95. Aaron Freeman and Sharon Rosenzweig, The Comic Torah: Reimagining the Very Good Book. Teaneck, New Jersey: Ben Yehuda Press, 2010. 128 pp., $26.60. Tom Gauld, Goliath. Montreal, Quebec: Drawn & Quarterly, 2012. 96 pp., $19.95. Sheldon Mayer (story) and Joe Kubert and Nestor Redondo (art), The Bible. New York: DC Comics, 2012. 72 pp., $29.99.","year":2012,"lang":"en","type":"article","venue":"Images","topic":"Themes in Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Torah; Comics; Art; Sociology; Art history; Theology; Philosophy; Judaism; Literature","authors":[{"name":"Menachem Wecker","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02657147779305448,"gpt":0.2339639775493564,"spread":0.2073924997563019,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006542731,0.001405188,0.0007240605,0.001933446,0.001827245,0.003413629,0.001125937,0.001917221,0.1075035],"category_scores_gemma":[0.002318212,0.000956062,0.000580358,0.002050414,0.00152571,0.006803561,0.001444765,0.003310009,0.09498264],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002410149,"about_ca_system_score_gemma":0.003234802,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0200547,"about_ca_topic_score_gemma":0.06565734,"domain_scores_codex":[0.9992982,0.000110097,0.00006026748,0.0001248526,0.0003471221,0.00005944033],"domain_scores_gemma":[0.9993838,0.0001791578,0.0000708438,0.00006162087,0.0002256805,0.00007884362],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001286303,0.000008095545,0.0001085691,0.0002383398,0.000005064652,0.00007256208,0.0004807691,0.0000455604,0.0001357162,0.01298362,0.9208557,0.065053],"study_design_scores_gemma":[0.000001142654,0.000002806546,0.0001576486,0.0002259067,0.000002307633,0.0000815381,0.00011641,0.00001138029,0.00004516586,0.002221589,0.9971299,0.000004394841],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0008151888,0.5083203,0.00470399,0.02734084,0.006429139,0.00008242507,0.002308578,0.0009600473,0.4490395],"genre_scores_gemma":[0.005945925,0.1736465,0.004884286,0.006302197,0.001146378,0.0001186024,0.001155282,0.000867294,0.8059335],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.9799453,"threshold_uncertainty_score":0.3596351,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W237834175","doi":"","title":"Les images savent de nous ce que nous ignorons d’elles. John Max, a Portrait de Michel Lamothe, Québec, 2010, 94 minutesJohn Max, a Portrait de Michel Lamothe, Québec, 2010, 94 minutes","year":2011,"lang":"fr","type":"article","venue":"Images","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Portrait; Humanities; Art; Art history","authors":[{"name":"Marie-Claude Loiselle","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02060861294218611,"gpt":0.2351067434527098,"spread":0.2144981305105237,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006984574,0.0008305839,0.0003038007,0.0009462527,0.01609302,0.007663426,0.0008391856,0.002360198,0.0640112],"category_scores_gemma":[0.003103598,0.0004082034,0.0003562745,0.00137824,0.005899914,0.003875641,0.001955174,0.005139411,0.009862383],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.03230501,"about_ca_system_score_gemma":0.02327965,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.915963,"about_ca_topic_score_gemma":0.979512,"domain_scores_codex":[0.9990847,0.000124442,0.00001473121,0.00007494396,0.0004060487,0.0002950885],"domain_scores_gemma":[0.9987274,0.00009065252,0.00003899928,0.00006772707,0.0007395292,0.000335617],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002142371,0.000007271941,0.000401323,0.00004852672,0.000003659415,0.0001311938,0.005059018,0.00005139173,0.0002981787,0.03217651,0.9437219,0.01807966],"study_design_scores_gemma":[0.000001417074,0.000001398937,0.000594794,0.00003902321,0.000001685921,0.00004551988,0.002794456,0.00001263091,0.00007181773,0.0006084219,0.995822,0.000006884419],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.006634861,0.03431572,0.00190266,0.1417743,0.01841778,0.00007337489,0.001739351,0.0002871336,0.7948548],"genre_scores_gemma":[0.06231306,0.00962762,0.001137567,0.01236928,0.001272463,0.00004016775,0.0003433159,0.0002841016,0.9126125],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.08403701,"threshold_uncertainty_score":0.2343904,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W640461545","doi":"","title":"Québec, village global. La théorie du tout de Céline Baril La théorie du tout de Céline Baril","year":2009,"lang":"fr","type":"article","venue":"Images","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Line (geometry); Mathematics","authors":[{"name":"Gérard Grugeau","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.004421846710885059,"gpt":0.2340032214298267,"spread":0.2295813747189416,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007224174,0.0004022357,0.0003261368,0.003169834,0.01661724,0.006710242,0.001296554,0.001713813,0.04977915],"category_scores_gemma":[0.002654578,0.0003334987,0.0002244532,0.01004466,0.008589355,0.005135838,0.001466148,0.002498432,0.001277715],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.07321492,"about_ca_system_score_gemma":0.04248944,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9917793,"about_ca_topic_score_gemma":0.9956056,"domain_scores_codex":[0.999369,0.0001696152,0.00001471597,0.00007880478,0.0001528096,0.0002149655],"domain_scores_gemma":[0.9984156,0.000412444,0.000118709,0.00008523195,0.0006986684,0.0002694465],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002091905,0.00002288562,0.004338854,0.0001664082,0.00001199702,0.0001995747,0.03099144,0.0002505647,0.00005357891,0.7758404,0.1539432,0.03416027],"study_design_scores_gemma":[0.00002421735,0.000008826208,0.01977947,0.0008415764,0.00002797995,0.0001328154,0.09464896,0.0003716477,0.00007595837,0.06536219,0.8186926,0.00003385929],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.02894756,0.03059335,0.0009163025,0.09097082,0.0005845942,0.00004823417,0.001718955,0.00007690375,0.8461432],"genre_scores_gemma":[0.7499844,0.01565991,0.0007863602,0.003773448,0.0001271144,0.00007876771,0.0004362523,0.00006754408,0.2290863],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.07321492,"threshold_uncertainty_score":0.5312139,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W562850180","doi":"","title":"L’enfermement. Bestiaire de Denis Côté, Québec, 2012, 72 minutesBestiaire de Denis Côté, Québec, 2012, 72 minutes","year":2012,"lang":"fr","type":"article","venue":"Images","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Physics; Art","authors":[{"name":"Gérard Grugeau","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03354801665033174,"gpt":0.3542594889278001,"spread":0.3207114722774683,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003400795,0.0007088582,0.0003845926,0.0003753765,0.0053095,0.001615597,0.0006964135,0.002079068,0.2510388],"category_scores_gemma":[0.0008112055,0.0004793257,0.0004006875,0.0003933391,0.0006455707,0.0005704511,0.001006932,0.002546899,0.02566326],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01510666,"about_ca_system_score_gemma":0.01043639,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.8926799,"about_ca_topic_score_gemma":0.9782035,"domain_scores_codex":[0.9997212,0.000024703,0.000008396906,0.00004251769,0.00007949208,0.0001236702],"domain_scores_gemma":[0.9993293,0.00003162725,0.00002254338,0.00001030682,0.0002505439,0.0003557777],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002557468,0.0001103622,0.006919882,0.0001187525,0.00001953695,0.002179495,0.0007124341,0.0002235681,0.001021038,0.0006114154,0.9503322,0.03749553],"study_design_scores_gemma":[0.0000496325,0.00005895782,0.04651982,0.0001333363,0.000008750137,0.0004518703,0.001881896,0.0001407124,0.0002680208,0.00008580014,0.9503771,0.00002409386],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1116088,0.04494598,0.001558394,0.1531398,0.0346778,0.0008411161,0.02339157,0.001086415,0.62875],"genre_scores_gemma":[0.03763902,0.002573052,0.0003769844,0.002636627,0.000454062,0.00003712284,0.0007795513,0.00009784279,0.9554057],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.2510388,"threshold_uncertainty_score":0.8398084,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1792215952","doi":"","title":"Nocturne cairote. La nuit, elles dansent d’Isabelle Lavigne et Stéphane Thibault, Québec, 2011, 88 minutesLa nuit, elles dansent d’Isabelle Lavigne et Stéphane Thibault, Québec, 2011, 88 minutes","year":2011,"lang":"fr","type":"article","venue":"Images","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Robert Daudelin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04450529773460612,"gpt":0.2817556803589928,"spread":0.2372503826243867,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006728657,0.001404184,0.0006955867,0.0008863706,0.006222489,0.003388923,0.0009044562,0.002241455,0.4008479],"category_scores_gemma":[0.002533588,0.000574563,0.0004583033,0.00106277,0.000800899,0.001628842,0.001683093,0.002981885,0.1139521],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01104324,"about_ca_system_score_gemma":0.01029998,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.7148366,"about_ca_topic_score_gemma":0.9027582,"domain_scores_codex":[0.999458,0.00005664774,0.00001411462,0.00009251093,0.0002306094,0.0001480603],"domain_scores_gemma":[0.998276,0.0001074964,0.00005167619,0.00004889525,0.0009062283,0.0006097358],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002195747,0.000006153466,0.0001452469,0.00002895397,0.000001392649,0.00003217412,0.00007438331,0.00001558924,0.00005699975,0.000282137,0.9918472,0.007487818],"study_design_scores_gemma":[0.00000691788,0.000004464143,0.001696679,0.00003348909,0.000001200942,0.00001886746,0.0002576082,0.00001239898,0.00002696326,0.00003616285,0.9979002,0.000004941619],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.005543755,0.08939899,0.0008984777,0.1613409,0.127881,0.0003065795,0.01434458,0.001863675,0.598422],"genre_scores_gemma":[0.005403949,0.003803202,0.0001828546,0.002859312,0.001807294,0.0000469407,0.0005991135,0.0001792484,0.985118],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.4008479,"threshold_uncertainty_score":0.8546178,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2738337344","doi":"","title":"La dérive des corps et des sentiments / Yellowknife de Rodrigue Jean","year":2002,"lang":"fr","type":"article","venue":"Images","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Geology; Philosophy","authors":[{"name":"André Roy","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07160650516738189,"gpt":0.4055147452058304,"spread":0.3339082400384485,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001513223,0.001442448,0.0006535318,0.001134886,0.003081821,0.00463707,0.0005523386,0.002751306,0.007945027],"category_scores_gemma":[0.006160473,0.0003741778,0.0006502697,0.0005653648,0.008094729,0.004803115,0.00162967,0.006625416,0.001468075],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003155786,"about_ca_system_score_gemma":0.001203819,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02846409,"about_ca_topic_score_gemma":0.01742927,"domain_scores_codex":[0.9989452,0.0005794087,0.00002044988,0.0001302882,0.0002547003,0.00006997369],"domain_scores_gemma":[0.9989603,0.000662099,0.00006234532,0.00004296994,0.0001820164,0.00009033204],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001393374,0.00003220476,0.0005601262,0.0001831917,0.00005331949,0.001339034,0.01332218,0.00040369,0.00122477,0.8419777,0.1040814,0.03668304],"study_design_scores_gemma":[0.0000426642,0.00003089799,0.001779791,0.0001998231,0.00001750867,0.002345882,0.006593599,0.0007239014,0.001103035,0.09804986,0.889045,0.00006809025],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"commentary","genre_scores_codex":[0.04934558,0.1714491,0.01636316,0.3305508,0.02734192,0.00006362162,0.0004090232,0.0003491026,0.4041277],"genre_scores_gemma":[0.5595551,0.04967395,0.007776146,0.01392999,0.02369669,0.00008667747,0.0001046294,0.0007276853,0.3444491],"genre_candidate":"commentary","genre_consensus":null,"teacher_disagreement_score":0.9715359,"threshold_uncertainty_score":0.05659682,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2460185563","doi":"","title":"Le vent souffle où il veut. Une jeune fille de Catherine Martin, Québec, 2013, 85 minutesUne jeune fille de Catherine Martin, Québec, 2013, 85 minutes","year":2013,"lang":"fr","type":"article","venue":"Images","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Robert Daudelin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008240822081967924,"gpt":0.2161733419114607,"spread":0.2079325198294928,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000429806,0.0007530887,0.0004002093,0.0004782061,0.009487662,0.003963307,0.0006244102,0.002439391,0.275587],"category_scores_gemma":[0.002037028,0.0004505017,0.000346071,0.0007007315,0.001326334,0.001424174,0.001480103,0.002755018,0.03945412],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01777385,"about_ca_system_score_gemma":0.01502469,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9074305,"about_ca_topic_score_gemma":0.981025,"domain_scores_codex":[0.9996207,0.00003403214,0.000007919781,0.00004545781,0.0001583946,0.0001336278],"domain_scores_gemma":[0.9990091,0.00005436912,0.00002623971,0.00002937448,0.0004705334,0.0004103525],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001963849,0.000005186699,0.0002816664,0.00001997572,0.000001609732,0.0001162236,0.0002393232,0.00001890172,0.0001359977,0.0005533624,0.9909957,0.007612399],"study_design_scores_gemma":[0.000004576789,0.000003688259,0.00178721,0.00005537178,0.00000164823,0.00006263672,0.0008159794,0.00002279743,0.00006671256,0.00009406921,0.9970773,0.000008010926],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01002971,0.04603775,0.001232323,0.1581458,0.06765618,0.0002073421,0.007600291,0.001396682,0.7076939],"genre_scores_gemma":[0.0159901,0.00384961,0.0003749192,0.004190304,0.001232036,0.00002255736,0.0003947353,0.0002259733,0.9737197],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.275587,"threshold_uncertainty_score":0.9219303,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1498789492","doi":"","title":"Sébastien Pilote - Stéphane Lafleur. Dust Bowl Ha ! Ha ! de Sébastien Pilote, Québec, 2007. Le vendeur de Sébastien Pilote, Québec, 2011, 107 minutesDust Bowl Ha ! Ha ! de Sébastien Pilote, Québec, 2007Le vendeur de Sébastien Pilote, Québec, 2011, 107 minutes","year":2011,"lang":"fr","type":"article","venue":"Images","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Pierre Barrette","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1411712710620279,"gpt":0.2713994299874458,"spread":0.1302281589254179,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005406688,0.0008432532,0.0004369808,0.0005894585,0.004128142,0.00204575,0.0007569999,0.001577615,0.5884925],"category_scores_gemma":[0.001305217,0.0005027264,0.0002976649,0.0006396997,0.0006996428,0.001220213,0.001307607,0.001558118,0.1972764],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006274268,"about_ca_system_score_gemma":0.006226067,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.7394783,"about_ca_topic_score_gemma":0.9236113,"domain_scores_codex":[0.999661,0.00002381198,0.000006721041,0.00006213188,0.0001363667,0.0001100815],"domain_scores_gemma":[0.9985932,0.00007634408,0.00003223865,0.00003111325,0.0007619682,0.0005051835],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000382352,0.00001636095,0.0004833361,0.00002605962,0.000001692789,0.00007054844,0.0001294992,0.00002490545,0.0002812212,0.0001808396,0.9840805,0.0146668],"study_design_scores_gemma":[0.00001205071,0.00002098697,0.005288443,0.00005191006,0.000002164395,0.00005100113,0.000927421,0.00006190234,0.0001664616,0.00007226862,0.9933347,0.00001072603],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01301108,0.01975362,0.002555247,0.06405821,0.01497658,0.0005964167,0.01481824,0.003180667,0.86705],"genre_scores_gemma":[0.008464426,0.001354886,0.0003289243,0.001453183,0.000157392,0.00003773116,0.0007056734,0.0002511881,0.9872466],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.5884925,"threshold_uncertainty_score":0.5869654,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2808300128","doi":"","title":"Réinventer le film noir : Le cinéma des frères Coen & de Quentin Tarantino. Helen Faradji, Le Quartanier, Montréal, 2009, 256 pages","year":2010,"lang":"fr","type":"article","venue":"Images","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Pierre Barrette","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01507119326237225,"gpt":0.210008873574384,"spread":0.1949376803120117,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00103383,0.0007916428,0.000365041,0.001185136,0.001668168,0.004936833,0.0006349522,0.001621081,0.02284489],"category_scores_gemma":[0.00230898,0.0003416986,0.000187168,0.001137239,0.001567219,0.00470846,0.001252509,0.00177995,0.003374431],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002727526,"about_ca_system_score_gemma":0.001263858,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04297056,"about_ca_topic_score_gemma":0.1058982,"domain_scores_codex":[0.9997018,0.0001099687,0.000008213786,0.00004391245,0.00009114887,0.00004487871],"domain_scores_gemma":[0.9992132,0.0003223371,0.00005217117,0.00003098194,0.0002286273,0.0001526843],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002549947,0.00001193035,0.000256627,0.0001634879,0.000007374039,0.00007112035,0.001784687,0.00003868226,0.0001880869,0.01161348,0.9162858,0.06955329],"study_design_scores_gemma":[0.000004304865,0.000006573576,0.002110005,0.0005593959,0.000007513391,0.0002270747,0.002463436,0.00007666297,0.0001653006,0.001786492,0.992584,0.000009291772],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.003768397,0.7500729,0.0009702132,0.1348601,0.01814645,0.00002007432,0.0002595871,0.0001403539,0.09176199],"genre_scores_gemma":[0.09722465,0.457888,0.002423964,0.01340883,0.02422622,0.00003762606,0.0004449909,0.0003357347,0.4040099],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.04297056,"threshold_uncertainty_score":0.08544087,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2469473447","doi":"","title":"Se résigner au monde. Tout ce que tu possèdes de Bernard Émond, Québec, 2012, 92 minutesTout ce que tu possèdes de Bernard Émond, Québec, 2012, 92 minutes","year":2013,"lang":"fr","type":"article","venue":"Images","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Physics; Humanities; Philosophy","authors":[{"name":"Gérard Grugeau","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02323512914619668,"gpt":0.2582556373624275,"spread":0.2350205082162308,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006885704,0.001238662,0.0006709376,0.0008212892,0.006349893,0.004341349,0.0009210517,0.00255768,0.5503945],"category_scores_gemma":[0.003261375,0.0005563452,0.000573927,0.0009617414,0.001012207,0.002043712,0.002082001,0.00256678,0.3229628],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008802018,"about_ca_system_score_gemma":0.007961675,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.6107207,"about_ca_topic_score_gemma":0.8773595,"domain_scores_codex":[0.9994772,0.00006083227,0.00001213616,0.00006254472,0.0002322411,0.0001551005],"domain_scores_gemma":[0.9973055,0.0001082711,0.00006082844,0.00007988211,0.001351681,0.001093855],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000008526965,0.000004341633,0.0000760515,0.00001019456,6.173491e-7,0.00001805064,0.00004582953,0.000007788117,0.0000484392,0.0001016258,0.9948478,0.004830825],"study_design_scores_gemma":[0.000004833291,0.000004359465,0.001227878,0.00003156316,0.000001108926,0.00001998464,0.0003950747,0.00001816529,0.00003440706,0.00005260243,0.9982046,0.000005369173],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.003323931,0.02113484,0.001284418,0.1024464,0.06187322,0.0003570438,0.01040471,0.00302757,0.7961479],"genre_scores_gemma":[0.003552217,0.001627566,0.0002715387,0.003219648,0.00116901,0.00003955025,0.0007089797,0.0003772523,0.9890343],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.6107207,"threshold_uncertainty_score":0.7831437,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1041945733","doi":"","title":"Elle s’appelait Martine. Monsieur Lazhar de Philippe Falardeau, Québec, 2011, 93 minutesMonsieur Lazhar de Philippe Falardeau, Québec, 2011, 93 minutes","year":2011,"lang":"fr","type":"article","venue":"Images","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Sandra Dieujuste","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02014307340833596,"gpt":0.221823886064996,"spread":0.20168081265666,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001140892,0.0009903348,0.0006286453,0.0008063982,0.009765046,0.004519743,0.0009767383,0.003244824,0.2279673],"category_scores_gemma":[0.004690666,0.0004907039,0.0004291528,0.001274871,0.001345629,0.00208399,0.001750921,0.003402061,0.06535536],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01610179,"about_ca_system_score_gemma":0.01379055,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.8457295,"about_ca_topic_score_gemma":0.9452823,"domain_scores_codex":[0.9992107,0.0001012167,0.0000202641,0.0001199252,0.0003414402,0.0002064434],"domain_scores_gemma":[0.9977502,0.0002112485,0.00005495373,0.00007600536,0.001306017,0.0006015648],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000005780711,0.000002681766,0.00008619238,0.00001260568,7.933215e-7,0.00002351461,0.0001111501,0.00000976674,0.00002663406,0.0005148804,0.9953796,0.003826475],"study_design_scores_gemma":[0.000001715511,0.000001341071,0.000361942,0.00002562027,7.005443e-7,0.00001668238,0.0003039972,0.00001023951,0.00001963889,0.00006427098,0.9991893,0.000004567879],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.002815613,0.06184899,0.00150898,0.3161562,0.1126501,0.0002425667,0.005767145,0.001207143,0.4978031],"genre_scores_gemma":[0.00625576,0.004863876,0.000312014,0.01219401,0.002125231,0.00005042008,0.0003777127,0.0003120282,0.973509],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.2279673,"threshold_uncertainty_score":0.7626266,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1547295443","doi":"","title":"Les cercles du temps. The end of time de Peter Mettler, Canada, 2012, 114 minutesThe end of time de Peter Mettler, Canada, 2012, 114 minutes","year":2013,"lang":"fr","type":"article","venue":"Images","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Gérard Grugeau","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04316293694436021,"gpt":0.2332561662498637,"spread":0.1900932293055035,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008457119,0.001076333,0.0007388832,0.001088298,0.004800677,0.005950076,0.0008027477,0.001550784,0.3688223],"category_scores_gemma":[0.004394508,0.0005062502,0.0004175748,0.001463791,0.001234064,0.002284492,0.002521666,0.003214044,0.1727439],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01078965,"about_ca_system_score_gemma":0.0124519,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.5148434,"about_ca_topic_score_gemma":0.7559307,"domain_scores_codex":[0.999041,0.00008021518,0.00002267226,0.00009573164,0.0005355051,0.000224981],"domain_scores_gemma":[0.9971335,0.0001499789,0.00005881476,0.0000717514,0.001669863,0.0009161115],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000008808939,0.000001793489,0.00003755859,0.00001694926,4.862529e-7,0.00002112542,0.00005445365,0.00001550293,0.00004271805,0.0005796829,0.9925287,0.006692355],"study_design_scores_gemma":[0.000001308619,0.000001407613,0.0003180863,0.00004819162,3.970113e-7,0.00001835656,0.0001978753,0.00001073928,0.00002715851,0.0001065906,0.9992664,0.000003470042],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.00199912,0.05793796,0.001758661,0.09711718,0.08684712,0.0001857409,0.009832011,0.002173234,0.7421489],"genre_scores_gemma":[0.003831474,0.007840332,0.0004995292,0.002629741,0.001844792,0.00002890177,0.001258231,0.0005656977,0.9815012],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.4851566,"threshold_uncertainty_score":0.9760275,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1755281249","doi":"","title":"Enfance nue, enfants tus. Catimini de Nathalie Saint-Pierre, Québec, 2012, 111 minutesCatimini de Nathalie Saint-Pierre, Québec, 2012, 111 minutes","year":2013,"lang":"fr","type":"article","venue":"Images","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"SAINT; Humanities; Geography; Art; Art history","authors":[{"name":"Apolline Caron-Ottavi","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01350396426035232,"gpt":0.2633694279713839,"spread":0.2498654637110315,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005172648,0.0009435064,0.0004684058,0.0007035714,0.008181632,0.002185933,0.0006531996,0.001612125,0.219118],"category_scores_gemma":[0.001525106,0.0004049696,0.0002758108,0.001076102,0.0008871386,0.0009254928,0.001191079,0.002027921,0.03544632],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0227454,"about_ca_system_score_gemma":0.01686781,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.936534,"about_ca_topic_score_gemma":0.9876503,"domain_scores_codex":[0.9996209,0.00004573264,0.0000101249,0.00005101173,0.0001402372,0.0001318722],"domain_scores_gemma":[0.9991344,0.00006471759,0.00002500662,0.00001659834,0.0004622299,0.0002971076],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001262315,0.000004075026,0.000223547,0.00002757052,0.000001035654,0.00004233094,0.0001914478,0.00001357678,0.00004468263,0.0002983219,0.9932042,0.005936504],"study_design_scores_gemma":[0.000003349852,0.000003119807,0.003624915,0.00005566488,0.000001319249,0.00002734436,0.0007643057,0.00001304854,0.00003689744,0.00004219313,0.9954221,0.000005822321],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"commentary","genre_scores_codex":[0.008994709,0.1414671,0.0006083194,0.136655,0.06048984,0.0003256146,0.01706801,0.0007165163,0.6336749],"genre_scores_gemma":[0.01107515,0.008510048,0.000190109,0.002995368,0.0007853734,0.00004902376,0.0008568192,0.000106217,0.975432],"genre_candidate":"commentary","genre_consensus":null,"teacher_disagreement_score":0.219118,"threshold_uncertainty_score":0.7330229,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2206306217","doi":"","title":"Dictionnaire des films québécois par Marcel Jean, Montréal, Éditions Somme toute, 2014, 504 pagesDictionnaire des films québécois par Marcel Jean, Montréal, Éditions Somme toute, 2014, 504 pages","year":2015,"lang":"fr","type":"article","venue":"Images","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Robert Daudelin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02754419316825752,"gpt":0.2169227512113857,"spread":0.1893785580431281,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007670558,0.00186682,0.0007847385,0.008451647,0.005320345,0.00754058,0.001037132,0.001109723,0.1150849],"category_scores_gemma":[0.003114507,0.0006545912,0.0004980849,0.01124046,0.002057194,0.002220435,0.001193865,0.001828489,0.01416998],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02175603,"about_ca_system_score_gemma":0.02262636,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.8850383,"about_ca_topic_score_gemma":0.9270047,"domain_scores_codex":[0.9990037,0.00008387508,0.00004918813,0.0001204917,0.0006243855,0.0001183362],"domain_scores_gemma":[0.9984701,0.0001700252,0.0001125749,0.00007650265,0.0009914744,0.0001791843],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002761678,0.000009916314,0.0004324787,0.0002826969,0.00001083218,0.00008656288,0.001071385,0.0001080605,0.0005192728,0.005868619,0.9450405,0.04654211],"study_design_scores_gemma":[0.00000257021,0.000002044471,0.00308715,0.0001578734,0.000003582521,0.0000535021,0.0003768341,0.00001428474,0.0001057898,0.0001260111,0.9960626,0.000007753581],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"review","genre_scores_codex":[0.00820692,0.3545335,0.001353234,0.01917383,0.01687126,0.0001227918,0.03450189,0.0009161175,0.5643206],"genre_scores_gemma":[0.0300057,0.11111,0.002463653,0.001461889,0.002954619,0.0001046342,0.0117603,0.0008616284,0.8392775],"genre_candidate":"review","genre_consensus":null,"teacher_disagreement_score":0.1150849,"threshold_uncertainty_score":0.3849974,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W218360024","doi":"","title":"Une cosmogonie à l’écran d’épingles. Le grand ailleurs et le petit ici de Michèle Lemieux, Québec, 2011, 15 minutesLe grand ailleurs et le petit ici de Michèle Lemieux, Québec, 2011, 15 minutes","year":2012,"lang":"fr","type":"article","venue":"Images","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Marco de Blois","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03077721031181089,"gpt":0.2658452081543239,"spread":0.2350679978425131,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006702764,0.0006436261,0.0003403701,0.0006583124,0.007865134,0.004251339,0.0005137111,0.001440688,0.06531459],"category_scores_gemma":[0.001725182,0.000363311,0.0003521065,0.000974113,0.004583212,0.002522617,0.001275559,0.003756515,0.004659816],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.03035394,"about_ca_system_score_gemma":0.01484895,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.8947812,"about_ca_topic_score_gemma":0.9596506,"domain_scores_codex":[0.9995465,0.0001552534,0.00000738157,0.00005736125,0.0001216513,0.000111904],"domain_scores_gemma":[0.9993407,0.0001207035,0.00002370986,0.00004763176,0.0002508712,0.0002163959],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008466873,0.00002292034,0.0009043211,0.00009206889,0.0000116906,0.0002889156,0.005458226,0.0001640116,0.0006386866,0.07739796,0.8886961,0.02624048],"study_design_scores_gemma":[0.000007889546,0.00000410437,0.003018156,0.00005157492,0.000001646118,0.00007348017,0.002445627,0.00005043831,0.00009461088,0.00141137,0.992829,0.000012069],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.02850081,0.06871933,0.006040109,0.2183398,0.01840767,0.000116456,0.004202857,0.0006220855,0.6550509],"genre_scores_gemma":[0.1748865,0.009722074,0.00238279,0.009732792,0.001719321,0.00006124685,0.000588636,0.0004314689,0.8004752],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1052188,"threshold_uncertainty_score":0.2202342,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2803451005","doi":"","title":"Trop c'est assez de Richard Brouillette, Couleur N&B, 111 minutes, Québec, 1995","year":2014,"lang":"fr","type":"article","venue":"Images","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Richard Brouillette","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1007004737433309,"gpt":0.2843039272552135,"spread":0.1836034535118826,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001410919,0.001067801,0.0007780908,0.001343488,0.01175213,0.006529487,0.001147104,0.004246885,0.1665602],"category_scores_gemma":[0.005123238,0.0006416836,0.0004827144,0.001878568,0.002134598,0.002640271,0.001453899,0.004234564,0.03395606],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0232295,"about_ca_system_score_gemma":0.02431178,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9202486,"about_ca_topic_score_gemma":0.9751799,"domain_scores_codex":[0.9984221,0.0001672608,0.00005713363,0.0002339373,0.0007244135,0.0003951812],"domain_scores_gemma":[0.9973346,0.0004426782,0.00007907378,0.00007354093,0.001513386,0.0005567981],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001737518,0.00000455388,0.0002532575,0.00002905571,0.00000266319,0.00004073507,0.0001608377,0.00004177193,0.00006134164,0.001447386,0.9910541,0.006886915],"study_design_scores_gemma":[0.000004811679,0.000002937735,0.001286031,0.00003710454,0.000002218547,0.00002072468,0.000549088,0.00002933285,0.00004926116,0.0001705746,0.9978389,0.000009149032],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.005981931,0.09944071,0.002278074,0.3698845,0.06437543,0.0002804443,0.005982732,0.0009858891,0.4507903],"genre_scores_gemma":[0.006925149,0.004682397,0.0003329865,0.01003314,0.001015409,0.00004295766,0.0002259658,0.0001682687,0.9765738],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1665602,"threshold_uncertainty_score":0.5571993,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2535128476","doi":"","title":"La vérité de Marc Bisaillon, Québec, 2011La vérité de Marc Bisaillon, Québec, 2011","year":2011,"lang":"fr","type":"article","venue":"Images","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Anne-Marie Auger","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03669507468324128,"gpt":0.3323519949826219,"spread":0.2956569202993806,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001746328,0.0008452607,0.0008740707,0.001044052,0.004933683,0.005402771,0.001204212,0.002393865,0.2014848],"category_scores_gemma":[0.005175245,0.0005361547,0.0004878827,0.001151704,0.001733582,0.002185443,0.001452679,0.004520157,0.02815417],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.03032516,"about_ca_system_score_gemma":0.03250917,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9123713,"about_ca_topic_score_gemma":0.951902,"domain_scores_codex":[0.9984021,0.0001618368,0.00006754854,0.0002619034,0.0008391898,0.0002674503],"domain_scores_gemma":[0.9944664,0.0005012928,0.0002149147,0.0002520489,0.003916522,0.0006488513],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006731518,0.00002637823,0.0008766365,0.0001377457,0.00001292221,0.0001715318,0.0002375619,0.0001567062,0.0005352569,0.006367697,0.9343838,0.05702637],"study_design_scores_gemma":[0.00001100284,0.0000066472,0.003968956,0.0001574628,0.000004622451,0.00009837234,0.0002409204,0.0001746511,0.0003100722,0.0003620024,0.9946504,0.00001484951],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01172565,0.1512991,0.0036197,0.2520496,0.04590175,0.0002297259,0.009062265,0.001057679,0.5250545],"genre_scores_gemma":[0.01882195,0.01248063,0.0010701,0.00502879,0.001096134,0.00004434983,0.0008796774,0.0001940399,0.9603842],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.2014848,"threshold_uncertainty_score":0.6740339,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2528589839","doi":"","title":"Chronique d’une année. Pourrons-nous vivre ensemble ? de Philippe Lesage, Québec, 2006, 80 minutesPourrons-nous vivre ensemble ? de Philippe Lesage, Québec, 2006, 80 minutes","year":2012,"lang":"fr","type":"article","venue":"Images","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Physics; Art","authors":[{"name":"André Roy","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01493664568972851,"gpt":0.2482494763211182,"spread":0.2333128306313897,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006995021,0.0009520248,0.0004148789,0.001360195,0.006637295,0.003295955,0.0006360899,0.001450841,0.2198528],"category_scores_gemma":[0.002846945,0.0004854667,0.0003324594,0.001962025,0.0009068435,0.001271511,0.001526477,0.003353053,0.05101385],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01547367,"about_ca_system_score_gemma":0.0138336,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.8523754,"about_ca_topic_score_gemma":0.9632836,"domain_scores_codex":[0.9994099,0.00005363574,0.00002219734,0.00006167375,0.0002736272,0.0001789617],"domain_scores_gemma":[0.9972135,0.00010898,0.00007182713,0.00005320439,0.00192735,0.0006251651],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002100515,0.000004410509,0.0001828479,0.00004149429,8.716171e-7,0.00003127228,0.0002257354,0.00001102471,0.00008836485,0.0003461401,0.9929882,0.006058661],"study_design_scores_gemma":[0.000002218953,0.000002796382,0.001765632,0.00005974374,5.849004e-7,0.0000154471,0.0003549049,0.000004636097,0.00002736066,0.0000261874,0.9977363,0.000004035694],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.006936776,0.08392691,0.001221018,0.143401,0.183325,0.0004795619,0.03991883,0.00112102,0.5396698],"genre_scores_gemma":[0.0181419,0.01580829,0.000554248,0.008272953,0.004302067,0.0001761528,0.004656055,0.0002879628,0.9478004],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.2198528,"threshold_uncertainty_score":0.7354808,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1756421621","doi":"","title":"La femme en noir. La Sarrasine de Paul Tana, Québec, 1992 La Sarrasine de Paul Tana, Québec, 1992","year":2008,"lang":"fr","type":"article","venue":"Images","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Gérard Grugeau","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01112465299200936,"gpt":0.2451302505800839,"spread":0.2340055975880745,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007646377,0.0006304979,0.0003833524,0.001115817,0.01213883,0.002516071,0.0008171164,0.001852135,0.03045491],"category_scores_gemma":[0.001716266,0.0005558684,0.0002088052,0.002306524,0.002309741,0.001481865,0.001053995,0.003497097,0.002366337],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0578923,"about_ca_system_score_gemma":0.06869029,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9948722,"about_ca_topic_score_gemma":0.9987459,"domain_scores_codex":[0.9994847,0.00007703541,0.00001825735,0.00006683639,0.0001595543,0.0001937278],"domain_scores_gemma":[0.9990387,0.00008486754,0.00004564118,0.00002105738,0.0005239571,0.000285823],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003045714,0.00002066667,0.004568417,0.00020707,0.000008821477,0.0002669673,0.0121906,0.00007908702,0.0001866765,0.01416795,0.9011245,0.06714873],"study_design_scores_gemma":[0.00000410245,0.000004975938,0.01810072,0.0002361701,0.000005825717,0.00008917351,0.006231085,0.00002227697,0.00005723729,0.0002686925,0.9749671,0.0000126644],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.02173214,0.4421462,0.0004434304,0.2710283,0.0125529,0.00009728489,0.003956771,0.00007881723,0.2479643],"genre_scores_gemma":[0.1174214,0.07955066,0.0007072916,0.01272414,0.0008724137,0.00006169004,0.0006706153,0.00005723047,0.7879345],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.0578923,"threshold_uncertainty_score":0.4200401,"prediction_status":"machine_predicted_unvalidated"},"labels":[{"model":"gemma","categories":[],"domain":null,"study_design":"not_applicable","genre":"empirical","about_ca_system":false,"about_ca_topic":true,"confidence":"low"},{"model":"gpt","categories":[],"domain":null,"study_design":"not_applicable","genre":"commentary","about_ca_system":false,"about_ca_topic":true,"confidence":"medium"}],"label_agreement":"agree"},{"id":"W2528419221","doi":"","title":"Chroniqueur de la vie quotidienne ou La petite musique de Jacques Leduc par Georges Privet, Montréal, La Coop Vidéo, 2013, 74 pages (plus un DVD de 37 minutes)Chroniqueur de la vie quotidienne ou La petite musique de Jacques Leduc par Georges Privet, Montréal, La Coop Vidéo, 2013, 74 pages (plus un DVD de 37 minutes)","year":2013,"lang":"fr","type":"article","venue":"Images","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Robert Daudelin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.00924238060107198,"gpt":0.2265255267665622,"spread":0.2172831461654902,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000502246,0.0007992774,0.0003151775,0.0009443132,0.004503343,0.003009362,0.0005512601,0.001321005,0.325509],"category_scores_gemma":[0.001504266,0.000303261,0.0004088748,0.0009385465,0.0007485424,0.001234028,0.001495886,0.002208055,0.049883],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007796802,"about_ca_system_score_gemma":0.005291396,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2656187,"about_ca_topic_score_gemma":0.6230017,"domain_scores_codex":[0.9996529,0.00005346088,0.000005145415,0.00004561301,0.0001339013,0.0001090236],"domain_scores_gemma":[0.9994802,0.00004935823,0.00001906962,0.00001905941,0.0001751187,0.0002572672],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004044412,0.000006256712,0.00008120911,0.00004155104,0.000001805473,0.00007312073,0.0002047782,0.0000317527,0.0003595243,0.001751505,0.9829351,0.01447294],"study_design_scores_gemma":[0.000005471969,0.000005898845,0.001145976,0.00004196975,7.587378e-7,0.00003830058,0.0002215838,0.0000138229,0.00009054787,0.0001134952,0.9983176,0.000004682177],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.005376509,0.02850449,0.00150147,0.03089563,0.02878672,0.0002179909,0.006369382,0.001348436,0.8969995],"genre_scores_gemma":[0.01878253,0.004315573,0.001235622,0.001723374,0.002283193,0.00007272878,0.001065965,0.0005959927,0.9699249],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.325509,"threshold_uncertainty_score":0.9620795,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W624832016","doi":"","title":"Les 200 films québécois qu’il faut avoir vus. 24 images, no. 156, 2012","year":2012,"lang":"fr","type":"article","venue":"Images","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Marcel Jean","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03330785916246642,"gpt":0.2429865695705381,"spread":0.2096787104080717,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004876614,0.0006601303,0.0002714011,0.00153817,0.003977595,0.002842018,0.000308679,0.001005406,0.05027332],"category_scores_gemma":[0.003265099,0.0003156824,0.0002956655,0.002290482,0.001154799,0.001375753,0.000490911,0.002218383,0.00185113],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006471288,"about_ca_system_score_gemma":0.002523198,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.6044894,"about_ca_topic_score_gemma":0.8082824,"domain_scores_codex":[0.9996085,0.0001129516,0.00001212827,0.00006201999,0.000134148,0.0000702727],"domain_scores_gemma":[0.9991959,0.0002753041,0.00005405659,0.00003520664,0.0002966454,0.0001429339],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005159602,0.0001243714,0.01295092,0.0006208998,0.0001250834,0.001902273,0.02823035,0.0004355802,0.004265378,0.03839113,0.741146,0.1712921],"study_design_scores_gemma":[0.00002156147,0.00002682394,0.05631674,0.0003089312,0.00002806649,0.000615983,0.009624299,0.0003036252,0.0008629354,0.0005679092,0.9312832,0.00003982267],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.3034342,0.04886662,0.001741895,0.02971985,0.006219089,0.0001317063,0.0152742,0.0004284061,0.594184],"genre_scores_gemma":[0.6521072,0.01391926,0.001948865,0.002309914,0.001607348,0.00007356119,0.003059823,0.0002373753,0.3247367],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3955106,"threshold_uncertainty_score":0.7956797,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2510653692","doi":"","title":"Un cinéma populaire. Françoise Durocher, waitress d’André Brassard, Québec, 1972, 29 minutes. Night Cap d’André Forcier, Québec, 1974, 36 minutesFrançoise Durocher, waitress d’André Brassard, Québec, 1972, 29 minutesNight Cap d’André Forcier, Québec, 1974, 36 minutes","year":2010,"lang":"fr","type":"article","venue":"Images","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Marcel Jean","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04084215641068459,"gpt":0.2578789263297193,"spread":0.2170367699190347,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004994551,0.001234964,0.0004069195,0.001128328,0.004787725,0.00297446,0.0006318255,0.001022863,0.3489183],"category_scores_gemma":[0.001503789,0.0006242007,0.0003082723,0.001033866,0.0008548497,0.001275767,0.001152112,0.001339291,0.07750927],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0105843,"about_ca_system_score_gemma":0.005681711,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.6971052,"about_ca_topic_score_gemma":0.9191841,"domain_scores_codex":[0.9997576,0.00003271543,0.000005625387,0.00003638227,0.00009581785,0.00007187823],"domain_scores_gemma":[0.9990439,0.00009095026,0.0000285184,0.00002901245,0.00054467,0.0002630526],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002435009,0.000008058261,0.0002934289,0.00005488776,0.000002070496,0.00006408858,0.0003314235,0.00004403211,0.0003710856,0.0005593887,0.9816001,0.01664709],"study_design_scores_gemma":[0.00000414619,0.000005354639,0.003562998,0.0001070677,0.000002267215,0.00005567565,0.0007476043,0.00004239791,0.0001083075,0.00006398542,0.9952937,0.000006480449],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.008390084,0.0931392,0.001982437,0.04355475,0.02502997,0.0003573718,0.01220972,0.001626798,0.8137097],"genre_scores_gemma":[0.01780601,0.01006273,0.0007197176,0.001424548,0.000913016,0.00005934978,0.001365309,0.0003669702,0.9672824],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3489183,"threshold_uncertainty_score":0.9286891,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}