{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":15,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":15,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"b35fc2dfc37e","filters":{"venue":"Inter : Art actuel"}},"results":[{"id":"W2263107575","doi":"","title":"Espaces transitoires / Mario Duchesneau, Dévier, le Lobe, Saguenay, 13 octobre au 13 novembre 2010","year":2011,"lang":"fr","type":"article","venue":"Inter : Art actuel","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities; Geography","authors":[{"name":"Guy Sioui Durand","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05169276940949905,"gpt":0.2471694361598362,"spread":0.1954766667503371,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009408492,0.001672071,0.0008259361,0.001403006,0.004393822,0.003095362,0.000906767,0.002236267,0.1324323],"category_scores_gemma":[0.001593191,0.0004300218,0.0008802011,0.001085949,0.0009478823,0.001549063,0.001756835,0.003154125,0.02173063],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004355679,"about_ca_system_score_gemma":0.002571708,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.07172279,"about_ca_topic_score_gemma":0.08706288,"domain_scores_codex":[0.999393,0.0001436311,0.00001938668,0.000170619,0.0001399715,0.0001332917],"domain_scores_gemma":[0.9995744,0.0001122676,0.00003797909,0.00003098329,0.0001389062,0.0001053921],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001209841,0.0002024354,0.00344317,0.000924195,0.00009040315,0.002256842,0.002135845,0.0005283931,0.003512241,0.02843527,0.8650856,0.09217571],"study_design_scores_gemma":[0.00001923323,0.00002533086,0.003550552,0.0001000889,0.000006069819,0.0001505043,0.0003592722,0.00005818405,0.0004987941,0.0002756369,0.9949474,0.00000885895],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.07297798,0.2702705,0.00317621,0.06665599,0.09479763,0.0003203462,0.01083804,0.001778618,0.4791847],"genre_scores_gemma":[0.05809954,0.02386072,0.000710389,0.001476989,0.006324527,0.00008969754,0.001158821,0.0003720779,0.9079072],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.9282772,"threshold_uncertainty_score":0.44303,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1871700767","doi":"","title":"RIAP 2014 : 30 ans d’art action à Québec","year":2015,"lang":"fr","type":"article","venue":"Inter : Art actuel","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Action (physics); Physics","authors":[{"name":"Mildred Durán Gamba","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09255627862157911,"gpt":0.3200191426687889,"spread":0.2274628640472098,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002349894,0.001172146,0.0009322336,0.00167587,0.006179763,0.005922804,0.001358178,0.003243817,0.1214552],"category_scores_gemma":[0.001714401,0.0007539155,0.001806457,0.001056722,0.00141242,0.0009976836,0.002009604,0.003745824,0.01115116],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.03794996,"about_ca_system_score_gemma":0.03886862,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9157301,"about_ca_topic_score_gemma":0.939201,"domain_scores_codex":[0.9982779,0.000190079,0.0000498562,0.0003044338,0.0005931065,0.0005845623],"domain_scores_gemma":[0.9988224,0.0001070344,0.00004412164,0.00007597783,0.0004421572,0.0005083266],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001794431,0.001153684,0.0275636,0.0006701503,0.0003676922,0.002671654,0.002439202,0.006879409,0.00954125,0.0581914,0.7003062,0.1884213],"study_design_scores_gemma":[0.0001274612,0.00009723972,0.05884382,0.0001589673,0.00002141897,0.0001107272,0.0004256477,0.0008820185,0.001063842,0.0006541432,0.9375681,0.00004676299],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.125475,0.01947356,0.009805755,0.02505498,0.01231213,0.001622563,0.03656059,0.002648063,0.7670475],"genre_scores_gemma":[0.08750103,0.001482414,0.002461331,0.001226425,0.000442468,0.0002775263,0.002998849,0.0002227807,0.9033871],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1214552,"threshold_uncertainty_score":0.4063082,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2741690519","doi":"","title":"Questions de temps / TraficART, Les formes du temps, Saguenay, 26 août au 30 octobre 2010","year":2011,"lang":"fr","type":"article","venue":"Inter : Art actuel","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Guy Sioui Durand","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1802535494944384,"gpt":0.2925094390118085,"spread":0.1122558895173701,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001644244,0.0003826828,0.0003343255,0.001084947,0.005654045,0.008053264,0.0005062071,0.00232824,0.01923072],"category_scores_gemma":[0.00413971,0.0003586966,0.0003534486,0.001330756,0.003292114,0.003331979,0.001538339,0.002978188,0.002024007],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01027021,"about_ca_system_score_gemma":0.003622195,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2299808,"about_ca_topic_score_gemma":0.4268317,"domain_scores_codex":[0.9993461,0.0001969403,0.00003241995,0.000125446,0.0001650354,0.000134082],"domain_scores_gemma":[0.9993427,0.0002116056,0.00007148855,0.00003231736,0.0002504858,0.0000913433],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001361864,0.0001107758,0.02554689,0.0006100553,0.00008021756,0.00160156,0.0803576,0.0008436782,0.003505783,0.2901486,0.4638065,0.1320264],"study_design_scores_gemma":[0.00001487379,0.00002206009,0.02165963,0.0002858023,0.000008859169,0.0001194342,0.01710079,0.00009036378,0.0003910715,0.00350493,0.9567786,0.00002359594],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.2352188,0.105655,0.002722061,0.1287126,0.01064622,0.0001041248,0.004521157,0.0003148033,0.5121052],"genre_scores_gemma":[0.443601,0.01961641,0.001455824,0.004132394,0.001440427,0.00007223801,0.0008278897,0.0003062894,0.5285476],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.7700192,"threshold_uncertainty_score":0.4572843,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2608568463","doi":"","title":"Pas à pas : la résistance / Résistance, Manif d’art 7 La biennale de Québec, 3 mai au 1er juin 2014","year":2014,"lang":"fr","type":"article","venue":"Inter : Art actuel","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Resistance (ecology); Biology","authors":[{"name":"Guy Sioui Durand","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009222404196633501,"gpt":0.2238858868626408,"spread":0.2146634826660073,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001346934,0.0004694504,0.0003294117,0.0009865777,0.02334812,0.008410198,0.0009875854,0.002884581,0.03315441],"category_scores_gemma":[0.002135836,0.0004016212,0.0003577071,0.001535166,0.008357766,0.001979651,0.002627168,0.006115178,0.001496656],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.07673807,"about_ca_system_score_gemma":0.08268186,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9901192,"about_ca_topic_score_gemma":0.9966394,"domain_scores_codex":[0.9982424,0.0003276724,0.00004442593,0.0001573712,0.0005050676,0.0007231691],"domain_scores_gemma":[0.9990901,0.000139647,0.00006495624,0.00004368415,0.0003401802,0.000321536],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001017748,0.0001028186,0.009127344,0.0002775013,0.00003931735,0.001556339,0.1184199,0.0003954729,0.001095087,0.2971527,0.486476,0.08525576],"study_design_scores_gemma":[0.000007662646,0.00001025423,0.01388293,0.0001530855,0.000006592411,0.0001344142,0.0222605,0.00007991844,0.0001354481,0.001407953,0.961894,0.00002724191],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1648527,0.04263881,0.001036391,0.2006309,0.00511434,0.0001199222,0.001575698,0.0001506969,0.5838806],"genre_scores_gemma":[0.3326881,0.004709251,0.0006548635,0.00598435,0.0002698781,0.00003469233,0.00017249,0.00008829585,0.6553981],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.07673807,"threshold_uncertainty_score":0.5567763,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2794692703","doi":"","title":"Édition d’une bible pour nains de jardin / DSM-V+, Dévidoir de syndromes magnifiques, Folie/Culture, Québec","year":2008,"lang":"fr","type":"article","venue":"Inter : Art actuel","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Philosophy; Art","authors":[{"name":"Jacqueline Bouchard","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04975252482264828,"gpt":0.3578072989748743,"spread":0.308054774152226,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004449757,0.0006391141,0.0007196293,0.003680876,0.004291903,0.002744211,0.001391434,0.001895138,0.007035913],"category_scores_gemma":[0.007241932,0.0004896324,0.0005516197,0.003345553,0.002730682,0.001043934,0.0009557328,0.003444248,0.001347922],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02611848,"about_ca_system_score_gemma":0.06258708,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9380968,"about_ca_topic_score_gemma":0.9635057,"domain_scores_codex":[0.9982343,0.000365345,0.0002840793,0.0001355206,0.0007736011,0.0002071646],"domain_scores_gemma":[0.9946432,0.0006621557,0.0002398442,0.000214148,0.003801425,0.0004392134],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006290185,0.00005044121,0.005931127,0.0005467231,0.00003896698,0.0005451604,0.004734855,0.0003455391,0.001709279,0.02968092,0.8238023,0.1325518],"study_design_scores_gemma":[0.00001493764,0.00001443588,0.03929195,0.0008206998,0.00001641403,0.0006121463,0.001170405,0.0001670405,0.0003149502,0.002234191,0.9552904,0.00005235857],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.04290905,0.2888517,0.01162521,0.2606507,0.08061975,0.000658344,0.03735623,0.000739386,0.2765897],"genre_scores_gemma":[0.2354098,0.1500695,0.05190406,0.05888796,0.007930516,0.001090784,0.02532938,0.001182498,0.4681954],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.06190318,"threshold_uncertainty_score":0.1895037,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2403117708","doi":"","title":"Habanart à Québec : Entre Berbila et Le Che. Habanart à Québec : art cubain actuel, La Chambre blanche/Le Lieu, centre en art actuel, Québec, 13 septembre au 7 octobre 2007","year":2008,"lang":"fr","type":"article","venue":"Inter : Art actuel","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Guy Sioui Durand","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01086001560139073,"gpt":0.2133873044675777,"spread":0.202527288866187,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004891498,0.0004471423,0.0002767758,0.0007978167,0.01286805,0.004736913,0.0008837024,0.001841705,0.05069507],"category_scores_gemma":[0.0006823253,0.0003209665,0.0002597782,0.002031944,0.002483279,0.001729882,0.001440168,0.002834266,0.001780401],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.06909244,"about_ca_system_score_gemma":0.05503036,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.995977,"about_ca_topic_score_gemma":0.9989717,"domain_scores_codex":[0.9996212,0.00005023151,0.000008300384,0.00005340935,0.0000965443,0.0001703248],"domain_scores_gemma":[0.9995943,0.0000312148,0.00002614644,0.00000973446,0.0001735262,0.0001651702],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001721098,0.0001243006,0.01470151,0.0004040151,0.0000465738,0.001470266,0.04845085,0.0003483296,0.001109407,0.04160048,0.7466559,0.1449162],"study_design_scores_gemma":[0.00001016935,0.00001056419,0.03763766,0.0002837406,0.00001096139,0.0001242538,0.02760381,0.00006915186,0.0001637372,0.0003430895,0.9337218,0.00002108677],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1351963,0.2376836,0.0009012908,0.1678689,0.006250789,0.0001397571,0.00433934,0.0002034513,0.4474167],"genre_scores_gemma":[0.3051734,0.02403822,0.0005459456,0.006951701,0.0002206617,0.00004430701,0.0004928811,0.00009863127,0.6624343],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.06909244,"threshold_uncertainty_score":0.5013031,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W178586432","doi":"","title":"Tranches radicales dans l’année d’art 2002 au Québec","year":2003,"lang":"fr","type":"article","venue":"Inter : Art actuel","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Computer science","authors":[{"name":"Guy Sioui Durand","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01644445125129968,"gpt":0.229988013485275,"spread":0.2135435622339754,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009515543,0.000385268,0.0003182531,0.001015544,0.02350776,0.005995835,0.0007790872,0.001931355,0.01763457],"category_scores_gemma":[0.002098692,0.0003526177,0.0003712415,0.001600727,0.005258263,0.001200985,0.001893778,0.005933108,0.0005188583],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.07986141,"about_ca_system_score_gemma":0.0585552,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9819236,"about_ca_topic_score_gemma":0.9956189,"domain_scores_codex":[0.9985564,0.0002227172,0.00002918412,0.0001302979,0.0003749737,0.0006864721],"domain_scores_gemma":[0.9991121,0.0002051719,0.00007276551,0.00003623219,0.0002981361,0.0002755899],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002525852,0.0001269538,0.01487513,0.0002267145,0.0000519145,0.002912556,0.1847892,0.001714104,0.002464889,0.5991718,0.09023199,0.1031823],"study_design_scores_gemma":[0.00001518442,0.00002674021,0.03892551,0.0001584637,0.00001122618,0.0002076476,0.03291593,0.0002476978,0.0004481529,0.001804625,0.9252033,0.00003556575],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4923871,0.008343044,0.00154765,0.03028085,0.001604617,0.0001027337,0.0005885263,0.00007668247,0.4650689],"genre_scores_gemma":[0.6640605,0.001715866,0.0004463862,0.001672556,0.0001069654,0.00002972327,0.00009426633,0.00004203334,0.3318317],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.07986141,"threshold_uncertainty_score":0.5794378,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2734425780","doi":"","title":"Text-Perplexed? et Hallaou! / Festival Voix d’Amériques, Montréal, 5 férier 2007","year":2007,"lang":"fr","type":"article","venue":"Inter : Art actuel","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Hélène Matte","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01184700812669842,"gpt":0.263007919919852,"spread":0.2511609117931535,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001528104,0.001028467,0.00039312,0.002356973,0.01296315,0.007796717,0.001470913,0.00150643,0.09379209],"category_scores_gemma":[0.002999348,0.0005469713,0.0004344099,0.002429056,0.003929703,0.00178633,0.002118637,0.00241627,0.006402953],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.030028,"about_ca_system_score_gemma":0.01960056,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9419766,"about_ca_topic_score_gemma":0.980805,"domain_scores_codex":[0.9988772,0.0001863434,0.00002079119,0.0001204582,0.0003258359,0.0004692878],"domain_scores_gemma":[0.9991031,0.000134704,0.00004300724,0.00005429055,0.0003172932,0.0003476546],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001710359,0.00004079338,0.003837893,0.0001368935,0.00002806077,0.0004052983,0.02394272,0.0001334111,0.0007897235,0.02967301,0.898721,0.04212005],"study_design_scores_gemma":[0.00002117807,0.00001054803,0.02917984,0.0001003256,0.000009617075,0.00008144967,0.02034127,0.00007210036,0.0003456044,0.001111707,0.9486946,0.00003177032],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1160878,0.03269204,0.002028459,0.1276426,0.01343545,0.0003050714,0.02332746,0.001507838,0.6829733],"genre_scores_gemma":[0.2519197,0.003428641,0.001068653,0.002461511,0.001130085,0.0001229991,0.002510163,0.0005410825,0.7368171],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.09379209,"threshold_uncertainty_score":0.3137658,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2612693655","doi":"","title":"Arte de Québec en la Habana . Arte de Québec en la Habana, La Havane, 03-2008","year":2009,"lang":"fr","type":"article","venue":"Inter : Art actuel","topic":"Cuban History and Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Nelsón Herrera Ysla","is_ca":false},{"name":"Richard Martel","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0107582463086062,"gpt":0.2663386506467985,"spread":0.2555804043381922,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002453257,0.0004716604,0.0002253607,0.001690686,0.004549732,0.001655926,0.0005351732,0.0005812687,0.02567074],"category_scores_gemma":[0.0003308765,0.0002355229,0.00024311,0.002988154,0.0007467257,0.0006132579,0.0005856828,0.001061613,0.001216648],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.04230598,"about_ca_system_score_gemma":0.02452127,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.9918316,"about_ca_topic_score_gemma":0.9981065,"domain_scores_codex":[0.9998722,0.00001404656,0.00000514974,0.00001684021,0.00004902568,0.00004280286],"domain_scores_gemma":[0.9998224,0.00001415323,0.00001595344,0.00000667318,0.0001121509,0.00002863757],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003354705,0.000125584,0.04547397,0.001102207,0.00009346379,0.00194672,0.01559252,0.001186398,0.003572231,0.05753617,0.5886768,0.2843587],"study_design_scores_gemma":[0.000009311952,0.000008901803,0.06968599,0.0001477655,0.00001631312,0.00009692585,0.002968822,0.0001159398,0.0003805024,0.0002493162,0.9263049,0.00001519683],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1994791,0.1047371,0.001723027,0.02188231,0.002586191,0.0002711728,0.04705939,0.0005844426,0.6216772],"genre_scores_gemma":[0.2703876,0.0190262,0.00246449,0.001007651,0.000114092,0.000105144,0.004738924,0.00009820873,0.7020578],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9918316,"threshold_uncertainty_score":0.3069528,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1167927775","doi":"","title":"RHWNT Québec-Wales","year":2005,"lang":"fr","type":"article","venue":"Inter : Art actuel","topic":"Data Analysis with R","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Environmental science","authors":[{"name":"Guy Sioui Durand","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02536108250594788,"gpt":0.2680151098543756,"spread":0.2426540273484277,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009196418,0.001517983,0.001268673,0.001477657,0.004163727,0.003792619,0.001824174,0.001342637,0.5941548],"category_scores_gemma":[0.003121852,0.0006983795,0.0008853109,0.002804597,0.00102399,0.001051256,0.001089982,0.001740454,0.1192417],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01246344,"about_ca_system_score_gemma":0.01843906,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.885874,"about_ca_topic_score_gemma":0.9580062,"domain_scores_codex":[0.9987904,0.0001664077,0.00004215373,0.0003744658,0.000370065,0.0002565129],"domain_scores_gemma":[0.9980894,0.000273032,0.00009186896,0.0002497571,0.0009941976,0.0003017989],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0009139074,0.0001437826,0.009609586,0.0009182274,0.0001927558,0.001191195,0.0004075945,0.002549902,0.003579743,0.02011687,0.5945796,0.3657968],"study_design_scores_gemma":[0.00009746715,0.00006272508,0.026853,0.0002342074,0.00004073584,0.0002673583,0.0003609788,0.001434935,0.00125859,0.001006718,0.9683409,0.0000423884],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.02399409,0.01052049,0.01037331,0.005968439,0.002345986,0.0005743358,0.09693044,0.00400112,0.8452919],"genre_scores_gemma":[0.01969051,0.0007411664,0.002345711,0.0003780284,0.00003107319,0.00008770245,0.005268919,0.0006846699,0.9707723],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.5941548,"threshold_uncertainty_score":0.578889,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2737054221","doi":"","title":"La présentation de l’art performance au Canada aujourd’hui / Performance Art Presentation in Canada Today","year":2013,"lang":"fr","type":"article","venue":"Inter : Art actuel","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Presentation (obstetrics); Art; Humanities; Medicine","authors":[{"name":"Stacey Ho","is_ca":false},{"name":"Randy Gledhill","is_ca":false},{"name":"Anne Bertrand","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01708386501586778,"gpt":0.2483864710795728,"spread":0.2313026060637051,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001076362,0.001062715,0.0006174092,0.001451557,0.01372804,0.009171624,0.0009975586,0.003006643,0.1056676],"category_scores_gemma":[0.002237981,0.0003278142,0.0006964463,0.001650307,0.002587514,0.0009900691,0.002172075,0.00465196,0.008579858],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.03835373,"about_ca_system_score_gemma":0.05318743,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9226573,"about_ca_topic_score_gemma":0.9666459,"domain_scores_codex":[0.9981336,0.00008879766,0.00003116937,0.0001112123,0.001045294,0.0005898888],"domain_scores_gemma":[0.9980141,0.00008098612,0.00003765428,0.00002673345,0.001171616,0.0006688901],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009363751,0.00003333937,0.0007538975,0.0001086308,0.00001545105,0.0007965312,0.001809858,0.0004989213,0.001253653,0.0163565,0.9580726,0.02020683],"study_design_scores_gemma":[0.000004181184,0.000007962076,0.001707959,0.00005707541,0.000003237458,0.00008101012,0.001530861,0.0001120788,0.0002980257,0.00024891,0.9959306,0.00001804642],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03794621,0.01931382,0.001635768,0.1576855,0.0962232,0.000151844,0.002395584,0.0005191721,0.6841289],"genre_scores_gemma":[0.07208749,0.003832655,0.0004975016,0.002666011,0.00365424,0.00002307019,0.0003508177,0.0002071351,0.9166812],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1056676,"threshold_uncertainty_score":0.3534933,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2732330574","doi":"","title":"In Situation : Local à squatter / Médium : marge, Situation [étape 1], Chicoutimi, 19 au 21 septembre 2007","year":2008,"lang":"fr","type":"article","venue":"Inter : Art actuel","topic":"Social Sciences and Governance","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Business","authors":[{"name":"Sonia Boudreau","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03003793609490519,"gpt":0.3000613027921196,"spread":0.2700233666972144,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004270982,0.0003489289,0.0002571967,0.0003864193,0.01367667,0.003443889,0.0007778639,0.003619578,0.04462597],"category_scores_gemma":[0.0008421696,0.0004330352,0.0001937225,0.0006171833,0.001612181,0.001644389,0.002171129,0.003613846,0.002625345],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005252596,"about_ca_system_score_gemma":0.004367535,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1856835,"about_ca_topic_score_gemma":0.5950599,"domain_scores_codex":[0.9996651,0.00007032898,0.00001482054,0.00005585025,0.00004415111,0.0001497764],"domain_scores_gemma":[0.9997922,0.00003544555,0.00002353685,0.000006309684,0.00003680706,0.0001057696],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0007509376,0.000222007,0.01619373,0.0009134126,0.0000441569,0.01699474,0.1214097,0.0006381806,0.004563278,0.09092896,0.6900662,0.05727462],"study_design_scores_gemma":[0.00002597398,0.0001052004,0.03233165,0.0003113721,0.00001345183,0.000829429,0.06602108,0.0001095129,0.000761864,0.001097519,0.898326,0.00006695109],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.3264425,0.01769855,0.00179414,0.06973911,0.01003698,0.0004091283,0.003449907,0.000290572,0.5701391],"genre_scores_gemma":[0.2992986,0.002917368,0.0009277909,0.00457728,0.0003921458,0.0002124345,0.0007028799,0.00008164431,0.6908899],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.8143165,"threshold_uncertainty_score":0.3692055,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2221323440","doi":"","title":"Québec – Le portail de tous les dangers : Le modèle des centres d’artistes à l’ère des valeurs néolibérales ?","year":2015,"lang":"fr","type":"article","venue":"Inter : Art actuel","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Geography; Art","authors":[{"name":"Guy Sioui Durand","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1038689121068177,"gpt":0.281066671365817,"spread":0.1771977592589992,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001434253,0.00053224,0.0003724992,0.001199427,0.006053702,0.01184327,0.001443308,0.002539602,0.01770207],"category_scores_gemma":[0.003052868,0.0002838062,0.0004354597,0.001722585,0.009326166,0.004407022,0.001844512,0.002308702,0.000783173],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.04899963,"about_ca_system_score_gemma":0.0375397,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9201839,"about_ca_topic_score_gemma":0.9465445,"domain_scores_codex":[0.9989499,0.0003741347,0.00001429044,0.0001122413,0.0002147516,0.0003347421],"domain_scores_gemma":[0.9984421,0.0003815937,0.000116128,0.0001501428,0.0005673745,0.0003426222],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004029258,0.00002026048,0.002552137,0.00002920638,0.00001253177,0.00009163612,0.003706725,0.002550252,0.0000996212,0.9717106,0.006925813,0.01226104],"study_design_scores_gemma":[0.00009301937,0.00006658163,0.02130848,0.000640915,0.00008865751,0.0002820772,0.02734156,0.02416413,0.0003793933,0.3682496,0.557263,0.0001225835],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1659617,0.007258866,0.01275298,0.08036962,0.0004283262,0.00006496112,0.0004708259,0.0001029423,0.7325898],"genre_scores_gemma":[0.9296262,0.001240492,0.001490963,0.0006957271,0.00003677519,0.00002477673,0.00004891502,0.00002586412,0.0668102],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0798161,"threshold_uncertainty_score":0.3555189,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2618580879","doi":"","title":"Secousses d’échelles / Manon Labrecque, Secousses, Le Lieu, Centre en art actuel, Québec, 12 avril-13 mai 2007","year":2007,"lang":"fr","type":"article","venue":"Inter : Art actuel","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Geography","authors":[{"name":"Guy Sioui Durand","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.00722307801770655,"gpt":0.2250821924573801,"spread":0.2178591144396735,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009365026,0.0005238635,0.0003523002,0.001208474,0.01330049,0.004951506,0.000848512,0.00135773,0.04362115],"category_scores_gemma":[0.001884039,0.0004290469,0.0003291947,0.002080725,0.002448006,0.001478694,0.001325755,0.003079592,0.001821285],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.05459445,"about_ca_system_score_gemma":0.0645383,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9868594,"about_ca_topic_score_gemma":0.995986,"domain_scores_codex":[0.9991684,0.0001175875,0.00002902287,0.0001021038,0.0002786564,0.0003042968],"domain_scores_gemma":[0.9990902,0.0001164495,0.00006162827,0.0000406935,0.0004499716,0.0002411586],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001919008,0.0001189122,0.01977337,0.000313669,0.00003313053,0.001108765,0.02526543,0.0005377397,0.0009194028,0.2229911,0.6011904,0.1275562],"study_design_scores_gemma":[0.00001002207,0.00001017406,0.03198573,0.0001379804,0.000005169083,0.0001308709,0.006581725,0.0001577268,0.0002939172,0.0009281636,0.9597393,0.00001922884],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1756579,0.08223154,0.001945983,0.09620648,0.00555222,0.0001823764,0.006523485,0.000401104,0.6312989],"genre_scores_gemma":[0.2048819,0.008556519,0.001156689,0.001715342,0.0002376873,0.0000407872,0.0007270242,0.000106764,0.7825773],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.05459445,"threshold_uncertainty_score":0.3961124,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2608999322","doi":"","title":"Du spectaculaire contre le spectacle : sculptures chaosmiques / Pierre Bourgault, Jenesaispasvraimentoujevaismaisjemenvais, Galerie Clark, Montréal, 19 janvier – 24 février 2012 / Mathieu Valade, Inquiétants miracles, Galerie des arts visuels de l’Université Laval, Québec, 12 février – 25 mars 2012 / David Neaud, Bleu/Suède/Drone, le Lieu, centre en art actuel, Québec, 17 février – 11 mars 2012 / Sonia Robertson et Sophie Kurtness, Natuapatakan (Quête), Galerie Séquence, Saguenay, 19 janvier – …","year":2012,"lang":"fr","type":"article","venue":"Inter : Art actuel","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Sculpture; Spectacle; Humanities; Art history; Political science","authors":[{"name":"Guy Sioui Durand","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03500896675374698,"gpt":0.2509480530445087,"spread":0.2159390862907618,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001217588,0.0006921979,0.0003877849,0.001373757,0.014838,0.009998687,0.0008574149,0.002314632,0.01360217],"category_scores_gemma":[0.002582282,0.0003567951,0.0002443644,0.001937748,0.01555814,0.00507519,0.003243602,0.003464963,0.001212996],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02365743,"about_ca_system_score_gemma":0.01230143,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.5642503,"about_ca_topic_score_gemma":0.8083814,"domain_scores_codex":[0.9990569,0.0003733019,0.00001635632,0.0001106247,0.0002414299,0.000201475],"domain_scores_gemma":[0.9992091,0.0002613713,0.0000520041,0.00005789036,0.0001998221,0.0002197286],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001039488,0.0000443618,0.002081233,0.0002589621,0.00002026935,0.000904238,0.2033072,0.0003464325,0.0008283407,0.4192588,0.3085308,0.0643153],"study_design_scores_gemma":[0.000007714446,0.000007320543,0.004731816,0.0002273051,0.000006607791,0.0002518701,0.06420967,0.0001262237,0.0002476835,0.007384802,0.9227813,0.00001756372],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.09225644,0.1290987,0.002238469,0.1946286,0.004885541,0.00004159157,0.0003297042,0.0001512352,0.5763697],"genre_scores_gemma":[0.6456115,0.02195306,0.0008884483,0.006003533,0.0008931534,0.00003615112,0.0000929075,0.0003106379,0.3242106],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.4357497,"threshold_uncertainty_score":0.8766317,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}