{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":4,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":4,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"530beccb064b","filters":{"venue":"International Journal of Scottish Theatre and Screen"}},"results":[{"id":"W1483970458","doi":"","title":"Jack, R.D.S. Myths and the Mythmaker: A Literary Account of J.M. Barrie’s Formative Years; Muñoz Corcuera, Alfonso & Elis T. Di Biase (ed) Barrie, Hook and Peter Pan: Studies in Contemporary Myth; Bold, Valentina & Andrew Nash (ed) Gateway to the Modern:","year":2014,"lang":"en","type":"article","venue":"International Journal of Scottish Theatre and Screen","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Mythology; Hook; Art; Formative assessment; History; Humanities; Art history; Classics; Sociology; Engineering","authors":[{"name":"David M. Clark","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02492955725361211,"gpt":0.2685934888821794,"spread":0.2436639316285673,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002726918,0.001051273,0.0004485898,0.001876711,0.005119363,0.005027939,0.001697822,0.003282513,0.004803638],"category_scores_gemma":[0.004259668,0.0005159936,0.0003262448,0.002287742,0.0150893,0.009578475,0.001997157,0.003699192,0.001469382],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003378956,"about_ca_system_score_gemma":0.003395302,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02086474,"about_ca_topic_score_gemma":0.04465156,"domain_scores_codex":[0.9987986,0.000744251,0.00004252499,0.0001033466,0.0002317822,0.00007943379],"domain_scores_gemma":[0.9973511,0.001790866,0.0001893854,0.00009247645,0.0003649099,0.0002112848],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004224471,0.00003583357,0.0002726672,0.0003829746,0.000006842487,0.0003635593,0.0629721,0.00007685299,0.0001896999,0.1781282,0.7200158,0.03751306],"study_design_scores_gemma":[0.00001155713,0.0000159258,0.001454581,0.0009551619,0.000005636711,0.0002888124,0.02325219,0.00005470709,0.0001313948,0.03216854,0.9416415,0.00001996071],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.004365878,0.6704857,0.002678588,0.1903711,0.007143097,0.00003678986,0.0001089258,0.00006129179,0.1247485],"genre_scores_gemma":[0.3031716,0.454457,0.005079268,0.03982989,0.008537873,0.0002995645,0.0001481831,0.0003611415,0.1881155],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.02086474,"threshold_uncertainty_score":0.04148662,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1843635682","doi":"","title":"From Drama to Silent Film: The Case of Sir James Barrie","year":2001,"lang":"en","type":"article","venue":"International Journal of Scottish Theatre and Screen","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Drama; Art; Literature","authors":[{"name":"R. D. S. Jack","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02273462600202803,"gpt":0.2595391728036506,"spread":0.2368045468016226,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003129553,0.0007861486,0.0006733173,0.001013056,0.04124499,0.01226375,0.00282078,0.01603328,0.01137223],"category_scores_gemma":[0.01330563,0.0007051441,0.0005399534,0.001000933,0.01637843,0.005422061,0.00789496,0.01888478,0.00154468],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004822917,"about_ca_system_score_gemma":0.003945082,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04728926,"about_ca_topic_score_gemma":0.1260314,"domain_scores_codex":[0.9969212,0.001513384,0.00005986499,0.0002584224,0.0004169272,0.0008301925],"domain_scores_gemma":[0.9949294,0.002591849,0.0002726464,0.0001612879,0.0003318911,0.001712875],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009499786,0.0001279969,0.001136405,0.0001684268,0.00002000067,0.04011723,0.7600185,0.0001562207,0.001046822,0.0402528,0.1432562,0.01360445],"study_design_scores_gemma":[0.00001317632,0.00005896784,0.001254229,0.0003706005,0.00001726726,0.0114161,0.5535557,0.0001072962,0.0003737724,0.003224212,0.4295413,0.00006745954],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.2795208,0.01112354,0.002800151,0.4170291,0.006266258,0.0001516388,0.0001364859,0.0002563941,0.2827157],"genre_scores_gemma":[0.8052087,0.003984484,0.001043541,0.06392471,0.001476754,0.0000881732,0.00003912438,0.0003382217,0.1238962],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04728926,"threshold_uncertainty_score":0.094028,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1890107181","doi":"","title":"Trainspotting in Montreal: The Dramatic Version","year":2000,"lang":"en","type":"article","venue":"International Journal of Scottish Theatre and Screen","topic":"Transport and Economic Policies","field":"Business, Management and Accounting","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Champlain Regional College","funders":"","keywords":"History","authors":[{"name":"Martin W Bowman","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009033698069406236,"gpt":0.206857488848682,"spread":0.1978237907792758,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000736277,0.0005008681,0.0001865476,0.0007375972,0.009029312,0.005446288,0.001157596,0.001851431,0.04567222],"category_scores_gemma":[0.002215874,0.0002125709,0.0002777938,0.001583396,0.003076134,0.001436933,0.001815531,0.002796854,0.001758323],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02503373,"about_ca_system_score_gemma":0.01523449,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9015903,"about_ca_topic_score_gemma":0.9721323,"domain_scores_codex":[0.9993544,0.00007535554,0.00001043915,0.00007548487,0.0001970616,0.0002872284],"domain_scores_gemma":[0.9994467,0.00005059802,0.00003245161,0.00003261832,0.0002096608,0.0002279745],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001152904,0.00002741929,0.00315201,0.0001277968,0.00002482516,0.001104925,0.0228212,0.0004391873,0.0007242745,0.04861031,0.8847351,0.03811763],"study_design_scores_gemma":[0.000005031691,0.00001093578,0.01181858,0.00004482927,0.000006099138,0.00006742641,0.009618091,0.00005379764,0.0001701282,0.0004841781,0.9776938,0.00002715801],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.09404143,0.008956697,0.001089029,0.1230954,0.01409725,0.00009273997,0.004700192,0.000523565,0.7534037],"genre_scores_gemma":[0.4188291,0.002545955,0.0004034452,0.008020761,0.002002641,0.00003442043,0.0008468685,0.0003131848,0.5670037],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.09840971,"threshold_uncertainty_score":0.1979785,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2802980560","doi":"","title":"Emerging adulthood and the Peter Pan Generation in Damion Dietz’s Neverland (2003)","year":2017,"lang":"en","type":"article","venue":"International Journal of Scottish Theatre and Screen","topic":"Media, Gender, and Advertising","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Postmodernism; Sociology; Order (exchange); Aesthetics; Adaptation (eye); History; Literature; Art; Psychology","authors":[{"name":"Alfonso Munoz-Corcuera","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02666736865203171,"gpt":0.3226719922019802,"spread":0.2960046235499484,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005652749,0.0002002285,0.0001559832,0.0003476213,0.006709381,0.002685864,0.0002552348,0.0009266253,0.003524403],"category_scores_gemma":[0.0007131409,0.0002097864,0.0001140836,0.0002683472,0.003916784,0.002643767,0.002783951,0.002381703,0.0003108416],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001321612,"about_ca_system_score_gemma":0.0007602532,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02250738,"about_ca_topic_score_gemma":0.06713753,"domain_scores_codex":[0.9997661,0.00009112935,0.000004500377,0.00002908264,0.00002953893,0.00007966915],"domain_scores_gemma":[0.99986,0.00004444359,0.00002206562,0.000008111499,0.000009257511,0.00005598076],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00006321458,0.00005836978,0.004108228,0.00003593809,0.000004628211,0.003355466,0.8636324,0.00001673263,0.0008244725,0.09240622,0.01364492,0.02184944],"study_design_scores_gemma":[0.00001333835,0.00008301538,0.01302527,0.0001690446,0.000006805212,0.003425126,0.5564001,0.00004664403,0.0005213674,0.006171268,0.4201111,0.00002692849],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8682418,0.003412459,0.0004033063,0.01974388,0.0004040166,0.00003122044,0.00006316996,0.00001956429,0.1076805],"genre_scores_gemma":[0.9636437,0.001240313,0.0001856563,0.001549478,0.00003126578,0.00001424582,0.00001439774,0.00002085626,0.03330011],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02250738,"threshold_uncertainty_score":0.04475272,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}