{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":3,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":3,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"265ab979ebda","filters":{"venue":"JAWS Journal of Arts Writing by Students"}},"results":[{"id":"W2412796783","doi":"10.1386/jaws.2.1.43_1","title":"Arcade fever: Economics, affect and interface design of the 1970s and 1980s video arcade","year":2016,"lang":"en","type":"article","venue":"JAWS Journal of Arts Writing by Students","topic":"Digital Games and Media","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Concordia University","funders":"","keywords":"Popularity; Affect (linguistics); Video game; Reading (process); Interface (matter); Computer science; Game design; Multimedia; Human–computer interaction; Psychology; Social psychology; Communication","authors":[{"name":"T. Pullen","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02328310426114604,"gpt":0.3127335412787829,"spread":0.2894504370176369,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001427492,0.0002578166,0.0001438862,0.001040708,0.001270676,0.004736324,0.0004295572,0.000530506,0.007857413],"category_scores_gemma":[0.004070176,0.0001719968,0.0001732502,0.000502552,0.005557593,0.00313253,0.001259065,0.0008312402,0.0002852698],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003951139,"about_ca_system_score_gemma":0.0006318459,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004248026,"about_ca_topic_score_gemma":0.00413012,"domain_scores_codex":[0.999091,0.0005540834,0.00002249716,0.00008701495,0.0001680619,0.0000773277],"domain_scores_gemma":[0.9985827,0.0009382314,0.0001194552,0.00008320982,0.0001721277,0.0001043016],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001593488,0.00005159034,0.005790292,0.0001343881,0.00001209818,0.0003375821,0.035116,0.001916719,0.001870652,0.894612,0.002702804,0.05729644],"study_design_scores_gemma":[0.00006467121,0.0003196069,0.05313681,0.0005057168,0.00004701342,0.001410613,0.09489433,0.02405581,0.003684848,0.4191499,0.4026391,0.00009169],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4441127,0.00253126,0.03733697,0.006877946,0.0001483663,0.00008543528,0.00006459913,0.0001180607,0.5087247],"genre_scores_gemma":[0.9873885,0.0004201948,0.001897217,0.0001120304,0.00002132048,0.00002366877,0.000007314168,0.00002784488,0.01010202],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.007857413,"threshold_uncertainty_score":0.02866763,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2977866269","doi":"10.1386/jaws_00002_1","title":"Interview with Jim Drobnick","year":2019,"lang":"en","type":"article","venue":"JAWS Journal of Arts Writing by Students","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Criticism; Section (typography); Sociology; Art; Computer science; Literature","authors":[{"name":"Jim Drobnick","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03908654564608498,"gpt":0.3173587776088367,"spread":0.2782722319627517,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006873429,0.001053743,0.001260989,0.00185335,0.007342121,0.007588261,0.001585654,0.01006772,0.04897139],"category_scores_gemma":[0.0391911,0.0008304308,0.000750664,0.0012484,0.002389051,0.007540198,0.004366139,0.02589763,0.02492104],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003805044,"about_ca_system_score_gemma":0.00526375,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004879456,"about_ca_topic_score_gemma":0.007957714,"domain_scores_codex":[0.9961223,0.001164358,0.0001778267,0.0005780563,0.001469559,0.0004877313],"domain_scores_gemma":[0.9822543,0.004219197,0.0009343956,0.000444999,0.005996577,0.006150428],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001208701,0.000009071379,0.00005178809,0.00002849718,0.000001166494,0.00008961894,0.0002843573,0.000006892196,0.00004007808,0.0002992599,0.996926,0.002251075],"study_design_scores_gemma":[0.00001188381,0.00001354269,0.0002436067,0.0001089649,0.000003617316,0.0002720531,0.001686624,0.00002116095,0.00005112399,0.0004454608,0.9971235,0.00001846851],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.0005402638,0.00621756,0.0002249229,0.8312917,0.1501064,0.0000533532,0.00015599,0.0001159143,0.01129383],"genre_scores_gemma":[0.006060227,0.004262374,0.0003310227,0.8099743,0.08967273,0.000212117,0.0001078123,0.0002680395,0.0891114],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.04897139,"threshold_uncertainty_score":0.1638256,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4410192799","doi":"10.1386/jaws_00055_1","title":"Vanishing: Freedom, erasure and transcendence in Black magical realist art","year":2023,"lang":"en","type":"article","venue":"JAWS Journal of Arts Writing by Students","topic":"Literature, Magical Realism, García Márquez","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Transcendence (philosophy); Erasure; Art; Philosophy; Epistemology; Computer science","authors":[{"name":"Canaan J. Brown","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03748345643689676,"gpt":0.2928075603019291,"spread":0.2553241038650323,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003826777,0.0004726555,0.0003108122,0.00142997,0.01108727,0.008809177,0.0007939258,0.001393146,0.004107978],"category_scores_gemma":[0.004041682,0.0002303626,0.0002572501,0.0007701505,0.05673905,0.007487215,0.007483215,0.003709131,0.0003031676],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003263383,"about_ca_system_score_gemma":0.001992292,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003337391,"about_ca_topic_score_gemma":0.006037504,"domain_scores_codex":[0.9981505,0.001099043,0.00003306236,0.000136271,0.0003223252,0.0002587667],"domain_scores_gemma":[0.9981268,0.001212182,0.0001466408,0.0002839214,0.00009622812,0.0001342196],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000324757,0.00001176156,0.0002469233,0.00005217025,0.00000293484,0.0002049351,0.1785027,0.0000944336,0.0004786013,0.8095096,0.001113604,0.009749771],"study_design_scores_gemma":[0.00002763362,0.00007415981,0.0009906002,0.0004758573,0.00002335889,0.0006404469,0.2146797,0.0007573807,0.00252262,0.508665,0.2710948,0.00004837088],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.304041,0.00530116,0.01522112,0.01763508,0.0005390418,0.0000392194,0.00001972993,0.00009893571,0.6571047],"genre_scores_gemma":[0.9847074,0.0005384203,0.001323633,0.0003562276,0.00004780529,0.00001335409,0.000003602703,0.00003684351,0.01297269],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01108727,"threshold_uncertainty_score":0.02367765,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}