{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":4,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":4,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"c3f5f3767cf0","filters":{"venue":"Journal for Artistic Research"}},"results":[{"id":"W2606343177","doi":"10.22501/jar.17834","title":"Mapping a Modern Diegesis: Terre des Hommes and Robert Altman's Quintet","year":2013,"lang":"en","type":"article","venue":"Journal for Artistic Research","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Spectacle; Meaning (existential); Architecture; Impromptu; Representation (politics); White (mutation); Space (punctuation); Art history; Set (abstract data type); Art; Aesthetics; Visual arts; History; Computer science; Philosophy; Epistemology; Linguistics; Politics; Political science","authors":[{"name":"Paul Landon","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1919516675493192,"gpt":0.3895823008614462,"spread":0.1976306333121271,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006053812,0.0004260328,0.0001745149,0.00132618,0.008516729,0.003714599,0.0007190984,0.0008372862,0.01392242],"category_scores_gemma":[0.00108313,0.0002163233,0.0001494929,0.00165505,0.006997361,0.002022164,0.002019132,0.001184768,0.0007370752],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007609667,"about_ca_system_score_gemma":0.002453756,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.533783,"about_ca_topic_score_gemma":0.7744324,"domain_scores_codex":[0.9996322,0.0001488273,0.000005271698,0.00005696481,0.00005928512,0.00009742125],"domain_scores_gemma":[0.9998389,0.00004620172,0.00001997714,0.0000197357,0.00003735918,0.00003776331],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009117024,0.00003347297,0.006381177,0.0002140978,0.00001654143,0.00240769,0.598889,0.0002894956,0.001483542,0.1612743,0.1138825,0.1150369],"study_design_scores_gemma":[0.000003616418,0.00002547079,0.01106617,0.0002032996,0.000007683364,0.0006333788,0.233323,0.00007348944,0.0002885642,0.003802662,0.7505499,0.00002284163],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3058483,0.02122874,0.004510572,0.02864228,0.001211293,0.0001207688,0.0008942097,0.0002884466,0.6372554],"genre_scores_gemma":[0.8547547,0.005397256,0.003111607,0.0008951768,0.0001555397,0.00005252258,0.0001971894,0.0001583223,0.1352777],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.533783,"threshold_uncertainty_score":0.9379253,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4382136371","doi":"10.22501/jar.1311963","title":"Story in motion: creative collaborations on Tłıchǫ lands","year":2023,"lang":"en","type":"article","venue":"Journal for Artistic Research","topic":"Oral History, Memory, Narrative Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Indigenous; Storytelling; Participatory action research; Animation; Exposition (narrative); Citizen journalism; Motion (physics); Traditional knowledge; Oral history; Sociology; Visual arts; Narrative; Anthropology; Media studies; World Wide Web; Art; Computer science; Ecology; Literature","authors":[{"name":"Adolfo Ruiz","is_ca":false},{"name":"Tony Rabesca","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.3088914948951531,"gpt":0.4396773562618394,"spread":0.1307858613666863,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003004484,0.0006439636,0.0004761722,0.001714821,0.02167961,0.008769193,0.001760618,0.001740779,0.008055016],"category_scores_gemma":[0.005053914,0.0003521775,0.0005219691,0.001857573,0.01805417,0.004114696,0.0114807,0.001906979,0.000622934],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007538485,"about_ca_system_score_gemma":0.006663885,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.08565956,"about_ca_topic_score_gemma":0.2331875,"domain_scores_codex":[0.9956216,0.00271556,0.00006905576,0.0003177401,0.0005999735,0.0006760515],"domain_scores_gemma":[0.9980088,0.001023496,0.0001172208,0.0001962571,0.0001513508,0.000503014],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003783858,0.00001792132,0.0006609436,0.00007204797,0.000009647095,0.001293708,0.9677547,0.0001476395,0.0008276491,0.01622319,0.003855903,0.009098716],"study_design_scores_gemma":[0.000008721505,0.00002099316,0.001470269,0.0001750016,0.00001196195,0.0007518337,0.7903839,0.0002301755,0.0005960508,0.002391839,0.2039375,0.0000217007],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7083149,0.002931861,0.01275196,0.00775647,0.0006400955,0.0003413898,0.0003217456,0.0002743743,0.2666671],"genre_scores_gemma":[0.95748,0.001110433,0.004734552,0.0003392318,0.00006913431,0.0001021833,0.0001191671,0.0001709352,0.03587423],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9143404,"threshold_uncertainty_score":0.1703219,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4313293819","doi":"10.22501/jar.1112127","title":"A Performative Response to Sites of Surveillance: The Gorilla Park Project","year":2022,"lang":"en","type":"article","venue":"Journal for Artistic Research","topic":"Innovative Human-Technology Interaction","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Performative utterance; Situated; Exposition (narrative); Foregrounding; Sociology; Architectural engineering; Neighbourhood (mathematics); Visual arts; Media studies; Archaeology; Geography; Aesthetics; Computer science; Engineering; Art","authors":[{"name":"Shauna Janssen","is_ca":false},{"name":"Katrina Jurjans","is_ca":false},{"name":"christian scott","is_ca":false},{"name":"Eduardo Perez Infante","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1547716147294876,"gpt":0.473320771545267,"spread":0.3185491568157794,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005497663,0.0006738616,0.0002816203,0.000882196,0.01266868,0.005202569,0.001536538,0.002497684,0.005911635],"category_scores_gemma":[0.007788975,0.0003369016,0.0003116796,0.0007150406,0.01891291,0.002787085,0.009249848,0.002906174,0.0006317132],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002586559,"about_ca_system_score_gemma":0.001784105,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0183342,"about_ca_topic_score_gemma":0.05471107,"domain_scores_codex":[0.9927085,0.005691746,0.00005763255,0.0004326581,0.0004992458,0.0006102274],"domain_scores_gemma":[0.9953773,0.002339592,0.0002586314,0.0006994475,0.0003698462,0.0009551584],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003246655,0.0003930208,0.0067035,0.000310698,0.00004412417,0.002070722,0.8367997,0.0007895302,0.005359208,0.0502459,0.04422011,0.05273893],"study_design_scores_gemma":[0.00004314663,0.0003114801,0.009447843,0.0001603682,0.00001967042,0.0007907584,0.6667824,0.0006289954,0.00175522,0.00476094,0.3152297,0.00006949617],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.8315639,0.001153191,0.009471675,0.0158398,0.0006032425,0.0003498599,0.0002956949,0.0003687739,0.1403539],"genre_scores_gemma":[0.9734124,0.0003784426,0.005329418,0.0009721041,0.00008261274,0.0002206758,0.0001528188,0.0001515842,0.01929992],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.0183342,"threshold_uncertainty_score":0.03645498,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7117451219","doi":"10.22501/jar.2794897","title":"Playing the Mountain","year":2025,"lang":"en","type":"article","venue":"Journal for Artistic Research","topic":"Martial Arts: Techniques, Psychology, and Education","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Martial arts; Embodied cognition; Exhibition; Citizen journalism; Performing arts; Balance (ability); The arts","authors":[{"name":"Serena Lee","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2301636792241258,"gpt":0.6074800416561306,"spread":0.3773163624320047,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008413951,0.0007202685,0.0002938479,0.0007366854,0.004770604,0.00435523,0.0009269838,0.001130591,0.08295799],"category_scores_gemma":[0.001451657,0.0002153626,0.0004588285,0.0005183828,0.002738297,0.003852416,0.003866604,0.001457683,0.01190272],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001084682,"about_ca_system_score_gemma":0.001327041,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004728522,"about_ca_topic_score_gemma":0.01401488,"domain_scores_codex":[0.9993137,0.0001934157,0.00002062365,0.0001439003,0.000165731,0.0001626284],"domain_scores_gemma":[0.9995819,0.00005859159,0.00001722174,0.00005070863,0.00006884053,0.0002226722],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004053117,0.0003521408,0.006170669,0.0009256286,0.00006096321,0.001568995,0.1679979,0.0003386944,0.0114767,0.1796822,0.3364196,0.2946013],"study_design_scores_gemma":[0.00001616605,0.0001904399,0.005016235,0.000246337,0.00001714671,0.0006745732,0.03078593,0.0002551255,0.0008839547,0.008023011,0.9538604,0.00003065473],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0742315,0.002632224,0.01075976,0.0089008,0.002095176,0.0003474061,0.0008309931,0.001046865,0.8991553],"genre_scores_gemma":[0.3807814,0.002712216,0.01568052,0.003218466,0.0006448742,0.0003549148,0.0009347545,0.0005040161,0.5951689],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.08295799,"threshold_uncertainty_score":0.2775221,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}