{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":23,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":23,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"b90ee7c08d85","filters":{"venue":"Journal for Eighteenth-Century Studies"}},"results":[{"id":"W1501726621","doi":"10.1111/j.1754-0208.2010.00324.x","title":"Sentient Genetics: Breeding the Animal Breeder as Fundamental Other","year":2010,"lang":"en","type":"article","venue":"Journal for Eighteenth-Century Studies","topic":"Historical Studies on Reproduction, Gender, Health, and Societal Changes","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Guelph","funders":"","keywords":"Innovator; Context (archaeology); Breeder (animal); Animal breeding; Subject (documents); Environmental ethics; Biology; Sociology; Political science; Genetics; Law; Philosophy; Computer science; Library science","authors":[{"name":"Anne C Milne","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1020947483797799,"gpt":0.3375817840820041,"spread":0.2354870357022243,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004368596,0.0002176884,0.0001801085,0.0006650111,0.004616084,0.003341724,0.0005424483,0.001623479,0.004314868],"category_scores_gemma":[0.002750331,0.0001065095,0.0001477294,0.0003600818,0.04687935,0.002471675,0.002331319,0.002652026,0.0003075228],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002604904,"about_ca_system_score_gemma":0.001563693,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002376195,"about_ca_topic_score_gemma":0.002384531,"domain_scores_codex":[0.9979965,0.001491823,0.00002310226,0.0001415525,0.0001926855,0.0001543026],"domain_scores_gemma":[0.9981723,0.001135624,0.0001730453,0.0001644578,0.0001447095,0.0002099321],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00002210308,0.00003008367,0.001159805,0.00003105231,0.000003637374,0.0002669769,0.1102302,0.0000606639,0.0007487904,0.8740988,0.003257418,0.01009044],"study_design_scores_gemma":[0.00002891358,0.0001513955,0.004779428,0.0002785801,0.00001654967,0.0008593843,0.1003952,0.000206361,0.0009075868,0.2248109,0.6675385,0.00002726659],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2580528,0.01466434,0.01099714,0.1270202,0.00137365,0.00002865394,0.00003743282,0.00008175135,0.5877441],"genre_scores_gemma":[0.9805906,0.001665042,0.001014614,0.003188146,0.0002023996,0.00001487263,0.000005922431,0.00002270702,0.01329578],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.004616084,"threshold_uncertainty_score":0.02310359,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2151431547","doi":"10.1111/j.1754-0208.2008.00036.x","title":"The Cambridge Edition of the Works of Jane Austen – General Editor Janet Todd  Persuasion – Edited by Janet Todd and Antje Blank","year":2008,"lang":"en","type":"article","venue":"Journal for Eighteenth-Century Studies","topic":"Irish and British Studies","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Bishop's University","funders":"","keywords":"Persuasion; Blank; Citation; Art history; Psychology; History; Library science; Computer science; Social psychology; Engineering","authors":[{"name":"Claire Grogan","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02015282700021004,"gpt":0.2929680503250825,"spread":0.2728152233248725,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002841437,0.001465215,0.001670488,0.004192735,0.002525402,0.007319458,0.001438898,0.002599209,0.04496992],"category_scores_gemma":[0.01068003,0.0006551608,0.0005134602,0.005331336,0.002181441,0.004663486,0.002136817,0.004477256,0.02316439],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004139783,"about_ca_system_score_gemma":0.005817438,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01940659,"about_ca_topic_score_gemma":0.04622671,"domain_scores_codex":[0.9968333,0.0007698934,0.000258655,0.000332068,0.001595231,0.0002108401],"domain_scores_gemma":[0.9944186,0.001646652,0.0003914572,0.0003906798,0.002614661,0.0005380756],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000006860903,0.000003362652,0.00001805223,0.0001170839,0.000002306102,0.000009089516,0.000182541,0.00001277425,0.00003515173,0.002697924,0.9848504,0.01206443],"study_design_scores_gemma":[9.41623e-7,0.000001509991,0.0001013411,0.0001468576,9.522502e-7,0.00001713059,0.0001120481,0.000004979143,0.00001530743,0.0004281348,0.9991679,0.000002932494],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.0004005447,0.4705372,0.0007400901,0.1157454,0.3146804,0.00003509068,0.0006169515,0.0001473212,0.09709705],"genre_scores_gemma":[0.008274692,0.2107077,0.0009338438,0.02551245,0.140466,0.00007624392,0.0008249671,0.0005850687,0.6126191],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.04496992,"threshold_uncertainty_score":0.1504394,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1818499324","doi":"10.1111/j.1754-0208.2011.00458.x","title":"Whig Ballads and the Past Passive Jacobite","year":2012,"lang":"en","type":"article","venue":"Journal for Eighteenth-Century Studies","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"","keywords":"Ballad; Obedience; Representation (politics); Literature; Identity (music); Politics; History; Art; Aesthetics; Law; Political science; Poetry","authors":[{"name":"Corrinne Harol","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04634822680531424,"gpt":0.2844588138519623,"spread":0.2381105870466481,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002418061,0.0002418659,0.0002335423,0.0009534154,0.01065968,0.005919161,0.0005884548,0.0008760819,0.004971681],"category_scores_gemma":[0.003817991,0.0001492182,0.00008453571,0.0009251676,0.02933904,0.002441198,0.003794421,0.002051447,0.0002489732],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005546107,"about_ca_system_score_gemma":0.001754428,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02452662,"about_ca_topic_score_gemma":0.03645723,"domain_scores_codex":[0.9979265,0.001138985,0.00003737801,0.0001512877,0.0003304739,0.0004153801],"domain_scores_gemma":[0.9987366,0.0005151849,0.0002043261,0.00011669,0.0002198674,0.0002073406],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001022946,0.00003001286,0.002460215,0.00003789385,0.000005907511,0.0005100943,0.610875,0.00006306281,0.0008245269,0.3731856,0.002476217,0.009429216],"study_design_scores_gemma":[0.00002787547,0.0001384634,0.007845634,0.0001772489,0.00001271217,0.0003880569,0.6882864,0.0002672571,0.001316994,0.04736567,0.254134,0.00003969131],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7776691,0.0008894223,0.001499653,0.006901277,0.0002345512,0.00001306975,0.00002134317,0.00004444161,0.2127271],"genre_scores_gemma":[0.9960735,0.00004091706,0.00002800944,0.00006945169,0.00001172239,8.34198e-7,0.000001866076,0.000005168868,0.003768438],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02452662,"threshold_uncertainty_score":0.04876775,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3186564062","doi":"10.1111/1754-0208.12767","title":"‘The Astronomic Muse’: Charles Burney and Astronomy","year":2021,"lang":"en","type":"article","venue":"Journal for Eighteenth-Century Studies","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University; McGill University Health Centre","funders":"","keywords":"Astronomer; Poetry; Amateur; Erasmus+; Friendship; Literature; Art history; Art; History; Philosophy; Sociology; Archaeology","authors":[{"name":"Elaine Bander","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04930524681987278,"gpt":0.2803534709171391,"spread":0.2310482240972663,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.002874946,0.0003580174,0.0003600387,0.001740704,0.01561461,0.00945718,0.001115328,0.002781156,0.005678784],"category_scores_gemma":[0.0076492,0.0003498788,0.0001152449,0.00138385,0.02466461,0.004873808,0.004373302,0.007754961,0.0007974918],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0077059,"about_ca_system_score_gemma":0.005518488,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04295927,"about_ca_topic_score_gemma":0.06359703,"domain_scores_codex":[0.9980133,0.001075621,0.00004978811,0.0001969543,0.0004048183,0.0002595783],"domain_scores_gemma":[0.9966594,0.001651007,0.0002117075,0.000137787,0.000414917,0.0009251739],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006376675,0.00002380947,0.0004945938,0.0001257515,0.00001142474,0.0005703989,0.08502377,0.00009662427,0.0003269421,0.3828362,0.5068241,0.02360277],"study_design_scores_gemma":[0.000004371389,0.000007084701,0.0005199455,0.0002313812,0.000002446162,0.0001795204,0.01233121,0.00002571201,0.00008670185,0.009804643,0.9767938,0.00001329698],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.0224816,0.2203757,0.0008658546,0.5080958,0.01337162,0.00002838749,0.00006595312,0.0000814699,0.2346336],"genre_scores_gemma":[0.6426215,0.07695232,0.001834973,0.07659911,0.01523001,0.00009100234,0.00005775371,0.0003787428,0.1862347],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9843854,"threshold_uncertainty_score":0.08541846,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2004746451","doi":"10.1111/j.1754-0208.2009.00208.x","title":"Grub Street and Suicide: A View from the Literary Press in Late Eighteenth‐Century France","year":2009,"lang":"en","type":"article","venue":"Journal for Eighteenth-Century Studies","topic":"Historical and Scientific Studies","field":"Medicine","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"","keywords":"Insanity; Argument (complex analysis); History; Criminology; Sociology; Literature; Psychiatry; Psychology; Art; Medicine","authors":[{"name":"Jeremy L. Caradonna","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0503557089424501,"gpt":0.3170017467146421,"spread":0.266646037772192,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002313864,0.000519649,0.0005248682,0.006910049,0.007740898,0.0158134,0.0008807778,0.004855498,0.005504639],"category_scores_gemma":[0.005721256,0.0003006218,0.0002882704,0.00334363,0.01952966,0.005300721,0.002714393,0.002851646,0.0004938539],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01134952,"about_ca_system_score_gemma":0.003568206,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01919202,"about_ca_topic_score_gemma":0.0148824,"domain_scores_codex":[0.9971124,0.001952701,0.00007707004,0.0001289896,0.0003461918,0.0003827768],"domain_scores_gemma":[0.9914439,0.00582917,0.001240458,0.000191859,0.0008148751,0.0004796671],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008637363,0.00006406683,0.003066788,0.000311766,0.00003228538,0.002702429,0.4941589,0.000210389,0.0003307495,0.4744755,0.01261023,0.01195053],"study_design_scores_gemma":[0.000049121,0.0001405638,0.009581581,0.001917053,0.00004163188,0.001826271,0.2664898,0.0002761325,0.0005397298,0.0263484,0.6927147,0.00007501825],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4523419,0.1421641,0.0007354211,0.1577459,0.001404747,0.00001888596,0.0001814279,0.00008931255,0.2453185],"genre_scores_gemma":[0.9762821,0.0117185,0.00007333284,0.002625042,0.0013669,0.000009892828,0.0000235954,0.00002815856,0.007872522],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01919202,"threshold_uncertainty_score":0.08234698,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1793897538","doi":"10.1111/j.1754-0208.2012.00498.x","title":"‘Scorn Eunuch Sports’: Class, Gender and the Context of Early Cricket","year":2012,"lang":"en","type":"article","venue":"Journal for Eighteenth-Century Studies","topic":"Sports, Gender, and Society","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Windsor","funders":"","keywords":"Cricket; Masculinity; Femininity; Context (archaeology); National consciousness; Consciousness; Poetry; Class (philosophy); Gender studies; Aesthetics; Literature; History; Sociology; Psychology; Art; Politics; Political science; Epistemology; Philosophy; Law","authors":[{"name":"Conrad Brunström","is_ca":false},{"name":"Tanya Cassidy","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07112222215274842,"gpt":0.3458353753783642,"spread":0.2747131532256157,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001535909,0.0002620814,0.0003907495,0.001428276,0.009643767,0.006890405,0.0008827005,0.0009823593,0.008004804],"category_scores_gemma":[0.002713905,0.0001663492,0.0001006478,0.001489247,0.02414052,0.002747813,0.004002718,0.001856396,0.0002693163],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00621332,"about_ca_system_score_gemma":0.001830486,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04664043,"about_ca_topic_score_gemma":0.08612079,"domain_scores_codex":[0.998274,0.000921229,0.00003225436,0.0001530157,0.0001383123,0.0004811983],"domain_scores_gemma":[0.9989121,0.0004429258,0.00012947,0.00004318415,0.0001115251,0.0003608063],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001151938,0.00006979974,0.007750155,0.00007293689,0.00000685651,0.0006325061,0.7426164,0.00007906586,0.0003022337,0.2334991,0.001692843,0.01316292],"study_design_scores_gemma":[0.000007903984,0.00007666127,0.03285423,0.0003661236,0.000005770502,0.0002946866,0.8494101,0.0001335647,0.0002936396,0.01937469,0.09715462,0.00002810223],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7743455,0.001723603,0.0003973314,0.002467234,0.0000831119,0.00001543495,0.0000286395,0.000007135587,0.2209319],"genre_scores_gemma":[0.9950546,0.0001716944,0.00003741431,0.00006477814,0.0000104913,0.000004299096,0.000004635929,0.000005590782,0.004646581],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.04664043,"threshold_uncertainty_score":0.09273791,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2990484721","doi":"10.1111/1754-0208.12653","title":"Fictional Science and Genre: Ectogenesis and Parthenogenesis at Mid‐Century","year":2019,"lang":"en","type":"article","venue":"Journal for Eighteenth-Century Studies","topic":"Science Education and Perceptions","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Parthenogenesis; Literature; Art; History; Art history; Biology; Genetics","authors":[{"name":"Raymond Stephanson","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0685745415116805,"gpt":0.3909995820577539,"spread":0.3224250405460734,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001341482,0.0001860825,0.000185272,0.001552652,0.00225746,0.004645639,0.0003539692,0.0008114711,0.006876489],"category_scores_gemma":[0.003737014,0.0001052393,0.00009557172,0.0007787658,0.01179407,0.001926833,0.001885352,0.001636211,0.0004806551],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002633529,"about_ca_system_score_gemma":0.0005753039,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001371863,"about_ca_topic_score_gemma":0.002266078,"domain_scores_codex":[0.9993649,0.0003050198,0.00002234538,0.00009290085,0.000140514,0.00007437351],"domain_scores_gemma":[0.9981488,0.001160141,0.0001766464,0.0001357883,0.0002136811,0.0001649141],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001538569,0.00006828106,0.002565482,0.00009593846,0.000005258967,0.0005584605,0.1442488,0.0001506612,0.00160524,0.8109676,0.00270008,0.03688032],"study_design_scores_gemma":[0.00006528013,0.0002971841,0.04602653,0.0008828381,0.00001665243,0.001737915,0.07484538,0.0008913017,0.006154839,0.1949137,0.6741168,0.00005170283],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4088451,0.007702985,0.002964618,0.00471073,0.0003787422,0.00002735884,0.00008401669,0.00004391549,0.5752426],"genre_scores_gemma":[0.9818591,0.0008584323,0.0002276809,0.0001595688,0.00008473667,0.000005975434,0.00001773168,0.00001308709,0.01677365],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.006876489,"threshold_uncertainty_score":0.02300417,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2938821398","doi":"10.1111/1754-0208.12625","title":"<i>Tristram Shandy</i> in the Age of Insurance","year":2019,"lang":"en","type":"article","venue":"Journal for Eighteenth-Century Studies","topic":"Insurance and Financial Risk Management","field":"Economics, Econometrics and Finance","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Contingency; Actuarial science; Life insurance; Hazard; Quarter (Canadian coin); Property insurance; Economics; Spike (software development); Insurance policy; General insurance; History; Philosophy; Management; Epistemology","authors":[{"name":"Richard Terry","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04356998916101502,"gpt":0.2720570950039722,"spread":0.2284871058429572,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001766338,0.000236515,0.0002315934,0.0007083252,0.001741536,0.003391516,0.0004147458,0.001638203,0.003819368],"category_scores_gemma":[0.00456235,0.0001460668,0.0001568764,0.000575611,0.008370667,0.00411388,0.001452744,0.005125008,0.000714317],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002227883,"about_ca_system_score_gemma":0.001822533,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002819796,"about_ca_topic_score_gemma":0.002930282,"domain_scores_codex":[0.9993624,0.000280668,0.0000219301,0.000101328,0.0001813562,0.00005240727],"domain_scores_gemma":[0.9982061,0.0009983268,0.0001896113,0.00011168,0.0003046237,0.0001896919],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001666262,0.000009685869,0.0004159061,0.00002290247,0.000002746786,0.00005892029,0.001341877,0.0001524274,0.00007764945,0.9193154,0.06984305,0.008742749],"study_design_scores_gemma":[0.000005342073,0.00002024632,0.00079149,0.0001852064,0.00000268015,0.0002282677,0.0008800831,0.0005570086,0.0001604327,0.4566056,0.5405481,0.00001560247],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.02255131,0.09206821,0.008878615,0.643944,0.006724407,0.00001429403,0.0001808129,0.00006477688,0.2255735],"genre_scores_gemma":[0.8185614,0.04928116,0.004097885,0.04328494,0.01033681,0.00004672021,0.00005292089,0.0001092111,0.07422906],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.003819368,"threshold_uncertainty_score":0.01616454,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1882149288","doi":"10.1111/j.1754-0208.2009.00228.x","title":"Une scénographie de Servandoni conservée pour les spectacles de l'Opéra à Paris: le décor de la ville de Thèbes du <i>Triomphe de l'harmonie</i> (1737)","year":2009,"lang":"en","type":"article","venue":"Journal for Eighteenth-Century Studies","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Canadian Nautical Research Society","funders":"","keywords":"Humanities; Drama; Art; The Imaginary; Art history; Visual arts","authors":[{"name":"Jérôme de La Gorce","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02353559137779961,"gpt":0.3202709585440526,"spread":0.296735367166253,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003635424,0.0005475732,0.000170619,0.0009021067,0.00616365,0.002923439,0.000340674,0.0006411059,0.01946734],"category_scores_gemma":[0.0003674699,0.0001834467,0.0002029585,0.001231358,0.004808593,0.0007832645,0.00127052,0.001403495,0.0014527],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005383344,"about_ca_system_score_gemma":0.001417843,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04791392,"about_ca_topic_score_gemma":0.1350698,"domain_scores_codex":[0.9997708,0.000084552,0.00000256076,0.000027826,0.00004538511,0.00006892114],"domain_scores_gemma":[0.999907,0.00002439521,0.00001069045,0.000009403558,0.00001644111,0.00003197925],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003433961,0.00006065536,0.006243533,0.0004089162,0.00002357985,0.004025657,0.3808811,0.001123265,0.002904162,0.41479,0.1120343,0.07716142],"study_design_scores_gemma":[0.000009719134,0.00005998842,0.009973058,0.0001330177,0.000007646358,0.0005500384,0.05683323,0.0001438734,0.0005776156,0.001437386,0.9302557,0.0000189633],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2893172,0.005017163,0.002805265,0.004855674,0.0009006359,0.00005910112,0.0005342158,0.0002288254,0.6962819],"genre_scores_gemma":[0.8526115,0.001224453,0.0009052363,0.0002617849,0.0001706364,0.00002726493,0.0001461903,0.0001758947,0.1444769],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04791392,"threshold_uncertainty_score":0.09527004,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2131579358","doi":"10.1111/j.1754-0208.2011.00467.x","title":"Holding a Mirror to Fiction: Voltaire and the <i>History of Tom Jones</i><sup>1</sup>","year":2012,"lang":"en","type":"article","venue":"Journal for Eighteenth-Century Studies","topic":"French Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"St. Francis Xavier University","funders":"","keywords":"Parallels; Literature; Art history; Art; Dimension (graph theory)","authors":[{"name":"Édouard Langille","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05074041252565049,"gpt":0.2719472666860236,"spread":0.2212068541603732,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009843408,0.0001943499,0.0001875129,0.0008538043,0.006252182,0.00471727,0.0004066388,0.001648834,0.003695756],"category_scores_gemma":[0.004492946,0.0001295564,0.0001100793,0.0006843585,0.01394634,0.003055874,0.00156231,0.002383463,0.0003364244],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006562058,"about_ca_system_score_gemma":0.0009659542,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01253371,"about_ca_topic_score_gemma":0.01701101,"domain_scores_codex":[0.9989987,0.000644215,0.00001436723,0.00009061681,0.0001506496,0.0001013659],"domain_scores_gemma":[0.9982652,0.001300046,0.0001156004,0.00008911353,0.0001268557,0.0001032311],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005389957,0.00001376708,0.0007452971,0.00005692576,0.000006321702,0.0006959571,0.216314,0.0001879354,0.0006392811,0.7392148,0.02650655,0.01556522],"study_design_scores_gemma":[0.000007669712,0.00002661843,0.00150334,0.0002375642,0.000007299287,0.0007224989,0.06717087,0.0002357294,0.001003597,0.05110011,0.8779598,0.00002481375],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.2959608,0.02485148,0.005653427,0.0948045,0.002118568,0.00002072386,0.00008833681,0.0001321413,0.57637],"genre_scores_gemma":[0.9791109,0.00120948,0.0002596668,0.001139161,0.0001628994,0.000004071939,0.000006125993,0.00003517585,0.01807257],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01253371,"threshold_uncertainty_score":0.04761124,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1506712721","doi":"10.1111/j.1754-0208.2011.00451.x","title":"The Muslim World: Recent Scholarship on the Ottoman Middle East","year":2011,"lang":"en","type":"article","venue":"Journal for Eighteenth-Century Studies","topic":"Islamic Studies and History","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McMaster University","funders":"","keywords":"Scholarship; Frontier; Ottoman empire; Negotiation; Sovereignty; Ethnic group; Middle East; Representation (politics); Empire; Ancient history; History; Political science; Sociology; Law; Politics","authors":[{"name":"Virginia H. Aksan","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.233975986695579,"gpt":0.3438608354886033,"spread":0.1098848487930243,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001874718,0.0003396999,0.000289854,0.003236129,0.005849972,0.006329224,0.0006287238,0.001041326,0.005056608],"category_scores_gemma":[0.002117045,0.0001541098,0.00009660914,0.006239357,0.01520249,0.00302448,0.002582679,0.001599693,0.0002931221],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007578467,"about_ca_system_score_gemma":0.004873274,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06319809,"about_ca_topic_score_gemma":0.1276139,"domain_scores_codex":[0.999293,0.0003315007,0.00004044001,0.00005094347,0.0001185118,0.0001656442],"domain_scores_gemma":[0.997748,0.001405334,0.0003349103,0.00009067112,0.0002314702,0.0001896682],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001085859,0.00008341219,0.01140176,0.001597177,0.00004493353,0.001238529,0.6069936,0.0002598063,0.0002932225,0.3116427,0.01089056,0.05544568],"study_design_scores_gemma":[0.00001660671,0.00004940837,0.02513963,0.004413684,0.00004828619,0.0004229631,0.575239,0.0001347203,0.0002211994,0.02163498,0.3726514,0.00002809373],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"review","genre_scores_codex":[0.4098425,0.2966591,0.0002086928,0.04301738,0.001568316,0.00001338592,0.0001186565,0.000008780793,0.2485632],"genre_scores_gemma":[0.9293516,0.06599446,0.00004844369,0.001200906,0.0004982887,0.000005017615,0.00002403423,0.000003406504,0.002873864],"genre_candidate":"review","genre_consensus":null,"teacher_disagreement_score":0.06319809,"threshold_uncertainty_score":0.1256605,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2990494364","doi":"10.1111/1754-0208.12660","title":"Remembering Dr Sloane: Masculinity and the Making of an Eighteenth‐Century Physician","year":2019,"lang":"en","type":"article","venue":"Journal for Eighteenth-Century Studies","topic":"Historical Studies on Reproduction, Gender, Health, and Societal Changes","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Politeness; Ideal (ethics); Masculinity; Independence (probability theory); Sociology; Law; History; Psychology; Gender studies; Political science","authors":[{"name":"Lisa Smith","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06794487128520169,"gpt":0.3161781924859694,"spread":0.2482333212007677,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003127665,0.0001567179,0.0001727922,0.0007850878,0.01199249,0.003654403,0.0003721563,0.001247314,0.002716914],"category_scores_gemma":[0.004853047,0.0002028854,0.0001073897,0.0003589258,0.02634997,0.002050225,0.003560022,0.003160425,0.0003394505],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002524347,"about_ca_system_score_gemma":0.00274132,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01160935,"about_ca_topic_score_gemma":0.02457073,"domain_scores_codex":[0.9971078,0.002052212,0.00004933762,0.0001176986,0.0002893256,0.000383605],"domain_scores_gemma":[0.9970041,0.001508079,0.0005001749,0.00006986678,0.0002769426,0.0006409499],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003932953,0.00003250297,0.004436439,0.00007001685,0.000008561386,0.001470999,0.8751024,0.0000415891,0.0006217228,0.08150738,0.02085853,0.01581048],"study_design_scores_gemma":[0.000006701799,0.00007349484,0.005497698,0.0003545478,0.000006470893,0.002748107,0.4367158,0.0000376847,0.0003907448,0.006471566,0.5476602,0.00003699834],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.546069,0.04060725,0.0009333398,0.2247406,0.002640403,0.00001657236,0.00002876708,0.00002843099,0.1849357],"genre_scores_gemma":[0.9783384,0.003846501,0.000143294,0.005645429,0.0003634872,0.00000347603,0.000002902228,0.00001056275,0.01164588],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01199249,"threshold_uncertainty_score":0.02308357,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2134830233","doi":"10.1111/j.1754-0208.2009.00101.x","title":"Performing the Woman of Sensibility: Suzanne Curchod Necker and the Hospice de Charité","year":2009,"lang":"en","type":"article","venue":"Journal for Eighteenth-Century Studies","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Sensibility; Femininity; Normative; Politics; Sociology; Gender studies; Public life; Psychoanalysis; Psychology; Art; Political science; Law; Literature","authors":[{"name":"Sonja Boon","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03165289113186833,"gpt":0.2723147986198844,"spread":0.2406619074880161,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003422314,0.0004236103,0.0002965293,0.0006180389,0.02973494,0.005822176,0.0009911064,0.002521274,0.006342611],"category_scores_gemma":[0.003667407,0.0003797062,0.0001544211,0.0004695197,0.02787503,0.003894924,0.006043705,0.007296489,0.0006953219],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007797267,"about_ca_system_score_gemma":0.004880876,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03816455,"about_ca_topic_score_gemma":0.1183825,"domain_scores_codex":[0.996621,0.002322219,0.00002672994,0.000181696,0.0003142157,0.000534063],"domain_scores_gemma":[0.9981602,0.0006118414,0.0001399724,0.00005271846,0.0001768389,0.000858496],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006488024,0.00007583517,0.001282098,0.000059203,0.000005957246,0.001847422,0.7668083,0.00005848453,0.0005355533,0.1248398,0.09757254,0.006849831],"study_design_scores_gemma":[0.00000752707,0.00005510818,0.0009397011,0.0001430911,0.000003142583,0.0007894594,0.5508723,0.00003446934,0.0003359909,0.002462262,0.4443284,0.00002860044],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4165013,0.009233192,0.0009722787,0.3252133,0.005512238,0.00006856854,0.0000490357,0.00006360062,0.2423864],"genre_scores_gemma":[0.9056681,0.002652248,0.0003007356,0.01538519,0.000464172,0.00003473176,0.00001124888,0.00007083988,0.07541269],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.03816455,"threshold_uncertainty_score":0.07588482,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1596475388","doi":"10.1111/j.1754-0208.2010.00308.x","title":"The Cambridge Companion to Early Modern Philosophy – Edited by Donald Rutherford","year":2012,"lang":"en","type":"article","venue":"Journal for Eighteenth-Century Studies","topic":"Classical Philosophy and Thought","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of King's College","funders":"","keywords":"Citation; Classics; Art history; Library science; History; Computer science","authors":[{"name":"Ian G. Stewart","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0650304533059695,"gpt":0.2906053299326875,"spread":0.2255748766267179,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001569681,0.001158235,0.001187418,0.003759305,0.00244703,0.004704253,0.0008788221,0.002239295,0.06351032],"category_scores_gemma":[0.004098,0.0006699594,0.0003813419,0.004443705,0.004942331,0.006725034,0.002594579,0.003533815,0.01594953],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006292755,"about_ca_system_score_gemma":0.003346001,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0106302,"about_ca_topic_score_gemma":0.0244313,"domain_scores_codex":[0.9991855,0.0003223521,0.00006212176,0.0001445539,0.0002194384,0.00006603532],"domain_scores_gemma":[0.9982654,0.0006548656,0.0001008371,0.0002965566,0.0005287795,0.000153675],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002404281,0.00001138529,0.000078112,0.0002431409,0.000008850029,0.00002700897,0.001002787,0.00006275411,0.0001549766,0.2221436,0.720739,0.05550426],"study_design_scores_gemma":[0.000003286058,0.000003578542,0.0002030979,0.0002333707,0.000002164278,0.00002662033,0.0001569075,0.00002003602,0.00004213911,0.02197232,0.9773318,0.000004723145],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.0008574899,0.584997,0.003579532,0.0543046,0.03122039,0.00002474662,0.000614517,0.0002028683,0.3241989],"genre_scores_gemma":[0.03593551,0.2271245,0.002814898,0.008588423,0.02424633,0.0001100028,0.0004628465,0.0006624787,0.7000549],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.06351032,"threshold_uncertainty_score":0.2124632,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2071190945","doi":"10.1111/1754-0208.12149","title":"The Rash Resolve and Life's Progress. By ELIZAHAYWOOD. Edited by CAROLSTEWART. Chawton House Library Series: Women's Novels. London: Pickering &amp; Chatto. 2013. xxvi + 209 p. £45/$75 (hb). ISBN 978‐1‐84893‐336‐1.","year":2014,"lang":"en","type":"article","venue":"Journal for Eighteenth-Century Studies","topic":"Islamic Studies and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"St. Francis Xavier University","funders":"","keywords":"Citation; Art history; Art; Classics; History; Library science; Computer science","authors":[{"name":"Earla Wilputte","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0143809324789482,"gpt":0.262837401894685,"spread":0.2484564694157368,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009618244,0.001314845,0.0006383595,0.001429488,0.002537243,0.004087664,0.0007791916,0.00156738,0.03106251],"category_scores_gemma":[0.001660259,0.0006465061,0.0004403562,0.00141548,0.002628748,0.00441245,0.002079053,0.002475496,0.009926774],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001943224,"about_ca_system_score_gemma":0.002367737,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01148282,"about_ca_topic_score_gemma":0.02773938,"domain_scores_codex":[0.9995952,0.000183834,0.00002245076,0.00004406794,0.000101562,0.00005298198],"domain_scores_gemma":[0.9996527,0.0001219137,0.00005631756,0.00002118363,0.00006991349,0.00007789549],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007032585,0.00003840983,0.0003273234,0.000870855,0.00001352407,0.0001901531,0.007067251,0.00007397902,0.00020713,0.03037061,0.7596893,0.2010812],"study_design_scores_gemma":[0.000003637439,0.0000109369,0.0006079677,0.000708856,0.000003608392,0.0002187144,0.002624684,0.0000193074,0.00004828969,0.003953193,0.9917943,0.000006515827],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.0008514497,0.9254692,0.000218559,0.02414911,0.00731579,0.00001472849,0.0001036405,0.00004824509,0.04182929],"genre_scores_gemma":[0.04210247,0.6649669,0.001242313,0.006052162,0.004899601,0.0000868989,0.0001847974,0.0001573832,0.2803074],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.03106251,"threshold_uncertainty_score":0.1039144,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4403004587","doi":"10.1111/1754-0208.12966","title":"Allan's A‐list: The Subscription List to Allan Ramsay's <i>Poems</i> of 1721","year":2024,"lang":"en","type":"article","venue":"Journal for Eighteenth-Century Studies","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Dalhousie University; Arts and Humanities Research Council; University of Glasgow; British Society for Eighteenth-Century Studies; Strong","keywords":"Poetry; Ramsay Hunt syndrome; Art; Art history; Literature","authors":[{"name":"Murray Pittock","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.085725349044663,"gpt":0.3251274899353109,"spread":0.2394021408906479,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007579463,0.0002162954,0.0001535183,0.000637952,0.004097603,0.002977871,0.000362285,0.0005180499,0.0175245],"category_scores_gemma":[0.002240834,0.00009784697,0.00006358128,0.0006599334,0.002281022,0.002202006,0.001859555,0.001390136,0.002905566],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001880887,"about_ca_system_score_gemma":0.001256462,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008923243,"about_ca_topic_score_gemma":0.01725462,"domain_scores_codex":[0.9996613,0.0001195157,0.000009415029,0.00003484776,0.0001026058,0.00007230393],"domain_scores_gemma":[0.9994313,0.0001768076,0.00005005491,0.00003939931,0.0001338626,0.0001684575],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001167095,0.00002801119,0.000860145,0.0000983967,0.000003535091,0.000430692,0.04550454,0.00004199592,0.000779079,0.2625902,0.6245238,0.06502292],"study_design_scores_gemma":[0.000002438545,0.00001071536,0.0005264172,0.00003082247,9.629529e-7,0.00008030885,0.003329857,0.00001443626,0.00008784459,0.001913842,0.9939982,0.000004067249],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.08415693,0.02262991,0.001918098,0.0738475,0.01211958,0.00004092048,0.0002172393,0.0003539631,0.8047159],"genre_scores_gemma":[0.3486452,0.00432922,0.0007185804,0.003967119,0.00209143,0.00002903381,0.00006065708,0.0001522257,0.6400065],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0175245,"threshold_uncertainty_score":0.05862534,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1569165207","doi":"10.1111/j.1754-0208.2011.00394.x","title":"The Cambridge Handel Encyclopedia – Edited by Annette Landgraf and David Vickers","year":2012,"lang":"en","type":"article","venue":"Journal for Eighteenth-Century Studies","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Encyclopedia; Citation; Library science; Art history; Art; Computer science","authors":[{"name":"Mary Ann Parker","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03131863105741538,"gpt":0.2760909028765645,"spread":0.2447722718191491,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007097671,0.001673374,0.001644474,0.00618641,0.00129182,0.005798567,0.001100554,0.001153854,0.1678913],"category_scores_gemma":[0.002506326,0.0008259062,0.0003316951,0.008316868,0.001894018,0.005028502,0.002446875,0.001390345,0.06522213],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003012197,"about_ca_system_score_gemma":0.004139675,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02685142,"about_ca_topic_score_gemma":0.07624497,"domain_scores_codex":[0.9993175,0.0001080736,0.00009202842,0.0001132828,0.0002988419,0.00007018983],"domain_scores_gemma":[0.9990061,0.0002722885,0.0000687783,0.0001757445,0.0003558276,0.0001211618],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002475909,0.000008836297,0.00007510773,0.0005590077,0.00000702343,0.00003301157,0.0002711944,0.0000722685,0.0003622344,0.01002831,0.8664005,0.1221578],"study_design_scores_gemma":[0.000001454438,0.000002694355,0.0002660695,0.0002550743,0.00000169269,0.00003855474,0.0001244076,0.000009945882,0.00005846283,0.0008607107,0.9983768,0.000003960823],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.001109989,0.5855228,0.002796273,0.009159994,0.01629826,0.00006127652,0.007245308,0.0009119501,0.3768941],"genre_scores_gemma":[0.009495224,0.2604014,0.002703257,0.002418661,0.004329807,0.0001462563,0.005512862,0.001150439,0.7138422],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.1678913,"threshold_uncertainty_score":0.5616525,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1874599610","doi":"10.1111/j.1754-0208.2011.00309.x","title":"Wife‐Abuse in Eighteenth‐Century France – By Mary Trouille","year":2011,"lang":"en","type":"article","venue":"Journal for Eighteenth-Century Studies","topic":"Multicultural Socio-Legal Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"Wife; Citation; History; Classics; Art history; Library science; Philosophy; Theology; Computer science","authors":[{"name":"Chris Roulston","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05253720827175517,"gpt":0.3309042183520501,"spread":0.2783670100802949,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002414983,0.0004074158,0.0004543593,0.0008556206,0.02045905,0.004554602,0.0009896264,0.005019747,0.005176296],"category_scores_gemma":[0.003718529,0.0003489037,0.0002605359,0.0009857749,0.009763579,0.004949162,0.003728201,0.007737182,0.0006120402],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006186865,"about_ca_system_score_gemma":0.004308268,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0763675,"about_ca_topic_score_gemma":0.1374336,"domain_scores_codex":[0.9981375,0.001244039,0.00004115919,0.00009342178,0.0001439195,0.0003398839],"domain_scores_gemma":[0.9985208,0.0008320577,0.0001947086,0.00003774857,0.0001821935,0.0002323938],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004151915,0.00006302259,0.001585434,0.0001182292,0.00002446634,0.002011457,0.7369051,0.00006252242,0.0001657701,0.1543331,0.08920478,0.01548453],"study_design_scores_gemma":[0.00000757952,0.00002831294,0.003054355,0.0005668692,0.000007781338,0.001112258,0.2184673,0.00002956062,0.0001065654,0.004780544,0.7718132,0.00002563371],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.2072818,0.1462887,0.0004177304,0.4332863,0.007076017,0.00002940498,0.0000687883,0.00002491124,0.2055264],"genre_scores_gemma":[0.7884814,0.04451141,0.0002339745,0.05487021,0.004373608,0.00004657984,0.00003332916,0.00005802441,0.1073914],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.0763675,"threshold_uncertainty_score":0.151846,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2337186011","doi":"10.1111/1754-0208.12285","title":"The Culture of the Seven Years’ War: Empire, Identity, and the Arts in the Eighteenth‐Century Atlantic World. By Fransde Bruyn and ShaunRegan. Toronto: University of Toronto Press. 2014. x + 349 p. 8 illus. £44.99 (hb). ISBN 978‐1‐4426‐4355‐0.","year":2016,"lang":"en","type":"article","venue":"Journal for Eighteenth-Century Studies","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"The arts; Empire; Art history; Identity (music); Citation; History; Black British; Art; Humanities; Media studies; Sociology; Library science; Visual arts; Ancient history; Gender studies; Computer science","authors":[{"name":"Jeremy Black","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02146719643744045,"gpt":0.3096721377234172,"spread":0.2882049412859768,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00095127,0.0004074214,0.0002568795,0.001158724,0.004388424,0.003987907,0.0004023251,0.000582532,0.006316373],"category_scores_gemma":[0.001876217,0.0002120058,0.0001177928,0.002045828,0.01007822,0.003260674,0.001637214,0.001471353,0.0004914002],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00721228,"about_ca_system_score_gemma":0.006131098,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1248575,"about_ca_topic_score_gemma":0.2765092,"domain_scores_codex":[0.9995717,0.0001796461,0.00002165354,0.0000246616,0.00009678649,0.0001055212],"domain_scores_gemma":[0.9992229,0.0002936453,0.0001651897,0.00003416813,0.0001202158,0.0001639381],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001291494,0.00005616229,0.007540946,0.0007508961,0.00002625967,0.0004339991,0.3614168,0.0001775022,0.0004376487,0.2896026,0.1192943,0.2201337],"study_design_scores_gemma":[0.00001314309,0.00004178037,0.03039856,0.002031723,0.00001387748,0.000199635,0.1547169,0.00005557236,0.0001797489,0.02198919,0.7903399,0.00001983562],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.09705528,0.5717239,0.0003215559,0.07609814,0.00231323,0.00001796478,0.0002387008,0.00002471098,0.2522065],"genre_scores_gemma":[0.7958146,0.1584356,0.0002452174,0.001246401,0.0007951405,0.0000205236,0.00007631705,0.00002230537,0.04334396],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.1248575,"threshold_uncertainty_score":0.2482616,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2023794323","doi":"10.1111/j.1754-0208.2008.00114.x","title":"A Gallery of Ordinary Portraits in Words and Images: Restif de La Bretonne's <i>Les Contemporaines du commun</i> (1782‐1783)","year":2008,"lang":"en","type":"article","venue":"Journal for Eighteenth-Century Studies","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Mount Allison University","funders":"","keywords":"Portrait; Art history; Art; Humanities","authors":[{"name":"Christina Ionescu","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04068380176303352,"gpt":0.2773826677131091,"spread":0.2366988659500756,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006119655,0.0004835291,0.000231401,0.002865319,0.006565145,0.003549838,0.0003698175,0.0007406394,0.01971717],"category_scores_gemma":[0.00159053,0.0002500308,0.0001659244,0.002651318,0.002300626,0.001727519,0.00211563,0.001549726,0.002257446],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001799911,"about_ca_system_score_gemma":0.000815291,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02606152,"about_ca_topic_score_gemma":0.1162082,"domain_scores_codex":[0.9997438,0.00009588004,0.00001199772,0.00003072884,0.00007131795,0.00004626346],"domain_scores_gemma":[0.9994833,0.0002706664,0.00002998098,0.00007971904,0.00007299583,0.00006314919],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002211175,0.00003532842,0.001700994,0.0003724874,0.0000201211,0.001464107,0.3151503,0.0001390245,0.002683076,0.03943855,0.5539331,0.08484186],"study_design_scores_gemma":[0.000003026045,0.000005779791,0.004390074,0.0001586523,0.000003508611,0.0004260751,0.02561427,0.00002421856,0.0003875648,0.000499681,0.9684793,0.000007866703],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2419224,0.03656797,0.001832806,0.02264363,0.00831871,0.0001065097,0.0062719,0.000324193,0.682012],"genre_scores_gemma":[0.5789217,0.01101058,0.00204946,0.001615405,0.002171737,0.0000652355,0.001888947,0.00103586,0.4012411],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02606152,"threshold_uncertainty_score":0.06596059,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2896796274","doi":"10.1111/1754-0208.12599","title":"Cultivating Commerce: Cultures of Botany in Britain and France, 1760‐1815. By SarahEasterby‐Smith. Cambridge: Cambridge University Press. 2018. xiv + 239 p. 17 b. and w. illus. £75 (hb). ISBN 978‐1‐107‐12684‐8.","year":2018,"lang":"en","type":"article","venue":"Journal for Eighteenth-Century Studies","topic":"Diverse Historical and Scientific Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Citation; Classics; Art history; Media studies; Library science; History; Sociology; Computer science","authors":[{"name":"Vin Nardizzi","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03271589955998595,"gpt":0.2520711765046991,"spread":0.2193552769447131,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0009004013,0.001170148,0.0005899553,0.002343963,0.001729295,0.003278341,0.0005721587,0.001264573,0.01721021],"category_scores_gemma":[0.000884239,0.0004715619,0.0002734108,0.004399315,0.003834459,0.003221989,0.001217624,0.001022942,0.002840204],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006628648,"about_ca_system_score_gemma":0.002088876,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.09242783,"about_ca_topic_score_gemma":0.2027385,"domain_scores_codex":[0.999627,0.0001265637,0.0000324813,0.00006180538,0.0001051131,0.00004699978],"domain_scores_gemma":[0.9996486,0.0001401826,0.00007096387,0.00002071696,0.00005779466,0.00006182394],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002427795,0.00005457502,0.003097332,0.002368319,0.00004237561,0.000309702,0.03446609,0.0004099999,0.0007774274,0.04235466,0.3754488,0.5404281],"study_design_scores_gemma":[0.00001026059,0.00002821684,0.02004725,0.00133924,0.000006902157,0.0001694164,0.005483743,0.0000395553,0.00009453391,0.004236128,0.9685301,0.00001462504],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.006223627,0.9440249,0.0001968385,0.00986781,0.001146117,0.00001163314,0.0004350725,0.00006699061,0.03802706],"genre_scores_gemma":[0.2225318,0.6022027,0.001605755,0.001956742,0.00190879,0.00004672173,0.0009076116,0.0001350155,0.1687048],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.9982707,"threshold_uncertainty_score":0.1837797,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2028466003","doi":"10.1111/1754-0208.12241","title":"Novel Minds: Philosophers and Romance Readers, 1680‐1740. By RebeccaTierney‐Hynes. Houndmills: Palgrave Macmillan. 2012. viii + 223 p. $90 (hb). ISBN 978‐0‐230‐36937‐5.","year":2015,"lang":"en","type":"article","venue":"Journal for Eighteenth-Century Studies","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"St. Francis Xavier University","funders":"","keywords":"Romance; Citation; Literature; Philosophy; Art history; History; Art; Library science; Computer science","authors":[{"name":"Earla Wilputte","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08156536366497057,"gpt":0.2858543378195282,"spread":0.2042889741545577,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001004689,0.001001481,0.0005694469,0.002129619,0.002947934,0.004133299,0.0005989952,0.001700361,0.03261179],"category_scores_gemma":[0.00270397,0.0006148214,0.0002045297,0.002668618,0.005619445,0.007955459,0.002097034,0.00202612,0.005133458],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002311796,"about_ca_system_score_gemma":0.00182296,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008330687,"about_ca_topic_score_gemma":0.02114994,"domain_scores_codex":[0.9996256,0.0001614818,0.00002759719,0.00006318119,0.00007613296,0.00004590436],"domain_scores_gemma":[0.9993436,0.0003513674,0.00009429857,0.00004359018,0.0000849464,0.00008212523],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007734004,0.00003106481,0.0004971266,0.0008294595,0.0000120445,0.0002668435,0.04460619,0.00007475622,0.0002097168,0.1374367,0.6498416,0.1661172],"study_design_scores_gemma":[0.000006275243,0.000007845274,0.0008985122,0.0006332563,0.000002868263,0.0001856902,0.007609861,0.00001284928,0.00005760094,0.01089434,0.979685,0.000005714077],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.003604567,0.8246107,0.0003042892,0.03233396,0.003524143,0.00001941759,0.0004034647,0.00007780075,0.1351215],"genre_scores_gemma":[0.1689705,0.4361705,0.00113099,0.005519791,0.004415405,0.0001144233,0.0003769365,0.0002052914,0.383096],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.03261179,"threshold_uncertainty_score":0.1090973,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2552890451","doi":"10.1111/1754-0208.12286","title":"Johann Georg Hamann and the Enlightenment Project. By Robert AlanSparling. Toronto, Buffalo, NY, and London: University of Toronto Press. 2011. xxii + 341 p. $63 (hb). ISBN 978‐1‐4426‐4215‐7.","year":2016,"lang":"en","type":"article","venue":"Journal for Eighteenth-Century Studies","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Enlightenment; Art history; Citation; Art; Classics; Library science; Philosophy; Theology; Computer science","authors":[{"name":"Joachim Whaley","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02371231355156992,"gpt":0.2389937257160764,"spread":0.2152814121645064,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001926554,0.001697589,0.0006504609,0.00205928,0.002808096,0.003494686,0.0006625506,0.002014495,0.02795461],"category_scores_gemma":[0.002048165,0.001022519,0.0002864184,0.003026429,0.003170776,0.004938728,0.002647315,0.002154562,0.009727994],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004449017,"about_ca_system_score_gemma":0.003812,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04054657,"about_ca_topic_score_gemma":0.09249833,"domain_scores_codex":[0.9992563,0.0002896939,0.00003985299,0.0001121028,0.0001923635,0.0001096118],"domain_scores_gemma":[0.999288,0.0002502394,0.0001100337,0.00004156001,0.0001539513,0.0001561821],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003928847,0.0000114909,0.0001212338,0.0003662589,0.000007832203,0.0000506372,0.001206233,0.0000758149,0.00006452701,0.01328882,0.9171121,0.06765583],"study_design_scores_gemma":[0.000005457741,0.000006379736,0.0009485521,0.0006159948,0.000003358084,0.00008493596,0.001173969,0.00002540746,0.00005143683,0.003283816,0.9937932,0.000007352127],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0007171353,0.9240147,0.0002611656,0.03817952,0.004799753,0.00001416108,0.0002328479,0.00005400394,0.03172667],"genre_scores_gemma":[0.02813115,0.5912628,0.001323481,0.004223276,0.002652498,0.00006725689,0.0003320688,0.000197317,0.3718101],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.04054657,"threshold_uncertainty_score":0.09351748,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}