{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":7,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":7,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"a73245373874","filters":{"venue":"Journal of African Cultural Studies"}},"results":[{"id":"W2307181170","doi":"10.1080/13696815.2015.1132622","title":"The politics of Afropolitanism","year":2016,"lang":"en","type":"article","venue":"Journal of African Cultural Studies","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":43,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Carleton University","funders":"","keywords":"Politics; Sociology; Ideology; Phenomenon; Agency (philosophy); Dialectic; Symbolic capital; Diaspora; Cultural capital; Identity (music); Gender studies; Materialism; Political economy; Social science; Aesthetics; Political science; Epistemology; Law","authors":[{"name":"Amatoritsero Ede","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0496312936756733,"gpt":0.2761945681036714,"spread":0.2265632744279981,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003151348,0.0002375112,0.0002137008,0.0008170568,0.01339952,0.007245056,0.0004744184,0.001432823,0.002886561],"category_scores_gemma":[0.002587509,0.0002147274,0.000204261,0.0007260747,0.03280219,0.004210695,0.004770259,0.003582052,0.0003286999],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003486236,"about_ca_system_score_gemma":0.001896748,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003798351,"about_ca_topic_score_gemma":0.005941432,"domain_scores_codex":[0.9974363,0.001688373,0.0000461979,0.000238507,0.0002172078,0.000373266],"domain_scores_gemma":[0.9988515,0.0005684928,0.0001573588,0.0001620455,0.0001094958,0.0001509433],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.000008750615,0.000006655079,0.0005542001,0.00001119517,0.000001954665,0.00008147557,0.04422669,0.0000188236,0.0001478228,0.9510403,0.0008960323,0.003005984],"study_design_scores_gemma":[0.00002481193,0.00005533802,0.006168091,0.0003425053,0.00001662474,0.0005377093,0.1000455,0.0003134849,0.001089212,0.3960634,0.4953198,0.00002344983],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2647931,0.006433578,0.002826571,0.03341751,0.0003129424,0.0000165989,0.00002053259,0.00002551305,0.6921536],"genre_scores_gemma":[0.9874021,0.0005502341,0.0003143054,0.0007433057,0.00009188733,0.00001572458,0.000003256583,0.0000166799,0.01086245],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01339952,"threshold_uncertainty_score":0.02529448,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404327931","doi":"10.1080/13696815.2024.2415355","title":"Playing with Difference: Oyibo Lip-Sync Performances of Nigerian Popular Culture on TikTok","year":2024,"lang":"en","type":"article","venue":"Journal of African Cultural Studies","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"Deutsche Forschungsgemeinschaft","keywords":"sync; Popular culture; History; Art; Literature; Computer science; Telecommunications","authors":[{"name":"Matthias Krings","is_ca":false},{"name":"Izuu Nwankwọ","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05065584614809893,"gpt":0.2640982554786648,"spread":0.2134424093305659,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007692709,0.0005426032,0.0003004493,0.0006594138,0.007346268,0.002858626,0.0003459483,0.0007424675,0.004688446],"category_scores_gemma":[0.001162372,0.0001789176,0.0001433923,0.0005584985,0.004683927,0.001602546,0.002758209,0.001461691,0.0004051221],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001015758,"about_ca_system_score_gemma":0.0005299664,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003254831,"about_ca_topic_score_gemma":0.02079223,"domain_scores_codex":[0.9996272,0.0001758591,0.000009458201,0.0000355872,0.00005225345,0.00009968434],"domain_scores_gemma":[0.9996734,0.0001730443,0.00003643798,0.00001739426,0.00002427207,0.0000754062],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0002093091,0.00006644821,0.00407543,0.0002643933,0.000006973579,0.002721271,0.9635364,0.00004284229,0.00673797,0.005505674,0.001814415,0.01501892],"study_design_scores_gemma":[0.000004006153,0.00006482187,0.00805957,0.0002269371,0.000006445297,0.0006568231,0.9626303,0.00004755758,0.0008883312,0.0003447729,0.02705911,0.00001136871],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9624927,0.0006028161,0.0003528032,0.0008269236,0.0001733938,0.00002844178,0.00003258653,0.00000829993,0.03548203],"genre_scores_gemma":[0.9896476,0.0006179082,0.0003188226,0.0001584072,0.00003818637,0.00001475968,0.00002420854,0.0000260157,0.009154086],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.007346268,"threshold_uncertainty_score":0.01568443,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4389481533","doi":"10.1080/13696815.2023.2264225","title":"Performing the News: Yorùbá Oral Traditions on the Radio","year":2023,"lang":"en","type":"article","venue":"Journal of African Cultural Studies","topic":"Multilingual Education and Policy","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"Context (archaeology); Newspaper; Yoruba; Sociology; Journalism; Radio program; Performative utterance; Theology; Linguistics; Media studies; History; Philosophy","authors":[{"name":"Samuel K. Adesubokan","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.3317347609161619,"gpt":0.5006939001220158,"spread":0.1689591392058538,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002480366,0.0002859306,0.0002968164,0.0006992129,0.01097741,0.005035039,0.0005016011,0.0008801856,0.00365208],"category_scores_gemma":[0.00220854,0.0002821387,0.00009034602,0.0007994004,0.009957493,0.001997872,0.003271387,0.002129972,0.0005256056],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002555226,"about_ca_system_score_gemma":0.002373746,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01451754,"about_ca_topic_score_gemma":0.02688684,"domain_scores_codex":[0.9988427,0.000672306,0.00003324698,0.00008387947,0.00008212087,0.0002856302],"domain_scores_gemma":[0.9989573,0.0005394911,0.000150143,0.0000845177,0.0001186603,0.0001499462],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00009296842,0.00008227344,0.00497627,0.0002182791,0.000006805949,0.0008956274,0.8384634,0.00004054419,0.004202908,0.1142,0.0036631,0.03315788],"study_design_scores_gemma":[0.00001874439,0.0001588076,0.02387596,0.0009007181,0.00001912255,0.0006427183,0.6422053,0.0001519778,0.00136349,0.004871319,0.3257557,0.00003614275],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8093869,0.006647756,0.001564177,0.01539576,0.0003746927,0.00007750752,0.00002992504,0.00002520739,0.1664981],"genre_scores_gemma":[0.9798162,0.001822161,0.0004621881,0.0005696207,0.00006822965,0.00002295276,0.000009947329,0.00002106113,0.01720764],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01451754,"threshold_uncertainty_score":0.02886611,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4388539229","doi":"10.1080/13696815.2023.2267005","title":"Ẹgbé Àtélẹwó: A Yorùbá Book Club and Its Decolonial Project","year":2023,"lang":"en","type":"article","venue":"Journal of African Cultural Studies","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"","keywords":"Context (archaeology); Club; Humanities; Sociology; Decolonization; Politics; Theology; Philosophy; History; Political science; Law; Medicine","authors":[{"name":"Ọlájídé Salawu","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0925037060862917,"gpt":0.3166135037919984,"spread":0.2241097977057067,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008718121,0.0002978366,0.0002361059,0.0008697701,0.01621568,0.005321468,0.0006558801,0.00134824,0.004948819],"category_scores_gemma":[0.001549026,0.0002646955,0.0000893317,0.001004787,0.00547359,0.001928912,0.003732031,0.001758146,0.000578095],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002378056,"about_ca_system_score_gemma":0.00393827,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006706077,"about_ca_topic_score_gemma":0.02859164,"domain_scores_codex":[0.9995582,0.000187764,0.00001103261,0.00004203585,0.00005640763,0.0001446222],"domain_scores_gemma":[0.9989725,0.0003161792,0.0001126454,0.00005103312,0.00008463223,0.000462934],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0002131411,0.0005169638,0.03094732,0.0005209495,0.000009862925,0.02032151,0.7880096,0.000152125,0.00670773,0.0553482,0.01863988,0.07861263],"study_design_scores_gemma":[0.000009686905,0.0001112458,0.01961421,0.0004623057,0.000007015073,0.002759244,0.6593526,0.000138254,0.001981577,0.001478125,0.3140668,0.0000189789],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9058397,0.003427046,0.0007513685,0.003650017,0.0003175524,0.0001484838,0.00003728714,0.00002892022,0.08579953],"genre_scores_gemma":[0.9310887,0.00162581,0.000614972,0.0004932067,0.00004370963,0.00007715778,0.00003904022,0.00003840601,0.06597894],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01621568,"threshold_uncertainty_score":0.01725411,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4406137725","doi":"10.1080/13696815.2024.2444764","title":"Remix and Revision: Encounters between Africa and Europe in Contemporary African Popular Culture","year":2025,"lang":"en","type":"article","venue":"Journal of African Cultural Studies","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Popular culture; African culture; History; Anthropology; Ethnology; Media studies; Gender studies; Sociology","authors":[{"name":"Matthias Krings","is_ca":false},{"name":"Izuu Nwankwọ","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08264274864307239,"gpt":0.2856560832589639,"spread":0.2030133346158915,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008433225,0.0005016347,0.0006043395,0.003424292,0.02549379,0.01521723,0.001188708,0.003342538,0.004245315],"category_scores_gemma":[0.01573539,0.0003820138,0.0002083295,0.003662396,0.02650282,0.009132667,0.009896339,0.004437547,0.0001836283],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004310837,"about_ca_system_score_gemma":0.003453166,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009184903,"about_ca_topic_score_gemma":0.01555148,"domain_scores_codex":[0.9942797,0.003828912,0.0001686774,0.0002043482,0.0003365122,0.001181823],"domain_scores_gemma":[0.9914256,0.006281627,0.0008087208,0.0003451546,0.0004078143,0.0007309825],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002574624,0.00000621042,0.0007098884,0.00002016969,0.000002516982,0.0005757728,0.9761009,0.000007463706,0.000137838,0.0182409,0.0003812333,0.003791446],"study_design_scores_gemma":[0.000004678737,0.00001410111,0.002176424,0.0001477755,0.000004706115,0.0004852194,0.9552133,0.00002024806,0.0001297276,0.001162311,0.0406336,0.000007912642],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9112444,0.007207666,0.0004939471,0.008858388,0.0002685639,0.0000216533,0.00001558503,0.00001409575,0.07187566],"genre_scores_gemma":[0.995465,0.0009844666,0.00008163247,0.000412042,0.00006302939,0.000007029595,0.00000397421,0.00001531284,0.002967714],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02549379,"threshold_uncertainty_score":0.04459965,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4410765735","doi":"10.1080/13696815.2025.2496320","title":"Notes on the Text, Context and the Cultural Politics of Reading <i>Taiwo Shango</i>","year":2025,"lang":"en","type":"article","venue":"Journal of African Cultural Studies","topic":"Chinese history and philosophy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"","keywords":"Politics; Reading (process); Context (archaeology); History; Linguistics; Literature; Sociology; Political science; Art; Philosophy; Archaeology; Law","authors":[{"name":"Onookome Okome","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06042037347112128,"gpt":0.3403974168015426,"spread":0.2799770433304213,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001603065,0.0004375781,0.0002797919,0.0008655096,0.008310971,0.005187099,0.0008355965,0.002019098,0.01505606],"category_scores_gemma":[0.004727294,0.0002382633,0.0002076046,0.001695294,0.01072579,0.00458099,0.001990425,0.006536942,0.0009222614],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004271292,"about_ca_system_score_gemma":0.002433367,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03524023,"about_ca_topic_score_gemma":0.08275867,"domain_scores_codex":[0.9992722,0.0003987527,0.00002493018,0.00007388448,0.0001241101,0.0001061898],"domain_scores_gemma":[0.9967578,0.002532701,0.0002246213,0.00009255375,0.0002301194,0.0001622103],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008646888,0.00002217782,0.0007851079,0.000243446,0.00001261507,0.00096377,0.2130807,0.000123056,0.001106702,0.4061158,0.3668506,0.01060952],"study_design_scores_gemma":[0.00002213253,0.00002660451,0.0071599,0.000816624,0.00002282779,0.0001893633,0.1494231,0.0001570282,0.0009896992,0.03739357,0.8037547,0.00004445787],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.04474817,0.01374366,0.0009028971,0.5149395,0.01338645,0.00004353919,0.0002714317,0.0000442742,0.4119201],"genre_scores_gemma":[0.7547339,0.01176328,0.001025526,0.05637452,0.01016057,0.0001415822,0.0001558724,0.0002752314,0.1653695],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03524023,"threshold_uncertainty_score":0.07007021,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4407089691","doi":"10.1080/13696815.2025.2449888","title":"Law and Black Agency in Memories of Abolition: Human Rights and Slavery Films","year":2025,"lang":"en","type":"article","venue":"Journal of African Cultural Studies","topic":"Race, History, and American Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Carleton University","funders":"","keywords":"Agency (philosophy); Law; Human rights; Political science; Sociology; Social science","authors":[{"name":"Philip Kaisary","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02616474118480693,"gpt":0.3359405530442727,"spread":0.3097758118594657,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002109074,0.0005584086,0.0003176368,0.001174988,0.01711261,0.009458811,0.0007295989,0.003365291,0.006386774],"category_scores_gemma":[0.006035287,0.0003999156,0.0002232673,0.0008702053,0.01610525,0.008136445,0.005334722,0.007295684,0.0006228452],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003484446,"about_ca_system_score_gemma":0.001136262,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01082907,"about_ca_topic_score_gemma":0.02123846,"domain_scores_codex":[0.9987603,0.0007484846,0.00001981253,0.000090742,0.0001570935,0.0002236113],"domain_scores_gemma":[0.9978803,0.001500205,0.0001424212,0.00008461963,0.000145337,0.0002470543],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00004448657,0.00003353327,0.0004728402,0.00007318608,0.000005736834,0.0005634613,0.9237554,0.00001963864,0.0005769587,0.04742306,0.02043928,0.006592388],"study_design_scores_gemma":[0.00001394896,0.00003392569,0.001971715,0.0004562269,0.00001145116,0.0005651294,0.6019311,0.0000970515,0.0006144256,0.008112437,0.3861661,0.00002651315],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5237623,0.01545646,0.001762181,0.1165846,0.004125172,0.0000635562,0.0001674441,0.00008544204,0.3379928],"genre_scores_gemma":[0.9485979,0.003927581,0.0004275916,0.006646341,0.0007875864,0.00004271638,0.00004191815,0.0001356126,0.03939267],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01711261,"threshold_uncertainty_score":0.02528155,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}