{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":7,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":7,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"d079eb7f22c0","filters":{"venue":"Journal of Arabic Literature"}},"results":[{"id":"W2082470507","doi":"10.1163/1570064x-12341243","title":"Discourses of the 2011 Arab Revolutions","year":2012,"lang":"en","type":"article","venue":"Journal of Arabic Literature","topic":"Islamic Studies and History","field":"Social Sciences","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Elegiac; Humanism; Politics; Face (sociological concept); Cultural politics; Sociology; Aesthetics; Media studies; Gender studies; Social science; Political science; History; Law; Literature; Art","authors":[{"name":"Ken Seigneurie","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0125971297032641,"gpt":0.2757333137541504,"spread":0.2631361840508863,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005514072,0.00005421565,0.0001402365,0.00004637349,0.000344143,0.00001602412,0.0002232892,0.00006290177,0.00009774592],"category_scores_gemma":[0.0001500403,0.00003031888,0.0001799687,0.0001598208,0.00025604,0.0003049262,0.00002372932,0.0002516932,0.000004534041],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00008151389,"about_ca_system_score_gemma":0.0001253039,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00003984688,"about_ca_topic_score_gemma":0.0000544651,"domain_scores_codex":[0.9991613,0.0001201928,0.0002139397,0.0000358328,0.0002960129,0.0001727031],"domain_scores_gemma":[0.9992455,0.00005590911,0.0003150478,0.0001070536,0.000226204,0.00005027808],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003206595,0.0002425009,0.03253456,0.00003470877,0.0001192008,0.000003894954,0.2136571,0.00000482295,0.0004403447,0.2326004,0.518887,0.001443402],"study_design_scores_gemma":[0.0001419597,0.00002874014,0.06719895,0.0001854544,0.0000542465,0.0000176282,0.00461623,3.056461e-7,0.00002542461,0.001536712,0.9261314,0.00006297119],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5682737,0.1854503,0.00007142537,0.04626594,0.01785082,0.0003097427,0.00004631195,0.00001761223,0.1817141],"genre_scores_gemma":[0.9859294,0.0006454851,0.0001762424,0.0001503242,0.001713886,5.689441e-7,1.756414e-7,0.000003736791,0.01138017],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4176557,"threshold_uncertainty_score":0.2646905,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3016062490","doi":"10.1163/1570064x-12341401","title":"“Zahra’s Uncle, or Where Are Men in Women’s War Stories?”","year":2020,"lang":"en","type":"article","venue":"Journal of Arabic Literature","topic":"Middle East Politics and Society","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Scholarship; Context (archaeology); Meaning (existential); Ideology; Character (mathematics); Spanish Civil War; Literature; Politics; History; Linguistics; Art; Political science; Philosophy; Epistemology; Law","authors":[{"name":"Michelle Hartman","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02000922518911536,"gpt":0.2828563992222673,"spread":0.2628471740331519,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007536269,0.0001340418,0.0003438747,0.00005596368,0.0001721588,0.0001320334,0.000365155,0.0002115937,0.0003367759],"category_scores_gemma":[0.0004174483,0.00009618638,0.0001413581,0.0005782424,0.00008913397,0.0004849503,0.00003564751,0.0007289068,0.000008071459],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003926174,"about_ca_system_score_gemma":0.0004985582,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00004725407,"about_ca_topic_score_gemma":0.0001410321,"domain_scores_codex":[0.998242,0.0002140282,0.0004169437,0.0001441952,0.0005727119,0.0004101542],"domain_scores_gemma":[0.9986952,0.00007914085,0.0003386501,0.0001013914,0.0003305697,0.0004550418],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002806975,0.0001141579,0.01510295,0.000136895,0.00007384066,0.0004661565,0.8755919,0.00002943824,0.00005061639,0.01071551,0.09683573,0.0006021369],"study_design_scores_gemma":[0.001009866,0.0002480013,0.005788142,0.0004785137,0.00001300086,0.00001545298,0.1073928,0.00003226545,0.000009775113,0.002523243,0.8822678,0.0002211124],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8839318,0.01396586,0.00003260258,0.0839182,0.001494885,0.0003039532,0.00006747781,0.00004529913,0.01623992],"genre_scores_gemma":[0.9872862,0.00194482,0.000339414,0.003321033,0.002684532,0.000003723631,0.000001031185,0.00001688246,0.004402373],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.785432,"threshold_uncertainty_score":0.3922367,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2948523006","doi":"10.1163/1570064x-12341370","title":"Theological Echoes of Literary Controversies: Reading Abū Bakr al-Bāqillānī’s Iʿjāz al-Qurʾān in Light of the Debate over Badīʿ Style","year":2018,"lang":"en","type":"article","venue":"Journal of Arabic Literature","topic":"Islamic Studies and History","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary","funders":"","keywords":"Rhetorical question; Literature; Poetry; Style (visual arts); Islam; Philosophy; Context (archaeology); Meaning (existential); Articulation (sociology); Excellence; Theology; History; Art; Epistemology; Law","authors":[{"name":"Rachel Anne Friedman","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.006604655311463226,"gpt":0.2609629069261235,"spread":0.2543582516146602,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001181118,0.000154766,0.0004881456,0.0001644994,0.0002594238,0.00005171632,0.0004918025,0.0001857869,0.0002246207],"category_scores_gemma":[0.0006099052,0.00009021026,0.0002901292,0.0004815229,0.0006039942,0.0003493099,0.00008832155,0.0004958362,0.000001905913],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001603941,"about_ca_system_score_gemma":0.0001712744,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00007745685,"about_ca_topic_score_gemma":0.0001727052,"domain_scores_codex":[0.9980313,0.000359347,0.0006229195,0.0001622225,0.0005266473,0.0002976101],"domain_scores_gemma":[0.9981345,0.0004386479,0.0007245599,0.0002117058,0.0004281929,0.00006242347],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0009506684,0.000443316,0.03459733,0.0001138101,0.0003870589,0.000133064,0.5409102,0.000007559805,0.008919237,0.09039237,0.3196245,0.003520899],"study_design_scores_gemma":[0.00134488,0.0004723242,0.02442499,0.001225606,0.00005856726,0.00003262307,0.00559562,0.00002080387,0.000712736,0.006532546,0.9593678,0.0002114759],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8743038,0.01279402,0.00001410954,0.01539228,0.00291237,0.0002985709,0.00003179007,0.00001417037,0.0942389],"genre_scores_gemma":[0.9922393,0.0006626837,0.000169616,0.002492866,0.0007054195,0.000001165085,5.882892e-7,0.000009490589,0.003718869],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6397433,"threshold_uncertainty_score":0.3678668,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2196528144","doi":"10.1163/1570064x-12341305","title":"“My Tale Is Too Long to Tell”","year":2015,"lang":"en","type":"article","venue":"Journal of Arabic Literature","topic":"Middle East Politics and Society","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Memoir; Exoticism; Literature; Tone (literature); Dream; History; Arabic; Marketing buzz; Framing (construction); Art; Linguistics; Philosophy; Psychology","authors":[{"name":"Michelle Hartman","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02948579956376805,"gpt":0.3207074934086738,"spread":0.2912216938449058,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001112042,0.00009400327,0.0001925866,0.00007046334,0.0001519494,0.0003272588,0.0003065817,0.0001664507,0.00008944789],"category_scores_gemma":[0.0003392416,0.00007286909,0.0001760906,0.0003634644,0.0001159915,0.0003848064,0.00003179864,0.0003869499,0.00004297021],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001407114,"about_ca_system_score_gemma":0.0003897258,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00002052746,"about_ca_topic_score_gemma":0.00001019645,"domain_scores_codex":[0.9985807,0.0001110657,0.0002797611,0.0001021491,0.0006359809,0.0002903504],"domain_scores_gemma":[0.9983555,0.00004231984,0.0001595184,0.0001282092,0.000707119,0.0006073529],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003524476,0.0001148653,0.006001975,0.000019512,0.00005904109,0.0001401683,0.4722164,0.00001871283,0.00008158803,0.03694576,0.4826224,0.001744394],"study_design_scores_gemma":[0.0003659944,0.0001565018,0.001097931,0.0001430286,0.00001753271,0.00004519866,0.007074455,0.000006694254,0.0001119517,0.006228387,0.984605,0.0001473287],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9064857,0.005786256,0.0006879373,0.02367288,0.002946661,0.0002169263,0.00002997054,0.00002597344,0.06014762],"genre_scores_gemma":[0.9529232,0.000112874,0.001604431,0.005875298,0.003113755,9.747779e-7,0.000001346238,0.00001192674,0.03635616],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5019826,"threshold_uncertainty_score":0.3155764,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2743089182","doi":"10.1163/1570064x-12341337","title":"Out of Time: Jabrā Ibrāhīm Jabrā and the Politics of Palestinian Exile","year":2017,"lang":"en","type":"article","venue":"Journal of Arabic Literature","topic":"Jewish and Middle Eastern Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Vanier College","funders":"","keywords":"Palestine; Politics; Alienation; Fantasy; Dream; Narrative; History; Mandatory Palestine; Dislocation; Ancient history; Literature; Space (punctuation); Art; Aesthetics; Law; Philosophy; Political science; Psychology","authors":[{"name":"Asma al-Naser","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01882695806944721,"gpt":0.2952386928384415,"spread":0.2764117347689943,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009184184,0.00009397363,0.0003610778,0.0000525852,0.0004222415,0.0001508836,0.000390506,0.00009502211,0.000009323679],"category_scores_gemma":[0.0009229828,0.00005466401,0.000139484,0.00005427744,0.0008885902,0.0003082963,0.00005656968,0.0002423964,0.00000239068],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000124234,"about_ca_system_score_gemma":0.0001132949,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0000378693,"about_ca_topic_score_gemma":0.00007280851,"domain_scores_codex":[0.9988756,0.0001382522,0.0003734764,0.00007634395,0.0003549127,0.0001814241],"domain_scores_gemma":[0.9981833,0.0001730623,0.0008708983,0.0002149418,0.0004633296,0.00009448222],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"observational","study_design_scores_codex":[0.0007091985,0.0004188439,0.2136712,0.0005313866,0.0009026492,0.0001469628,0.5138948,0.000003905744,0.002857568,0.2046799,0.01082148,0.05136205],"study_design_scores_gemma":[0.01934098,0.001834184,0.3863968,0.008879872,0.001300796,0.0003408693,0.06929155,0.00007078231,0.003377257,0.2161832,0.2916408,0.001342912],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9220153,0.02926452,0.0000141066,0.005217087,0.001058515,0.000181953,0.00004872189,0.000005831076,0.04219395],"genre_scores_gemma":[0.991738,0.0007167208,0.000199519,0.00009834895,0.0007327263,5.898077e-7,4.793743e-7,0.000005694224,0.006507894],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4446032,"threshold_uncertainty_score":0.3274048,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4403350555","doi":"10.1163/1570064x-12341531","title":"The Emergence of Modern Prose Narrative in Iraq: Maḥmūd Aḥmad al-Sayyid and the Search for Form","year":2024,"lang":"en","type":"article","venue":"Journal of Arabic Literature","topic":"Islamic Studies and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Narrative; History; Literature; Art","authors":[{"name":"Haytham Bahoora","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01369297300973503,"gpt":0.31441474650864,"spread":0.300721773498905,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00198503,0.00007039519,0.0001719035,0.00006033721,0.0004882196,0.0001206305,0.0002037745,0.00005463984,0.000007595501],"category_scores_gemma":[0.0001513684,0.0000327295,0.0001126939,0.0002564035,0.0004411882,0.0002190042,0.00002915929,0.0003561706,2.534822e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005423547,"about_ca_system_score_gemma":0.0001775469,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00003300176,"about_ca_topic_score_gemma":0.000396526,"domain_scores_codex":[0.9990278,0.0001274368,0.0002794786,0.00008831729,0.0003001287,0.0001768572],"domain_scores_gemma":[0.9991018,0.0004151741,0.000109206,0.00007214817,0.0002753951,0.0000263031],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002847943,0.00001721804,0.00008979387,0.00006572189,0.00006666893,0.00000889777,0.8616698,0.000009410817,0.0001219947,0.09904333,0.02574763,0.01287476],"study_design_scores_gemma":[0.002052779,0.0004588983,0.001816672,0.001341399,0.00007438272,0.00004128612,0.1421127,0.001702835,0.0001100978,0.1286442,0.7213964,0.0002483537],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4911067,0.3488111,0.0002897491,0.1362577,0.004634526,0.001530134,0.00004355183,0.00001699226,0.01730954],"genre_scores_gemma":[0.9894038,0.00519333,0.0001052577,0.0001852594,0.0004151918,0.00001216395,3.282968e-7,0.000006465256,0.004678211],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.719557,"threshold_uncertainty_score":0.375504,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2040722695","doi":"10.1163/157006410x486729","title":"Sons and Lovers and the Mirage: Recognition, Melodrama and Psychoanalysis in Mahfūz’s al-Sarāb","year":2010,"lang":"en","type":"article","venue":"Journal of Arabic Literature","topic":"Islamic Studies and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Narrative; Literature; Ambiguity; Certainty; Meaning (existential); Philosophy; Closure (psychology); Psychoanalysis; Art; Aesthetics; History; Epistemology; Psychology; Law; Linguistics","authors":[{"name":"Philip Kennedy","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.006228244581414821,"gpt":0.2564975672442419,"spread":0.2502693226628271,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001069354,0.0000786382,0.0002096511,0.000117624,0.0003054526,0.0001718168,0.00008183842,0.00009481257,0.00002663305],"category_scores_gemma":[0.0002507902,0.0000489679,0.00005739802,0.0002193338,0.0004260495,0.0002365686,0.00001958084,0.0005441242,8.052126e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002642223,"about_ca_system_score_gemma":0.00005156745,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001138224,"about_ca_topic_score_gemma":0.001877369,"domain_scores_codex":[0.9992368,0.0001259187,0.0002119327,0.000106841,0.0001865467,0.0001319257],"domain_scores_gemma":[0.9993908,0.0001559003,0.0001734372,0.00006597556,0.0001519484,0.00006193334],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0009517206,0.0001557967,0.02667852,0.0001051017,0.0006315854,0.0002834155,0.7005837,0.000001820479,0.001353851,0.03890635,0.1474531,0.08289506],"study_design_scores_gemma":[0.004277284,0.0001061531,0.05275947,0.0002937442,0.0002684788,0.000326439,0.02537296,0.00004301472,0.000005916486,0.03292626,0.8832913,0.0003289873],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9336613,0.01247062,0.000004679667,0.04561767,0.0006472156,0.0001059052,0.00000848463,0.000003925835,0.007480126],"genre_scores_gemma":[0.9891287,0.007068134,0.0005564456,0.001584209,0.0003727815,0.000001232681,8.31639e-7,0.000005581144,0.001282047],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7358382,"threshold_uncertainty_score":0.2363979,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}